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Eddie, good boy. There you go. | 0:00:07 | 0:00:10 | |
Actor Martin Shaw was born and brought up in Birmingham. | 0:00:13 | 0:00:17 | |
He now lives in Norfolk. | 0:00:20 | 0:00:21 | |
Go on, good boy. | 0:00:24 | 0:00:26 | |
Martin's career spans almost 50 years. | 0:00:28 | 0:00:31 | |
He's performed in over 100 film, stage and TV roles, | 0:00:33 | 0:00:37 | |
from Shakespeare to The Professionals, | 0:00:37 | 0:00:40 | |
and most recently as Inspector George Gently. | 0:00:40 | 0:00:43 | |
I was born in Birmingham in the closing months | 0:00:46 | 0:00:48 | |
of the Second World War - January, 1945. | 0:00:48 | 0:00:52 | |
My parents were very young, that was the great thing. | 0:00:53 | 0:00:57 | |
My mum was 19, my dad was 21. | 0:00:58 | 0:01:00 | |
And this is my mum and dad and my brother | 0:01:01 | 0:01:03 | |
and myself on my grandmother's red velvet Chesterfield sofa. | 0:01:03 | 0:01:08 | |
There's a kind of a not entirely accidental resemblance, | 0:01:09 | 0:01:13 | |
I always think, between my mother at this age and Ginger Rogers. | 0:01:13 | 0:01:16 | |
It looks like a happy picture, doesn't it? | 0:01:17 | 0:01:20 | |
Now by contrast... | 0:01:20 | 0:01:23 | |
This is, er, my dad's side of the family. | 0:01:23 | 0:01:26 | |
This is my Aunt Lily, my dad and my grandmother Alice. | 0:01:26 | 0:01:31 | |
I had a very close relationship with her. | 0:01:31 | 0:01:33 | |
It is a mysterious and...and rather a painful photograph. | 0:01:34 | 0:01:39 | |
They do look sad, all three of them in this picture. | 0:01:40 | 0:01:45 | |
My dad's hands are folded, you know, just sort of like, | 0:01:45 | 0:01:48 | |
just looking at the camera. | 0:01:48 | 0:01:50 | |
He's just a young, very, very young boy. | 0:01:50 | 0:01:52 | |
There's a significant person missing - my grandfather, Edwin. | 0:01:54 | 0:01:59 | |
As far as I know, at about - you know - | 0:02:01 | 0:02:04 | |
1930 or the beginning of the '30s, Edwin vanished. | 0:02:04 | 0:02:07 | |
So that's the mystery for me. | 0:02:09 | 0:02:11 | |
I don't know very much, if anything at all, about Edwin. | 0:02:11 | 0:02:15 | |
My grandfather Edwin is a bit of a mystery | 0:02:53 | 0:02:55 | |
because he was kind of persona non grata. | 0:02:55 | 0:02:58 | |
Nobody talked about him very much. | 0:03:00 | 0:03:03 | |
There was always a kind of, um, painful silence | 0:03:03 | 0:03:08 | |
and a painful information blackout about Edwin. | 0:03:08 | 0:03:10 | |
It's as though this huge tragedy went into my, my father's family. | 0:03:10 | 0:03:16 | |
I think my dad said that Edwin left them for another woman. | 0:03:19 | 0:03:23 | |
My grandmother never said anything about him at all, | 0:03:23 | 0:03:27 | |
other than a, you know, a turn of the head. | 0:03:27 | 0:03:31 | |
And my dad's... Any questions to my dad were sort of answered with a | 0:03:33 | 0:03:36 | |
sort of a, a sadness and a "I don't want to talk about it," you know. | 0:03:36 | 0:03:40 | |
My father had been damaged by not having a father at the time | 0:03:43 | 0:03:49 | |
when he needed one most. | 0:03:49 | 0:03:50 | |
I've only got one picture of Edwin, which is this one here. | 0:03:53 | 0:03:56 | |
He was referred to as Ted, if he was referred to at all, | 0:03:59 | 0:04:03 | |
which wasn't very much. | 0:04:03 | 0:04:05 | |
My dad said when I asked him about this picture, | 0:04:06 | 0:04:09 | |
that Edwin was 17 when this was taken, and it's a military | 0:04:09 | 0:04:13 | |
uniform, and we had no idea what the uniform was until my brother | 0:04:13 | 0:04:19 | |
very cleverly zoomed in, cos he's clever with computers. | 0:04:19 | 0:04:23 | |
He zoomed in on the cap badge | 0:04:23 | 0:04:25 | |
and he determined that it was the Royal Marines, | 0:04:25 | 0:04:28 | |
so we're almost sure that Edwin was in the Marines. | 0:04:28 | 0:04:31 | |
But that's it. The rest of it is a complete blank. | 0:04:31 | 0:04:34 | |
Grandparents are usually there in your memory. | 0:04:36 | 0:04:39 | |
But I don't know what kind of man he was. | 0:04:40 | 0:04:42 | |
It would be wonderful to find out now who he was, what he did - | 0:04:44 | 0:04:49 | |
mysterious Edwin. | 0:04:49 | 0:04:51 | |
So we're heading to my local pub to meet a military historian, | 0:05:00 | 0:05:04 | |
and he's going to tell me some more about | 0:05:04 | 0:05:06 | |
the photographs that we were looking at, which... It's very exciting. | 0:05:06 | 0:05:11 | |
Er, I have no idea what sort of information is coming my way. | 0:05:11 | 0:05:15 | |
Right, Chris, this is my grandfather Edwin Shaw... | 0:05:19 | 0:05:22 | |
about whom I know nothing. Well, next to nothing. | 0:05:22 | 0:05:26 | |
It's a fantastic photo. | 0:05:26 | 0:05:28 | |
Um, what I CAN confirm for you is that he is wearing | 0:05:28 | 0:05:31 | |
-a Royal Marines uniform. -That's good. That's what we thought. | 0:05:31 | 0:05:34 | |
Yeah, for the First World War period. | 0:05:34 | 0:05:37 | |
We think that he was about 17 when this was taken. | 0:05:37 | 0:05:40 | |
-Um, I can be a little bit more precise... -You can? -..than that. | 0:05:40 | 0:05:42 | |
Um, almost to the day, I suspect. | 0:05:42 | 0:05:46 | |
I have managed to find, or we've managed to find, | 0:05:46 | 0:05:49 | |
your grandfather's Service Record. | 0:05:49 | 0:05:53 | |
Wow! "Born on the 24th December, 1899." | 0:05:53 | 0:05:57 | |
-Yes. -So his age at enlistment was 18 years, five months and ten days - | 0:05:57 | 0:06:02 | |
that's precise. | 0:06:02 | 0:06:03 | |
-And what have we got here? Gosh, it's tiny writing. -Well, here... | 0:06:03 | 0:06:07 | |
That's his date of conscription. | 0:06:07 | 0:06:08 | |
So he joined 3rd June, 1918. | 0:06:08 | 0:06:12 | |
June, July, August, September, October, November... | 0:06:12 | 0:06:16 | |
so six months before the end of the war. | 0:06:16 | 0:06:19 | |
But by the time he'd completed his training the war was over, presumably. | 0:06:19 | 0:06:23 | |
The war was over and in fact... | 0:06:23 | 0:06:25 | |
"Demobilised 11th March, 1919." Oh, yeah, 1919. | 0:06:25 | 0:06:29 | |
So yeah, he wasn't there very long. | 0:06:29 | 0:06:32 | |
At the end of the First World War, | 0:06:34 | 0:06:37 | |
after four years of gruelling combat across the globe, | 0:06:37 | 0:06:40 | |
hundreds of thousands of British veterans returned home. | 0:06:40 | 0:06:43 | |
But 18-year-old Private Shaw could only look on from the sidelines. | 0:06:45 | 0:06:50 | |
He never entered the theatre of war. | 0:06:50 | 0:06:53 | |
There is something that's very interesting. What's this? | 0:06:53 | 0:06:55 | |
"Enlisted the 5th Battalion Royal Warwickshire Regiment, | 0:06:55 | 0:06:59 | |
-"15th July, 1921." -Yes. | 0:06:59 | 0:07:01 | |
-So he re-enlisted? -He re-enlisted. | 0:07:01 | 0:07:03 | |
Wow, he went back. | 0:07:03 | 0:07:05 | |
That's a territorial unit. | 0:07:05 | 0:07:07 | |
That was probably the very first opportunity Edwin had to | 0:07:07 | 0:07:10 | |
rejoin the Army and he took it. He maybe felt like he missed out. | 0:07:10 | 0:07:14 | |
Wow. So the first chance he got he was back... | 0:07:14 | 0:07:16 | |
-He was back in. -..in the Army, wow. | 0:07:16 | 0:07:18 | |
THAT I didn't know either. | 0:07:19 | 0:07:22 | |
Interesting that he pretty much entirely missed | 0:07:33 | 0:07:36 | |
