Episode 3 And Then There Were None


Episode 3

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UN Owen is unknown.

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We must all have something in common.

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Someone who knows us all.

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It's the poem. It's the poem, don't you see?

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No-one's coming for us. This is the end.

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You like Uncle Hugo, don't you?

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I do. I am in love with him.

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"One chopped himself in half and then there were six."

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So she's right. It is the poem!

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We have sharp minds. We should stay together.

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It was locked.

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Which means there must be a master key.

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Any one of us could have had the key.

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Any one of us could have the gun.

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The killer is not out there.

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The killer is in here.

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It is one of us.

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FAINT THUNDERCLAP

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THUNDERCLAP

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THUNDERCLAP

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Look how happy Cyril is now.

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Hugo always works wonders.

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He is the most marvellous man.

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He seems very nice.

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I really can't imagine many would be as kind, under the circumstances.

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What circumstances?

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Well, I had no idea I was pregnant when my husband died.

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So Hugo, as the nephew, stood to inherit.

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And when little Cyril popped out, that was it for Hugo's hopes. Hm!

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What he needs is some rich girl loaded down with Daddy's money,

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but he's a romantic.

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Wants to marry for love.

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But how can he when he doesn't have a penny?

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Love, Miss Claythorne, is a very costly pursuit.

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Oh, well done, Cyril! Oh!

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OLIVIA CHUCKLES

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I might go and play with them.

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Ah, hello.

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Looks like we've got some reinforcements, Cyril.

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Ready, old thing?

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Ready? I don't think Miss Claythorne can hit a ball.

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-Girls can't, Uncle Hugo.

-Well, we'll have to see.

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Oh, shot!

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Over here! Quick, quick!

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Quick, she's going to get all the way around. Come on now.

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HUGO LAUGHS

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Well done! Almost.

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We can't just sit here doing nothing!

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What are we supposed to do?

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Light a fire on the headland, signal for help?

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Not in this weather.

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Where's...where's she going? Where are you going?

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To make tea. I'll bring it in.

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What else are you going to bring in? A knife from the kitchen?

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The gun from wherever you've hidden it?

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And what are you going to be putting in the tea?

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She's going to wipe out all four of us!

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There'll be lemon in the tea.

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I-I won't bring a knife and I don't have the gun.

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Even if I did, I wouldn't be killing you all at the same time, would I?

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-How do we know that?!

-Because it's one by one and in a particular way,

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or have you not been paying attention?

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And nowhere on that does it say anything about a gun, does it,

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you idiotic, cretinous bastard?!

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SLOW HAND CLAP

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-PHILIP CHUCKLES

-I'll come with you.

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No!

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No. We go...singularly, or in a group.

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THUNDERCLAP

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WIND WHISTLES

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THUNDERCLAP

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I hear you were one for the black square and the rope, Judge Wargrave.

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When it was appropriate, yes.

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Tubs here tells me you used to watch all the hangings you'd ordered.

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Is that true?

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You really want to stop calling me that.

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Is that true, Judge?

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I had the power to condemn men and women to death for their crimes.

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With great power comes great responsibility.

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I believe that to look away as that power is exercised

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was both irresponsible and cowardly.

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Did you watch Edward Seton hang?

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I remember Edward Seton, from the newspapers.

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Everyone said he was innocent.

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He wasn't.

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He left diaries.

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They proved a warped and corrupted mind.

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He believed his victims were full of filth

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and that he was cleansing the world of their stain.

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Taunting the police with...clues and misdirections excited him.

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As much as torture and sadism.

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He was guilty and you passed the right verdict.

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Why didn't you go and see him?

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I did.

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It was unsettling.

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Different.

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He refused the hood.

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He wanted me to see his face.

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Perhaps to impute there was some commonality between us,

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perhaps to...laugh at me.

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Laugh at you?

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Yes.

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At justice.

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It meant nothing to him.

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He wasn't cowed by it, or by me.

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I was nothing.

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I would soon be forgotten, a footnote in history.

