Browse content similar to 11/08/2016. Check below for episodes and series from the same categories and more!
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Stace, hurry up. | 0:00:25 | 0:00:27 | |
The sign makers are already at the salon. | 0:00:27 | 0:00:29 | |
SHE GROANS | 0:00:29 | 0:00:30 | |
I should have taken it easier on the wine last night. | 0:00:30 | 0:00:33 | |
How are you getting on with them blinis? | 0:00:33 | 0:00:34 | |
Yeah, they're in the fridge at work but I'll get them on the way in. | 0:00:34 | 0:00:37 | |
OK. Do I look all right? | 0:00:37 | 0:00:40 | |
Yeah, you look stunning. | 0:00:40 | 0:00:41 | |
Listen, I was thinking... | 0:00:41 | 0:00:42 | |
when you've found your feet, you could do a shadow of me. | 0:00:42 | 0:00:44 | |
-You know, learn the books. -Ain't she going to have enough to do? | 0:00:44 | 0:00:47 | |
Stop worrying - I'm a big girl. | 0:00:47 | 0:00:49 | |
Anyway, Lil's looking forward to kids' club, aren't you? | 0:00:49 | 0:00:52 | |
It's better than school. | 0:00:52 | 0:00:53 | |
Yeah, I bet it is. | 0:00:53 | 0:00:55 | |
-Right, come on, then. Let's go. -Yep, let's do this. | 0:00:55 | 0:00:57 | |
Bex is meeting us on the way. | 0:00:57 | 0:00:59 | |
PHONE RINGS | 0:01:00 | 0:01:01 | |
No, leave it, I need them blinis. Come on. | 0:01:01 | 0:01:04 | |
Hurry up, please! | 0:01:04 | 0:01:05 | |
-All right. -Got it? | 0:01:06 | 0:01:08 | |
I just wondered if you'd heard from Dad. | 0:01:12 | 0:01:15 | |
He wanted to crash at mine, but I told him where to go. | 0:01:15 | 0:01:18 | |
Uncle Phil. | 0:01:20 | 0:01:22 | |
Look at you, all grown up. | 0:01:22 | 0:01:24 | |
Come sit down. | 0:01:24 | 0:01:26 | |
Yeah, I'm not stopping. | 0:01:26 | 0:01:27 | |
Maybe Grant's gone to Portugal. | 0:01:29 | 0:01:31 | |
How? He's skint. | 0:01:31 | 0:01:32 | |
Never even gave me back the money I lent him. | 0:01:33 | 0:01:36 | |
Look, here's something to tide you over, yeah? | 0:01:36 | 0:01:39 | |
Go on, take it. | 0:01:40 | 0:01:42 | |
You're family. | 0:01:42 | 0:01:43 | |
Thanks. | 0:01:43 | 0:01:45 | |
This is your cousin Courtney. | 0:01:45 | 0:01:47 | |
Louise. | 0:01:47 | 0:01:48 | |
Hi. | 0:01:48 | 0:01:50 | |
I should go. | 0:01:50 | 0:01:51 | |
Got stuff to do. | 0:01:51 | 0:01:52 | |
Nice top. | 0:01:52 | 0:01:53 | |
Courtney... | 0:01:59 | 0:02:01 | |
look, I know you're worried about your dad | 0:02:01 | 0:02:04 | |
but he's a big bloke - he can look after himself. | 0:02:04 | 0:02:07 | |
Dad told me what Uncle Phil did... | 0:02:07 | 0:02:09 | |
to Gran. | 0:02:09 | 0:02:10 | |
That's why he's gone. | 0:02:11 | 0:02:12 | |
That's not true. | 0:02:12 | 0:02:14 | |
Phil would never do anything to hurt their mum. | 0:02:14 | 0:02:17 | |
We put him straight. | 0:02:17 | 0:02:18 | |
If you hear from him, just get him to call me. | 0:02:20 | 0:02:23 | |
Poor girl's better off without him. | 0:02:28 | 0:02:31 | |
Stop. You're an idiot. | 0:02:36 | 0:02:37 | |
-Oh.. -Is this a joke? | 0:02:42 | 0:02:44 | |
I'm guessing it's a mistake. | 0:02:44 | 0:02:46 | |
Yes, it's meant to say "Elysium". | 0:02:46 | 0:02:49 | |
Who's in charge? | 0:02:49 | 0:02:51 | |
What is it - a salon for nutjobs? | 0:02:51 | 0:02:53 | |
Do you think that's funny? | 0:02:53 | 0:02:54 | |
-He's only messing about. -Is he? | 0:02:54 | 0:02:57 | |
Go on, I'll catch you up in a bit. | 0:02:57 | 0:02:59 | |
Bob? Bob, the builder? | 0:02:59 | 0:03:01 | |
-That better not be a joke. -Right, listen, everything's in there. | 0:03:01 | 0:03:04 | |
If you need me, just give me a ring, all right? Thank you. | 0:03:04 | 0:03:06 | |
-See you later. Have a nice day. -You, too. | 0:03:06 | 0:03:08 | |
A market enforcement officer | 0:03:08 | 0:03:10 | |
turns up once a week IF we're lucky. | 0:03:10 | 0:03:12 | |
Because it's a free for all, that's why. | 0:03:14 | 0:03:16 | |
Pitches all over, fly traders turning up whenever they want | 0:03:17 | 0:03:20 | |
and do not get me started on the rubbish! | 0:03:20 | 0:03:23 | |
Hey, you're supposed to be helping me over here. | 0:03:23 | 0:03:26 | |