the First World War, which is lucky for him, | 0:07:36 | 0:07:40 | |
but also interesting that he chose to re-enlist as fast as he could. | 0:07:40 | 0:07:44 | |
So that tells us a little something about his character. | 0:07:44 | 0:07:48 | |
It's fascinating. | 0:07:48 | 0:07:50 | |
Martin's come to the Imperial War Museum in London to investigate | 0:07:51 | 0:07:55 | |
Edwin's career with the Territorial Army. | 0:07:55 | 0:07:58 | |
Edwin's never had a chance to tell his side of the story. | 0:08:00 | 0:08:03 | |
Maybe he re-enlisted to get away from something! | 0:08:04 | 0:08:07 | |
-Hello there. -Terry. -Pleased to meet you, Martin. | 0:08:11 | 0:08:14 | |
Hello, Terry. I'm Martin. | 0:08:14 | 0:08:15 | |
I'm trying to find out about my grandfather Edwin | 0:08:16 | 0:08:19 | |
and he was demobbed from the Royal Marines in 1919. | 0:08:19 | 0:08:25 | |
And the first available opportunity, he joined the Territorial Army. | 0:08:25 | 0:08:29 | |
The Territorial Army reformed in 1920 | 0:08:29 | 0:08:32 | |
and there was quite a large, er, recruitment campaign | 0:08:32 | 0:08:38 | |
launched by the Government to bring the Territorial Army up to strength. | 0:08:38 | 0:08:43 | |
The inducements, as we can see, were to have sports, | 0:08:43 | 0:08:46 | |
the summer camp, sailing - a rather idyllic picture of life. | 0:08:46 | 0:08:50 | |
-Spend the night in a bell tent with a dog! -Dog, yes. -Yeah. | 0:08:50 | 0:08:53 | |
-It's a nice poster, isn't it? -Mm. | 0:08:53 | 0:08:55 | |
-And there they're all having a wonderful time by the sea. -Fabulous. | 0:08:55 | 0:08:59 | |
In the 1920s, the Government began a recruitment campaign to | 0:09:04 | 0:09:08 | |
attract working men like Edwin to bolster the Territorial Army. | 0:09:08 | 0:09:12 | |
Times were tough and the promise of a two-week-long paid summer | 0:09:14 | 0:09:18 | |
training camp was highly appealing. | 0:09:18 | 0:09:21 | |
These part-time volunteers were trained just like regular soldiers, | 0:09:22 | 0:09:26 | |
but primarily for home defence. | 0:09:26 | 0:09:29 | |
They proudly called themselves The Terriers. | 0:09:30 | 0:09:33 | |
So here is a copy of your grandfather's Service Record. | 0:09:35 | 0:09:38 | |
Oh, look at that! | 0:09:38 | 0:09:39 | |
He clearly didn't miss an annual training from 1921 right | 0:09:39 | 0:09:45 | |
the way through to 1932. He never missed one. | 0:09:45 | 0:09:48 | |
And beyond. | 0:09:48 | 0:09:49 | |
What does that say? | 0:09:49 | 0:09:50 | |
"Re-engaged for four years on the 6th July." | 0:09:50 | 0:09:54 | |
That was the day before my father's birthday. | 0:09:54 | 0:09:57 | |
The day... Oh, really? | 0:09:57 | 0:09:58 | |
Mm. Maybe he just enjoyed being a soldier. | 0:09:58 | 0:10:00 | |
Maybe it was just as simple as that. | 0:10:00 | 0:10:02 | |
He just liked being a soldier, he liked the life. | 0:10:02 | 0:10:05 | |
But you could argue from his wife's point of view that this man | 0:10:05 | 0:10:09 | |
-had a family. -Yes. -Yeah. -Yes. | 0:10:09 | 0:10:10 | |
And what is interesting, and of course, we get nothing of it | 0:10:10 | 0:10:13 | |
from here is that here, round about 1930, is approximately | 0:10:13 | 0:10:18 | |
when he left my grandmother and my father and my aunt. | 0:10:18 | 0:10:21 | |
-He just went off. -Mm. | 0:10:21 | 0:10:24 | |
My father never spoke of him, or hardly ever. | 0:10:24 | 0:10:27 | |
When Edwin signed up for four more years of military | 0:10:31 | 0:10:34 | |
service in 1930, he and his wife Alice, had two young children - | 0:10:34 | 0:10:40 | |
nine-year-old Lily and Frank, who was just seven. | 0:10:40 | 0:10:44 | |
Martin believes it was around this time that his grandfather | 0:10:46 | 0:10:49 | |
left the family. | 0:10:49 | 0:10:51 | |
Martin can track Edwin's movements through his Service Record. | 0:10:51 | 0:10:55 | |
-Now it says here "embodied". -Yes. | 0:10:57 | 0:11:00 | |
What does that mean? | 0:11:00 | 0:11:01 | |
Well, it means, it means he was called up for service. | 0:11:01 | 0:11:05 | |
-For actual military service? -Yes. | 0:11:05 | 0:11:09 | |
And you see the ominous date there, the 1st September, 1939, the | 0:11:09 | 0:11:13 | |
day that the Germans invaded Poland and two days before we declared war. | 0:11:13 | 0:11:17 | |
Yes. Now what's...? What's this one here? 378 SL. | 0:11:17 | 0:11:23 | |
Which now reveals that he was a member | 0:11:23 | 0:11:25 | |
of a Searchlight Detachment, the 378th Searchlight Battery. | 0:11:25 | 0:11:30 | |
"Mustered in the Royal Artillery at Sheldon", | 0:11:30 | 0:11:33 | |
which is a suburb of Birmingham. | 0:11:33 | 0:11:35 | |
Suburb of Birmingham, yes. | 0:11:35 | 0:11:36 | |
So he was really keen. | 0:11:36 | 0:11:37 | |
I mean, he was 40 years old here. | 0:11:37 | 0:11:40 | |
Once war comes, I mean, the importance of men | 0:11:40 | 0:11:43 | |
like your grandfather was the fact that they had served for so long... | 0:11:43 | 0:11:47 | |
-Sure. -..had acquired so many military skills. | 0:11:47 | 0:11:49 | |
Yes. Fascinating. | 0:11:49 | 0:11:51 | |
It sort of begs the question - what did that entail? | 0:11:52 | 0:11:55 | |
Martin's heading to his home town - Birmingham - | 0:12:03 | 0:12:06 | |
to investigate 40-year-old Edwin's role in the defence of the city. | 0:12:06 | 0:12:11 | |
Growing up in Birmingham, you just got used to bomb damage, | 0:12:13 | 0:12:16 | |
you didn't even think about it. | 0:12:16 | 0:12:19 | |
The war was everywhere in my consciousness | 0:12:19 | 0:12:21 | |
for the first...probably ten years of my life. | 0:12:21 | 0:12:24 | |
My first acting experiences were with a group called the | 0:12:26 | 0:12:30 | |
Pied Pipers, where we did improvisation on the bomb sites. | 0:12:30 | 0:12:33 | |
Pied Pipers was glorious fun. | 0:12:33 | 0:12:34 | |
We would just go through the streets and gather up | 0:12:34 | 0:12:37 | |
a train of children and passers-by, and when we'd got enough to | 0:12:37 | 0:12:41 | |
constitute an audience we'd sit them down on the bomb site and perform. | 0:12:41 | 0:12:45 | |
If you could improvise for an audience of children on a bomb site, | 0:12:45 | 0:12:49 | |
you can handle almost anything. | 0:12:49 | 0:12:51 | |
PHONE RINGS | 0:12:51 | 0:12:53 | |
That's me, I'm afraid. | 0:12:53 | 0:12:56 | |
Yeah, it's my phone. | 0:12:56 | 0:12:58 | |
And here we are - city of my dreams. | 0:13:02 | 0:13:04 | |
Typical Birmingham day. | 0:13:08 | 0:13:10 | |
"Train manager speaking. | 0:13:10 | 0:13:11 | |
"We will shortly be arriving into Birmingham New Street, | 0:13:11 | 0:13:14 | |
"where this service will terminate." | 0:13:14 | 0:13:17 | |
Martin's come to the Library of Birmingham to meet | 0:13:26 | 0:13:29 | |
military historian Spencer Jones. | 0:13:29 | 0:13:31 | |
-Hello. -Hello, Martin. | 0:13:35 | 0:13:37 | |
-Spencer. -Good to meet you. | 0:13:37 | 0:13:40 | |
What have we got here? | 0:13:40 | 0:13:41 | |
Well, we have here some copies of the War Diary for 378 Battery, | 0:13:41 | 0:13:46 | |
to which your grandfather was attached. | 0:13:46 | 0:13:48 | |
Wow, that's brilliant. | 0:13:48 | 0:13:50 | |
This is the Order forming his troop into a special detachment. | 0:13:50 | 0:13:55 | |
And there he is, Troop Sergeant Major Shaw, EJ. Edwin James. | 0:13:55 | 0:13:59 | |
Troop Sergeant Major means he was the senior non-commissioned | 0:13:59 | 0:14:02 | |
