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-I quit! -Aldous suffered a heart attack | 0:00:02 | 0:00:03 | |
on one of our jets. | 0:00:03 | 0:00:05 | |
I have never been more attracted to you than I am right now. | 0:00:05 | 0:00:07 | |
I'd like you to take over as interim director. | 0:00:07 | 0:00:09 | |
The disease is spreading too rapidly. | 0:00:09 | 0:00:11 | |
But if we can reboot her immune system... | 0:00:11 | 0:00:13 | |
With my kid's bone marrow? | 0:00:13 | 0:00:15 | |
Now for the embryos. | 0:00:15 | 0:00:16 | |
My father is the father. I'm carrying your babies. | 0:00:16 | 0:00:19 | |
You had to put your own child inside of her? | 0:00:19 | 0:00:21 | |
HENRIK: Don't do this. Helena! | 0:00:23 | 0:00:25 | |
-We're not safe here. -Where are you going to take her? | 0:00:28 | 0:00:31 | |
Pleasure to meet you, Felix. | 0:00:31 | 0:00:33 | |
What have you done? | 0:00:33 | 0:00:34 | |
SOBBING | 0:00:34 | 0:00:35 | |
I know how frightening this must be for you. | 0:00:35 | 0:00:37 | |
You may even grow to like it here. Just as I did. | 0:00:37 | 0:00:40 | |
Do you have any known allergies? | 0:00:44 | 0:00:45 | |
Are you taking any prescription medication? | 0:00:45 | 0:00:47 | |
In the first place, giving her bone marrow, | 0:00:47 | 0:00:49 | |
the child! She's eight years old! | 0:00:49 | 0:00:51 | |
SHOUTING, VOICES ECHO | 0:00:51 | 0:00:53 | |
I should've known. I should've seen it. | 0:00:55 | 0:00:59 | |
She is eight years old. She doesn't get a choice in any of this! | 0:00:59 | 0:01:02 | |
What is your sexual orientation? Do you now, | 0:01:02 | 0:01:04 | |
or have you ever used intravenous drugs? | 0:01:04 | 0:01:06 | |
How many sexual partners? Are you ovulating? | 0:01:06 | 0:01:09 | |
-I don't know. -Are you ovulating? -I don't know! | 0:01:09 | 0:01:11 | |
VOICES OVERLAP AND ECHO | 0:01:11 | 0:01:14 | |
..for five bloody minutes! | 0:01:14 | 0:01:16 | |
I cannot go over it again and again, Sarah. I thought it was you! | 0:01:16 | 0:01:19 | |
She looked like you. She was with... | 0:01:19 | 0:01:21 | |
-MAN: When did you first have sexual intercourse? -14, 15. | 0:01:24 | 0:01:28 | |
-Have you ever had an STD? -No. | 0:01:28 | 0:01:30 | |
-Have you ever been diagnosed with a reproductive disorder? -No. | 0:01:30 | 0:01:33 | |
Have you ever had an abortion? Have you ever had an abortion? | 0:01:33 | 0:01:39 | |
-VOICE BREAKING: -Yes. | 0:01:39 | 0:01:40 | |
-Have you ever been diagnosed with mental illness? -No. | 0:01:40 | 0:01:43 | |
-Do you use birth control? -Sometimes, yeah. | 0:01:43 | 0:01:47 | |
Be strong, child. | 0:01:48 | 0:01:50 | |
I don't know whose side you're on. | 0:01:52 | 0:01:54 | |
But I know you always put Kira first. | 0:01:54 | 0:01:58 | |
And we'll do that now. | 0:01:58 | 0:02:00 | |
But first, we need to get Felix checked by a doctor. | 0:02:00 | 0:02:03 | |
Felix. Felix, honey, you... | 0:02:03 | 0:02:07 | |
We have to get you for the toxicology test. | 0:02:07 | 0:02:10 | |
No, not a chance. I'm fine. | 0:02:10 | 0:02:12 | |
No. No, love. We can't be sure what you've had. | 0:02:12 | 0:02:14 | |
We don't know... Sarah, you've got to tell him. | 0:02:14 | 0:02:16 | |
Sarah? | 0:02:16 | 0:02:18 | |
-My name is Sarah Manning. -Speak up, please. | 0:02:20 | 0:02:23 | |
My name is Sarah Manning... | 0:02:27 | 0:02:29 | |
..and this is my unconditional surrender. | 0:02:30 | 0:02:33 | |
Good morning, Miss Manning. | 0:03:49 | 0:03:52 | |
My name is Dr Nealon. | 0:03:52 | 0:03:55 | |
BEEP | 0:03:55 | 0:03:58 | |
Nice to see you again. | 0:03:58 | 0:04:00 | |
"Again"? | 0:04:00 | 0:04:01 | |
At our first encounter, I thought you were Beth Childs. | 0:04:01 | 0:04:04 | |
Your blood work told us otherwise. | 0:04:04 | 0:04:08 | |
You examined me in my sleep. | 0:04:08 | 0:04:10 | |
I'm glad that will no longer be necessary. | 0:04:10 | 0:04:13 | |
You began menstruation very young. | 0:04:13 | 0:04:17 | |
Look, I'm going to cooperate, but I want to see my kid. | 0:04:17 | 0:04:20 | |
Kira's fine. | 0:04:20 | 0:04:21 | |
You have my word. | 0:04:22 | 0:04:23 | |
SHE SIGHS | 0:04:29 | 0:04:31 | |
-Come on, honey. It won't hurt. It's just cotton. -Mm-mm. | 0:04:31 | 0:04:35 | |
Please? | 0:04:38 | 0:04:40 | |
