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Ladies and gentleman, please welcome your host for tonight, | 0:00:18 | 0:00:22 | |
Kevin Bridges. | 0:00:22 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Thanks for that! Good evening. | 0:00:41 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:45 | |
Hello, and welcome to Live At The Apollo, yeah! | 0:00:45 | 0:00:48 | |
CHEERING | 0:00:48 | 0:00:50 | |
Thanks for that. Beautiful. Welcome. We're here at the Hammersmith Apollo. | 0:00:50 | 0:00:53 | |
-Who's from London? Give me a cheer. -CHEERING | 0:00:53 | 0:00:57 | |
That's good. I like London, nice place. | 0:00:57 | 0:00:59 | |
I was in a tube station in London, I seen a new thing they've got | 0:00:59 | 0:01:02 | |
called Thought For The Day, | 0:01:02 | 0:01:04 | |
I don't know if anybody has seen this on the whiteboards. | 0:01:04 | 0:01:06 | |
It says "Thought For The Day," and somebody has wrote a quote | 0:01:06 | 0:01:09 | |
that says, "life is nothing more than a series of hurdles. | 0:01:09 | 0:01:13 | |
"Treat each hurdle one by one and enjoy the journey in between." | 0:01:13 | 0:01:17 | |
That was the thought for the day. | 0:01:17 | 0:01:19 | |
Nobody's that upbeat on the tube. | 0:01:19 | 0:01:21 | |
I reckon we need something that reflects the climate of fear in which we live. | 0:01:21 | 0:01:25 | |
"Live each day as if it's your last - | 0:01:25 | 0:01:27 | |
"don't put more than a fiver on your Oyster card." | 0:01:27 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:33 | |
So, we're here. Welcome along. | 0:01:33 | 0:01:34 | |
-Anyway, give me a cheer if you're not from London. -CHEERING | 0:01:34 | 0:01:38 | |
Where are you from? Inverness. Beautiful, nice to see you. | 0:01:38 | 0:01:42 | |
How are you finding it here in London, eh? | 0:01:42 | 0:01:44 | |
Wow - there's a car with a valid tax disc. Get a wee... | 0:01:44 | 0:01:47 | |
Inverness? This must be beautiful, eh? | 0:01:52 | 0:01:54 | |
You've got a phone signal and everything here in the beautiful capital. | 0:01:54 | 0:01:59 | |
We've got some special guests in. | 0:01:59 | 0:02:01 | |
Who have we got? We've got some of our Team GB Olympians in the room. | 0:02:01 | 0:02:04 | |
Where are they? | 0:02:04 | 0:02:06 | |
CHEERING AND APPLAUSE | 0:02:06 | 0:02:08 | |
Feel that! | 0:02:12 | 0:02:13 | |
Feel the national pride you've instilled in the room there. | 0:02:13 | 0:02:16 | |
CHEERING | 0:02:16 | 0:02:18 | |
David Seaman's here as well. How you doing, David? | 0:02:18 | 0:02:21 | |
CHEERING AND APPLAUSE | 0:02:21 | 0:02:22 | |
What do you think of the current set-up of the England national team? | 0:02:26 | 0:02:30 | |
Pretty disappointing Euros, and I was gutted for you, Euro 2012. | 0:02:30 | 0:02:34 | |
I bet you were(!) | 0:02:34 | 0:02:35 | |
I watched that quarterfinal in a pub in Glasgow, | 0:02:35 | 0:02:37 | |
with the rest of the Italians. | 0:02:37 | 0:02:39 | |
John Terry's quit, as well. Don't know how we feel about that. | 0:02:41 | 0:02:44 | |
CHEERING | 0:02:44 | 0:02:45 | |
He gets a hard time. John Terry looks like the kind of guy, | 0:02:45 | 0:02:48 | |
if he never made it as a footballer, | 0:02:48 | 0:02:50 | |
I reckon you would see him outside a pub in Tenerife going, | 0:02:50 | 0:02:53 | |
-MOCKNEY: -"You guys want a free shot tonight?" | 0:02:53 | 0:02:55 | |
"What's the plan tonight, lads? | 0:03:01 | 0:03:03 | |
"Coming down The Bull's Head for a free Sambuca?" | 0:03:03 | 0:03:05 | |
Scottish football - don't know if you follow Scottish football, David, | 0:03:07 | 0:03:11 | |
we're going through an interesting time, | 0:03:11 | 0:03:13 | |
Scottish football, famously a two-horse race. | 0:03:13 | 0:03:16 | |
We've now lost a horse. | 0:03:16 | 0:03:18 | |
Scottish football's become showjumping. | 0:03:19 | 0:03:23 | |
Don't know if you followed that story about Rangers Football Club, | 0:03:23 | 0:03:26 | |
they went into liquidation, owed a lot of people money. | 0:03:26 | 0:03:29 | |
I read a full list, a Scottish newspaper printed | 0:03:29 | 0:03:31 | |
everybody they owed money to, and it just got surreal. | 0:03:31 | 0:03:34 | |
They owed a few million to the tax people, | 0:03:34 | 0:03:36 | |
another couple of football clubs were owed money, | 0:03:36 | 0:03:38 | |
then you get near the bottom. | 0:03:38 | 0:03:40 | |
It said £70 was owed to a local taxi company. | 0:03:40 | 0:03:43 | |
Yeah. | 0:03:43 | 0:03:44 | |
About 60 quid to a local flower shop, | 0:03:44 | 0:03:46 | |
about 60 to a newsagent, and then the one that made me chuckle - | 0:03:46 | 0:03:50 | |
it said £40 was owed to a local face-painting company. | 0:03:50 | 0:03:55 | |
You know when you read it a few times, | 0:03:56 | 0:03:58 | |
"Does that say face-painting company?" | 0:03:58 | 0:04:01 | |
The newspaper article never explained why, | 0:04:01 | 0:04:03 | |
never offered any background info. | 0:04:03 | 0:04:05 | |
They left that there as if that's a common modern football club expense, | 0:04:05 | 0:04:09 | |
£40 to a face-painting company. | 0:04:09 | 0:04:12 | |
The club are in financial meltdown | 0:04:12 | 0:04:14 | |
and there's some guy running about the boardroom, | 0:04:14 | 0:04:17 | |
kidding on he's a tiger. | 0:04:17 | 0:04:18 | |
Somebody opens the door, he's going, "Arrrgh!" | 0:04:22 | 0:04:25 | |
"Will you go and wash your face, you idiot? | 0:04:26 | 0:04:29 | |
"We're trying to fix these accounts here." | 0:04:29 | 0:04:32 | |
"Sorry about him, lads. 40 quid he spent on that." | 0:04:32 | 0:04:34 | |
"Oh, it is a cracker though, aye. Did you see his whiskers?" | 0:04:36 | 0:04:39 | |
We're here, it is a free show. | 0:04:41 | 0:04:42 | |
In these tough times, that's the never-ending news story, isn't it, | 0:04:42 | 0:04:46 | |
the global economic downturn. | 0:04:46 | 0:04:47 | |
We're in a double-dip recession. They're calling it double dip. | 0:04:47 | 0:04:51 | |
I don't even know what that means. | 0:04:51 | 0:04:52 | |
