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This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:06 | |
Before Danny died, he tried to say something. I reckon it was "List". | 0:00:06 | 0:00:08 | |
What was Danny on to that meant you had to kill him? | 0:00:08 | 0:00:12 | |
The final report states that these findings are consistent with | 0:00:12 | 0:00:15 | |
a blood stained note. | 0:00:15 | 0:00:16 | |
And this is just between us for now? | 0:00:16 | 0:00:18 | |
I'm innocent. The question is, are you? | 0:00:22 | 0:00:27 | |
You lied in court. | 0:00:28 | 0:00:30 | |
You lied to your partner and you lied to me! | 0:00:30 | 0:00:32 | |
I did not plant evidence. | 0:00:32 | 0:00:34 | |
We gather the evidence and the people decide. They've decided that she didn't do it because you | 0:00:36 | 0:00:40 | |
-couldn't keep it in your pants. -That's not what happened. | 0:00:40 | 0:00:43 | |
-There's seconds here, if you fancy? -Any more and I won't get off this sofa. | 0:00:43 | 0:00:46 | |
I had intended that meeting in a more social setting | 0:00:51 | 0:00:54 | |
would make this less confrontational between us... | 0:00:54 | 0:00:57 | |
I'm a married man. | 0:01:01 | 0:01:03 | |
Separated. | 0:01:03 | 0:01:05 | |
I'm sorry, Gill. | 0:01:05 | 0:01:06 | |
Oliver Stephens-Lloyd, | 0:01:10 | 0:01:11 | |
a registered social worker with responsibility at Sands View. | 0:01:11 | 0:01:14 | |
Chief Superintendent Fairbank had nothing to do with this case. | 0:01:14 | 0:01:17 | |
He ran Vice. | 0:01:17 | 0:01:19 | |
Stephens-Lloyd claimed he compiled a list of authority figures who | 0:01:22 | 0:01:25 | |
conducted systematic abuse of boys resident at Sands View. | 0:01:25 | 0:01:28 | |
See, I've never even heard of this Stands View place. | 0:01:28 | 0:01:31 | |
I hope I'm not too late. | 0:01:31 | 0:01:33 | |
I saw the handshake at the door. | 0:01:33 | 0:01:36 | |
It was masonic. | 0:01:36 | 0:01:37 | |
I'm putting you in for a commendation. | 0:01:43 | 0:01:46 | |
Ronan Murphy was interviewed about the conspiracy Lindsay Denton was convicted of? | 0:01:46 | 0:01:50 | |
None of this was in the file. | 0:01:50 | 0:01:51 | |
And who gave us that file? | 0:01:51 | 0:01:54 | |
Hastings. | 0:01:54 | 0:01:55 | |
The Caddy is male, under 35. A Detective. | 0:02:00 | 0:02:03 | |
A London or South East accent. | 0:02:03 | 0:02:06 | |
I'm sorry, gaffer, but the finger's pointing at one of our own. | 0:02:08 | 0:02:12 | |
Detective Inspector Matthew Cottan has distinguished not only himself | 0:02:15 | 0:02:20 | |
but the entire anti-corruption division. | 0:02:20 | 0:02:23 | |
Detective Inspector Matthew Cottan. | 0:02:23 | 0:02:25 | |
It is an honour to present DI Cottan with this award for Outstanding Bravery. | 0:02:28 | 0:02:32 | |
The commendation reads - | 0:02:32 | 0:02:34 | |
"In recognition of courageous conduct in apprehending a dangerous | 0:02:34 | 0:02:37 | |
"suspect with commendable disregard for your own personal safety." | 0:02:37 | 0:02:40 | |
-Well done, Cottan. -Thank you, sir. | 0:02:40 | 0:02:43 | |
-Congratulations, Matthew. -Ah, thanks, Gill. | 0:03:08 | 0:03:10 | |
You need a drink. | 0:03:10 | 0:03:12 | |
There you go. | 0:03:12 | 0:03:13 | |
-Cheers. -Cheers. | 0:03:13 | 0:03:15 | |
Have you thought about going in front of the DCI promotion board? | 0:03:16 | 0:03:20 | |
-Right. Coffee? -Yeah, lovely. | 0:03:32 | 0:03:36 | |
Don't be going to any trouble on my account. | 0:03:36 | 0:03:38 | |
You know, I'll have instant. | 0:03:38 | 0:03:40 | |
Special occasion, though. | 0:03:40 | 0:03:41 | |
Actually, it's good to be able to talk outside the office. | 0:03:43 | 0:03:46 | |
Is everything OK? | 0:03:47 | 0:03:49 | |
No. Not really. | 0:03:51 | 0:03:53 | |
Steve's been ordering more forensics on evidence seized | 0:03:55 | 0:03:58 | |
from Danny Waldron's flat. | 0:03:58 | 0:04:00 | |
Why? | 0:04:00 | 0:04:01 | |
He'll be making out I missed a lead, | 0:04:01 | 0:04:03 | |
but I know what he's up to. That's classic classroom tactics. | 0:04:03 | 0:04:07 | |
If you've farted, you hold your nose, you point at someone else. | 0:04:07 | 0:04:10 | |
What do you mean? | 0:04:10 | 0:04:12 | |
He's hiding summat. | 0:04:13 | 0:04:15 | |
What? | 0:04:15 | 0:04:16 | |
I shouldn't say until there's evidence. | 0:04:16 | 0:04:19 | |
I hope I'm wrong, I really do, but if I'm not... | 0:04:19 | 0:04:23 | |
..I need to know you've got my back? | 0:04:26 | 0:04:29 | |
God, yeah. | 0:04:29 | 0:04:30 | |
Look, I'm sorry. I shouldn't have really said anything. | 0:04:30 | 0:04:33 | |
-I know you two go back a-ways. -No, you had to. | 0:04:33 | 0:04:35 | |
Glock 17. | 0:04:45 | 0:04:47 | |
Though I walk through the valley of the shadow of death, | 0:04:49 | 0:04:53 | |
I will fear no evil | 0:04:53 | 0:04:56 | |
for you are with me. | 0:04:56 | 0:04:58 | |
Your rod and staff, they comfort me. | 0:04:58 | 0:05:00 | |
We now commit Daniel's body to the ground. | 0:05:02 | 0:05:05 | |
Earth to earth, ashes to ashes, dust to dust... | 0:05:06 | 0:05:11 | |
..in the sure and certain hope of the resurrection to eternal life. | 0:05:13 | 0:05:18 | |
PHONE BEEPS | 0:05:19 | 0:05:21 | |
Is there a problem, sir? | 0:06:09 | 0:06:10 | |
Why do you ask? | 0:06:10 | 0:06:12 | |
I know there was a briefing - inspectors and above - and no-one's letting me in on it. | 0:06:12 | 0:06:15 | |
Hence "inspectors and above". | 0:06:15 | 0:06:17 | |
So, what's that about then? | 0:06:21 | 0:06:23 | |
I went to Danny Waldron's funeral. | 0:06:25 | 0:06:27 | |
There's still a perceived threat to anyone associated with Danny. | 0:06:27 | 0:06:30 | |
And was anyone there? | 0:06:30 | 0:06:32 | |
-No. -No. | 0:06:33 | 0:06:35 | |
Well, that's good to know, eh? | 0:06:35 | 0:06:37 | |
And you shouldn't be bringing that round here. | 0:06:37 | 0:06:39 | |
This isn't the Bronx. | 0:06:39 | 0:06:41 | |
Feeling better? | 0:06:49 | 0:06:51 | |
Uh, yeah, thanks. Just a stomach bug. | 0:06:51 | 0:06:54 | |
Yeah. Well, now you're back, I was hoping to get | 0:06:54 | 0:06:56 | |
those additional forensics I requested. | 0:06:56 | 0:06:59 | |
What's the hold-up? | 0:06:59 | 0:07:01 | |
I don't want to get caught between you and DI Cottan. | 0:07:01 | 0:07:04 | |
What d'you mean? | 0:07:04 | 0:07:05 | |
He knew forensics hadn't bothered testing the envelope? | 0:07:13 | 0:07:16 | |
I'll be right back. | 0:07:24 | 0:07:25 | |
17. | 0:08:24 | 0:08:25 | |
Serial number and number and type of rounds. | 0:08:25 | 0:08:28 | |
Cheers. | 0:08:34 | 0:08:36 | |
G36 carbine, plus rounds. | 0:08:41 | 0:08:43 | |
You wanted me to see something? | 0:08:46 | 0:08:48 | |
Yeah. | 0:08:48 | 0:08:50 | |
I've been reviewing CCTV of Danny Waldron from the murder timeline of Linus Murphy. | 0:08:50 | 0:08:55 | |
Here's Danny arriving. Note the direction of travel. | 0:08:56 | 0:08:59 | |
It matches the route from Linus Murphy's residence, | 0:08:59 | 0:09:01 | |
so we have to assume Danny's come directly from killing Linus. | 0:09:01 | 0:09:05 | |
Formal ID, it's Danny Waldron. | 0:09:06 | 0:09:08 | |