There. All done. | 0:04:48 | 0:04:50 | |
DOOR OPENS, CLOSES | 0:04:53 | 0:04:56 | |
KEYPAD BEEPS | 0:04:59 | 0:05:01 | |
RINGING | 0:05:04 | 0:05:07 | |
CAL: 'Hello?' | 0:05:07 | 0:05:09 | |
Hey! You can't take that! Hey! | 0:05:09 | 0:05:11 | |
We just finished processing that material, Martin. | 0:05:11 | 0:05:14 | |
And your transplant has been booked. | 0:05:14 | 0:05:15 | |
The marrow's being sent directly to Dr Nealon. | 0:05:15 | 0:05:18 | |
What? Who's Dr Nealon? | 0:05:18 | 0:05:19 | |
-Your new physician. -What? I have a new physician? | 0:05:19 | 0:05:22 | |
Dr Cormier didn't tell you? This is all on Rachel's orders. | 0:05:22 | 0:05:25 | |
Effective immediately, | 0:05:28 | 0:05:29 | |
you'll no longer be working with the clones. | 0:05:29 | 0:05:32 | |
Frankfurt. | 0:05:32 | 0:05:33 | |
-And if I refuse? -You'll be on the plane. | 0:05:35 | 0:05:37 | |
You have everything you wanted. | 0:05:37 | 0:05:41 | |
Everything Dyad wanted. | 0:05:41 | 0:05:43 | |
You used me! | 0:05:43 | 0:05:45 | |
Please, let me say goodbye to Cosima. | 0:05:45 | 0:05:48 | |
Cosima will be well cared for, and Sarah's procedure is imminent. | 0:05:48 | 0:05:53 | |
You forget, Dr Cormier, none of this is personal. | 0:05:53 | 0:05:57 | |
I love her and if you let her die without me, it is personal. | 0:05:57 | 0:06:00 | |
PHONE KEYPAD BEEPS | 0:06:10 | 0:06:12 | |
No-one is more familiar with her illness than Delphine. We need her. | 0:06:13 | 0:06:17 | |
Dr Nealon has all of Dr Cormier's records. | 0:06:17 | 0:06:19 | |
-She'll get the best possible care. -She had the best care! You took it away. | 0:06:19 | 0:06:23 | |
This is not a debate, Mr Smith. | 0:06:23 | 0:06:24 | |
If you wish to remain involved... | 0:06:24 | 0:06:27 | |
-Um, Martin? -SHE CLEARS THROAT | 0:06:27 | 0:06:29 | |
-BREATHLESSLY: -Scott, just... | 0:06:29 | 0:06:31 | |
Can you tell Dr Nealon that I am really excited to work with him. | 0:06:31 | 0:06:37 | |
Is there anything that I can do for Sarah? | 0:06:37 | 0:06:40 | |
I just don't want anybody to get hurt. | 0:06:40 | 0:06:42 | |
Maybe, if I can't see Sarah, then I can see Kira? | 0:06:42 | 0:06:45 | |
You know, she's just a little kid and it'd be a nice gesture | 0:06:45 | 0:06:48 | |
from you guys, you know. We can foster cooperation. | 0:06:48 | 0:06:52 | |
I'll see what I can do. | 0:06:52 | 0:06:54 | |
Awesome. Thank you. | 0:06:54 | 0:06:56 | |
What are you up to? | 0:06:57 | 0:06:59 | |
I don't know, yet. | 0:06:59 | 0:07:01 | |
Cosima, we should really leave. | 0:07:01 | 0:07:05 | |
Yeah, I know. We probably should. | 0:07:05 | 0:07:07 | |
But they're planning something for Sarah. | 0:07:07 | 0:07:09 | |
Delphine just sent me Rachel's itinerary. | 0:07:09 | 0:07:11 | |
So, we know where she's going to be? | 0:07:11 | 0:07:14 | |
And we know where Sarah's going to be. | 0:07:14 | 0:07:17 | |
In 16 days, when you begin to ovulate, | 0:07:17 | 0:07:20 | |
we would like to harvest your eggs. | 0:07:20 | 0:07:23 | |
-You would? -Yes. | 0:07:23 | 0:07:25 | |
Well, I would like to see my daughter. | 0:07:26 | 0:07:28 | |
Sign consent to the procedure | 0:07:30 | 0:07:32 | |
and I will make that happen. | 0:07:32 | 0:07:36 | |
Look at me. | 0:07:36 | 0:07:38 | |
Do I really need to sign? | 0:07:38 | 0:07:41 | |
Does that really matter? | 0:07:41 | 0:07:43 | |
Bureaucracy. | 0:07:43 | 0:07:45 | |
Take me to her. | 0:07:57 | 0:07:59 | |
You want some tea? | 0:08:04 | 0:08:05 | |
Hello, sweetheart. | 0:08:22 | 0:08:24 | |
-Are you comfortable? -Is my mum here yet? | 0:08:26 | 0:08:29 | |
Soon. | 0:08:29 | 0:08:31 | |
I hope. | 0:08:31 | 0:08:33 | |
The last time I saw your mother, | 0:08:37 | 0:08:41 | |
she laid hands on me. | 0:08:41 | 0:08:42 | |
-Do you know what that means? -No. | 0:08:42 | 0:08:44 | |
It means she wasn't very nice to me. | 0:08:44 | 0:08:46 | |
And then, she kept running away. | 0:08:46 | 0:08:48 | |
Just as she ran from you, so many times. | 0:08:48 | 0:08:51 | |
Did that make you sad? | 0:08:51 | 0:08:54 | |
Yeah. | 0:08:54 | 0:08:55 | |
But she says she's all grown-up now. | 0:08:55 | 0:08:57 | |
I hope she is. | 0:08:59 | 0:09:01 | |
Even mothers have to do as they're told, | 0:09:05 | 0:09:07 | |
sometimes. | 0:09:07 | 0:09:10 | |
Don't they? | 0:09:10 | 0:09:11 | |