officer of the entire Battery. | 0:14:02 | 0:14:04 | |
-Right. Yeah. -He'd have also had responsibility | 0:14:04 | 0:14:06 | |
to visit the Searchlight and Gun Detachments | 0:14:06 | 0:14:09 | |
to convey orders and ensure all was operational. | 0:14:09 | 0:14:12 | |
And does the Battery consist of all of these people here? | 0:14:12 | 0:14:14 | |
-Yes, it does. -That's... Well, that's a lot of people, yeah. | 0:14:14 | 0:14:17 | |
It is. About 60 men. | 0:14:17 | 0:14:19 | |
Your grandfather Edwin would have been on the front lines | 0:14:19 | 0:14:21 | |
of the defences of Birmingham itself, | 0:14:21 | 0:14:24 | |
particularly in defending Birmingham's war industries. | 0:14:24 | 0:14:28 | |
Birmingham was one of Britain's most important industrial centres, | 0:14:28 | 0:14:32 | |
and at the start of the war, many of its factories had switched to | 0:14:32 | 0:14:36 | |
military production. | 0:14:36 | 0:14:38 | |
But this concentration of war industry made the city | 0:14:38 | 0:14:42 | |
a prime target for the German Air Force. | 0:14:42 | 0:14:45 | |
To defend the city, | 0:14:47 | 0:14:48 | |
anti-aircraft guns were deployed to protect the most likely targets. | 0:14:48 | 0:14:53 | |
And Searchlight crews, like Edwin's, worked alongside them. | 0:14:54 | 0:14:59 | |
It was their job to pinpoint enemy bombers in their powerful beams | 0:15:00 | 0:15:05 | |
so they could be shot down or forced to change direction. | 0:15:05 | 0:15:11 | |
The Battle of Britain was at its height and we actually | 0:15:11 | 0:15:13 | |
know what target your grandfather Edwin's detachment was defending. | 0:15:13 | 0:15:16 | |
-Oh, right. -The Castle Bromwich factory | 0:15:16 | 0:15:18 | |
had been turned over to Spitfire production, | 0:15:18 | 0:15:21 | |
and we have here this wonderful album of photographs | 0:15:21 | 0:15:23 | |
of the factory in operation. | 0:15:23 | 0:15:25 | |
-Look at the size of that. -Mm. | 0:15:25 | 0:15:27 | |
Amazing. | 0:15:27 | 0:15:28 | |
Absolutely enormous, that factory, isn't it? | 0:15:30 | 0:15:33 | |
-Oh, yes. -Incredible. | 0:15:33 | 0:15:35 | |
What great photographs. | 0:15:37 | 0:15:39 | |
Extraordinary. And all these people, of course, | 0:15:44 | 0:15:46 | |
would have been in grave danger of being bombed. | 0:15:46 | 0:15:48 | |
Must have been terribly frightening. | 0:15:48 | 0:15:50 | |
On the 13th August, 1940, 30 German bombers | 0:15:57 | 0:16:00 | |
took off from northern France, | 0:16:00 | 0:16:03 | |
each loaded with two tonnes of bombs. | 0:16:03 | 0:16:05 | |
Shortly before midnight, the enemy planes were spotted | 0:16:09 | 0:16:12 | |
approaching Birmingham from the south-east. | 0:16:12 | 0:16:15 | |
The German aircraft were heading straight towards Edwin's | 0:16:17 | 0:16:20 | |
position in Sheldon, guarding the Castle Bromwich Factory. | 0:16:20 | 0:16:24 | |
This is an air-raid map for the raid of the 13th August with bomb sites | 0:16:27 | 0:16:31 | |
marked for high explosives, bombs that didn't explode | 0:16:31 | 0:16:34 | |
-and incendiary bombs. -Oh, right. | 0:16:34 | 0:16:38 | |
-Your grandfather's Battery would have been deployed in the Sheldon area here. -Right. | 0:16:38 | 0:16:42 | |
The German bombers would have been coming in from the south | 0:16:42 | 0:16:44 | |
and south-east aiming at the Castle Bromwich Factory, | 0:16:44 | 0:16:48 | |
which was in this vicinity here. | 0:16:48 | 0:16:50 | |
So they'd have been passing right over the head of him and his men. | 0:16:50 | 0:16:53 | |
-So they were right in the thick of it. -They certainly were. | 0:16:53 | 0:16:55 | |
They were right under the bomber stream. | 0:16:55 | 0:16:57 | |
So presumably the Battery would be trying to intercept them | 0:16:57 | 0:16:59 | |
-before they got to the target? -Absolutely right. | 0:16:59 | 0:17:02 | |
This would have been quite harrowing | 0:17:02 | 0:17:04 | |
for your grandfather and his men | 0:17:04 | 0:17:05 | |
that they knew that these bombs were landing in their city | 0:17:05 | 0:17:08 | |
where they had family, where they lived themselves. | 0:17:08 | 0:17:11 | |
That must have been extremely stressful. | 0:17:11 | 0:17:13 | |
-Very trying on the nerves. -Yeah, it must have been, yeah. | 0:17:13 | 0:17:15 | |
It's incredibly interesting to me that Edwin, our Ted, | 0:17:15 | 0:17:19 | |
is here in Sheldon with this Battery. | 0:17:19 | 0:17:22 | |
This cluster of activity here for this particular raid, | 0:17:24 | 0:17:28 | |
this is where my mother lived with my other grandparents, right there. | 0:17:28 | 0:17:32 | |
And there's Alleyne Grove, right there, | 0:17:32 | 0:17:34 | |
right in the middle of all this bombing. | 0:17:34 | 0:17:36 | |
And over here in Winson Green, not that far away, | 0:17:36 | 0:17:42 | |
is where my grandmother Alice lived, Cuthbert Road. | 0:17:42 | 0:17:46 | |
And this is where my father would have been | 0:17:46 | 0:17:48 | |
living as a teenager at the time of this raid. | 0:17:48 | 0:17:52 | |
So you've got my father here, you've got my mother here, | 0:17:52 | 0:17:56 | |
and you've got Ted over here in Sheldon. | 0:17:56 | 0:17:59 | |
Extraordinary. | 0:17:59 | 0:18:01 | |
SIRENS | 0:18:02 | 0:18:06 | |
Edwin and his crew of approximately 60 men worked at their posts | 0:18:06 | 0:18:10 | |
all through the night. | 0:18:10 | 0:18:12 | |
But despite the brave efforts of the anti-aircraft Batteries, | 0:18:12 | 0:18:15 | |
some enemy bombers still got through. | 0:18:15 | 0:18:18 | |
11 high-explosive bombs fell on the Castle Bromwich factory | 0:18:19 | 0:18:23 | |
that night and many more on the surrounding area. | 0:18:23 | 0:18:27 | |
German bombers scored some hits on the Castle Bromwich factory, | 0:18:31 | 0:18:35 | |
which are recorded in this photograph album. | 0:18:35 | 0:18:38 | |
Oh, right. OK. Ooh, yeah, that's quite messy, isn't it? | 0:18:38 | 0:18:42 | |
It seems to have been quite a night. | 0:18:42 | 0:18:45 | |
-Now these look like military personnel here. -Mm. | 0:18:45 | 0:18:49 | |
So I suppose there's some kind of remote possibility | 0:18:49 | 0:18:52 | |
that my grandfather could be in one of those photographs? | 0:18:52 | 0:18:55 | |
Yes, absolutely. | 0:18:55 | 0:18:56 | |
Edwin's city was under siege. | 0:19:00 | 0:19:03 | |
Over the next three years, Birmingham was raided | 0:19:03 | 0:19:05 | |
by the German Air Force 77 times. | 0:19:05 | 0:19:09 | |
But despite the devastation, the efforts of the anti-aircraft | 0:19:12 | 0:19:16 | |
crews did much to raise morale at this time of crisis. | 0:19:16 | 0:19:20 | |
What I find really fascinating is that Ted was defending | 0:19:27 | 0:19:30 | |
Castle Bromwich aerodrome, which is a quarter of a mile from where | 0:19:30 | 0:19:34 | |
my mother was living at the time and where my father was soon | 0:19:34 | 0:19:37 | |
to meet her. | 0:19:37 | 0:19:39 | |
And geographically, everybody was so close. | 0:19:39 | 0:19:42 | |
Ted's much less of an enigma now. | 0:19:43 | 0:19:46 | |
So it would be good to fill in some of the personal blanks, | 0:19:46 | 0:19:49 | |
now that we have his military service. | 0:19:49 | 0:19:51 | |
Martin's heading to Winson Green, | 0:19:55 | 0:19:57 | |
the area of Birmingham where his grandparents once lived. | 0:19:57 | 0:20:01 | |