That used to be a good thing, didn't it, double dip. | 0:04:52 | 0:04:55 | |
Since when was that a negative? | 0:04:57 | 0:04:59 | |
These bankers - they've ruined Dip Dabs. | 0:04:59 | 0:05:01 | |
I used to think, "Oh, you got the sherbet that's orange and cherry! | 0:05:03 | 0:05:07 | |
"Oh, brilliant, a double dip!" | 0:05:07 | 0:05:09 | |
They've ruined it for us. | 0:05:09 | 0:05:10 | |
Europe are skint, America are skint, | 0:05:10 | 0:05:12 | |
I hope Africa have got some good rock bands cos we need a concert. | 0:05:12 | 0:05:16 | |
That's my solution - it's their round. | 0:05:24 | 0:05:27 | |
They can show some appeal videos about us. | 0:05:30 | 0:05:32 | |
This is Tom and Diane, from Basingstoke. | 0:05:34 | 0:05:37 | |
Everybody's going, "Oh, I hate these videos." | 0:05:39 | 0:05:41 | |
"They always put these videos on when you're having your tea, | 0:05:42 | 0:05:46 | |
"do you notice that?" | 0:05:46 | 0:05:47 | |
Tom and Diane, like so many others, took out a fixed-rate mortgage. | 0:05:49 | 0:05:53 | |
They now find themselves in negative equity. | 0:05:56 | 0:06:00 | |
"The world can be such a cruel place. | 0:06:06 | 0:06:08 | |
"And only this morning I had the cheek to complain about | 0:06:08 | 0:06:11 | |
"having to walk 20 miles for clean water. | 0:06:11 | 0:06:13 | |
"Then you see this." | 0:06:13 | 0:06:15 | |
"They're having to tell their kids | 0:06:17 | 0:06:19 | |
"it's not Disneyland this year, it's Centre Parcs." | 0:06:19 | 0:06:22 | |
Every time I click my fingers, | 0:06:24 | 0:06:26 | |
a newly married couple from Swindon | 0:06:26 | 0:06:28 | |
have a credit card application rejected. | 0:06:28 | 0:06:31 | |
The old double-dip recession - that is... | 0:06:40 | 0:06:43 | |
Er, anybody lost their job in the double-dip recession? | 0:06:43 | 0:06:46 | |
Nope? | 0:06:46 | 0:06:47 | |
London sailing through the recession. | 0:06:49 | 0:06:51 | |
-POSH ENGLISH ACCENT: -"Unemployment, is that, er... Is that a Scottish thing? | 0:06:51 | 0:06:55 | |
"I mean, I do know self-employment but un... Unemployment?" | 0:06:57 | 0:07:01 | |
I feel for the unemployed. | 0:07:02 | 0:07:04 | |
It must be tough under the coalition government | 0:07:04 | 0:07:06 | |
and their proposals for the job crisis, | 0:07:06 | 0:07:08 | |
these work experience programmes, creating jobs for people, | 0:07:08 | 0:07:12 | |
just like normal jobs. | 0:07:12 | 0:07:13 | |
The only difference being you don't get paid. | 0:07:13 | 0:07:16 | |
You don't get any wages, but it's to boost your self-esteem. | 0:07:16 | 0:07:19 | |
How condescending is that? | 0:07:19 | 0:07:21 | |
Self-esteem - that's what people need last Friday of the month. | 0:07:21 | 0:07:24 | |
"Going to go and check and see if my self-esteem's in." | 0:07:24 | 0:07:27 | |
"Feeling a bit low, thank the Lord it's self-esteem Friday." | 0:07:29 | 0:07:32 | |
"Maybe I can finally pay these bills. | 0:07:33 | 0:07:35 | |
"Hi, is that British Gas? | 0:07:35 | 0:07:37 | |
"Listen, mate, I'm skint but I feel terrific." | 0:07:37 | 0:07:39 | |
"I'm wondering, are you prepared to accept self-esteem?" | 0:07:42 | 0:07:46 | |
"Maybe I can go on Skype and just smile at you. How's that?" | 0:07:47 | 0:07:50 | |
To stop people slipping into depression, David Cameron said, | 0:07:53 | 0:07:56 | |
was the reason for these work experience programmes. | 0:07:56 | 0:07:59 | |
Poundstretcher - they were one of the first shops to sign up. | 0:07:59 | 0:08:02 | |
Working in Poundstretcher for no money - that's pretty depressing. | 0:08:02 | 0:08:06 | |
Working in a shop where everything is worth a quid except you. | 0:08:07 | 0:08:11 | |
What would David Cameron know about being unemployed? | 0:08:18 | 0:08:21 | |
He's never been unemployed. | 0:08:21 | 0:08:23 | |
He's never woke up at two in the afternoon. | 0:08:23 | 0:08:25 | |
David Cameron's never had a packet of Flamin' Hot Monster Munch | 0:08:26 | 0:08:29 | |
for his breakfast. | 0:08:29 | 0:08:31 | |
He's never known the feeling of waking up at two in the afternoon | 0:08:33 | 0:08:36 | |
and your only goal for the day | 0:08:36 | 0:08:38 | |
is to try and piss a skid mark off the inside of your toilet. | 0:08:38 | 0:08:41 | |
You know when you start seeing that as a challenge? | 0:08:50 | 0:08:53 | |
"I could use the brush, but that's admitting defeat." | 0:08:53 | 0:08:56 | |
"I'm going to get a glass of water, I'm going to reload here." | 0:08:59 | 0:09:02 | |
Do you play any computer games, guys? Young guys in the front row? | 0:09:07 | 0:09:10 | |
-I bought COD. Anybody play that? COD. -CHEERING | 0:09:10 | 0:09:13 | |
That's the biggest-selling computer game of all time. COD. | 0:09:13 | 0:09:16 | |
It stands for Call Of Duty, I'll explain that to anybody over 40 | 0:09:16 | 0:09:19 | |
just in case you're confused, there. | 0:09:19 | 0:09:21 | |
In case you ever get invited over for a game of COD. | 0:09:21 | 0:09:24 | |
And you show up with the wrong shit. | 0:09:26 | 0:09:28 | |
Walk into your nephew's living room, | 0:09:29 | 0:09:31 | |
start slapping people in the face. | 0:09:31 | 0:09:33 | |
"Bet you never knew your uncle Eddie could play cod, lads, eh? | 0:09:37 | 0:09:40 | |
"After this we'll play smoked haddock. | 0:09:43 | 0:09:46 | |
"Same rules, different fish." | 0:09:48 | 0:09:49 | |
"That is disgusting, Uncle Eddie." | 0:09:54 | 0:09:55 | |
I played COD. Call Of Duty. It's too realistic for me. | 0:09:58 | 0:10:01 | |
It's a wargame, you're in a war zone, | 0:10:01 | 0:10:03 | |
it's all about destruction and death and conflict. | 0:10:03 | 0:10:05 | |
See, I'm used to the old days when you played a computer game | 0:10:05 | 0:10:08 | |
and your guy would die, you would just go back to the start | 0:10:08 | 0:10:11 | |
and try again, because it was just a computer game. | 0:10:11 | 0:10:13 | |
COD is too realistic. | 0:10:13 | 0:10:15 | |
In Call Of Duty, your guy dies, you're stunned, thinking, | 0:10:15 | 0:10:17 | |
"Shit, I better go and buy a poppy." | 0:10:17 | 0:10:20 | |