-Chill out. Like we're busy anyway. -Can I speak to someone in charge, please? | 0:03:26 | 0:03:30 | |
Meetings? | 0:03:30 | 0:03:31 | |
I am sick of you lot trying to fob me off. | 0:03:31 | 0:03:35 | |
Why don't you stop pen-pushing and come and see what state it's in? | 0:03:35 | 0:03:39 | |
Still no market inspector? | 0:03:39 | 0:03:40 | |
It is beyond a joke. | 0:03:40 | 0:03:41 | |
What did the council say? | 0:03:41 | 0:03:43 | |
"We're still inviting applications." | 0:03:43 | 0:03:45 | |
Ha! I don't get the hold-up. | 0:03:45 | 0:03:47 | |
Walford Council. Enough said. | 0:03:47 | 0:03:49 | |
I've got a good mind to go down there. | 0:03:49 | 0:03:51 | |
Maybe you could apply for the job instead. | 0:03:51 | 0:03:53 | |
She'd whip them into shape. | 0:03:53 | 0:03:55 | |
I meant that as a compliment. | 0:03:55 | 0:03:56 | |
Nah... | 0:03:56 | 0:03:57 | |
Nah, it's not for me. | 0:03:57 | 0:03:59 | |
Um. Oi! Excuse me. | 0:03:59 | 0:04:01 | |
Have you got a licence to sell those? Yeah. | 0:04:01 | 0:04:03 | |
We do not need riff-raff like you | 0:04:03 | 0:04:06 | |
spoiling it for the rest of us. | 0:04:06 | 0:04:07 | |
Usual, please, Marie. | 0:04:15 | 0:04:17 | |
Problem? | 0:04:27 | 0:04:28 | |
How could you stoop so low? | 0:04:34 | 0:04:37 | |
Preying on the vulnerable and the weak. | 0:04:37 | 0:04:39 | |
SHE SCOFFS I ain't got the foggiest what you're on about. | 0:04:39 | 0:04:43 | |
You leave the Cokers alone. | 0:04:43 | 0:04:45 | |
I'm an opportunist. | 0:04:47 | 0:04:48 | |
Hiya. | 0:04:48 | 0:04:50 | |
Can I get a tea to take away, please? | 0:04:50 | 0:04:52 | |
-Hey, Mum. -Hello, Love. | 0:04:53 | 0:04:54 | |
-Can I leave these? -What for? | 0:04:54 | 0:04:56 | |
Our singles night at the Albert tomorrow. | 0:04:56 | 0:04:58 | |
Tomorrow? It's a bit late, isn't it? | 0:04:58 | 0:04:59 | |
Yeah, well, Kim forgot to order them. | 0:04:59 | 0:05:02 | |
So, if you could... | 0:05:02 | 0:05:03 | |
give them a bit of a push. | 0:05:03 | 0:05:04 | |
-Give my best to Pam. -Yeah. | 0:05:06 | 0:05:08 | |
What? You going over there? | 0:05:08 | 0:05:09 | |
Yeah, they brought Paul's body home last night. | 0:05:09 | 0:05:12 | |
They need all the support they can get. | 0:05:12 | 0:05:14 | |
Yeah. | 0:05:14 | 0:05:15 | |
Well, good on you. | 0:05:15 | 0:05:17 | |
I'll get Shrimpy to cover and open up Pam's stall if you like. | 0:05:17 | 0:05:20 | |
-Oh, yeah. -They must be so grateful. | 0:05:20 | 0:05:23 | |
Your mum. | 0:05:23 | 0:05:25 | |
Bringing money in while the funeral place is shut. | 0:05:25 | 0:05:28 | |
She's a saint. | 0:05:28 | 0:05:29 | |
Yes, Elysium. | 0:05:38 | 0:05:40 | |
I know what I said. | 0:05:40 | 0:05:42 | |
E-L-S-U... | 0:05:42 | 0:05:46 | |
Why would I call it "Asylum"?! | 0:05:46 | 0:05:47 | |
It's a beauty salon, not a thrash metal club! | 0:05:47 | 0:05:49 | |
We're having a few teething problems. I'll be back in one minute. | 0:05:49 | 0:05:52 | |
Well, whoever I spoke to was clearly stupid. | 0:05:52 | 0:05:54 | |
-Will you just give her one of them things? -Monday?! Are you having a laugh? | 0:05:54 | 0:05:58 | |
I don't care! It's not my problem. | 0:05:58 | 0:06:00 | |
-It's your mistake. -What a bunch of cowboys. | 0:06:00 | 0:06:02 | |
She really don't need this. | 0:06:02 | 0:06:04 | |
Well, neither do you. | 0:06:04 | 0:06:06 | |
Oh, I'm just saying, you know, like... | 0:06:06 | 0:06:08 | |
all the stress and the stupid name... | 0:06:08 | 0:06:09 | |
Martin, it's fine. | 0:06:09 | 0:06:11 | |
It's actually quite funny. | 0:06:11 | 0:06:12 | |
-You should take a picture before they take it down. -PHONE BEEPS | 0:06:12 | 0:06:15 | |
They can get it sorted, but not till later. | 0:06:17 | 0:06:19 | |
Could this day have started any worse? | 0:06:19 | 0:06:20 | |
Well, at least we're busy. | 0:06:20 | 0:06:22 | |
Come on, we ain't going to let something like this get us down - we've got jobs to do. | 0:06:22 | 0:06:26 | |
Stace... | 0:06:26 | 0:06:28 | |
I'm going to have to go. | 0:06:29 | 0:06:31 | |
OK. Is everything all right? | 0:06:31 | 0:06:33 | |
Yeah. Yeah. | 0:06:34 | 0:06:36 | |
