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Ladies and gentlemen, | 0:00:18 | 0:00:20 | |
please welcome your host for tonight, Dara O Briain! | 0:00:20 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:27 | |
Lovely stuff! Good evening, ladies and gentlemen. | 0:00:38 | 0:00:42 | |
Welcome to Live At The Apollo. Are you in good form? | 0:00:42 | 0:00:45 | |
-AUDIENCE: -Yes! | 0:00:45 | 0:00:46 | |
This is a proper gig, ladies and gentlemen, | 0:00:46 | 0:00:48 | |
this isn't like your TV show where we can take things again or... | 0:00:48 | 0:00:51 | |
If something goes weird, we've got to go with it. | 0:00:51 | 0:00:53 | |
This is live stand-up, this is the joy of live stand-up, | 0:00:53 | 0:00:55 | |
you've just got to commit to the craziness no matter what | 0:00:55 | 0:00:58 | |
face you see in the crowd or what weird thing gets shouted out. | 0:00:58 | 0:01:01 | |
It's a proper gig, it's one of the joys of doing this. | 0:01:01 | 0:01:03 | |
There are very few things in the arts in which | 0:01:03 | 0:01:05 | |
you've just got to commit to it. | 0:01:05 | 0:01:07 | |
In a play you've got to stick to the script, | 0:01:07 | 0:01:08 | |
you're in a band you've got a setlist, | 0:01:08 | 0:01:10 | |
if you're a comedian you've just got to change everything. | 0:01:10 | 0:01:13 | |
Very few things in life where | 0:01:13 | 0:01:14 | |
you have to just commit to it! One thing - one thing in life. | 0:01:14 | 0:01:17 | |
When you rent a car in a foreign country. | 0:01:17 | 0:01:20 | |
Where they drive on the other side of the road. | 0:01:20 | 0:01:22 | |
And you're fecked if you're taking any instruction from the kid | 0:01:22 | 0:01:25 | |
who gives you the keys, | 0:01:25 | 0:01:26 | |
cos he's 17 and you've been driving longer than he's been alive. | 0:01:26 | 0:01:31 | |
So, let's go, Mary, | 0:01:31 | 0:01:32 | |
the first place you're driving is a roundabout to a motorway, | 0:01:32 | 0:01:34 | |
and you don't even know which way round the roundabout | 0:01:34 | 0:01:37 | |
they drive in this country. | 0:01:37 | 0:01:38 | |
But you're going to go for it, so let's get into gear - | 0:01:38 | 0:01:41 | |
Jesus, where's the gear stick? Why's the window going down? | 0:01:41 | 0:01:44 | |
It's here, what's it doing here? What are you doing here? No, abort, abort! | 0:01:44 | 0:01:47 | |
Get off the roundabout! | 0:01:47 | 0:01:49 | |
Any exit, that one. Oh, Jesus, we're back at the airport, it's yer man. | 0:01:49 | 0:01:53 | |
Head down, head down... | 0:01:53 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:57 | |
But you've just got to go for it, ladies and gentlemen, | 0:01:57 | 0:01:59 | |
that's the joy of it. | 0:01:59 | 0:02:00 | |
It's a pleasure to be here with so many people from around the world. | 0:02:00 | 0:02:04 | |
It is all human life gathered here. Both extremes of human achievement. | 0:02:04 | 0:02:08 | |
Five medallists from Team GB | 0:02:08 | 0:02:10 | |
are in the audience tonight, ladies and gentlemen. | 0:02:10 | 0:02:12 | |
CHEERING | 0:02:12 | 0:02:14 | |
But also, half the cast of Made In Chelsea, so essentially... | 0:02:21 | 0:02:26 | |
MIXED CHEERS AND BOOS | 0:02:26 | 0:02:28 | |
Why, the universe is in balance here, isn't it? | 0:02:28 | 0:02:31 | |
I've... Listen now, I'm very proud. Well done, you guys. Congratulations. | 0:02:31 | 0:02:34 | |
I'm Irish, obviously, so it's kind of secondary pride | 0:02:34 | 0:02:38 | |
in how well you all did. Are there any Irish people in? | 0:02:38 | 0:02:41 | |
CHEERING Good to have a few in. | 0:02:41 | 0:02:44 | |
More Irish will be arriving over in the next little while. | 0:02:44 | 0:02:47 | |
Things a little tight for cash in Ireland at the moment. | 0:02:47 | 0:02:50 | |
Many Irish may be arriving on your shores. | 0:02:50 | 0:02:53 | |
Beware, by the way. | 0:02:53 | 0:02:54 | |
It's been a very IT-type economy in Ireland for the last while. | 0:02:54 | 0:02:58 | |
Not been a lot of building work done by these people, | 0:02:58 | 0:03:01 | |
but they will take the work. LAUGHTER | 0:03:01 | 0:03:03 | |
In fact, they will stand on your doorstep and go, | 0:03:03 | 0:03:06 | |
"Oh, yeah, we'll do that. No problem. | 0:03:06 | 0:03:07 | |
"Oh, we'll lift that and we'll move that and we'll take that over | 0:03:07 | 0:03:10 | |
"and we'll rise it up. No problem at all, we'll get that done for you. | 0:03:10 | 0:03:14 | |
"Don't you worry, we'll get that done, no problem at all. | 0:03:14 | 0:03:16 | |
"Google it. Google it for Jesus' sake!" | 0:03:16 | 0:03:19 | |
"There's bound to be a website somewhere with that information." | 0:03:19 | 0:03:22 | |
"Ha-ha-ha. I don't know, translate it FROM Polish." | 0:03:22 | 0:03:25 | |
LAUGHTER AND APPLAUSE | 0:03:25 | 0:03:27 | |
You... | 0:03:27 | 0:03:28 | |
You will be crying out for the Poles in about a year's time | 0:03:31 | 0:03:36 | |
when you see the mess we're about to make of your houses. | 0:03:36 | 0:03:40 | |
Ho-ho, it's funny the first time you flush the toilets | 0:03:40 | 0:03:43 | |
and the lights go off, but eventually that joke wears thin, right? | 0:03:43 | 0:03:48 | |
In about a year's time, every DIY store in the UK, | 0:03:48 | 0:03:50 | |
every Wickes, every Homebase, every B&Q | 0:03:50 | 0:03:55 | |
is going to be rammed with Irish "builders" trying to describe tools | 0:03:55 | 0:04:01 | |
they vaguely remember from a generation ago. | 0:04:01 | 0:04:05 | |
LAUGHTER | 0:04:05 | 0:04:06 | |
"Do you have anything that'll make wood shorter?" | 0:04:06 | 0:04:11 | |
LAUGHTER | 0:04:11 | 0:04:13 | |
"I have a gap and a plank and I can't quite get the plank into the gap! | 0:04:14 | 0:04:19 | |
"While I have you there, I have a tin of paint and a wall. | 0:04:19 | 0:04:23 | |
"How do I transfer the paint from the tin? | 0:04:23 | 0:04:25 | |
"I have tried smearing it, I have tried lifting... | 0:04:25 | 0:04:29 | |
"In my mind, there's a thing like a Jedward's head. Do you have...?" | 0:04:29 | 0:04:33 | |
LAUGHTER | 0:04:33 | 0:04:35 | |
You can just dip it in and run along the wall. | 0:04:35 | 0:04:38 | |
Who else is here, who else is here? | 0:04:38 | 0:04:39 | |
Would you look at David Seaman? A pleasure to have you here, sir. | 0:04:39 | 0:04:43 | |
Looking fantastic. CHEERING AND APPLAUSE | 0:04:43 | 0:04:45 | |
Despite my love of Mr Seaman on a club level for many years, | 0:04:47 | 0:04:50 | |
may I compliment you on the tight leather jacket you're wearing | 0:04:50 | 0:04:55 | |
and the way you've ruffed your hair. | 0:04:55 | 0:04:57 | |
You've come in fancy dress | 0:04:57 | 0:04:58 | |
as "the male menopause". Good to have you here. | 0:04:58 | 0:05:01 | |
