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Aynsley always thought she was better than me. | 0:00:01 | 0:00:03 | |
-You have to learn to forgive yourse... -Then I killed her. | 0:00:03 | 0:00:04 | |
Listen, DeAngelis, you want Alison Hendrix, | 0:00:04 | 0:00:06 | |
you show up tomorrow with my paperwork. | 0:00:06 | 0:00:08 | |
Do you smell salt? | 0:00:08 | 0:00:11 | |
I may have spiked his tea. | 0:00:12 | 0:00:14 | |
Look, I don't know what kind of game you're running, Vic, | 0:00:14 | 0:00:16 | |
but you better call me. | 0:00:16 | 0:00:18 | |
Must've been the pressure of Family Day. | 0:00:18 | 0:00:19 | |
We want to take you to your children. | 0:00:19 | 0:00:21 | |
You took my babies from inside me. | 0:00:21 | 0:00:24 | |
Your eggs. My father, he... | 0:00:24 | 0:00:27 | |
He made them whole for you. | 0:00:27 | 0:00:29 | |
-Hello, Helena. -Take me to my babies. | 0:00:29 | 0:00:32 | |
-You gave me Kira's stem cells? -It is a finite source. | 0:00:32 | 0:00:35 | |
Unless you bring her in for more. | 0:00:35 | 0:00:37 | |
SHE COUGHS | 0:00:37 | 0:00:39 | |
Cosima! | 0:00:39 | 0:00:41 | |
Rachel. | 0:00:42 | 0:00:43 | |
Hello, Father. | 0:00:43 | 0:00:45 | |
How is it the unmonitored tramp was successful? | 0:00:45 | 0:00:48 | |
In her fertility? | 0:00:48 | 0:00:49 | |
You are all barren by design. | 0:00:49 | 0:00:51 | |
SHE SCREAMS | 0:00:52 | 0:00:54 | |
Leekie killed Rachel's mother. | 0:00:54 | 0:00:57 | |
My father sends his regards. | 0:00:57 | 0:00:59 | |
It's already over. | 0:00:59 | 0:01:01 | |
Let me know when it's done, yeah? | 0:01:01 | 0:01:02 | |
Go, now. You might survive. | 0:01:02 | 0:01:04 | |
HORN HONKS | 0:01:04 | 0:01:06 | |
Get in! You ruined my marriage. | 0:01:06 | 0:01:07 | |
I quit! | 0:01:07 | 0:01:09 | |
GUNSHOT | 0:01:09 | 0:01:11 | |
-Where is Aldous? -Aldous suffered | 0:01:11 | 0:01:13 | |
a fatal heart attack on one of our jets. | 0:01:13 | 0:01:16 | |
I killed Dr Leekie. | 0:01:17 | 0:01:20 | |
DOOR SLAMS | 0:01:26 | 0:01:27 | |
I cleaned the car! What are you doing? | 0:01:30 | 0:01:33 | |
I think those are his brains. | 0:01:33 | 0:01:34 | |
ALISON SIGHS | 0:01:34 | 0:01:36 | |
They're congealed. | 0:01:36 | 0:01:37 | |
Oh. | 0:01:38 | 0:01:39 | |
OK. | 0:01:39 | 0:01:42 | |
Pitter-patter, Donnie, come on. Let's get to it. | 0:01:42 | 0:01:45 | |
-Donnie, grab it. -Well, you're whipping it in my face. | 0:01:51 | 0:01:53 | |
You want to do the body like this or like this? | 0:01:53 | 0:01:55 | |
-I think we need to go... -Diagonal? -Yep. | 0:01:55 | 0:01:58 | |
Hold up. Hold up. | 0:01:58 | 0:02:01 | |
-If you're not going to hold it together... -OK. No, I got this. | 0:02:01 | 0:02:03 | |
I got this. I got this. | 0:02:03 | 0:02:05 | |
You ready? | 0:02:05 | 0:02:08 | |
THEY GRUNT | 0:02:08 | 0:02:09 | |
Oh! | 0:02:09 | 0:02:11 | |
Oh, God. | 0:02:11 | 0:02:12 | |
Oh, God, I can't. | 0:02:15 | 0:02:16 | |
HYPERVENTILATING | 0:02:16 | 0:02:18 | |
I'm going to throw up. I'm going to throw up. | 0:02:18 | 0:02:20 | |
Don't throw up, Donnie. Please, don't throw up. | 0:02:20 | 0:02:22 | |
-Just... -I'll lift it up. I'll lift it up. | 0:02:22 | 0:02:24 | |
All right, you just hold on to Alexis's hand, there. | 0:02:39 | 0:02:43 | |
She's the midwife. | 0:02:43 | 0:02:45 | |
I've done this many times. | 0:02:45 | 0:02:46 | |
You may feel just a little bit of discomfort right... | 0:02:46 | 0:02:51 | |
-now. -You're doing very well and you're very strong. | 0:02:51 | 0:02:54 | |
It's just the catheter, threading through the cervix. | 0:02:54 | 0:02:57 | |
What is cervix? | 0:02:57 | 0:02:59 | |
Well, when the time is right, it'll open, | 0:02:59 | 0:03:02 | |
wide enough to let the baby pass. | 0:03:02 | 0:03:03 | |
For the embryos. | 0:03:03 | 0:03:05 | |
-Those are my babies? -That's right. | 0:03:05 | 0:03:08 | |
I'm going to inject these into your womb | 0:03:08 | 0:03:11 | |
and then they will implant themselves | 0:03:11 | 0:03:12 | |
in the lining of your womb and they'll start to grow, | 0:03:12 | 0:03:15 | |
just as nature intended. | 0:03:15 | 0:03:16 | |
And... | 0:03:20 | 0:03:22 | |
that's it. | 0:03:22 | 0:03:24 | |
God willing, in nine months, | 0:03:24 | 0:03:27 | |
we'll be welcoming a brand-new you into the world. | 0:03:27 | 0:03:29 | |
Maybe even twins. | 0:03:29 | 0:03:31 | |
How is she? | 0:04:13 | 0:04:15 | |
The growths have spread from Cosima's | 0:04:15 | 0:04:18 | |
uterus and lungs to her oesophagus, | 0:04:18 | 0:04:20 | |
all her epithelial tissue, and, now, her kidneys. | 0:04:20 | 0:04:23 | |