These images tally with the paperwork we got from the storage facility... | 0:09:08 | 0:09:12 | |
..and our assumption is that the rucksack contains | 0:09:13 | 0:09:16 | |
Linus Murphy's head wrapped in a watertight bin liner | 0:09:16 | 0:09:18 | |
and the carrier bag must be a cold-storage container he bought en route. | 0:09:18 | 0:09:21 | |
Now the rucksack's empty - | 0:09:25 | 0:09:27 | |
presumably after Danny's stored Linus's head. | 0:09:27 | 0:09:30 | |
He leaves and we pick him up on an exterior camera again. | 0:09:31 | 0:09:36 | |
Danny jogging away. | 0:09:36 | 0:09:37 | |
Note the different direction of travel from his arrival. | 0:09:37 | 0:09:41 | |
I just want to get the job done, Kate, | 0:09:46 | 0:09:48 | |
and we've always done a good one together. | 0:09:48 | 0:09:50 | |
The job, that I can do. | 0:09:50 | 0:09:52 | |
Where do you think he's going? | 0:09:53 | 0:09:55 | |
Unfortunately there's no other CCTV of Danny. But... | 0:09:55 | 0:09:58 | |
..here's the storage facility, | 0:10:02 | 0:10:04 | |
here's the direction we see him leaving. | 0:10:04 | 0:10:07 | |
Danny's flat is located here. | 0:10:07 | 0:10:09 | |
It appears he came directly from Linus Murphy's place, | 0:10:10 | 0:10:13 | |
so his only opportunity to conceal any information he obtained | 0:10:13 | 0:10:16 | |
from Linus was when he was in his flat. | 0:10:16 | 0:10:18 | |
What information? | 0:10:18 | 0:10:20 | |
Ink and blood was detected on the inside of an envelope found at Danny Waldron's flat. | 0:10:26 | 0:10:31 | |
Now, the blood matches to Linus Murphy. | 0:10:31 | 0:10:33 | |
To me, that means he must have written a message | 0:10:33 | 0:10:36 | |
and put it in the envelope straight from killing Murphy, | 0:10:36 | 0:10:38 | |
even before he washed the blood off. | 0:10:38 | 0:10:40 | |
It was definitely there in that envelope. For a time, at least. | 0:10:41 | 0:10:44 | |
Why are we only getting this information now? | 0:10:46 | 0:10:48 | |
Admin cockup. Forensics' fault. | 0:10:50 | 0:10:53 | |
OK. | 0:10:57 | 0:10:58 | |
All right? Where you off to? | 0:11:03 | 0:11:04 | |
Morrison's over the road, but don't tell no-one. | 0:11:04 | 0:11:07 | |
I'll keep quiet for a Kit-Kat. | 0:11:07 | 0:11:09 | |
Any surveillance has to be authorised by Superintendent-rank | 0:11:14 | 0:11:17 | |
or above and meet the RIPA criteria. It's not rocket science... | 0:11:17 | 0:11:20 | |
-Matthew... Anyway, get back to me if there's a problem. -Will do. | 0:11:20 | 0:11:25 | |
Hope you're not still hungover from all that taxpayers' champagne. | 0:11:25 | 0:11:29 | |
-Have you got a minute? -Yeah. | 0:11:30 | 0:11:32 | |
Look, I am the last person to go behind anyone's back, | 0:11:34 | 0:11:39 | |
but I've raised concerns about a colleague | 0:11:39 | 0:11:41 | |
with my commanding officer... | 0:11:41 | 0:11:42 | |
Well, if Ted's dealing with it, I shouldn't really get involved. | 0:11:42 | 0:11:45 | |
That's the problem. He's not. | 0:11:45 | 0:11:48 | |
Oh. | 0:11:48 | 0:11:50 | |
I can guess who the colleague might be. | 0:11:50 | 0:11:52 | |
What worries me is he's wandering around this place with a firearm. | 0:11:52 | 0:11:56 | |
Oh, my God. | 0:11:56 | 0:11:58 | |
Sorry. | 0:11:58 | 0:12:00 | |
Look, maybe I shouldn't have... | 0:12:00 | 0:12:02 | |
No, leave it with me. | 0:12:02 | 0:12:04 | |
Thanks, Gill. | 0:12:04 | 0:12:06 | |
Got a lead on Fairbank. | 0:12:18 | 0:12:20 | |
Digging into his personnel records, there was a complaint made | 0:12:20 | 0:12:23 | |
by someone called Wendy Rider. | 0:12:23 | 0:12:26 | |
The complaint wasn't pursued because Fairbank retired. | 0:12:26 | 0:12:28 | |
What was the complaint? | 0:12:28 | 0:12:30 | |
Well, as usual where Chief Superintendent Fairbank's concerned, | 0:12:30 | 0:12:33 | |
the records are sketchy, to say the least. | 0:12:33 | 0:12:35 | |
But it was about her son. | 0:12:35 | 0:12:37 | |
He was a resident at Sands View Boys' Home. | 0:12:37 | 0:12:40 | |
He's overseas with the Army now, but she still lives in the area. | 0:12:40 | 0:12:43 | |
Nice work. | 0:12:45 | 0:12:46 | |
Just doing my job, mate. | 0:12:47 | 0:12:49 | |
Do you remember when he went to Sands View and how long he was there? | 0:12:52 | 0:12:56 | |
He was 13. It was nearly a year till he come out. | 0:12:56 | 0:13:00 | |
It'd help our inquiry if you could tell us why you made a complaint | 0:13:00 | 0:13:03 | |
about a Chief Superintendent named Patrick Fairbank. | 0:13:03 | 0:13:06 | |
Well, Greg would never talk about what had happened. | 0:13:06 | 0:13:09 | |
We never talked much anyway after he got took away from me. | 0:13:09 | 0:13:13 | |
He blamed me for what had happened. | 0:13:13 | 0:13:15 | |
What had happened? | 0:13:15 | 0:13:17 | |
He said he'd been... | 0:13:19 | 0:13:21 | |
interfered with. | 0:13:21 | 0:13:23 | |
A big fat bloke, he said. So I went to the police. | 0:13:23 | 0:13:27 | |
They didn't want to know. They said Greg wasn't a reliable witness. | 0:13:27 | 0:13:32 | |
So I told them, if they didn't do nothing, I was going to write to the papers and my MP and that. | 0:13:32 | 0:13:37 | |
They just laughed in my face. | 0:13:37 | 0:13:39 | |
And that was that? | 0:13:39 | 0:13:41 | |
No. | 0:13:41 | 0:13:43 | |
A week after, one of them come round and said this Chief Superintendent had sorted it. | 0:13:43 | 0:13:49 | |
Who came round? A uniformed officer? | 0:13:50 | 0:13:52 | |
Yeah. | 0:13:52 | 0:13:54 | |
He said the Chief Superintendent had got the bloke to confess | 0:13:54 | 0:13:58 | |
and that it was all all right so that Greg wouldn't have to go through a trial and that. | 0:13:58 | 0:14:02 | |
To be clear, Mrs Rider - | 0:14:02 | 0:14:04 | |
you were advised that the offender was going to prison? | 0:14:04 | 0:14:07 | |
Yeah. | 0:14:07 | 0:14:08 | |
Yeah, but then there was this picture in the paper | 0:14:08 | 0:14:10 | |
and Greg said it was the same bloke. | 0:14:10 | 0:14:13 | |
Mrs Rider, is this the man you saw in the paper? | 0:14:14 | 0:14:17 | |
Yeah. | 0:14:20 | 0:14:21 | |
And is that when you realised he hadn't been charged? | 0:14:21 | 0:14:25 | |
I'd written down the name of this Chief Superintendent | 0:14:25 | 0:14:28 | |
who had supposed to have taken care of it all. | 0:14:28 | 0:14:31 | |
KNOCK ON DOOR | 0:14:31 | 0:14:32 | |
-Yeah? -Sir, we've got a witness claiming Fairbank suppressed | 0:14:32 | 0:14:35 | |
a child-rape allegation against Dale Roach. | 0:14:35 | 0:14:38 | |
Ideally, sir, we'd put these allegations to Fairbank | 0:14:40 | 0:14:42 | |
in the presence of a solicitor. | 0:14:42 | 0:14:45 | |
-Yeah, well, I'll have to think about that. -But, sir... -Steve. | 0:14:45 | 0:14:48 | |
-Sir. -Kate. | 0:14:52 | 0:14:54 | |
Sir, with respect, | 0:15:03 | 0:15:05 | |
there's no operational reason to drag our feet over Fairbank. | 0:15:05 | 0:15:08 | |
I know how to conduct an anti-corruption case, Steve. | 0:15:08 | 0:15:11 | |
With respect, again, sir, | 0:15:11 | 0:15:12 | |
I'm becoming concerned this inquiry's dragging its feet. | 0:15:12 | 0:15:15 | |
I'm not the issue here, son. | 0:15:17 | 0:15:19 | |
-Sir? -I can't have you interviewing Fairbank | 0:15:19 | 0:15:21 | |