I better go and lay a wreath for this guy. | 0:10:24 | 0:10:26 | |
I'm stood there, people saying, "who did you know?" | 0:10:26 | 0:10:29 | |
"I knew a guy called Player One. | 0:10:29 | 0:10:30 | |
"Window cleaner came to the door, I forgot to press pause." | 0:10:33 | 0:10:36 | |
I moved out of my family home. I done that. | 0:10:39 | 0:10:41 | |
That's a pretty big move, moved out of my family home about a year ago. | 0:10:41 | 0:10:44 | |
Just getting used to that. Still learning life's harshest lessons. | 0:10:44 | 0:10:48 | |
When you live on your own for the first time you learn some pretty big life lessons. | 0:10:48 | 0:10:51 | |
The most recent one, Lurpak Spreadable is hard to spread. | 0:10:51 | 0:10:56 | |
That was pretty difficult. That caught me off guard. | 0:11:00 | 0:11:03 | |
I'm stood there, lunchtime, | 0:11:03 | 0:11:05 | |
making myself a cheese and onion crisps sandwich. | 0:11:05 | 0:11:08 | |
I had been nothing short of meticulous in my preparations. | 0:11:11 | 0:11:14 | |
I'd decided how many crisps I was going to put on the sandwich, | 0:11:14 | 0:11:18 | |
and how many crisps was going to keep in the packet as wee side dish. | 0:11:18 | 0:11:21 | |
I got my finest butter knife, commenced to spread, | 0:11:26 | 0:11:29 | |
within seconds it turned sinister. My wrist nearly snapped. | 0:11:29 | 0:11:32 | |
I better change my technique, then. Lurpak Spreadable, it says. | 0:11:36 | 0:11:39 | |
Must be me. Must be me. Somebody would have mentioned it. I'll go for rotations. | 0:11:39 | 0:11:43 | |
Bits of your worktop start to appear through the bread. | 0:11:44 | 0:11:47 | |
My lunchtime spent in the garden eating half a packet of crisps | 0:11:51 | 0:11:54 | |
and just feeding birds. "There you go." | 0:11:54 | 0:11:57 | |
Even the birds are saying, "What happened to that, then, mate?" | 0:11:57 | 0:12:00 | |
I've done a bit of travelling. I was on holiday, in Spain, | 0:12:02 | 0:12:05 | |
I tried to learn a bit of Spanish. | 0:12:05 | 0:12:07 | |
I've took up languages, I bought these disks. | 0:12:07 | 0:12:09 | |
You put them on an iPod, she teaches you a bit of Spanish, the voice. | 0:12:09 | 0:12:13 | |
I can now say things in Spanish that Spanish people can say in English. | 0:12:13 | 0:12:17 | |
That's the level I'm at - I've got the tourist stuff. | 0:12:17 | 0:12:20 | |
Everywhere you go as a tourist, people speak English, | 0:12:20 | 0:12:23 | |
but when you've got a Scottish accent, that's very little help. | 0:12:23 | 0:12:26 | |
I've been on holidays and had people translate for me into English. | 0:12:27 | 0:12:32 | |
You walk into a pub and say, "Are you still serving food?" | 0:12:35 | 0:12:38 | |
"Que?" | 0:12:38 | 0:12:40 | |
-ENGLISH ACCENT: -"No, he asked you are you still serving food?" | 0:12:41 | 0:12:45 | |
"Ah, si. Si, si." | 0:12:45 | 0:12:46 | |
You get that shit. | 0:12:52 | 0:12:53 | |
I was in America, I done a gig in America, in New York, | 0:12:53 | 0:12:56 | |
and after the gig a guy said to me, | 0:12:56 | 0:12:58 | |
-AMERICAN ACCENT: -"Hey, hey! Hey, buddy, are you actually Scottish?" | 0:12:58 | 0:13:02 | |
I said, "Yes," and he said, "Man, your English is really good." | 0:13:03 | 0:13:08 | |
I got these disks, the best I've got - | 0:13:15 | 0:13:17 | |
una mesa para cuatro, por favor. | 0:13:17 | 0:13:19 | |
I've got tourist stuff kind of nailed, stuff you need on holiday. | 0:13:19 | 0:13:23 | |
That means "a table for four, please". | 0:13:23 | 0:13:25 | |
She says it a few times. She says... | 0:13:25 | 0:13:26 | |
-SPANISH ACCENT: -"Una mesa... | 0:13:26 | 0:13:28 | |
"para cuatro, | 0:13:29 | 0:13:31 | |
"por favor." | 0:13:31 | 0:13:33 | |
-POSH VOICE: -"A table for four, please." | 0:13:33 | 0:13:35 | |
Then she leaves a beat and goes again, in case you're a moron. | 0:13:37 | 0:13:40 | |
"Una mesa...para cuatro, por favor." | 0:13:42 | 0:13:48 | |
"A table for four, please." | 0:13:48 | 0:13:50 | |
Then she says it three and four times, | 0:13:51 | 0:13:53 | |
and you start drifting off and imagining | 0:13:53 | 0:13:55 | |
how many people have been found dead listening to these disks. | 0:13:55 | 0:13:59 | |
A suicide note wrote in broken Spanish... | 0:13:59 | 0:14:01 | |
"It all got too muchas." | 0:14:04 | 0:14:06 | |
"Una mesa...para cuatro, por favor." | 0:14:10 | 0:14:15 | |
"A table for..." | 0:14:15 | 0:14:17 | |
and that's crucial knowledge, cos I know when me and three associates, | 0:14:17 | 0:14:20 | |
when we walk into a restaurant in Spain, | 0:14:20 | 0:14:22 | |
I can tell the head waiter is looking at us and thinking, | 0:14:22 | 0:14:26 | |
"Well, I wonder what these guys want." | 0:14:26 | 0:14:28 | |
Fortunately, I'm on hand to defuse the situation. | 0:14:36 | 0:14:39 | |
I have been thoroughly briefed. I step forward and say, | 0:14:41 | 0:14:44 | |
"Una mesa... | 0:14:44 | 0:14:46 | |
LAUGHTER | 0:14:46 | 0:14:48 | |
"..para cuatro, por favor." | 0:14:48 | 0:14:50 | |
Then we get sat at a table for four, | 0:14:51 | 0:14:53 | |
the guy brings the menus in Spanish and I crumble. | 0:14:53 | 0:14:56 | |
Everybody else is losing their minds, going, | 0:14:57 | 0:15:00 | |
"What the f...? What's a hamburgeresa?" | 0:15:00 | 0:15:02 | |
If you go a proper holiday, next time, go to a karaoke bar. | 0:15:06 | 0:15:10 | |
This was my holiday highlight. Sit and patiently wait until a Scouser comes on the stage. | 0:15:10 | 0:15:14 | |
That's a universal must-see, | 0:15:14 | 0:15:16 | |
somebody from Liverpool on the mic in a karaoke bar. | 0:15:16 | 0:15:19 | |
Some of the finest performances you'll ever witness. | 0:15:19 | 0:15:22 | |
-IN LIVERPOOL ACCENT: -# Don't call me name Don't call me name | 0:15:22 | 0:15:26 | |
# Alejandro | 0:15:26 | 0:15:28 | |
# I'm not your babe I'm not your babe, Fernando | 0:15:32 | 0:15:35 | |
# Ale-Alejandro Ale-Alejandro | 0:15:35 | 0:15:40 | |
# Ale-Alejandro | 0:15:41 | 0:15:44 | |
# Baby, you're a firework... # | 0:15:44 | 0:15:49 | |
The whole pub's heading for the car park thinking the fire alarm's gone off. | 0:15:54 | 0:15:58 | |
