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'I'm Rhod Gilbert, stand-up comedian. | 0:00:04 | 0:00:06 | |
'People tell me I've got the toughest job in town, | 0:00:06 | 0:00:08 | |
'but I'm sure I'll find other things far more difficult. | 0:00:08 | 0:00:11 | |
'I'm ditching my job and trying something completely different. | 0:00:11 | 0:00:15 | |
'This is my work experience. And this week, I'm a drag artist.' | 0:00:15 | 0:00:19 | |
CHEERING | 0:00:19 | 0:00:21 | |
'In a few days' time, I'll be tucking my Clifford in my knickers and becoming support act | 0:00:26 | 0:00:31 | |
'to world-famous female impersonator Ceri Dupree. I was bricking it. | 0:00:31 | 0:00:36 | |
'Closest I've come to impersonating a woman | 0:00:36 | 0:00:38 | |
'is holding me girlfriend's handbag while she makes a call. | 0:00:38 | 0:00:41 | |
'I head to Femesque, a male to female makeover company. | 0:00:41 | 0:00:44 | |
'They could make the Gruffalo look like Audrey Hepburn. | 0:00:44 | 0:00:47 | |
'They stick on some rubber gloves, bend me over | 0:00:47 | 0:00:49 | |
'and find my inner woman.' | 0:00:49 | 0:00:52 | |
I have absolutely no idea what to expect from this. Quite nervous. | 0:00:53 | 0:00:58 | |
'Lynne and her team have been helping men look like women for over 15 years. | 0:00:58 | 0:01:02 | |
'And in a few hours, I'd be part of their portfolio.' | 0:01:02 | 0:01:05 | |
I'm here because I've got to be a female impersonator | 0:01:05 | 0:01:08 | |
and I didn't know where to start | 0:01:08 | 0:01:10 | |
and I thought, I'll go somewhere where they can make me into a woman, | 0:01:10 | 0:01:14 | |
maybe try out different...aspects of my character, | 0:01:14 | 0:01:17 | |
try and bring out the woman in me. | 0:01:17 | 0:01:19 | |
-Yeah. -Does that sound like it makes sense? -Definitely. | 0:01:19 | 0:01:22 | |
We're going to be doing the whole male to female transformation. | 0:01:22 | 0:01:26 | |
-Just to be clear, today, I'm not having a sex change? -No. | 0:01:26 | 0:01:29 | |
We need to take you through a transformation, | 0:01:29 | 0:01:31 | |
which is to remove body hair, sort your eyebrows out, | 0:01:31 | 0:01:35 | |
get you into underwear and breast forms, padded pants, | 0:01:35 | 0:01:39 | |
to get that nice hourglass look that every girl wishes for. | 0:01:39 | 0:01:44 | |
-And we need a female name. -Rachel, Rhod? | 0:01:44 | 0:01:46 | |
-Why Rachel? -You know, you just look like a Rachel, you know. | 0:01:46 | 0:01:51 | |
Rhona. It's got to be Rhona. | 0:01:51 | 0:01:54 | |
-That's Welsh, innit? -Does it matter whether it's Welsh or not? | 0:01:54 | 0:01:57 | |
I'm dressed as a bloody woman, I don't give a shit whether I've got a Welsh name! | 0:01:57 | 0:02:02 | |
-Well, you could be more attractive as a woman than a guy. -Huh?! | 0:02:02 | 0:02:05 | |
I'll look like somebody's attacked Davina McCall with a hammer. | 0:02:05 | 0:02:08 | |
I'm pretty apprehensive. Probably more out of my comfort zone than I've ever been on this series. | 0:02:11 | 0:02:16 | |
I just don't know what to do. Being a drag artist, dressing as a woman. | 0:02:16 | 0:02:19 | |
I'm concerned about the flamboyant performance aspect. | 0:02:19 | 0:02:22 | |
I'm concerned that I'm going to make a dick of myself. | 0:02:22 | 0:02:25 | |
Albeit a dick that's tucked neatly between my legs. | 0:02:25 | 0:02:28 | |
So if you can just remove all your clothes | 0:02:31 | 0:02:33 | |
down to your undergarments and pop yourself on the bed. | 0:02:33 | 0:02:37 | |
This is the first part of the...transformation process. | 0:02:40 | 0:02:44 | |
'I looked like Chewbacca. Lynne and her partner in pain, Clare, | 0:02:44 | 0:02:48 | |
'would shave, wax, pluck and polish me until I looked more like C3PO.' | 0:02:48 | 0:02:52 | |
I'm just removing some of the long hair because it makes it more comfortable to be waxed. | 0:02:52 | 0:02:56 | |
How far up are you going?! Just stop when you get to my anus, yeah? | 0:02:56 | 0:03:00 | |
-I most definitely will. -It's too late to go back, isn't it? | 0:03:00 | 0:03:03 | |
Yes. No going back. | 0:03:03 | 0:03:05 | |
The waxing will be about four weeks | 0:03:05 | 0:03:07 | |
before it comes back to the surface of your skin. | 0:03:07 | 0:03:11 | |
-Oh! You twat! -LAUGHTER | 0:03:13 | 0:03:17 | |
Calm down. Come on. | 0:03:17 | 0:03:19 | |
Argh! | 0:03:19 | 0:03:21 | |
It hurt! | 0:03:21 | 0:03:22 | |