because of the suspicions hanging over your head. | 0:15:21 | 0:15:24 | |
That's why we're dragging our feet here, against my better judgment. | 0:15:24 | 0:15:27 | |
Still this crap about me planting evidence against Lindsay Denton? | 0:15:27 | 0:15:30 | |
Listen, we'll bring Fairbank in, but I can't have you in the room. I will not risk jeopardising | 0:15:30 | 0:15:34 | |
-future prosecutions. -What, you're taking me off the case? -Don't make this harder than it is, son. | 0:15:34 | 0:15:38 | |
-Harder than protecting a former Chief Super who just happens to be a mason? -You are way out of line. | 0:15:38 | 0:15:42 | |
-I saw your handshake. -You do not know the first thing. -I know you're trying to take me off a case | 0:15:42 | 0:15:46 | |
that involves senior officers covering up child abuse! | 0:15:46 | 0:15:49 | |
Suspicions against you are more than just planting evidence, Steve. | 0:15:49 | 0:15:52 | |
As you were. | 0:16:05 | 0:16:07 | |
Superintendent Hastings and I have had a short discussion | 0:16:10 | 0:16:13 | |
and in the circumstances, we agree the best course of action, | 0:16:13 | 0:16:17 | |
to protect all parties and to abide by disciplinary procedure, | 0:16:17 | 0:16:21 | |
is for you to be served with a Regulation 15 notice | 0:16:21 | 0:16:25 | |
and to be suspended from duty until these matters can be addressed | 0:16:25 | 0:16:28 | |
at a formal disciplinary hearing. | 0:16:28 | 0:16:31 | |
A Reg 15? | 0:16:31 | 0:16:33 | |
For what? | 0:16:33 | 0:16:35 | |
Certain allegations have been made against you. | 0:16:35 | 0:16:37 | |
-By who? -It wouldn't be appropriate to discuss these | 0:16:37 | 0:16:41 | |
outside a recognised disciplinary framework. | 0:16:41 | 0:16:44 | |
But before you go, may I ask if you're bearing a firearm? | 0:16:44 | 0:16:48 | |
HE SCOFFS | 0:16:48 | 0:16:49 | |
This come from Dot? | 0:16:52 | 0:16:54 | |
I want him in here. | 0:16:55 | 0:16:57 | |
I don't think that's a good idea. | 0:16:57 | 0:16:59 | |
Fine. | 0:17:00 | 0:17:02 | |
I really don't think that's a good idea. | 0:17:03 | 0:17:05 | |
My officer has asked for this, so I'm going to give him this. | 0:17:05 | 0:17:09 | |
DI Cottan. | 0:17:15 | 0:17:17 | |
Sir. Gill. | 0:17:29 | 0:17:32 | |
The floor is yours. | 0:17:36 | 0:17:38 | |
What's this all about? | 0:17:38 | 0:17:40 | |
DI Cottan. | 0:17:41 | 0:17:43 | |
I have a number of concerns regarding DS Arnott's professional conduct. | 0:17:43 | 0:17:47 | |
He's been bearing a firearm round the office. | 0:17:47 | 0:17:49 | |
In contravention of Section 7 of the 1968 Firearms Act. | 0:17:49 | 0:17:52 | |
I've signed the firearm back in! | 0:17:52 | 0:17:54 | |
He's been accused of having an improper relationship | 0:17:54 | 0:17:56 | |
with a suspect, of planting evidence against said suspect. | 0:17:56 | 0:17:59 | |
I did not plant evidence! | 0:17:59 | 0:18:01 | |
He also fits the profile of a suspect we're seeking | 0:18:01 | 0:18:03 | |
in a separate anti-corruption inquiry. | 0:18:03 | 0:18:05 | |
What? This is insane! | 0:18:05 | 0:18:08 | |
-What anti-corruption inquiry? -I really don't think any more should be said about this matter | 0:18:08 | 0:18:12 | |
-while it's being investigated. -Look, for Christ's sake! I'm not the problem here. | 0:18:12 | 0:18:16 | |
What exactly are you saying? | 0:18:16 | 0:18:18 | |
Sir, I've got serious concerns about DI Cottan's performance | 0:18:18 | 0:18:21 | |
of his duties under police conduct regs | 0:18:21 | 0:18:24 | |
and that's why he's having a go at me. | 0:18:24 | 0:18:25 | |
Sir, this is completely out of order. | 0:18:25 | 0:18:27 | |
During a search of Danny Waldron's flat, | 0:18:27 | 0:18:29 | |
he failed in his duty to order the necessary forensics. | 0:18:29 | 0:18:32 | |
He then induced a junior rank to hide this from me | 0:18:32 | 0:18:34 | |
so I wouldn't find out he'd missed a crucial lead. | 0:18:34 | 0:18:36 | |
Listen, if there's any issues to be addressed by a performance review, | 0:18:36 | 0:18:40 | |
or otherwise, then trust me, they certainly will be. | 0:18:40 | 0:18:42 | |
However, said issues are separate and distinct | 0:18:42 | 0:18:45 | |
-from the ones before us now, DS Arnott. -Look... | 0:18:45 | 0:18:48 | |
Please, I know I've pissed you all off | 0:18:50 | 0:18:55 | |
and I am sorry about the undercover on Lindsay Denton, | 0:18:55 | 0:18:57 | |
but I am the only one that's trying to solve this case! | 0:18:57 | 0:18:59 | |
Oh, well, there you have it. Only Steve can solve the cases. | 0:18:59 | 0:19:02 | |
All hail Steve. | 0:19:02 | 0:19:03 | |
-I definitely think we should stop this conversation now. -Thank you, DI Cottan. -Sir. | 0:19:03 | 0:19:08 | |
Thanks for keeping your cool in there, Matthew. It can't have been easy. | 0:19:11 | 0:19:14 | |
DS Arnott, regarding the Reg 15 notice, | 0:19:21 | 0:19:25 | |
you will return here for a formal interview at a time specified by us, | 0:19:25 | 0:19:28 | |
but until then, you will be suspended from duty. I'm sorry, son. | 0:19:28 | 0:19:32 | |
I'm sorry. | 0:19:32 | 0:19:34 | |
I know he's got his reasons. | 0:19:34 | 0:19:37 | |
But you, sir? | 0:19:37 | 0:19:40 | |
You never answered my point about you and Fairbank both being in the masons. | 0:19:40 | 0:19:43 | |
Come on, Steve. You're not doing yourself any favours here. | 0:19:43 | 0:19:46 | |
It's one thing denying allegations against you, but it's another thing slinging mud at your superiors. | 0:19:46 | 0:19:50 | |
This is a different kettle of fish, fella. What can I say? | 0:19:50 | 0:19:54 | |
You've let me down, you've let yourself down. | 0:19:54 | 0:19:56 | |
Yeah. Well, you're the one that fed us all a doctored file on Ronan Murphy. | 0:19:56 | 0:20:00 | |
What? | 0:20:01 | 0:20:03 | |
Ronan Murphy being a known criminal associate of Tommy Hunter - | 0:20:03 | 0:20:08 | |
not in the file. | 0:20:08 | 0:20:10 | |
Ronan Murphy being investigated as a prime suspect in Hunter's murder - | 0:20:10 | 0:20:14 | |
not in the file. | 0:20:14 | 0:20:15 | |
Ronan Murphy and Tommy Hunter both being involved in | 0:20:15 | 0:20:18 | |
child sexual exploitation - not in the file! | 0:20:18 | 0:20:21 | |
And you say I'm the one that's letting you down. | 0:20:23 | 0:20:26 | |
Sir. | 0:20:28 | 0:20:29 | |
Are you OK? | 0:20:52 | 0:20:53 | |
Yeah. I'm not going to jump to conclusions. | 0:20:55 | 0:20:58 | |
Let's see what comes out of his disciplinary hearing. | 0:20:58 | 0:21:01 | |
Look, just between us, I've got a lead on him planting | 0:21:07 | 0:21:10 | |
that money at Lindsay's. | 0:21:10 | 0:21:11 | |
I just wanted to let you know, so it didn't come as a big shock. | 0:21:13 | 0:21:16 | |
And I know this is going to be difficult... | 0:21:16 | 0:21:18 | |
..but we've got to keep an eye on his every move. | 0:21:19 | 0:21:21 | |
Sorry. | 0:21:24 | 0:21:25 | |
All right? | 0:21:42 | 0:21:43 | |
Thought these might cheer you up. | 0:21:45 | 0:21:47 | |
Come in. | 0:21:47 | 0:21:48 | |
They're really sweet, but you didn't need to. | 0:21:56 | 0:21:58 | |
No, you're all right. | 0:21:58 | 0:21:59 | |