Difficult. It's difficult as a man, ageing is no picnic for us, ladies. | 0:05:06 | 0:05:11 | |
All we have to look forward to as we drift into our fifties is buying | 0:05:11 | 0:05:15 | |
a pair of leather trousers and hanging around the back | 0:05:15 | 0:05:17 | |
of a lap dancing club going, "Please, Aurora, this is real!" | 0:05:17 | 0:05:22 | |
"But, Starburst, this could work." | 0:05:23 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:27 | |
Starburst, by the way is a top-quality name for a lap dancer. | 0:05:27 | 0:05:30 | |
She did not make a penny while she was called Opal Fruits. | 0:05:30 | 0:05:34 | |
But the minute... | 0:05:34 | 0:05:36 | |
The minute she changed her name, the cash came rolling in. | 0:05:36 | 0:05:39 | |
That's the thing about lap dancing names, if you ever, | 0:05:39 | 0:05:41 | |
and I hope you never have to, but if you ever have to pick | 0:05:41 | 0:05:44 | |
a lap dancing name, confectionary can go either way. | 0:05:44 | 0:05:48 | |
"On the main stage - Candy, Candy on the main stage. | 0:05:48 | 0:05:54 | |
"And on the second stage - Double Decker. | 0:05:54 | 0:05:57 | |
LAUGHTER | 0:05:57 | 0:06:00 | |
"Performing for you tonight." | 0:06:00 | 0:06:03 | |
Rappers have the thing as well. | 0:06:03 | 0:06:04 | |
Cos we've got some rappers in tonight, | 0:06:04 | 0:06:06 | |
I know we've got Wretch Three-Two somewhere in the house. | 0:06:06 | 0:06:09 | |
CHEERING | 0:06:09 | 0:06:10 | |
Good to have you here, Wretch. | 0:06:10 | 0:06:13 | |
Some people, like idiots, call him Wretch Thirty-Two. | 0:06:13 | 0:06:16 | |
Because that's how you pronounce a three and a two | 0:06:16 | 0:06:19 | |
when they're next to each other. | 0:06:19 | 0:06:20 | |
You think you can change maths. No, you can't, Wretch. | 0:06:21 | 0:06:25 | |
That's the way it works, and has for thousands of years, | 0:06:25 | 0:06:28 | |
WRETCH THIRTY-TWO. | 0:06:28 | 0:06:30 | |
I've got no problem with you, Wretch, you're doing great work. | 0:06:30 | 0:06:32 | |
Would never publically acclaim you because | 0:06:32 | 0:06:34 | |
that would kill your career in a second. | 0:06:34 | 0:06:36 | |
Wretch, the choice of the bigger Irishman. | 0:06:36 | 0:06:38 | |
Nevertheless, you're doing very good work, but the names are mad. | 0:06:38 | 0:06:41 | |
You've got to admit, in that industry it is crazy. | 0:06:41 | 0:06:43 | |
It is ludicrous. They're all called Tabletop or Hedgerow. | 0:06:43 | 0:06:47 | |
I was on The Jonathan Ross Show during the year, | 0:06:47 | 0:06:50 | |
and there was a guy on called Labrinth. | 0:06:50 | 0:06:52 | |
You've all probably heard of Labrinth by now, | 0:06:52 | 0:06:54 | |
but this was his debut appearance. | 0:06:54 | 0:06:57 | |
So Labrinth was walking around in his pink skinny trousers | 0:06:57 | 0:06:59 | |
and hipster glasses, and all we heard all day was, | 0:06:59 | 0:07:02 | |
"Look, there's Labrinth, here comes Labrinth, | 0:07:02 | 0:07:04 | |
"has Labrinth done his sound check? | 0:07:04 | 0:07:05 | |
"My God, where's Labrinth?" | 0:07:05 | 0:07:07 | |
I was in make-up at one stage with Labrinth behind me, going, | 0:07:07 | 0:07:09 | |
"Jeez, there's Labrinth", and then they call Labrinth out, | 0:07:09 | 0:07:12 | |
there goes Labrinth, bye-bye, Labrinth. | 0:07:12 | 0:07:14 | |
All we heard was bloody Labrinth for the entire day. | 0:07:14 | 0:07:17 | |
And as he leaves, the make-up lady turns to me and goes, | 0:07:18 | 0:07:25 | |
"What a dreadful name... | 0:07:25 | 0:07:27 | |
"..to give a child." | 0:07:29 | 0:07:31 | |
APPLAUSE | 0:07:34 | 0:07:35 | |
Ah, no, pet, he wasn't christened Labrinth, | 0:07:38 | 0:07:41 | |
that's his rapper name, they all have silly rapper names. | 0:07:41 | 0:07:45 | |
I don't think when Plan B was born... | 0:07:45 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:49 | |
That his parents went, "Well, we wanted a couple more years | 0:07:57 | 0:07:59 | |
"travelling, but we love our Plan B, don't we?" | 0:07:59 | 0:08:04 | |
So, one of the things when you're touring, like a comic or whatever, | 0:08:11 | 0:08:14 | |
you do stories over and over again and get some audience messing around, | 0:08:14 | 0:08:17 | |
and you have a bit of craic with that. | 0:08:17 | 0:08:19 | |
Sometimes, you have to retire something. Sometimes, you've got to | 0:08:19 | 0:08:22 | |
knock a routine on the head because it's just... It's been won. | 0:08:22 | 0:08:25 | |
Some audience member has just nailed it | 0:08:25 | 0:08:27 | |
and nothing will ever be as perfect... I was in Killarney, right, | 0:08:27 | 0:08:31 | |
and I had a routine about stupid things you do on your holidays, | 0:08:31 | 0:08:35 | |
where I'd ask the audience, | 0:08:35 | 0:08:36 | |
"What's the stupidest thing you've ever done on holiday?" | 0:08:36 | 0:08:39 | |
This guy gave an answer that I frankly... | 0:08:39 | 0:08:41 | |
You know, I should've given him a diploma at the end of it, | 0:08:41 | 0:08:43 | |
cos it was such a sweet, beautiful, perfect... | 0:08:43 | 0:08:45 | |
It was lovely as a short thing. And comedians love brevity. | 0:08:45 | 0:08:48 | |
We love that beautiful... It's like Twitter. | 0:08:48 | 0:08:51 | |
I love Twitter, mainly because it's allowed up to 40,000 people | 0:08:51 | 0:08:54 | |
to contact me directly and tell me I look like Gru from Despicable Me. | 0:08:54 | 0:08:59 | |
LAUGHTER | 0:08:59 | 0:09:01 | |
We love a bit of brevity. So I'm chatting to this audience member... | 0:09:05 | 0:09:08 | |
I'll give you an example. I would ask the audience, | 0:09:08 | 0:09:10 | |
"What is the most stupid thing you've done on your holidays?" | 0:09:10 | 0:09:12 | |
Throw out the first line. Stupidest thing you've done on holiday? | 0:09:12 | 0:09:15 | |
-AUDIENCE MEMBER: -Lost my passport. -Lost passport. | 0:09:15 | 0:09:18 | |
Brilliant first example. Standard kind of answer. Give me another one. | 0:09:18 | 0:09:21 | |
-AUDIENCE MEMBER: -Had sex with a man! -Had sex with a man. | 0:09:21 | 0:09:24 | |
LAUGHTER | 0:09:24 | 0:09:26 | |
A surprisingly common response. | 0:09:30 | 0:09:34 | |
And, if you're gay, actually not that weird at all. | 0:09:34 | 0:09:37 | |
Lost passport, had sex with a man, give me one more for the hell of it. | 0:09:37 | 0:09:40 | |
-AUDIENCE MEMBER: -Bit by a donkey. | 0:09:40 | 0:09:42 | |
"Bit by a donkey". LAUGHTER | 0:09:42 | 0:09:45 | |
That's very much the stupidest thing the donkey did, | 0:09:45 | 0:09:47 | |
rather than you, if the truth be told. | 0:09:47 | 0:09:49 | |
So, lost a passport, had sex with a man, bitten by a donkey. | 0:09:49 | 0:09:52 | |