What's your name? Guy in the green T-shirt? | 0:16:01 | 0:16:04 | |
-Scott. -Scott. What kind of music do you like, Scott. -Top 40. -Top 40. | 0:16:04 | 0:16:07 | |
You like chart music. Modern music just sounds the same to me. | 0:16:07 | 0:16:10 | |
Makes me feel thick, modern chart music. | 0:16:10 | 0:16:13 | |
# In the club, in the club In the club. # | 0:16:13 | 0:16:17 | |
That's the way every song sounds to me, these days. | 0:16:17 | 0:16:20 | |
# Everybody gonna Shuffle on down tonight | 0:16:20 | 0:16:23 | |
# We're in the club In the club | 0:16:23 | 0:16:25 | |
# In the club, in the club In the club | 0:16:25 | 0:16:28 | |
# Get freaky! # | 0:16:28 | 0:16:29 | |
You feel it deleting cookies in your brain, the song. | 0:16:31 | 0:16:35 | |
# In the club, in the club In the club | 0:16:35 | 0:16:37 | |
# Everybody in the club | 0:16:37 | 0:16:40 | |
# We ain't gonna stop | 0:16:40 | 0:16:41 | |
# Until... It's time to Start again, in the cl... | 0:16:41 | 0:16:44 | |
# In the club, in the club. # | 0:16:46 | 0:16:48 | |
And the song finishes, and you think, "Wow. I now know less stuff. | 0:16:48 | 0:16:52 | |
"I've just forgot the difference between a pastoral and an arable farm." | 0:16:55 | 0:16:59 | |
Ladies and gentlemen, | 0:17:05 | 0:17:07 | |
this guy is a bit of a comedy hero on the scene, | 0:17:07 | 0:17:12 | |
you'll have seen him on Never Mind The Buzzcocks, | 0:17:12 | 0:17:14 | |
give it up for the one and only Phill Jupitus! | 0:17:14 | 0:17:16 | |
I won't take me coat off, I'm not stopping. | 0:17:34 | 0:17:36 | |
I'm Phill Jupitus. You may recognise me from every show on Dave. | 0:17:39 | 0:17:44 | |
Not saying I'm on TV too much, but the other day during a family argument | 0:17:50 | 0:17:54 | |
my daughter tried to mute me with the remote. | 0:17:54 | 0:17:56 | |
"Shut up, Dad." | 0:17:58 | 0:17:59 | |
So, um, in a bit of a weird mood, as you can probably spot. | 0:18:01 | 0:18:05 | |
My eldest daughter brought a boy home recently for the first time, | 0:18:06 | 0:18:10 | |
and I think it's quite safe to say that I reacted rather badly to this incident when it took place. | 0:18:10 | 0:18:14 | |
She brought the individual in question into the house | 0:18:16 | 0:18:19 | |
that I paid for with money I earned... | 0:18:19 | 0:18:21 | |
"All right, Dad? This is Billy." | 0:18:24 | 0:18:26 | |
Yeah? Yeah, Billy? | 0:18:29 | 0:18:32 | |
Right. Nice. Yeah. OK. Yeah. | 0:18:32 | 0:18:35 | |
Billy. Billy. | 0:18:35 | 0:18:37 | |
Sweetheart, go and put the kettle on, Daddy's going to talk to Billy. | 0:18:37 | 0:18:42 | |
She goes to the kitchen, she doesn't realise anything's wrong, | 0:18:42 | 0:18:45 | |
and I start reversing this little bastard around the house. | 0:18:45 | 0:18:48 | |
Cos when you're my size, you can reverse smaller men. | 0:18:48 | 0:18:51 | |
They just back off you, like that. | 0:18:51 | 0:18:53 | |
So eventually I get Billy into a wall. He can't go any further. | 0:18:55 | 0:19:01 | |
And I'm like... | 0:19:01 | 0:19:02 | |
Er... William. | 0:19:05 | 0:19:07 | |
If you... | 0:19:13 | 0:19:14 | |
as much... | 0:19:14 | 0:19:17 | |
as TOUCH her... | 0:19:17 | 0:19:18 | |
..I will cut you. | 0:19:20 | 0:19:22 | |
At which point, young Billy started crying. | 0:19:24 | 0:19:28 | |
But that is six-year-olds for you. APPLAUSE | 0:19:30 | 0:19:33 | |
Because they can't... Really... You know? | 0:19:33 | 0:19:37 | |
That was the joke. This is the true version of events. | 0:19:42 | 0:19:47 | |
How can I start this? OK. So. | 0:19:47 | 0:19:50 | |
The other day, my wife and I had a meeting | 0:19:52 | 0:19:55 | |
that I did not know was a meeting. | 0:19:55 | 0:19:56 | |
I got in and there was tea and there was biscuits, and I thought, | 0:19:56 | 0:20:00 | |
"Brilliant!" I sat down, "Ooh, Viscounts! I love them!" | 0:20:00 | 0:20:02 | |
Didn't even take the foil off. "Oh, these are fa..." | 0:20:02 | 0:20:05 | |
HE MIMICS GLUTTONOUS MUNCHING | 0:20:05 | 0:20:07 | |
"Love a Viscount!" | 0:20:08 | 0:20:10 | |
And she goes, "Yeah, we've got to have a chat about Emily." | 0:20:11 | 0:20:14 | |
I'm like, "Yeah, all right, yeah, yeah. What's going on?" | 0:20:14 | 0:20:17 | |
"She's, er... | 0:20:17 | 0:20:18 | |
"She's having a sleepover on Friday." | 0:20:19 | 0:20:21 | |
I should have pointed out earlier that this is | 0:20:23 | 0:20:26 | |
just after my daughter had turned 16. | 0:20:26 | 0:20:28 | |
That's a very important number to bear in mind. | 0:20:29 | 0:20:32 | |
She said, "Yeah, Emily's having a sleepover on Friday." | 0:20:34 | 0:20:37 | |
I went "Oh, right, do you want me to buy pizzas?" | 0:20:37 | 0:20:39 | |
"No, no, no, no, no, no. Cos there's only one person coming." | 0:20:39 | 0:20:43 | |
"Oh, right. Shall I just buy one pizza?" | 0:20:43 | 0:20:46 | |
"Stop talking about pizza." | 0:20:46 | 0:20:47 | |
"Erm, she's having a sleepover and it's Stephen". | 0:20:52 | 0:20:56 | |
"What, the boyfriend?" | 0:20:56 | 0:20:57 | |
"Yeah". | 0:20:57 | 0:20:59 | |
"Well, where's he going to sleep?" | 0:20:59 | 0:21:02 | |
"I-In Emily's room." | 0:21:10 | 0:21:11 | |
"W-W-Where's SHE going to sleep?!" | 0:21:13 | 0:21:16 | |
"She's going to sleep in her room as well." | 0:21:25 | 0:21:27 | |
"What, on the floor?!" | 0:21:27 | 0:21:29 | |
"Tubbs, come here." | 0:21:32 | 0:21:33 | |
"Listen to me very carefully. | 0:21:36 | 0:21:39 | |
"Your 16..." | 0:21:39 | 0:21:41 | |
Remember that number. | 0:21:41 | 0:21:43 | |
"..16-year-old daughter is having a boy stay the night." | 0:21:43 | 0:21:47 | |
NOOOOOOOOOOOOOOOOOOOOOOO! | 0:21:53 | 0:21:56 | |
I run out into the front garden. | 0:21:57 | 0:21:59 | |
"WHY? WHY? WHY? WHY? | 0:21:59 | 0:22:03 | |
"RARGHHHHH!" | 0:22:03 | 0:22:05 | |
My wife's standing there going, "I think you're overreacting." | 0:22:08 | 0:22:13 | |
"WHY?" | 0:22:13 | 0:22:15 | |