Yes. | 0:06:36 | 0:06:37 | |
It's Kathy. | 0:06:37 | 0:06:39 | |
She's got to go to the wholesalers. | 0:06:39 | 0:06:41 | |
So...yeah. | 0:06:41 | 0:06:43 | |
-I'll see you later. -All right. | 0:06:44 | 0:06:46 | |
TV BLARES | 0:06:49 | 0:06:52 | |
Thought you was taking Dennis to the kids' club. | 0:06:57 | 0:06:59 | |
Louise took him. | 0:06:59 | 0:07:02 | |
I've just spoken to Michelle. | 0:07:02 | 0:07:04 | |
What the hell have you done? | 0:07:04 | 0:07:05 | |
-I've made a mess... -It's all right. | 0:07:07 | 0:07:09 | |
It doesn't matter, does it? | 0:07:09 | 0:07:10 | |
-Oh. Sorry, I would've knocked... -Oh, it's all right. | 0:07:10 | 0:07:12 | |
Look, have you got Michelle's landline number? | 0:07:12 | 0:07:14 | |
I've lost it and... she's not answering her mobile. | 0:07:14 | 0:07:17 | |
Well, it's the middle of the night over there. | 0:07:17 | 0:07:19 | |
Yeah, I know. Can you just get it? | 0:07:19 | 0:07:20 | |
-We've got Jane's carer coming in a minute. Can it wait? -No, it can't. | 0:07:20 | 0:07:23 | |
Martin, why the urgency? | 0:07:23 | 0:07:24 | |
Seriously, Ian, I haven't got time for this, yeah? | 0:07:24 | 0:07:26 | |
Well, I'm not going to give it to you until you tell me what's up. | 0:07:26 | 0:07:29 | |
Oh, come on. Look, you're worrying me now. | 0:07:32 | 0:07:34 | |
Look, Phil's found something out about Michelle... | 0:07:36 | 0:07:39 | |
..and Grant. | 0:07:41 | 0:07:42 | |
Michelle and Grant? | 0:07:42 | 0:07:44 | |
-They always hated each other. -Yeah, I know. | 0:07:44 | 0:07:46 | |
Look, Grant... | 0:07:49 | 0:07:50 | |
..is Mark Junior's dad. | 0:07:51 | 0:07:53 | |
I don't expect you've eaten much... | 0:07:58 | 0:08:00 | |
I... I couldn't. | 0:08:00 | 0:08:02 | |
Oh. | 0:08:02 | 0:08:04 | |
I've got to pay you...for the stall. | 0:08:04 | 0:08:07 | |
-No! -For the hours you've put in already. | 0:08:07 | 0:08:09 | |
No, don't be silly. | 0:08:09 | 0:08:11 | |
It won't be much, but... | 0:08:11 | 0:08:12 | |
Put that away. | 0:08:12 | 0:08:14 | |
You've got enough to be worrying about. | 0:08:14 | 0:08:17 | |
I know it's the last thing on your mind, but... | 0:08:19 | 0:08:21 | |
I saw Babe in the caff... | 0:08:21 | 0:08:23 | |
I don't want to talk about that horrible woman. | 0:08:23 | 0:08:26 | |
Not now. | 0:08:26 | 0:08:28 | |
Ah, Claudette. | 0:08:31 | 0:08:33 | |
Could you...? | 0:08:34 | 0:08:35 | |
I'm going to lie down. | 0:08:39 | 0:08:41 | |
I want to look my best while I prepare Paul. | 0:08:44 | 0:08:46 | |
There. | 0:08:54 | 0:08:55 | |
-Perfect. -Oh, thank you. | 0:08:55 | 0:08:57 | |
I should leave you and... | 0:08:59 | 0:09:00 | |
No. | 0:09:00 | 0:09:02 | |
No, no. Stay. | 0:09:02 | 0:09:03 | |
For Pam. Please? | 0:09:05 | 0:09:06 | |
-Well, at least they've gone now. -Oh, yeah. | 0:09:14 | 0:09:16 | |
Probably shifted somewhere else up the road, haven't they? | 0:09:16 | 0:09:19 | |
Aww. | 0:09:19 | 0:09:20 | |
Look at them. | 0:09:20 | 0:09:22 | |
Love's young dream. | 0:09:22 | 0:09:24 | |
Yeah, I remember those days. | 0:09:24 | 0:09:26 | |
Well, actually, I don't. | 0:09:27 | 0:09:29 | |
I never thought I'd end up on the shelf at 50. | 0:09:30 | 0:09:34 | |
Oh, come on. | 0:09:34 | 0:09:35 | |
It can't be all that bad. | 0:09:35 | 0:09:36 | |
I mean, we had our moments. | 0:09:36 | 0:09:38 | |
Hmm. Suppose so. | 0:09:38 | 0:09:40 | |
Yeah. As the song goes, we Marvin Gayed and got it on. | 0:09:40 | 0:09:44 | |
Very nice, it was, too. | 0:09:47 | 0:09:48 | |
You know, you'll get to meet plenty of new people | 0:09:51 | 0:09:54 | |
if you take on Tam's old job. | 0:09:54 | 0:09:57 | |
Who said I was? | 0:09:57 | 0:09:58 | |
Well, you'd be great. I'm sure the market traders will respect you. | 0:09:58 | 0:10:01 | |
I haven't always been a spare part. | 0:10:01 | 0:10:03 | |
I told you... | 0:10:03 | 0:10:04 | |
I started out in Romford. | 0:10:04 | 0:10:06 | |
Ran a decent business with Umar. | 0:10:06 | 0:10:08 | |
Well, there you go, it's in your blood. | 0:10:08 | 0:10:11 | |
It'd mean a challenge... | 0:10:11 | 0:10:12 | |