Kate... Look, I'd be gutted if this Steve stuff came between us. | 0:22:05 | 0:22:09 | |
This feels like a bit of a second chance for me... | 0:22:11 | 0:22:14 | |
..and I really don't want to mess it up. | 0:22:15 | 0:22:18 | |
Oh. OK. | 0:22:23 | 0:22:24 | |
No. It's... Just let's take it slow. You know? | 0:22:24 | 0:22:28 | |
Yeah, yeah, of course. | 0:22:28 | 0:22:30 | |
With the Regs and that? | 0:22:30 | 0:22:32 | |
Sure. | 0:22:32 | 0:22:33 | |
But thanks for these, they're lovely. | 0:22:33 | 0:22:35 | |
I'm glad you like them. | 0:22:35 | 0:22:37 | |
-Well, I best be off. -All right. | 0:22:39 | 0:22:41 | |
-Night. -Night. | 0:22:41 | 0:22:42 | |
How can I help you? | 0:23:03 | 0:23:04 | |
Ma'am, I'm requesting authorisation on an undercover operation. | 0:23:05 | 0:23:09 | |
That's Ted Hastings' call, not mine. | 0:23:11 | 0:23:14 | |
Well, actually, ma'am, it'd be against a fellow AC-12 officer. | 0:23:14 | 0:23:18 | |
Ah. | 0:23:18 | 0:23:19 | |
In this situation, guidelines are that I should approach | 0:23:19 | 0:23:21 | |
an independent anti-corruption commander in confidence for said authorisation. | 0:23:21 | 0:23:25 | |
Why me? | 0:23:25 | 0:23:27 | |
I'd rather not say, ma'am. | 0:23:28 | 0:23:30 | |
AC-9's nearer. | 0:23:30 | 0:23:32 | |
Like I say, I'd rather not say, ma'am. | 0:23:34 | 0:23:36 | |
Because I'm a woman, I can't be a mason. | 0:23:39 | 0:23:42 | |
You kept me waiting. | 0:24:04 | 0:24:05 | |
I know. I've been watching for an hour. | 0:24:06 | 0:24:10 | |
If you'll hang on for that long, then you must be desperate. | 0:24:12 | 0:24:14 | |
It's funny, because the last time we met, I was the desperate one | 0:24:15 | 0:24:19 | |
-and you held all the cards. -Yeah, well, you don't hold them all of a sudden. -Don't I? | 0:24:19 | 0:24:23 | |
You know what, Steve, I'd deduced that you are so desperate | 0:24:23 | 0:24:26 | |
that you need help from some sad cow with no life. | 0:24:26 | 0:24:29 | |
Silly me. | 0:24:31 | 0:24:32 | |
Wait. | 0:24:35 | 0:24:36 | |
There's something I never said and I want to say it now. | 0:24:48 | 0:24:50 | |
I'm sorry. | 0:24:52 | 0:24:53 | |
I did take advantage of you. | 0:24:54 | 0:24:56 | |
You were grieving, you were alone, and gaining your trust - | 0:24:57 | 0:25:01 | |
albeit to solve a crime - was callous and insensitive. | 0:25:01 | 0:25:06 | |
I'm sorry for what I did. | 0:25:06 | 0:25:07 | |
And you might not believe me, but that night... | 0:25:09 | 0:25:11 | |
..that's what made me hold back. | 0:25:13 | 0:25:15 | |
Don't flatter yourself, Steve. | 0:25:17 | 0:25:19 | |
I might have been a complete emotional wreck, | 0:25:19 | 0:25:21 | |
but I didn't want you. | 0:25:21 | 0:25:23 | |
We were just two lonely people having a fumble. | 0:25:25 | 0:25:27 | |
It might've sounded convincing on tape, | 0:25:27 | 0:25:29 | |
but it was empty and it was pathetic. | 0:25:29 | 0:25:31 | |
Back to planting of evidence. | 0:25:33 | 0:25:35 | |
The accusation's been around so long | 0:25:38 | 0:25:40 | |
that people are starting to think they don't have to prove it. | 0:25:40 | 0:25:43 | |
Instead, it's down to me to disprove it. | 0:25:43 | 0:25:46 | |
You know the truth. | 0:25:46 | 0:25:48 | |
You know I didn't do it. | 0:25:48 | 0:25:50 | |
Listen to me... | 0:25:51 | 0:25:53 | |
I've just spent a year and a half of my life in prison. | 0:26:00 | 0:26:04 | |
I've lost everything - | 0:26:06 | 0:26:08 | |
my home, | 0:26:08 | 0:26:10 | |
my job, | 0:26:10 | 0:26:11 | |
my whole future. | 0:26:11 | 0:26:13 | |
Maybe now, you've got a taste of what it's like | 0:26:16 | 0:26:20 | |
to know that you're innocent | 0:26:20 | 0:26:22 | |
and yet still have your whole life destroyed. | 0:26:22 | 0:26:26 | |
Look, I'll help you find the real criminals, Steve, | 0:26:34 | 0:26:38 | |
but I will never, ever spend one more day in prison. | 0:26:38 | 0:26:43 | |
So, let me be clear - | 0:26:43 | 0:26:46 | |
that money was put in my house to frame me. | 0:26:46 | 0:26:50 | |
I am innocent. | 0:26:52 | 0:26:54 | |
I am the victim in all of this. | 0:26:54 | 0:26:56 | |
-You're unbelievable. -No. | 0:26:56 | 0:27:00 | |
No, I want justice | 0:27:00 | 0:27:02 | |
and I don't care how unjustly I get it. | 0:27:02 | 0:27:04 | |
So, why don't you just tell me everything you know | 0:27:07 | 0:27:09 | |
about the case that you're working on | 0:27:09 | 0:27:11 | |
and how it connects to mine? | 0:27:11 | 0:27:13 | |
You must be joking. | 0:27:13 | 0:27:14 | |
Right now, Steve, I'm the only person that can help you. | 0:27:14 | 0:27:17 | |
Hi, Ted. | 0:27:21 | 0:27:24 | |
What's with all the cloak and dagger? | 0:27:24 | 0:27:25 | |
Well, I wanted to ask you, off the record, | 0:27:25 | 0:27:27 | |
if I can count on your full support | 0:27:27 | 0:27:29 | |
in investigating former Chief Superintendent Patrick Fairbank? | 0:27:29 | 0:27:32 | |
In respect of...? | 0:27:32 | 0:27:33 | |
In respect of not adequately investigating complaints | 0:27:33 | 0:27:36 | |
of child sexual exploitation. | 0:27:36 | 0:27:38 | |
Absolutely. | 0:27:39 | 0:27:40 | |
-Absolutely. -Thanks. | 0:27:40 | 0:27:42 | |
Ted, doesn't it make much more sense | 0:27:44 | 0:27:46 | |
to hand over your files to the various authorities | 0:27:46 | 0:27:49 | |
carrying out official inquiries | 0:27:49 | 0:27:51 | |
into historic sex abuse? | 0:27:51 | 0:27:53 | |
You can do it through me, if you like. | 0:27:53 | 0:27:55 | |
Yeah, that would be great. Thank you, Gill. | 0:27:55 | 0:27:57 | |
-Yeah, thanks. -Thanks, Ted. | 0:27:57 | 0:27:59 | |
We got seats at the pavilion end, | 0:28:02 | 0:28:04 | |
right behind the bowler's arm, | 0:28:04 | 0:28:06 | |
and I'm thinking, you know, "We're set for the day here," | 0:28:06 | 0:28:09 | |
and then what happened? | 0:28:09 | 0:28:11 | |
Heavens opened. | 0:28:11 | 0:28:12 | |
Ted! | 0:28:12 | 0:28:13 | |
I'm sure there's no need for all this | 0:28:16 | 0:28:18 | |
over a little misunderstanding. | 0:28:18 | 0:28:19 | |
We can thrash this out between the pair of us. | 0:28:19 | 0:28:21 | |
I think it's best that we continue as planned, really, | 0:28:21 | 0:28:24 | |
just to make sure that everything's above board and... | 0:28:24 | 0:28:26 | |
I'm in your hands. | 0:28:26 | 0:28:27 | |
Tea? Coffee? | 0:28:27 | 0:28:29 | |
Very nice. Coffee, thanks. | 0:28:29 | 0:28:31 | |
Great. | 0:28:31 | 0:28:32 | |
'You are being interviewed today in respect of suspicion | 0:28:46 | 0:28:49 | |
'of misconduct in public office. | 0:28:49 | 0:28:51 | |
'You don't have to say anything - | 0:28:51 | 0:28:52 | |
'however, it may harm your defence if you fail to mention | 0:28:52 | 0:28:55 | |
'something under questioning that you later go on to rely on in court. | 0:28:55 | 0:28:58 | |
'And, of course, anything you do say may be used in evidence.' | 0:28:58 | 0:29:00 | |
-Been there, done that. -Thank you. | 0:29:00 | 0:29:02 | |
Document two in your folders. | 0:29:02 | 0:29:04 | |
Document two is a photocopy of a missing persons report | 0:29:05 | 0:29:08 | |
relating to Oliver Stephens-Lloyd. | 0:29:08 | 0:29:11 | |
You were shown this photocopy in your interview on July 7th. | 0:29:11 | 0:29:14 | |