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Whereas he, with his legacy of blood and horror,

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would be remembered for ever.

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Well, it worked.

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He haunts me still.

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But...laughter or not,

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justice came, as it always does.

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And the world is free of his terrible darkness.

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This is ridiculous!

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I mean, we can't just sit around doing nothing!

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Very well, Doctor.

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We said singly, or in a group.

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I'm going to read.

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I'm sorry, Dr Armstrong, but your agitation tires me greatly.

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THUNDERCLAP

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HIGH-PITCHED TONE

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Justice came.

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The killer and Wargrave having common cause.

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The same thrill...from handing out death.

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You took the piss when I said the judge.

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Yes, well, now I think different.

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How many men has he seen dangle? What does that do to someone?

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He's on his own.

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Could be plotting anything.

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Stop it, will you?! Just stop it!

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HIGH-PITCHED TONE RESUMES

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As if we haven't had to put up with you.

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Breathing and smoking.

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Scratching, fidgeting and pacing.

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I'm going to bed.

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Singly, or in a group.

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You can watch me go up the stairs.

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THUNDERCLAP

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WIND WHISTLES

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THUNDERCLAP

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FAINT VOICES

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THUNDERCLAP

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BANGING

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SHE SCREAMS

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Cyril?!

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Cyril?!

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OLIVIA SOBS

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N-o-o-o-o-o-o!

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No!

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No!

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-Vera?

-THUNDERCLAP

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(Hey!)

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(Vera?)

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Here. For Christ's sake, it's sal volatile. Smelling salts.

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Breathe slowly. In through the nose, out through the mouth.

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SHE COUGHS

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There we are.

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SHE PANTS

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I thought there was somebody in the room with me.

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Here, have some brandy.

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Ah!

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PHILIP CHUCKLES

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Good for you, Vera.

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What, you think I've done something to it?

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I'm going to go and fetch another bottle that hasn't been opened.

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-I need some water.

-This brandy's all right.

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I haven't done anything to it.

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Brandy's good for shock, that's why I got it.

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(He called her Vera.)

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Lombard. That's the second time.

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There's something going on between them.

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Sealed and untampered with.

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-THUNDERCLAP

-What's that for?

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-I don't know.

-A chandelier, maybe.

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Like downstairs.

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A chandelier in the bedroom?

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Well, it's posh people, innit?

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They put a chandelier anywhere.

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Put a chandelier in a pigsty if the fancy took them.

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THEY CHUCKLE

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-I'm becoming very fond of you, Tubs.

-Hm!

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You're an arrogant arsehole, you.

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Ooh! Bloody hell! Sorry, Miss Claythorne.

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No, you're right. He's an arsehole!

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SHE LAUGHS

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Where's the judge?

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THUNDERCLAP

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WIND WHISTLES

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THUNDERCLAP

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-Jesus!

-THUNDERCLAP

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He's been shot in the head.

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Well, what are you doing?

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Well, his head needs to be wrapped if we're going to move him.

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He's right.

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We don't want his brains spilling out all over the floor.

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Don't use your jacket, Armstrong. I'll find something else.

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Shot?

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-Are you sure?

-Well, look at him!

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We searched everywhere for that gun.

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THUNDERCLAP

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You went back downstairs to get the bottle.

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You went downstairs, too, to get a glass of brandy.

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And you, you disappeared for a bit.

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To fetch my bag so that I could attend to...Vera!

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We didn't hear the shot.

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You could have muffled it with a cushion.

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Well, we'll have to take your word for it.

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I've never shot a man in the head. That's more your field of expertise.

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How would I have had the time to go downstairs,

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grab a bottle of brandy,

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quickly put a slug in Wargrave, making sure that nobody heard him,

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dress him up and make it back upstairs again?

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Tubs here was away for longer.

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I'm not as quick on my feet as you.

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"Five little soldier boys going in for law

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"One got Chancery and then there were four."

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One by one

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and in a particular way.

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And where's my gun?

0:15:480:15:50

-Don't bloody look at me!

-Or me!