We know there's a way. | 0:04:25 | 0:04:26 | |
Yes, but it's Kira. | 0:04:26 | 0:04:28 | |
Only until we can buy the time for Duncan to find a cure. | 0:04:28 | 0:04:32 | |
We need to convince Sarah we have no designs beyond that treatment. | 0:04:32 | 0:04:36 | |
Duncan was one thing, but her daughter... | 0:04:36 | 0:04:40 | |
Please. | 0:04:40 | 0:04:41 | |
Things are different now. | 0:04:41 | 0:04:43 | |
I've been lied to as well. | 0:04:43 | 0:04:45 | |
She won't believe you. | 0:04:45 | 0:04:48 | |
Do you? | 0:04:48 | 0:04:50 | |
Uh...I am in the middle, | 0:04:50 | 0:04:53 | |
committed to my subject. | 0:04:53 | 0:04:56 | |
Well said. | 0:04:56 | 0:04:58 | |
Dr Cormier, | 0:05:02 | 0:05:05 | |
I'd like you to take over | 0:05:05 | 0:05:07 | |
as interim director of the programme. | 0:05:07 | 0:05:09 | |
-Me? -The chair is vacant. | 0:05:11 | 0:05:14 | |
You understand the human side | 0:05:14 | 0:05:16 | |
and the science. | 0:05:16 | 0:05:18 | |
You'd be a wonderful ambassador. | 0:05:18 | 0:05:21 | |
And you need to sway Sarah. | 0:05:21 | 0:05:23 | |
It's not a bribe. | 0:05:23 | 0:05:25 | |
Or a ploy. | 0:05:25 | 0:05:27 | |
You're uniquely qualified. | 0:05:29 | 0:05:32 | |
We could take this programme in an entirely new direction. | 0:05:33 | 0:05:37 | |
So, you're the new Leekie. | 0:05:41 | 0:05:42 | |
Interim. | 0:05:42 | 0:05:44 | |
I didn't ask for it. | 0:05:44 | 0:05:45 | |
Right. | 0:05:45 | 0:05:47 | |
We know what Rachel's after. | 0:05:47 | 0:05:48 | |
My daughter already pulled out her own tooth, Delphine. | 0:05:48 | 0:05:51 | |
I'm sorry. | 0:05:51 | 0:05:53 | |
The stem cells had limited effect. | 0:05:53 | 0:05:55 | |
The disease is spreading too rapidly. | 0:05:55 | 0:05:57 | |
What about Duncan? | 0:05:57 | 0:05:58 | |
Gene therapy. His synthetic sequences. | 0:05:58 | 0:06:01 | |
Even if we pinpoint the genetic cause, | 0:06:01 | 0:06:03 | |
a therapy is months away, at best. | 0:06:03 | 0:06:06 | |
But if we can reboot her immune system... | 0:06:06 | 0:06:09 | |
With my kid's bone marrow? | 0:06:09 | 0:06:10 | |
Please. | 0:06:10 | 0:06:12 | |
Rachel claims that she's serious about forging a new relationship. | 0:06:12 | 0:06:15 | |
-SIOBHAN LAUGHS -Oh, and you believe her? | 0:06:15 | 0:06:18 | |
I believe that she's as invested in this as any of you. | 0:06:18 | 0:06:21 | |
I don't know if I trust Rachel, | 0:06:21 | 0:06:23 | |
but at least we could save Cosima. | 0:06:23 | 0:06:25 | |
I wouldn't be here if it wasn't her only chance. | 0:06:25 | 0:06:29 | |
-COSIMA: -Yeah, it totally freaked me out, but I'm feeling way better. | 0:06:31 | 0:06:34 | |
ALISON: Oh, Cosima. | 0:06:34 | 0:06:36 | |
How about these nose tubes? | 0:06:36 | 0:06:38 | |
Sexy, right? | 0:06:38 | 0:06:39 | |
Cannulalingus. | 0:06:39 | 0:06:41 | |
SHE COUGHS | 0:06:41 | 0:06:42 | |
I had no idea it was so bad, Cosima. | 0:06:42 | 0:06:44 | |
Oh, hey, don't, don't, don't... Don't do that, please. | 0:06:44 | 0:06:46 | |
Just seeing you guys is making me feel better. | 0:06:46 | 0:06:49 | |
We want to help, Cosima, | 0:06:49 | 0:06:50 | |
but we're not going to bring Kira in to DYAD. I... | 0:06:50 | 0:06:52 | |
Of course not. Sarah, I don't want you to do that. | 0:06:52 | 0:06:55 | |
I'm so sorry I put you in this position. | 0:06:55 | 0:06:58 | |
And I feel like such a child. | 0:06:58 | 0:07:00 | |
I mean, I'm so caught up in my own problems. | 0:07:00 | 0:07:03 | |
No, dude, they're real problems. | 0:07:03 | 0:07:05 | |
How's it going with Donnie? | 0:07:05 | 0:07:06 | |
Fine. | 0:07:06 | 0:07:08 | |
-WHISPERS: -Ask 'em. | 0:07:08 | 0:07:09 | |
We're working through it, you know? | 0:07:09 | 0:07:11 | |
-No, now, right now. -We're going to discuss things on our end... | 0:07:11 | 0:07:14 | |
-Come on. -..and we'll get back to you soon. -One thing. | 0:07:14 | 0:07:16 | |
One final thing. | 0:07:16 | 0:07:18 | |
Did anything come of, er, Dr Leekie's...demise? | 0:07:18 | 0:07:23 | |
-COSIMA COUGHS -What do you mean? Like officially, | 0:07:23 | 0:07:26 | |
he died on a private jet. | 0:07:26 | 0:07:28 | |
That's bullshit. | 0:07:28 | 0:07:30 | |
So, what, no investigation, | 0:07:30 | 0:07:33 | |
-no body, nothing? -It's DYAD. | 0:07:33 | 0:07:35 | |
They'll do anything to keep the whole thing secret. | 0:07:35 | 0:07:39 | |
Why say Leekie died on a plane? | 0:07:39 | 0:07:41 | |
-He didn't die on a plane. -No, he died in your car. | 0:07:41 | 0:07:44 | |