-Ow! -Hold on tight. | 0:03:22 | 0:03:25 | |
Aye! Ah! Argh! | 0:03:25 | 0:03:28 | |
Oh, you...bell end! | 0:03:28 | 0:03:31 | |
-Argh! You...! -You need to man up, Rhod. | 0:03:32 | 0:03:35 | |
It's really not the aim of today, is it? | 0:03:35 | 0:03:39 | |
That's disgusting, that leg. It's horrible! | 0:03:39 | 0:03:42 | |
Hairy gorilla. This one's slender, smooth, sleek. | 0:03:42 | 0:03:46 | |
-You can't say it doesn't look like a sausage. -It's like an athlete's leg. | 0:03:46 | 0:03:50 | |
'12 black bin bags of body hair later, | 0:03:50 | 0:03:52 | |
'and a team tending a two-storey hair bonfire in the backyard, | 0:03:52 | 0:03:55 | |
'I still look like Bungle.' | 0:03:55 | 0:03:58 | |
Ow! Ow! | 0:03:58 | 0:03:59 | |
Ow! Ow! Ow! | 0:03:59 | 0:04:02 | |
My eyebrows look absolutely ridiculous. | 0:04:02 | 0:04:05 | |
I just look constantly surprised. | 0:04:05 | 0:04:07 | |
I'm starting to shape up into Sylvester Stallone's mother. | 0:04:10 | 0:04:13 | |
Can I have sideburns? | 0:04:16 | 0:04:17 | |
'My skin was already scorched, | 0:04:17 | 0:04:19 | |
'but it was out of the frying pan and into the fire.' | 0:04:19 | 0:04:22 | |
I'm going to really come into your personal space now. | 0:04:22 | 0:04:25 | |
Because I'm going to dress you. OK? | 0:04:25 | 0:04:28 | |
Right. So, first of all, a bra. So... | 0:04:28 | 0:04:32 | |
Right, OK. So let's try this one. It's a 36. | 0:04:32 | 0:04:36 | |
I think it'll be right across the size at the back. | 0:04:36 | 0:04:41 | |
You can kind of try and help me. Look like you're interested. | 0:04:41 | 0:04:44 | |
Breast forms. Just feel that. | 0:04:46 | 0:04:48 | |
-So that's... -It's very odd feeling your own breasts. | 0:04:50 | 0:04:53 | |
-SHE LAUGHS -Especially on the inside. | 0:04:53 | 0:04:55 | |
That sticks to you...if you wanted. | 0:04:55 | 0:04:58 | |
-I could take my bra off and still have breasts? -They'd stay there. | 0:04:58 | 0:05:01 | |
-I have to see that. -OK. | 0:05:01 | 0:05:03 | |
-I have to see myself with tits. -Right. | 0:05:03 | 0:05:06 | |
-Where are those breasts? -Here they are. | 0:05:06 | 0:05:09 | |
Come on. Tit me up, Scotty. | 0:05:09 | 0:05:11 | |
'Michelle strategically positioned my adjustable nipples. | 0:05:11 | 0:05:14 | |
'Being a girl was a right faff. If I was a real woman, | 0:05:14 | 0:05:17 | |
'I'd get permanent breasts with built-in nipples.' | 0:05:17 | 0:05:20 | |
And then that bit of your skin... | 0:05:20 | 0:05:22 | |
-Oh, you weren't joking about the personal space. -I told you! | 0:05:22 | 0:05:26 | |
Would this be the size breasts that a drag artist would have? | 0:05:28 | 0:05:32 | |
Some are much bigger. It depends how comedic you want to look. So, um... | 0:05:32 | 0:05:36 | |
-I don't know what I want yet. I'm not... -Yeah. | 0:05:36 | 0:05:38 | |
I'm not really in that mindset yet. | 0:05:38 | 0:05:40 | |
I know I'm standing here rubbing my nipples, but I'm not there yet. | 0:05:40 | 0:05:44 | |
Right, shall we get some knickers on now? | 0:05:44 | 0:05:46 | |
-I think that's the next stage. -The next step. | 0:05:46 | 0:05:49 | |
If you put them on... | 0:05:49 | 0:05:51 | |
What do I do with my...lunch? | 0:05:51 | 0:05:53 | |
Um, you kind of tuck them up the back. | 0:05:53 | 0:05:55 | |
Sort of tuck them in the best you can. | 0:05:55 | 0:05:57 | |
Are those knickers too big, or are they OK? | 0:05:57 | 0:06:00 | |
Not sort of bulging out? It won't...? | 0:06:00 | 0:06:02 | |
OK. Right. If you come over here. | 0:06:02 | 0:06:05 | |
'Michelle was an expert in genital origami. | 0:06:05 | 0:06:08 | |
'She folded my man fanny like a demented pastry chef. | 0:06:08 | 0:06:11 | |
'I couldn't get at it if I tried. It was like Fort Knobs down there.' | 0:06:11 | 0:06:15 | |
We've probably taken an inch, two inches off your waist. | 0:06:15 | 0:06:19 | |
Pull those pants up just over there a wee bit. Yeah, just like that. | 0:06:19 | 0:06:23 | |
SHE CHUCKLES | 0:06:23 | 0:06:24 | |
THEY LAUGH | 0:06:24 | 0:06:26 | |
That's much sexier. That makes a big difference. | 0:06:27 | 0:06:30 | |
-No, no, no! I don't mean...! -It really does. | 0:06:30 | 0:06:33 | |
-Once you get the moustache coming out, that really does lift it! -I hadn't noticed that. | 0:06:33 | 0:06:37 | |
'Michelle thought I needed a bum transplant. Temporary booty Botox. | 0:06:37 | 0:06:41 | |
'She was the only person since Burke and Hare to have a drawer full of spare arses.' | 0:06:41 | 0:06:45 | |