I'm really interested in finding out the background to his leaving | 0:20:02 | 0:20:06 | |
the family around about - anecdotally - | 0:20:06 | 0:20:08 | |
round about 1930, when my father was eight or nine. | 0:20:08 | 0:20:12 | |
I think he left Alice for another woman... | 0:20:13 | 0:20:15 | |
..and I'd love to know what happened. | 0:20:17 | 0:20:19 | |
-Hello. -Hi. Good to meet you. | 0:20:23 | 0:20:26 | |
Martin's meeting legal expert Rebecca Probert at a local church, | 0:20:26 | 0:20:31 | |
where his grandparents were married. | 0:20:31 | 0:20:34 | |
So we have here the Register of Marriages for Christ Church | 0:20:34 | 0:20:38 | |
and there's one here you might be interested in. | 0:20:38 | 0:20:41 | |
OK. | 0:20:41 | 0:20:42 | |
"November 8th, 1919, Edwin James Shaw, Alice May Eaborn, | 0:20:42 | 0:20:48 | |
"aged 21, both 21." | 0:20:48 | 0:20:50 | |
Does that fit? | 0:20:54 | 0:20:55 | |
-Edwin said he was born Christmas Eve, 1899. -Mm. | 0:20:58 | 0:21:03 | |
So he wasn't 21. | 0:21:05 | 0:21:06 | |
-He wasn't 21. -He's 19. -Mm. | 0:21:06 | 0:21:09 | |
Wow! | 0:21:09 | 0:21:10 | |
Yeah, so he's not telling the truth about his age. | 0:21:10 | 0:21:15 | |
We've also got the birth certificate for Alice. | 0:21:15 | 0:21:21 | |
OK. | 0:21:21 | 0:21:22 | |
Gosh. | 0:21:25 | 0:21:27 | |
So "28th February 1900, Cuthbert Road." | 0:21:27 | 0:21:33 | |
-Her father is also called Edwin. -Yes. | 0:21:34 | 0:21:37 | |
And her mother is Mary Ann Eaborn. | 0:21:38 | 0:21:42 | |
28th February... | 0:21:42 | 0:21:46 | |
1900. | 0:21:46 | 0:21:48 | |
Well, that doesn't stack up either, really. | 0:21:48 | 0:21:52 | |
Wow, so she's 19. | 0:21:52 | 0:21:54 | |
How extraordinary. | 0:21:55 | 0:21:56 | |
-So they both lied about their age. -Mm. | 0:21:56 | 0:22:00 | |
Well, I'm flabbergasted. I didn't know anything about that. | 0:22:01 | 0:22:05 | |
-OK. -Well, there's a... There's a reason | 0:22:05 | 0:22:08 | |
why they might have upped their ages. | 0:22:08 | 0:22:12 | |
-Well, they probably... Maybe they didn't have permission to marry. -Absolutely. | 0:22:12 | 0:22:15 | |
That would be the only reason for putting yourself down as 21... | 0:22:15 | 0:22:18 | |
-Sure. -..if you weren't. | 0:22:18 | 0:22:20 | |
-The age of majority. -Yeah. Yeah. | 0:22:20 | 0:22:22 | |
So if they claimed to be 21, then they avoided awkward questions | 0:22:22 | 0:22:26 | |
about whether your parents have consented. | 0:22:26 | 0:22:29 | |
So why wouldn't their parents consent? | 0:22:32 | 0:22:35 | |
Well, there's a possible clue, perhaps. | 0:22:35 | 0:22:38 | |
There's actually here another birth certificate for... | 0:22:38 | 0:22:44 | |
-Auntie Lily, yes. -..Lilian, yes. | 0:22:44 | 0:22:47 | |
9th June, 1920. 1920. | 0:22:47 | 0:22:51 | |
You might want to count back to the date of the marriage! | 0:22:53 | 0:22:57 | |
Interesting! OK. Yes. November 8th, all right. | 0:22:58 | 0:23:03 | |
-That doesn't quite stack up either, does it? -No, it doesn't. | 0:23:03 | 0:23:07 | |
-Alice is clearly a couple of months pregnant... -Yes. | 0:23:07 | 0:23:11 | |
-..at the time of the marriage. -Wow! | 0:23:11 | 0:23:13 | |
See, THAT I never knew about my grandmother. | 0:23:17 | 0:23:20 | |
Mmm. | 0:23:21 | 0:23:22 | |
OK. | 0:23:23 | 0:23:25 | |
So we've got a very young couple... | 0:23:25 | 0:23:27 | |
-Yeah, a very young couple, kind of a shotgun wedding. -Mm. -Yeah. | 0:23:27 | 0:23:32 | |
They went to some lengths to disguise this. | 0:23:33 | 0:23:36 | |
Mm. Mm. | 0:23:36 | 0:23:37 | |
Well, presumably that was to avoid the disgrace | 0:23:40 | 0:23:44 | |
of the child born out of wedlock. | 0:23:44 | 0:23:46 | |
-I mean, it's just so sad that it was so stigmatised then. -Mm, yeah. | 0:23:46 | 0:23:52 | |
And there's something else that suggests they were... | 0:23:52 | 0:23:55 | |
They were trying to keep that particular indiscretion quiet. | 0:23:55 | 0:24:00 | |
-Go on. -We've got here the Register of Baptisms for the church | 0:24:00 | 0:24:05 | |
in which they got married. | 0:24:05 | 0:24:08 | |
This is 1920. | 0:24:08 | 0:24:09 | |
Well, I can't see them. No Shaws there. | 0:24:21 | 0:24:26 | |
No, she's not there. | 0:24:26 | 0:24:27 | |
-They didn't bring her back to the church to be baptised. -Mm. | 0:24:28 | 0:24:33 | |
We haven't found a record of her baptism anywhere. | 0:24:33 | 0:24:37 | |
-So they had to register the birth, you had to do that by law... -Yeah. | 0:24:37 | 0:24:41 | |
..but they perhaps didn't want to bring to the attention | 0:24:41 | 0:24:43 | |
of the community just how soon after the marriage she had been born. | 0:24:43 | 0:24:46 | |
How interesting. | 0:24:50 | 0:24:52 | |
The fear that they must have undergone. | 0:24:53 | 0:24:56 | |
-The sort of shame and pain that must have existed in the family, you know. -Mm. | 0:24:59 | 0:25:04 | |
It explains a lot. | 0:25:04 | 0:25:05 | |
Family secrets. It's just...bizarre, isn't it? | 0:25:09 | 0:25:14 | |
A lot happens in a very short space of time. | 0:25:18 | 0:25:21 | |
Yes. | 0:25:21 | 0:25:23 | |
And as far as I know, anyway, | 0:25:23 | 0:25:24 | |
they...they separated round about 1930, | 0:25:24 | 0:25:28 | |
so maybe they were just | 0:25:28 | 0:25:31 | |
forced together, you know, when they didn't really want to be. | 0:25:31 | 0:25:36 | |
Who knows what they were like together? | 0:25:36 | 0:25:39 | |
Well, we've got some additional evidence | 0:25:39 | 0:25:44 | |
of where they were living around 1932. | 0:25:44 | 0:25:48 | |
So this is the... | 0:25:48 | 0:25:50 | |
-..electoral roll... -Uh-hm. -..for Cuthbert Road. | 0:25:52 | 0:25:56 | |
-Right, well, there's... There's my grandmother... -Hm-mm. | 0:25:56 | 0:26:00 | |
..Alice May with her mother, Mary Eaborn. | 0:26:00 | 0:26:03 | |
And then...over in Winson Street, | 0:26:05 | 0:26:10 | |
not very far away... | 0:26:10 | 0:26:12 | |
There he is. Edwin James Shaw. | 0:26:12 | 0:26:15 | |
I didn't realise they were living so close together. | 0:26:16 | 0:26:20 | |
Obviously, when the marriage broke down they each went back | 0:26:20 | 0:26:22 | |
-to their respective parents. -Yes. | 0:26:22 | 0:26:25 | |
So this raises the question of what happens next. | 0:26:25 | 0:26:29 | |
Because the family history says that Ted went off with somebody else... | 0:26:29 | 0:26:33 | |
but we don't know when or whether they married. | 0:26:33 | 0:26:38 | |
I mean, that's all in the, the fog of war, of marital war. | 0:26:38 | 0:26:43 | |
So, we need to look first to see whether there was a divorce. | 0:26:43 | 0:26:47 | |
Absolutely. | 0:26:47 | 0:26:49 | |
Well, I'm assuming there was unless... | 0:26:49 | 0:26:51 | |
CHUCKLING: Unless they compounded | 0:26:51 | 0:26:53 | |
the felony by living in sin thereafter, I don't know, but... | 0:26:53 | 0:26:56 | |
-Well, we can look into that. -OK. -It'll take a few days to find | 0:26:57 | 0:27:01 | |
out from the Royal Courts of Justice. | 0:27:01 | 0:27:02 | |
Oh, great. Well, thank you very much, Rebecca. | 0:27:02 | 0:27:05 | |
Well, I do feel a great deal of sympathy for Edwin and Alice. | 0:27:17 | 0:27:20 | |
I just feel very sorry for them. | 0:27:21 | 0:27:23 | |
They tried hard to make it work, they were together for ten years. | 0:27:25 | 0:27:28 | |
What made them separate? We don't know. | 0:27:29 | 0:27:32 | |
Certainly this... This photograph... | 0:27:33 | 0:27:36 | |