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THUNDERCLAP

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WIND WHISTLES

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I can't stand the sound of that wind.

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I can't stand it!

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I'm not just going to sit here and wait to die!

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MUSIC PLAYS

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FAINT LAUGHTER

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In the war, do this all the time!

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And stay awake!

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Bodies, bodies, bodies, bodies!

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Bones, blood, skulls!

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Just this...this...this...this parade!

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Endless parade of shattered...shattered meats!

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Just standing there, cutting off legs and arms

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and....guts everywhere and bodies and screaming!

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RAUCOUS LAUGHTER

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Ladies and gentlemen, silence, please!

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You are charged with the following indictments...

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Edward George Armstrong...

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That's me!

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WHOOPING

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..William Henry Blore.

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Yeah, that's me!

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..that you did murder James Steven Landor.

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-Well...

-MUSIC PLAYS

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Vera Elizabeth Claythorne...

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The smell! And the noise, the noise, the noise...!

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HE HOWLS

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MUFFLED LAUGHTER

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Prisoners at the bar, how do you plead?

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Guilty!

0:18:050:18:07

-What are you laughing at?

-LAUGHTER

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(Blore? Watch them!)

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Watch them!

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You stick with me, Vera.

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We're going to get through this.

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I have no intention of getting killed.

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Death...is for other people, not for us.

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(You see? Look at them.)

0:19:270:19:30

(Together. Perhaps it's them.)

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Mr and Mrs Owen.

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It's them!

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It's them!

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It's them!

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-SLURRED:

-Fine!

0:19:470:19:48

Why am I wearing this fucking hat?!

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I'm going to bed.

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This party's over.

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MUSIC STOPS

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THEY MOAN

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'Now, look here, sunshine, you've been pinched.

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'And we know what for.

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'Lurking about in a gentleman's public convenience, in the bogs.'

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What am I, born yesterday?

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Now, you're lucky you got me.

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Not some other copper. He might've been a bit heavy-handed.

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I mean, look at you, there's nothing of you!

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You're soft.

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Eh? Like a peach, or something.

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You'd be mush in a moment.

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So go on.

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On your way.

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Let this be a lesson to you, all right? Be more discreet.

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You don't want to end up getting a bloody nose

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or doing a stretch inside

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because it's no fun for you lot in the nick.

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Go on, scarper.

0:23:040:23:06

Thank you.

0:23:090:23:11

That's what I should've done, innit?

0:23:160:23:18

That's what I should've done.

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But I didn't.

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HE SIGHS

0:23:340:23:36

FOOTSTEPS

0:24:060:24:08

Bastard!

0:24:240:24:25

THUNDERCLAP

0:24:250:24:27

(Lombard! Lombard!)

0:24:280:24:30

Lombard! Lombard!

0:24:300:24:32

BANGING

0:24:320:24:34

(Ed?!)

0:24:340:24:35

What is it?

0:24:390:24:41

It's him. It is Armstrong!

0:24:410:24:43

(He's left the house, I saw him.)

0:24:430:24:45

Lock your door, Vera, and put a chair against it.

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THUNDERCLAP

0:24:500:24:52

How are you?

0:25:270:25:29

How is Mrs Hamilton?

0:25:300:25:32

I'm taking her to London.

0:25:320:25:34

She can't stay here.

0:25:340:25:36

Of course.

0:25:360:25:37

She, um...wants to give you three months' pay in lieu of notice

0:25:390:25:43

because, obviously, you cannot be a governess

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when there is no child to govern.

0:25:460:25:48

If Mrs Hamilton is in London, I can look after the house.

0:25:500:25:55

Even if I'm not governess, I can still look after the house.

0:25:560:25:59

As a friend.

0:25:590:26:00

I'm locking the house up.

0:26:000:26:02

I imagine it might be sold.

0:26:030:26:05

But it's yours now.

0:26:070:26:08

I will have to find somewhere to stay.

0:26:140:26:17

I'll find a nice hotel.

0:26:180:26:19

For when you come down.