It's definitely improved my arse. | 0:06:45 | 0:06:47 | |
See, you've got a bit of a bum now. | 0:06:47 | 0:06:49 | |
God, it's like a...black peach! | 0:06:49 | 0:06:53 | |
Look how impressive it is! It's just awesome! | 0:06:53 | 0:06:56 | |
You could run the world from that. Look at it! | 0:06:56 | 0:06:58 | |
I would wear that. I'd wear it onstage. Just at a normal gig. | 0:06:58 | 0:07:03 | |
'My new rented bottom was an all-conquering bum colossus. | 0:07:03 | 0:07:07 | |
'I was Gluteus Maximus, father to a murdered lunchbox. | 0:07:07 | 0:07:10 | |
'And as they womanified me, I started changing.' | 0:07:10 | 0:07:13 | |
Have a look in the mirror. | 0:07:14 | 0:07:17 | |
Feminine shape. | 0:07:17 | 0:07:18 | |
So, I mean, it's not you, is it? | 0:07:19 | 0:07:21 | |
It's not your body, looking in the mirror? I mean, shape-wise. | 0:07:21 | 0:07:25 | |
Look at that. What's that? What's that doing there? | 0:07:25 | 0:07:31 | |
What's that leg doing? What the hell is that doing? | 0:07:31 | 0:07:35 | |
What's nice for us is that you're naturally going with the flow. | 0:07:35 | 0:07:38 | |
I'm doing more than going with the bloody flow. | 0:07:38 | 0:07:41 | |
Look at me! I'm like Larry Grayson! | 0:07:41 | 0:07:43 | |
This is the weirdest thing ever. | 0:07:43 | 0:07:45 | |
-You've gone through quite a bit already to get to this stage. -I suppose so. | 0:07:45 | 0:07:49 | |
The actual last bit, I think, with the makeup and the hair, | 0:07:49 | 0:07:52 | |
and then your final clothes... | 0:07:52 | 0:07:54 | |
I'm not sure if I want to go through the door. | 0:07:54 | 0:07:57 | |
We can tell by the way you look that you will look stunning as a woman. | 0:07:57 | 0:08:01 | |
However, we do not know exactly how you're going to come out. | 0:08:01 | 0:08:05 | |
'There was no going back. But I wasn't sure I wanted to be a woman at all.' | 0:08:08 | 0:08:12 | |
This bit of being a woman is pretty bad. | 0:08:12 | 0:08:14 | |
I haven't dealt with the rest of it. I haven't walked past a building site. | 0:08:14 | 0:08:18 | |
Oh, God, yeah. | 0:08:18 | 0:08:19 | |
I haven't failed to get on the board of a... | 0:08:19 | 0:08:22 | |
FTSE-100 company because of my gender. | 0:08:22 | 0:08:25 | |
'The team thought I looked like the girl next door. I agreed, | 0:08:25 | 0:08:28 | |
'provided you live next door to an unlicensed morgue. | 0:08:28 | 0:08:31 | |
'Time to work on my voice. I normally sound as feminine as a drill bit, | 0:08:31 | 0:08:34 | |
'so we tried some role-play.' | 0:08:34 | 0:08:36 | |
-You're just a guy, it's your local and I'm new in town. OK? -OK. | 0:08:36 | 0:08:39 | |
-I've just walked in, you've seen me. -If you just close your eyes. -Yeah. | 0:08:39 | 0:08:43 | |
Would you say that, would you? It's too soon for that. Buy me a drink first. | 0:08:43 | 0:08:47 | |
THEY LAUGH | 0:08:47 | 0:08:48 | |
-AS A MAN: -Can I get you a drink, then? | 0:08:48 | 0:08:51 | |
You don't look like you want to buy me a drink. | 0:08:51 | 0:08:53 | |
-So, er... -THEY LAUGH | 0:08:53 | 0:08:56 | |
-OK. -Right. You come in again. | 0:08:56 | 0:08:58 | |
Hi. Would you like a drink? | 0:08:58 | 0:09:00 | |
It's too aggressive. | 0:09:00 | 0:09:01 | |
What drink would you like, love? | 0:09:01 | 0:09:03 | |
THEY LAUGH | 0:09:03 | 0:09:05 | |
-You sexist pig! -I wouldn't mind if someone called me love. | 0:09:05 | 0:09:09 | |
-It's the feminist in me. -I don't want to offend you. -I was about to throw myself under a horse. | 0:09:09 | 0:09:13 | |
So, er...how are you? Can I get you a drink? | 0:09:13 | 0:09:16 | |
-AS A FEMALE: -Are you offering to buy me...? Oh, I can't talk like that! | 0:09:16 | 0:09:20 | |
-Oh, er... -THEY LAUGH | 0:09:20 | 0:09:23 | |
-I'd like, um... -SHE LAUGHS | 0:09:23 | 0:09:25 | |
Don't laugh in my face! I'm trying to get the voice right! | 0:09:25 | 0:09:28 | |
I'd like a gin and tonic, please. | 0:09:28 | 0:09:30 | |
Oh. Gin and tonic for the lady. | 0:09:30 | 0:09:32 | |
THEY LAUGH | 0:09:32 | 0:09:33 | |
And I'll have a...Guinness. | 0:09:33 | 0:09:35 | |
THEY LAUGH | 0:09:35 | 0:09:37 | |
-Just carry it on now and we'll just talk like this for a little bit. -OK. | 0:09:37 | 0:09:41 | |
Can I just get you...? I don't need to talk like a man now. OK. | 0:09:41 | 0:09:44 | |
-Can I just get you to close your eyes, please? -Mm-hm. | 0:09:44 | 0:09:47 | |