Yes. I'm sorry. But why the DYAD cover story? | 0:07:44 | 0:07:46 | |
Maybe they think he's dead. | 0:07:46 | 0:07:48 | |
Maybe they told him to be dead and go live in Guadalupe, | 0:07:48 | 0:07:51 | |
only he's in our freezer. | 0:07:51 | 0:07:52 | |
-I know what to do. -Oh, you do, do you, Donnie? -Mm-hmm. | 0:07:52 | 0:07:55 | |
As long as no-one finds the body, we're clear. | 0:07:55 | 0:07:58 | |
So we dump him in the lake. | 0:07:58 | 0:07:59 | |
With weights. | 0:08:00 | 0:08:02 | |
Do we have a boat?! | 0:08:03 | 0:08:05 | |
Have you ever seen Dexter? I mean, random scuba divers | 0:08:05 | 0:08:08 | |
are finding everything! | 0:08:08 | 0:08:10 | |
We can't risk transporting him, Donnie. | 0:08:10 | 0:08:13 | |
Fine! Then we...bury him in the yard! | 0:08:13 | 0:08:16 | |
No. | 0:08:19 | 0:08:20 | |
Not in the yard. | 0:08:21 | 0:08:23 | |
CAWING | 0:08:23 | 0:08:24 | |
DRILLING | 0:08:31 | 0:08:34 | |
Just let me do it. | 0:08:40 | 0:08:42 | |
I got this. | 0:08:42 | 0:08:43 | |
Donnie. | 0:08:43 | 0:08:44 | |
All right, fine, you try. | 0:08:44 | 0:08:46 | |
Good luck. | 0:08:48 | 0:08:49 | |
DRILLING | 0:08:52 | 0:08:53 | |
How are you feeling? | 0:09:11 | 0:09:12 | |
I have gas. | 0:09:12 | 0:09:14 | |
There's plenty more of that to come. | 0:09:14 | 0:09:16 | |
Now, let's get you dressed. | 0:09:16 | 0:09:18 | |
I have something I'd like to show you. | 0:09:18 | 0:09:20 | |
This is our nursery and preschool. | 0:09:32 | 0:09:35 | |
So feel free to spend as much time here as you wish. | 0:09:35 | 0:09:37 | |
You're part of our family now. | 0:09:37 | 0:09:39 | |
Boo! | 0:09:43 | 0:09:44 | |
GIRL LAUGHS | 0:09:53 | 0:09:54 | |
Thank you. | 0:10:10 | 0:10:11 | |
Thank you, Gracie. We'll be all right. | 0:10:15 | 0:10:18 | |
You look tired, Mark. | 0:10:21 | 0:10:23 | |
Nightmares again. | 0:10:23 | 0:10:24 | |
When I think about what you've done for country, | 0:10:24 | 0:10:27 | |
just 19, and for what? | 0:10:27 | 0:10:29 | |
For profit, | 0:10:29 | 0:10:30 | |
for glory. | 0:10:30 | 0:10:32 | |
They only ever gave me a mission, but... | 0:10:32 | 0:10:36 | |
you gave me a purpose. | 0:10:36 | 0:10:37 | |
Well, I thank God every day that you went AWOL. | 0:10:37 | 0:10:42 | |
Mark, it's no secret that you and Gracie are... | 0:10:44 | 0:10:47 | |
Well, that you're fond of one another. | 0:10:48 | 0:10:51 | |
Don't worry. | 0:10:51 | 0:10:53 | |
Son, you've got my blessing. | 0:10:53 | 0:10:54 | |
Thank you. | 0:10:57 | 0:10:58 | |
But Mark, it's time for Gracie to bear fruit, | 0:10:58 | 0:11:00 | |
so what I need to know | 0:11:00 | 0:11:03 | |
is are you ready to stand by her as her husband? | 0:11:03 | 0:11:06 | |
It could work, if it's our own terms, our own security. | 0:11:09 | 0:11:13 | |
I'm not even sure if I want this on the table. | 0:11:13 | 0:11:15 | |
S, if there's an option for Cosima, I have to consider it. | 0:11:15 | 0:11:18 | |
-I know. I know. -Shh, shh, shh, shh. Hey, God, Kira's going to hear you. | 0:11:18 | 0:11:22 | |
Now, what's going on? | 0:11:22 | 0:11:24 | |
I have a friend, works at a private paediatric clinic. | 0:11:25 | 0:11:28 | |
She might be able to help us. | 0:11:28 | 0:11:29 | |
But... | 0:11:29 | 0:11:31 | |
it's not without risk. | 0:11:31 | 0:11:34 | |
Well, OK, then. We're not going to do it. | 0:11:35 | 0:11:37 | |
My sister's dying, Fee. | 0:11:37 | 0:11:40 | |
End of the day, it's not your decision. | 0:11:42 | 0:11:45 | |
It's not any of ours. | 0:11:45 | 0:11:47 | |
Does Auntie Cosima need another tooth? | 0:11:53 | 0:11:57 | |
No, she needs something else now. | 0:11:57 | 0:11:59 | |
Um, something called "bone marrow". | 0:11:59 | 0:12:02 | |
They take it out of your hip, | 0:12:02 | 0:12:06 | |
but they have to use a big needle. | 0:12:06 | 0:12:08 | |
-I don't like needles. -I know. | 0:12:08 | 0:12:10 | |
I know, but they put you to sleep, so you can't feel anything. | 0:12:10 | 0:12:14 | |
You don't have to feel bad, love, if you don't want to do it. | 0:12:14 | 0:12:17 | |
Will Auntie Cosima die? | 0:12:23 | 0:12:26 | |
SNIFFS | 0:12:26 | 0:12:27 | |
She's not doing too well, so... | 0:12:27 | 0:12:30 | |
she might. | 0:12:30 | 0:12:32 | |
Then... | 0:12:35 | 0:12:37 | |
OK. | 0:12:39 | 0:12:40 | |
Oh, God, you're the bravest thing I know. | 0:12:45 | 0:12:47 | |
I'll make the call. | 0:12:48 | 0:12:50 | |
I have her phone. She's clean. So's the kit. | 0:13:19 | 0:13:22 | |
Thank you, Benjamin. This is Dr Parks. | 0:13:22 | 0:13:25 | |
She'll be doing the procedure. | 0:13:25 | 0:13:27 | |
