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In 1927 the world's greatest scientists assembled in Belgium, | 0:00:04 | 0:00:09 | |
to thrash out some of the most fundamental problems in physics. | 0:00:09 | 0:00:13 | |
29 showed up, 17 of whom would become Nobel prize-winners, | 0:00:16 | 0:00:21 | |
but one of their number could trump them all. | 0:00:21 | 0:00:24 | |
Someone who'd bagged two Nobel prizes in two different sciences. | 0:00:25 | 0:00:29 | |
In a man's world, a woman had broken through - Madame Marie Curie. | 0:00:30 | 0:00:36 | |
This is the story of Marie Curie's life - the adventures | 0:00:40 | 0:00:43 | |
of a woman who refused to conform to the social mores of her time. | 0:00:43 | 0:00:49 | |
A woman who could pop in on presidents, and holidayed with Einstein... | 0:00:49 | 0:00:53 | |
..who once trod the boards on Broadway... | 0:00:56 | 0:00:58 | |
..ran mobile X-ray units on the front as the French battled the Hun... | 0:01:02 | 0:01:06 | |
..who even had duels fought over her. | 0:01:08 | 0:01:11 | |
And wonderfully, for such a fiercely private woman, | 0:01:11 | 0:01:15 | |
we've been left a unique view of her inner struggles in life and love. | 0:01:15 | 0:01:19 | |
Because in the decades that followed her death, | 0:01:22 | 0:01:25 | |
her family released her most intimate letters. | 0:01:25 | 0:01:28 | |
"I am impatient to see you, | 0:01:28 | 0:01:30 | |
"much more than I am uneasy about the difficulties to come. | 0:01:30 | 0:01:34 | |
"It will be good to hear your voice again and see your dear eyes. | 0:01:34 | 0:01:37 | |
"Until Saturday, my darling, I will not stop thinking of you." | 0:01:37 | 0:01:43 | |
The letters reveal the real Marie - | 0:01:46 | 0:01:49 | |
a woman full of passion, an obsessive genius, | 0:01:49 | 0:01:53 | |
whose life was beset by tragedy and scandal. | 0:01:53 | 0:01:56 | |
In every great life, there's a moment that comes to define you. | 0:02:14 | 0:02:19 | |
A moment of crisis that forces you to dig deep | 0:02:19 | 0:02:22 | |
and establish who you truly are. | 0:02:22 | 0:02:24 | |
For Marie Curie, that moment came in the autumn of 1911, | 0:02:27 | 0:02:32 | |
some five years after the tragic death of her husband, Pierre Curie. | 0:02:32 | 0:02:35 | |
She was at the world's first international meeting | 0:02:39 | 0:02:42 | |
of physicists and chemists. | 0:02:42 | 0:02:44 | |
An historic, invitation-only event, | 0:02:44 | 0:02:46 | |
which would become known as the Solvay Conference. | 0:02:46 | 0:02:49 | |
And she was happy - | 0:02:51 | 0:02:53 | |
perhaps because she had just received a telegram confirming | 0:02:53 | 0:02:56 | |
she had won a SECOND Nobel prize. | 0:02:56 | 0:02:58 | |
Or perhaps because she was there with her lover. | 0:03:00 | 0:03:03 | |
Paul Langevin, he was a physicist, and at some point, | 0:03:07 | 0:03:10 | |
he was actually a student of Pierre Curie's. | 0:03:10 | 0:03:13 | |
And he had worked with the Curies. | 0:03:13 | 0:03:15 | |
I mean, certainly both of them knew him. | 0:03:15 | 0:03:17 | |
And he was a physicist of renown - everyone knew who he was. | 0:03:17 | 0:03:22 | |
Most of what we know of their affair comes from the letters that | 0:03:22 | 0:03:25 | |
Marie wrote to Paul. | 0:03:25 | 0:03:27 | |
"The instinct which led us to each other was very powerful. | 0:03:27 | 0:03:32 | |
"I believe that we could derive everything from it - good work | 0:03:32 | 0:03:36 | |
"in common, a good solid friendship, courage for life and even | 0:03:36 | 0:03:40 | |
"beautiful children of love in the most beautiful meaning of the word." | 0:03:40 | 0:03:46 | |
Jeanne Langevin, Paul's wife, | 0:03:51 | 0:03:54 | |
understandably was rather jealous and unhappy about this. | 0:03:54 | 0:03:57 | |
She was a really intense, rather violent woman. | 0:03:57 | 0:04:01 | |
According to a witness, Madame Langevin accosted Marie | 0:04:01 | 0:04:04 | |
in the street, where she threatened to kill her if she didn't leave France. | 0:04:04 | 0:04:09 | |
Marie implored Paul to end the marriage. | 0:04:11 | 0:04:15 | |
"When I know you are with her, my nights are atrocious. I can't sleep. | 0:04:15 | 0:04:19 | |
"I wake up with a sensation of fever and I can't work." | 0:04:19 | 0:04:23 | |
Marie's downfall came when pictures were published of Paul | 0:04:27 | 0:04:30 | |
and her at the Solvay conference. | 0:04:30 | 0:04:32 | |
Enraged, Madame Langevin decided to act. | 0:04:32 | 0:04:37 | |
One day, when she was sure Paul Langevin wasn't there, | 0:04:37 | 0:04:40 | |
she somehow managed to persuade someone | 0:04:40 | 0:04:43 | |
to break into the apartment, where this person found a cache of very | 0:04:43 | 0:04:47 | |
intimate love letters between Marie Curie and Paul Langevin. | 0:04:47 | 0:04:52 | |
Marie came back from her conference to discover that | 0:04:52 | 0:04:55 | |
parts of the letters had been published in the press. | 0:04:55 | 0:04:58 | |
This had suddenly become a very, very public affair. | 0:04:58 | 0:05:01 | |
The press ran a series of scurrilous claims against her. | 0:05:08 | 0:05:11 | |
This venomous publicity stirred up an angry mob, | 0:05:25 | 0:05:28 | |
who surrounded her home and threw stones at the windows. | 0:05:28 | 0:05:31 | |
GLASS SMASHING | 0:05:31 | 0:05:32 | |
The whole affair spiralled into a farcical nightmare. | 0:05:36 | 0:05:41 | |
For Langevin, the final straw came when he read an article | 0:05:41 | 0:05:45 | |
in a newspaper accusing him of hiding behind a Polish woman's skirts. | 0:05:45 | 0:05:50 | |
And for him, that was such an insult to his French dignity | 0:05:50 | 0:05:54 | |
that he challenged the editor of the paper to a duel. | 0:05:54 | 0:05:57 | |
They met at exactly 11 o'clock in the morning. | 0:06:04 | 0:06:07 | |
They paced out 25 yards. | 0:06:07 | 0:06:10 | |
They raised their pistols at each other | 0:06:12 | 0:06:14 | |
and the editor reported afterwards that he looked at Langevin | 0:06:14 | 0:06:18 | |
and he thought, "I can't possibly kill this man. | 0:06:18 | 0:06:21 | |
"He's one of France's greatest scientists!" so he pointed | 0:06:21 | 0:06:24 | |
his pistol to the ground. | 0:06:24 | 0:06:25 | |
So then there was Langevin, and he thought, | 0:06:25 | 0:06:27 | |
"I can't possibly shoot this man. He's not pointing a gun at me," | 0:06:27 | 0:06:30 | |
so he put his gun down as well. | 0:06:30 | 0:06:34 | |
And that was the end of the duel between them. | 0:06:35 | 0:06:38 | |
Paul Langevin returned to his wife with honour restored | 0:06:40 | 0:06:42 | |
and reputation intact. | 0:06:42 | 0:06:47 | |
Marie fared less well. | 0:06:47 | 0:06:48 | |
Publicly humiliated, she'd lost her companion | 0:06:50 | 0:06:53 | |
and the controversy meant she couldn't continue | 0:06:53 | 0:06:55 | |
the scientific work that had brought her so much happiness. | 0:06:55 | 0:06:59 | |
She fled into hiding with her daughters, | 0:06:59 | 0:07:01 | |