She's like, "I don't want her losing her virginity up against a skip!" | 0:22:15 | 0:22:18 | |
And I'm like, "It was good enough for us!" | 0:22:18 | 0:22:20 | |
Why do you think I keep hiring them? | 0:22:28 | 0:22:30 | |
She's like, "Look, remember when we were kids, | 0:22:38 | 0:22:42 | |
"and we used to hang out with each other and we wished that our parents | 0:22:42 | 0:22:46 | |
"had been cool enough to just let us do our own thing in our own way? | 0:22:46 | 0:22:49 | |
"Well, it's your turn to be the cool parent." | 0:22:49 | 0:22:52 | |
"I don't want to be the cool parent." | 0:22:52 | 0:22:55 | |
HE SOBS | 0:22:55 | 0:22:57 | |
"You've got to be." | 0:22:57 | 0:22:58 | |
"I know I've got to be but I don't want to be." | 0:22:58 | 0:23:00 | |
And so that Friday, | 0:23:02 | 0:23:05 | |
that was it. | 0:23:05 | 0:23:06 | |
Stephen arrives. | 0:23:08 | 0:23:09 | |
HE MIMICS DOORBELL | 0:23:09 | 0:23:10 | |
He's a lovely kid. I've known Stephen since he was eight. | 0:23:13 | 0:23:18 | |
Wonderful little boy. | 0:23:18 | 0:23:19 | |
Not any more. | 0:23:20 | 0:23:22 | |
Now he is my nemesis. | 0:23:25 | 0:23:27 | |
He comes in and I'm sat in the kitchen. "All right, Phill?" | 0:23:32 | 0:23:35 | |
"All right? | 0:23:40 | 0:23:42 | |
"I don't know, Stephen. Am I?" | 0:23:42 | 0:23:45 | |
"All right, I'll see you later." | 0:23:52 | 0:23:54 | |
And he goes off and they have an evening like every other | 0:23:54 | 0:23:57 | |
they've ever had - they play games, they lark about. | 0:23:57 | 0:24:00 | |
Watch telly. And I'm sitting there in my own house. | 0:24:02 | 0:24:05 | |
"I don't like it, I don't like it, I don't like it, | 0:24:05 | 0:24:08 | |
"I don't like it, I don't like it, I don't like it." | 0:24:08 | 0:24:11 | |
Cos I don't want to be complicit in it, | 0:24:12 | 0:24:14 | |
I don't want to be a part of it. I don't want to have agreed to it, | 0:24:14 | 0:24:17 | |
I don't want to be in the room when they go, | 0:24:17 | 0:24:19 | |
"All right, we're going to bed now. Good night." | 0:24:19 | 0:24:22 | |
I can't be in the room when that happens, | 0:24:22 | 0:24:24 | |
so I go to bed earlier than normal, | 0:24:24 | 0:24:26 | |
20 past six, the sun is still out. | 0:24:26 | 0:24:29 | |
Ice-cream vans going down the street. | 0:24:29 | 0:24:31 | |
Children playing football in the fields, | 0:24:31 | 0:24:34 | |
the dog at the bottom of the bed, lead in his mouth, | 0:24:34 | 0:24:36 | |
as I lay bolt-upright on top of the duvet in my pyjamas. | 0:24:36 | 0:24:39 | |
"Not now, Chester. Daddy's sad." | 0:24:39 | 0:24:42 | |
And at about half eleven, I hear them come up the stairs. | 0:24:47 | 0:24:51 | |
MIMICS DAUGHTER AND STEPHEN GIGGLING | 0:24:51 | 0:24:53 | |
MUFFLED GIGGLING | 0:25:00 | 0:25:02 | |
For about...ten minutes, and then... | 0:25:07 | 0:25:10 | |
..complete...and utter...silence. | 0:25:13 | 0:25:19 | |
Madam, there is nothing in the entire world that is quieter... | 0:25:29 | 0:25:35 | |
..than a 16-year-old girl shagging... | 0:25:38 | 0:25:42 | |
..when her dad's next door. | 0:25:44 | 0:25:46 | |
In 1974, the American defence department developed the X-Wing bomber, | 0:25:50 | 0:25:55 | |
the Stealth Bomber, which to this day I believe | 0:25:55 | 0:25:58 | |
was powered by the daughter of the pilot | 0:25:58 | 0:26:00 | |
being in a small cabin in the cockpit. | 0:26:00 | 0:26:02 | |
And they are silent.. | 0:26:15 | 0:26:16 | |
..FOR THREE AND A HALF HOURS! | 0:26:18 | 0:26:21 | |
I HAVEN'T HAD IT FOR THREE AND A HALF HOURS | 0:26:21 | 0:26:25 | |
SINCE THE MINERS' STRIKE! | 0:26:25 | 0:26:27 | |
I'm going to be honest with you, the sound of Arthur Scargill's voice | 0:26:27 | 0:26:31 | |
gives me a bit of a twitch to this day. | 0:26:31 | 0:26:33 | |
"It has come to my attention the members of the National..." There, I felt it. I felt it. | 0:26:33 | 0:26:39 | |
And that is not the bad bit. The bad bit... | 0:26:40 | 0:26:43 | |
..happens two weeks later. I get in from a gig. | 0:26:45 | 0:26:48 | |
I'm a creature of habit, I get in from a gig, | 0:26:48 | 0:26:50 | |
I've been driving, normally, for a while, I have a beer... | 0:26:50 | 0:26:54 | |
I just watch telly, I zone out, have a beer, go to bed. | 0:26:54 | 0:26:58 | |
So I get in, it's about midnight, I open the fridge, | 0:26:58 | 0:27:02 | |
and there, on the middle shelf of the fridge, | 0:27:02 | 0:27:06 | |
are six cans of generic, supermarket lager, I think from Lidl. | 0:27:06 | 0:27:10 | |
It's called Festenbrow, | 0:27:11 | 0:27:15 | |
which is spelt F-E-S-T-E-N- | 0:27:15 | 0:27:18 | |
B-R-O-W. | 0:27:18 | 0:27:21 | |
The umlaut...is over the F. | 0:27:24 | 0:27:28 | |
The mascot is a monkey in a bowler hat playing a banjo. | 0:27:31 | 0:27:35 | |
It's dog lager is what it is. It's dog lager. | 0:27:36 | 0:27:40 | |
And I'm looking at it... | 0:27:40 | 0:27:42 | |
..and the missus is still up. | 0:27:43 | 0:27:45 | |
I go, "Babe? | 0:27:45 | 0:27:47 | |
"What... What is this crap doing in the fridge?" | 0:27:47 | 0:27:50 | |
"I'm on telly." | 0:27:50 | 0:27:51 | |
And she goes, "It's Stephen's." | 0:27:54 | 0:27:57 | |
HE BARKS | 0:27:58 | 0:27:59 | |
"Yes, as Stephen's spending so much time over here, | 0:28:01 | 0:28:04 | |
"he thought it would be wrong of him to drink your beer, | 0:28:04 | 0:28:06 | |
"so he bought his own and left it in the fridge." | 0:28:06 | 0:28:09 | |
Right, right, right. I've got it, I've got it, | 0:28:17 | 0:28:20 | |
because it's wrong... | 0:28:20 | 0:28:22 | |
..to drink my BEER in my house? | 0:28:27 | 0:28:30 | |
Yeah. Cos I imagine | 0:28:33 | 0:28:35 | |
that hanging out the back of my first-born is thirsty work. | 0:28:35 | 0:28:39 | |
You get parched. You get a bit thirsty. You think, | 0:28:42 | 0:28:46 | |
"Ooh, a little something tasty would be nice now, | 0:28:46 | 0:28:50 | |
"as I leave his daughter like some kind of slutty starfish, | 0:28:50 | 0:28:55 | |
"on the bed spread-eagled. | 0:28:55 | 0:28:57 | |
"I make my way downstairs, | 0:28:57 | 0:28:59 | |