0:26:210:26:23

Perhaps I'll find us a little cottage.

0:26:230:26:25

I have to be with Olivia.

0:26:250:26:27

She's really rather unwell.

0:26:280:26:30

There will be an inquest.

0:26:310:26:32

They want it to be quite soon, so you'll be needed.

0:26:340:26:38

Of course.

0:26:380:26:39

And you'll come down for that?

0:26:410:26:42

I have to go.

0:26:450:26:46

Poor little Cyril.

0:26:490:26:50

Poor little Cyril.

0:26:550:26:57

FAINT BIRDSONG

0:27:140:27:16

BANGING

0:27:190:27:21

Vera? It's us.

0:27:210:27:23

It was just on your bed.

0:27:580:28:01

It was just...on my bed.

0:28:010:28:04

Well, how do I know you didn't plant it in there last night?

0:28:040:28:07

If Philip had the gun before now, he would have taken it with you

0:28:070:28:09

when you went after Armstrong, wouldn't he?

0:28:090:28:11

You could have crept out of your room and planted it.

0:28:110:28:13

There was no-one around here to hear you.

0:28:130:28:15

I had my door locked in case Armstrong came back.

0:28:150:28:17

Armstrong's disappeared. Thin air.

0:28:170:28:21

We split up when we went searching last night, didn't we?

0:28:210:28:25

-Yes, we did.

-Did you find him?

0:28:250:28:27

Did you chuck him off the cliff?

0:28:270:28:29

No, Tubs, I didn't find him

0:28:290:28:31

-and chuck him off the cliff. Did you?

-No!

0:28:310:28:34

No.

0:28:350:28:36

Red herring.

0:28:360:28:38

What?

0:28:390:28:40

"Four little soldier boys going out to sea

0:28:400:28:43

"A red herring swallowed one and then there were three."

0:28:430:28:47

Red herring.

0:28:470:28:49

Armstrong's still alive.

0:28:490:28:50

Why's it always you that works it out?

0:28:500:28:53

Has been from the off, innit?

0:28:550:28:58

Working it out.

0:28:580:29:00

Armstrong said that and all.

0:29:000:29:02

It's been a long night.

0:29:020:29:05

You're letting the booze and powder do the thinking for you, Tubs.

0:29:050:29:09

I've told you to stop calling me that!

0:29:090:29:11

Your first name's William, isn't it?

0:29:140:29:16

Do you get Will, or...?

0:29:160:29:18

Bill. I get Bill.

0:29:180:29:22

Well, Bill,

0:29:230:29:25

whose idea was it to put music on,

0:29:250:29:27

to get drunk so we'd all pass out and not hear anything?

0:29:270:29:31

-Armstrong.

-And who did you first suspect?

0:29:320:29:36

Who did you get the scent on, right from the off?

0:29:380:29:40

(Armstrong.)

0:29:430:29:44

Red herring.

0:29:460:29:47

He's been playing us off each other from the start.

0:29:470:29:50

And he's still alive.

0:29:500:29:52

Because people don't just vanish, not on an island this size.

0:29:520:29:56

He's still alive.

0:29:560:29:57

I've got an allotment at home.

0:30:020:30:04

In Edmonton.

0:30:060:30:08

I love it.

0:30:100:30:11

It's my little patch of paradise.

0:30:110:30:14

That's the best thing in the world, just sitting there, watching it all.

0:30:150:30:19

Growing away.

0:30:210:30:22

Hm!

0:30:220:30:24

Cup of tea from the flask and a bit of bread and a bit of cheese and...

0:30:240:30:29

..radish that you pulled from the ground a moment before.

0:30:310:30:34

Great, big, peppery radish.

0:30:350:30:37

Simple things.

0:30:420:30:44

Good things.

0:30:460:30:47

I wish I'd chucked that letter from Ulick Norman Owen in the bin!

0:30:510:30:56

And it serves me right,

0:30:580:31:00

trying to earn...a bit of cash on the sly.

0:31:000:31:04

It serves us all right.