It's from near-on 20 years ago. | 0:29:14 | 0:29:16 | |
You don't recall the report? | 0:29:16 | 0:29:18 | |
I don't recall the report, no. | 0:29:18 | 0:29:20 | |
Well, if you could go to the end of the report, | 0:29:20 | 0:29:23 | |
you were shown that a number of individuals have been copied in | 0:29:23 | 0:29:25 | |
by the senior investigating officer. | 0:29:25 | 0:29:27 | |
I have to put my...glasses on. | 0:29:27 | 0:29:29 | |
Right. | 0:29:32 | 0:29:33 | |
You were shown, on July 7th, that, according to the distribution list, | 0:29:34 | 0:29:37 | |
you were sent a copy of this report in November '98. | 0:29:37 | 0:29:40 | |
Yep. Seems I was sent one. | 0:29:40 | 0:29:43 | |
God knows whether I got it or read it. | 0:29:43 | 0:29:45 | |
During this time, November '98, what was your position? | 0:29:45 | 0:29:48 | |
-I ran Vice. -Yep. | 0:29:48 | 0:29:50 | |
And why was the head of Vice being copied into a report | 0:29:50 | 0:29:52 | |
-on a missing social worker? -I have absolutely no idea. | 0:29:52 | 0:29:55 | |
It sounds like an admin error to me. | 0:29:55 | 0:29:57 | |
An administrative error? | 0:29:57 | 0:29:59 | |
Well, I'm surmising. I've no idea. | 0:29:59 | 0:30:02 | |
Sorry. | 0:30:02 | 0:30:03 | |
'Document three in your folders.' | 0:30:05 | 0:30:07 | |
Document three is a photocopy of a report, dated 21st November '98, | 0:30:07 | 0:30:12 | |
on death by suicide of Oliver Stephens-Lloyd. | 0:30:12 | 0:30:16 | |
Stephens-Lloyd claimed to have furnished you | 0:30:16 | 0:30:18 | |
with a list of names of abusers at Sands View. | 0:30:18 | 0:30:21 | |
Shortly afterwards, he was dismissed from his position | 0:30:21 | 0:30:24 | |
and three months later, he was found dead. | 0:30:24 | 0:30:26 | |
I don't know anything about a list | 0:30:26 | 0:30:28 | |
and I don't know anything about this poor fella. | 0:30:28 | 0:30:30 | |
Yeah, well, the Murder Squad have reopened the inquiry | 0:30:30 | 0:30:33 | |
into the death of Oliver Stephens-Lloyd. | 0:30:33 | 0:30:35 | |
Right. | 0:30:35 | 0:30:37 | |
Well... | 0:30:37 | 0:30:39 | |
now, Ted, this is getting serious. | 0:30:39 | 0:30:41 | |
Yeah, but this is also an opportunity for you | 0:30:41 | 0:30:44 | |
to clarify a number of issues that are causing us some vexation. | 0:30:44 | 0:30:46 | |
-Well, you know I want to help. -And we're very grateful. | 0:30:46 | 0:30:49 | |
DC Fleming. | 0:30:49 | 0:30:50 | |
Document five is a recent postmortem examination | 0:30:50 | 0:30:52 | |
from the Home Office pathologist. | 0:30:52 | 0:30:54 | |
It's likely that Stephens-Lloyd | 0:30:54 | 0:30:56 | |
was struck over the head with a blunt instrument | 0:30:56 | 0:30:58 | |
and then thrown into the river to drown. | 0:30:58 | 0:31:01 | |
So, not suicide. | 0:31:01 | 0:31:03 | |
Murder. | 0:31:03 | 0:31:04 | |
Well, I can see why you're troubled, Ted, | 0:31:04 | 0:31:06 | |
but MY department had no involvement in that investigation. | 0:31:06 | 0:31:10 | |
Well, we interviewed the officers who carried out this investigation. | 0:31:10 | 0:31:15 | |
We have a statement obtained by Murder Squad, | 0:31:15 | 0:31:17 | |
from an officer who was a DC at the time, | 0:31:17 | 0:31:19 | |
stating that the senior investigating officer, | 0:31:19 | 0:31:22 | |
DI Marcus Thurwell, | 0:31:22 | 0:31:23 | |
advised him the death was suicide | 0:31:23 | 0:31:25 | |
and anything that didn't fit | 0:31:25 | 0:31:27 | |
should be kept to themselves. | 0:31:27 | 0:31:28 | |
Now, why would Thurwell be so eager to prove that it was a suicide? | 0:31:28 | 0:31:33 | |
I haven't the foggiest. | 0:31:34 | 0:31:36 | |
Do you recall the name Wendy Rider? | 0:31:39 | 0:31:41 | |
Well, I think we all know by now | 0:31:41 | 0:31:43 | |
that I'm hopeless with names. | 0:31:43 | 0:31:45 | |
Wendy Rider lodged a complaint against you | 0:31:45 | 0:31:47 | |
in respect of her son, Gregory Rider. | 0:31:47 | 0:31:50 | |
Gregory Rider was a resident at Sands View Boys' Home | 0:31:50 | 0:31:53 | |
and was allegedly abused by your best mate, Dale Roach. | 0:31:53 | 0:31:57 | |
Right, Ted. | 0:31:57 | 0:31:58 | |
Now, this was meant to be a friendly conversation | 0:31:58 | 0:32:01 | |
but your DC, whatever her name is, | 0:32:01 | 0:32:02 | |
has just struck a tone that I don't warm to. | 0:32:02 | 0:32:05 | |
DC Fleming. | 0:32:07 | 0:32:08 | |
My apologies if I've caused offence. | 0:32:08 | 0:32:10 | |
We are most grateful for your cooperation, sir. | 0:32:10 | 0:32:13 | |
I knew Councillor Roach from a distance, | 0:32:13 | 0:32:15 | |
a very great distance. | 0:32:15 | 0:32:17 | |
Going back to your interview with us on July 7th - | 0:32:19 | 0:32:21 | |
you stated, | 0:32:21 | 0:32:23 | |
"When these things came up, they would have been looked into." | 0:32:23 | 0:32:25 | |
Do you stand by that statement? | 0:32:25 | 0:32:27 | |
Well, I must have said it if you've written it down. | 0:32:27 | 0:32:29 | |
Can you inform us how you investigated the allegations | 0:32:29 | 0:32:33 | |
made by Mrs Rider against Dale Roach? | 0:32:33 | 0:32:36 | |
It'll be in the files. | 0:32:36 | 0:32:38 | |
We looked, it's not in the files. | 0:32:38 | 0:32:39 | |
I was Chief Superintendent, not the office boy. | 0:32:39 | 0:32:41 | |
If records have gone missing, that's got nothing to do with me. | 0:32:41 | 0:32:44 | |
Mrs Rider says that she was informed | 0:32:44 | 0:32:46 | |
that you carried out this interview yourself, | 0:32:46 | 0:32:49 | |
and that no charge resulted. | 0:32:49 | 0:32:50 | |
Well, that must be because the allegations against Dale | 0:32:50 | 0:32:53 | |
proved groundless. | 0:32:53 | 0:32:54 | |
"Dale"? | 0:32:54 | 0:32:56 | |
Councillor Roach. | 0:32:56 | 0:32:58 | |
Why did you not keep any records of this? | 0:32:58 | 0:33:02 | |
Here we go again. | 0:33:02 | 0:33:03 | |
-I -was Chief Super... -"Superintendent." | 0:33:03 | 0:33:06 | |
Yeah, I know. "Not the office boy," | 0:33:06 | 0:33:07 | |
but this was your department - | 0:33:07 | 0:33:09 | |
and this was a very serious allegation | 0:33:09 | 0:33:11 | |
against a prominent, you know, public individual. | 0:33:11 | 0:33:13 | |
Me, I can't think of any reason in the world | 0:33:13 | 0:33:16 | |
why you wouldn't have wanted to be across all this yourself | 0:33:16 | 0:33:18 | |
and why there is no record of the investigation. | 0:33:18 | 0:33:22 | |
Unless there was no investigation. | 0:33:22 | 0:33:24 | |
Unless you were sweeping all this under the carpet | 0:33:24 | 0:33:26 | |
to protect your friend. | 0:33:26 | 0:33:28 | |
Did any of the boys at Sands View | 0:33:33 | 0:33:36 | |
complain about sexual abuse | 0:33:36 | 0:33:37 | |
to you or any of the officers you knew of? | 0:33:37 | 0:33:40 | |
God, no. Absolutely not. | 0:33:40 | 0:33:42 | |
-Because you would have investigated it. -Correct, 100% correct. | 0:33:42 | 0:33:46 | |
You and your solicitor | 0:33:48 | 0:33:50 | |
have a written request from a police officer of inspector rank, | 0:33:50 | 0:33:54 | |
independent of this inquiry and prior to this voluntary interview, | 0:33:54 | 0:33:57 | |