-Hello. -I'll take you back when you have what you need. | 0:13:27 | 0:13:30 | |
OK. Hello, Felix. | 0:13:30 | 0:13:31 | |
-Delphine. -Hey. | 0:13:31 | 0:13:33 | |
You promise you'll take care of Cosima, yeah? | 0:13:33 | 0:13:36 | |
Yes. | 0:13:36 | 0:13:37 | |
Let's see how Kira's doing. | 0:13:37 | 0:13:40 | |
You can wait right here until they're ready for you. | 0:13:43 | 0:13:46 | |
OK. | 0:13:46 | 0:13:48 | |
Are you going to stand there all day, Mr Funt? | 0:13:59 | 0:14:02 | |
I'm here to help. | 0:14:02 | 0:14:03 | |
Really? And where did you get your genetics degree? | 0:14:03 | 0:14:06 | |
I can source another computer. Anything you need? | 0:14:06 | 0:14:09 | |
No, we're good. | 0:14:09 | 0:14:10 | |
Couldn't get my hands on a 6502 processor, | 0:14:10 | 0:14:13 | |
but this one shares a chipset with the 65C02. | 0:14:13 | 0:14:17 | |
He's a virgin, in case you couldn't tell. | 0:14:17 | 0:14:19 | |
THEY CHUCKLE | 0:14:19 | 0:14:21 | |
BEEP | 0:14:21 | 0:14:23 | |
Aw, shoot-darn. It didn't work. | 0:14:26 | 0:14:28 | |
Oh, but it did, my good man. | 0:14:31 | 0:14:33 | |
That's the infertility sequence? | 0:14:33 | 0:14:35 | |
God, no wonder we're all screwed up. | 0:14:37 | 0:14:40 | |
It's encoded. | 0:14:40 | 0:14:42 | |
It's a Vigenere's cipher and I brought the key with me. | 0:14:42 | 0:14:45 | |
I'll need you to generate a transcription algorithm, Scott, hmm? | 0:14:45 | 0:14:49 | |
This is just killer. | 0:14:50 | 0:14:52 | |
SHE LAUGHS | 0:14:52 | 0:14:54 | |
Yeah. | 0:14:54 | 0:14:57 | |
SHE COUGHS | 0:14:57 | 0:14:58 | |
GRUNTING | 0:14:59 | 0:15:01 | |
Donnie, don't. | 0:15:05 | 0:15:07 | |
Please. Ugh! | 0:15:07 | 0:15:08 | |
Lord and butter, Donnie! | 0:15:08 | 0:15:09 | |
Don't spread it around. Keep it on the plastic! | 0:15:09 | 0:15:11 | |
Look, this isn't easy for me, all right? | 0:15:11 | 0:15:13 | |
Oh, I know. You're not a tools guy, are you? | 0:15:13 | 0:15:16 | |
Not the tools, the whole thing! | 0:15:16 | 0:15:17 | |
I'm not as perfectly comfortable with manslaughter as you! | 0:15:17 | 0:15:21 | |
At least I had the good sense to leave mine where she dropped. | 0:15:21 | 0:15:24 | |
He was in my car! I can't do anything... | 0:15:24 | 0:15:26 | |
-Mommy! -Hey! -No, no, no, no! Get out of here. | 0:15:26 | 0:15:30 | |
Out out out out, out. Get out. | 0:15:30 | 0:15:31 | |
-Out! This isn't safe. -But there's a man here to see you. | 0:15:31 | 0:15:35 | |
-Come on, let's go. -OK. | 0:15:36 | 0:15:38 | |
OK, out. Lock the door, Donnie. | 0:15:38 | 0:15:42 | |
You! | 0:15:45 | 0:15:46 | |
-Hi, Alison. -Get out of my house. | 0:15:46 | 0:15:48 | |
Just listen. | 0:15:48 | 0:15:49 | |
Everybody upstairs. | 0:15:49 | 0:15:52 | |
Go! Everybody! | 0:15:52 | 0:15:53 | |
I'm staying. Go! | 0:15:53 | 0:15:55 | |
This is not a good time, Vic. | 0:15:55 | 0:15:57 | |
Yeah, I can see that. What's up with your garage? | 0:15:57 | 0:16:00 | |
-Oil change. -Renovating. | 0:16:00 | 0:16:01 | |
Donnie, right? I'm Victor. | 0:16:02 | 0:16:04 | |
Don't talk to him! What do you want? | 0:16:04 | 0:16:06 | |
All right! | 0:16:06 | 0:16:07 | |
Alison, | 0:16:07 | 0:16:09 | |
we need to air...some things out, um, for our recovery. | 0:16:09 | 0:16:13 | |
You know, my stuff with Sarah and how you two are related, | 0:16:13 | 0:16:16 | |
and the thing you told me about Aynsley. | 0:16:16 | 0:16:18 | |
You told him? | 0:16:18 | 0:16:20 | |
Told me what? | 0:16:20 | 0:16:22 | |
I don't know. | 0:16:22 | 0:16:24 | |
Please, man, talk to me. | 0:16:24 | 0:16:26 | |
I'm in a lot of pain. | 0:16:26 | 0:16:28 | |
You get out of my house! | 0:16:28 | 0:16:29 | |
-You're cold. You know that? -Oh, give me a break. | 0:16:29 | 0:16:32 | |
-And you deserve her. -Out! | 0:16:32 | 0:16:34 | |
Adios, amigos. | 0:16:34 | 0:16:36 | |
Yeah, that's right. | 0:16:36 | 0:16:37 | |
Think he's gone? | 0:16:41 | 0:16:43 | |
HENRIK: So, the doctor sailed north | 0:16:50 | 0:16:52 | |
to the Arctic, amongst the icebergs, but his creation | 0:16:52 | 0:16:56 | |
pursued him with a terrible vengeance | 0:16:56 | 0:16:58 | |
because the doctor had never shown his creation any love. | 0:16:58 | 0:17:04 | |
And so, when they finally came face-to-face, | 0:17:04 | 0:17:07 | |
they sat down and they had | 0:17:07 | 0:17:10 | |
a great, big bowl of iceberg cream! | 0:17:10 | 0:17:13 | |
LAUGHTER | 0:17:13 | 0:17:14 | |
OK, children, nap time. | 0:17:14 | 0:17:17 | |
-SQUEALING -Come on, let's go, now. | 0:17:17 | 0:17:21 | |
One day, this room will be full of your children. | 0:17:24 | 0:17:28 | |