..none of them look very happy, | 0:27:39 | 0:27:41 | |
and Edwin's not here, and we know now that Edwin was gone by 1931... | 0:27:41 | 0:27:45 | |
and they were just living almost within yards of each other. | 0:27:45 | 0:27:49 | |
And that explains my father saying it was painful for him | 0:27:52 | 0:27:56 | |
to see his father with another woman, you know. | 0:27:56 | 0:27:59 | |
But then he would because he would have seen them | 0:27:59 | 0:28:02 | |
almost daily, I'd have thought, cos they were living so close together. | 0:28:02 | 0:28:05 | |
My grandmother Alice, I knew her very well and was close to her, | 0:28:10 | 0:28:15 | |
and I'm sad that she clearly had so much pain to contend with. | 0:28:15 | 0:28:18 | |
My grandmother would come from here on the bus and visit us | 0:28:22 | 0:28:26 | |
once a week and bring me a Mars bar. | 0:28:26 | 0:28:29 | |
A Mars bar was an ENORMOUS treat, a massive treat. | 0:28:29 | 0:28:34 | |
I would be thinking about that for a long time. | 0:28:34 | 0:28:36 | |
And they were bigger then, too, | 0:28:36 | 0:28:38 | |
unless it was me that was smaller, I'm not sure. | 0:28:38 | 0:28:41 | |
But a Mars bar was something very special. | 0:28:41 | 0:28:43 | |
She always had it with her. | 0:28:43 | 0:28:45 | |
I'd love to find out more about Alice and the Eaborns. | 0:28:47 | 0:28:50 | |
I'd like to find out more about all of them now. | 0:28:50 | 0:28:53 | |
You've got me really intrigued. | 0:28:53 | 0:28:54 | |
So I'm trying to find Edwin Eaborn who was my great-grandfather, | 0:29:04 | 0:29:08 | |
my grandmother's father. | 0:29:08 | 0:29:10 | |
Search. | 0:29:14 | 0:29:16 | |
Search. | 0:29:18 | 0:29:20 | |
AMERICAN ACCENT: Ain't nothing happening here! | 0:29:21 | 0:29:23 | |
It's me! | 0:29:23 | 0:29:25 | |
CHUCKLES | 0:29:25 | 0:29:27 | |
IMITATES SPITTING | 0:29:27 | 0:29:28 | |
IMITATES KNUCKLES CRACKING | 0:29:28 | 0:29:30 | |
So...search...search... | 0:29:33 | 0:29:37 | |
A photograph. | 0:29:41 | 0:29:43 | |
Edwin Eaborn. | 0:29:43 | 0:29:45 | |
It's quite an elaborate one. | 0:29:45 | 0:29:47 | |
It's a very fashionable Victorian moustache. | 0:29:48 | 0:29:52 | |
I recognise that photograph, funnily enough. | 0:29:52 | 0:29:55 | |
Because now I remember that my grandmother had this photograph | 0:29:56 | 0:30:01 | |
and one of her mother, um, on the wall. | 0:30:01 | 0:30:04 | |
And there she is, Mary Ann. | 0:30:09 | 0:30:13 | |
How extraordinary. | 0:30:13 | 0:30:14 | |
The beautiful black lace that she had on and the earrings. | 0:30:16 | 0:30:20 | |
I remember these photographs, I mean, literally, literally, | 0:30:20 | 0:30:24 | |
as if it was yesterday. | 0:30:24 | 0:30:26 | |
They always seemed very grand in this little terraced house | 0:30:28 | 0:30:31 | |
in Winson Green. | 0:30:31 | 0:30:32 | |
They almost look like paintings because they've been colorized. | 0:30:34 | 0:30:38 | |
It's probably more than 50 years, getting on for 60 years, | 0:30:40 | 0:30:45 | |
since I've seen these photographs. | 0:30:45 | 0:30:47 | |
Ha! I'd forgotten that. | 0:30:53 | 0:30:55 | |
Martin's discovered that his great-grandfather, | 0:31:02 | 0:31:06 | |
Edwin Eaborn, was born in Birmingham in July, 1857. | 0:31:06 | 0:31:11 | |
He and his wife, Mary Ann, had 12 children, | 0:31:12 | 0:31:16 | |
including Martin's grandmother, Alice. | 0:31:16 | 0:31:19 | |
To try to find out more about the Eaborns, Martin's arranged to | 0:31:26 | 0:31:30 | |
meet historian Chris Upton. | 0:31:30 | 0:31:32 | |
So, Chris, this is my great-grandfather, Edwin. | 0:31:34 | 0:31:38 | |
Yes, he worked in the brass industry in, in Birmingham, and brass | 0:31:38 | 0:31:42 | |
was one of the biggest trades, particularly brass bedsteads. | 0:31:42 | 0:31:47 | |
That's sort of it. | 0:31:47 | 0:31:48 | |
There's not a great deal to be said about Edwin. | 0:31:48 | 0:31:53 | |
But, in looking for Edwin and his story, er, | 0:31:53 | 0:31:56 | |
the generation before that becomes much more interesting. | 0:31:56 | 0:32:00 | |
Oh, go on, then. | 0:32:00 | 0:32:02 | |
So this would be your great-great-grandfather. | 0:32:02 | 0:32:04 | |
-OK. -And... | 0:32:04 | 0:32:07 | |
..here's a document I think you'll be interested in. | 0:32:08 | 0:32:12 | |
And this is a census entry, 1851. | 0:32:12 | 0:32:16 | |
Right, I need to go... | 0:32:16 | 0:32:18 | |
..even more...magnified. | 0:32:19 | 0:32:22 | |
Oh, that's better. | 0:32:23 | 0:32:25 | |
OK. | 0:32:25 | 0:32:27 | |
The challenge of Victorian handwriting. | 0:32:27 | 0:32:30 | |
Yes. That's calligraphy, that's not handwriting, it's lovely. | 0:32:30 | 0:32:34 | |
-OK. So, we've got an Edmund Eaborn here... -Hm-mm... | 0:32:34 | 0:32:39 | |
Edmund... Edmund's 33, Eliza was his wife, was 31, and one, two, | 0:32:39 | 0:32:45 | |
three, four children. | 0:32:45 | 0:32:47 | |
Four children, plus... | 0:32:47 | 0:32:49 | |
um...if you can see this last one... | 0:32:49 | 0:32:51 | |
-A servant?! -Yes. So they have a... | 0:32:51 | 0:32:54 | |
-Hannah Lawrence. -..they have a domestic. | 0:32:54 | 0:32:56 | |
-They're not doing too badly, then? -Yes. | 0:32:56 | 0:32:59 | |
It's somebody who's going places | 0:32:59 | 0:33:00 | |
and can now afford a live-in servant as well as a growing family. | 0:33:00 | 0:33:05 | |
For Edmund here, it says, "Rank or profession", | 0:33:05 | 0:33:08 | |
and I can't read that one. | 0:33:08 | 0:33:09 | |
Can you see what that one says? | 0:33:09 | 0:33:11 | |
Machinist, that's somebody with an expertise of handling steam engines. | 0:33:11 | 0:33:17 | |
And anyone with mechanical skills like that would be perfect for this, | 0:33:17 | 0:33:22 | |
this city which was industrialising at breakneck pace. | 0:33:22 | 0:33:27 | |
Of course. | 0:33:27 | 0:33:28 | |
Well, 1851 was when it was all happening big-time, wasn't it? | 0:33:28 | 0:33:31 | |
Absolutely, yeah. | 0:33:31 | 0:33:33 | |
Upsurge of the Industrial Revolution. | 0:33:33 | 0:33:35 | |
They called it a "city of a thousand trades". | 0:33:35 | 0:33:38 | |
Come to Birmingham. If they're not paved with gold, the streets | 0:33:38 | 0:33:42 | |
show promise, so... | 0:33:42 | 0:33:44 | |
-Paved with brass! -Paved with brass. | 0:33:44 | 0:33:46 | |
Victorian Birmingham was expanding fast. | 0:33:50 | 0:33:54 | |
Located at the centre of a network of new canals and railways, | 0:33:54 | 0:33:58 | |
its population and economy boomed. | 0:33:58 | 0:34:01 | |
And this created opportunities for young men like Edmund Eaborn, | 0:34:02 | 0:34:07 | |
eager to make their name. | 0:34:07 | 0:34:09 | |
-Then... -More? -..this turned up. | 0:34:09 | 0:34:13 | |
This dates from 1855 and it's an advertisement from a newspaper. | 0:34:13 | 0:34:18 | |
Oh, wow! Gosh. | 0:34:18 | 0:34:21 | |
"Eaborn and Robinson, Engineers, Millwrights and Machinists. | 0:34:21 | 0:34:24 | |
"Clement Street, Birmingham. | 0:34:24 | 0:34:26 | |
"Manufacturers of all kinds of steam engines." | 0:34:26 | 0:34:29 | |
How wonderful. | 0:34:29 | 0:34:31 | |
So he's... He's top man, he's got his... He's got his own company now. | 0:34:31 | 0:34:34 | |
Got his own business. | 0:34:34 | 0:34:36 | |
"These are the best construction of engines made, occupying little | 0:34:36 | 0:34:39 | |
"space, are most effective and least liable to DERANGEMENT or wear." | 0:34:39 | 0:34:44 | |