..being on the other side. | 0:10:13 | 0:10:15 | |
Well, you're never too old to take risks. | 0:10:15 | 0:10:18 | |
Look, I'll sort things this end. | 0:10:25 | 0:10:27 | |
Just stop worrying, Chelle, all right? | 0:10:27 | 0:10:29 | |
Go back to bed. | 0:10:29 | 0:10:30 | |
Yeah, I will. | 0:10:31 | 0:10:33 | |
All right. Bye. | 0:10:33 | 0:10:34 | |
Phil told Mark. | 0:10:37 | 0:10:39 | |
He's phoned him while he's on his summer vacation in Miami. | 0:10:39 | 0:10:41 | |
Of course, Mark's freaked out, yeah? Phoned Michelle... | 0:10:41 | 0:10:44 | |
scared about who his real dad is. | 0:10:44 | 0:10:46 | |
Luckily, she's managed to tell him that Phil's just lying. | 0:10:46 | 0:10:49 | |
How? | 0:10:49 | 0:10:50 | |
Just by saying that Phil's some crazy drunk. | 0:10:50 | 0:10:52 | |
That he didn't like her and that he was just causing trouble. | 0:10:52 | 0:10:55 | |
Phil didn't mention Grant? | 0:10:55 | 0:10:57 | |
No, he just left it to Michelle. | 0:10:57 | 0:10:58 | |
Why would he do this? I mean, what gives him the right? | 0:10:58 | 0:11:01 | |
If Grant's got a son, shouldn't he know? | 0:11:01 | 0:11:03 | |
No. | 0:11:03 | 0:11:05 | |
Was it that clear-cut? | 0:11:05 | 0:11:06 | |
Yes. | 0:11:06 | 0:11:07 | |
Tim raised Mark. | 0:11:07 | 0:11:08 | |
I mean, he's a good kid... with a decent future. | 0:11:08 | 0:11:10 | |
Yeah, look, I'm going to get round there. | 0:11:12 | 0:11:13 | |
-Make sure Phil keeps his mouth shut. -Yeah. I'll come with you. | 0:11:13 | 0:11:16 | |
Oh, I can't. I've got to let the carer in, in a minute. | 0:11:16 | 0:11:18 | |
You can text her the key code, Ian. You don't need my permission every time you go out. | 0:11:18 | 0:11:22 | |
-Sorry. Look, I won't be long. -Yeah. | 0:11:22 | 0:11:24 | |
I managed to change my shift to this afternoon. | 0:11:30 | 0:11:32 | |
What are you doing? | 0:11:32 | 0:11:34 | |
Well, Kim suggested that we did extra sessions between classes | 0:11:34 | 0:11:38 | |
cos we've only got three weeks till the extravaganza | 0:11:38 | 0:11:42 | |
and I ain't learnt the hammerlock. | 0:11:42 | 0:11:43 | |
Oh, what about a cup of tea? | 0:11:43 | 0:11:45 | |
No. Practice first. | 0:11:45 | 0:11:47 | |
SALSA MUSIC PLAYS | 0:11:50 | 0:11:51 | |
Now, hold me hand. | 0:11:51 | 0:11:53 | |
Now, swing me round. | 0:11:53 | 0:11:54 | |
Do you think this is a joke, do you? Messing with my sister's life? | 0:12:07 | 0:12:09 | |
Quiet. Ben's still sleeping. | 0:12:09 | 0:12:11 | |
Well, did YOU tell him? | 0:12:11 | 0:12:12 | |
No. | 0:12:12 | 0:12:14 | |
He found a letter that Michelle wrote to Peggy. | 0:12:14 | 0:12:16 | |
Oh, great. So, who else knows? | 0:12:16 | 0:12:19 | |
Apart from us, no-one. | 0:12:19 | 0:12:21 | |
You know, she said you were just a crazy, drunk liar. | 0:12:23 | 0:12:27 | |
Yeah, but I ain't lying, though, am I? | 0:12:27 | 0:12:30 | |
So, what were you going to do after you spoke to Mark? Huh? | 0:12:30 | 0:12:33 | |
Well, come on. What's your big plan? | 0:12:33 | 0:12:35 | |
Grant should know. | 0:12:35 | 0:12:37 | |
I thought we'd agreed yesterday. | 0:12:37 | 0:12:39 | |
Michelle's kept this quiet half her life for a reason. | 0:12:39 | 0:12:41 | |
-What are you still doing here, eh? -Listen... | 0:12:41 | 0:12:44 | |
you don't owe this to Grant. | 0:12:44 | 0:12:45 | |
What if I never see him again? | 0:12:47 | 0:12:49 | |
What? | 0:12:51 | 0:12:52 | |
You know what I mean. | 0:12:52 | 0:12:54 | |
Well, this isn't the way to make things right between the two of you. | 0:12:55 | 0:12:58 | |
Please, don't drag Mark into it. | 0:12:58 | 0:13:00 | |
It's too late. | 0:13:02 | 0:13:03 | |
You can't tell Grant. | 0:13:03 | 0:13:05 | |
-Watch me. -Don't do this, Phil, please. | 0:13:05 | 0:13:07 | |
I'm not betraying Grant. | 0:13:07 | 0:13:09 | |
Not over this. | 0:13:09 | 0:13:11 | |
What? And you think he'd do the same for you, have your back? | 0:13:11 | 0:13:13 | |
Cos trust me, he wouldn't. | 0:13:13 | 0:13:15 | |
He wanted me to leave with him. | 0:13:19 | 0:13:20 | |
He says he's still in love with me. | 0:13:23 | 0:13:25 | |