"pausing only to wipe my cock on his curtains." | 0:28:59 | 0:29:03 | |
And THAT is why I'm in a funny mood. | 0:29:13 | 0:29:15 | |
Thanks very much. Ta-ra, cheers. CHEERING AND APPLAUSE | 0:29:17 | 0:29:21 | |
Give it up for Phill Jupitus! | 0:29:27 | 0:29:29 | |
CHEERING AND APPLAUSE INTENSIFIES | 0:29:29 | 0:29:32 | |
OK, ladies and gentlemen, | 0:29:32 | 0:29:33 | |
are you ready to crack on with your second act of the evening? | 0:29:33 | 0:29:36 | |
CHEERING | 0:29:36 | 0:29:38 | |
I'm excited to see her myself. It's her Live At The Apollo debut. | 0:29:38 | 0:29:41 | |
She's fantastic. Let's make some noise, give it up for | 0:29:41 | 0:29:44 | |
the wonderful Sara Pascoe! | 0:29:44 | 0:29:45 | |
CHEERING AND APPLAUSE | 0:29:45 | 0:29:47 | |
Hello. | 0:29:58 | 0:30:00 | |
Hello, good evening. Are you having a good time? | 0:30:00 | 0:30:02 | |
Yeah! | 0:30:02 | 0:30:04 | |
I am absolutely so thrilled to be here. This is so exciting for me, | 0:30:04 | 0:30:07 | |
and I love it that there's actual celebrities in the audience. | 0:30:07 | 0:30:11 | |
I think that's brilliant. | 0:30:11 | 0:30:13 | |
But if you are sitting next to one of them, I have to warn you. | 0:30:13 | 0:30:16 | |
You do know the rules about having sex with famous people? | 0:30:16 | 0:30:19 | |
The rule is...just don't have sex with famous people. | 0:30:19 | 0:30:22 | |
Never have sex with a famous person. | 0:30:22 | 0:30:25 | |
Or, no, this is the rule - | 0:30:25 | 0:30:27 | |
you should only have sex with a famous person | 0:30:27 | 0:30:30 | |
if you really, really, genuinely, | 0:30:30 | 0:30:33 | |
want to tell people about it afterwards. | 0:30:33 | 0:30:35 | |
Otherwise, there's nothing in it for you. | 0:30:37 | 0:30:39 | |
Like, I don't know if you've ever kissed anyone that | 0:30:39 | 0:30:42 | |
you've been in love or lust with for months and years, | 0:30:42 | 0:30:46 | |
and when you finally kiss them, | 0:30:46 | 0:30:48 | |
and all you want to do is concentrate on it | 0:30:48 | 0:30:50 | |
and live in that moment, | 0:30:50 | 0:30:52 | |
and the way that they're touching you and the way that they smell, | 0:30:52 | 0:30:56 | |
and instead you've got this inner monologue, like this voice, | 0:30:56 | 0:30:59 | |
shouting inside your head, | 0:30:59 | 0:31:01 | |
"Oh, my God! | 0:31:01 | 0:31:04 | |
"I'm kissing Mr Humphries!" | 0:31:04 | 0:31:05 | |
Also, I think it's very difficult to tell the difference between | 0:31:09 | 0:31:13 | |
when someone is in love with you, which is like... | 0:31:13 | 0:31:16 | |
..and when someone is not listening. | 0:31:19 | 0:31:22 | |
How am I supposed to decide who to go to bed with? | 0:31:25 | 0:31:28 | |
I do need to start being more selective. | 0:31:29 | 0:31:32 | |
Currently, all of my lovers have exactly the same thing in common - | 0:31:32 | 0:31:36 | |
they're all slightly more attractive than a night bus. | 0:31:36 | 0:31:39 | |
That's not fussy enough, is it? | 0:31:42 | 0:31:44 | |
The thing is, I'm not even very good at casual sex, right? | 0:31:44 | 0:31:46 | |
I don't know if any of you are the same. | 0:31:46 | 0:31:49 | |
Whenever I sleep with someone I'm not in a relationship with, | 0:31:49 | 0:31:53 | |
I get this really odd... | 0:31:53 | 0:31:54 | |
It's kind of like a guilty feeling in my tummy, | 0:31:54 | 0:31:58 | |
and it doesn't go away, | 0:31:58 | 0:32:00 | |
even when I leave their house and go back to my boyfriend's. | 0:32:00 | 0:32:03 | |
Got to stick at it, I guess, keep on trying. | 0:32:05 | 0:32:08 | |
The thing is, I just always want what I can't have. | 0:32:08 | 0:32:12 | |
I have no interest in charity fundraisers in the street, right, | 0:32:12 | 0:32:16 | |
unless they're talking to somebody else, | 0:32:16 | 0:32:20 | |
in which case I will queue. | 0:32:20 | 0:32:21 | |
Are you looking forward to Christmas? | 0:32:24 | 0:32:25 | |
-SCATTERED CHEERS -Sort of. | 0:32:25 | 0:32:28 | |
It's a very weird, creepy time for a vegetarian, right. | 0:32:28 | 0:32:32 | |
Who is it who puts those little bits of bacon around the tiny sausages? | 0:32:32 | 0:32:37 | |
Who is doing that? | 0:32:37 | 0:32:38 | |
Cos I'm worried it's the pigs trying to put themselves back together. | 0:32:38 | 0:32:42 | |
Yeah, so, I had to go to two secondary schools | 0:32:45 | 0:32:49 | |
because I'm an overachiever, | 0:32:49 | 0:32:51 | |
and also because I was quite badly bullied at the first one. | 0:32:51 | 0:32:55 | |
Some of the other children didn't enjoy my assembly | 0:32:55 | 0:32:59 | |
on the evils of factory farming, so they got together after school | 0:32:59 | 0:33:03 | |
and they force-fed me a beefburger. | 0:33:03 | 0:33:06 | |
Yeah. Horrific, right? | 0:33:06 | 0:33:08 | |
The first time I ever talked about this was on stage. | 0:33:08 | 0:33:11 | |
Because I'm well adjusted. | 0:33:11 | 0:33:13 | |
It was at a new material night, and there was a girl at the front, | 0:33:13 | 0:33:17 | |
her name was Rosie and she was an artist. | 0:33:17 | 0:33:19 | |
And I knew that because she'd already been gobbing off so much to all of the comedians, right? | 0:33:19 | 0:33:24 | |
And actually, she'd come there with another comic whose name is Chris Johnson, | 0:33:24 | 0:33:28 | |
and you'll not have heard of him because he is not successful. OK? | 0:33:28 | 0:33:33 | |
So, she came there with him, | 0:33:33 | 0:33:34 | |
and when I said this thing about the beefburger, she pipes up. | 0:33:34 | 0:33:38 | |
"Did it go up your nose?" I said, "No." She went, | 0:33:38 | 0:33:42 | |
"Oh, cos it happened to me once." I was like, "Oh, right. Were you getting bullied?" | 0:33:42 | 0:33:46 | |
And she went, "No, I was just eating a burger." | 0:33:46 | 0:33:50 | |
I said, "Oh, right. Maybe you should write jokes about your life then, | 0:33:50 | 0:33:53 | |
"it sounds hilarious." And then she went, "Um, I already have. | 0:33:53 | 0:33:57 | |
"And they're a lot better than yours, more happens." | 0:33:57 | 0:34:00 | |