It's a hell of a night out. It's a fantastic single evening. | 0:09:52 | 0:09:55 | |
If you could roll that into one story, | 0:09:55 | 0:09:57 | |
you're in the game here. That is fantastic. | 0:09:57 | 0:09:59 | |
They're all good answers, but they could have happened anywhere. | 0:09:59 | 0:10:01 | |
You could lose your passport at home, you could have sex with a man anywhere you want. | 0:10:01 | 0:10:05 | |
It's on your phone, Grindr, check it out, right? | 0:10:05 | 0:10:09 | |
You could go to Blackpool and have sex with a donk... | 0:10:09 | 0:10:11 | |
Oh, not have sex with a donkey! | 0:10:11 | 0:10:13 | |
LAUGHTER AND APPLAUSE | 0:10:13 | 0:10:16 | |
DON'T go to Blackpool and have sex with a donkey, OK? | 0:10:20 | 0:10:23 | |
Of all the things... If you take anything away from tonight's show, | 0:10:23 | 0:10:27 | |
let it not be, "Oh, yeah, Blackpool - you can ride the donkeys." | 0:10:27 | 0:10:31 | |
LAUGHTER | 0:10:31 | 0:10:33 | |
"It's fantastic, it's out of season, not getting much work..." No, no! | 0:10:33 | 0:10:37 | |
You've just got to go with this stuff when it happens. | 0:10:38 | 0:10:41 | |
No, they're all fine things, grand things... | 0:10:41 | 0:10:43 | |
I walked out in Killarney and I said, | 0:10:43 | 0:10:45 | |
"What is the stupidest thing you've ever done on your holidays?" | 0:10:45 | 0:10:47 | |
And a man in the front row just raised his hand and went, | 0:10:47 | 0:10:50 | |
"Eh, I kicked an armadillo." | 0:10:50 | 0:10:52 | |
LAUGHTER | 0:10:52 | 0:10:55 | |
"Why did you kick an armadillo?" | 0:11:00 | 0:11:03 | |
"I dunno, he just walked out in front of me." | 0:11:03 | 0:11:06 | |
He was on a nature trek... LAUGHTER | 0:11:09 | 0:11:13 | |
..with a local guide sympathetically showing him the wildlife. | 0:11:13 | 0:11:16 | |
Literally, there's a man at the front with a tree going, | 0:11:16 | 0:11:19 | |
"If you look up there, you can see that's the nest. | 0:11:19 | 0:11:21 | |
"Let's just pull back the bush. Can you see the tracks as it walks...?" | 0:11:21 | 0:11:25 | |
And he's at the back, minding his own business, and an armadillo | 0:11:25 | 0:11:29 | |
walked out in front of him and he just panicked and went, | 0:11:29 | 0:11:32 | |
"Argh! Jesus!" And foomph! LAUGHTER | 0:11:32 | 0:11:35 | |
Hoofed it. Properly caught it with the instep. | 0:11:36 | 0:11:40 | |
Foomph, fam, right? | 0:11:40 | 0:11:42 | |
Lifted it over a tree... | 0:11:42 | 0:11:44 | |
..converted the armadillo, right? | 0:11:46 | 0:11:49 | |
Now, I have no idea what I find more delicious about the story, right? | 0:11:49 | 0:11:53 | |
The face of the tour guide going, | 0:11:53 | 0:11:56 | |
"Don't kick the wildlife!" | 0:11:56 | 0:11:59 | |
LAUGHTER | 0:11:59 | 0:12:02 | |
"Was that not obvious in the general tone of what we're doing here today?" | 0:12:02 | 0:12:06 | |
Or the armadillo going, "This is a bad day for me!" | 0:12:08 | 0:12:12 | |
LAUGHTER AND APPLAUSE | 0:12:12 | 0:12:15 | |
Apropos of nothing, stupidest thing I've ever done on my holiday, | 0:12:22 | 0:12:25 | |
Bondi Beach in Australia, went to visit, was looking at the lads on the surf boards going, | 0:12:25 | 0:12:29 | |
"Look at that. Will you look at that? Fizz, fizz, fizz, fantastic, | 0:12:29 | 0:12:32 | |
"would you look, that's fantastic. I can do... Look how easy... | 0:12:32 | 0:12:35 | |
"They're standing on the boards. This must be a doddle. | 0:12:35 | 0:12:38 | |
"I'm going to do this, I'm going to..." Went to the board rental area, | 0:12:38 | 0:12:41 | |
picked out the largest board they had, ran to the water, | 0:12:41 | 0:12:45 | |
with the music from Hawaii Five-0 playing in my head. | 0:12:45 | 0:12:50 | |
It's amazing how quickly, with the addition of water, | 0:12:50 | 0:12:54 | |
a surf board turns into a bar of soap. Floomph, foomp! | 0:12:54 | 0:12:56 | |
LAUGHTER | 0:12:56 | 0:12:58 | |
Gone, out of your hands. | 0:12:58 | 0:13:00 | |
And then there's a moment of tension. | 0:13:01 | 0:13:03 | |
Because when they rent you a surf board, they strap it to your leg. | 0:13:03 | 0:13:08 | |
So when it goes, a second later, | 0:13:08 | 0:13:11 | |
you go as well. | 0:13:11 | 0:13:13 | |
So I picked up the board, hoping nobody spotted. | 0:13:13 | 0:13:15 | |
I ran back into the water again, right? | 0:13:15 | 0:13:17 | |
Every time I tried it, foomph, there it goes, then there it goes again. | 0:13:17 | 0:13:21 | |
This went on for 20 minutes. | 0:13:21 | 0:13:23 | |
It seems like a victimless crime, but the underside of a surf board | 0:13:23 | 0:13:26 | |
has three bloody razor blades stuck onto it. | 0:13:26 | 0:13:28 | |
For no reason other than to nick across your legs and cut you! | 0:13:28 | 0:13:32 | |
After 20 minutes I looked like some weird emo chick. | 0:13:32 | 0:13:35 | |
I had all these tiny nicks and bruises and blood running on my legs, | 0:13:35 | 0:13:40 | |
which is a bad thing to do in the waters off Australia. | 0:13:40 | 0:13:43 | |
LAUGHTER | 0:13:43 | 0:13:45 | |
I was beginning to lure sharks INTO Bondi Beach. | 0:13:45 | 0:13:48 | |
Like Angelina Jolie at the Oscars, one leg dangled alluringly out. | 0:13:48 | 0:13:54 | |
"Come on, smell this with your big nose! You know we're here", right? | 0:13:54 | 0:13:59 | |
At one stage, I ran to the water, mistimed it so the wave front | 0:13:59 | 0:14:02 | |
was about this height as I came at it, right? | 0:14:02 | 0:14:05 | |
When that happens - let me give you a little tip - | 0:14:05 | 0:14:07 | |
the most important thing is to lift the board OVER the wave. | 0:14:07 | 0:14:11 | |
Or to break the wave underneath with the pointy end of the board. | 0:14:11 | 0:14:16 | |
Don't do what I did. | 0:14:16 | 0:14:18 | |
Which is hold the board up FLAT towards the wave... | 0:14:18 | 0:14:22 | |
..in an effort to somehow deflect the Southern Ocean away from myself. | 0:14:24 | 0:14:29 | |
Like a table tennis player, I'd just go, "F'dunk!" | 0:14:29 | 0:14:32 | |
And the ocean would go, "There you go." | 0:14:32 | 0:14:34 | |
I managed to harness the entire gravitational pull of the moon... | 0:14:35 | 0:14:39 | |
..on to my own head - "Foomp, thunk. Ah, Jesus!" | 0:14:40 | 0:14:44 | |
"Noooo! God!" | 0:14:44 | 0:14:45 | |
As I'm recovering from this knock, I see a bloke, a surfer guy, | 0:14:48 | 0:14:51 | |
with a board under his arm, laughing at me and I'm going, | 0:14:51 | 0:14:54 | |
"You can't do that. | 0:14:54 | 0:14:55 | |
"That is bad etiquette in the surfing community, to laugh at the new guy. | 0:14:55 | 0:14:59 | |
"Well, screw you, I'm going to master this. | 0:14:59 | 0:15:01 | |
"Look at you, I'm going to master you... | 0:15:01 | 0:15:03 | |