'The transformation was almost complete. | 0:09:49 | 0:09:51 | |
'I didn't fancy myself, but I found the experience erotic. | 0:09:51 | 0:09:54 | |
'I made a mental note to stop off in Ann Summers for Men. | 0:09:54 | 0:09:57 | |
'There was definitely a woman inside me struggling to get out. | 0:09:57 | 0:10:00 | |
'But when she finally emerged, the struggle had clearly taken its toll. | 0:10:00 | 0:10:04 | |
'I looked like a horse with an admin job.' | 0:10:04 | 0:10:06 | |
-AS A FEMALE: -I, um... | 0:10:08 | 0:10:11 | |
That's the hair and makeup. That's the... | 0:10:11 | 0:10:13 | |
-AS HIMSELF: -That's the hair and makeup done. | 0:10:13 | 0:10:16 | |
-AS A FEMALE: -That's the hair and makeup done, and, um... | 0:10:18 | 0:10:22 | |
I think it's time now to, um... | 0:10:22 | 0:10:25 | |
put me in some outfits and see what flies. | 0:10:25 | 0:10:28 | |
UPBEAT MUSIC | 0:10:31 | 0:10:33 | |
I'm really trying. | 0:10:43 | 0:10:44 | |
I am really bloody throwing everything at this. | 0:10:44 | 0:10:48 | |
'I was feeling that some repressed aspect of my being had awoken. | 0:10:48 | 0:10:52 | |
'But to complete my journey, the team had one last task for me, and I wasn't ready for it.' | 0:10:52 | 0:10:57 | |
So, what's this pub like? | 0:11:00 | 0:11:03 | |
-Family pub. -Family pub? -Yeah. | 0:11:03 | 0:11:05 | |
'As a drag artist, I'd have to perform in front of the public. | 0:11:05 | 0:11:08 | |
'The Femesque team knew I'd never be able to do that | 0:11:08 | 0:11:12 | |
if I couldn't accompany them to their local pub.' | 0:11:12 | 0:11:15 | |
Is it busy? I don't... | 0:11:15 | 0:11:19 | |
I'm not comfortable about this at all. | 0:11:19 | 0:11:21 | |
-It's fine. -Have a look how many people are in there. | 0:11:21 | 0:11:24 | |
God! Oh, this is just awful! | 0:11:27 | 0:11:30 | |
(This is the worst thing I've ever done in my whole life.) | 0:11:30 | 0:11:34 | |
(Absolutely the worst thing I've ever done in my frigging life.) | 0:11:34 | 0:11:39 | |
Pub's fairly busy. There's a few stares, a few laughs. | 0:11:39 | 0:11:43 | |
And I feel about as uncomfortable as I've ever felt in my life. | 0:11:43 | 0:11:47 | |
'This was too far too soon for me. | 0:11:47 | 0:11:49 | |
'But if I couldn't handle this, how could I perform in drag? I had to stick it out. | 0:11:49 | 0:11:53 | |
'Turning me into the admin horse had given us an appetite. | 0:11:53 | 0:11:56 | |
'I ordered the sausage for old time's sake.' | 0:11:56 | 0:11:59 | |
-AS A FEMALE: -A white wine. -A white wine? Small? Large? | 0:11:59 | 0:12:02 | |
-Large, please. -Is Pinot OK? | 0:12:02 | 0:12:04 | |
-(BLEEP!)..enormous, in fact. -LAUGHTER | 0:12:04 | 0:12:07 | |
This morning...I was somebody who had to become a female impersonator | 0:12:09 | 0:12:14 | |
in a couple of days' time. | 0:12:14 | 0:12:15 | |
I'd never really dressed as a woman or done anything like this. | 0:12:15 | 0:12:19 | |
This has gone someway to push me out of my bloody comfort zone. | 0:12:19 | 0:12:23 | |
You've done as good as you could with the raw materials, so thank you very much. | 0:12:23 | 0:12:27 | |
-Cheers! -Cheers, one and all. | 0:12:27 | 0:12:28 | |
Who's coming clubbing? | 0:12:28 | 0:12:30 | |
Let's hit the dancefloor! | 0:12:30 | 0:12:32 | |
I'm going to get me a bloody Aldershot fella. | 0:12:32 | 0:12:35 | |
I want to be pregnant by dawn. | 0:12:35 | 0:12:36 | |
'Walking in that pub as one of the girls | 0:12:36 | 0:12:38 | |
'was one of the weirdest moments of my life, and I've had it off with a Portakabin. | 0:12:38 | 0:12:42 | |
'Next day, I threw my breasts and nipples in a skip, | 0:12:42 | 0:12:45 | |
'pressed the eject button on my John Thomas | 0:12:45 | 0:12:47 | |
'and headed to Milford Haven to watch Ceri Dupree in action.' | 0:12:47 | 0:12:51 | |
Face it, peasants, one day, this will be on a stamp. | 0:12:51 | 0:12:54 | |
LAUGHTER | 0:12:54 | 0:12:56 | |
You'll be licking me, sir. LAUGHTER | 0:12:58 | 0:13:00 | |
Haw-haw-haw! | 0:13:02 | 0:13:04 | |
This is going to be terrifying. | 0:13:04 | 0:13:07 | |
It's really intimidating. In the dressing up and in the character. | 0:13:08 | 0:13:12 | |
I'm so nervous about completely failing, mucking it up, | 0:13:12 | 0:13:16 | |
being dreadful at it, when I kind of should be good at it | 0:13:16 | 0:13:18 | |
because it's almost what I do. | 0:13:18 | 0:13:20 | |