Absolutely not. What part of this are you not understanding?! | 0:09:19 | 0:09:21 | |
No, you listen. | 0:09:21 | 0:09:24 | |
Amber alert is not an option. If I say you're making a car bomb, | 0:09:24 | 0:09:27 | |
you will bloody well make a car bomb. | 0:09:27 | 0:09:30 | |
I will call you back. | 0:09:30 | 0:09:31 | |
-Who was that? -That was... | 0:09:33 | 0:09:36 | |
-That was nobody that you need to know. -KNOCKING ON DOOR | 0:09:36 | 0:09:39 | |
GUN COCKS | 0:09:39 | 0:09:41 | |
Hey. Mrs S? | 0:09:48 | 0:09:50 | |
Who are you? | 0:09:50 | 0:09:52 | |
I'm Cal. I'm Kira's father. | 0:09:52 | 0:09:55 | |
-Kira called me this morning. -And when did she give you this? | 0:09:55 | 0:09:58 | |
For Christ's sake, Siobhan. I can vouch for him. | 0:09:58 | 0:10:01 | |
After eight years, you finally meet Kira's dad. You don't even tell me... | 0:10:01 | 0:10:04 | |
Oh, yes, let's do open a rollicking debate | 0:10:04 | 0:10:06 | |
-about keeping secrets, shall we? -Guys, guys. | 0:10:06 | 0:10:08 | |
-Why don't we? -Please, can you put the gun down? | 0:10:08 | 0:10:11 | |
Look, Sarah never told me anything, OK? I just kind of figured it out. | 0:10:11 | 0:10:15 | |
Genetic identicals. | 0:10:15 | 0:10:16 | |
Kira knows it too, even though she doesn't really know what it means. | 0:10:16 | 0:10:20 | |
I'm here to help. I did a lot of digging on Dyad. | 0:10:20 | 0:10:23 | |
-He's handy that way. -Is he? | 0:10:23 | 0:10:26 | |
PHONE RING | 0:10:26 | 0:10:27 | |
Arthur, what can you tell me? | 0:10:30 | 0:10:31 | |
'Well, I can tell you I just came home to find someone at my table.' | 0:10:31 | 0:10:34 | |
-What do you mean? Who? -She's eating. | 0:10:34 | 0:10:37 | |
Hello, sestra brother. | 0:10:37 | 0:10:40 | |
I want to see Sarah. | 0:10:40 | 0:10:41 | |
Holy shit. | 0:10:41 | 0:10:43 | |
(Helena's back.) | 0:10:43 | 0:10:44 | |
(Do not tell her about Sarah.) | 0:10:44 | 0:10:46 | |
Art, have you told her anything? | 0:10:46 | 0:10:48 | |
No, of course not. | 0:10:48 | 0:10:50 | |
-I want you over there, Felix. She is too unpredictable. -Hang on just a second. | 0:10:50 | 0:10:53 | |
-(Me? -Yes, you!) | 0:10:53 | 0:10:55 | |
(Oh, God.) | 0:10:55 | 0:10:57 | |
Keep feeding her, Art, all right? | 0:10:57 | 0:10:59 | |
-I'm going to be there as soon as I can. -Yeah. -Bye. | 0:10:59 | 0:11:02 | |
Just keep her on ice, clear? Do not let Helena out of your sight. | 0:11:02 | 0:11:06 | |
OK. | 0:11:06 | 0:11:07 | |
Duncan. | 0:11:22 | 0:11:24 | |
Sarah. | 0:11:24 | 0:11:25 | |
Don't despair, my dear. | 0:11:25 | 0:11:28 | |
Don't despair. | 0:11:28 | 0:11:29 | |
I fell in love with a boy called Jesse. | 0:11:37 | 0:11:41 | |
But, after bar fighting, he had to go to war | 0:11:42 | 0:11:47 | |
and become a tow-truck driver. | 0:11:47 | 0:11:49 | |
O...K. | 0:11:49 | 0:11:51 | |
OK, look, there was a fire at the Johanssen Ranch | 0:11:51 | 0:11:53 | |
-last night. Do you know anything about that? -No. | 0:11:53 | 0:11:56 | |
Helena. | 0:11:56 | 0:11:58 | |
Pbbbbbt. | 0:11:58 | 0:12:00 | |
Did you burn down the fish people's ranch? | 0:12:00 | 0:12:02 | |
No. | 0:12:02 | 0:12:03 | |
When do I see Sarah? | 0:12:06 | 0:12:08 | |
Soon. | 0:12:08 | 0:12:09 | |
She said that Kira can't wait to see you. | 0:12:09 | 0:12:12 | |
After my heart was broken, | 0:12:12 | 0:12:15 | |
I became roommates to a very good girl. | 0:12:15 | 0:12:18 | |
OK. | 0:12:18 | 0:12:19 | |
So tell me about that. | 0:12:19 | 0:12:21 | |
She had... a crisis of faith. | 0:12:21 | 0:12:26 | |
What's done is done, Gracie. We can start fresh. | 0:12:28 | 0:12:33 | |
Am I a sinner for wishing my father dead? | 0:12:33 | 0:12:36 | |
He deserved it. | 0:12:36 | 0:12:38 | |
God's just going to have to deal with the both of us, then, isn't he? | 0:12:38 | 0:12:42 | |
Yes, he will. | 0:12:42 | 0:12:44 | |
Because we're together now. | 0:12:44 | 0:12:46 | |
That means the child inside you, too. | 0:12:48 | 0:12:50 | |
The Dyad group has these key people on dozens of corporate boards, you know. | 0:12:55 | 0:13:00 | |
I'm talking superpacs and research groups and lobbyists. | 0:13:00 | 0:13:03 | |
All a concerted effort to try and effect biogenetic patent law. | 0:13:03 | 0:13:07 | |