-Had a slightly different meaning, then. -Yes, yes. | 0:34:44 | 0:34:47 | |
"All kinds of machinery, | 0:34:47 | 0:34:49 | |
"repairs and jobbing work expeditiously executed." | 0:34:49 | 0:34:52 | |
-That's great, isn't it? -Marvellous. | 0:34:52 | 0:34:56 | |
So, to follow on from that I've got another | 0:34:56 | 0:34:59 | |
document from the London Gazette, which was obliged to publish | 0:34:59 | 0:35:04 | |
all patent applications, and this is just the year after that advert. | 0:35:04 | 0:35:10 | |
"To Edmund Eaborn and Matthew Robinson, Engineers, trading as | 0:35:10 | 0:35:14 | |
"co-partners and carrying on business in Clement Street, Birmingham | 0:35:14 | 0:35:18 | |
"in the County of Warwick, for the invention of, quote: | 0:35:18 | 0:35:22 | |
"Certain improvements in machinery | 0:35:22 | 0:35:24 | |
"to be used for confectionary purposes." | 0:35:24 | 0:35:27 | |
There's a specialism that's developed here, | 0:35:27 | 0:35:31 | |
-which is engines for a sweet factory. -Oh. | 0:35:31 | 0:35:35 | |
So that's where my Mars bar came from | 0:35:35 | 0:35:38 | |
that my grandmother brought me every week - how lovely. | 0:35:38 | 0:35:42 | |
It just goes to show that your great-great-grandfather hasn't | 0:35:42 | 0:35:45 | |
just set up in business, he's bought into the full entrepreneurial dream. | 0:35:45 | 0:35:51 | |
That is brilliant. | 0:35:51 | 0:35:52 | |
Good for him. | 0:35:54 | 0:35:56 | |
By the 1850s, the "city of a thousand trades" | 0:35:59 | 0:36:02 | |
was one of the most dynamic in Britain - | 0:36:02 | 0:36:04 | |
its steam-powered factories and workshops | 0:36:04 | 0:36:07 | |
producing everything from brass bedsteads to chocolate bars. | 0:36:07 | 0:36:12 | |
It would be great to go to Clement Street and see | 0:36:12 | 0:36:14 | |
if there's anything left of Eaborn and Robinson. | 0:36:14 | 0:36:17 | |
I mean, what are the chances? Negligible I would have thought. | 0:36:17 | 0:36:20 | |
But it would be really nice just in case there's some wonderful | 0:36:20 | 0:36:23 | |
Victorian place there. | 0:36:23 | 0:36:25 | |
Anything that's an actual tactile connection, you know, | 0:36:25 | 0:36:28 | |
with the ancestors, that would be nice. | 0:36:28 | 0:36:31 | |
Edmund Eaborn and partner Matthew Robinson | 0:36:34 | 0:36:38 | |
established their steam engine factory at 10 Clement Street, | 0:36:38 | 0:36:42 | |
just behind the Birmingham and Fazeley Canal. | 0:36:42 | 0:36:44 | |
Obviously not much in the way of Industrial Revolution | 0:36:51 | 0:36:54 | |
architecture here, but... | 0:36:54 | 0:36:57 | |
..I can see an old building down here... | 0:36:58 | 0:37:01 | |
..so I've got high hopes. | 0:37:02 | 0:37:03 | |
I know it's number ten. | 0:37:06 | 0:37:07 | |
Wow! | 0:37:10 | 0:37:11 | |
That's number ten. | 0:37:13 | 0:37:14 | |
How incredible! | 0:37:19 | 0:37:20 | |
That's brilliant. It's the only one left - how brilliant. | 0:37:27 | 0:37:33 | |
I'm just absolutely deeply thrilled for a variety of reasons. | 0:37:33 | 0:37:37 | |
Not just because, you know, it's my... | 0:37:37 | 0:37:40 | |
ancestor's business which is top of the list, but also because some | 0:37:40 | 0:37:45 | |
of old Birmingham has survived the ravages of... | 0:37:45 | 0:37:48 | |
Hitler and architecture. | 0:37:48 | 0:37:50 | |
I love it. | 0:37:50 | 0:37:52 | |
See that's... That's what I'm looking at there, letters. | 0:37:56 | 0:37:59 | |
How amazing. | 0:38:01 | 0:38:02 | |
It's even got the same... | 0:38:04 | 0:38:05 | |
It's even got...even got the cobblestones. | 0:38:07 | 0:38:10 | |
Oh, wow! | 0:38:10 | 0:38:12 | |
Look, I mean, this was clearly a yard where... | 0:38:13 | 0:38:16 | |
..where the horses would | 0:38:18 | 0:38:20 | |
have brought the goods out and taken them on the canal and to distribute. | 0:38:20 | 0:38:24 | |
I love it that all this is still here. | 0:38:26 | 0:38:28 | |
Big horses' hooves have being...clopping on that. | 0:38:30 | 0:38:33 | |
Now, that's absolutely thrilling, isn't it? | 0:38:36 | 0:38:39 | |
Eaborn and Robinson must have been doing incredibly well. | 0:38:42 | 0:38:45 | |
This is a really substantial building. | 0:38:45 | 0:38:47 | |
It would be fascinating to know what happened next. | 0:38:54 | 0:38:57 | |
To find out more about the fortunes of Eaborn and Robinson, | 0:39:00 | 0:39:04 | |
Martin's going to meet historian Jennifer Aston. | 0:39:04 | 0:39:07 | |
Well, we've found this, which might fill in the next part of the story. | 0:39:09 | 0:39:13 | |
OK, so that's Matthew Robinson. | 0:39:13 | 0:39:16 | |
Oh, Matthew Robinson died... | 0:39:18 | 0:39:21 | |
on the 3rd August, 1858... | 0:39:21 | 0:39:24 | |
aged 32. | 0:39:24 | 0:39:26 | |
Oh, he actually died in Clement Street. | 0:39:26 | 0:39:28 | |
-He died actually at work. -Died at work. | 0:39:29 | 0:39:32 | |
Tubercular disease of lung and bowels. | 0:39:32 | 0:39:35 | |
That's a shame. | 0:39:35 | 0:39:37 | |
-This was a really common illness at the time. -Right. | 0:39:37 | 0:39:40 | |
And you see that although we sort of associate tuberculosis with | 0:39:40 | 0:39:43 | |
-being a breathing disease... -Yeah... | 0:39:43 | 0:39:45 | |
..actually can spread throughout the whole body. | 0:39:45 | 0:39:48 | |
-Terribly young - 32. -Mm, 32. -Yeah. | 0:39:48 | 0:39:52 | |
So what happened to Edmund Eaborn? Do we know? | 0:39:52 | 0:39:55 | |
-Yep. -I suspect you're going to tell me. | 0:39:55 | 0:39:57 | |
Well, this is the next, the next clue. | 0:39:57 | 0:39:59 | |
A notice here, it's in the Birmingham Mercury... | 0:39:59 | 0:40:03 | |
right down at the bottom. | 0:40:03 | 0:40:05 | |
Wow, that's tiny writing. | 0:40:05 | 0:40:07 | |
"On the 26th inst..." | 0:40:07 | 0:40:11 | |
So, we're in June, OK, 1857. | 0:40:11 | 0:40:15 | |
"..after 12 months' illness, | 0:40:15 | 0:40:17 | |
"Mr Edmund Eaborn of the firm of Eaborn and Robinson in this town." | 0:40:17 | 0:40:22 | |
Wow! | 0:40:22 | 0:40:23 | |
Wow! So they both died. | 0:40:26 | 0:40:28 | |
How sad. | 0:40:30 | 0:40:32 | |
-If we look here, this gives a few more clues. -Yeah. | 0:40:33 | 0:40:36 | |
Edmund's death certificate. | 0:40:38 | 0:40:40 | |
He was 39. | 0:40:40 | 0:40:42 | |
Cause of death... | 0:40:43 | 0:40:45 | |
Phthisis. Wow. | 0:40:46 | 0:40:48 | |
-Yeah, phthisis is another name for tuberculosis. -OK. | 0:40:48 | 0:40:51 | |
Um, but in this case it's pulmonary tuberculosis, | 0:40:51 | 0:40:54 | |
so Edmund just had the disease in his lungs. Um, but... | 0:40:54 | 0:40:57 | |
Do you think one might have infected | 0:40:57 | 0:40:59 | |
the other or did just everybody have tuberculosis? | 0:40:59 | 0:41:01 | |
It's entirely possible. They... | 0:41:01 | 0:41:03 | |
There are some estimates that up to 90 percent of the urban | 0:41:03 | 0:41:05 | |
-population actually carried... -90 percent?! | 0:41:05 | 0:41:07 | |
-..the bacteria that causes tuberculosis. -Really? | 0:41:07 | 0:41:10 | |
But it could remain dormant for years and years and years. | 0:41:10 | 0:41:13 | |
It does suggest from the newspaper notice that says that Edmund | 0:41:13 | 0:41:16 | |
was ill for 12 months, that he gradually became sicker and sicker. | 0:41:16 | 0:41:20 | |
Yes. | 0:41:20 | 0:41:21 | |
It's such a tragedy, isn't it? That two young men, one 39, | 0:41:25 | 0:41:29 | |
one 32... | 0:41:29 | 0:41:31 | |
..should be just cut down like that, | 0:41:33 | 0:41:35 | |