"I'm going to LEAP!" | 0:15:03 | 0:15:04 | |
And I leapt onto the board, I went, "I've got you now!" | 0:15:04 | 0:15:07 | |
"Oh, Jesus! You're not as buoyant as you let on..." | 0:15:07 | 0:15:10 | |
LAUGHTER | 0:15:10 | 0:15:12 | |
And then you're just sitting in the water, | 0:15:12 | 0:15:14 | |
with the waves just lapping in and out... | 0:15:14 | 0:15:17 | |
Looking at the rest of the surfing community going, "How are you, lads?" | 0:15:21 | 0:15:24 | |
"Yeah, great, great day on the waves, great day on the waves. | 0:15:24 | 0:15:26 | |
"Couple of good breakers out there at the moment, | 0:15:26 | 0:15:29 | |
"might take a bit of a break myself, | 0:15:29 | 0:15:30 | |
"cos I'm a bit weak from the blood loss at this stage." | 0:15:30 | 0:15:34 | |
And I'm looking at your man, I don't want to leave the water | 0:15:34 | 0:15:37 | |
cos he's there and he's in tears laughing at this stage, | 0:15:37 | 0:15:40 | |
just this guy pointing at me and doubled over, | 0:15:40 | 0:15:42 | |
and I go, "I've got to walk past you." | 0:15:42 | 0:15:44 | |
And I pick up the board, I just walk past your man, | 0:15:44 | 0:15:47 | |
and I do the only thing you can do in this situation, | 0:15:47 | 0:15:51 | |
I just kind of go, "Uhhh", like that. | 0:15:51 | 0:15:53 | |
The universal kind of "Uhhh." | 0:15:53 | 0:15:56 | |
And I vividly to this day remember, your man just looks at me | 0:15:56 | 0:15:59 | |
and in the thickest accent I have ever heard in my life | 0:15:59 | 0:16:02 | |
just goes "Ah, Jesus, Dara - | 0:16:02 | 0:16:03 | |
"we Irish are shite at surfing, did you not know that?" | 0:16:03 | 0:16:07 | |
LAUGHTER AND APPLAUSE | 0:16:07 | 0:16:09 | |
Right. We, tonight, have a spectacular show, | 0:16:16 | 0:16:18 | |
a stellar show, a lovely show. two fabulously gifted comedians | 0:16:18 | 0:16:21 | |
are going to come out here and blow your socks off. | 0:16:21 | 0:16:23 | |
It's going to be amazing, ladies and gentlemen. | 0:16:23 | 0:16:25 | |
Are you in the mood to hear our first act tonight? | 0:16:25 | 0:16:28 | |
WHOOPING AND CHEERING | 0:16:28 | 0:16:31 | |
Ladies and gentlemen, please raise the roof | 0:16:31 | 0:16:33 | |
for the very beautiful, the very gifted, the very wonderful | 0:16:33 | 0:16:36 | |
Nina Conti. | 0:16:36 | 0:16:37 | |
CHEERING AND APPLAUSE | 0:16:37 | 0:16:39 | |
Hello, everybody. | 0:16:54 | 0:16:55 | |
Well, I'm a ventriloquist. | 0:16:55 | 0:16:57 | |
So I'm going to cut the crap and introduce you to my monkey | 0:16:57 | 0:16:59 | |
Come on out, Monk, we're here. 1, 2, 3, hop! | 0:17:01 | 0:17:03 | |
Hello! | 0:17:03 | 0:17:05 | |
-Hello! Come on, let's get rid of this shit. -Yeah. | 0:17:06 | 0:17:10 | |
-There's no going back. -No, there's no going back. | 0:17:11 | 0:17:13 | |
-So, uh... -What's that on your face? | 0:17:13 | 0:17:15 | |
On my face? My microphone. | 0:17:15 | 0:17:17 | |
Where's mine? | 0:17:17 | 0:17:19 | |
LAUGHTER | 0:17:19 | 0:17:21 | |
APPLAUSE | 0:17:21 | 0:17:24 | |
-You haven't got one, Monkey. -Well, that screws up the illusion! | 0:17:28 | 0:17:32 | |
-So, um... -So! | 0:17:32 | 0:17:34 | |
-What you gonna do? -I dunno, do you want to tell some jokes? | 0:17:34 | 0:17:37 | |
Why did the monkey cross the road? | 0:17:37 | 0:17:39 | |
Because he saw you standing behind him, rolling up your sleeve. | 0:17:39 | 0:17:43 | |
APPLAUSE AND LAUGHTER | 0:17:43 | 0:17:45 | |
That's horrible! | 0:17:45 | 0:17:46 | |
I'm sorry about that. | 0:17:46 | 0:17:49 | |
I want freedom from you. | 0:17:50 | 0:17:52 | |
-Really? -Yeah, I hate this vicarious life. | 0:17:53 | 0:17:57 | |
I don't even have my own problems, I have yours. | 0:17:57 | 0:18:00 | |
I can't sleep at night, I'm so worried about your mortgage. | 0:18:01 | 0:18:04 | |
-I'm sorry! -I want freedom! | 0:18:06 | 0:18:08 | |
I have, of late, but wherefore I know not, | 0:18:08 | 0:18:10 | |
lost all my mirth. | 0:18:10 | 0:18:12 | |
Forgone all custom of exercise, indeed, | 0:18:12 | 0:18:14 | |
-it goes so heavily with my disposition... -What's this? | 0:18:14 | 0:18:18 | |
I don't know, just some shit I wrote | 0:18:18 | 0:18:20 | |
when I was locked in a room with a typewriter. | 0:18:20 | 0:18:22 | |
LAUGHTER AND APPLAUSE | 0:18:22 | 0:18:25 | |
That was weird! So, um... | 0:18:25 | 0:18:28 | |
I just, I want freedom, you know? | 0:18:28 | 0:18:31 | |
I want to be like you. Hoo-hoo. | 0:18:31 | 0:18:34 | |
And I think you need to become whole, | 0:18:36 | 0:18:38 | |
stop expressing yourself through a furry monkey, it's weird. | 0:18:38 | 0:18:42 | |
-What do you suggest? -I suggest you let me control you. | 0:18:42 | 0:18:45 | |
Just follow my instructions. | 0:18:47 | 0:18:49 | |
-Right, so what do I do? -Get the bag. | 0:18:49 | 0:18:52 | |
OK. Here it is. | 0:18:52 | 0:18:55 | |
-Now what? -Get in the bag. | 0:18:55 | 0:18:57 | |
-In the bag? -OK, put me in the bag. | 0:18:59 | 0:19:01 | |
-They'll miss you. -It's OK, I'll still be here. | 0:19:01 | 0:19:03 | |
Cos she's shit without me. | 0:19:05 | 0:19:07 | |
-LAUGHTER -Monkey! | 0:19:07 | 0:19:09 | |
What do I do now? | 0:19:09 | 0:19:10 | |
Put me in. Now, take your hand out of me. | 0:19:10 | 0:19:13 | |
-OK. -Oh, sweet Jesus, it feels nice and nasty at the same time. | 0:19:13 | 0:19:18 | |
LAUGHTER AND APPLAUSE | 0:19:18 | 0:19:20 | |
-All right, my hand's out, now what do I do? -Take your hand out the bag. | 0:19:24 | 0:19:28 | |
-I don't want to. -Go on. | 0:19:28 | 0:19:30 | |
Force yourself. | 0:19:30 | 0:19:31 | |
-Don't you like me naked? -No! | 0:19:33 | 0:19:36 | |
-It's very disturbing! -But it's very deconstructive! | 0:19:37 | 0:19:41 | |
-But I miss the monkey. -I am the monkey, you schizophrenic bitch. | 0:19:41 | 0:19:45 | |
-What do I do? -Talk to the hand. | 0:19:47 | 0:19:49 | |
-I don't want to. -Put the bag down. | 0:19:51 | 0:19:53 | |
I feel very exposed, I don't know... | 0:19:53 | 0:19:56 | |
-What are you doing? -I can't tell my arse from your elbow. | 0:19:56 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:02 | |
I don't know if I can continue with this, | 0:20:02 | 0:20:04 | |
-it's doing my head in. -OK, put this hand down | 0:20:04 | 0:20:07 | |
by your side. | 0:20:07 | 0:20:09 | |
But I'm still here. | 0:20:09 | 0:20:10 | |
Where are you now? | 0:20:12 | 0:20:14 | |
I'm in your mind. | 0:20:14 | 0:20:15 | |
All right, monkey, the laughter's got a bit uneasy. | 0:20:16 | 0:20:20 | |
It's OK, you'll still get paid. | 0:20:20 | 0:20:22 | |
LAUGHTER | 0:20:22 | 0:20:24 | |
-I feel vulnerable! -Are you ready for the final step? | 0:20:24 | 0:20:28 | |
I'm not sure, what's the final step? | 0:20:28 | 0:20:30 | |