and entered a deep depression. | 0:07:01 | 0:07:04 | |
The story of how Marie Curie ascended to become the world's most | 0:07:04 | 0:07:08 | |
famous female scientist, how she lost it all and subsequently achieved redemption | 0:07:08 | 0:07:15 | |
is one of the greatest sagas in the history of science. | 0:07:15 | 0:07:19 | |
And it starts not in Paris, but a thousand miles away to the east. | 0:07:19 | 0:07:24 | |
Marie Curie was born in obscurity, in a different country | 0:07:35 | 0:07:40 | |
and under a completely different name. | 0:07:40 | 0:07:45 | |
This is the museum of Maria Sklodowska-Curie. | 0:07:45 | 0:07:48 | |
In 1867, on the seventh of November, it was the place where | 0:07:48 | 0:07:53 | |
Maria Sklodowska was born. | 0:07:53 | 0:07:55 | |
From the beginning, Maria, as she'd been christened, | 0:07:57 | 0:08:01 | |
had to face prejudice every day. | 0:08:01 | 0:08:03 | |
Marie Sklodowska was born when Poland was divided by three countries - | 0:08:03 | 0:08:09 | |
Russia, Prussia and Austria. | 0:08:09 | 0:08:11 | |
And in that time, Warsaw was occupated by Russians. | 0:08:12 | 0:08:17 | |
It was forbidden to talk in Polish, to learn Polish history. | 0:08:17 | 0:08:21 | |
To make Polish science. | 0:08:21 | 0:08:23 | |
Indeed, ever since Napoleon's defeat at Waterloo in 1815, | 0:08:26 | 0:08:30 | |
Warsaw had been under the rule of Tsarist Russia. | 0:08:30 | 0:08:35 | |
The occupiers set about a cultural cleansing, | 0:08:35 | 0:08:38 | |
banning Polish folk songs and dancing. | 0:08:38 | 0:08:40 | |
Russian became the state language. | 0:08:46 | 0:08:48 | |
So it was in private that her father, | 0:08:53 | 0:08:55 | |
Professor Wladyslaw Sklodowski, sparked her passion for science. | 0:08:55 | 0:08:59 | |
At home he kept a cabinet full of scientific apparatus that fascinated | 0:09:02 | 0:09:05 | |
the young Maria, who by the age of four was already a confident reader. | 0:09:05 | 0:09:11 | |
Later the same year, her mother began to lose weight | 0:09:15 | 0:09:19 | |
and would cough constantly - a sign that tuberculosis was taking hold. | 0:09:19 | 0:09:23 | |
And of course doctors said, you know, | 0:09:26 | 0:09:28 | |
you have to stay of clear your daughter | 0:09:28 | 0:09:30 | |
and so she didn't have a lot of physical affection from her mother. | 0:09:30 | 0:09:34 | |
Her mother finally succumbed to the disease in 1878 | 0:09:36 | 0:09:39 | |
when Maria was just 12 years old. | 0:09:39 | 0:09:41 | |
"For many years, we all felt weighing on us | 0:09:42 | 0:09:45 | |
"the loss of the one who had been the soul of the house." | 0:09:45 | 0:09:48 | |
So for most of her formative years, her father raised her as best | 0:09:50 | 0:09:54 | |
he could as a poorly paid teacher. | 0:09:54 | 0:09:58 | |
She adored him and it was from him that she | 0:09:58 | 0:10:01 | |
inherited her questioning nature and her life-long love of science. | 0:10:01 | 0:10:05 | |
EASTERN EUROPEAN FOLK MUSIC | 0:10:07 | 0:10:09 | |
Maria left school aged 15 with a gold medal for topping her year. | 0:10:12 | 0:10:18 | |
But Warsaw University was closed to women, | 0:10:18 | 0:10:20 | |
so she was forced to give up her passion for science. | 0:10:20 | 0:10:25 | |
She abandoned her studies and left to join her relatives in the country. | 0:10:25 | 0:10:32 | |
EASTERN EUROPEAN FOLK SINGING | 0:10:32 | 0:10:33 | |
"We do everything that comes to our minds. Sometimes we sleep | 0:10:43 | 0:10:47 | |
"at night, sometimes during the day. We dance, and in all, we frolic | 0:10:47 | 0:10:52 | |
"so much that sometimes we might deserve to be locked up in a mental home..." | 0:10:52 | 0:10:56 | |
For most girls of her age, finding a good husband was the next step. | 0:11:03 | 0:11:07 | |
But she and her older sister Bronia would break the convention. | 0:11:07 | 0:11:12 | |
MUSIC STOPS | 0:11:12 | 0:11:13 | |
Whoo! Bravo! | 0:11:13 | 0:11:14 | |
APPLAUSE | 0:11:14 | 0:11:15 | |
They concocted an audacious plan that would allow them | 0:11:15 | 0:11:18 | |
both to get a university education. | 0:11:18 | 0:11:21 | |
Maria would remain in the Polish countryside, | 0:11:27 | 0:11:30 | |
to seek work as a governess. | 0:11:30 | 0:11:32 | |
She would support Bronia as she left to study medicine at the Sorbonne University in Paris. | 0:11:32 | 0:11:38 | |
In return, Bronia would later help Maria to join her there. | 0:11:38 | 0:11:41 | |
And so it was that in the winter of 1886, Maria arrived at the family home of a wealthy beetroot farmer... | 0:11:45 | 0:11:51 | |
..the ruins of which still stand on land owned by Teresa Kaczorowska. | 0:11:54 | 0:11:58 | |
Almost at once, Maria felt at home. | 0:12:00 | 0:12:02 | |
Maria taught the Zorawski children upstairs in her little room. | 0:12:54 | 0:12:58 | |
And it was here that one day she met their eldest brother, | 0:12:58 | 0:13:01 | |
a meeting that threatened to derail all her plans. | 0:13:01 | 0:13:04 | |
The rejection of the Zorawski family sent her into a depression | 0:14:04 | 0:14:09 | |
that saw her abandon all thoughts of leaving Poland. | 0:14:09 | 0:14:14 | |
"I have been stupid, | 0:14:14 | 0:14:16 | |
"I am stupid and I shall remain stupid all the days of my life. | 0:14:16 | 0:14:22 | |
"I dreamed of Paris as of redemption, | 0:14:22 | 0:14:25 | |
"but the hope of going there left me a long time ago." | 0:14:25 | 0:14:29 | |
Heartbroken, Maria returned to her ageing father in Warsaw. | 0:14:33 | 0:14:38 | |
And here she may have remained in obscurity, if it wasn't for | 0:14:38 | 0:14:42 | |
what went on in this building, the Museum of Industry and Agriculture, | 0:14:42 | 0:14:48 | |
because behind its impressive facade was a secret Polish laboratory. | 0:14:48 | 0:14:52 | |
This is a very important place in Maria's scientific life. When she was | 0:14:56 | 0:15:01 | |
about 18-19 years old she started to learn here chemical analysis. | 0:15:01 | 0:15:09 | |
The lab was part of the so-called Flying University, | 0:15:10 | 0:15:14 | |
which moved from location to location around Warsaw | 0:15:14 | 0:15:17 | |
to avoid the suspicion of the Russians. | 0:15:17 | 0:15:20 | |
Here, all Poles could advance their education, be they male or female. | 0:15:20 | 0:15:24 | |
"I tried to reproduce various experiments described in treatises | 0:15:27 | 0:15:31 | |
"on physics and chemistry. From time to time a little unhoped-for success | 0:15:31 | 0:15:35 | |
"would encourage me, and at others I sank into despair. | 0:15:35 | 0:15:40 | |
"But on the whole, I discovered my taste for experimental research during these first trials." | 0:15:40 | 0:15:46 | |
Marie had rediscovered her appetite for science. She wrote to Bronia. | 0:15:57 | 0:16:03 | |
"If my coming is just possible, tell me, | 0:16:03 | 0:16:06 | |
"and tell me what entrance examinations I must pass, | 0:16:06 | 0:16:09 | |
"and what is the latest date at which I can register as a student. | 0:16:09 | 0:16:13 | |