Yesterday's experience of being made into a woman toughened my nipples. | 0:13:20 | 0:13:26 | |
I am not ready for this. | 0:13:27 | 0:13:30 | |
Ceri would be my mentor, but the thought of supporting him made me feel ill. | 0:13:30 | 0:13:33 | |
I can't sing, I can't dance and I can't do impressions. | 0:13:33 | 0:13:37 | |
I felt as out of place as Geoffrey from Rainbow at a meeting of Taliban elders. | 0:13:37 | 0:13:41 | |
# Darling, it's so nice to have you back where you belong. # | 0:13:44 | 0:13:47 | |
I can't do that. There is not one fibre of my being | 0:13:47 | 0:13:50 | |
that wants to do that or feels capable of doing that. | 0:13:50 | 0:13:52 | |
I don't even know what aspects of my personality | 0:13:52 | 0:13:55 | |
I'm going to have to dredge up to try and do that. | 0:13:55 | 0:13:59 | |
Hello. | 0:14:06 | 0:14:08 | |
-Hello. Come in. -Hello. -Hello. | 0:14:10 | 0:14:12 | |
-Nice to meet you. This is James. -Hi. | 0:14:12 | 0:14:15 | |
-That was my first experience of seeing a drag artist. -OK. | 0:14:15 | 0:14:19 | |
Of all the things I've done in this work experience, this should be the closest to what I do | 0:14:19 | 0:14:24 | |
but it feels by a million miles the furthest from what I do. | 0:14:24 | 0:14:27 | |
You think this is the worst one you've ever had to do? Really? | 0:14:27 | 0:14:31 | |
By a million miles. | 0:14:31 | 0:14:33 | |
I had no idea how I was going to do what Ceri did, | 0:14:33 | 0:14:36 | |
but at least I knew my raw sausage meat look was right. | 0:14:36 | 0:14:38 | |
You don't have to wax at all. | 0:14:38 | 0:14:40 | |
You've put yourself through unnecessary pain. | 0:14:40 | 0:14:43 | |
Look at my hands, my knuckles, my arms. Look at my eyebrows. Plucked. | 0:14:43 | 0:14:47 | |
You don't have to pluck your eyebrows. I cover mine over and paint ones on top. | 0:14:47 | 0:14:51 | |
It's all done with make-up and costumes and lighting | 0:14:51 | 0:14:54 | |
and clever fabrics. | 0:14:54 | 0:14:56 | |
-Everything was a complete waste of time? -Absolute waste of time. -I'll show you the pictures. | 0:14:56 | 0:15:00 | |
-You look like David Bowie there. -I do look a bit like David Bowie. | 0:15:00 | 0:15:04 | |
They're better than I thought they were going to be, but you couldn't do an act dressed like this. | 0:15:04 | 0:15:08 | |
No, I look like somebody from Office Angels. | 0:15:08 | 0:15:11 | |
You need to approach this from a theatrical point of view, as a performance, a piece of theatre. | 0:15:11 | 0:15:15 | |
So what character do you want to do? | 0:15:15 | 0:15:17 | |
-I don't know. I can't do her can I? -You have to pick somebody to do. | 0:15:17 | 0:15:21 | |
-You see him in Cher. That sort of thing. -Where is your, erm, man Cher? | 0:15:21 | 0:15:26 | |
-Just sort of... -Has it gone up the back? Is that a trade secret? | 0:15:26 | 0:15:29 | |
-It is, definitely. -But I'm going to have to do it. | 0:15:29 | 0:15:32 | |
-Where am I going to put it? -You're not doing Cher, are you? | 0:15:32 | 0:15:35 | |
The obvious one, being Welsh, would be Bassey. | 0:15:35 | 0:15:38 | |
-Dame Shirley Bassey. -Do her. You know, Welsh. | 0:15:38 | 0:15:40 | |
Shirley. Exaggerated. It's the obvious one. | 0:15:42 | 0:15:44 | |
You say that but I don't know anything about Bassey. | 0:15:44 | 0:15:48 | |
I can vaguely hear her voice in my head. I've met her. | 0:15:48 | 0:15:51 | |
But I can't do mannerisms. I'm not an actor. I'm not an imitator. | 0:15:51 | 0:15:55 | |
You'll have to sit next to me and do as I do and hope for the best. | 0:15:55 | 0:16:00 | |
We've only got one day. | 0:16:01 | 0:16:03 | |
'Next day, I met Ceri at a costume shop in Cardiff to dame up | 0:16:03 | 0:16:07 | |
'because as the song goes, There's Nothing Like A Dame. And I was nothing like one. | 0:16:07 | 0:16:11 | |
'I could tuck my tiger prawn into my knickers but it wouldn't make me the girl from Tiger Bay.' | 0:16:11 | 0:16:16 | |
-Shall we crack on? -OK. | 0:16:16 | 0:16:18 | |
'Diamonds might be forever but my dress was going to be rented. | 0:16:18 | 0:16:21 | |
'Ceri took the lead.' | 0:16:21 | 0:16:23 | |
I'm finding it very difficult to imagine myself in any of them. | 0:16:24 | 0:16:27 | |
It's all right. It's OK. The shoes are a bit Mini Mouse. | 0:16:35 | 0:16:39 | |
Try something else on. Next one. | 0:16:39 | 0:16:41 | |
-It's not great. Turn around. -Not great? -No. | 0:16:44 | 0:16:47 | |