It's time to get ready, Gracie. | 0:17:28 | 0:17:31 | |
CHILD GIGGLING NEARBY | 0:17:31 | 0:17:33 | |
-You're not listening, Faith. -Ow! | 0:17:39 | 0:17:40 | |
I just wanted to touch her hair. | 0:17:42 | 0:17:44 | |
Don't talk back to me. | 0:17:44 | 0:17:46 | |
Mommy, you're hurting me. | 0:17:46 | 0:17:47 | |
-You're lucky you're not getting the strap. -Ow! | 0:17:47 | 0:17:50 | |
It's nap time. Do as you're told. | 0:17:50 | 0:17:52 | |
Shall we head back, then? | 0:17:52 | 0:17:54 | |
SHE GASPS | 0:17:56 | 0:17:58 | |
There was a woman in convent like you. | 0:17:59 | 0:18:02 | |
You touch her again, | 0:18:03 | 0:18:05 | |
and I will gut you | 0:18:05 | 0:18:07 | |
like a fish. | 0:18:07 | 0:18:08 | |
SHE GASPS | 0:18:10 | 0:18:11 | |
MONITOR BEEPS | 0:18:18 | 0:18:20 | |
I'm going to be here the whole time, OK? | 0:18:28 | 0:18:32 | |
I'm going to hold your hand, yeah? | 0:18:32 | 0:18:35 | |
Can you count back from 100 for me, Kira? | 0:18:35 | 0:18:38 | |
100, | 0:18:38 | 0:18:40 | |
99, | 0:18:40 | 0:18:42 | |
98, | 0:18:42 | 0:18:44 | |
97... | 0:18:44 | 0:18:47 | |
Sleep tight, monkey. | 0:18:47 | 0:18:50 | |
OK, yeah? | 0:19:00 | 0:19:03 | |
-Shh. Shh. -Oh, my God. | 0:19:11 | 0:19:13 | |
Sh...She won't feel a thing. | 0:19:13 | 0:19:15 | |
I promise. | 0:19:15 | 0:19:17 | |
What kind of mother am I? | 0:19:17 | 0:19:19 | |
-It's all right. -The best and the bravest. | 0:19:19 | 0:19:21 | |
And a very, very good sister. | 0:19:21 | 0:19:23 | |
Oh, God. I'm sorry. | 0:19:25 | 0:19:28 | |
MONITOR BEEPS | 0:19:54 | 0:19:56 | |
This is the last one. | 0:20:00 | 0:20:01 | |
She'll wake up in a few hours, | 0:20:05 | 0:20:06 | |
but she should rest here tonight. | 0:20:06 | 0:20:08 | |
She will be fine in a couple of days. | 0:20:08 | 0:20:11 | |
And Cosima? | 0:20:11 | 0:20:13 | |
This... | 0:20:13 | 0:20:15 | |
gives her a real chance. | 0:20:15 | 0:20:17 | |
All right, sweetie. | 0:20:22 | 0:20:24 | |
GUN COCKS | 0:21:04 | 0:21:05 | |
Ah-ah-ah. Don't move. | 0:21:08 | 0:21:10 | |
I've used this before and I'll do it again. | 0:21:10 | 0:21:12 | |
-Take it easy, bro. -Get up. | 0:21:12 | 0:21:13 | |
-Take it easy. -Get. Up. | 0:21:13 | 0:21:15 | |
-I was just looking for your washroom. -Shut up. | 0:21:15 | 0:21:18 | |
You used me in rehab and now you're harassing my kids | 0:21:18 | 0:21:21 | |
-and peeping in my garage? -Alison! It's not what you think. | 0:21:21 | 0:21:23 | |
-I don't give a shit what you're doing. -I think I should shoot him! | 0:21:23 | 0:21:26 | |
-Donnie, don't. -That's how I see this ending! | 0:21:26 | 0:21:28 | |
-It doesn't have to be that way, buddy! -Donnie, please, relax! | 0:21:28 | 0:21:31 | |
Baby, this is a hair-trigger. | 0:21:31 | 0:21:32 | |
One second, you're here. The next second, bang! | 0:21:32 | 0:21:34 | |
I don't wanna die! You can't shoot me! There's a cop outside! | 0:21:34 | 0:21:37 | |
All right?! There's a cop in a van outside! | 0:21:37 | 0:21:39 | |
What? Angela DeAngelis? | 0:21:39 | 0:21:41 | |
Alison, she's been squeezing me. | 0:21:41 | 0:21:43 | |
I don't even think it's official. She thinks there's five of you. | 0:21:43 | 0:21:47 | |
There's 11, ese. | 0:21:47 | 0:21:49 | |
Why you gotta keep messing with my head like that? | 0:21:49 | 0:21:52 | |
Not so tough, are ya? | 0:21:52 | 0:21:54 | |
Huh? | 0:21:54 | 0:21:55 | |
Safety's on. | 0:21:57 | 0:21:58 | |
-You were bluffing? -Yeah. | 0:21:59 | 0:22:01 | |
I learn from my mistakes, Alison. | 0:22:01 | 0:22:04 | |
You're not going to shot me? | 0:22:04 | 0:22:05 | |
Not accidentally. | 0:22:05 | 0:22:07 | |
God, I hate this garage. | 0:22:08 | 0:22:10 | |
This is how we take care of this family, from here on. | 0:22:10 | 0:22:13 | |
That was quick. | 0:22:15 | 0:22:16 | |
Whoa! Hey! Hey! | 0:22:16 | 0:22:18 | |
What do you think you're doing, man?! | 0:22:18 | 0:22:20 | |
I'm Donnie Hendrix, and you've been harassing my wife! | 0:22:20 | 0:22:23 | |
Hey, this is police business. | 0:22:23 | 0:22:25 | |
My ass, it is. | 0:22:25 | 0:22:26 | |
Beth Childs police business? | 0:22:26 | 0:22:27 | |
How about Art Bell, suspended for doing far less than this. | 0:22:27 | 0:22:31 | |
All these women, and you just can't put it together, can ya? | 0:22:31 | 0:22:35 | |
-I'm confused, too. -Shh! | 0:22:35 | 0:22:36 | |
You don't want to know what we know | 0:22:36 | 0:22:39 | |
and if you come near my home | 0:22:39 | 0:22:40 | |
or my family again, I will bury you. | 0:22:40 | 0:22:45 | |
Smile. | 0:22:45 | 0:22:47 | |