"I am so nervous at the prospect of my departure that | 0:16:13 | 0:16:16 | |
"I can't speak of anything else. | 0:16:16 | 0:16:18 | |
Bronia could at last repay her little sister as Maria prepared | 0:16:24 | 0:16:28 | |
to give herself to physics. | 0:16:28 | 0:16:29 | |
At the close of the nineteenth century, the study of physics was a backwater. | 0:16:36 | 0:16:43 | |
In the universities of Europe, it was widely accepted that all | 0:16:43 | 0:16:47 | |
the important laws of nature had been discovered. | 0:16:47 | 0:16:51 | |
Theories of electromagnetism, thermodynamics and mechanics seemed to explain everything. | 0:16:51 | 0:16:56 | |
No-one could foresee that there was a scientific revolution looming, | 0:17:07 | 0:17:12 | |
even less that one of its leaders would be a poor young woman | 0:17:12 | 0:17:16 | |
from Poland who had just enrolled in the physics faculty. | 0:17:16 | 0:17:21 | |
# Leave your home | 0:17:21 | 0:17:23 | |
# Change your name | 0:17:27 | 0:17:28 | |
# Live alone... # | 0:17:33 | 0:17:35 | |
In the spring of 1891, Maria Sklodowska arrived in Paris. | 0:17:37 | 0:17:41 | |
She found herself in France at a time | 0:17:44 | 0:17:47 | |
when there was some ill-feeling towards foreigners. | 0:17:47 | 0:17:51 | |
So to better fit in, | 0:17:51 | 0:17:52 | |
she changed her name to the more Gallic-sounding Marie. | 0:17:52 | 0:17:56 | |
Her university, the Sorbonne, was one of the few elite | 0:17:58 | 0:18:02 | |
European academic institutions that admitted women. | 0:18:02 | 0:18:05 | |
In Britain, it would be the 1920s before Oxford and Cambridge allowed women degrees. | 0:18:05 | 0:18:11 | |
She excelled, graduating first out of her entire year in science. | 0:18:11 | 0:18:16 | |
But life was hard. | 0:18:18 | 0:18:19 | |
After paying rent for her tiny garret room, | 0:18:19 | 0:18:22 | |
she had very little left over for food or fun. | 0:18:22 | 0:18:26 | |
If she was to stay in Paris, she needed a job. | 0:18:26 | 0:18:31 | |
She worked on magnets, | 0:18:31 | 0:18:32 | |
which now might not sound a terribly exciting subject, | 0:18:32 | 0:18:35 | |
but you need magnets when you're making electric motors and dynamos. | 0:18:35 | 0:18:41 | |
This was when the electricity industry was just beginning to take off. | 0:18:41 | 0:18:46 | |
Electricity companies were hungry to improve | 0:18:48 | 0:18:50 | |
the quality of the magnets in their generators | 0:18:50 | 0:18:53 | |
and thereby produce more electricity to keep the lights on. | 0:18:53 | 0:18:57 | |
Marie was hired to help. | 0:18:57 | 0:18:59 | |
She carried out lots of very precise research on exactly what | 0:19:01 | 0:19:05 | |
alloys you use to make a very powerful, very permanent magnet. | 0:19:05 | 0:19:09 | |
Now she needed a lab in which to work. | 0:19:11 | 0:19:14 | |
And thanks to some shrewd matchmaking from a fellow Pole, | 0:19:14 | 0:19:17 | |
she was about to meet lab owner and expert in magnetism, Pierre Curie. | 0:19:17 | 0:19:22 | |
"When I came in, Pierre Curie was standing in the window. | 0:19:27 | 0:19:30 | |
"He seemed very young to me, though he was aged 35. | 0:19:30 | 0:19:35 | |
"I was struck by the expression of his clear gaze, | 0:19:35 | 0:19:38 | |
"and by a slight appearance of carelessness in his lofty stature." | 0:19:38 | 0:19:44 | |
30 years later, she remembered that very first moment that she | 0:19:44 | 0:19:47 | |
saw him across the room and she was terribly struck. | 0:19:47 | 0:19:50 | |
So I guess it was love at first sight. | 0:19:50 | 0:19:52 | |
She moved into the corridor of Pierre's lab | 0:19:52 | 0:19:54 | |
at Ecole de Physique et Chimie and set to work. | 0:19:54 | 0:19:58 | |
Here, an extraordinary romance unfolded. | 0:19:58 | 0:20:04 | |
"He caught the habit of speaking to me | 0:20:04 | 0:20:06 | |
"of his dream of an existence consecrated entirely | 0:20:06 | 0:20:08 | |
"to scientific research, and asked me to share that life." | 0:20:08 | 0:20:15 | |
Marie had her doubts. She was homesick and missed her father. | 0:20:15 | 0:20:20 | |
But Pierre pleaded with her to stay and make a life with him in France. | 0:20:20 | 0:20:24 | |
# Am I to be the one | 0:20:25 | 0:20:29 | |
# To hold you back and make you come my way | 0:20:29 | 0:20:35 | |
# I know I'm the only one to do what's to be done... # | 0:20:35 | 0:20:42 | |
-So where shall I put this? -Oh, in the cupboard there. | 0:20:44 | 0:20:46 | |
In desperation, he insisted that if she left, | 0:20:46 | 0:20:49 | |
he would throw in his career and follow her to Poland. | 0:20:49 | 0:20:54 | |
He won Marie over. | 0:20:57 | 0:20:59 | |
"It is a sorrow to me to have to stay for ever in Paris, but what am I to do? | 0:21:01 | 0:21:06 | |
"Fate has made us deeply attached to each other | 0:21:06 | 0:21:09 | |
"and we cannot endure the idea of separating." | 0:21:09 | 0:21:14 | |
Marie and Pierre were married on the 26th of July 1895. | 0:21:14 | 0:21:19 | |
# Am I to be the one | 0:21:21 | 0:21:25 | |
# To hold you back and make you come my way | 0:21:25 | 0:21:30 | |
# I know I'm the only one to do... # | 0:21:30 | 0:21:36 | |
They honeymooned on two wheels during the so-called Golden Age of Bicycles. | 0:21:36 | 0:21:41 | |
# Am I to be the one | 0:21:41 | 0:21:45 | |
# To hold you back and make you come my way... # | 0:21:45 | 0:21:49 | |
On the newly invented pneumatic tyre, | 0:21:49 | 0:21:52 | |
they rode far and wide across the French countryside. | 0:21:52 | 0:21:56 | |
# To do what's to be done... # | 0:21:56 | 0:21:58 | |
A year and a half later, still working hard on magnetism, | 0:22:01 | 0:22:05 | |
Marie found herself bearing her first child. | 0:22:05 | 0:22:08 | |
She approached her pregnancy rather like a modern woman. | 0:22:08 | 0:22:11 | |
She went on working right until the very end, | 0:22:11 | 0:22:14 | |
whereas most woman of that period after a couple of months, | 0:22:14 | 0:22:18 | |
they would have completely retired from public view | 0:22:18 | 0:22:20 | |
and they'd have spent a lot of time resting and lying down. | 0:22:20 | 0:22:24 | |
In due course, Pierre's father, Dr Eugene Curie, | 0:22:24 | 0:22:28 | |
delivered Marie's healthy six-pound baby girl, whom she named Irene. | 0:22:28 | 0:22:34 | |
She really didn't want her pregnancy to hinder her work at all, | 0:22:34 | 0:22:38 | |
and she was the sort of woman who was sort of back at the lab bench | 0:22:38 | 0:22:41 | |
within a couple of days of the baby being born. | 0:22:41 | 0:22:44 | |
Indeed, just weeks after the birth, | 0:22:45 | 0:22:47 | |
Marie published her first scientific paper. | 0:22:47 | 0:22:51 | |
It was an important work, which quickly spread | 0:22:51 | 0:22:53 | |
around the world, standardising the manufacturing process of magnets. | 0:22:53 | 0:22:57 | |
But soon after, she abandoned all work on magnetism, | 0:22:59 | 0:23:03 | |
because she'd heard of a stunning new discovery - | 0:23:03 | 0:23:06 | |
one that would be the making of her as a professional scientist. | 0:23:06 | 0:23:10 | |