So I was like, "Well, Rosie, if only interrupting was an artform, | 0:34:02 | 0:34:06 | |
"you'd win the Turner Prize. | 0:34:06 | 0:34:08 | |
"Also, talking of beefburgers, you're a bit of a cow." | 0:34:08 | 0:34:11 | |
Just came up with it on the spot. | 0:34:12 | 0:34:15 | |
Three days later, in my bathroom. | 0:34:15 | 0:34:18 | |
There's nothing I can do with that | 0:34:20 | 0:34:21 | |
unless the exact same situation occurs one day, | 0:34:21 | 0:34:24 | |
or if I do manage to go back in time. | 0:34:24 | 0:34:27 | |
Have you seen this advert? | 0:34:28 | 0:34:30 | |
This is the worst ad I've ever seen. | 0:34:30 | 0:34:32 | |
I saw it in a women's magazine, but I can't remember which one, | 0:34:32 | 0:34:36 | |
cos they've all got different names, haven't they, | 0:34:36 | 0:34:39 | |
like Look, New!, Hello!, OK!, Heat, | 0:34:39 | 0:34:42 | |
but I just think they should all change their name to | 0:34:42 | 0:34:45 | |
Women Getting Dressed. | 0:34:45 | 0:34:47 | |
Cos that's all that was in it. | 0:34:48 | 0:34:50 | |
Oh, look - Victoria Beckham got dressed. | 0:34:50 | 0:34:53 | |
Katie Holmes got dressed in blue. | 0:34:55 | 0:34:57 | |
Michelle Obama got dressed. How does she find the time? | 0:34:59 | 0:35:03 | |
We're an intelligent society. | 0:35:05 | 0:35:07 | |
Everyone knows now that these magazines | 0:35:07 | 0:35:09 | |
are just negative propaganda towards women, aren't they? | 0:35:09 | 0:35:12 | |
I read this thing from cover to cover, and every article, | 0:35:12 | 0:35:16 | |
everything it was saying, could be condensed down into one short quiz, | 0:35:16 | 0:35:20 | |
which is basically, | 0:35:20 | 0:35:21 | |
"Ladies, what do you hate most about yourself? | 0:35:21 | 0:35:25 | |
"Is it A - your face? | 0:35:25 | 0:35:27 | |
"Or is it B - your body? | 0:35:27 | 0:35:29 | |
"Answers to the quiz. Mostly As - | 0:35:31 | 0:35:34 | |
"Buy expensive make-up to cover it up | 0:35:34 | 0:35:37 | |
"and expensive clothes to distract people. | 0:35:37 | 0:35:40 | |
"Mostly Bs - starve yourself and go to the gym. | 0:35:40 | 0:35:44 | |
"While you're there, look in one of those big mirrors. | 0:35:44 | 0:35:48 | |
"Are you sure you don't hate your face?" | 0:35:48 | 0:35:51 | |
So, we know the horrific things, | 0:35:53 | 0:35:54 | |
but this advert was even worse than usual. | 0:35:54 | 0:35:58 | |
It was for an anti-wrinkle cream that's aimed at women from 25 to 35. | 0:35:58 | 0:36:02 | |
So I'm already furious. | 0:36:02 | 0:36:04 | |
And then they called themselves a "pre-anti-wrinkle cream," | 0:36:04 | 0:36:07 | |
which is nonsense, | 0:36:07 | 0:36:08 | |
and then the advert had been Photoshopped, | 0:36:08 | 0:36:11 | |
so it had the same model on both sides, and it said, | 0:36:11 | 0:36:15 | |
"your future self is giving you a high-five." | 0:36:15 | 0:36:18 | |
I've never felt so patronised in my life. | 0:36:20 | 0:36:23 | |
If I happen to be the first person that invents and uses time travel, | 0:36:23 | 0:36:28 | |
and I get to go back and speak to a former self, a younger me, | 0:36:28 | 0:36:32 | |
I'm not going to be giving her skin care tips, am I? | 0:36:32 | 0:36:37 | |
But a long list of men I shouldn't have slept with. | 0:36:37 | 0:36:40 | |
Yeah, he doesn't end up being nice when you get to know him. | 0:36:41 | 0:36:45 | |
He's already slept with your sister, no-one told you. | 0:36:45 | 0:36:48 | |
And these ones are comedians. | 0:36:48 | 0:36:51 | |
This is good advice, you can listen in to this. | 0:36:53 | 0:36:55 | |
Don't sleep with a comedian. | 0:36:55 | 0:36:58 | |
I'm talking about the boy ones, by the way. | 0:36:58 | 0:37:01 | |
The girl ones are a lot of fun. | 0:37:01 | 0:37:03 | |
Just the boy ones. I tell you what, | 0:37:03 | 0:37:05 | |
it's the kind of job you get into if you're | 0:37:05 | 0:37:07 | |
compensating for something, | 0:37:07 | 0:37:09 | |
so the nice ones have got very small penises, | 0:37:09 | 0:37:11 | |
and the ones with big penises are psychopaths. | 0:37:11 | 0:37:14 | |
We get patronised all the time. | 0:37:16 | 0:37:19 | |
I noticed the other day in the supermarket | 0:37:19 | 0:37:22 | |
they've started labelling food "real." | 0:37:22 | 0:37:25 | |
As an adjective. | 0:37:25 | 0:37:27 | |
Like "real potato chips", "real dairy ice cream", "real lemonade." | 0:37:27 | 0:37:33 | |
I have never got back from Waitrose and had to go... | 0:37:33 | 0:37:36 | |
SHE SIGHS | 0:37:36 | 0:37:37 | |
I've bought fictional bread again. | 0:37:39 | 0:37:41 | |
These choc-ices are illusory. | 0:37:43 | 0:37:46 | |
Someone's made up these lemons. | 0:37:48 | 0:37:51 | |
Doesn't happen. But it's that thing they do, like in Pret a Manger | 0:37:51 | 0:37:54 | |
when they write on all of their stuff, "contains no unnecessary preservatives." | 0:37:54 | 0:38:00 | |
That's an empty sentence. | 0:38:00 | 0:38:02 | |
So, it contains preservatives, but no unnecessary ones. | 0:38:02 | 0:38:07 | |
The insinuation is that Greggs down the road | 0:38:07 | 0:38:10 | |
are wasting time and money having their sandwiches embalmed. | 0:38:10 | 0:38:13 | |
And it's horrible when a sentence niggles at you when people say it, | 0:38:15 | 0:38:18 | |
like when people go, "I'm against organised religion." | 0:38:18 | 0:38:22 | |
Like it's not the homophobia that's the problem, | 0:38:22 | 0:38:24 | |
but the excellent admin. | 0:38:24 | 0:38:26 | |
And I hate the phrase "committed vegetarian." | 0:38:27 | 0:38:30 | |
"Oh, yeah, she's a committed vegetarian." | 0:38:30 | 0:38:32 | |
Cos it insinuates that there are adulterous vegetarians | 0:38:32 | 0:38:35 | |
that go round the place getting off with sausages behind carrot's back. | 0:38:35 | 0:38:40 | |
Kevin was talking about the double-dip recession. | 0:38:41 | 0:38:43 | |
I have, I think, solved the economic crisis. | 0:38:43 | 0:38:46 | |
I mean, I'm not bragging but I think I've worked it out, right? | 0:38:46 | 0:38:50 | |
So, basically, debt, as I understand it, | 0:38:50 | 0:38:52 | |