0:31:040:31:06

Are we dead already?

0:31:110:31:13

What?

0:31:130:31:15

Perhaps we're dead already and we just don't realise it.

0:31:150:31:19

And this is hell.

0:31:210:31:22

We're in hell.

0:31:240:31:25

And we're being punished for what we done.

0:31:250:31:28

Because I did kill him.

0:31:310:31:32

Landor.

0:31:340:31:36

I stomped him till he was pulp.

0:31:380:31:41

His own mother couldn't see him.

0:31:430:31:45

Couldn't say goodbye.

0:31:450:31:47

I murdered him, all right.

0:31:500:31:52

He was helpless and I didn't stop.

0:31:540:31:58

He must've been so frightened.

0:32:000:32:01

Just...just a young lad.

0:32:030:32:05

HE SOBS

0:32:050:32:08

I've got a tomato crop that's got to be harvested. Who's going to do it?

0:32:090:32:12

What's going to happen to my allotment?

0:32:120:32:15

Hey. Hey, come on, Tubs.

0:32:150:32:18

We're not done yet.

0:32:180:32:19

It's us three against him. We can hold our own.

0:32:200:32:23

And someone has to come for us soon. They...they have to.

0:32:230:32:26

Mm-hm. That's the spirit.

0:32:260:32:28

Who's going to come for us?

0:32:280:32:30

That Narracott never turned up when he was supposed to.

0:32:300:32:34

Reckon he was paid off.

0:32:350:32:37

We light a fire.

0:32:370:32:39

On the cliff. Someone's bound to see it.

0:32:390:32:41

OK. We're going to need supplies.

0:32:410:32:44

I don't want to spend another night in this house, do you?

0:32:440:32:46

(I reckon we're being watched.)

0:32:460:32:49

We are.

0:32:520:32:54

-Let's go.

-OK.

0:33:210:33:22

Come on, Tubs, let's go!

0:33:240:33:26

CLATTERING

0:34:000:34:03

Where is he?!

0:34:160:34:18

Stay here.

0:34:240:34:26

Don't follow me!

0:34:270:34:29

ROARING

0:34:450:34:47

WAVES CRASH

0:34:550:34:57

Oh!

0:35:060:35:07

"Three little soldier boys walking in the zoo

0:35:170:35:21

"A big bear hugged one and then there were two."

0:35:210:35:24

Poor Tubs.

0:35:260:35:27

Poor Tubs.

0:35:290:35:30

CLOCK CHIMES

0:35:350:35:38

SHE PANTS

0:35:590:36:01

WIND WHISTLES

0:36:060:36:08

The tide's changing!

0:36:090:36:11

Philip?

0:36:150:36:17

Philip!

0:36:180:36:19

There's something down there.

0:36:190:36:21

Armstrong.

0:37:210:37:23

-Come on!

-Where?

0:37:390:37:41

Not here.

0:37:410:37:42

I need to find a better view.

0:37:430:37:45

No, no, no. We...we can't leave him like this.

0:37:450:37:48

It's not right. We can't leave him!

0:37:480:37:50

Yes, we can.

0:37:500:37:52

No, when the boat comes, Philip, they'll see him like this

0:37:520:37:55

and we haven't done the decent, the...the right thing.

0:37:550:37:57

How will it look for us?

0:37:570:37:59

Please!

0:38:010:38:02

Please!

0:38:030:38:04

Argh!

0:38:200:38:21

It's you!

0:38:340:38:35

It's you! It's all you, all of it!

0:38:350:38:38

Give me the gun.

0:38:380:38:39

You're going to kill me!

0:38:390:38:41

No! No, I'm not going to kill you, Vera.

0:38:410:38:46

-But there's somebody else on this island....

-No, there's no-one else!

0:38:460:38:49

There's somebody on this island and they're going to kill us both if you don't give me that gun.

0:38:490:38:53

There's no-one else, you've killed them all!

0:38:530:38:55

Listen to me, we're being hunted!

0:38:550:38:57

Right now, we're being hunted!