I'm going to get on your face. | 0:20:30 | 0:20:32 | |
OK, monkey, I don't like the sound of that. | 0:20:32 | 0:20:34 | |
-Stay where you are. -Here I come! | 0:20:34 | 0:20:35 | |
-Here I come. -No, stay where you are! -Here I come, here I come, here I am! | 0:20:35 | 0:20:39 | |
Oh, at last, I'm in the stupid cow! | 0:20:39 | 0:20:43 | |
LAUGHTER AND APPLAUSE | 0:20:43 | 0:20:45 | |
Ah-ha! You'll all a bit freaked out now, aren't you? | 0:20:46 | 0:20:50 | |
It's quite a sweet voice on a little monkey | 0:20:50 | 0:20:53 | |
but with tits it's bloody sinister! | 0:20:53 | 0:20:56 | |
-LAUGHTER AND APPLAUSE -Thank you very much, that was Monkey! | 0:20:56 | 0:20:59 | |
Thank you! | 0:21:02 | 0:21:04 | |
Thank you. | 0:21:06 | 0:21:07 | |
I just wondered, would you tell me your name? | 0:21:10 | 0:21:13 | |
Louisa. | 0:21:13 | 0:21:14 | |
Would you join me on the stage, please, Louisa, for a second? | 0:21:14 | 0:21:17 | |
Could we give it up for Louisa? | 0:21:17 | 0:21:19 | |
CHEERING AND APPLAUSE | 0:21:19 | 0:21:21 | |
Thank you so much, Louisa, come here and stand in the middle. | 0:21:31 | 0:21:34 | |
-Can you tell us what you do? -I'm a projects manager. | 0:21:34 | 0:21:37 | |
You're a projects manager, excellent. | 0:21:37 | 0:21:39 | |
Would you stand on my left there? | 0:21:39 | 0:21:41 | |
I'm just going to give you a slight makeover, which... | 0:21:41 | 0:21:44 | |
It's going to take the heat off you and you don't have to worry | 0:21:45 | 0:21:48 | |
so much about what you say and everything, all right? | 0:21:48 | 0:21:51 | |
LAUGHTER | 0:21:51 | 0:21:53 | |
I'm just going to put this on... | 0:21:54 | 0:21:56 | |
OK, Louisa, how are you doing? | 0:22:01 | 0:22:02 | |
'Oh, I'm loving it!' | 0:22:02 | 0:22:05 | |
LAUGHTER AND APPLAUSE | 0:22:05 | 0:22:07 | |
-'Oh, this is magical!' -It's magic? | 0:22:07 | 0:22:10 | |
'It's a magical night!' | 0:22:10 | 0:22:12 | |
I'm so glad, come forward a little bit. | 0:22:12 | 0:22:14 | |
So, um, so you... | 0:22:14 | 0:22:16 | |
LAUGHTER | 0:22:17 | 0:22:18 | |
'Ha ha! Oh, my goodness!' | 0:22:18 | 0:22:21 | |
-So... -'I'm so glad I sat in the front row.' | 0:22:21 | 0:22:23 | |
-'I wear a jumper on all occasions.' -You do? | 0:22:25 | 0:22:29 | |
'I'm the coldest-blooded person in the room!' | 0:22:32 | 0:22:34 | |
'Ha-ha-ha! I really am! | 0:22:36 | 0:22:37 | |
'Ha-ha-ha! Oh, God!' | 0:22:37 | 0:22:40 | |
LAUGHTER AND APPLAUSE | 0:22:41 | 0:22:43 | |
'Oh, my head!' | 0:22:45 | 0:22:46 | |
Is your head all right? | 0:22:46 | 0:22:48 | |
'Yeah, yeah, yeah, my head's fine.' | 0:22:48 | 0:22:50 | |
-OK... -'I like to shrug,' | 0:22:50 | 0:22:52 | |
Yes, I noticed. | 0:22:52 | 0:22:53 | |
'It's my natural body language. | 0:22:53 | 0:22:55 | |
'Oh! There it goes again! | 0:22:55 | 0:22:57 | |
'Ha-ha-ha-ha! | 0:22:57 | 0:22:59 | |
'I'm just looking at my feet, making sure they're still there...' | 0:22:59 | 0:23:03 | |
'Yeah, I feel carried away, I feel liberated.' | 0:23:03 | 0:23:06 | |
-'Itchy arm.' -Yes. | 0:23:07 | 0:23:10 | |
LAUGHTER AND APPLAUSE | 0:23:10 | 0:23:12 | |
So, tell me... | 0:23:12 | 0:23:13 | |
'Oh, what a nightmare, but I love it.' | 0:23:13 | 0:23:16 | |
So, what brought you here tonight? | 0:23:16 | 0:23:18 | |
'Well, it wasn't actually the comedy.' | 0:23:18 | 0:23:21 | |
-No? -'No, I saw a fit guy in the queue.' | 0:23:21 | 0:23:24 | |
Really? | 0:23:24 | 0:23:25 | |
'Yeah, I did, I saw one,' | 0:23:25 | 0:23:27 | |
That's lovely, can you see him from here? | 0:23:28 | 0:23:30 | |
'I couldn't get the seat next to him.' | 0:23:30 | 0:23:33 | |
No, but is he round about here? | 0:23:33 | 0:23:35 | |
'Yeah, he's somewhere here.' | 0:23:35 | 0:23:37 | |
Show me. Which one is he? | 0:23:37 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
'I'm just looking for him, where did he go?' | 0:23:42 | 0:23:44 | |
Which one, do you want to point to him? | 0:23:46 | 0:23:48 | |
'Yeah, let's see. | 0:23:48 | 0:23:49 | |
Where's he gone?' | 0:23:49 | 0:23:51 | |
It could have been any of these guys, right? | 0:23:53 | 0:23:55 | |
'Yeah, well, no, it wasn't one of them.' | 0:23:55 | 0:23:58 | |
LAUGHTER AND APPLAUSE | 0:23:58 | 0:24:00 | |
'No, it wasn't one of them.' | 0:24:01 | 0:24:03 | |
-OK, was it one of these guys? -'Yeah, it was him.' | 0:24:03 | 0:24:05 | |
Which one? That one? | 0:24:05 | 0:24:06 | |
'The green T-shirt.' | 0:24:06 | 0:24:08 | |
-Him? -'Yeah, that's him.' | 0:24:08 | 0:24:10 | |
You found him? | 0:24:10 | 0:24:11 | |
'That's the one, get him up here.' | 0:24:11 | 0:24:13 | |
-Will you come up here? -'Get him up here now!' | 0:24:14 | 0:24:17 | |
CHEERING AND APPLAUSE | 0:24:17 | 0:24:19 | |
-'Oh, this is exciting!' -It's nice! | 0:24:19 | 0:24:21 | |
'I'm so glad I found him.' | 0:24:23 | 0:24:25 | |
I'm glad, too, I thought it was going to take a while. | 0:24:25 | 0:24:27 | |
'No, he's there.' | 0:24:27 | 0:24:28 | |
Thank you for joining us. | 0:24:28 | 0:24:30 | |
'Oh, isn't he lovely?' | 0:24:30 | 0:24:31 | |
LAUGHTER | 0:24:31 | 0:24:33 | |
What's your name? | 0:24:33 | 0:24:34 | |
Scott. | 0:24:34 | 0:24:35 | |
'Oh, fantastic.' | 0:24:35 | 0:24:36 | |
You like that? | 0:24:36 | 0:24:37 | |
'Oh, it's a dreamy name!' | 0:24:37 | 0:24:39 | |
-And where are you from? -Melbourne. -Melbourne? | 0:24:39 | 0:24:41 | |
'Ohh! What an oxymoron!' | 0:24:41 | 0:24:43 | |
LAUGHTER | 0:24:43 | 0:24:45 | |
It's not exactly an oxymoron. | 0:24:45 | 0:24:47 | |
'No, it's the first word that came into your head.' | 0:24:47 | 0:24:49 | |
'Get a mask on him.' | 0:24:51 | 0:24:52 | |
That's what I was going to do. | 0:24:52 | 0:24:54 | |
-'Get on with it then.' -All right. | 0:24:54 | 0:24:56 | |
'I'll just entertain the audience with my shrugs.' | 0:24:56 | 0:24:59 | |
LAUGHTER AND APPLAUSE | 0:24:59 | 0:25:02 | |
'And my eyebrows!' | 0:25:03 | 0:25:05 | |
And your eyebrows, all right. | 0:25:05 | 0:25:07 | |
So, Scott, I'm just going to give you the same treatment. | 0:25:08 | 0:25:11 | |
Excuse me, this is just, er... | 0:25:11 | 0:25:14 | |
..the same thing. | 0:25:14 | 0:25:16 | |
All right, can you...? | 0:25:18 | 0:25:20 | |
She's doing well, come over close. | 0:25:20 | 0:25:22 | |
'Ha-ha-ha-ha!' | 0:25:22 | 0:25:23 | |
'Wow!' | 0:25:23 | 0:25:25 | |
'This is fantastic!' | 0:25:27 | 0:25:29 | |
LAUGHTER AND APPLAUSE | 0:25:29 | 0:25:31 | |
'Oh, my days!' | 0:25:31 | 0:25:33 | |
'This is the night of my life!' | 0:25:35 | 0:25:38 | |
Come a little closer. | 0:25:38 | 0:25:40 | |
'Sorry, your arms aren't so long.' | 0:25:40 | 0:25:41 | |
So, erm... | 0:25:41 | 0:25:42 | |
-'Oh, she's lovely!' -She is. | 0:25:42 | 0:25:45 | |