is caused by people borrowing more than they can afford to pay back, | 0:38:52 | 0:38:56 | |
and they spend it on things they don't need, | 0:38:56 | 0:38:58 | |
like clothes and shoes and nuclear weapons. | 0:38:58 | 0:39:01 | |
But when you think about it, some people don't get into debt - | 0:39:01 | 0:39:05 | |
children. | 0:39:05 | 0:39:06 | |
Do they? | 0:39:06 | 0:39:08 | |
Small, smug, in the black, children. | 0:39:08 | 0:39:10 | |
So all we need to do is | 0:39:11 | 0:39:12 | |
make chip and pin machines a bit more like parents, | 0:39:12 | 0:39:16 | |
and then we don't have a problem. | 0:39:16 | 0:39:18 | |
Because you'd go into the shop, you'd pick something out, | 0:39:18 | 0:39:21 | |
put in your card and your number and it would say, | 0:39:21 | 0:39:24 | |
"You've already got a coat." | 0:39:24 | 0:39:26 | |
And you'd have to go and put it back. | 0:39:31 | 0:39:33 | |
So you'd pick something else out, put in your card and your number, | 0:39:35 | 0:39:38 | |
and it would say, | 0:39:38 | 0:39:40 | |
"Sensible black ones, please, so you can wear them to school." | 0:39:40 | 0:39:43 | |
So you'd have to put 'em back, so you pick something else out, | 0:39:45 | 0:39:48 | |
put in your card and your number and it would say, | 0:39:48 | 0:39:52 | |
"OK, you can have nuclear weapons, | 0:39:52 | 0:39:55 | |
"but you've got to share them with your sister." | 0:39:55 | 0:39:58 | |
No. | 0:40:00 | 0:40:01 | |
Then we would have to put 'em back. | 0:40:01 | 0:40:04 | |
Because our sister is France. | 0:40:04 | 0:40:06 | |
She's the one we want to use them on. | 0:40:07 | 0:40:10 | |
Being poor has not stopped people shopping. | 0:40:12 | 0:40:14 | |
I know that because I live in Tooting, | 0:40:14 | 0:40:16 | |
where people have not let being very deprived stop them | 0:40:16 | 0:40:19 | |
from dressing badly in a different way every day. | 0:40:19 | 0:40:23 | |
There is a fashion trend in my area | 0:40:24 | 0:40:26 | |
where women wear T-shirts with more attractive women on them. | 0:40:26 | 0:40:30 | |
Yeah, so there'll be acne-ridden schoolgirls | 0:40:31 | 0:40:34 | |
emblazoned with Debbie Harry, in her heyday, | 0:40:34 | 0:40:37 | |
very big women with Kate Moss riding around on their pendulous breasts, | 0:40:37 | 0:40:42 | |
very old women, the kind that have been betrayed twice by their follicles, | 0:40:42 | 0:40:47 | |
wearing both five o'clock shadow and a wig, | 0:40:47 | 0:40:51 | |
and they'll have Rihanna grinding down on them inappropriately. | 0:40:51 | 0:40:55 | |
When I first noticed this, I thought, | 0:40:55 | 0:40:57 | |
"These women cannot be well served by the comparison." | 0:40:57 | 0:41:00 | |
Like, if a gentleman was like, "Oh, hello... Urgh!" | 0:41:00 | 0:41:03 | |
But then I remembered that men are stupid | 0:41:05 | 0:41:07 | |
and, actually, they will find anything alluring | 0:41:07 | 0:41:10 | |
if you put a sexy woman on it. | 0:41:10 | 0:41:12 | |
That's the basis of all advertising ever. | 0:41:12 | 0:41:15 | |
Like, these T-shirts are probably tricking men into having threesomes. | 0:41:15 | 0:41:19 | |
"Oh, yeah, it was a great night, last night. | 0:41:20 | 0:41:23 | |
"It was me, pop star Rihanna, | 0:41:23 | 0:41:24 | |
"and a really old lady who was bald with a beard." | 0:41:24 | 0:41:27 | |
The facial hair thing terrifies me. | 0:41:28 | 0:41:31 | |
I'm setting up a charity, | 0:41:31 | 0:41:32 | |
which is going to be where young women go into hospitals | 0:41:32 | 0:41:36 | |
and pluck the faces of old women for them. | 0:41:36 | 0:41:39 | |
It's going to be called Dignitache. | 0:41:39 | 0:41:41 | |
Probably about now it is time that I started talking about football. | 0:41:47 | 0:41:51 | |
Because I'm a feminist I quite often have to talk to men | 0:41:51 | 0:41:53 | |
about football to trick them into thinking I am their equal. | 0:41:53 | 0:41:57 | |
And we have footballers in, and so this is exciting that | 0:41:57 | 0:42:00 | |
I get to tell you about this, because basically | 0:42:00 | 0:42:03 | |
I've watched it, it's great, | 0:42:03 | 0:42:04 | |
but I think the game could be livened up a bit. | 0:42:04 | 0:42:07 | |
For instance, when someone gets a free kick, | 0:42:07 | 0:42:10 | |
they shouldn't have to use that on the ball. | 0:42:10 | 0:42:13 | |
They could use it on any of the other players or the ref. | 0:42:13 | 0:42:17 | |
And when there's a substitution, | 0:42:17 | 0:42:19 | |
it should be like online grocery shopping. | 0:42:19 | 0:42:22 | |
"Yeah, you asked for Theo Walcott, | 0:42:22 | 0:42:24 | |
"but, well, we couldn't find him, | 0:42:24 | 0:42:27 | |
"so we've sent you retired cricketer, Ian Botham! There you go." | 0:42:27 | 0:42:32 | |
And when there's a penalty, I think the players should actually be penalised | 0:42:32 | 0:42:36 | |
and forced to do something they don't want to, | 0:42:36 | 0:42:39 | |
like be faithful to their partners. | 0:42:39 | 0:42:42 | |
And I talk to boys about this all the time, | 0:42:42 | 0:42:44 | |
and as yet none of my ideas have been implemented in the game, | 0:42:44 | 0:42:47 | |
and that's because when women talk about sport, men do this face. | 0:42:47 | 0:42:51 | |
They fall in love with us! | 0:42:54 | 0:42:55 | |
This has been an absolute pleasure. | 0:42:59 | 0:43:01 | |
Thank you so much for having me. My name is Sara, good night! | 0:43:01 | 0:43:04 | |
-Thank you very much, thank you! -CHEERING AND APPLAUSE | 0:43:04 | 0:43:07 | |
Give it up for Sara Pascoe. | 0:43:09 | 0:43:11 | |
CHEERING AND APPLAUSE | 0:43:11 | 0:43:14 | |
All right, ladies and gentlemen, this has been Live At The Apollo. | 0:43:14 | 0:43:17 | |
-Give it up for Sara Pascoe! -CHEERING AND APPLAUSE | 0:43:17 | 0:43:20 | |
-And give it up for Phill Jupitus! -CHEERING AND APPLAUSE | 0:43:22 | 0:43:27 | |
I'm Kevin Bridges, cheers for watching, good night, | 0:43:27 | 0:43:30 | |
-see you again sometime, cheers! -CHEERING AND APPLAUSE | 0:43:30 | 0:43:33 |