0:38:570:38:59

I need the gun!

0:39:010:39:02

Give it to me.

0:39:050:39:06

Vera?

0:39:100:39:11

Give me the gun.

0:39:170:39:19

Give me the gun, Vera.

0:39:220:39:24

Ah! GUNSHOT

0:39:360:39:38

GUNSHOT

0:39:440:39:45

SHE SCREAMS

0:39:500:39:53

SHE SOBS

0:40:000:40:02

WAVES CRASH

0:40:090:40:11

'I promised him a game of bat and ball after our lessons.'

0:40:140:40:19

A reward for being so good.

0:40:200:40:23

He wanted to swim.

0:40:250:40:27

He always wanted to swim.

0:40:270:40:29

But I said no.

0:40:300:40:31

I went to get the bat and ball for our game...

0:40:330:40:36

..and he was gone.

0:40:370:40:39

I ran after him.

0:40:400:40:42

I ran as fast as I could.

0:40:420:40:44

If only I hadn't turned away for a minute,

0:40:450:40:48

but it was only a minute while I got the bat and ball.

0:40:480:40:50

(If only...)

0:40:520:40:54

SHE BREATHES DEEPLY

0:40:590:41:01

(Thank you. Thank you for trying to save him.)

0:41:070:41:10

-SOBS:

-Oh, God! Oh, God!

0:41:140:41:16

You know, before, I wasn't sure.

0:41:280:41:30

But I am sure now.

0:41:330:41:35

Watching you, hearing you speak.

0:41:350:41:37

Now I'm sure.

0:41:370:41:39

-What are you sure of?

-That you're lying.

0:41:400:41:42

You couldn't catch up with...Cyril?

0:41:450:41:48

I've seen you run, Vera.

0:41:480:41:51

You're fast. You're strong. You sprint.

0:41:510:41:54

You turn your back for a moment and you couldn't catch up with Cyril?

0:41:540:41:57

-Hugo, you can't think this...

-I know why you did it.

0:41:570:42:00

But what you don't understand is that I really loved that little boy.

0:42:000:42:03

(So did I. And I love you.)

0:42:030:42:06

(I can't prove it. I can't prove a thing.

0:42:090:42:11

(Oh, but, Vera, if I did have proof...I'd see you hang.)

0:42:110:42:17

Cyril?

0:42:290:42:30

Now...

0:43:210:43:22

..you're strong enough to swim to that rock, aren't you?

0:43:250:43:27

You're strong enough. Excited?

0:43:280:43:31

OK. On your marks, get set, go!

0:43:320:43:37

MUFFLED SHOUTS

0:44:380:44:40

Nearly there!

0:44:400:44:42

Hold on!

0:44:470:44:48

Don't worry. I've got you. I've got you.

0:44:520:44:56

CLOCK TICKS

0:46:140:46:17

FOOTSTEPS

0:48:060:48:10

LOCK CLICKS

0:48:150:48:17

Hugo?

0:48:180:48:20

Hugo?

0:48:210:48:23

SHE GASPS

0:48:330:48:35

SHE CHOKES

0:48:350:48:37

"Two little soldier boys sitting in the sun...

0:48:400:48:43

"One got frizzled up and then there was one.

0:48:450:48:48

"One little soldier boy left all alone...

0:48:520:48:54

"He went and hanged himself and then there were none."

0:48:560:49:00

You wondering about that...?

0:49:030:49:06

HE CHUCKLES

0:49:060:49:08

Liver and kidneys.

0:49:080:49:09

You all believed the doctor when he said I was dead.

0:49:110:49:13

-None of you checked.

-I need to get down!

0:49:130:49:16

Armstrong made it so much easier.

0:49:160:49:19

He was very keen to forge an alliance.

0:49:200:49:22

I don't know what he thought was going to happen

0:49:240:49:26

when he ran out into the night to meet me.

0:49:260:49:28

Perhaps that I was going to save him.

0:49:280:49:30

I lied about the success of my surgery.

0:49:320:49:34

The mass, the tumour is spreading.