It was now 1896, and another Paris-based physicist, | 0:23:11 | 0:23:16 | |
Henri Becquerel, was exploring the properties of uranium. | 0:23:16 | 0:23:19 | |
Finishing work early one day, | 0:23:23 | 0:23:25 | |
he placed his materials away in a desk drawer, | 0:23:25 | 0:23:28 | |
leaving a nugget of uranium on top of a sealed photographic plate. | 0:23:28 | 0:23:33 | |
When he opened the drawer the following day and examined the plate, | 0:23:33 | 0:23:36 | |
he saw that it appeared to have been exposed to a bright light. | 0:23:36 | 0:23:40 | |
Serendipity had led Becquerel to the discovery that uranium was | 0:23:44 | 0:23:49 | |
emitting unknown rays that could pass through solid matter. | 0:23:49 | 0:23:52 | |
Nobody had any idea what it was. | 0:23:54 | 0:23:56 | |
It was not seen as a particularly fruitful research topic, | 0:23:56 | 0:24:00 | |
which is probably why she, as a Polish woman, was enabled | 0:24:00 | 0:24:03 | |
to pick it up, because there wasn't a lot of competition for it. | 0:24:03 | 0:24:08 | |
But after publishing, Becquerel promptly gave up on the strange new rays, | 0:24:08 | 0:24:13 | |
leaving the field clear for the Curies. | 0:24:13 | 0:24:15 | |
But how to measure these invisible rays? | 0:24:17 | 0:24:20 | |
Marie needed something more sensitive than a crude | 0:24:20 | 0:24:23 | |
photographic plate. | 0:24:23 | 0:24:25 | |
Fortunately, she'd married a brilliant electrical engineer, | 0:24:25 | 0:24:30 | |
and he designed a way of accurately measuring the strength of any | 0:24:30 | 0:24:32 | |
potential source of these rays. | 0:24:32 | 0:24:35 | |
So this instrument is called ionization chamber. | 0:24:39 | 0:24:42 | |
As Marie Curie did, we just have to put our sample between the two metal plates. | 0:24:42 | 0:24:49 | |
The new rays would then ionise the air between the plates | 0:24:49 | 0:24:52 | |
and a small electrical current would flow to another instrument called an electrometer. | 0:24:52 | 0:24:58 | |
This measured exactly how much current was produced. | 0:24:58 | 0:25:01 | |
The electricity will be transmitted and it will reach | 0:25:01 | 0:25:04 | |
this instrument which is called electrometer. | 0:25:04 | 0:25:07 | |
And then using the piezoelectrical quartz invented | 0:25:07 | 0:25:11 | |
by Pierre Curie, it was possible to measure very precisely the rays emitted | 0:25:11 | 0:25:16 | |
by the sample. | 0:25:16 | 0:25:17 | |
Marie undertook the enormous task of measuring all the metals, | 0:25:22 | 0:25:26 | |
minerals and compounds she could get her hands on, to see | 0:25:26 | 0:25:29 | |
if any others were producing these invisible rays. | 0:25:29 | 0:25:33 | |
And around this time, she started to refer to the phenomenon | 0:25:33 | 0:25:36 | |
she was seeking as radioactivity. | 0:25:36 | 0:25:40 | |
She'd given a whole new area of physics its name. | 0:25:40 | 0:25:43 | |
But Marie's growing obsession with radioactivity came at a price. | 0:25:54 | 0:25:59 | |
Irene, and later her second daughter Eve, were cared for by others. | 0:26:00 | 0:26:06 | |
Her father-in-law took care of her daughters | 0:26:06 | 0:26:08 | |
and that opened things up entirely for her. | 0:26:08 | 0:26:12 | |
He was a widower at that stage, | 0:26:12 | 0:26:14 | |
and I mean literally there were whole years | 0:26:14 | 0:26:16 | |
when he was their caretaker. | 0:26:16 | 0:26:19 | |
There are little suggestions of the daughters being resentful. | 0:26:19 | 0:26:24 | |
And I say this because there were letters - | 0:26:24 | 0:26:26 | |
certainly Irene would write letters and she would say, you know, "When are you going to come home? | 0:26:26 | 0:26:31 | |
"When are you going to be able to read to me | 0:26:31 | 0:26:34 | |
"instead of Grandfather reading to me?" | 0:26:34 | 0:26:36 | |
In time, Irene would understand Marie's passion for science but Eve never would. | 0:26:36 | 0:26:41 | |
And her resentment would remain throughout her life. | 0:26:41 | 0:26:45 | |
Marie continued to work at Pierre's apparatus, | 0:26:56 | 0:26:59 | |
until one day, whilst testing a substance called pitchblende, | 0:26:59 | 0:27:02 | |
she got a result that sent the electrometer off the scale. | 0:27:02 | 0:27:08 | |
This was the highest reading anyone had seen, and since it was so much | 0:27:08 | 0:27:12 | |
stronger than uranium, it must be coming from an entirely new element. | 0:27:12 | 0:27:19 | |
The question was, what was it? | 0:27:19 | 0:27:21 | |
Since pitchblende was a mixture of different elements jumbled together, | 0:27:30 | 0:27:34 | |
somehow she had to free her new element from the compound material. | 0:27:34 | 0:27:39 | |
In Marie Curie's notebooks, | 0:27:39 | 0:27:41 | |
she talks about starting with 100g of material. | 0:27:41 | 0:27:44 | |
We're losing bits all over the place. | 0:27:44 | 0:27:47 | |
You know, really substantial amounts of rock and this is really hardcore physical labour. | 0:27:49 | 0:27:55 | |
You've just got to pound and grind until you've got | 0:27:55 | 0:27:59 | |
a nice, fine, free-flowing material | 0:27:59 | 0:28:03 | |
and at that point you can move really from the engineering into the chemistry. | 0:28:03 | 0:28:09 | |
The next step is going to be to actually try and dissolve it out | 0:28:09 | 0:28:13 | |
and she would have chosen nitric acid - because what she would have | 0:28:13 | 0:28:17 | |
known was that this could dissolve up pretty well any metallic ion. | 0:28:17 | 0:28:24 | |
At this point, Marie Curie would really have been reaching | 0:28:27 | 0:28:30 | |
a kind of branching point, | 0:28:30 | 0:28:31 | |
in that there would have been the immediate question | 0:28:31 | 0:28:35 | |
of where is the radioactivity? | 0:28:35 | 0:28:37 | |
Is it actually soluble in the acid, or is it left behind? | 0:28:37 | 0:28:42 | |
A quick check with the electrometer and she deduced - correctly - | 0:28:42 | 0:28:46 | |
that her new element was in the liquid. | 0:28:46 | 0:28:48 | |
But there was a problem. | 0:28:48 | 0:28:50 | |
The pitchblende only contained a tiny quantity of this new element. | 0:28:52 | 0:28:56 | |
# So I can't get enough of that stuff... # | 0:28:56 | 0:29:00 | |
So to isolate it, she'd have to process | 0:29:00 | 0:29:02 | |
tons of the stuff to find her needle in a haystack. | 0:29:02 | 0:29:06 | |
# And I've tried and I've tried | 0:29:06 | 0:29:09 | |
# But all night I have cried | 0:29:09 | 0:29:11 | |
# No, I can't get enough of that stuff... # | 0:29:11 | 0:29:16 | |
We're standing in the car park of what's now called the ESPCI, | 0:29:16 | 0:29:20 | |
which is a big physics and chemistry institute in Paris. | 0:29:20 | 0:29:22 | |
And behind me here there's a white line on the ground and that marks out one corner of a shed | 0:29:22 | 0:29:29 | |
that Pierre and Marie Curie were given to work in. | 0:29:29 | 0:29:33 | |