I can use the internet, actually, Cal. | 0:13:07 | 0:13:08 | |
No, you can't. No offence. | 0:13:08 | 0:13:11 | |
Well, what have you discovered? | 0:13:11 | 0:13:13 | |
Well, it's not what, it's who. | 0:13:13 | 0:13:16 | |
Someone from Dyad tried to hack me, | 0:13:16 | 0:13:20 | |
so I hacked them back. | 0:13:20 | 0:13:21 | |
I followed this person on darknet | 0:13:21 | 0:13:23 | |
and I saw them asking the same questions as me. | 0:13:23 | 0:13:26 | |
Jesus, you fell for that? | 0:13:26 | 0:13:27 | |
But they had real information. | 0:13:27 | 0:13:29 | |
Project LEDA, clones. | 0:13:29 | 0:13:31 | |
And they know I'm Kira's father. | 0:13:31 | 0:13:33 | |
I think this is an insider. And high up, too. | 0:13:33 | 0:13:37 | |
-They get to you, they get to Kira. -They already have Kira. | 0:13:37 | 0:13:42 | |
And, yet, this person is still here. | 0:13:42 | 0:13:45 | |
They're there now? | 0:13:45 | 0:13:47 | |
Can... | 0:13:49 | 0:13:50 | |
you... | 0:13:50 | 0:13:52 | |
help? | 0:13:52 | 0:13:54 | |
(Come on.) | 0:13:54 | 0:13:56 | |
Just... | 0:13:58 | 0:14:01 | |
Tell them you're with Siobhan Sadler. | 0:14:01 | 0:14:03 | |
With Siovan... It's with a "bh". | 0:14:03 | 0:14:05 | |
Oops. | 0:14:05 | 0:14:07 | |
Sorry about that. | 0:14:07 | 0:14:08 | |
(Come on.) | 0:14:10 | 0:14:11 | |
"Castor"? | 0:14:14 | 0:14:15 | |
Does that mean anything to you? | 0:14:15 | 0:14:17 | |
Don't know your mythology, do you, Cal? | 0:14:19 | 0:14:21 | |
Luckily, you're not the only person with an inside man. | 0:14:21 | 0:14:26 | |
Well. | 0:15:08 | 0:15:10 | |
I didn't peg you for a major, back at Prof Duncan's house. | 0:15:10 | 0:15:13 | |
I wasn't. A lot has changed since I came back in. | 0:15:13 | 0:15:17 | |
But you are still prepared to play double agent? | 0:15:17 | 0:15:19 | |
Like you, I want to know the truth. | 0:15:19 | 0:15:21 | |
I'm impressed, Paul. | 0:15:21 | 0:15:24 | |
I'll be impressed if you can actually pull this off. | 0:15:24 | 0:15:26 | |
Cup of tea while we wait? | 0:15:26 | 0:15:29 | |
FROM FOOTAGE: 'Suddenly I heard a thud and a hissing behind me | 0:15:31 | 0:15:33 | |
'and, looking round, | 0:15:33 | 0:15:35 | |
'sprang to my feet with a cry of horror. | 0:15:35 | 0:15:37 | |
'Against the warm dawn | 0:15:37 | 0:15:38 | |
'great tumultuous masses of black smoke | 0:15:38 | 0:15:40 | |
'were boiling up out of the enclosure...' | 0:15:40 | 0:15:43 | |
Are you enjoying yourself? | 0:15:43 | 0:15:44 | |
-'..shot flickering threads of blood-red flame.' -I've brought tea. | 0:15:44 | 0:15:47 | |
Just hot water, for me. | 0:15:47 | 0:15:49 | |
Brought my own bag. | 0:15:49 | 0:15:51 | |
'A spurt of fire jetted from the window of my room. | 0:15:51 | 0:15:54 | |
'I remembered the crash I had heard...' | 0:15:54 | 0:15:57 | |
Do you remember this day? | 0:15:57 | 0:15:59 | |
As often as possible. | 0:15:59 | 0:16:01 | |
It's a day I would've never seen, | 0:16:01 | 0:16:02 | |
had it not been for your synthetic sequences. | 0:16:02 | 0:16:06 | |
And, yet, | 0:16:06 | 0:16:07 | |
Martin tells me you've encoded them | 0:16:07 | 0:16:10 | |
with a non-repeating substitution cipher. | 0:16:10 | 0:16:13 | |
Why would you deny existence to more of us? | 0:16:13 | 0:16:16 | |
We're your life's work. | 0:16:16 | 0:16:18 | |
I've given you the sequence to help Cosima. | 0:16:18 | 0:16:21 | |
Cure her, and we'll talk about unlocking another. | 0:16:21 | 0:16:24 | |
Unlock another, | 0:16:24 | 0:16:26 | |
and we'll talk about curing Cosima. | 0:16:26 | 0:16:29 | |
Well, since none of us seem to know what you're actually for, | 0:16:29 | 0:16:32 | |
I think your attempts to make new clones | 0:16:32 | 0:16:34 | |
should meet with failure. | 0:16:34 | 0:16:36 | |
I want the key to your cipher. | 0:16:36 | 0:16:39 | |
I've had 20 years to work on it. | 0:16:39 | 0:16:41 | |
It's rather good. | 0:16:41 | 0:16:43 | |
Where is it? | 0:16:43 | 0:16:45 | |
Is it with Sarah's people? | 0:16:45 | 0:16:48 | |
My dear, I didn't write it down. You know I can recite PI | 0:16:48 | 0:16:51 | |
to 6,000 places. | 0:16:51 | 0:16:52 | |
Do you recall, Rachel, not the memory, | 0:16:57 | 0:17:00 | |
but the feeling of... how much we loved you? | 0:17:00 | 0:17:04 | |
The reason I watch these tapes so often is because | 0:17:07 | 0:17:12 | |