Where's Pam? | 0:13:34 | 0:13:35 | |
I think she's asleep. | 0:13:36 | 0:13:37 | |
I just need five minutes. | 0:13:45 | 0:13:47 | |
What did he say? | 0:14:03 | 0:14:04 | |
I told you, nothing. | 0:14:04 | 0:14:05 | |
-The truth! -Look, that is it. | 0:14:05 | 0:14:07 | |
I shut it down straightaway. | 0:14:07 | 0:14:08 | |
Do you really think he'll care about the life of some boy in America he's never met before? | 0:14:08 | 0:14:12 | |
-Come on, we should go. -No, I just want to hear him out. -Just leave. Please. -Come on. -All right. | 0:14:12 | 0:14:17 | |
-I'd never have told you. -What was you doing, eh? | 0:14:19 | 0:14:22 | |
Pushing us together, insisting that we make up, | 0:14:22 | 0:14:24 | |
when you knew this is what he was thinking. | 0:14:24 | 0:14:27 | |
I thought it was the grief talking. | 0:14:27 | 0:14:29 | |
He's clearly a mess, | 0:14:29 | 0:14:31 | |
blaming you for Peggy's death. | 0:14:31 | 0:14:33 | |
If Grant finds out about Mark, | 0:14:34 | 0:14:35 | |
this could send him over the edge. | 0:14:35 | 0:14:37 | |
I've brought you your favourite. | 0:14:40 | 0:14:42 | |
-Gingers. -Oh, thanks, Dot. | 0:14:42 | 0:14:44 | |
Do you know, I'd forgotten how much I enjoyed dancing. | 0:14:44 | 0:14:47 | |
-It brought back fond memories of Jim. -Yes. | 0:14:47 | 0:14:51 | |
Do you remember when you and Yolande | 0:14:51 | 0:14:54 | |
and me and Jim went to Hayling Island | 0:14:54 | 0:14:57 | |
for that dance competition? | 0:14:57 | 0:14:59 | |
Yes. For a sturdy man, he was... | 0:15:00 | 0:15:03 | |
very light on his feet. | 0:15:03 | 0:15:05 | |
Ah, yes, but that was because of his boxing days. | 0:15:05 | 0:15:08 | |
You know, | 0:15:08 | 0:15:10 | |
I know that he would be happy for me, | 0:15:10 | 0:15:12 | |
having you as my partner. | 0:15:12 | 0:15:15 | |
Well, I've enjoyed it, too. | 0:15:15 | 0:15:17 | |
Yes, sad when it'll be all over. | 0:15:18 | 0:15:20 | |
Well... | 0:15:21 | 0:15:22 | |
I was looking for some salsa classes | 0:15:22 | 0:15:25 | |
but I couldn't find none, | 0:15:25 | 0:15:27 | |
so... | 0:15:27 | 0:15:28 | |
I've circled two tea dances | 0:15:28 | 0:15:31 | |
that I thought we might go to together. | 0:15:31 | 0:15:34 | |
-Mm-hm. -Hm? | 0:15:36 | 0:15:38 | |
Yeah. | 0:15:38 | 0:15:40 | |
So, you considering applying for the job, then? | 0:15:40 | 0:15:42 | |
Well, I don't know... | 0:15:42 | 0:15:43 | |
but it's a decent salary. | 0:15:43 | 0:15:44 | |
Ladies. Tomorrow, I'm having a padlock-and-key singles night | 0:15:44 | 0:15:48 | |
-at the Albert. -What's that, then? | 0:15:48 | 0:15:50 | |
OK. Men have a padlock, women have the keys. | 0:15:50 | 0:15:52 | |
If the key matches the lock, you have yourself a perfect match. | 0:15:52 | 0:15:55 | |
Well, what happens if he's a minger? | 0:15:55 | 0:15:58 | |
Then it's a fun night to meet new friends. | 0:15:58 | 0:16:00 | |
Nah, it's not for me. | 0:16:00 | 0:16:02 | |
Unless George Clooney's coming. | 0:16:02 | 0:16:04 | |
Yeah, you can count me out as well | 0:16:04 | 0:16:05 | |
-but I'll take a few for the shop. -You can take more than a few. | 0:16:05 | 0:16:08 | |
-There you go. -Cheers. -See you later, ladies. -See you. | 0:16:08 | 0:16:11 | |
Oi! | 0:16:11 | 0:16:12 | |
Excuse me! You... You can't dump that there. | 0:16:12 | 0:16:15 | |
The bin men will shift it. | 0:16:15 | 0:16:17 | |
You wouldn't be fly-tipping | 0:16:17 | 0:16:18 | |
if there was a market enforcement officer about. | 0:16:18 | 0:16:20 | |
It's hardly fly-tipping. | 0:16:20 | 0:16:22 | |
OK. It's OK, Mum, I'll shift some of this rubbish later. | 0:16:22 | 0:16:25 | |
-All right? -Thanks, Kush. -No, but that's not the point. | 0:16:25 | 0:16:27 | |
This market is going to pot. | 0:16:27 | 0:16:30 | |
It's about time something was done | 0:16:30 | 0:16:32 | |
to get back the community spirit that used to be here. | 0:16:32 | 0:16:35 | |
All right, look, I'm sorry. OK? | 0:16:35 | 0:16:37 | |
It's my first day... I've had a lousy start. It won't happen again. | 0:16:37 | 0:16:40 | |
All right. | 0:16:42 | 0:16:43 | |