# Do you think that's it's smart to pump it through my heart | 0:29:34 | 0:29:38 | |
# No, I can't get enough of that stuff... # | 0:29:38 | 0:29:43 | |
The shed was run down - | 0:29:45 | 0:29:47 | |
draughty and freezing cold in the winter, | 0:29:47 | 0:29:49 | |
stifling hot under the glass in the summer. | 0:29:49 | 0:29:53 | |
And this is where all the horse-carts of pitchblende | 0:29:53 | 0:29:56 | |
would line up and deposit all their deliveries for Pierre | 0:29:56 | 0:30:01 | |
and Marie Curie to refine. | 0:30:01 | 0:30:03 | |
When you think about the kind of lab operations that she was doing, | 0:30:06 | 0:30:10 | |
I mean a lot of it was really kind of repetitive, tedious drudgery | 0:30:10 | 0:30:15 | |
and in a way you wonder what kept her going. | 0:30:15 | 0:30:19 | |
And it's when you start looking at the notebooks that maybe one gets a kind of clue. | 0:30:19 | 0:30:23 | |
And here on the 27th of June 1898 she starts with | 0:30:23 | 0:30:27 | |
180 grams of powdered pitchblende. | 0:30:27 | 0:30:31 | |
But at the end of half a page of description, suddenly there she is - | 0:30:31 | 0:30:36 | |
very large letters saying "300 times more active than uranium". | 0:30:36 | 0:30:42 | |
There was always, in a sense, this sort of little | 0:30:42 | 0:30:44 | |
light at the end of the tunnel which was getting brighter and brighter. | 0:30:44 | 0:30:48 | |
For four years she persevered, | 0:30:51 | 0:30:54 | |
gradually getting closer to isolating her new element. | 0:30:54 | 0:30:57 | |
And as she continued to concentrate the material, | 0:31:00 | 0:31:03 | |
something wonderful unfolded. | 0:31:03 | 0:31:05 | |
Before they started all the experimenting, Pierre had said to Marie, | 0:31:06 | 0:31:10 | |
"I wonder what sort of colour our new product is going to be?" | 0:31:10 | 0:31:15 | |
And he fantasised that it would be some sort of bluey-greeny | 0:31:15 | 0:31:19 | |
magic colour. And that was indeed what happened. | 0:31:19 | 0:31:22 | |
As the pitchblende became more and more concentrated as they went on purifying it, | 0:31:22 | 0:31:26 | |
this sort of strange eerie blue-green glow could be seen all over the walls | 0:31:26 | 0:31:31 | |
of the little shed that they were working in. | 0:31:31 | 0:31:35 | |
MUSIC: "Clair de Lune" by Claude Debussy | 0:31:35 | 0:31:37 | |
And they used to come here at night, and watch it and marvel at it | 0:31:48 | 0:31:52 | |
and they had a family at home, but for them, | 0:31:52 | 0:31:54 | |
it was a scientific child that they had worked on together for so long | 0:31:54 | 0:31:58 | |
and dreamt about it and finally here they were, they were producing it | 0:31:58 | 0:32:00 | |
in this tiny dilapidated shed with a glass roof. | 0:32:00 | 0:32:05 | |
And then you get to page 66 with a big underlined heading | 0:32:07 | 0:32:11 | |
which says "Dosage" - determination. | 0:32:11 | 0:32:14 | |
The 28th of March 1902 - she says 0.1179 grams. | 0:32:14 | 0:32:20 | |
And then there's a quick calculation and at the end of it in really large letters there's "Ra = 225.9". | 0:32:20 | 0:32:28 | |
She now knows the atomic mass | 0:32:28 | 0:32:31 | |
and she really knows exactly where in the periodic table this fits. | 0:32:31 | 0:32:36 | |
This is kind of the moment of triumph. | 0:32:36 | 0:32:38 | |
It's the culmination of years of work. She's arrived. | 0:32:38 | 0:32:42 | |
Congratulations. | 0:32:45 | 0:32:47 | |
After four years of bone-crushingly hard work, | 0:32:49 | 0:32:52 | |
Marie and Pierre had discovered a new element - radium. | 0:32:52 | 0:32:57 | |
Its highly radioactive nature | 0:33:03 | 0:33:06 | |
and eerie green glow set the world alight. | 0:33:06 | 0:33:10 | |
MUSIC: "I Can't Get Enough" by the Dead Brothers | 0:33:10 | 0:33:13 | |
# No, I can't get enough of that stuff | 0:33:20 | 0:33:24 | |
# No, I can't get enough of that stuff... # | 0:33:24 | 0:33:27 | |
I think nowadays we're terribly aware of how dangerous | 0:33:27 | 0:33:30 | |
radiation of any kind can be. | 0:33:30 | 0:33:33 | |
But when it first appeared, it seemed that this new miracle source of energy - | 0:33:33 | 0:33:37 | |
it was a universal panacea - and it was being advertised for | 0:33:37 | 0:33:40 | |
throat medicines, and cough cures, and you could buy radium toothpaste. | 0:33:40 | 0:33:47 | |
It was sort of the new hope for the future. | 0:33:47 | 0:33:52 | |
As the radium craze spread, some could still not believe | 0:33:52 | 0:33:55 | |
the central role Marie had played in the discovery. | 0:33:55 | 0:33:59 | |
There's this marvellous caricature that came out in Vanity Fair | 0:34:00 | 0:34:04 | |
and there's Marie Curie and Pierre Curie in Man of the Year. | 0:34:04 | 0:34:08 | |
And he's there and he's holding up this great big test-tube | 0:34:08 | 0:34:11 | |
and the radium is shining out onto his forehead. | 0:34:11 | 0:34:15 | |
and so his forehead is glowing with genius. | 0:34:15 | 0:34:17 | |
And she's this little diminutive figure behind him | 0:34:17 | 0:34:20 | |
with a hand on his shoulder, sort of peering over him, | 0:34:20 | 0:34:23 | |
and you can almost hear her saying, "Oh, Pierre! You're so clever." | 0:34:23 | 0:34:27 | |
So all the glory of the discovery is being attributed to him. | 0:34:28 | 0:34:31 | |
Even though it was very much a collaborative piece of work. | 0:34:31 | 0:34:35 | |
The years of toil had paid off. | 0:34:38 | 0:34:40 | |
In 1903, the Nobel committee decided to honour | 0:34:40 | 0:34:44 | |
the discoverers of radioactivity. | 0:34:44 | 0:34:46 | |
But in a blatant show of sexism, the committee only nominated | 0:34:48 | 0:34:51 | |
Henri Becquerel and Pierre. | 0:34:51 | 0:34:54 | |
Marie was ignored. | 0:34:54 | 0:34:55 | |
Pierre responded that if this nomination was serious | 0:34:59 | 0:35:01 | |
he could not accept the prize unless Madame Curie's name was included. | 0:35:01 | 0:35:06 | |
The committee was forced to relent, | 0:35:06 | 0:35:08 | |
and all three shared the 1903 Nobel Prize for Physics. | 0:35:08 | 0:35:12 | |
"We have been awarded half of the Nobel prize. We are inundated with | 0:35:14 | 0:35:18 | |
"letters and visits by journalists and photographers, and yesterday | 0:35:18 | 0:35:22 | |
"an American wrote, asking permission to name a racehorse after me." | 0:35:22 | 0:35:26 | |
The Curies were on their way to scientific stardom, but their health | 0:35:30 | 0:35:34 | |
was beginning to suffer from the years of exposure to radiation. | 0:35:34 | 0:35:38 | |
Pierre was feeling especially unwell as he left Marie | 0:35:52 | 0:35:55 | |
on the 19th of April 1906 for a series of appointments in Paris. | 0:35:55 | 0:36:00 | |
Pierre Curie's just had his lunch. | 0:36:06 | 0:36:09 | |
He's in a hurry, he's got to get to the printer's down there. | 0:36:09 | 0:36:14 | |
It was raining - he had an umbrella and he crossed the road. | 0:36:14 | 0:36:18 | |
He slipped onto the cobbles | 0:36:18 | 0:36:20 | |
and he saw these two horses in front of him and he grabbed the harness | 0:36:20 | 0:36:25 | |