It needs to be more... And gold shoes. | 0:16:47 | 0:16:49 | |
-You'd never wear gold shoes with red. -Wouldn't you? -No, you would not. | 0:16:49 | 0:16:53 | |
This feels a lot more comfortable than the gold. | 0:16:53 | 0:16:55 | |
It's not about comfort. It's about, you know, suffering for your art. | 0:16:55 | 0:16:59 | |
-It's wrong. -It's wrong? -Yes. | 0:16:59 | 0:17:02 | |
-I've lost the socks. -Then the transformation is complete! | 0:17:02 | 0:17:05 | |
-It's awful. -Is it worse than the red? -Yes. -Look how waxed those are. | 0:17:05 | 0:17:08 | |
-Look. -No thanks. -Don't you want to feel them? Feel how smooth they are. | 0:17:08 | 0:17:12 | |
-I really don't want to. -See what I went through for you? Look at my toes. -I hate feet. | 0:17:12 | 0:17:16 | |
-Even my toes have been waxed for you! -Go and get changed. | 0:17:16 | 0:17:19 | |
You're wasting time. Shirley Bassey would never wear anything like that. It's wrong. | 0:17:19 | 0:17:24 | |
I haven't got a clear image of what Shirley Bassey would wear. | 0:17:24 | 0:17:27 | |
Well, she wouldn't wear that. It's all wrong. | 0:17:27 | 0:17:30 | |
-That's the best one so far, but not with that boa. -The best one so far? | 0:17:31 | 0:17:35 | |
-Lose the boa. It'd too white. -This is what I've got to put up with! | 0:17:35 | 0:17:38 | |
-It's the wrong white! -Turn around. | 0:17:38 | 0:17:40 | |
-You need help. The wrong white! -You need help! Hello! -You need help! | 0:17:40 | 0:17:44 | |
-I'm not the one wearing a dress! -There's nothing wrong with me. | 0:17:44 | 0:17:48 | |
Dress finally chosen, | 0:17:49 | 0:17:51 | |
it was back to Ceri's headquarters to complete the transformation. | 0:17:51 | 0:17:55 | |
-Right, OK, so have a seat. -This is your church. | 0:17:55 | 0:18:01 | |
-It's my office. -And these are all you? -These are all me in shows I've done over the years. | 0:18:01 | 0:18:06 | |
How did you get into this? | 0:18:06 | 0:18:08 | |
When I was a kid, I was always interested | 0:18:08 | 0:18:11 | |
in the flamboyant side of the entertainment business. | 0:18:11 | 0:18:14 | |
You can hide behind this persona, wear these outrageous costumes, | 0:18:14 | 0:18:19 | |
become these outrageous people, or women in my case. | 0:18:19 | 0:18:23 | |
It is an art form when it's done well. | 0:18:23 | 0:18:25 | |
I've seen it done badly too many times. | 0:18:25 | 0:18:27 | |
-Have you got room for one more? -That wasn't a dig. | 0:18:27 | 0:18:30 | |
If you see a bad singer, it's just a bad singer. | 0:18:30 | 0:18:33 | |
If you see a bad comic or a bad ventriloquist... | 0:18:33 | 0:18:36 | |
But when you see a bad drag act or a female impersonator, it's... Urgh! | 0:18:36 | 0:18:41 | |
It's probably going to be dreadful, embarrassing, never going to live it down. | 0:18:41 | 0:18:45 | |
It's probably going to be an insult to drag artists all over the world. | 0:18:45 | 0:18:49 | |
But I've got to do it. I'm going to do it. | 0:18:49 | 0:18:52 | |
But if I was going to do it, I still needed to accessorise. | 0:18:52 | 0:18:55 | |
My boa was completely the wrong shade of white. | 0:18:55 | 0:18:58 | |
Luckily, Ceri knew exactly what he wanted around my neck. | 0:18:58 | 0:19:01 | |
-That's amazing! What's that made of? -Cock feathers. | 0:19:01 | 0:19:04 | |
-There are all different kinds of feather. -Does it have to be cock feathers? | 0:19:07 | 0:19:10 | |
No. Those are ostrich feathers. I'm trying to think. | 0:19:10 | 0:19:13 | |
Cock's the best is it? | 0:19:13 | 0:19:15 | |
These are... I'm not walking into your gags! | 0:19:17 | 0:19:19 | |
Come on! | 0:19:19 | 0:19:21 | |
We were proper pimping my Bassey. | 0:19:21 | 0:19:24 | |
All we needed now was a wig that said showbiz. | 0:19:24 | 0:19:27 | |
From a distance, you know. | 0:19:27 | 0:19:29 | |
I look like a plumber who's knocked on somebody's door | 0:19:30 | 0:19:32 | |
half an hour earlier than they were expecting them and I've run downstairs. | 0:19:32 | 0:19:36 | |
-God, I wasn't expecting you until nine! -Do that then. She does that. She does that, you know. | 0:19:36 | 0:19:41 | |
AS SHIRLEY BASSEY: Thank you. Can you say, "Thank you, sweethearts." | 0:19:41 | 0:19:45 | |
Thank you... No! | 0:19:47 | 0:19:49 | |
-AS SHIRLEY BASSEY: Thank you. AS SHIRLEY BASSEY: -Thank you. | 0:19:49 | 0:19:54 | |
-That was like Prince Charles! -I think I might have to think about Prince Charles. | 0:19:54 | 0:19:58 | |