all that talent and inventiveness and forward-thinking just gone... | 0:41:35 | 0:41:39 | |
..with a bacterial disease, which could so easily be treated...now. | 0:41:40 | 0:41:44 | |
And the impact on the families as well. | 0:41:47 | 0:41:50 | |
-Do we know where Edmund was buried? -Yes. | 0:41:53 | 0:41:56 | |
Edmund is buried at Key Hill Cemetery, which is in Birmingham. | 0:41:56 | 0:41:59 | |
All right. | 0:41:59 | 0:42:01 | |
-And we've also managed to find Edmund's last will and testament... -Oh, Lord! | 0:42:01 | 0:42:04 | |
We thought you might want to take, take with you. | 0:42:04 | 0:42:07 | |
Gosh. | 0:42:07 | 0:42:08 | |
Well, thank you. | 0:42:08 | 0:42:11 | |
It's going to be the next quest. | 0:42:11 | 0:42:12 | |
With the untimely deaths of both its founders, | 0:42:15 | 0:42:18 | |
the Eaborn and Robinson stock was auctioned off in 1859. | 0:42:18 | 0:42:22 | |
Martin's heading to Key Hill Cemetery | 0:42:23 | 0:42:25 | |
where his great-great-grandfather Edmund was buried. | 0:42:25 | 0:42:30 | |
I can see we're heading into the Jewellery Quarter. | 0:42:30 | 0:42:33 | |
This is interesting because... | 0:42:33 | 0:42:36 | |
..not only is it around by Clement Street | 0:42:37 | 0:42:40 | |
where Eaborn and Robinson was, but I also worked here when I left school. | 0:42:40 | 0:42:45 | |
I worked at Hockley Chemical Company Limited in Hockley Hill, | 0:42:46 | 0:42:50 | |
which is around here somewhere. | 0:42:50 | 0:42:53 | |
And I worked in the sales office. | 0:42:54 | 0:42:56 | |
Now... | 0:42:56 | 0:42:58 | |
I think that might have been it there. | 0:42:58 | 0:43:00 | |
Yeah, that's it. I think that was it there. | 0:43:00 | 0:43:03 | |
I think we just drove past. Or was it there? | 0:43:06 | 0:43:10 | |
Hang on. | 0:43:10 | 0:43:12 | |
We were very close to it. | 0:43:12 | 0:43:13 | |
I think that even might be it. | 0:43:13 | 0:43:15 | |
Well, that's... | 0:43:16 | 0:43:19 | |
OK, now that's really spooky | 0:43:19 | 0:43:21 | |
because I've just seen Key Hill. | 0:43:21 | 0:43:22 | |
You are kidding me! | 0:43:24 | 0:43:25 | |
That's, like, 100 yards from where I was working. | 0:43:27 | 0:43:30 | |
Come on. | 0:43:32 | 0:43:34 | |
And there's the cemetery. | 0:43:35 | 0:43:37 | |
HE CHUCKLES | 0:43:37 | 0:43:39 | |
OK, thank you. | 0:43:42 | 0:43:43 | |
Thanks. | 0:43:47 | 0:43:48 | |
Key Hill Cemetery opened in 1836. | 0:44:00 | 0:44:03 | |
Edmund's grave no longer survives, as part of the cemetery was | 0:44:04 | 0:44:08 | |
later cleared to make way for a new tramline. | 0:44:08 | 0:44:11 | |
But Edmund's life IS remembered here. | 0:44:13 | 0:44:15 | |
There he is. | 0:44:18 | 0:44:20 | |
Well, there's lots of Eaborns here. | 0:44:23 | 0:44:26 | |
So... | 0:44:33 | 0:44:35 | |
Eaborn, Edmund. | 0:44:38 | 0:44:39 | |
We know he died on the 26th, | 0:44:39 | 0:44:41 | |
so that must have been the date of the funeral. | 0:44:41 | 0:44:44 | |
And here's his wife Eliza, 1896. | 0:44:45 | 0:44:49 | |
She survived him a fair while. | 0:44:49 | 0:44:51 | |
Well, there they all are. | 0:44:52 | 0:44:54 | |
They seemed to have been all put in the cemetery, the same cemetery. | 0:44:54 | 0:44:57 | |
And all of their graves gone, which is a shame, really. | 0:44:59 | 0:45:02 | |
So, this is a copy of the will that Jennifer gave me. | 0:45:15 | 0:45:18 | |
"In the name of God, Amen. | 0:45:19 | 0:45:21 | |
"I, Edmund Eaborn, machinist, | 0:45:21 | 0:45:24 | |
"being of sound and disposing mind, | 0:45:24 | 0:45:26 | |
"memory and understanding, do this 24th day of June, | 0:45:26 | 0:45:30 | |
"1,857." | 0:45:30 | 0:45:32 | |
He made this will on the 24th June... | 0:45:34 | 0:45:37 | |
..and died on the 26th. | 0:45:38 | 0:45:40 | |
So, he knew. He knew he was going. | 0:45:40 | 0:45:43 | |
He made the will two days before he died. | 0:45:43 | 0:45:45 | |
And then there's poor old Edmund's signature, which is very, very shaky. | 0:45:49 | 0:45:54 | |
And that's one of the most touching things about it... He's... | 0:45:59 | 0:46:02 | |
He's very, very ill. | 0:46:02 | 0:46:04 | |
And you can see how ill he is from his signature. | 0:46:06 | 0:46:09 | |
What a time they lived in, eh? | 0:46:15 | 0:46:16 | |
"I give, devise and bequeath unto my dear wife Eliza Eaborn the half of | 0:46:18 | 0:46:22 | |
"my share of the trade or business, tools, stock and assets thereof | 0:46:22 | 0:46:27 | |
"in the business and partnership firm of Eaborn and Robinson. | 0:46:27 | 0:46:30 | |
"And at, and after her death, the residue thereof..." | 0:46:30 | 0:46:34 | |
HE CHUCKLES | 0:46:34 | 0:46:35 | |
That's hopeful! | 0:46:35 | 0:46:37 | |
"..that shall then be and remain, | 0:46:37 | 0:46:39 | |
"shall be distributed between my children, | 0:46:39 | 0:46:41 | |
"and the child or children of which my dear wife now travaileth." | 0:46:41 | 0:46:46 | |
What does travaileth mean? It should mean "working". | 0:46:48 | 0:46:52 | |
Does it mean...? Does it mean pregnant? | 0:46:54 | 0:46:56 | |
She was pregnant. | 0:46:58 | 0:46:59 | |
Wow! "And of which I pray God in safety to deliver her." | 0:47:02 | 0:47:05 | |
Of course. | 0:47:05 | 0:47:06 | |
So she was pregnant - God Almighty. | 0:47:10 | 0:47:12 | |
And he made this two days before he died. | 0:47:13 | 0:47:16 | |
When 39-year-old Edmund Eaborn died of tuberculosis on the | 0:47:20 | 0:47:25 | |
26th June, 1857, he left a pregnant widow, Eliza, | 0:47:25 | 0:47:31 | |
and four children. | 0:47:31 | 0:47:33 | |
Their fifth child was born a week later. | 0:47:33 | 0:47:37 | |
His name was Edwin - Alice's father. | 0:47:37 | 0:47:40 | |
I mean, poor Eliza. She must have been devastated. | 0:47:46 | 0:47:49 | |
She lost everything. | 0:47:51 | 0:47:52 | |
And that's, er, that's my grandmother's grandmother, isn't it? | 0:48:03 | 0:48:07 | |
Yes. | 0:48:07 | 0:48:08 | |
And my grandmother Alice never knew her grandfather. | 0:48:11 | 0:48:14 | |
Martin's now returning to his investigation into his | 0:48:37 | 0:48:40 | |
grandmother Alice's separation from her husband, Edwin Shaw. | 0:48:40 | 0:48:44 | |
Their marriage broke down around 1931, | 0:48:46 | 0:48:50 | |
but what happened next remains a mystery. | 0:48:50 | 0:48:53 | |
When we left off, Alice had gone back to live with her mother... | 0:48:54 | 0:48:59 | |
Edwin was 100 yards away. | 0:48:59 | 0:49:01 | |
HE CHUCKLES | 0:49:01 | 0:49:03 | |
And my father often talked | 0:49:03 | 0:49:05 | |
about seeing his father "walking out", as he said, with another woman. | 0:49:05 | 0:49:09 | |
What other circumstances there are, I've no idea. | 0:49:10 | 0:49:14 | |
Martin has come to the Law Courts to meet up again with Rebecca. | 0:49:16 | 0:49:20 | |
Ha! Hello, Rebecca. | 0:49:22 | 0:49:24 | |
-Hello again. -Nice to see you again. Wow! | 0:49:24 | 0:49:27 | |
-The Cathedral of the Law! -Fantastic stained glass. | 0:49:30 | 0:49:33 | |
Mm. Now where do we go from here? | 0:49:33 | 0:49:35 | |
-Over in Court 3. -Thank you. | 0:49:35 | 0:49:37 | |
So, the last time we met we saw that Alice | 0:49:39 | 0:49:42 | |
and Edwin were living separately in 1931, | 0:49:42 | 0:49:45 | |
and I was going to look into whether there was a divorce. | 0:49:45 | 0:49:48 | |
Right. | 0:49:49 | 0:49:51 | |
-And we now have the evidence. -Right. | 0:49:51 | 0:49:54 | |