and tried to save himself but then he got thrown down on the ground. | 0:36:25 | 0:36:29 | |
And for a moment it seemed that everything was fine. | 0:36:29 | 0:36:31 | |
The carriage missed him but then, just at the last moment, | 0:36:31 | 0:36:34 | |
the back wheels of the carriage swerved and they went right | 0:36:34 | 0:36:38 | |
over his head. | 0:36:38 | 0:36:39 | |
And it crushed his skull and he died immediately. | 0:36:40 | 0:36:43 | |
"I put my head against the coffin. | 0:36:49 | 0:36:51 | |
"And in great distress, I spoke to you. | 0:36:51 | 0:36:56 | |
"I told you that I loved you | 0:36:56 | 0:36:57 | |
"and that I had always loved you with all my heart." | 0:36:57 | 0:37:01 | |
MUSIC: "Adieu Mon Coeur" by Edith Piaf | 0:37:01 | 0:37:03 | |
# Adieu mon coeur | 0:37:06 | 0:37:12 | |
# On te jette au malheur | 0:37:12 | 0:37:20 | |
# Tu n'auras pas mes yeux | 0:37:20 | 0:37:26 | |
# Pour mourir... # | 0:37:26 | 0:37:29 | |
Slowly, Marie emerged from her pain. | 0:37:29 | 0:37:31 | |
Seven months after his death, | 0:37:35 | 0:37:36 | |
she took on Pierre's professorship at the Sorbonne, | 0:37:36 | 0:37:39 | |
supported by her closest friends... | 0:37:39 | 0:37:41 | |
..one of whom, Paul Langevin, had been Pierre's student. | 0:37:44 | 0:37:47 | |
He too was unhappy, trapped in a loveless marriage, | 0:37:51 | 0:37:54 | |
so it was perhaps only natural that the two became close. | 0:37:54 | 0:37:57 | |
So we're standing near the Sorbonne. | 0:38:00 | 0:38:02 | |
Somewhere in the area, Paul Langevin rented a small apartment | 0:38:02 | 0:38:06 | |
and he used to meet Marie Curie there and this is where they | 0:38:06 | 0:38:09 | |
conducted their affair and where their love relationship blossomed. | 0:38:09 | 0:38:14 | |
They were together when Marie's name was put forward for | 0:38:14 | 0:38:16 | |
a second Nobel prize, in Chemistry, in recognition of her work | 0:38:16 | 0:38:21 | |
isolating radium and a second new element, polonium. | 0:38:21 | 0:38:24 | |
To this day, she is the only person | 0:38:24 | 0:38:27 | |
to win two Nobel prizes in two different sciences. | 0:38:27 | 0:38:30 | |
And so it was that she found herself sharing the wonderful news | 0:38:32 | 0:38:36 | |
with Paul at the Solvay conference. | 0:38:36 | 0:38:38 | |
She'd made it to the top table of physics. | 0:38:38 | 0:38:41 | |
But her union with Paul was doomed. | 0:38:50 | 0:38:52 | |
Although in an extraordinary twist, | 0:38:52 | 0:38:55 | |
this would not be the last Curie-Langevin relationship. | 0:38:55 | 0:38:58 | |
Because two generations later, Marie's granddaughter | 0:39:00 | 0:39:03 | |
married Paul's grandson. | 0:39:03 | 0:39:05 | |
And to this day, her grandmother's affair remains a raw subject. | 0:39:05 | 0:39:09 | |
It was a big problem. | 0:39:11 | 0:39:13 | |
There was all the campaigns in the newspapers. | 0:39:13 | 0:39:18 | |
It was not only the Polish woman, | 0:39:18 | 0:39:22 | |
but woman taking the husband in a family | 0:39:22 | 0:39:27 | |
with four children and so on, and so on. | 0:39:27 | 0:39:31 | |
And there was a publication of letters. | 0:39:31 | 0:39:35 | |
When his wife disclosed these supposed love letters, | 0:39:39 | 0:39:43 | |
we think they were real, but we don't know all the details. | 0:39:43 | 0:39:47 | |
My feeling is that really they were falsified. | 0:39:49 | 0:39:55 | |
But nobody took care of this point. | 0:39:55 | 0:39:59 | |
She was a widow, so she was not married | 0:39:59 | 0:40:01 | |
so she was not adulterous in any way. | 0:40:01 | 0:40:03 | |
The problem is, for her, this affair showed that she was a sexual being. | 0:40:03 | 0:40:09 | |
And the reason why that was so damning for her | 0:40:09 | 0:40:11 | |
in ways it would not have been for a man was because it showed that | 0:40:11 | 0:40:14 | |
her science was not nearly as saintly as everyone had made it to look. | 0:40:14 | 0:40:19 | |
Because of course, a woman's sexuality | 0:40:19 | 0:40:21 | |
and her science were somehow seen as one and the same. | 0:40:21 | 0:40:25 | |
I mean, you know, when Einstein had his affairs, | 0:40:25 | 0:40:27 | |
no-one looked at what he was doing in his private life | 0:40:27 | 0:40:31 | |
and what he was doing in his science life as related in any way. | 0:40:31 | 0:40:36 | |
Whether the letters were fake or not, the effect was devastating. | 0:40:36 | 0:40:41 | |
For the French tabloids, | 0:40:41 | 0:40:42 | |
the story of a famous female immigrant ruining the marriage | 0:40:42 | 0:40:46 | |
of a prestigious Frenchman perfectly suited their nationalistic agenda. | 0:40:46 | 0:40:51 | |
She was vilified, hounded | 0:40:51 | 0:40:53 | |
and abandoned by many of her previous supporters. | 0:40:53 | 0:40:56 | |
It was a very difficult period for all the family | 0:40:58 | 0:41:03 | |
and the children in particular. | 0:41:03 | 0:41:07 | |
Somehow, Marie had to find the strength to carry on. | 0:41:07 | 0:41:11 | |
The turning point came when the Nobel committee once again | 0:41:11 | 0:41:15 | |
questioned her suitability for the prize in Chemistry. | 0:41:15 | 0:41:18 | |
Incredulous, Marie rediscovered the inner steel that had got her so far. | 0:41:32 | 0:41:37 | |
She wrote back - | 0:41:37 | 0:41:39 | |
"I believe there is no connection between my scientific work | 0:41:39 | 0:41:42 | |
"and the facts of private life. | 0:41:42 | 0:41:44 | |
"I cannot accept the idea in principle that the appreciation of | 0:41:44 | 0:41:48 | |
"the value of scientific work should be influenced by libel and slander." | 0:41:48 | 0:41:54 | |
A harder, prouder, more aggressive Madame Curie emerged, | 0:41:54 | 0:41:58 | |
who in her address to the Nobel prize ceremony, | 0:41:58 | 0:42:01 | |
firmly established her ownership of the field of radioactivity. | 0:42:01 | 0:42:06 | |
"The discoveries of radium | 0:42:06 | 0:42:08 | |
"and polonium were made by Pierre Curie in collaboration with me. | 0:42:08 | 0:42:12 | |
"The chemical work aimed at isolating radium was carried out | 0:42:12 | 0:42:16 | |
"especially by me." | 0:42:16 | 0:42:17 | |
With this newfound determination, she set about rebuilding her life. | 0:42:22 | 0:42:28 | |
And though she would never find love again, | 0:42:28 | 0:42:30 | |
she would see her reputation shift once more, | 0:42:30 | 0:42:33 | |
as she took on an almost legendary status. | 0:42:33 | 0:42:36 | |
Marie decided to take charge of her own destiny. | 0:42:51 | 0:42:54 | |
Rather than work in someone else's lab, she would build her own. | 0:42:54 | 0:43:00 | |
She designed her Radium Institute to be a state-of-the-art laboratory | 0:43:00 | 0:43:05 | |
built around a charming little square | 0:43:05 | 0:43:07 | |
where she could indulge her love of gardening. | 0:43:07 | 0:43:10 | |
Here she planted many of the trees and roses that grow to this day. | 0:43:10 | 0:43:17 | |
But her peace did not last, because on the 3rd of August 1914... | 0:43:17 | 0:43:22 | |