I don't remember at all. | 0:17:12 | 0:17:14 | |
CUP SMASHES | 0:17:17 | 0:17:19 | |
What...? What have you done? What have you done? | 0:17:19 | 0:17:23 | |
My poor, poor Rachel. | 0:17:23 | 0:17:25 | |
No! | 0:17:25 | 0:17:27 | |
My poor, poor Rachel. | 0:17:27 | 0:17:29 | |
Why? No. | 0:17:29 | 0:17:32 | |
It w... It won't... take long. | 0:17:32 | 0:17:36 | |
No, no, no. No. No. | 0:17:36 | 0:17:38 | |
You can't leave me again. | 0:17:38 | 0:17:40 | |
-SOBBING: -You can't leave me again! | 0:17:40 | 0:17:43 | |
No! | 0:17:43 | 0:17:44 | |
I'm afraid you don't... | 0:17:44 | 0:17:47 | |
deserve me any more. | 0:17:47 | 0:17:50 | |
HE CHOKES | 0:17:50 | 0:17:52 | |
Martin! | 0:17:52 | 0:17:54 | |
LAUGHTER | 0:17:54 | 0:17:56 | |
So you know what I need | 0:18:02 | 0:18:04 | |
if this gets Sarah out of there. | 0:18:04 | 0:18:05 | |
I'm well aware. | 0:18:05 | 0:18:07 | |
This should be interesting. | 0:18:20 | 0:18:22 | |
All right, they're willing. | 0:18:22 | 0:18:24 | |
Paul, meet Cal. He's Kira's father. | 0:18:24 | 0:18:27 | |
Hi, Paul. | 0:18:27 | 0:18:28 | |
LAUGHS | 0:18:28 | 0:18:30 | |
What's so funny? | 0:18:30 | 0:18:32 | |
Oh, you're a friend of Sarah's. | 0:18:32 | 0:18:35 | |
Just look at the two of you. | 0:18:35 | 0:18:38 | |
I don't know how she does it. | 0:18:38 | 0:18:40 | |
OK, what's happening now? | 0:18:46 | 0:18:49 | |
We are hoping that there are still | 0:18:49 | 0:18:51 | |
good people in the most corrupt places. | 0:18:51 | 0:18:54 | |
You, | 0:19:01 | 0:19:02 | |
the monitor, Paul Dierden. | 0:19:02 | 0:19:03 | |
Yeah. I think I know who you are. | 0:19:03 | 0:19:06 | |
Apparently, we're both willing to risk our necks | 0:19:06 | 0:19:08 | |
to get to the bottom of this, hmm? | 0:19:08 | 0:19:10 | |
Castor. | 0:19:10 | 0:19:12 | |
You guarantee that Sarah and her daughter | 0:19:13 | 0:19:15 | |
will be released and protected. | 0:19:15 | 0:19:17 | |
I can get them out. | 0:19:17 | 0:19:20 | |
The rest is up to Sarah. | 0:19:20 | 0:19:21 | |
You like your new dolls, Kira? | 0:19:37 | 0:19:39 | |
No, not really. | 0:19:39 | 0:19:40 | |
No? | 0:19:40 | 0:19:41 | |
COUGHS | 0:19:46 | 0:19:49 | |
Do you want to do some science? | 0:19:49 | 0:19:50 | |
Science class? | 0:19:50 | 0:19:51 | |
Yeah, it's my favourite. | 0:19:51 | 0:19:53 | |
Pure science. You want to do it? | 0:19:53 | 0:19:56 | |
-Yeah. -OK. | 0:19:56 | 0:19:57 | |
We're going to do an experiment. | 0:19:57 | 0:19:59 | |
I want you to try to push | 0:19:59 | 0:20:00 | |
your favourite pencil through this paper. | 0:20:00 | 0:20:03 | |
OK? See if you can do it. | 0:20:03 | 0:20:05 | |
Oops. | 0:20:07 | 0:20:08 | |
How come that didn't work? I wonder. | 0:20:08 | 0:20:11 | |
Cos you know what? You need more...? | 0:20:11 | 0:20:14 | |
Force. | 0:20:14 | 0:20:15 | |
OK? | 0:20:15 | 0:20:16 | |
So force equals mass - pbbt! - | 0:20:18 | 0:20:21 | |
times - pyew! - acceleration. | 0:20:21 | 0:20:23 | |
How can we get the pencil | 0:20:28 | 0:20:29 | |
through this paper, do you think? | 0:20:29 | 0:20:31 | |
We need to make it sharper? | 0:20:31 | 0:20:32 | |
That's a really good idea. High-five for that. | 0:20:32 | 0:20:35 | |
What about trying speed? | 0:20:40 | 0:20:42 | |
Maybe? Acceleration? | 0:20:42 | 0:20:43 | |
Should we give that a shot? | 0:20:43 | 0:20:46 | |
Nice one! | 0:20:51 | 0:20:54 | |
You won the experiment. | 0:20:55 | 0:20:57 | |
You won science. | 0:20:57 | 0:20:58 | |
You're a scientist now. | 0:20:58 | 0:21:00 | |
You want to make a picture for your mom? | 0:21:00 | 0:21:02 | |
Yeah. | 0:21:02 | 0:21:04 | |
OK. Maybe we can explain to her | 0:21:04 | 0:21:05 | |
what we learned today. | 0:21:05 | 0:21:06 | |
Hey. Oh, oh, oh, oh. | 0:21:12 | 0:21:15 | |
Cosima. | 0:21:15 | 0:21:17 | |
I'm OK. I'm...sorry. I'm OK. | 0:21:17 | 0:21:18 | |
Cosima, it's not going to work. | 0:21:18 | 0:21:20 | |
It has to work. | 0:21:20 | 0:21:21 | |
She needs us. | 0:21:21 | 0:21:23 | |
Cosima. | 0:21:23 | 0:21:24 | |
Hey. | 0:21:26 | 0:21:27 | |
Hey. | 0:21:27 | 0:21:30 | |
Let me do this. | 0:21:32 | 0:21:34 | |
Where'd you get that? | 0:21:34 | 0:21:35 | |
We're only going to get one chance. | 0:21:35 | 0:21:37 | |
DOOR OPENS | 0:21:39 | 0:21:42 | |