Look, why don't you pop in? I'll give you a discount, eh? | 0:16:43 | 0:16:45 | |
The offer's there if you want it. | 0:16:45 | 0:16:48 | |
Wow, and to think you could be getting a salary for this. | 0:16:48 | 0:16:51 | |
I should go and check on Ben. | 0:16:57 | 0:16:59 | |
Did you think about it? | 0:17:02 | 0:17:03 | |
No. | 0:17:05 | 0:17:06 | |
Not for a second... | 0:17:06 | 0:17:08 | |
and you shouldn't have to ask. | 0:17:08 | 0:17:10 | |
I might not have long left. | 0:17:10 | 0:17:13 | |
-What would be there to stop you then? -Oh, Phil, stop it. | 0:17:13 | 0:17:15 | |
I told your mum I'd always have your back... | 0:17:16 | 0:17:20 | |
and you're not going anywhere, understood? | 0:17:20 | 0:17:23 | |
Well, if he ever goes near you again... | 0:17:25 | 0:17:28 | |
..he's a dead man. | 0:17:29 | 0:17:30 | |
Are you all right, Mum? | 0:17:39 | 0:17:41 | |
Yep. | 0:17:41 | 0:17:42 | |
Thanks for looking after the stall. | 0:17:43 | 0:17:45 | |
Hello, what would you like? | 0:17:47 | 0:17:49 | |
Oh, thanks. | 0:17:55 | 0:17:57 | |
Sorry again, I snapped before. | 0:17:57 | 0:17:59 | |
-You've done well with the place. -Oh, thanks. | 0:17:59 | 0:18:02 | |
Bit sparse at the moment, but it's a work in progress. | 0:18:02 | 0:18:04 | |
Oh, before I forget, | 0:18:04 | 0:18:06 | |
Vincent asked me to leave a few flyers | 0:18:06 | 0:18:08 | |
for the lock-and-key night tomorrow. | 0:18:08 | 0:18:10 | |
-Sure. -Yeah? Come along. You know... | 0:18:10 | 0:18:12 | |
Sign up online, get back in the saddle. | 0:18:12 | 0:18:15 | |
-I thought I did that yesterday. -So...? | 0:18:15 | 0:18:17 | |
Phil's brother, Grant. | 0:18:17 | 0:18:19 | |
I keep telling her, she's had a lucky escape. | 0:18:19 | 0:18:22 | |
I wasn't looking for anything heavy... | 0:18:22 | 0:18:24 | |
just a bit of fun to fill the lonely nights. | 0:18:24 | 0:18:27 | |
A bit like friends with benefits. | 0:18:27 | 0:18:29 | |
She barely knew him two minutes. | 0:18:29 | 0:18:31 | |
It was a great two minutes, though. | 0:18:31 | 0:18:33 | |
THEY LAUGH | 0:18:33 | 0:18:35 | |
Nothing wrong with making the most of being single. A woman has needs. | 0:18:35 | 0:18:39 | |
Besides, you've got to take all the chances you can get round here. | 0:18:39 | 0:18:42 | |
Right, with the discount, can you take 12 for that, Stace? | 0:18:42 | 0:18:44 | |
A tenner. | 0:18:44 | 0:18:46 | |
-Enjoy. -Goodbye. | 0:18:47 | 0:18:49 | |
Boo. | 0:18:50 | 0:18:52 | |
Er... | 0:18:53 | 0:18:56 | |
I was thinking about asking Mum | 0:18:56 | 0:18:58 | |
to move into the spare room. | 0:18:58 | 0:19:00 | |
HE SIGHS | 0:19:01 | 0:19:02 | |
She's really trying, Vincent. | 0:19:02 | 0:19:05 | |
It's not just an act. | 0:19:05 | 0:19:07 | |
I know. | 0:19:07 | 0:19:09 | |
She's breaking her back to get to the market every day - | 0:19:09 | 0:19:12 | |
I'm not even sure she's being paid - | 0:19:12 | 0:19:13 | |
and I've got an empty room just sitting there. | 0:19:13 | 0:19:16 | |
Fine. | 0:19:19 | 0:19:20 | |
Mum... | 0:19:25 | 0:19:26 | |
me and Vincent have been talking, and... | 0:19:26 | 0:19:30 | |
How would you like to move back to the Square? | 0:19:32 | 0:19:34 | |
You... You don't mind? | 0:19:37 | 0:19:39 | |
You can come and live with me. | 0:19:39 | 0:19:40 | |
SHE LAUGHS | 0:19:40 | 0:19:43 | |
Yes! | 0:19:44 | 0:19:46 | |
You just keep your head down, yeah? | 0:19:46 | 0:19:48 | |
Yeah. | 0:19:48 | 0:19:49 | |
Oh, come here! | 0:19:49 | 0:19:50 | |
SHE LAUGHS | 0:19:50 | 0:19:52 | |
Oh, here she is, Little Miss Bossy Knickers. | 0:19:59 | 0:20:02 | |
I have decided to go... | 0:20:02 | 0:20:04 | |
for the market enforcement officer's job. | 0:20:04 | 0:20:06 | |
Really? I thought you weren't sure. | 0:20:06 | 0:20:08 | |
Well, I wasn't but... | 0:20:08 | 0:20:10 | |
Well, it was something Mas said earlier. | 0:20:10 | 0:20:13 | |
"We're never too old to take risks." | 0:20:13 | 0:20:17 | |
Who's that? Mr Pipe-and-slippers over there? | 0:20:17 | 0:20:20 | |
Actually, I think he was flirting with me... | 0:20:20 | 0:20:22 | |
and I quite liked it. | 0:20:22 | 0:20:24 | |