-AS PRINCE CHARLES: -Thank you, sweethearts. | 0:19:58 | 0:20:01 | |
-You know, it's like... Thank you. -Thank you. | 0:20:01 | 0:20:05 | |
-AS SHIRLEY BASSEY: Thank you, sweethearts. AS SHIRLEY BASSEY: -Thank you, sweethearts. | 0:20:05 | 0:20:09 | |
-So there's a bit of James Mason in there. -And don't call me Shirl. | 0:20:09 | 0:20:13 | |
Don't call me Shirley. | 0:20:13 | 0:20:15 | |
-Yes. -That's gone North Wales now. -Yes, it has. | 0:20:15 | 0:20:18 | |
I've gone North Wales so we'll have to bring it back down. | 0:20:18 | 0:20:21 | |
Hello, everyone. | 0:20:21 | 0:20:23 | |
-I love you. -I love you. -I love you all. -I love You all even more. | 0:20:26 | 0:20:31 | |
-Prince Charles? -Yes. | 0:20:32 | 0:20:35 | |
Mmmm. | 0:20:35 | 0:20:37 | |
-What the -BLEEP -was that? | 0:20:37 | 0:20:40 | |
My North Walian James Mason was miles off | 0:20:40 | 0:20:42 | |
but I was determined to nail Dame Shirley Bassey. | 0:20:42 | 0:20:45 | |
I look like somebody who used to have a successful ice cream van business in the 70s, | 0:20:45 | 0:20:49 | |
but who's now lost the plot. | 0:20:49 | 0:20:51 | |
For crying out loud! | 0:20:51 | 0:20:53 | |
-AS SHIRLEY BASSEY: -Oh God, I've dropped my bloody earrings. | 0:20:53 | 0:20:58 | |
You just need to get your mannerisms right. | 0:20:58 | 0:21:00 | |
I'm going to mirror what you do. | 0:21:00 | 0:21:03 | |
At the moment, I've just got no idea what I'm doing. | 0:21:08 | 0:21:11 | |
I look like Russell Brand two years after it's all gone wrong for him. | 0:21:13 | 0:21:17 | |
-It's coming together. You'll be fine. -It's not coming together. | 0:21:17 | 0:21:20 | |
It's not coming together costume wise. But performance wise? | 0:21:20 | 0:21:23 | |
Your words. You haven't even learnt the words yet. | 0:21:28 | 0:21:32 | |
-I can see you were a man of distinction. -Yeah? -A real big spender. -Yeah? | 0:21:32 | 0:21:36 | |
# Hey, big Spender! # | 0:21:39 | 0:21:42 | |
-What do you want me to say? It needs work. -It does need work. -It does. | 0:21:57 | 0:22:03 | |
It's definitely not perfected. | 0:22:05 | 0:22:07 | |
Today, I've been focusing on one little thing. | 0:22:08 | 0:22:12 | |
One little step at a time. But when I think about the whole thing... | 0:22:12 | 0:22:16 | |
I can not express to you how badly I think it's going to go. | 0:22:20 | 0:22:25 | |
So without further ado, | 0:22:25 | 0:22:27 | |
I'm going to go home and prepare for that humiliation. | 0:22:27 | 0:22:31 | |
For my debut, I'd be part of Ceri's show in Rhydyfelin in the Welsh valleys, | 0:22:32 | 0:22:35 | |
where men are men, women are men, children are men, babies are men, | 0:22:35 | 0:22:39 | |
and I had detachable nipples and a power arse. | 0:22:39 | 0:22:42 | |
I stuck out like a panda in the Playboy Mansion. | 0:22:42 | 0:22:44 | |
I've been learning my lyrics and Dame Shirley Bassey mannerisms last night. | 0:22:44 | 0:22:49 | |
But I have to say, I am not remotely reassured. | 0:22:49 | 0:22:52 | |
I'm just imagining a baying mob and a complete nightmare. | 0:22:52 | 0:22:56 | |
While Ceri's team transform the valleys into Vegas, I perfected my Bassey. | 0:22:57 | 0:23:02 | |
I'm starting to get the lyrics, I'm starting to get the rhythm of the song, | 0:23:04 | 0:23:07 | |
but the big problem is trying to impersonate Dame Shirley Bassey. | 0:23:07 | 0:23:12 | |
-Morning. -Hello. Are you all right? | 0:23:12 | 0:23:15 | |
-This is the engine room. -Have you learnt all your words? | 0:23:15 | 0:23:19 | |
I think I've pretty much got the words in my head. | 0:23:19 | 0:23:22 | |
Once you get the gear on, it will be better. | 0:23:22 | 0:23:25 | |
But I'm still hoping from last night, it has improved a bit. | 0:23:25 | 0:23:30 | |
You should have started by now. | 0:23:36 | 0:23:38 | |
# The minute you walked in the joint | 0:23:38 | 0:23:40 | |
# I could see you were a man of distinction | 0:23:40 | 0:23:43 | |
# A real big spender | 0:23:43 | 0:23:45 | |
# Good looking | 0:23:45 | 0:23:47 | |
# So refined... # | 0:23:47 | 0:23:49 | |
It wasn't that good. | 0:23:54 | 0:23:57 | |
As soon as I try and do Shirley Bassey, I go... | 0:23:57 | 0:24:00 | |
It's an insult to Shirley Bassey. | 0:24:00 | 0:24:04 | |
And it's an insult to women in general. | 0:24:04 | 0:24:07 | |
'I felt like a contestant on Britain's Got Issues. | 0:24:07 | 0:24:11 | |