requesting your participation in a video identification process. | 0:33:57 | 0:34:01 | |
Mr Fairbank is reluctant to submit himself to a process | 0:34:01 | 0:34:05 | |
dependent on - what must, by now, be - | 0:34:05 | 0:34:07 | |
extremely unreliable memories. | 0:34:07 | 0:34:09 | |
OK. | 0:34:12 | 0:34:13 | |
DC Fleming. | 0:34:15 | 0:34:17 | |
Item reference ASJ-76 | 0:34:17 | 0:34:20 | |
is a newspaper cutting | 0:34:20 | 0:34:22 | |
dated 14th March '97. | 0:34:22 | 0:34:24 | |
Do you recognise this image? | 0:34:24 | 0:34:26 | |
It's me and Councillor Roach. | 0:34:26 | 0:34:28 | |
What was your connection with the charity? | 0:34:28 | 0:34:30 | |
Well, I would be there, at his invitation, | 0:34:30 | 0:34:32 | |
if he thought there was a crime-prevention angle - | 0:34:32 | 0:34:34 | |
keeping young lads this side of the law, that sort of thing. | 0:34:34 | 0:34:39 | |
Item reference ASJ-116. | 0:34:39 | 0:34:42 | |
Item ASJ-116 is a newspaper clipping dated 7th August 1995. | 0:34:46 | 0:34:51 | |
For the tape, I am showing the interviewee a copy of this item. | 0:34:51 | 0:34:55 | |
Do you recognise the man in this photograph with you | 0:34:55 | 0:34:57 | |
and Councillor Dale Roach? | 0:34:57 | 0:34:59 | |
I think we all do. | 0:34:59 | 0:35:00 | |
And was he involved in the charities too? | 0:35:00 | 0:35:03 | |
I believe so. | 0:35:03 | 0:35:04 | |
Some of them, yes. | 0:35:04 | 0:35:05 | |
So, in addition to the complaints made about Councillor Dale Roach, | 0:35:05 | 0:35:10 | |
were there any other complaints | 0:35:10 | 0:35:12 | |
made about any other prominent individuals | 0:35:12 | 0:35:14 | |
involved in sexual assaults on young people? | 0:35:14 | 0:35:17 | |
Not that I recall. | 0:35:17 | 0:35:20 | |
Right. | 0:35:20 | 0:35:21 | |
Because according to our colleagues in Operation Yewtree, | 0:35:21 | 0:35:24 | |
there were numerous complaints. | 0:35:24 | 0:35:26 | |
And according to our colleagues in Operation Midland, | 0:35:26 | 0:35:29 | |
there were numerous complaints. | 0:35:29 | 0:35:32 | |
So, why did you not investigate any of these? | 0:35:32 | 0:35:35 | |
I don't recall any specific investigations. | 0:35:35 | 0:35:39 | |
We know there were complaints. | 0:35:39 | 0:35:41 | |
We know you were supposed to investigate them. | 0:35:41 | 0:35:43 | |
And on the 7th July, you confessed that you investigated them. | 0:35:43 | 0:35:47 | |
I must sound like a stuck record, | 0:35:47 | 0:35:48 | |
but I honestly don't remember. | 0:35:48 | 0:35:50 | |
It's the honest truth. | 0:35:50 | 0:35:52 | |
Were you under pressure... | 0:35:53 | 0:35:55 | |
to turn a blind eye? | 0:35:55 | 0:35:56 | |
I don't know how you mean, Ted. | 0:35:58 | 0:35:59 | |
From executive officers | 0:35:59 | 0:36:01 | |
or political interests. | 0:36:01 | 0:36:04 | |
What's put that idea in your head? | 0:36:04 | 0:36:06 | |
What we have here is Dale Roach | 0:36:06 | 0:36:08 | |
interfering with young boys. | 0:36:08 | 0:36:10 | |
Now, call me a cynic but he's a politician | 0:36:10 | 0:36:12 | |
and they are all born liars. | 0:36:12 | 0:36:14 | |
Then we have this celebrity up here | 0:36:14 | 0:36:16 | |
and we all know show business people have very low morals - | 0:36:16 | 0:36:20 | |
but you were a police officer! | 0:36:20 | 0:36:22 | |
The Chief Superintendent. | 0:36:23 | 0:36:25 | |
I really want to help, Ted, but I don't... | 0:36:32 | 0:36:34 | |
..see what more I can say. | 0:36:36 | 0:36:37 | |
May I ask, how far are we going with this today? | 0:36:38 | 0:36:41 | |
Do you have any evidence to put to Mr Fairbank? | 0:36:41 | 0:36:44 | |
No, no, this is a voluntary interview. | 0:36:46 | 0:36:48 | |
He's just helping us with our inquiries. | 0:36:48 | 0:36:50 | |
I'm sorry that I can't fill in the blanks | 0:36:50 | 0:36:52 | |
but, you know, I'm not as sharp as I was. | 0:36:52 | 0:36:54 | |
So you keep saying. | 0:36:54 | 0:36:55 | |
Interview terminated. | 0:36:57 | 0:36:59 | |
Anything else I can do, | 0:37:00 | 0:37:02 | |
don't hesitate to ask. | 0:37:02 | 0:37:04 | |
CCTV showed Danny Waldron arriving here early | 0:37:07 | 0:37:09 | |
the morning after he killed Linus Murphy. | 0:37:09 | 0:37:11 | |
He came in from that direction, | 0:37:11 | 0:37:13 | |
deposited evidence in a storage container | 0:37:13 | 0:37:15 | |
and then he left on foot in that direction. | 0:37:15 | 0:37:17 | |
-What, the way back to his flat? -Yeah. | 0:37:17 | 0:37:20 | |
I mean, Danny was laying a trail for us to find | 0:37:20 | 0:37:22 | |
if anything happened to him. | 0:37:22 | 0:37:23 | |
There was even an envelope addressed to me, but it was empty. | 0:37:23 | 0:37:26 | |
Forensics suggest, at one time, | 0:37:26 | 0:37:28 | |
it contained a note written immediately after the murder. | 0:37:28 | 0:37:31 | |
Now, I believe Danny got information out of Linus Murphy | 0:37:31 | 0:37:33 | |
that enabled him to compile a list of abusers. | 0:37:33 | 0:37:36 | |
Well, if Danny had written the list while he was still with Linus, | 0:37:36 | 0:37:39 | |
then he must have had it with him when he left here. | 0:37:39 | 0:37:41 | |
If that was me... | 0:37:41 | 0:37:43 | |
I'd take the opportunity to recce a safe spot, | 0:37:43 | 0:37:46 | |
and then hide the list - | 0:37:46 | 0:37:48 | |
or a backup copy - | 0:37:48 | 0:37:49 | |
that night, under the cover of darkness. | 0:37:49 | 0:37:53 | |
Trust me. | 0:37:53 | 0:37:54 | |
Well, you know all about concealing evidence. | 0:37:56 | 0:37:58 | |
I mean, you had to hide 50 grand. | 0:37:58 | 0:38:00 | |
That's not what happened at all. | 0:38:00 | 0:38:02 | |
My God, he's with Denton. | 0:38:15 | 0:38:17 | |
See? The pair of them are in it together. | 0:38:17 | 0:38:19 | |
See? I told you we had to watch his every move. | 0:38:19 | 0:38:22 | |
They're retracing Danny's steps. | 0:38:25 | 0:38:27 | |
Why? | 0:38:27 | 0:38:28 | |
Danny's flat is just over on the next street. | 0:38:34 | 0:38:37 | |
Any further and he risked being spotted. | 0:38:37 | 0:38:39 | |
I think I know what he did. | 0:38:48 | 0:38:49 | |
KNOCK ON DOOR | 0:39:10 | 0:39:13 | |
Gill. | 0:39:13 | 0:39:15 | |
I understand you decided to proceed | 0:39:15 | 0:39:17 | |
with questioning Patrick Fairbank. | 0:39:17 | 0:39:19 | |
Yeah. I decided to put the man on the spot myself, | 0:39:19 | 0:39:22 | |
rather than turn it over to some other department. | 0:39:22 | 0:39:24 | |
There's conflict of interest. | 0:39:24 | 0:39:26 | |
How exactly? | 0:39:26 | 0:39:28 | |
Your affiliation with Fairbank. | 0:39:28 | 0:39:31 | |
I've never put my personal loyalties above my professional duty. | 0:39:31 | 0:39:34 | |
You're being naive. | 0:39:34 | 0:39:36 | |
I'm not referring to any... | 0:39:36 | 0:39:37 | |
ordinary relationship. | 0:39:37 | 0:39:40 | |
What will it look like if Fairbank slips any inquiry | 0:39:40 | 0:39:42 | |
and then it's revealed that the senior investigating officer | 0:39:42 | 0:39:45 | |
is part of the same closed organisation? | 0:39:45 | 0:39:48 | |
What organisation are you talking about? | 0:39:48 | 0:39:51 | |
Secret handshakes, | 0:39:51 | 0:39:53 | |