What's going on? | 0:21:45 | 0:21:47 | |
Let go. Let go! | 0:21:47 | 0:21:49 | |
What are you doing? | 0:21:52 | 0:21:54 | |
Why are you doing this? | 0:21:58 | 0:21:59 | |
-WOMAN: -OK, here she comes. | 0:21:59 | 0:22:01 | |
No, move that to the other side. | 0:22:04 | 0:22:05 | |
Please. | 0:22:06 | 0:22:07 | |
I got a pulse. | 0:22:07 | 0:22:10 | |
One. | 0:22:10 | 0:22:11 | |
What are you going to do? | 0:22:11 | 0:22:13 | |
Cosima says hey. | 0:22:24 | 0:22:25 | |
We're going to help you get out of here. Just... | 0:22:25 | 0:22:29 | |
What is this? | 0:22:29 | 0:22:30 | |
We're performing an oophorectomy. | 0:22:30 | 0:22:32 | |
A what?! | 0:22:33 | 0:22:34 | |
We're removing one of you ovaries. | 0:22:34 | 0:22:36 | |
For research. | 0:22:36 | 0:22:37 | |
Bullshit, you are! | 0:22:39 | 0:22:40 | |
That's not what I signed. | 0:22:40 | 0:22:42 | |
You'll still have one. | 0:22:42 | 0:22:43 | |
We don't wish to render you infertile. | 0:22:43 | 0:22:44 | |
On the contrary, | 0:22:44 | 0:22:46 | |
I hope you look forward to another pregnancy as much as we do. | 0:22:46 | 0:22:49 | |
Dr Nealon. | 0:22:53 | 0:22:54 | |
Ms Duncan. | 0:22:55 | 0:22:57 | |
I'd like a second to speak to my sister, please. | 0:22:57 | 0:22:59 | |
Two minutes. Everybody stay prepped. | 0:23:01 | 0:23:03 | |
OK, everybody out. | 0:23:03 | 0:23:04 | |
Kira gave me something for you. | 0:23:11 | 0:23:13 | |
You psycho. | 0:23:15 | 0:23:16 | |
She also gave her bone marrow | 0:23:17 | 0:23:19 | |
to cure Cosima. | 0:23:19 | 0:23:21 | |
Duncan is dead. | 0:23:38 | 0:23:39 | |
-What? -He took his own life. | 0:23:39 | 0:23:42 | |
But I know he gave you the key | 0:23:42 | 0:23:44 | |
to the synthetic sequences, didn't he? | 0:23:44 | 0:23:46 | |
What key? | 0:23:47 | 0:23:48 | |
To his cipher. | 0:23:56 | 0:23:57 | |
He wrote them down for you. | 0:23:57 | 0:23:59 | |
I don't know what you're talking about. | 0:23:59 | 0:24:01 | |
Rachel, I don't know. | 0:24:02 | 0:24:04 | |
No? | 0:24:04 | 0:24:06 | |
Enjoy your oophorectomy. | 0:24:15 | 0:24:17 | |
We will continue this when you're done. | 0:24:18 | 0:24:20 | |
Rachel. | 0:24:24 | 0:24:25 | |
I'll tell you. | 0:24:25 | 0:24:27 | |
Good. Where is it? | 0:24:27 | 0:24:29 | |
Where has he written it? | 0:24:31 | 0:24:32 | |
Right here. | 0:24:33 | 0:24:35 | |
SHE SCREAMS | 0:24:37 | 0:24:39 | |
Go. Get Kira. | 0:24:42 | 0:24:43 | |
Go! | 0:24:44 | 0:24:45 | |
Mummy! | 0:24:59 | 0:25:00 | |
She's ready. I was just about to get you. | 0:25:00 | 0:25:03 | |
You're free to go. You don't have to run. | 0:25:03 | 0:25:05 | |
I'm very impressed by you, Sarah, by both you and your mother. | 0:25:07 | 0:25:10 | |
Who are you? | 0:25:10 | 0:25:12 | |
My name is Marian Bowles. I'm from Topside. | 0:25:12 | 0:25:14 | |
I've opened the doors, but this does not end with Rachel. | 0:25:14 | 0:25:18 | |
Sarah, if you ever want to stop running, | 0:25:18 | 0:25:21 | |
if you want the truth, | 0:25:21 | 0:25:22 | |
if you want to know what this is really all about, | 0:25:22 | 0:25:25 | |
then you meet me tomorrow, hmm? | 0:25:25 | 0:25:27 | |
Cal can arrange it. He's downstairs, | 0:25:27 | 0:25:30 | |
waiting to take you home to your sisters. | 0:25:30 | 0:25:32 | |
Well, tonight was certainly informative. | 0:25:38 | 0:25:41 | |
-Give me five. -Later, Cal. | 0:25:41 | 0:25:43 | |
-Take care. -Yeah. Nice to meet you. | 0:25:43 | 0:25:45 | |
He's hot. | 0:25:45 | 0:25:46 | |
Pssh. | 0:25:49 | 0:25:51 | |
Well, that's us. | 0:25:51 | 0:25:52 | |
Yeah, well, it's a pretty standard group of sisters. | 0:25:52 | 0:25:56 | |
Yeah, I think so. | 0:25:56 | 0:25:58 | |
Um, I'm going to be around, OK? | 0:25:59 | 0:26:01 | |
I want to help with Kira, | 0:26:01 | 0:26:03 | |
getting the marrow, and stuff. | 0:26:03 | 0:26:05 | |
I don't think we can do that again | 0:26:05 | 0:26:07 | |
-for another six weeks. -Oh. | 0:26:07 | 0:26:10 | |
So I don't know what's going to happen to Cosima. | 0:26:10 | 0:26:12 | |
Um... | 0:26:15 | 0:26:16 | |
I'm sorry about that. | 0:26:20 | 0:26:21 | |
Whatever you did to get Marian Bowles, | 0:26:21 | 0:26:24 | |
thank you for doing that. | 0:26:24 | 0:26:25 | |
Don't thank me, OK? | 0:26:25 | 0:26:28 | |
I'm not doing this for thanks. | 0:26:29 | 0:26:31 | |