I'm not talking about riding off into the sunset, but... | 0:20:24 | 0:20:28 | |
it'd be quite nice to hop on board once in a while. | 0:20:28 | 0:20:31 | |
With Mas? | 0:20:31 | 0:20:33 | |
A woman has needs. | 0:20:33 | 0:20:34 | |
I'm sorry, am I missing something here? | 0:20:35 | 0:20:37 | |
Oh, don't look all butter-wouldn't-melt | 0:20:37 | 0:20:39 | |
and it's not as if I haven't been there before with him... | 0:20:39 | 0:20:43 | |
and, actually... | 0:20:43 | 0:20:45 | |
it was pretty electric! | 0:20:45 | 0:20:47 | |
I thought he got on your nerves, Carmel. | 0:20:47 | 0:20:49 | |
He does. | 0:20:49 | 0:20:50 | |
Sometimes. | 0:20:50 | 0:20:52 | |
All right, most of the time, but... | 0:20:52 | 0:20:55 | |
Well, I'm talking about the good stuff and | 0:20:55 | 0:20:58 | |
there's nothing wrong with a little bit of intimate company | 0:20:58 | 0:21:01 | |
every now and again. | 0:21:01 | 0:21:02 | |
So, what? Are you telling me or are you telling yourself? | 0:21:03 | 0:21:06 | |
We're friends. He's safe. | 0:21:06 | 0:21:09 | |
Doesn't want commitment. | 0:21:09 | 0:21:11 | |
It seems like a good fit. | 0:21:11 | 0:21:12 | |
Yeah... | 0:21:12 | 0:21:14 | |
-and you're bonkers. -Why? | 0:21:14 | 0:21:16 | |
I'm 50 - I'm not dead. | 0:21:16 | 0:21:18 | |
And he's going to think all his birthdays have come at once. | 0:21:18 | 0:21:21 | |
You know, Dot wants us to continue dancing together | 0:21:24 | 0:21:27 | |
after salsa classes end? | 0:21:27 | 0:21:29 | |
Well, that's why I recommended extra practice. | 0:21:29 | 0:21:32 | |
Yeah, well, I was looking forward to taking it easy again. | 0:21:32 | 0:21:34 | |
What, going to the pub? | 0:21:34 | 0:21:36 | |
Something wrong with that? | 0:21:36 | 0:21:37 | |
Well, it's obvious that she's sending you signals. | 0:21:37 | 0:21:41 | |
Oh, don't be ridiculous. | 0:21:41 | 0:21:43 | |
Oh, come on, Pops. | 0:21:43 | 0:21:44 | |
Why don't you open your eyes? | 0:21:44 | 0:21:46 | |
I thought you were the James Bond of Trinidad back in your time. | 0:21:46 | 0:21:49 | |
Yeah, yeah, yeah. I KNEW how to charm the ladies, and then... | 0:21:49 | 0:21:52 | |
Well, it's obvious that you've still got it going on. | 0:21:52 | 0:21:55 | |
You're just missing a few signals. | 0:21:55 | 0:21:57 | |
A few signs. | 0:21:57 | 0:21:58 | |
"Signals"? | 0:21:58 | 0:21:59 | |
OK, so, she's happy when she's dancing with you, yeah? | 0:22:00 | 0:22:04 | |
Mm-hmm... | 0:22:04 | 0:22:06 | |
And then she gets you round for "extra practice". | 0:22:06 | 0:22:09 | |
Dot has got the hots for you. | 0:22:10 | 0:22:13 | |
SHE GIGGLES | 0:22:14 | 0:22:16 | |
-I'm busy. -Oh, just quick. | 0:22:19 | 0:22:22 | |
What do you think? | 0:22:22 | 0:22:23 | |
I don't know... | 0:22:23 | 0:22:25 | |
"Asylum" was kind of growing on me. | 0:22:25 | 0:22:27 | |
I've texted Martin. | 0:22:27 | 0:22:29 | |
Oh, here he comes. | 0:22:29 | 0:22:31 | |
Tah-dah! | 0:22:33 | 0:22:34 | |
You could pretend to be impressed. | 0:22:37 | 0:22:39 | |
No, yeah... | 0:22:39 | 0:22:40 | |
It looks good. | 0:22:40 | 0:22:42 | |
Brilliant. | 0:22:42 | 0:22:43 | |
It's been a good day today. | 0:22:45 | 0:22:46 | |
I didn't realise how much I missed the buzz. | 0:22:46 | 0:22:49 | |
You all right? | 0:22:49 | 0:22:51 | |
Yeah, yeah. Sorry. | 0:22:51 | 0:22:52 | |
I.. I was just busy packing away. | 0:22:52 | 0:22:55 | |
OK. I told you not to worry. | 0:22:55 | 0:22:57 | |
Oh, Patrick, | 0:23:02 | 0:23:04 | |
I meant to ask you before. | 0:23:04 | 0:23:06 | |
Will you come to tea tomorrow? | 0:23:06 | 0:23:08 | |
It's a special occasion. | 0:23:08 | 0:23:09 | |
Well, it ain't a trick question - a simple yes or no. | 0:23:11 | 0:23:14 | |
I've got a bottle of yours and Jim's favourite rum. | 0:23:15 | 0:23:19 | |
Oh, did you? | 0:23:19 | 0:23:21 | |
Six o'clock all right? | 0:23:21 | 0:23:22 | |
Yeah... | 0:23:22 | 0:23:24 | |
-Yeah. -It's a date. | 0:23:24 | 0:23:26 | |
Martin... | 0:23:39 | 0:23:40 | |
I'm so sorry. | 0:23:42 | 0:23:44 | |
I should've thrown the letter away. | 0:23:44 | 0:23:46 | |
Well, it could have been a lot worse. | 0:23:47 | 0:23:49 | |