Have a shitty day. | 0:22:50 | 0:22:52 | |
ROCK MUSIC PLAYS | 0:22:58 | 0:23:00 | |
GOSPEL MUSIC PLAYS | 0:23:13 | 0:23:14 | |
HELENA SNORTS LIKE A PIG | 0:23:52 | 0:23:53 | |
Oh. | 0:23:53 | 0:23:55 | |
Well, now that you're both in a family way, | 0:23:55 | 0:23:58 | |
you can keep each other company. | 0:23:58 | 0:24:00 | |
HELENA SNORTS | 0:24:00 | 0:24:01 | |
SHE CHUCKLES | 0:24:01 | 0:24:02 | |
You are sad to be pregnant? | 0:24:06 | 0:24:08 | |
Might as well eat. | 0:24:10 | 0:24:13 | |
You will be fat soon, anyway. | 0:24:13 | 0:24:16 | |
I thought you like Mark. | 0:24:22 | 0:24:23 | |
You don't get it, do you? | 0:24:26 | 0:24:27 | |
My father is the father. | 0:24:29 | 0:24:31 | |
I'm carrying YOUR babies. | 0:24:31 | 0:24:33 | |
My babies in your cervix? | 0:24:35 | 0:24:37 | |
For your genes, Helena. | 0:24:37 | 0:24:41 | |
Haven't you been listening to anything my father says? | 0:24:41 | 0:24:46 | |
Not really. | 0:24:47 | 0:24:48 | |
OK, one adapted transcription algorithm. | 0:24:50 | 0:24:53 | |
It was Susan's sterility concept - | 0:24:53 | 0:24:55 | |
degrade the endometrium, | 0:24:55 | 0:24:57 | |
prevent ovarian follicles from maturing. | 0:24:57 | 0:25:01 | |
OK. | 0:25:01 | 0:25:02 | |
Horrifying. | 0:25:02 | 0:25:04 | |
Why an autoimmune condition? | 0:25:04 | 0:25:06 | |
Why not tweak our hormones | 0:25:06 | 0:25:09 | |
or modify our reproductive organs, somehow? | 0:25:09 | 0:25:12 | |
Normal development was the prime directive. | 0:25:12 | 0:25:14 | |
This was the least-invasive solution. | 0:25:14 | 0:25:16 | |
Unfortunately, we didn't, uh, foresee the consequences. | 0:25:16 | 0:25:21 | |
And...key, | 0:25:21 | 0:25:23 | |
meet code. | 0:25:23 | 0:25:25 | |
-Done. -Thank you. | 0:25:25 | 0:25:27 | |
Now, Cosima, we can begin the task of correcting my mistakes. | 0:25:30 | 0:25:34 | |
How long will it take to decode the remaining sequences? | 0:25:34 | 0:25:36 | |
-Well, that depends on DYAD's intentions. -Is that right? | 0:25:36 | 0:25:40 | |
Yes. Each sequence has a distinct key | 0:25:40 | 0:25:43 | |
and I have no intention of sharing them | 0:25:43 | 0:25:44 | |
just to allow DYAD the opportunity of perpetuating this experiment. | 0:25:44 | 0:25:48 | |
No offence, Cosima. | 0:25:48 | 0:25:50 | |
None taken. | 0:25:50 | 0:25:52 | |
Hello, Gracie. | 0:25:57 | 0:25:58 | |
Are you well? | 0:25:58 | 0:26:02 | |
She has no idea. | 0:26:03 | 0:26:05 | |
He puts babies in all these women? | 0:26:05 | 0:26:07 | |
Yes. To multiply is divine. | 0:26:07 | 0:26:10 | |
Try and eat something, Gracie. Please? | 0:26:14 | 0:26:18 | |
Mmm. | 0:26:21 | 0:26:23 | |
SMOOCHING | 0:26:23 | 0:26:25 | |
You love her like puppy. | 0:26:27 | 0:26:29 | |
But you let him make her broodmare. | 0:26:29 | 0:26:32 | |
The women here don't see it that way. | 0:26:32 | 0:26:35 | |
Tell her, Gracie. | 0:26:35 | 0:26:37 | |
Hmm. | 0:26:45 | 0:26:46 | |
Marian. | 0:26:52 | 0:26:54 | |
SHE CHUCKLES | 0:26:55 | 0:26:56 | |
You caught me reminiscing. | 0:26:56 | 0:26:58 | |
Aldous certainly filled this room. | 0:27:05 | 0:27:07 | |
Yes, he had a way. | 0:27:07 | 0:27:10 | |
A heart attack on one of our jets. | 0:27:10 | 0:27:13 | |
I'm bereft. | 0:27:13 | 0:27:15 | |
Dr Cormier is an interesting choice for the chair. | 0:27:15 | 0:27:19 | |
She's telegenic. | 0:27:19 | 0:27:21 | |
She has scope. | 0:27:21 | 0:27:22 | |
And an intimate relationship with her subject. Always handy. | 0:27:22 | 0:27:26 | |
How are YOU, Rachel? | 0:27:26 | 0:27:29 | |
Besides bereft. | 0:27:29 | 0:27:32 | |
You've learned a lot about yourself lately. | 0:27:32 | 0:27:34 | |
Tell topside that Rachel is fine. | 0:27:34 | 0:27:38 | |
I know what our goals are, | 0:27:38 | 0:27:40 | |
and I've only just taken charge. | 0:27:40 | 0:27:43 | |
I'm glad to hear it. | 0:27:43 | 0:27:45 | |
But this is a personal call. | 0:27:45 | 0:27:48 | |
Sarah Manning intrigues me. | 0:27:48 | 0:27:52 | |
Doesn't she you? | 0:27:52 | 0:27:54 | |
Biologically, yes. | 0:27:54 | 0:27:56 | |
But it's not just her biology that's gotten her this far, is it? | 0:27:58 | 0:28:01 | |
You were bred into this, | 0:28:01 | 0:28:04 | |
given every advantage, but Sarah? | 0:28:04 | 0:28:06 | |
Sarah's a product of chance, | 0:28:06 | 0:28:08 | |
yet here we are at loggerheads with her. | 0:28:08 | 0:28:12 | |
She's in hand, | 0:28:12 | 0:28:14 | |
I assure you. | 0:28:14 | 0:28:15 | |
-ETHAN: -Pass me...please. | 0:28:36 | 0:28:40 | |
Sorry, Daddy. They're all gone. | 0:28:40 | 0:28:42 | |