0:49:360:49:40

There's nothing to be done but await the inevitable.

0:49:400:49:44

It's quite extraordinarily painful.

0:49:440:49:47

Well...not long now, though, hm?

0:49:500:49:52

Why are you doing this?

0:49:520:49:54

Because justice comes to all.

0:49:540:49:56

I told you that, were you not listening?

0:49:580:50:00

The evidence that led me to convict Edward Seton

0:50:010:50:03

was considered too terrible to be made public.

0:50:030:50:06

It was the stuff of nightmares.

0:50:090:50:11

Really.

0:50:120:50:13

And where others were revolted...

0:50:150:50:17

..Miss Claythorne, I was fascinated.

0:50:200:50:22

And when Seton looked into my eyes,

0:50:250:50:27

he could see that I was thrilled.

0:50:270:50:29

He knew that I was a kindred spirit.

0:50:310:50:33

And when his neck snapped...

0:50:350:50:37

..I felt as if I'd been handed a gift.

0:50:390:50:41

No. No!

0:50:410:50:44

You don't mean any of this.

0:50:440:50:46

You are a good man. Moral.

0:50:460:50:50

Moral?

0:50:500:50:52

SHE GASPS FOR BREATH

0:50:520:50:54

Maybe there's something in that.

0:50:540:50:57

There are differences between Seton and myself.

0:50:570:51:00

All his victims were innocent.

0:51:010:51:03

You are all guilty.

0:51:050:51:06

Now, imagine.

0:51:080:51:10

The detectives arrive to find a house full of slaughter

0:51:100:51:14

and the handiwork of UN Owen everywhere.

0:51:140:51:17

But UN Owen himself is nowhere to be seen.

0:51:190:51:23

But who else could have fired the final shot

0:51:230:51:26

that ended the life of the unimpeachable judge?

0:51:260:51:29

Ten bodies and no murderer.

0:51:320:51:34

How could he have disappeared?

0:51:360:51:38

SHE CHOKES

0:51:380:51:39

It's so unfathomable.

0:51:410:51:43

They'll be worrying about it for years.

0:51:450:51:47

No! No, wait!

0:51:490:51:51

There's...there's no...there's no more bullets!

0:51:510:51:56

There...there can be no final shot

0:51:560:51:58

because the gun is empty.

0:51:580:52:01

There are no more bullets.

0:52:010:52:02

Damn!

0:52:040:52:06

That's all spoiled.

0:52:060:52:08

No, it's not spoiled.

0:52:080:52:09

Yes, it is. There are corpses everywhere and only me left.

0:52:090:52:12

No, not just you. There's me!

0:52:120:52:15

The two of us, together.

0:52:150:52:18

We'll...we'll say it was Philip.

0:52:200:52:21

That he was mad.

0:52:210:52:23

Oh, he was quite the sanest of the lot, I thought.

0:52:230:52:26

He was insane.

0:52:260:52:28

He...he killed us all and I shot him.

0:52:280:52:31

I shot him to defend us.

0:52:330:52:35

It was all Philip Lombard.

0:52:360:52:38

Huh! Hm!

0:52:380:52:40

You took him as your lover.

0:52:400:52:42

Yes.

0:52:420:52:44

-Got his blood on your feet.

-Self-defence!

0:52:440:52:47

(We'll say that.)

0:52:470:52:49

We'll say that. They'll believe us.

0:52:510:52:53

They believed me last time.

0:52:540:52:56

SHE GASPS

0:52:570:52:59

What a beguiling woman you are, Miss Claythorne.

0:53:020:53:05

Vera.

0:53:060:53:08

Quite my favourite, really.

0:53:110:53:13

There's no final bullet, Judge.

0:53:140:53:16

But I can save us both.

0:53:180:53:19

I'll keep your secret and I'll save us both.

0:53:210:53:24

Just let me down. Please!

0:53:260:53:29

SHE GASPS FOR BREATH

0:53:330:53:34

You forgot the one that shot me.

0:53:460:53:48

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