bare trouser legs. | 0:39:53 | 0:39:54 | |
Whatever it is you're alluding to, I am not at liberty to discuss it. | 0:39:55 | 0:39:59 | |
No doubt Dale Roach was part of the same lodge. | 0:39:59 | 0:40:01 | |
We can't have it appear... | 0:40:01 | 0:40:03 | |
-that you're protecting Fairbank. -Protecting him?! | 0:40:03 | 0:40:06 | |
I'm doing my level best to investigate him! | 0:40:06 | 0:40:09 | |
There's substantial crossover with other inquiries. | 0:40:09 | 0:40:12 | |
Politically, it would be expedient | 0:40:12 | 0:40:14 | |
to hand over our files | 0:40:14 | 0:40:15 | |
and let Midland and Yewtree run with it. | 0:40:15 | 0:40:18 | |
I have been informed of systematic depravity against children | 0:40:18 | 0:40:21 | |
who were wards of the state | 0:40:21 | 0:40:23 | |
by high-ranking officials OF the state. | 0:40:23 | 0:40:26 | |
Now, how much money are we going to spend | 0:40:27 | 0:40:29 | |
chasing clapped-out DJs | 0:40:29 | 0:40:31 | |
when the people who knew about this depravity - | 0:40:31 | 0:40:34 | |
and/or turned a blind eye to it, and/or were involved in it - | 0:40:34 | 0:40:37 | |
are using that power to cover their tracks? | 0:40:37 | 0:40:39 | |
Individuals - I might add, Gill - who appointed you. | 0:40:39 | 0:40:43 | |
Well, that's absurd! | 0:40:44 | 0:40:46 | |
Is it? | 0:40:46 | 0:40:48 | |
Is it really? | 0:40:50 | 0:40:52 | |
Thank you for this file. | 0:40:52 | 0:40:53 | |
Perhaps you could help me understand why it's been doctored? | 0:40:56 | 0:41:00 | |
Sorry? | 0:41:00 | 0:41:01 | |
Doctored. | 0:41:01 | 0:41:02 | |
And it was you, Gill, | 0:41:03 | 0:41:06 | |
who brought me this file... | 0:41:06 | 0:41:08 | |
..with crucial pieces of information omitted. | 0:41:09 | 0:41:12 | |
I can't explain how that happened. | 0:41:13 | 0:41:15 | |
Oh, yeah? Well, I can explain it to you. | 0:41:15 | 0:41:18 | |
It happened because it was known | 0:41:18 | 0:41:20 | |
that, behind the seemingly lawful killing of a violent criminal, | 0:41:20 | 0:41:24 | |
there lay a dark secret. | 0:41:24 | 0:41:25 | |
Probably the darkest secret in our society today. | 0:41:27 | 0:41:30 | |
So, are you going to advise me who provided you with that file? | 0:41:32 | 0:41:35 | |
Are you doing this on purpose, Ted? | 0:41:37 | 0:41:38 | |
-Doing what? -Sophisticated adults are perfectly capable | 0:41:38 | 0:41:41 | |
of working effectively, despite personal intimacy - | 0:41:41 | 0:41:44 | |
but clearly you're not a sophisticated adult. | 0:41:44 | 0:41:47 | |
Clearly I'm not. | 0:41:47 | 0:41:49 | |
I only see black and white with no grey areas in between. | 0:41:49 | 0:41:53 | |
And anything that happened between us | 0:41:53 | 0:41:55 | |
that went beyond the professional - | 0:41:55 | 0:41:56 | |
well, it was a mistake, and we just have to put it behind us. | 0:41:56 | 0:41:59 | |
You're right. It was a mistake... | 0:41:59 | 0:42:01 | |
but not the biggest you've made. | 0:42:01 | 0:42:03 | |
The only place we found on our recce was a churchyard. | 0:42:13 | 0:42:17 | |
Quiet, secluded, plenty of places to hide something. | 0:42:17 | 0:42:20 | |
The only problem that Danny faced | 0:42:20 | 0:42:22 | |
was finding the exact spot | 0:42:22 | 0:42:24 | |
that he had hidden his list - | 0:42:24 | 0:42:26 | |
days, weeks or... | 0:42:26 | 0:42:28 | |
Well, possibly even months later. | 0:42:28 | 0:42:30 | |
DOOR UNLOCKS | 0:42:30 | 0:42:31 | |
What's going on here? | 0:42:38 | 0:42:40 | |
-We're... -We're searching burial records. | 0:42:40 | 0:42:42 | |
Her? | 0:42:55 | 0:42:56 | |
-I'm sorry. We needed a place to work. -In our home? | 0:42:56 | 0:42:58 | |
-We're searching for a missing piece of evidence. -Oh, really? | 0:42:58 | 0:43:01 | |
She's pieced together how Danny Waldron's mind | 0:43:01 | 0:43:03 | |
might have been working and she's had enough experience | 0:43:03 | 0:43:05 | |
-of avoiding coppers. -You are unbelievable. -I'm... | 0:43:05 | 0:43:08 | |
I'm desperate. | 0:43:10 | 0:43:12 | |
I'm going to get petrol and some chocolate. | 0:43:16 | 0:43:18 | |
When I come back, she'd better be gone. | 0:43:18 | 0:43:20 | |
What was the name of the boys' home again? | 0:43:39 | 0:43:41 | |
Sands View. | 0:43:41 | 0:43:43 | |
Plot 121, Lenora Sands. | 0:43:46 | 0:43:48 | |
I'm going alone. | 0:43:50 | 0:43:52 | |
Steve, don't. | 0:43:52 | 0:43:54 | |
-Need a lift? -No. | 0:43:59 | 0:44:01 | |
I'll call you if I find anything. | 0:44:01 | 0:44:04 | |
They're splitting up. | 0:44:04 | 0:44:06 | |
ENGINE STARTS | 0:44:06 | 0:44:07 | |
You take Steve. | 0:44:07 | 0:44:09 | |
PHONE RINGS | 0:45:08 | 0:45:11 | |
DC Fleming. | 0:45:11 | 0:45:13 | |
Kate, it's me. | 0:45:13 | 0:45:14 | |
Look, as she was leaving, | 0:45:14 | 0:45:16 | |
Lindsay looked like she'd led Steve on a wild goose chase. | 0:45:16 | 0:45:18 | |
Poor bastard. | 0:45:19 | 0:45:21 | |
Yeah, well, don't you feel too sorry for him. | 0:45:21 | 0:45:23 | |
Why? | 0:45:23 | 0:45:25 | |
That lead on Steve - | 0:45:25 | 0:45:27 | |
it looks like it's going to pan out. | 0:45:27 | 0:45:29 | |
He really did plant that money at Lindsay's. | 0:45:29 | 0:45:31 | |
I'm sorry. | 0:45:33 | 0:45:34 | |
Look, I just thought you'd want to know | 0:45:34 | 0:45:36 | |
before it becomes common knowledge. | 0:45:36 | 0:45:39 | |
Yeah, thanks. | 0:45:39 | 0:45:41 | |
I'm sorry. | 0:45:42 | 0:45:44 | |
Kate? | 0:46:18 | 0:46:19 | |
You were following me? | 0:46:20 | 0:46:22 | |
What are you doing here, Steve? | 0:46:22 | 0:46:23 | |
Looking for the list. | 0:46:23 | 0:46:25 | |
For Christ's sake, Steve. | 0:46:25 | 0:46:26 | |
Whatever's going on between you and Lindsay, | 0:46:26 | 0:46:28 | |
I really don't give a shit any more. | 0:46:28 | 0:46:30 | |
Danny Waldron died because of what he was on to | 0:46:30 | 0:46:32 | |
and I'm trying to solve this case! | 0:46:32 | 0:46:33 | |
You're not going to "solve" anything. | 0:46:33 | 0:46:35 | |
Lindsay's making a tit of you. | 0:46:35 | 0:46:36 | |
But you and your new partner, you deserve each other! | 0:46:36 | 0:46:38 | |
And what's that supposed to mean? | 0:46:38 | 0:46:40 | |
There's no list here, Steve! | 0:46:40 | 0:46:42 | |
If there's not, Lindsay's going to get what's coming! | 0:46:42 | 0:46:44 | |
Well, she's not the only one. | 0:46:44 | 0:46:46 | |
I trusted you. | 0:46:49 | 0:46:50 | |
We were partners. | 0:46:50 | 0:46:52 | |
He's on that first machine on the right. | 0:47:16 | 0:47:18 | |
Thanks. | 0:47:18 | 0:47:20 | |
Hi, Joe. | 0:47:21 | 0:47:22 | |
DC Fleming. | 0:47:22 | 0:47:23 | |
Yeah, I remember. | 0:47:23 | 0:47:25 | |
Joe, I need you to look at some material | 0:47:25 | 0:47:27 | |
from our inquiry into Sands View - | 0:47:27 | 0:47:28 | |
photos of individuals of a certain age and appearance, | 0:47:28 | 0:47:32 | |
to see if any of these men could be the police officer | 0:47:32 | 0:47:34 | |
you or other lads made a complaint to. | 0:47:34 | 0:47:36 | |
OK, well, show us them, then. | 0:47:39 | 0:47:41 | |
I'm sorry, Joe, | 0:47:41 | 0:47:42 | |
but there are strict rules on photographic identification. | 0:47:42 | 0:47:44 | |