That's right. Sorry, love. They're just meant for us. | 0:28:42 | 0:28:44 | |
Oh! That is outrageous! | 0:28:44 | 0:28:47 | |
Well, I'm going to have to come after you and tickle you! | 0:28:47 | 0:28:49 | |
Here I come, the tickle monster! | 0:28:49 | 0:28:51 | |
Oh, no! | 0:28:51 | 0:28:53 | |
Here we go! | 0:28:53 | 0:28:54 | |
Oh, no! | 0:28:55 | 0:28:58 | |
Now we're safe! What about poor Daddy? | 0:28:58 | 0:29:01 | |
I love you too, Daddy. | 0:29:01 | 0:29:04 | |
What about poor Daddy? | 0:29:05 | 0:29:07 | |
I love you too, Daddy. | 0:29:07 | 0:29:08 | |
-Thank you, darling. -HE LAUGHS | 0:29:09 | 0:29:11 | |
They're just meant for us. | 0:29:11 | 0:29:13 | |
Oh! That is outrageous! | 0:29:13 | 0:29:14 | |
Stupid, stupid, stupid. | 0:29:14 | 0:29:16 | |
Oh, no! | 0:29:19 | 0:29:22 | |
Dr Neilan. | 0:29:32 | 0:29:34 | |
Yes, it's Rachel Duncan. | 0:29:34 | 0:29:35 | |
I'm fine. | 0:29:38 | 0:29:40 | |
Yes, of course. It's a terrible loss. | 0:29:42 | 0:29:46 | |
But it's not why I'm calling. | 0:29:46 | 0:29:48 | |
I need your expertise. | 0:29:48 | 0:29:50 | |
You've done it. | 0:30:01 | 0:30:03 | |
Well, not yet. | 0:30:03 | 0:30:05 | |
But we have the marrow processing for transplant. | 0:30:05 | 0:30:09 | |
Then thank you for letting me use your office. | 0:30:09 | 0:30:11 | |
Oh. | 0:30:11 | 0:30:13 | |
PHONE RINGS | 0:30:19 | 0:30:21 | |
Martin, yes. | 0:30:25 | 0:30:26 | |
Fine. | 0:30:26 | 0:30:27 | |
ALERT BEEPS | 0:30:27 | 0:30:28 | |
Good. | 0:30:28 | 0:30:31 | |
What time? | 0:30:34 | 0:30:35 | |
Thank you. Bye. | 0:30:37 | 0:30:40 | |
OK, here you go. | 0:30:49 | 0:30:51 | |
Good girl. | 0:30:52 | 0:30:54 | |
Yuck. Yucky. | 0:30:54 | 0:30:56 | |
Time to sleep, now, for a bit, yeah? | 0:30:58 | 0:31:02 | |
There you go. | 0:31:02 | 0:31:03 | |
GRACIE: What are you doing? | 0:31:32 | 0:31:34 | |
I don't belong here. | 0:31:37 | 0:31:38 | |
But where will you go? | 0:31:41 | 0:31:43 | |
To my sestra. | 0:31:43 | 0:31:45 | |
You're a good girl, Grace. | 0:31:47 | 0:31:49 | |
But if you don't want to have my babies, | 0:31:49 | 0:31:51 | |
don't have my babies. | 0:31:51 | 0:31:53 | |
I would never do that. | 0:31:55 | 0:31:56 | |
I'm coming with you. | 0:32:07 | 0:32:09 | |
This way. It's faster. | 0:32:15 | 0:32:17 | |
You disappoint me, daughter. | 0:32:26 | 0:32:27 | |
Go back to your beds. | 0:32:29 | 0:32:32 | |
No, Father. | 0:32:32 | 0:32:33 | |
We trusted you to counsel her, | 0:32:33 | 0:32:36 | |
to help her embrace her purpose. | 0:32:36 | 0:32:38 | |
I'm not afraid of you. | 0:32:38 | 0:32:40 | |
Neither am I. | 0:32:41 | 0:32:43 | |
Mother's gone out west to find more broodmares. | 0:32:45 | 0:32:48 | |
Both of you can go to hell. | 0:32:48 | 0:32:50 | |
Oh, Gracie. | 0:32:52 | 0:32:54 | |
What would your mother say? | 0:32:54 | 0:32:56 | |
SHE SQUEALS | 0:32:56 | 0:32:59 | |
Don't! No! | 0:32:59 | 0:33:01 | |
Aah! | 0:33:01 | 0:33:04 | |
I hate you! I hate you! | 0:33:04 | 0:33:06 | |
Gracie. | 0:33:14 | 0:33:16 | |
Leave her alone, Mark. | 0:33:16 | 0:33:19 | |
She's got a lot of thinkin' to do. | 0:33:19 | 0:33:22 | |
Mark! | 0:33:22 | 0:33:24 | |
Come and help me with Helena. | 0:33:25 | 0:33:27 | |
She's your daughter. | 0:33:31 | 0:33:32 | |
Yes, Mark. | 0:33:35 | 0:33:36 | |
You had to put your own child inside of her? | 0:33:40 | 0:33:43 | |
You had to be the father, too?! | 0:33:44 | 0:33:46 | |
Helena is a miracle, Mark. | 0:33:46 | 0:33:50 | |
She defies the laws of science. | 0:33:50 | 0:33:51 | |
It is a sign that I cannot ignore! | 0:33:51 | 0:33:54 | |
You're not locking Gracie up any more. | 0:33:54 | 0:33:57 | |
CRASHING AND SHOUTING | 0:34:02 | 0:34:04 | |
HENRIK SCREAMS | 0:34:04 | 0:34:06 | |
Gracie. | 0:34:06 | 0:34:07 | |
Arrgghh! Aah! | 0:34:07 | 0:34:09 | |
Gracie. Gracie! | 0:34:09 | 0:34:11 | |
Wait. | 0:34:11 | 0:34:12 | |
Go! Run! | 0:34:12 | 0:34:14 | |
Run! | 0:34:14 | 0:34:15 | |
Come on. | 0:34:18 | 0:34:20 | |
I've always wanted to do that. | 0:34:55 | 0:34:56 | |
What? | 0:34:58 | 0:34:59 | |
It's OK. I didn't put our initials in it. | 0:34:59 | 0:35:02 | |
I have never been more attracted to you | 0:35:02 | 0:35:04 | |
than I am right now. | 0:35:04 | 0:35:06 | |
Unh! Take this off. | 0:35:13 | 0:35:15 | |
Oh, yeah. | 0:35:15 | 0:35:16 | |
The bedroom. | 0:35:17 | 0:35:18 | |
No. Workbench. | 0:35:18 | 0:35:21 | |
No, no, no! | 0:35:21 | 0:35:22 | |
BOTH: The freezer. | 0:35:23 | 0:35:24 | |
Oh, my God. | 0:35:26 | 0:35:28 | |
Oh, my God. | 0:35:28 | 0:35:29 | |