-But Phil said he's... -No, he won't say anything. | 0:23:49 | 0:23:52 | |
You have my word. | 0:23:52 | 0:23:53 | |
But how can you be so sure that he's not...? | 0:23:53 | 0:23:55 | |
Because he knows what Grant's like. | 0:23:55 | 0:23:57 | |
Michelle's secret's safe...OK? | 0:23:57 | 0:24:00 | |
Thanks. | 0:24:01 | 0:24:02 | |
Oh, just so you know, | 0:24:11 | 0:24:14 | |
I'm moving back into the Square, | 0:24:14 | 0:24:17 | |
so I'll be watching you. | 0:24:17 | 0:24:18 | |
See you at home, Sonia. | 0:24:19 | 0:24:21 | |
Everything all right? | 0:24:21 | 0:24:22 | |
Fine. | 0:24:22 | 0:24:23 | |
Meant to scare me? | 0:24:26 | 0:24:28 | |
Look at you. | 0:24:29 | 0:24:31 | |
A washed-out, petty chancer. | 0:24:31 | 0:24:35 | |
You remind me of them girls I used to see at the Roxy. | 0:24:35 | 0:24:38 | |
Holding their sisters' coats all night, | 0:24:38 | 0:24:41 | |
desperate to get noticed. | 0:24:41 | 0:24:43 | |
But they never did... | 0:24:43 | 0:24:44 | |
so they had to find other ways to get attention. | 0:24:44 | 0:24:48 | |
Pathetic, really. | 0:24:48 | 0:24:50 | |
You'll end it now, | 0:24:50 | 0:24:52 | |
if you know what's good for you. | 0:24:52 | 0:24:54 | |
No Kamil? | 0:25:06 | 0:25:08 | |
He's at a friend's for tea. | 0:25:08 | 0:25:11 | |
I was just looking at Tam's travel blog. | 0:25:11 | 0:25:13 | |
They're in Santiago. | 0:25:13 | 0:25:15 | |
The nearest I get to Chile... | 0:25:16 | 0:25:19 | |
is when I'm cooking a Madras. | 0:25:19 | 0:25:20 | |
Hmm. | 0:25:20 | 0:25:22 | |
You're missing him. | 0:25:22 | 0:25:24 | |
Yeah, well... | 0:25:24 | 0:25:25 | |
sometimes I wish I'd gone with them. | 0:25:25 | 0:25:28 | |
It must get lonely. | 0:25:28 | 0:25:29 | |
Yeah. Yeah, in a way... | 0:25:29 | 0:25:31 | |
I decided to go for that job. | 0:25:33 | 0:25:35 | |
Oh, good for you. | 0:25:35 | 0:25:36 | |
You gave me the push I needed. | 0:25:36 | 0:25:38 | |
Well, at least I'm good for something. | 0:25:38 | 0:25:40 | |
Mmm, yeah, you can be. | 0:25:40 | 0:25:41 | |
Look... | 0:25:43 | 0:25:44 | |
..this is going to sound forward, | 0:25:46 | 0:25:48 | |
whichever way I put it, so... | 0:25:48 | 0:25:50 | |
..I'll get to the point. | 0:25:51 | 0:25:53 | |
I like you. | 0:25:53 | 0:25:54 | |
I like you. | 0:25:55 | 0:25:57 | |
I know we've had our ups and downs, and I... | 0:25:57 | 0:26:00 | |
Sorry. | 0:26:00 | 0:26:01 | |
Get to the point. | 0:26:01 | 0:26:03 | |
I'm attracted to you. | 0:26:05 | 0:26:08 | |
We both have needs. | 0:26:08 | 0:26:11 | |
I was hoping... | 0:26:11 | 0:26:13 | |
we could... | 0:26:13 | 0:26:14 | |
You and me? | 0:26:16 | 0:26:18 | |
Yeah. | 0:26:18 | 0:26:19 | |
Well, I'm really flattered, | 0:26:22 | 0:26:25 | |
but I can't get into a relationship. | 0:26:25 | 0:26:27 | |
Oh, no. I didn't mean that... | 0:26:27 | 0:26:28 | |
No, it's just that Shabnam called earlier and... | 0:26:28 | 0:26:31 | |
..she wants to move out of London, | 0:26:32 | 0:26:34 | |
and I was thinking of going with her. | 0:26:34 | 0:26:36 | |
Oh, I missed you. | 0:26:41 | 0:26:42 | |
A couple of hiccups but, all in all, a successful first day. | 0:26:42 | 0:26:46 | |
Tea'll be ready in 20. | 0:26:46 | 0:26:48 | |
That's handy cos I kept this by for us. | 0:26:48 | 0:26:50 | |
Oh, hello. What's this? | 0:26:50 | 0:26:52 | |
Aw... She's been a real trouper. | 0:26:52 | 0:26:53 | |
-I couldn't have done it without her. -INTERCOM BUZZES | 0:26:53 | 0:26:55 | |
I only did a day's work. | 0:26:55 | 0:26:57 | |
Today was a big step for both of us. | 0:26:57 | 0:27:00 | |
Thank you so much for your support... | 0:27:00 | 0:27:02 | |
and you too, Martin. | 0:27:02 | 0:27:03 | |
-I know you weren't sure about Stace coming with me. -Yeah, well... | 0:27:03 | 0:27:06 | |
we all pulled together. | 0:27:06 | 0:27:08 | |
Well, to Elysium, and family. | 0:27:08 | 0:27:10 | |
-Family! -Family. | 0:27:10 | 0:27:12 | |
Someone to see you. | 0:27:12 | 0:27:14 | |
Hi. | 0:27:17 | 0:27:18 | |
I wasn't sure whether this was the right address. | 0:27:18 | 0:27:21 | |
Mark? | 0:27:21 | 0:27:22 |