..Germany declared war on France. | 0:43:26 | 0:43:28 | |
Fearful of a German invasion of Paris, many fled the capital. | 0:43:31 | 0:43:36 | |
Marie however stayed, | 0:43:36 | 0:43:39 | |
though all work on her new institute stopped. | 0:43:39 | 0:43:42 | |
As the war began to bite, Marie learned that lives were being lost | 0:43:49 | 0:43:54 | |
because the entire French army had only one X-ray station. | 0:43:54 | 0:43:58 | |
So in a moment of organizational brilliance, | 0:44:03 | 0:44:06 | |
she conceived the idea of mobile X-ray units - | 0:44:06 | 0:44:10 | |
small cars adapted to carry their own generator | 0:44:10 | 0:44:14 | |
and lightweight X-ray equipment. | 0:44:14 | 0:44:18 | |
To help the war effort, Marie taught herself to drive, | 0:44:18 | 0:44:22 | |
and took the so-called Petites Curies to wherever they were needed, | 0:44:22 | 0:44:26 | |
where she'd unload the equipment, hook up the generator | 0:44:26 | 0:44:30 | |
and activate the X-ray machine, | 0:44:30 | 0:44:33 | |
with little or no protection from the rays for herself. | 0:44:33 | 0:44:38 | |
But she desperately needed more technicians, | 0:44:38 | 0:44:41 | |
so she brought her elder daughter to the front. | 0:44:41 | 0:44:44 | |
In the 17-year-old Irene, Marie had found a new collaborator, | 0:44:48 | 0:44:53 | |
a relationship that would last until her death. | 0:44:53 | 0:44:56 | |
By the end of the Great War in 1918, | 0:45:03 | 0:45:06 | |
Marie's X-ray units had treated over a million wounded soldiers. | 0:45:06 | 0:45:10 | |
And with the subsequent treaty of Versailles, | 0:45:10 | 0:45:13 | |
Poland was given its independence after 123 years of occupation. | 0:45:13 | 0:45:18 | |
Marie had lived to see her mother-country free at last. | 0:45:18 | 0:45:22 | |
The French government never formally recognised her efforts | 0:45:28 | 0:45:32 | |
during the war, but social attitudes towards Marie did begin to soften. | 0:45:32 | 0:45:36 | |
She returned to the Radium Institute, where she continued | 0:45:41 | 0:45:44 | |
her radioactivity research here in her laboratory. | 0:45:44 | 0:45:49 | |
Marie had never taken out patents on any of her discoveries, so money was | 0:45:49 | 0:45:54 | |
a constant worry and she was running short of her precious radium. | 0:45:54 | 0:45:59 | |
That's why in 1920 - perhaps sensing an opportunity - | 0:45:59 | 0:46:04 | |
she agreed to meet one "Missy" Mattingly Meloney, an American | 0:46:04 | 0:46:08 | |
journalist who had come all the way to Paris to interview her. | 0:46:08 | 0:46:11 | |
Over the course of the interview, | 0:46:14 | 0:46:16 | |
she comes to discover that | 0:46:16 | 0:46:18 | |
Madame Curie, who had discovered radium, | 0:46:18 | 0:46:21 | |
did not actually have a gram of it to run her experiments. | 0:46:21 | 0:46:25 | |
So Meloney decides, "Well, I'm going to start this big radium campaign in the United States," | 0:46:25 | 0:46:29 | |
and she's the perfect person to do this because of course she's very well-connected. | 0:46:29 | 0:46:34 | |
And indeed she comes back to the United States and within months, | 0:46:34 | 0:46:37 | |
she raises well over the 100,000 she needs for this gram of radium. | 0:46:37 | 0:46:41 | |
MUSIC: "Rhapsody in Blue" by George Gershwin | 0:46:41 | 0:46:46 | |
And so, on the 11th of May 1921, | 0:46:46 | 0:46:48 | |
Marie arrived in New York's Hudson Bay to collect more radium. | 0:46:48 | 0:46:54 | |
It was still incredibly rare | 0:46:54 | 0:46:57 | |
and if she was to ensure her institute's future, she needed more. | 0:46:57 | 0:47:02 | |
Accompanied by her daughters, she'd crossed the Atlantic | 0:47:02 | 0:47:05 | |
on the Titanic's sister ship, the Olympic. | 0:47:05 | 0:47:09 | |
She was in her suite and, uh, | 0:47:09 | 0:47:12 | |
Marie Mattingly Meloney, Missy, | 0:47:12 | 0:47:14 | |
warned her that she was going to have to meet some reporters | 0:47:14 | 0:47:19 | |
and that there were photographers and she took a little while | 0:47:19 | 0:47:23 | |
then she finally came out and she was interviewed | 0:47:23 | 0:47:26 | |
by a battery of reporters. | 0:47:26 | 0:47:28 | |
This is where she supposedly said that radium could cure | 0:47:28 | 0:47:33 | |
all diseases, even the very deep tumours. | 0:47:33 | 0:47:37 | |
Marie Curie's name was increasingly being linked to a radical | 0:47:38 | 0:47:42 | |
cancer treatment that she and Pierre had developed. | 0:47:42 | 0:47:47 | |
For cancers that were readily accessible, say on the face, | 0:47:47 | 0:47:51 | |
tiny flecks of radium would be carefully positioned over the tumour. | 0:47:51 | 0:47:59 | |
The radiation would kill the cancer cells. | 0:47:56 | 0:47:59 | |
And if the patient was lucky, | 0:47:59 | 0:48:01 | |
their healthy cells would in time repair the lesion. | 0:48:01 | 0:48:04 | |
Marie herself had little to do with cancer treatment. | 0:48:08 | 0:48:11 | |
Her focus remained purely on radioactivity research. | 0:48:11 | 0:48:17 | |
But Missy was a master of spin. She knew that selling a dedicated | 0:48:17 | 0:48:23 | |
scientist to the American public would be tough. | 0:48:23 | 0:48:27 | |
She needs to make her look likeable. | 0:48:27 | 0:48:30 | |
But that also means making her look appropriate. | 0:48:30 | 0:48:32 | |
She has to depict her | 0:48:32 | 0:48:33 | |
not as scientist at all but as this maternal figure, | 0:48:33 | 0:48:38 | |
who of course didn't actually discover radium because she was | 0:48:38 | 0:48:41 | |
doing science for science's sake like men do, she was doing it because | 0:48:41 | 0:48:46 | |
of course she wanted to rid humanity of cancer, like any good mother | 0:48:46 | 0:48:50 | |
would want to and this is really why she discovered radium. And so this | 0:48:50 | 0:48:53 | |
is the publicity that Curie walks into when she comes to New York in 1921. | 0:48:53 | 0:48:58 | |
MUSIC: "Freddie Freeloader" by Miles Davis | 0:48:58 | 0:49:01 | |
Marie began a series of public engagements | 0:49:07 | 0:49:10 | |
that Missy had laid on that would last for eight weeks. | 0:49:10 | 0:49:15 | |
"The programme seemed very intimidating. | 0:49:15 | 0:49:17 | |
"It was assumed that I would not only attend a ceremony at the White House | 0:49:17 | 0:49:22 | |
"but also visit many universities and colleges in several towns. | 0:49:22 | 0:49:26 | |
"Some of these institutions had contributed to the fund. | 0:49:26 | 0:49:29 | |
"All desired to offer me honours." | 0:49:29 | 0:49:33 | |
The timing of her coming to the United States was not a coincidence. | 0:49:33 | 0:49:38 | |
Women had just won suffrage in the United States in 1920. | 0:49:38 | 0:49:41 | |
They're just starting to get the right to vote in this country. | 0:49:41 | 0:49:44 | |
So she's thinking she's a very good role model for American women. | 0:49:44 | 0:49:48 | |
Marie Curie began her US tour here in the city of New York. | 0:49:55 | 0:50:00 | |