'Oh, thank you! I saw you in the queue.' | 0:25:45 | 0:25:48 | |
'I saw you in the queue and all!' | 0:25:48 | 0:25:50 | |
LAUGHTER AND APPLAUSE | 0:25:50 | 0:25:52 | |
'If you take your jumper off | 0:25:56 | 0:25:58 | |
'I'll warm you up with a nice cuddle.' | 0:25:58 | 0:26:00 | |
'Aw, it would be a privilege and an honour.' | 0:26:01 | 0:26:04 | |
Listen, guys, I feel a bit of a gooseberry, | 0:26:04 | 0:26:06 | |
should I leave you two? | 0:26:06 | 0:26:07 | |
'No, don't leave. | 0:26:07 | 0:26:09 | |
'I'll get tongue-tied if you leave.' | 0:26:09 | 0:26:11 | |
'Don't leave, not yet.' | 0:26:12 | 0:26:13 | |
OK, all right, but I'm glad that you like each other. | 0:26:13 | 0:26:16 | |
'Yes, yes, isn't that...lucky?' | 0:26:16 | 0:26:18 | |
'Very lucky. | 0:26:20 | 0:26:21 | |
'He's lovely.' | 0:26:21 | 0:26:22 | |
'I love project managers. | 0:26:22 | 0:26:24 | |
'There's nothing more exciting in my life I can think of | 0:26:24 | 0:26:27 | |
'than managing a project.' | 0:26:27 | 0:26:30 | |
'Oh, now, let me tell you, | 0:26:31 | 0:26:34 | |
'the laughs we have.' | 0:26:34 | 0:26:36 | |
OK, that's fantastic. | 0:26:36 | 0:26:38 | |
'This is romantic, have you got any romantic music, Nina?' | 0:26:38 | 0:26:42 | |
Yes, we can probably manage that. | 0:26:42 | 0:26:44 | |
-'Oh, that'd be good.' -'That'd be lovely.' | 0:26:44 | 0:26:46 | |
ROMANTIC MUSIC | 0:26:46 | 0:26:48 | |
Is that good? | 0:26:48 | 0:26:49 | |
'Oh, magical.' | 0:26:49 | 0:26:51 | |
'Oooh.' | 0:26:51 | 0:26:52 | |
You look confused? | 0:26:52 | 0:26:54 | |
'I've heard it somewhere before...' | 0:26:54 | 0:26:56 | |
'In a dream maybe?' | 0:26:56 | 0:26:58 | |
So, are you going to talk to each other after the show? | 0:27:00 | 0:27:03 | |
-'Yes, I think we are.' -'I think we will, yeah. | 0:27:03 | 0:27:06 | |
-'I'm looking forward to it.' -Good. | 0:27:06 | 0:27:08 | |
'What the hell, I'm going to seize the day.' | 0:27:08 | 0:27:10 | |
What are you going to do? | 0:27:10 | 0:27:12 | |
'I'm going to get down on one knee...' | 0:27:12 | 0:27:13 | |
-Really?! -'Oh, my goodness!' | 0:27:13 | 0:27:15 | |
'I'm going to get down on one knee now, like this,' | 0:27:15 | 0:27:18 | |
LAUGHTER AND APPLAUSE | 0:27:18 | 0:27:21 | |
'I'm just going to say...' | 0:27:25 | 0:27:27 | |
'..I love you, | 0:27:29 | 0:27:31 | |
'with your hairy jumper and your silly voice...' | 0:27:31 | 0:27:34 | |
'..and your need to shrug.' | 0:27:35 | 0:27:37 | |
'Will you be my bride?' | 0:27:38 | 0:27:40 | |
-'Yes, I will!' -Ohh! | 0:27:40 | 0:27:42 | |
that's lovely! How lovely! | 0:27:42 | 0:27:44 | |
CHEERING AND APPLAUSE | 0:27:44 | 0:27:45 | |
-Are you going to kiss? -'Yes, we are!' | 0:27:47 | 0:27:50 | |
-You don't have to... -'No, we want to kiss!' | 0:27:50 | 0:27:52 | |
-I don't want you to feel pressurised... -'No, there's no pressure!' | 0:27:52 | 0:27:55 | |
-'We really want to kiss!' -'Yes, we do!' | 0:27:57 | 0:27:59 | |
OK. Well, whenever you're ready, | 0:27:59 | 0:28:01 | |
'Here I come.' | 0:28:01 | 0:28:02 | |
'Here I am. | 0:28:02 | 0:28:03 | |
'Here I come... Mwhaaa!' | 0:28:05 | 0:28:07 | |
CHEERING AND APPLAUSE | 0:28:07 | 0:28:09 | |
Well done! You were both amazing. | 0:28:09 | 0:28:13 | |
Thank you so much | 0:28:13 | 0:28:15 | |
You can sit down - give them a huge round of applause. | 0:28:15 | 0:28:17 | |
CHEERING AND APPLAUSE | 0:28:17 | 0:28:20 | |
Amazing, thank you so much, I was Nina, good night! | 0:28:21 | 0:28:25 | |
CHEERING AND APPLAUSE | 0:28:25 | 0:28:27 | |
Thank you. | 0:28:27 | 0:28:28 | |
Ladies and gentlemen, Nina Conti, one more time for Nina Conti! | 0:28:45 | 0:28:49 | |
CHEERING | 0:28:49 | 0:28:52 | |
How great was that? | 0:28:52 | 0:28:53 | |
Right, ladies and gentlemen, it's time to bring on | 0:28:55 | 0:28:57 | |
our second act tonight. Would you please raise the roof | 0:28:57 | 0:29:00 | |
for the very funny Mr Danny Bhoy, ladies and gentlemen! | 0:29:00 | 0:29:04 | |
CHEERING | 0:29:04 | 0:29:07 | |
Hello! Hello! | 0:29:15 | 0:29:19 | |
Hellooo! | 0:29:19 | 0:29:20 | |
Thank you. How are you? | 0:29:20 | 0:29:22 | |
CHEERING | 0:29:22 | 0:29:25 | |
-So, do we have Scottish people in? Give me a cheer. -Whoo! | 0:29:25 | 0:29:28 | |
It's not a call to arms, but thanks. | 0:29:28 | 0:29:30 | |
"Waah!" | 0:29:30 | 0:29:31 | |
"This is it! This is what we've been waiting for! | 0:29:31 | 0:29:34 | |
"Wait for his word! Hold, hold... | 0:29:35 | 0:29:38 | |
"We've got as far as London, Danny. All we needed was a leader! | 0:29:40 | 0:29:43 | |
"Rragh! We are few, but we are strong!" | 0:29:44 | 0:29:47 | |
You know, what's alarming me, from a Scottish point of view, | 0:29:51 | 0:29:54 | |
is the World Cup in 2022 has gone to Qatar. | 0:29:54 | 0:29:58 | |
That's in the Middle East, but it's a dry country, | 0:29:58 | 0:30:01 | |
there's no alcohol allowed in Qatar. | 0:30:01 | 0:30:03 | |
Knowing our luck, that'll be the one World Cup we qualify for, | 0:30:03 | 0:30:06 | |
the one we can't even go and enjoy. | 0:30:06 | 0:30:10 | |
You're not going to get any Scottish fans going to that. | 0:30:10 | 0:30:12 | |
Can't drink for three weeks? You'll be lucky to get 11 players! | 0:30:12 | 0:30:16 | |
"What, I can't drink for three weeks? | 0:30:17 | 0:30:19 | |
"That's my hamstring gone. Sorry about that, boys." | 0:30:19 | 0:30:23 | |
Can't drink? Unbelievable. | 0:30:26 | 0:30:28 | |
You know, if you get caught drinking in Qatar, the punishment is... | 0:30:28 | 0:30:32 | |
you get lashed. | 0:30:32 | 0:30:34 | |
LAUGHTER | 0:30:35 | 0:30:37 | |
Someone's going to have to explain to Scottish fans as soon as they get off the plane | 0:30:37 | 0:30:41 | |
there's a more literal meaning to that phrase. | 0:30:41 | 0:30:43 | |
Could be very confusing. | 0:30:43 | 0:30:45 | |
"Scotland, welcome to Qatar. | 0:30:45 | 0:30:48 | |
"Congratulations on qualifying... | 0:30:48 | 0:30:51 | |
"Surprised us all. | 0:30:51 | 0:30:53 | |
"But remember, if you drink here in Qatar, you will get lashed." | 0:30:54 | 0:30:58 | |
"Aye, you're no wrong, mate, eh? | 0:31:01 | 0:31:03 | |
"It's exactly the same back home, by the way. | 0:31:04 | 0:31:07 | |
"Don't worry about it." | 0:31:09 | 0:31:11 | |
"No, Scotland, I don't think you understand, | 0:31:11 | 0:31:14 | |
"if you drink, you will get beaten by the police." | 0:31:14 | 0:31:16 | |
"It's exactly the same back home, mate, exactly the same, | 0:31:20 | 0:31:23 | |
"don't worry about it." | 0:31:23 | 0:31:25 | |
You know, you can't use offensive language in Qatar in public either. | 0:31:31 | 0:31:36 | |
You can't swear in public. | 0:31:36 | 0:31:37 | |
You're at a football game, how's that going to work? | 0:31:37 | 0:31:40 | |