'Kerry's face was a picture that told 1,000 words and the last word was definitely off. | 0:24:11 | 0:24:15 | |
'Luckily, he came up with a plan B.' | 0:24:15 | 0:24:17 | |
That place you went to the other day, and they made you up to look like somebody who worked in an office. | 0:24:17 | 0:24:23 | |
-Rachel. -Rachel, that was it. Couldn't you sort of exaggerate... | 0:24:23 | 0:24:29 | |
My stand-up isn't a character. It's just an aspect of my personality. | 0:24:29 | 0:24:32 | |
That Rachel thing is an aspect of my personality. | 0:24:32 | 0:24:35 | |
I genuinely would find that easier. 'This was it. | 0:24:35 | 0:24:38 | |
'I had to summon up Rachel, the admin horse.' | 0:24:38 | 0:24:41 | |
I summon thee, Rachel. Oh, admin horse, thou art inside me, show yourself now. | 0:24:43 | 0:24:48 | |
Show yourself now, oh, admin horse. Show yourself. | 0:24:48 | 0:24:51 | |
Oh, hello. | 0:24:51 | 0:24:53 | |
# Hey, big spender! | 0:24:55 | 0:24:57 | |
# Hey, big spender! | 0:24:58 | 0:25:02 | |
# Spend | 0:25:02 | 0:25:03 | |
# A little time | 0:25:03 | 0:25:06 | |
# With | 0:25:06 | 0:25:08 | |
# Me! # | 0:25:09 | 0:25:12 | |
That's a high one. | 0:25:12 | 0:25:13 | |
Just think of Rachel from accounts, | 0:25:13 | 0:25:15 | |
at the office party, very drunk. She's got up, | 0:25:15 | 0:25:18 | |
she's doing her karaoke, Big Spender. | 0:25:18 | 0:25:21 | |
That's what I'm going to try for, Rachel from accounts, | 0:25:21 | 0:25:24 | |
office party, she's got a bit drunk. | 0:25:24 | 0:25:26 | |
Just, if I take it too far, and you find me outside the back, | 0:25:26 | 0:25:29 | |
with somebody up against the skip, stop me! | 0:25:29 | 0:25:31 | |
Rachel would do that, wouldn't she? | 0:25:31 | 0:25:34 | |
Now that I can just let it happen naturally, | 0:25:34 | 0:25:38 | |
I feel a little bit more comfortable. | 0:25:38 | 0:25:41 | |
But everything's relative. | 0:25:41 | 0:25:44 | |
I'm not in a happy place right now. | 0:25:44 | 0:25:47 | |
But we were out of time. The doors were opening. | 0:25:48 | 0:25:50 | |
I just have to stick some vodka in Rachel's nose bag, and pray. | 0:25:50 | 0:25:54 | |
If I was going to do this as Rachel, I needed her creators. | 0:25:54 | 0:25:58 | |
Lynn and Michelle kindly raced down with a car full of arses, | 0:25:58 | 0:26:00 | |
stick on tits and plaster of Paris. | 0:26:00 | 0:26:03 | |
And they arrived just in time to recreate the admin horse. | 0:26:03 | 0:26:06 | |
On stage, Ceri wowed his audience. | 0:26:06 | 0:26:08 | |
Backstage, the girls went at my mange hair with a staple gun. | 0:26:08 | 0:26:11 | |
They had to drag Rachel out of the accounts department | 0:26:11 | 0:26:14 | |
and into the spotlight. | 0:26:14 | 0:26:17 | |
'Mr Rhod Gilbert.' | 0:26:18 | 0:26:21 | |
CHEERING AND APPLAUSE | 0:26:21 | 0:26:23 | |
AUDIENCE WHOOPS | 0:26:35 | 0:26:37 | |
WILD CHEERING | 0:26:39 | 0:26:42 | |
-EFFEMINATE AND HUSKY VOICE: -Ladies and gentlemen, it's my first time. | 0:26:42 | 0:26:46 | |
So please be gentle with me. | 0:26:46 | 0:26:49 | |
MUSIC STARTS | 0:26:49 | 0:26:52 | |
# The minute you walked in the joint | 0:26:54 | 0:26:58 | |
# I could tell see you were a man of distinction | 0:26:58 | 0:27:02 | |
# A real big spender | 0:27:02 | 0:27:05 | |
# Good looking, so refined | 0:27:05 | 0:27:08 | |
# Wouldn't you like to know what's going on in my mind? | 0:27:08 | 0:27:11 | |
# So let me get right to the point | 0:27:11 | 0:27:14 | |
# I don't pop my cork for every guy I see | 0:27:14 | 0:27:18 | |
# Hey, big spender | 0:27:20 | 0:27:22 | |
# Hey, big spender | 0:27:23 | 0:27:26 | |
# Hey, big spender | 0:27:27 | 0:27:29 | |
# Spend a little time with me. # | 0:27:31 | 0:27:35 | |
CHEERING AND APPLAUSE | 0:27:43 | 0:27:45 | |
'Rachel had done it. Together, we'd survived.' | 0:27:45 | 0:27:49 | |
'Thank God it's over! | 0:27:55 | 0:27:57 | |
'I have absolutely no interest in ever doing that again. | 0:27:57 | 0:28:02 | |
'I've never felt so out of my comfort zone, uncomfortable, scared, nervous... | 0:28:02 | 0:28:07 | |
'It was brief and painful, it's gone. | 0:28:07 | 0:28:10 | |
'That was a fleeting aspect of my life that was as temporary as those nails.' | 0:28:10 | 0:28:15 | |
And it's gone. | 0:28:15 | 0:28:18 | |
I never want to do it again, as long as I live. | 0:28:18 | 0:28:21 | |
And Rachel, bless her... Rachel got me through that. | 0:28:22 | 0:28:26 | |
Subtitles by Red Bee Media Ltd | 0:29:00 | 0:29:04 |