Mmm. | 0:35:29 | 0:35:31 | |
I wanna be nasty. | 0:35:31 | 0:35:32 | |
Come on, Donnie. | 0:35:34 | 0:35:35 | |
-OK. -Come on. | 0:35:35 | 0:35:37 | |
-Oh, yeah. -Oh! | 0:35:37 | 0:35:40 | |
Helena. | 0:35:58 | 0:35:59 | |
Helena, what are you doing? | 0:35:59 | 0:36:00 | |
Why do you sound so scared? | 0:36:00 | 0:36:02 | |
Helena. | 0:36:02 | 0:36:04 | |
We saved you. | 0:36:06 | 0:36:07 | |
HE GASPS | 0:36:07 | 0:36:08 | |
Helena, I am the father of your children. | 0:36:08 | 0:36:11 | |
They are going to need me when they get older. | 0:36:11 | 0:36:13 | |
"Daddy, how do they make babies?" | 0:36:13 | 0:36:15 | |
Would you like horse baby? | 0:36:15 | 0:36:18 | |
SHE INHALES | 0:36:18 | 0:36:19 | |
Cow baby. | 0:36:19 | 0:36:21 | |
Is this how you do it? | 0:36:22 | 0:36:24 | |
You've made your point. This isn't funny. | 0:36:25 | 0:36:28 | |
Do I look like I'm trying to be funny? | 0:36:28 | 0:36:30 | |
Helena. Helena! | 0:36:30 | 0:36:32 | |
SHE BLOWS | 0:36:32 | 0:36:34 | |
Don't do this. | 0:36:35 | 0:36:36 | |
-No-o-o. -Don't. | 0:36:36 | 0:36:39 | |
Helena. Helena! | 0:36:39 | 0:36:42 | |
HE SCREAMS | 0:36:42 | 0:36:43 | |
SHE CACKLES | 0:36:43 | 0:36:45 | |
SCREAMING | 0:36:45 | 0:36:47 | |
MONITOR BEEPS | 0:37:00 | 0:37:02 | |
Hey, chicken. I don't know why... | 0:37:11 | 0:37:13 | |
Delphine's here. | 0:37:13 | 0:37:14 | |
She's outside. | 0:37:14 | 0:37:15 | |
What's going on? | 0:37:29 | 0:37:31 | |
I saw something about that man that works with you. | 0:37:31 | 0:37:35 | |
Benjamin Kertland? | 0:37:35 | 0:37:36 | |
I couldn't call. They could be listening. | 0:37:36 | 0:37:39 | |
What is it? | 0:37:39 | 0:37:40 | |
You must not overreact, or they will know. | 0:37:40 | 0:37:42 | |
Tell me. | 0:37:42 | 0:37:44 | |
Rachel may have compromised him. | 0:37:44 | 0:37:47 | |
Shit. | 0:37:47 | 0:37:48 | |
S-Sarah. | 0:37:48 | 0:37:50 | |
Sarah, wait! Be careful! | 0:37:50 | 0:37:51 | |
What does she want? | 0:37:56 | 0:37:59 | |
To warn us. Rachel's making a move. | 0:37:59 | 0:38:01 | |
-What kind of a move? -I don't know! | 0:38:01 | 0:38:03 | |
I'll be with Kira. You make sure the elevators are secure. | 0:38:03 | 0:38:07 | |
Hi. | 0:38:16 | 0:38:17 | |
Hey. | 0:38:17 | 0:38:18 | |
Hey, hey. What's going on? | 0:38:18 | 0:38:19 | |
We're not safe here. | 0:38:19 | 0:38:21 | |
What are you talking about, eh? | 0:38:21 | 0:38:24 | |
Where are you going to take her? | 0:38:24 | 0:38:25 | |
-PHONE RINGS -I don't know yet. | 0:38:25 | 0:38:27 | |
I'll let you know. | 0:38:27 | 0:38:29 | |
Shit. | 0:38:30 | 0:38:31 | |
-RACHEL'S ACCENT: -Pleasure to meet you, Felix. | 0:38:31 | 0:38:34 | |
Where did you come from? | 0:38:53 | 0:38:54 | |
Keep him away! He's with DYAD! | 0:38:54 | 0:38:56 | |
-What?! -What are you talking about? I'm not with DYAD. -Oh, my God. | 0:38:56 | 0:39:00 | |
No! Fee! | 0:39:01 | 0:39:03 | |
-Fee! Fee! Oh, my God! -Oh, Felix! | 0:39:03 | 0:39:06 | |
-Oh, shit! -Oh, shit! | 0:39:06 | 0:39:07 | |
He's been drugged. | 0:39:07 | 0:39:09 | |
-Felix! -You! What did you do?! | 0:39:09 | 0:39:11 | |
-Nothing! -Sarah, it was you! | 0:39:11 | 0:39:14 | |
It was a trick! Rachel's taken her! | 0:39:14 | 0:39:16 | |
Felix! Come on. | 0:39:17 | 0:39:19 | |
Felix! | 0:39:19 | 0:39:20 | |
MONITOR BEEPS | 0:39:23 | 0:39:26 | |
What's wrong? | 0:39:34 | 0:39:36 | |
SHE BREATHES HEAVILY | 0:39:36 | 0:39:39 | |
I made a terrible mistake. | 0:39:39 | 0:39:41 | |
What have you done? | 0:39:41 | 0:39:43 | |
SHE SOBS | 0:39:43 | 0:39:44 | |
Mommy? | 0:40:07 | 0:40:08 | |
Hello. | 0:40:11 | 0:40:13 | |
My name is Rachel. | 0:40:13 | 0:40:14 | |
How are you feeling, Kira? | 0:40:16 | 0:40:18 | |
Where's my mom? | 0:40:18 | 0:40:20 | |
Where's Mrs S? | 0:40:20 | 0:40:22 | |
Dear child... | 0:40:22 | 0:40:23 | |
I know how frightening this must be for you. | 0:40:27 | 0:40:29 | |
But... | 0:40:31 | 0:40:33 | |
you'll get used to it. | 0:40:33 | 0:40:35 | |
You may even grow to like it here. | 0:40:37 | 0:40:39 | |
Just as I did. | 0:40:41 | 0:40:43 | |
And if I refuse? | 0:40:47 | 0:40:49 | |
You'll be on the plane. | 0:40:49 | 0:40:50 | |
You used me! | 0:40:50 | 0:40:51 | |
You forget, Dr Cormier, none of this is personal. | 0:40:51 | 0:40:55 | |
-If you let her die without me, it is personal. -Is my mom here yet? -Soon. | 0:40:55 | 0:40:59 | |
I left her with you for five bloody minutes and she's gone now! | 0:40:59 | 0:41:03 | |
My name is Sarah Manning. | 0:41:03 | 0:41:05 | |
And this is my unconditional surrender. | 0:41:06 | 0:41:09 |