I'm doing it because I need... | 0:26:31 | 0:26:33 | |
Oh, hello, | 0:26:45 | 0:26:47 | |
steamy potatoes. | 0:26:47 | 0:26:49 | |
Hey. | 0:26:50 | 0:26:51 | |
-Cal. -Yeah. | 0:26:51 | 0:26:53 | |
You're not going to be bringing all that game into my bed, I hope? | 0:26:53 | 0:26:56 | |
No, unfortunately not. | 0:26:56 | 0:26:57 | |
It's clones only tonight. | 0:26:57 | 0:26:59 | |
I know. That means me, too. | 0:26:59 | 0:27:01 | |
-See ya later. -Bye. | 0:27:02 | 0:27:04 | |
-Bye. -Bye. | 0:27:04 | 0:27:05 | |
Listen, I don't know if this is a good idea or not, | 0:27:07 | 0:27:09 | |
because it's crazy, | 0:27:09 | 0:27:11 | |
but Art has someone downstairs who really wants to meet her sisters. | 0:27:11 | 0:27:15 | |
Helena. | 0:27:29 | 0:27:30 | |
Oh, my God. | 0:27:30 | 0:27:32 | |
This is your sister, Cosima. | 0:27:32 | 0:27:34 | |
You should not be up. | 0:27:34 | 0:27:37 | |
I'm up. | 0:27:37 | 0:27:38 | |
Come here. | 0:27:38 | 0:27:39 | |
You're very beautiful. | 0:27:46 | 0:27:48 | |
Thank you. | 0:27:49 | 0:27:50 | |
I like your hairs. | 0:27:52 | 0:27:54 | |
Oh, thanks. | 0:27:54 | 0:27:55 | |
I like your hairs, too. | 0:27:55 | 0:27:57 | |
Helena, this is your other sister, Alison. | 0:27:57 | 0:28:00 | |
Hello, Helena. | 0:28:02 | 0:28:03 | |
Lovely to meet you. | 0:28:03 | 0:28:06 | |
Pleased to meet you, too. | 0:28:06 | 0:28:08 | |
-You are married? -Yes. Oh, yes, very much so. | 0:28:10 | 0:28:13 | |
-To Donnie. -I will be married, too, one day. | 0:28:13 | 0:28:17 | |
Well, it's very rewarding, | 0:28:17 | 0:28:18 | |
if you can get through the rough patches. | 0:28:18 | 0:28:20 | |
Auntie Helena! | 0:28:20 | 0:28:22 | |
We thought you ran away from us. | 0:28:38 | 0:28:39 | |
I came back to see your little face. | 0:28:39 | 0:28:42 | |
I'm so happy to see you, | 0:28:49 | 0:28:51 | |
I'm going to eat your finger. | 0:28:51 | 0:28:53 | |
GIGGLING | 0:28:53 | 0:28:54 | |
She all right? | 0:28:55 | 0:28:57 | |
Yeah. | 0:28:57 | 0:28:58 | |
UPBEAT REGGAE MUSIC | 0:29:03 | 0:29:05 | |
-Yeah. -No, uh-uh. | 0:29:30 | 0:29:31 | |
-Oh, yeah. -Oh, yeah. | 0:29:34 | 0:29:35 | |
Come on. | 0:29:37 | 0:29:38 | |
Woo! | 0:30:30 | 0:30:31 | |
-Hey, monkey! -Whoo-hoo! | 0:30:48 | 0:30:50 | |
Go, Kira! | 0:30:50 | 0:30:51 | |
Hey. | 0:31:23 | 0:31:24 | |
What were you thinking about? | 0:31:27 | 0:31:29 | |
Oh, Buckminster Fuller and sacred geometry. | 0:31:29 | 0:31:34 | |
Look. | 0:31:39 | 0:31:40 | |
So this spiral, | 0:31:40 | 0:31:42 | |
this is the golden ratio | 0:31:42 | 0:31:44 | |
and it's a mathematical pattern | 0:31:44 | 0:31:46 | |
that just repeats itself in nature, | 0:31:46 | 0:31:48 | |
in flower petals | 0:31:48 | 0:31:50 | |
and honeybees and, you know, | 0:31:50 | 0:31:52 | |
the stars in the galaxy | 0:31:52 | 0:31:54 | |
and in every molecule of our DNA. | 0:31:54 | 0:31:57 | |
God, we're so different, all of us. | 0:31:58 | 0:32:00 | |
Yeah. | 0:32:00 | 0:32:02 | |
I know. | 0:32:02 | 0:32:04 | |
I don't even know how to look at art. | 0:32:05 | 0:32:08 | |
Don't tell Fee. | 0:32:09 | 0:32:11 | |
I won't. | 0:32:11 | 0:32:12 | |
You're the wild type, Sarah. | 0:32:17 | 0:32:19 | |
You propagate against all odds. | 0:32:19 | 0:32:23 | |
You know, you're restless. | 0:32:23 | 0:32:26 | |
You survive. | 0:32:26 | 0:32:28 | |
I can't do this without you, Cosima. | 0:32:32 | 0:32:34 | |
It'll be fine. | 0:32:39 | 0:32:41 | |
Yeah. | 0:32:44 | 0:32:45 | |
We just have to keep moving forward. | 0:32:45 | 0:32:47 | |
Forward through the looking-glass with Marian bloody Bowles. | 0:32:47 | 0:32:51 | |
What could go wrong? | 0:32:52 | 0:32:54 | |
ELECTRICITY CRACKLES | 0:33:21 | 0:33:23 | |
Auntie Cosima. | 0:34:10 | 0:34:12 | |
Auntie Cosima. | 0:34:23 | 0:34:24 | |
Auntie Cosima! | 0:34:29 | 0:34:31 | |
Don't be afraid. | 0:34:41 | 0:34:43 | |
I will never leave you. | 0:34:48 | 0:34:50 | |
Hello. | 0:35:03 | 0:35:04 | |
Will you read me a story? | 0:35:04 | 0:35:06 | |
Mm-hm. | 0:35:06 | 0:35:08 | |
Hello? Hello. | 0:35:11 | 0:35:13 | |
NEARBY GIGGLING | 0:35:32 | 0:35:34 | |
Hey. | 0:35:36 | 0:35:38 | |
GIGGLING | 0:35:38 | 0:35:40 | |
Are you hiding? | 0:35:40 | 0:35:41 | |
GIGGLING | 0:35:41 | 0:35:43 | |
Charlotte. | 0:35:46 | 0:35:47 | |