And it was immediately clear that amongst American women, | 0:50:00 | 0:50:04 | |
she had become a star. | 0:50:04 | 0:50:06 | |
We're here in Carnegie Hall and I'm thinking back to May 18th, 1921, | 0:50:11 | 0:50:16 | |
when Marie Curie was honoured. | 0:50:16 | 0:50:18 | |
APPLAUSE | 0:50:18 | 0:50:19 | |
We know that when Marie Curie entered, there was | 0:50:24 | 0:50:28 | |
thunderous applause and the applause took maybe five minutes to die down. | 0:50:28 | 0:50:34 | |
The event was sponsored by American university women | 0:50:34 | 0:50:37 | |
and it was a celebration of Curie but it was also a celebration of, really, | 0:50:37 | 0:50:41 | |
higher education for women in the United States. | 0:50:41 | 0:50:44 | |
According to newspaper accounts, there were supposedly 3,500 women in attendance. | 0:50:46 | 0:50:52 | |
The colleges decorated the hall with their banners. | 0:50:52 | 0:50:57 | |
It must have been very colourful. Certainly very exciting. | 0:50:57 | 0:51:00 | |
Marie was an instant hit. | 0:51:06 | 0:51:09 | |
And all the while as she toured the States, | 0:51:09 | 0:51:11 | |
Missy worked hard to protect the legend she was creating. | 0:51:11 | 0:51:17 | |
Everybody was very good about not mentioning the scandal, | 0:51:17 | 0:51:20 | |
the sex scandal in Paris. And of course, remember, this was | 0:51:20 | 0:51:24 | |
Meloney making very clear, "When you cover her, do not discuss this." | 0:51:24 | 0:51:29 | |
Exhausted, Marie finally arrived in Washington | 0:51:29 | 0:51:34 | |
for her last appointment at the White House itself. | 0:51:34 | 0:51:37 | |
"It was a deeply moving ceremony in all of its simplicity. | 0:51:39 | 0:51:44 | |
"It comprised a short presentation by the French ambassador, | 0:51:44 | 0:51:47 | |
"a speech by Missy Meloney on behalf of the American women, | 0:51:47 | 0:51:51 | |
"and then the address of President Harding." | 0:51:51 | 0:51:53 | |
MUSIC: "Rhapsody in Blue" by George Gershwin | 0:51:53 | 0:51:58 | |
At last, she received what she'd come to America for. | 0:51:58 | 0:52:02 | |
When Harding hands her the ceremonial box of radium, he says | 0:52:02 | 0:52:08 | |
"This is a gift from the American people," and he even goes so far as to say, you know, | 0:52:08 | 0:52:14 | |
"We are just in awe of you, not only for your science but | 0:52:14 | 0:52:17 | |
"because you did all this, and still were the perfect wife and mother." | 0:52:17 | 0:52:21 | |
Marie returned to France with her name restored | 0:52:25 | 0:52:28 | |
and the future of her beloved Institute secure. | 0:52:28 | 0:52:31 | |
She would return again to America to collect more | 0:52:36 | 0:52:40 | |
radium for a second Radium Institute in Warsaw she was helping to establish. | 0:52:40 | 0:52:45 | |
But it would take an even greater toll on her failing health. | 0:52:45 | 0:52:48 | |
Soon after she came home, she wrote to Missy. | 0:52:56 | 0:53:01 | |
"My very dear friend, your letter distressed me. | 0:53:01 | 0:53:05 | |
"I did not know that you had a bad accident. | 0:53:05 | 0:53:08 | |
"I too had troubles, a kind of general disease which obliged me | 0:53:08 | 0:53:12 | |
"to take a very strict diet, probably to last for the future." | 0:53:12 | 0:53:16 | |
After years of ill health, | 0:53:19 | 0:53:21 | |
her family helped nurse Marie during her final months. | 0:53:21 | 0:53:26 | |
Eve really comes to terms with her mother later in life. | 0:53:26 | 0:53:28 | |
She's the one that really cares for her in her final days. | 0:53:28 | 0:53:32 | |
And I think that there's a sort of reconciliation, but it was | 0:53:32 | 0:53:34 | |
a very um...I mean, the relationship between them was torn for some time. | 0:53:34 | 0:53:40 | |
It took her mother dying, I think, | 0:53:40 | 0:53:43 | |
and her being there to take care of her for them to sort of reconcile. | 0:53:43 | 0:53:46 | |
On the 4th of July 1934, Marie Curie died, aged 67, | 0:53:51 | 0:53:58 | |
with Eve by her side. | 0:53:58 | 0:54:00 | |
Her doctor gave the cause of death as aplastic pernicious anaemia. | 0:54:14 | 0:54:19 | |
Her bone marrow had been injured by the long accumulation of radiation. | 0:54:19 | 0:54:24 | |
So it seemed her child, radium, had killed her. | 0:54:24 | 0:54:28 | |
She was buried in this cemetery just outside Paris, | 0:54:31 | 0:54:35 | |
where she shared a grave with Pierre. | 0:54:35 | 0:54:37 | |
And here they lay together for over sixty years. | 0:54:42 | 0:54:45 | |
Until one spring day in 1995, | 0:54:47 | 0:54:50 | |
when radioprotection expert Jean-Luc Pasquier came to examine her remains. | 0:54:50 | 0:54:57 | |
HE SPEAKS FRENCH | 0:54:57 | 0:54:59 | |
Since the half-life of radium is 1,600 years, | 0:55:11 | 0:55:15 | |
they were worried that Marie was still radioactive, | 0:55:15 | 0:55:19 | |
because they were about to move her body. | 0:55:19 | 0:55:23 | |
This surprised everyone, because if the myth was correct | 0:55:57 | 0:56:01 | |
and radium exposure had made her a martyr to her science, | 0:56:01 | 0:56:05 | |
her remains should still exceed today's safe levels. | 0:56:05 | 0:56:09 | |
So it led the team to speculate that something else had caused her premature demise. | 0:56:09 | 0:56:14 | |
If X-rays killed Marie, then she was a different kind of martyr. | 0:56:46 | 0:56:51 | |
Her life ended prematurely - like so many others - | 0:56:52 | 0:56:56 | |
as a result of her efforts in the Great War. | 0:56:56 | 0:56:59 | |
A few days later, here in the heart of Paris, | 0:57:04 | 0:57:08 | |
the Curies were given a full state funeral. | 0:57:08 | 0:57:11 | |
# Adieu mon coeur... # | 0:57:11 | 0:57:15 | |
This square and the street down there are absolutely packed with people, | 0:57:16 | 0:57:21 | |
and there's a big white carpet coming all the way | 0:57:21 | 0:57:24 | |
up the street, across the square and up the steps into the Pantheon. | 0:57:24 | 0:57:29 | |
# ..mes yeux | 0:57:29 | 0:57:31 | |
# Pour mourir... # | 0:57:31 | 0:57:35 | |
They'd made it into France's national mausoleum. | 0:57:35 | 0:57:41 | |
# Adieu mon coeur... # | 0:57:41 | 0:57:46 | |
In a sense, it was a final journey for Pierre and Marie Curie | 0:57:46 | 0:57:50 | |
but for Marie Curie in particular, it was a very momentous occasion, | 0:57:50 | 0:57:54 | |
because she was the first woman to be buried in the Pantheon | 0:57:54 | 0:57:58 | |
as a tribute to her own individual achievements. | 0:57:58 | 0:58:02 | |
At last, France had made it up to Marie Curie. | 0:58:06 | 0:58:10 | |
This brave, brilliant Polish scientist, so cruelly | 0:58:10 | 0:58:15 | |
shamed in life, had received her adopted country's highest honour. | 0:58:15 | 0:58:20 | |
# Autrefois tu respirais le soleil d'or | 0:58:26 | 0:58:28 | |
# Tu marchais sur des tresors | 0:58:33 | 0:58:34 | |
# On etait vagabonds | 0:58:40 | 0:58:41 | |
# On aimait les chansons C'a fini dans les prisons... # | 0:58:44 | 0:58:47 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:52 |