In the High Court of Justice. High Court! Wow. | 0:49:56 | 0:49:58 | |
"On the 28th day of January, 1935, | 0:50:00 | 0:50:05 | |
"Shaw, AM against Shaw, EJ" | 0:50:05 | 0:50:08 | |
So it was adversarial. | 0:50:10 | 0:50:12 | |
"Whereby it was decreed that the marriage had solemnized | 0:50:12 | 0:50:15 | |
"on the 8th day of November 1919 be dissolved by reason that since the | 0:50:15 | 0:50:19 | |
"celebration thereof the respondent had been guilty of adultery." | 0:50:19 | 0:50:23 | |
Ah, naughty Edwin. | 0:50:23 | 0:50:25 | |
Well, that confirms the family legend. | 0:50:26 | 0:50:29 | |
Well, at the time the only ground for divorce was adultery. | 0:50:29 | 0:50:33 | |
-Was adultery, yes. -So we know they were living separately, we know | 0:50:33 | 0:50:36 | |
the marriage had broken down. If there was going to be a divorce... | 0:50:36 | 0:50:40 | |
That was it. | 0:50:40 | 0:50:41 | |
..one of them had to allege that the other was guilty of adultery. | 0:50:41 | 0:50:44 | |
Hm-mm. | 0:50:44 | 0:50:46 | |
In the early 1930s, the law did not allow divorce by mutual consent. | 0:50:46 | 0:50:51 | |
Instead, it required proof of adultery. | 0:50:51 | 0:50:55 | |
Sometimes it suited both parties for one to admit infidelity, | 0:50:55 | 0:50:59 | |
whether or not the act had ever taken place. | 0:50:59 | 0:51:02 | |
So then we need to look at what happened... | 0:51:03 | 0:51:06 | |
-What happened next? -..to them next. | 0:51:06 | 0:51:09 | |
Um... | 0:51:09 | 0:51:12 | |
So I think this is Alice. | 0:51:12 | 0:51:16 | |
There you go. | 0:51:16 | 0:51:18 | |
On the 20th June, 1936, Alice gets married. | 0:51:18 | 0:51:24 | |
So Arthur was 42, Alice was 36. | 0:51:24 | 0:51:27 | |
-It's got... It's quite interesting how they describe her here. -Yes. | 0:51:27 | 0:51:31 | |
"Formerly the wife of Edwin James Shaw from whom | 0:51:31 | 0:51:35 | |
"she obtained a divorce." | 0:51:35 | 0:51:37 | |
-It's very much positioning her as the innocent party. -Yeah. | 0:51:37 | 0:51:42 | |
And we also have... | 0:51:42 | 0:51:44 | |
..this for Edwin. | 0:51:45 | 0:51:47 | |
OK. Oh, right. | 0:51:47 | 0:51:49 | |
Ah. Now, this I knew nothing about at all. | 0:51:51 | 0:51:53 | |
So Edwin James Shaw married Annie May Walker. | 0:51:55 | 0:52:01 | |
Children's nurse. | 0:52:03 | 0:52:05 | |
And Edwin by now was a gas meter inspector. | 0:52:05 | 0:52:08 | |
And Edwin married in 1935. | 0:52:09 | 0:52:14 | |
Yeah, so slightly before Alice. | 0:52:14 | 0:52:17 | |
Yeah, a year before Alice, just a year and a month before Alice. | 0:52:17 | 0:52:21 | |
Well now, there you go. | 0:52:22 | 0:52:24 | |
And there was one final development. | 0:52:27 | 0:52:30 | |
-Oh, come on, a birth certificate. -A birth certificate. | 0:52:30 | 0:52:33 | |
I guessed this was coming. | 0:52:33 | 0:52:35 | |
OK. | 0:52:35 | 0:52:38 | |
On the 17th March, 1937, Gabrielle Ann Patricia - | 0:52:38 | 0:52:44 | |
what a nice name. | 0:52:44 | 0:52:45 | |
Wow, that's amazing. | 0:52:47 | 0:52:50 | |
Well, well, well. | 0:52:50 | 0:52:51 | |
So this would be your father's half-sister. | 0:52:51 | 0:52:54 | |
Yes. | 0:52:54 | 0:52:55 | |
-Well, Gabrielle is still alive. -Is she really? | 0:52:55 | 0:52:59 | |
She is. | 0:52:59 | 0:53:00 | |
Wow, how extraordinary. | 0:53:00 | 0:53:02 | |
And she would like to get in touch but privately. | 0:53:02 | 0:53:05 | |
All right. | 0:53:05 | 0:53:07 | |
Well, that would be lovely. Yeah. | 0:53:07 | 0:53:10 | |
Well, she might be able to tell me something about Edwin. | 0:53:10 | 0:53:14 | |
Yeah. | 0:53:14 | 0:53:16 | |
OK, that would be interesting. | 0:53:16 | 0:53:18 | |
It's been very interesting. | 0:53:42 | 0:53:43 | |
There's been a lot of things that I didn't know about | 0:53:43 | 0:53:46 | |
because Edwin on my father's side was hardly ever mentioned, | 0:53:46 | 0:53:51 | |
and even then very briefly. | 0:53:51 | 0:53:53 | |
And now I gather I've got a half-aunt. | 0:53:54 | 0:53:57 | |
So this is from Gabrielle Shaw. | 0:54:01 | 0:54:04 | |
It says, "Dear Martin, I am very pleased that | 0:54:06 | 0:54:08 | |
"you are looking into my father Edwin's life. | 0:54:08 | 0:54:11 | |
"From what I remember of him he was a very popular and loving man." | 0:54:11 | 0:54:16 | |
That's nice. | 0:54:16 | 0:54:17 | |
"I was told that my dad's first wife fell in love with a neighbour | 0:54:19 | 0:54:25 | |
"who died... | 0:54:25 | 0:54:27 | |
"..before she could marry him." | 0:54:28 | 0:54:30 | |
"And then she wanted my dad back, but he had met my mother by then." | 0:54:33 | 0:54:38 | |
That's really not the family history that I know. | 0:54:43 | 0:54:47 | |
Um, my father was absolutely clear about, | 0:54:47 | 0:54:51 | |
and my grandmother as well, is that he left. | 0:54:51 | 0:54:54 | |
Also, from what I remember of my grandmother... | 0:54:55 | 0:54:59 | |
I mean, you can never tell, you don't really know people, do you? | 0:54:59 | 0:55:02 | |
Not really, really, really, but from what I remember or | 0:55:02 | 0:55:05 | |
know of my grandmother, she absolutely wasn't the type to | 0:55:05 | 0:55:09 | |
do what Edwin said that she did. | 0:55:09 | 0:55:12 | |
Fell in love with a neighbour. | 0:55:12 | 0:55:14 | |
Gabi's story is extraordinary. | 0:55:16 | 0:55:19 | |
I mean, that comes as a huge, huge surprise. | 0:55:19 | 0:55:21 | |
And I'm... You know, I'm tempted to say, "No, no, | 0:55:24 | 0:55:27 | |
"that's not the way it was," | 0:55:27 | 0:55:29 | |
but how can we ever know that? | 0:55:29 | 0:55:32 | |
You know? | 0:55:32 | 0:55:33 | |
I mean, who are we to judge? | 0:55:41 | 0:55:42 | |
I have a totally different story. | 0:55:42 | 0:55:44 | |
It's kind of like a novel, isn't it? | 0:55:47 | 0:55:49 | |
"I'm enclosing some family photos for you to see | 0:55:55 | 0:55:58 | |
"and I've included one from their wedding taken in my grandad's | 0:55:58 | 0:56:03 | |
"garden and one taken in my dad's arms not long after I was born. | 0:56:03 | 0:56:08 | |
"Also one of him in uniform during the war. | 0:56:08 | 0:56:11 | |
"I would love to keep in touch with you | 0:56:11 | 0:56:13 | |
"and tell you what I remember about him. | 0:56:13 | 0:56:16 | |
"Love, Gabi." | 0:56:16 | 0:56:19 | |
So these are photographs, presumably, of my grandfather. | 0:56:19 | 0:56:22 | |
So all I've ever seen of him are those... | 0:56:23 | 0:56:28 | |
Is that, yes. | 0:56:28 | 0:56:30 | |
That's all I've ever known, Edwin in his uniform at the age of 18 | 0:56:30 | 0:56:35 | |
at the end of the First World War. | 0:56:35 | 0:56:37 | |
Wow! | 0:56:43 | 0:56:44 | |
That is so weird! | 0:56:49 | 0:56:50 | |
Extraordinary to have a grandfather you've seen for the first time! | 0:56:50 | 0:56:55 | |
Yeah, you can kind of... | 0:56:59 | 0:57:00 | |
You can kind of see the grown-up version of that. | 0:57:02 | 0:57:06 | |
And this one is Edwin with Gabrielle when she was a baby. | 0:57:12 | 0:57:16 | |
He seems like a happy and a contented man, which is lovely. | 0:57:20 | 0:57:23 | |
There he is... | 0:57:27 | 0:57:30 | |
Ted, during the Second World War, doing his anti-aircraft duty. | 0:57:30 | 0:57:34 | |
There's a slight sense of my father there. | 0:57:36 | 0:57:41 | |
A serious frown on that one, it's a bit like my dad. | 0:57:41 | 0:57:45 | |
Well now, bugger me, as they say, | 0:57:48 | 0:57:51 | |
how amazing is that?! | 0:57:51 | 0:57:53 |