Something happens on the pitch you don't like, | 0:31:40 | 0:31:43 | |
"Referee! | 0:31:43 | 0:31:45 | |
"That's... | 0:31:47 | 0:31:48 | |
"That's a terrible decision. | 0:31:50 | 0:31:52 | |
"Yeah, you're a...you're a bad man! | 0:31:53 | 0:31:57 | |
"You heard. You, you could use my spectacles." | 0:31:57 | 0:32:01 | |
Qatar gets temperatures of up to 50 degrees in the summer. | 0:32:05 | 0:32:09 | |
How do you describe that kind of heat if you can't swear? | 0:32:09 | 0:32:13 | |
Right? | 0:32:15 | 0:32:17 | |
APPLAUSE | 0:32:17 | 0:32:20 | |
What do you do? | 0:32:20 | 0:32:21 | |
Walk out your front door and go, "Oh! | 0:32:21 | 0:32:25 | |
"Have sex with me, it's hot." | 0:32:25 | 0:32:27 | |
"That's fatherless child hot." | 0:32:31 | 0:32:33 | |
Last year I was in Australia. | 0:32:36 | 0:32:41 | |
-There are some Australians in, right? -Whoo! | 0:32:41 | 0:32:44 | |
I was in the far northwest, a place called Karratha. | 0:32:44 | 0:32:47 | |
A very dry, dusty, very hot, fatherless child hot. | 0:32:47 | 0:32:51 | |
I checked into a motel. I was doing a big tour of mining towns. | 0:32:53 | 0:32:57 | |
Yeah, oh, living the dream. | 0:32:57 | 0:32:59 | |
I checked into a motel. A motel is like a hotel in the same way a McDonalds is like a restaurant. | 0:33:01 | 0:33:07 | |
LAUGHTER | 0:33:07 | 0:33:09 | |
Checked into this motel, it's about one o'clock in the morning, | 0:33:09 | 0:33:12 | |
I turn on the light, this is a true story, I turn on the light. | 0:33:12 | 0:33:15 | |
There's a lizard on the wall, about that size. This thing. | 0:33:15 | 0:33:20 | |
At first I thought it was an ornament, | 0:33:27 | 0:33:30 | |
but it's neck, breathing, it's, you know... | 0:33:30 | 0:33:33 | |
I thought well that's... I can't sleep. | 0:33:35 | 0:33:39 | |
With that... | 0:33:39 | 0:33:41 | |
So I'll just, I'll have to change rooms. | 0:33:41 | 0:33:44 | |
So I phoned up reception, I said, | 0:33:45 | 0:33:46 | |
"Hello, I've just checked in, there appears to be a small dinosaur in my room." | 0:33:46 | 0:33:51 | |
And this is what the guy said, he goes, | 0:33:52 | 0:33:55 | |
"Aw, yeah, mate, yeah, yeah, yeah, mate." | 0:33:55 | 0:33:58 | |
"Yeah." | 0:33:58 | 0:33:59 | |
"Yeah, mate, mate, yeah, that's a gecko." | 0:34:01 | 0:34:03 | |
And he hung up! | 0:34:03 | 0:34:04 | |
As if that's all I wanted to know! | 0:34:07 | 0:34:09 | |
I phoned back, "Hi, me again." | 0:34:10 | 0:34:12 | |
"It wasn't a trivia question!" | 0:34:12 | 0:34:14 | |
"I want to know what to do about the bloody gecko!" | 0:34:15 | 0:34:18 | |
He said, "Mate, you can't do nothin' about the bloody geckos, mate, | 0:34:18 | 0:34:21 | |
"you're bloody lucky if there's only one of them." | 0:34:21 | 0:34:24 | |
"They're bloody everywhere, bloody geckos, bloody, bloody lucky if there's only bloody.." | 0:34:24 | 0:34:28 | |
I don't bloody feel lucky, that... | 0:34:28 | 0:34:30 | |
So I had to ignore it, I had to try, I had to just try and sleep in this motel room. | 0:34:33 | 0:34:37 | |
And they've got no eyelids, these things, that's the only look they've got. | 0:34:37 | 0:34:42 | |
As if you've got the problem, "What is it, what you looking at?" | 0:34:44 | 0:34:46 | |
"What you looking at?" "You're staring at me." | 0:34:49 | 0:34:51 | |
"It doesn't matter where I go, pal, I'll still be staring at you." | 0:34:51 | 0:34:55 | |
"I've got no eyelids. None." | 0:34:55 | 0:34:56 | |
So I thought, right, I'll just have to try and ignore it, right. | 0:34:58 | 0:35:01 | |
So I get into the bed in this motel room. | 0:35:01 | 0:35:03 | |
That's how you get into the... Have you noticed that? | 0:35:04 | 0:35:06 | |
Every hotel bed in the world, why do they feel the need to tuck the sheets so tight? | 0:35:06 | 0:35:12 | |
Where am I going to go? | 0:35:14 | 0:35:16 | |
Has there been a spate of people falling out of hotel beds for years? | 0:35:17 | 0:35:21 | |
"We need to do something about this, make sure you're tucking it in tight. Come on, get that end there." | 0:35:21 | 0:35:26 | |
"Give me the stapler!" BANG, BANG, BANG. | 0:35:26 | 0:35:29 | |
You can't get in, I was in Birmingham last night, | 0:35:30 | 0:35:32 | |
I had to slide down from the back wall | 0:35:32 | 0:35:34 | |
to get into my own bed. | 0:35:34 | 0:35:36 | |
I felt like I was being faxed. | 0:35:38 | 0:35:41 | |
LAUGHTER | 0:35:41 | 0:35:43 | |
You get in you go, "I guess that's me for the night." | 0:35:50 | 0:35:53 | |
"Probably won't be moving much now." | 0:35:55 | 0:35:56 | |
"Probably won't be going what I usually do at this time of night." | 0:35:58 | 0:36:01 | |
"Reading my Bible." | 0:36:02 | 0:36:04 | |
It's weird, that. I'll tell you another thing about hotels. | 0:36:06 | 0:36:09 | |
Why is it, in the bathroom, you know they put a hairdryer on the wall? | 0:36:09 | 0:36:13 | |
You go, "That's quite handy, there's a hairdryer on the wall, ready made." | 0:36:13 | 0:36:17 | |
You pick it off, it comes on automatically. | 0:36:17 | 0:36:20 | |
It's got all the impact and power of an elderly relative breathing on your head. | 0:36:20 | 0:36:26 | |
HE HUMS | 0:36:28 | 0:36:32 | |
"Is this on?" It's on full! | 0:36:33 | 0:36:35 | |
"Well, this would be ideal | 0:36:37 | 0:36:39 | |
"if the look I was going for was hot and wet." | 0:36:39 | 0:36:41 | |
Phone in the toilet. No-one has a phone in their toilet at home. | 0:36:48 | 0:36:51 | |
Where the hell did you get that idea from? | 0:36:51 | 0:36:54 | |
So, anyway, sorry. So this.. | 0:36:54 | 0:36:56 | |
Staring at me. I've got into the bed, right, | 0:36:57 | 0:36:59 | |
I thought, "Right, out of sight, out of mind, Danny, | 0:36:59 | 0:37:01 | |
"turn out the light, just ignore it." I turn out the light. | 0:37:01 | 0:37:05 | |
No-one told me this. That's when the bloody thing comes to life. | 0:37:05 | 0:37:09 | |
They don't move in the light but you turn out the light, there's... | 0:37:11 | 0:37:15 | |
That's it running across the wall. | 0:37:15 | 0:37:17 | |
I turn on the light and it's, you know... | 0:37:17 | 0:37:19 | |
APPLAUSE | 0:37:21 | 0:37:23 | |
And again, looking all innocent, | 0:37:23 | 0:37:25 | |
you know, "What is it? What is it? What are you looking at?" | 0:37:25 | 0:37:28 | |
"What do you mean, what am I looking at? | 0:37:28 | 0:37:29 | |
"You were there. You're now there. We both know you've moved, pal." | 0:37:29 | 0:37:32 | |
"You can't prove it, you can't prove anything." | 0:37:32 | 0:37:35 | |
"Well, just stay there, right?" | 0:37:35 | 0:37:37 | |
And every time, turning and it's somewhere else. | 0:37:37 | 0:37:40 | |
Worst night sleep I've ever had. The worst bit was when I... | 0:37:40 | 0:37:44 | |