It's Sarah. | 0:35:47 | 0:35:50 | |
Don't be shy, love. Come on. | 0:35:51 | 0:35:53 | |
Hello. | 0:36:05 | 0:36:07 | |
You know her. | 0:36:08 | 0:36:10 | |
You're my big sister. | 0:36:14 | 0:36:16 | |
How old are you? | 0:36:18 | 0:36:19 | |
Eight. | 0:36:19 | 0:36:20 | |
I have a daughter your age. | 0:36:21 | 0:36:23 | |
Her name is Kira. | 0:36:26 | 0:36:27 | |
I'm her cousin. | 0:36:29 | 0:36:31 | |
Aunt, actually. | 0:36:31 | 0:36:33 | |
But we're going to go with "cousin", for now. | 0:36:33 | 0:36:35 | |
Come. | 0:36:35 | 0:36:36 | |
"Our dog was the first dog to make the long journey west." | 0:36:43 | 0:36:47 | |
So the puppy followed the explorer that whole way? | 0:36:47 | 0:36:51 | |
Mm-hm. Cool, huh? | 0:36:51 | 0:36:53 | |
-Can we read another? -Mm-hm. | 0:36:56 | 0:36:59 | |
What you got? | 0:36:59 | 0:37:00 | |
Whoa, The Island Of Dr Moreau. | 0:37:03 | 0:37:06 | |
It's about a man who makes monsters. | 0:37:06 | 0:37:09 | |
I know. I love this book. | 0:37:09 | 0:37:11 | |
It's special. | 0:37:11 | 0:37:13 | |
Where did you get this book? | 0:37:19 | 0:37:21 | |
Professor Duncan gave it to me for a present. | 0:37:22 | 0:37:25 | |
Wow. | 0:37:25 | 0:37:27 | |
So, you're her monitor? | 0:37:38 | 0:37:39 | |
I'm her mother. | 0:37:39 | 0:37:41 | |
You carried her? | 0:37:41 | 0:37:43 | |
Adopted her. | 0:37:43 | 0:37:45 | |
GIRL CHUCKLES | 0:37:45 | 0:37:46 | |
Like Siobhan. | 0:37:46 | 0:37:47 | |
I'm invested. | 0:37:47 | 0:37:49 | |
-I thought they couldn't make any more of us. -Oh, we tried. | 0:37:49 | 0:37:52 | |
There were 400 attempts. | 0:37:52 | 0:37:56 | |
Charlotte's the only survivor. | 0:37:56 | 0:37:58 | |
But you survived, too, Sarah. | 0:37:58 | 0:38:01 | |
Against all odds, you found your sisters | 0:38:01 | 0:38:04 | |
and you fought for your own. | 0:38:04 | 0:38:05 | |
Now, I'm counting on that fierce loyalty | 0:38:07 | 0:38:10 | |
because what I'm about to share could put me at grave personal risk. | 0:38:10 | 0:38:13 | |
You won't find Topside in any company directory. | 0:38:13 | 0:38:17 | |
We steer the Dyad group, with many other multinationals. | 0:38:17 | 0:38:22 | |
You're a cabal. | 0:38:22 | 0:38:23 | |
Yes. | 0:38:23 | 0:38:24 | |
Securing monopolies on a future | 0:38:24 | 0:38:27 | |
that embraces genetic engineering, synthetic biology, | 0:38:27 | 0:38:31 | |
a future I passionately believe is inevitable. | 0:38:31 | 0:38:35 | |
And, if you don't profit, someone else will. | 0:38:35 | 0:38:38 | |
Yes, | 0:38:39 | 0:38:42 | |
but it's not only about profit. | 0:38:42 | 0:38:44 | |
There are other forces at work, beyond Topside. | 0:38:44 | 0:38:47 | |
I had evidence of another agenda, | 0:38:47 | 0:38:48 | |
but I couldn't verify it without your mother's help. | 0:38:48 | 0:38:51 | |
Please. | 0:38:53 | 0:38:54 | |
OVER RADIO: 'Five three six zero. | 0:38:58 | 0:39:00 | |
'Five three six zero.' | 0:39:00 | 0:39:01 | |
RADIO TRANSMISSION INDISTINCT | 0:39:01 | 0:39:03 | |
BRAKES SQUEAL | 0:39:04 | 0:39:07 | |
Get her down. | 0:39:13 | 0:39:15 | |
'Sarah,' | 0:39:21 | 0:39:23 | |
the military never shut down Project LEDA. | 0:39:23 | 0:39:26 | |
It was compartmentalised into two autonomous operations. | 0:39:26 | 0:39:30 | |
While Dyad carried female clones to term, | 0:39:30 | 0:39:35 | |
the military faction carried the males. | 0:39:35 | 0:39:39 | |
THIS is Project Castor. | 0:39:46 | 0:39:48 | |
(I know him.) | 0:39:57 | 0:39:58 | |
Sarah will never forgive me. | 0:40:09 | 0:40:10 | |
You did what you had to. | 0:40:13 | 0:40:15 | |
CHORAL SINGING: # Nearer my God... # | 0:40:18 | 0:40:21 | |
And do you, Mark, promise to be faithful to Gracie? | 0:40:21 | 0:40:23 | |
I do. | 0:40:24 | 0:40:26 | |
Mark, you may kiss the bride. | 0:40:26 | 0:40:28 | |
# ..Nearer to thee | 0:40:28 | 0:40:31 | |
# Still, all my song shall be | 0:40:34 | 0:40:41 | |
# Nearer, my God, to thee | 0:40:41 | 0:40:48 | |
# Nearer, my God, to thee | 0:40:48 | 0:40:56 | |
# Nearer to thee... # | 0:40:56 | 0:41:03 | |
HEAVY BREATHING | 0:41:03 | 0:41:06 | |
# ..Let there a way appear | 0:41:09 | 0:41:15 | |
# Steps unto Heaven | 0:41:15 | 0:41:23 | |
# All that thou sendest me | 0:41:23 | 0:41:29 | |
# In mercy given. # | 0:41:29 | 0:41:35 |