You'll need to accompany me to a police station. | 0:47:46 | 0:47:49 | |
DI Denton. | 0:48:06 | 0:48:08 | |
Did this man come in here... | 0:48:08 | 0:48:10 | |
..early one morning, about two months ago? | 0:48:11 | 0:48:14 | |
I'd have to check. | 0:48:20 | 0:48:21 | |
Great. | 0:48:21 | 0:48:23 | |
I'm looking at the 7th of June, around 8am. | 0:48:23 | 0:48:25 | |
HE RETCHES | 0:48:56 | 0:48:57 | |
Joe, what is it? Joe? | 0:49:02 | 0:49:04 | |
It's OK. It's OK. | 0:49:04 | 0:49:06 | |
I don't believe it. | 0:49:08 | 0:49:09 | |
All right? | 0:49:23 | 0:49:24 | |
Oh, I'm fine. Thanks. | 0:49:24 | 0:49:27 | |
Steve? | 0:51:16 | 0:51:18 | |
Only me. | 0:51:25 | 0:51:27 | |
Lindsay Denton, I'm arresting you on suspicion | 0:51:27 | 0:51:29 | |
-of impersonating a police officer. -No. | 0:51:29 | 0:51:31 | |
And as you're on licence, that'll mean a return to prison. | 0:51:31 | 0:51:34 | |
What a crying shame. | 0:51:34 | 0:51:35 | |
No, just wait. | 0:51:35 | 0:51:37 | |
Wait. | 0:51:37 | 0:51:38 | |
Listen. All right? | 0:51:41 | 0:51:42 | |
Don't take me to a police station. | 0:51:42 | 0:51:44 | |
I request AC-12. | 0:51:44 | 0:51:46 | |
I'm going to make a statement. | 0:51:46 | 0:51:48 | |
No skin off my nose. | 0:51:48 | 0:51:49 | |
I thought it was Steve's car till I saw the registration. | 0:51:49 | 0:51:52 | |
Yeah, well, my Ferrari's in the shop - | 0:51:52 | 0:51:54 | |
so I had to get a carpool job with the rest of the rabble. | 0:51:54 | 0:51:57 | |
No back roads. | 0:52:01 | 0:52:02 | |
Just stick to the main drag. | 0:52:02 | 0:52:03 | |
Don't worry, | 0:52:03 | 0:52:05 | |
I'm not going to put my hand on your knee, if that's what you think. | 0:52:05 | 0:52:08 | |
So, what's all this big news you've got for us then? | 0:52:14 | 0:52:17 | |
All in good time. | 0:52:19 | 0:52:20 | |
TYRES SCREECH AND HORNS BLARE | 0:52:22 | 0:52:25 | |
I said, "No back roads." | 0:52:25 | 0:52:26 | |
Change of plan. | 0:52:26 | 0:52:28 | |
Nearest station's Polk Avenue. | 0:52:28 | 0:52:30 | |
I'll take you in there | 0:52:30 | 0:52:31 | |
and they can charge you for impersonating a police officer. | 0:52:31 | 0:52:34 | |
That's you back inside, end of. | 0:52:34 | 0:52:36 | |
OK, listen. | 0:52:39 | 0:52:40 | |
I found Danny Waldron's list. | 0:52:42 | 0:52:44 | |
The VIPs who were abusing boys at Sands View. | 0:52:46 | 0:52:48 | |
How'd you manage that then? | 0:52:49 | 0:52:51 | |
It didn't make sense for Danny | 0:52:51 | 0:52:52 | |
to make a hard copy of the original list | 0:52:52 | 0:52:54 | |
that could be lost or destroyed. He'd make an online copy. | 0:52:54 | 0:52:57 | |
Obviously, you'd have already seized his phone and computers. | 0:52:57 | 0:52:59 | |
Yeah, obviously. | 0:52:59 | 0:53:01 | |
He would have used a device that couldn't be traced to him, | 0:53:01 | 0:53:03 | |
and I spotted an internet cafe just off his route home. | 0:53:03 | 0:53:05 | |
He used a webcam on one of the computers | 0:53:05 | 0:53:07 | |
to capture an image of the original list. | 0:53:07 | 0:53:09 | |
So, how'd you manage to crack his passwords and that? | 0:53:09 | 0:53:12 | |
Well, you'd already harvested Danny's usernames and passwords | 0:53:12 | 0:53:15 | |
on his phone. | 0:53:15 | 0:53:16 | |
Computer and online accounts are all recorded here. | 0:53:16 | 0:53:18 | |
Fortunately, people have a habit of recycling usernames and passwords. | 0:53:18 | 0:53:22 | |
So, how did you manage to find his e-mail? | 0:53:22 | 0:53:25 | |
We looked everywhere. | 0:53:25 | 0:53:26 | |
Danny was smart enough to keep the e-mail only as a draft. | 0:53:26 | 0:53:29 | |
If it isn't sent... | 0:53:29 | 0:53:31 | |
it can't be traced. | 0:53:31 | 0:53:32 | |
Well, you've thought of everything, haven't you? | 0:53:34 | 0:53:36 | |
Oh, I have indeed. | 0:53:36 | 0:53:37 | |
I deleted Danny's draft. | 0:53:39 | 0:53:41 | |
The only place that list exists... | 0:53:41 | 0:53:44 | |
is as a draft in my e-mail account. | 0:53:44 | 0:53:47 | |
So, you take me to AC-12 and I'll hand it over. | 0:53:47 | 0:53:50 | |
At a price, naturally. | 0:53:51 | 0:53:52 | |
So, what price would that be, then? | 0:53:53 | 0:53:55 | |
My convictions quashed, | 0:53:55 | 0:53:58 | |
a full pardon. | 0:53:58 | 0:54:00 | |
A clean slate? Hmm? | 0:54:00 | 0:54:02 | |
A fresh start? | 0:54:02 | 0:54:04 | |
Are you making fun of me? | 0:54:04 | 0:54:06 | |
Actually, I wasn't. | 0:54:06 | 0:54:07 | |
You just take me to AC-12, all right? | 0:54:08 | 0:54:11 | |
You know what? | 0:54:16 | 0:54:17 | |
Don't worry, I'm going to call them myself. | 0:54:17 | 0:54:20 | |
Look, AC-12 don't want nothing to do with you, | 0:54:20 | 0:54:22 | |
they just want you back in prison. | 0:54:22 | 0:54:24 | |
What, you're different somehow, are you? | 0:54:24 | 0:54:26 | |
I know you took that bribe, Lindsay. | 0:54:28 | 0:54:31 | |
But you didn't do it for the money, did you? | 0:54:31 | 0:54:34 | |
You took it because you wanted to find a young girl... | 0:54:34 | 0:54:38 | |
who was being groomed by Hunter and his cronies. | 0:54:38 | 0:54:41 | |
How do you know that? | 0:54:44 | 0:54:45 | |
50 grand the first time. | 0:54:45 | 0:54:47 | |
100 grand this time? | 0:54:47 | 0:54:48 | |
-What? -Face facts, Lindsay. | 0:54:50 | 0:54:53 | |
Your old life... | 0:54:53 | 0:54:55 | |
No, that's a pipe dream. | 0:54:55 | 0:54:57 | |
It's gone. | 0:54:57 | 0:54:59 | |
Yeah, it's sad. | 0:54:59 | 0:55:01 | |
The only way you can get a fresh start... | 0:55:01 | 0:55:05 | |
Well, do I have to spell it out? | 0:55:05 | 0:55:07 | |
100 grand and you forget about all of this - | 0:55:07 | 0:55:10 | |
that list included. | 0:55:10 | 0:55:11 | |
All you have to do is forget about everything. | 0:55:13 | 0:55:16 | |
All of this. | 0:55:16 | 0:55:17 | |
Look, just take the money, you mad bitch, and stay out of it! | 0:55:22 | 0:55:25 | |
What are you doing? | 0:55:28 | 0:55:30 | |
Why don't you just take the money?! | 0:55:31 | 0:55:33 | |
Because I'm a police officer! | 0:55:33 | 0:55:35 | |
DI Cottan... | 0:55:53 | 0:55:54 | |
..we are two feet apart in a confined space. | 0:55:55 | 0:55:58 | |
Frankly, for you... | 0:55:59 | 0:56:01 | |
..this is a forensic ground zero. | 0:56:02 | 0:56:04 | |
Don't do that. | 0:56:09 | 0:56:10 | |
You had four, five people killed | 0:56:12 | 0:56:15 | |
and me framed - | 0:56:15 | 0:56:17 | |
I expect you had Danny Waldron killed too - | 0:56:17 | 0:56:20 | |
and never a single speck of blood on your hands. | 0:56:20 | 0:56:23 | |
You want to shoot me? | 0:56:27 | 0:56:29 | |
You go ahead. | 0:56:30 | 0:56:32 | |
If it sends you to prison, that is my job done. | 0:56:33 | 0:56:36 | |
Do not send that message. | 0:56:38 | 0:56:40 | |
You're just a go-between. | 0:56:43 | 0:56:45 | |
You're a weasel. | 0:56:46 | 0:56:47 | |
Other people do your dirty work for you. | 0:56:49 | 0:56:51 | |
Now, you put that gun away | 0:56:54 | 0:56:56 | |
and you take me to AC-12. | 0:56:56 | 0:56:58 | |
Let's see what they all think when I bring you in. | 0:57:01 | 0:57:04 | |
When I bring in the Caddy. | 0:57:05 | 0:57:07 | |
No. | 0:57:22 | 0:57:24 | |
No! | 0:57:24 | 0:57:26 |