I turned on the light, this is about four o'clock in the morning. | 0:37:44 | 0:37:48 | |
I can't see it. Can't see the bloody thing. | 0:37:48 | 0:37:51 | |
Where is it? I can't see it, no, right, it's gone, I think it's gone. | 0:37:51 | 0:37:56 | |
Wherever it is, it's gone. Get back into the bed... | 0:37:56 | 0:37:58 | |
I'm just about to turn out the light. | 0:38:00 | 0:38:03 | |
I look up. It's on the ceiling. | 0:38:03 | 0:38:05 | |
And this is a motel, so the ceiling's there and it's... | 0:38:06 | 0:38:09 | |
And I screamed, oh, I've never screamed like that before. | 0:38:11 | 0:38:15 | |
"Aaagh!" | 0:38:15 | 0:38:17 | |
It drops... | 0:38:17 | 0:38:18 | |
..from the ceiling onto my chest. | 0:38:19 | 0:38:21 | |
And it's sitting on my chest like that. | 0:38:21 | 0:38:24 | |
But the sheets are so tight, I can't get the thing off. So... | 0:38:25 | 0:38:30 | |
Do you know what I did? The weirdest defence you could possibly think of. | 0:38:32 | 0:38:37 | |
I started blowing on the gecko. | 0:38:37 | 0:38:39 | |
"Please get off me, you have no business here." | 0:38:44 | 0:38:47 | |
Gecko's loving it. "This is lovely, this is. | 0:38:47 | 0:38:50 | |
"I usually have to straddle a hairdryer for this kind of treatment." | 0:38:52 | 0:38:55 | |
Where's the Australians over there, where are you? | 0:39:00 | 0:39:02 | |
THEY CHEER | 0:39:02 | 0:39:04 | |
Do me a favour, tell this wonderful audience | 0:39:04 | 0:39:07 | |
what you call an off-licence in Australia. | 0:39:07 | 0:39:09 | |
Bottle-o. | 0:39:09 | 0:39:11 | |
Bottle-o, which is short for... | 0:39:11 | 0:39:13 | |
-Bottle shop. -Bottle shop. I like the way you said "bottle-o" first. | 0:39:13 | 0:39:17 | |
"I'm not saying bottle shop, mate, it takes too long. | 0:39:17 | 0:39:19 | |
"Bottle-o, it's bottle-o. I'm not saying bottle shop! | 0:39:19 | 0:39:22 | |
"Who's Mr Fancy Pants with his bottle shop?" | 0:39:22 | 0:39:26 | |
It's bottle shop, but they shorten it to bottle-o, right? | 0:39:26 | 0:39:30 | |
"Bottle-o, mate, bottle-o!" | 0:39:32 | 0:39:34 | |
Bottle shop, they call it a bottle shop. | 0:39:34 | 0:39:37 | |
I'd love to have been on the committee | 0:39:37 | 0:39:38 | |
when you came up with that. | 0:39:38 | 0:39:40 | |
"Right, settle down. | 0:39:40 | 0:39:43 | |
"Ssh! No, listen. | 0:39:44 | 0:39:46 | |
"We've got a shop... | 0:39:46 | 0:39:47 | |
"Listen up, we've got a shop here with bottles in it, right? | 0:39:51 | 0:39:58 | |
"We're going to need a name. | 0:39:58 | 0:40:00 | |
"Any ideas? No? All right, we'll leave that one for now." | 0:40:02 | 0:40:06 | |
Come back after lunch. "Right, settle down, listen up, | 0:40:07 | 0:40:11 | |
"we've got two suggestions now for the shop with bottles. | 0:40:11 | 0:40:15 | |
"Listen up, settle down. | 0:40:15 | 0:40:17 | |
"First up... | 0:40:18 | 0:40:20 | |
"Shop bottle." | 0:40:22 | 0:40:24 | |
"John came up with that. Nice one, John, I like that. | 0:40:28 | 0:40:30 | |
"There's nothing wrong with that, mate. | 0:40:30 | 0:40:32 | |
"Shop bottle - it's got everything we need. | 0:40:32 | 0:40:35 | |
"I like that, mate. Give yourself one of them, mate. | 0:40:35 | 0:40:38 | |
"Listen up. Barry, | 0:40:43 | 0:40:46 | |
"he's gone with bottle shop. | 0:40:46 | 0:40:49 | |
"That's good too, Barry, nothing wrong with that. | 0:40:49 | 0:40:51 | |
"We'll have a quick show of hands, one, two, three, | 0:40:51 | 0:40:54 | |
"and bottle shop - five, six, right. Bottle shop it is. | 0:40:54 | 0:40:57 | |
"Surprises me, but there you go. | 0:40:57 | 0:40:59 | |
"One of those, mate. You're all right. | 0:40:59 | 0:41:01 | |
"Right, next we need a name | 0:41:03 | 0:41:04 | |
"for that great big barrier reef at the top of the country. Anyone? | 0:41:04 | 0:41:08 | |
"Anyone? No? All right... | 0:41:08 | 0:41:11 | |
APPLAUSE | 0:41:11 | 0:41:13 | |
"Oh, oh, and er... | 0:41:13 | 0:41:18 | |
"I've just been told there's already a South Wales in Britain, | 0:41:18 | 0:41:23 | |
"so we'll need a new name for that." | 0:41:23 | 0:41:27 | |
I love Australians, though, they're great people. | 0:41:35 | 0:41:37 | |
I heard one of the best phrases I've heard in a long time. | 0:41:37 | 0:41:40 | |
I was doing a gig in Perth, in Western Australia | 0:41:40 | 0:41:43 | |
and erm, it was very hot and I was backstage | 0:41:43 | 0:41:46 | |
and a guy came and said, "Can I get you anything, Danny, mate?" | 0:41:46 | 0:41:50 | |
I said, "Is there any air conditioning?" | 0:41:50 | 0:41:52 | |
"Aw, I'll go and check for you, mate." | 0:41:52 | 0:41:55 | |
He never came back, right? | 0:41:55 | 0:41:57 | |
That's not a major problem, I thought, | 0:41:57 | 0:41:59 | |
but I'm on my way to the stage and I saw him | 0:41:59 | 0:42:01 | |
and I said, "Oh, by the way, you forgot... | 0:42:01 | 0:42:03 | |
"what happened with the air conditioning?" | 0:42:03 | 0:42:05 | |
This is what he said. I hadn't heard this phrase before. | 0:42:05 | 0:42:08 | |
He went, "Aww, | 0:42:08 | 0:42:10 | |
"balls out, I totally forgot." | 0:42:10 | 0:42:13 | |
LAUGHTER | 0:42:13 | 0:42:15 | |
There's no need for that. | 0:42:21 | 0:42:23 | |
Your apology is fine. | 0:42:23 | 0:42:24 | |
But it's an Australian way of saying, "to be honest." | 0:42:24 | 0:42:28 | |
They say, "Balls out, mate, balls out, I'm not lying to you. | 0:42:28 | 0:42:31 | |
"Me balls are out, mate, I'm not lying to you, | 0:42:31 | 0:42:33 | |
"look, me balls are out, look at me balls, mate, me balls are out, | 0:42:33 | 0:42:36 | |
"I'm telling you the truth, mate!" | 0:42:36 | 0:42:38 | |
I wonder if that's ever been transferred to a court of law. | 0:42:40 | 0:42:43 | |
"Do you swear to tell the truth, | 0:42:43 | 0:42:46 | |
"the whole truth and nothing but the truth, so help you God?" | 0:42:46 | 0:42:49 | |
"I think that answers your question." | 0:42:55 | 0:42:57 | |
APPLAUSE | 0:42:58 | 0:43:00 | |
Thank you. | 0:43:00 | 0:43:02 | |
Folks, you've been lovely. | 0:43:02 | 0:43:04 | |
Thank you so much. Take care of yourselves. Cheers. | 0:43:04 | 0:43:07 | |
CHEERING | 0:43:07 | 0:43:10 | |
Thank you. | 0:43:10 | 0:43:11 | |
Danny Bhoy, ladies and gentlemen! Danny Bhoy! | 0:43:16 | 0:43:20 | |
Give it up for everyone you saw tonight - | 0:43:21 | 0:43:23 | |
Nina Conti, ladies and gentlemen! | 0:43:23 | 0:43:26 | |
Thanking you and you | 0:43:27 | 0:43:29 | |
and Danny Bhoy as well, ladies and gentlemen! | 0:43:29 | 0:43:32 | |
I've been Dara O Briain. | 0:43:32 | 0:43:34 | |
This is Live at the Apollo. Thank you very much. | 0:43:34 | 0:43:36 | |
Good night, see you again. Good night, folks. | 0:43:36 | 0:43:39 |