Browse content similar to 22/01/2013. Check below for episodes and series from the same categories and more!
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You terrorised that poor lassie on the internet | 0:00:21 | 0:00:23 | |
and now you're saying she deserves it?! | 0:00:23 | 0:00:25 | |
What's the matter with you?! | 0:00:25 | 0:00:28 | |
All of this lying to Christina, it's got to stop. | 0:00:28 | 0:00:32 | |
I want to tell her the truth. | 0:00:32 | 0:00:33 | |
The truth? | 0:00:33 | 0:00:35 | |
I want to tell her about me. | 0:00:36 | 0:00:38 | |
Do you really want her to know what you are? | 0:00:38 | 0:00:40 | |
I want us to promise that we'll never lie to each other. | 0:00:40 | 0:00:44 | |
OK. | 0:00:44 | 0:00:45 | |
THEY GIGGLE | 0:00:53 | 0:00:56 | |
Right, I will beg, grovel. | 0:01:18 | 0:01:20 | |
Just one night off my curfew. | 0:01:20 | 0:01:21 | |
I'll be like, "Please, please, please!" | 0:01:21 | 0:01:24 | |
It will be fine. | 0:01:24 | 0:01:25 | |
It wasn't last time. I just got a big, fat no. | 0:01:25 | 0:01:27 | |
And this time it will be a big, fat yes. | 0:01:27 | 0:01:30 | |
SHE GROANS Right, wish me luck. | 0:01:30 | 0:01:33 | |
You don't need it. | 0:01:33 | 0:01:34 | |
Right, I really do need to go. Bye. | 0:01:51 | 0:01:54 | |
-I love you. -I love you more. | 0:01:54 | 0:01:56 | |
She's three months into her licensed release, | 0:02:09 | 0:02:11 | |
and she's doing well at her job. | 0:02:11 | 0:02:13 | |
And I've only asked for my curfew to be lifted once before. | 0:02:16 | 0:02:19 | |
And I said no. What's changed since then? | 0:02:19 | 0:02:21 | |
I have. I've made friends, I'm in a relationship | 0:02:23 | 0:02:25 | |
and this evening is just to help out at the... | 0:02:25 | 0:02:27 | |
That doesn't change what you did. Your crime hasn't changed. | 0:02:27 | 0:02:31 | |
You got a light sentence | 0:02:31 | 0:02:33 | |
because you gave evidence against the others. | 0:02:33 | 0:02:35 | |
I can sense you've got an opinion, DC Cooper. | 0:02:38 | 0:02:41 | |
I just think this evening will be good for Alice. | 0:02:41 | 0:02:44 | |
It's a charity evening for local pensioners. | 0:02:44 | 0:02:46 | |
It's admirable she wants to help out in the community. | 0:02:46 | 0:02:50 | |
Can you step outside for a minute? | 0:02:50 | 0:02:52 | |
You're convinced she can handle it? | 0:03:00 | 0:03:02 | |
Yes, absolutely. | 0:03:02 | 0:03:03 | |
Well, since you think she's such an admirable member of the community, | 0:03:05 | 0:03:08 | |
-you can go along, keep an eye on her. -What? | 0:03:08 | 0:03:10 | |
It's the first time she's been let off the leash. | 0:03:10 | 0:03:14 | |
We wouldn't want her to get overexcited | 0:03:14 | 0:03:16 | |
-and let anything slip, would we? -Fine. | 0:03:16 | 0:03:18 | |
You can give Alice the good news. | 0:03:19 | 0:03:21 | |
So? | 0:03:30 | 0:03:32 | |
I got a big, fat... | 0:03:32 | 0:03:34 | |
..yes! SHE LAUGHS | 0:03:36 | 0:03:39 | |
Come on, let's go! | 0:03:39 | 0:03:40 | |
So is this Montego Street? | 0:03:46 | 0:03:49 | |
Yeah. | 0:03:49 | 0:03:50 | |
So now what? | 0:03:52 | 0:03:54 | |
We find out who sent them. | 0:03:54 | 0:03:56 | |
And then? | 0:03:56 | 0:03:57 | |
Hi. Sorry, we're looking for Montego Motors? | 0:04:21 | 0:04:25 | |
You've missed it, pal. It's just down there, right behind the pub. | 0:04:25 | 0:04:28 | |
-OK, right. Thanks. -No bother. | 0:04:28 | 0:04:31 | |
I'll go alone. You wait in there. | 0:04:38 | 0:04:41 | |
Why? | 0:04:41 | 0:04:42 | |
Two of us hanging around, it'll look dodgy. | 0:04:42 | 0:04:45 | |
Just wait for me inside and I'll check it out. | 0:04:47 | 0:04:49 | |
HE SIGHS | 0:04:49 | 0:04:51 | |
-Hiya. -Hey, Stevie. | 0:04:59 | 0:05:01 | |
Hey. | 0:05:07 | 0:05:08 | |
Hey, come on. It's OK. | 0:05:09 | 0:05:11 | |
I miss him so much. | 0:05:15 | 0:05:16 | |
Every morning I wake up and I can't believe he's not there. | 0:05:19 | 0:05:25 | |
It's early days yet. It takes time. | 0:05:25 | 0:05:28 | |
And it's all my own fault. | 0:05:28 | 0:05:29 | |
You've beaten yourself up enough. | 0:05:29 | 0:05:31 | |
Torturing yourself isn't going to help anyone. | 0:05:32 | 0:05:35 | |
Take it from someone who knows. | 0:05:35 | 0:05:36 | |
I'll see you later, OK? | 0:05:40 | 0:05:41 | |
"Aboon them a' ye... | 0:05:59 | 0:06:00 | |
"Aboon them a' ye tak your place..." | 0:06:06 | 0:06:10 | |
er...wait... | 0:06:10 | 0:06:14 | |
"Painch, tripe..." | 0:06:14 | 0:06:17 | |
Ach! | 0:06:17 | 0:06:18 | |
Aren't you supposed to recite the whole poem | 0:06:21 | 0:06:23 | |
before you pour the booze down your throat? | 0:06:23 | 0:06:25 | |
What would a Ruskie know about it? | 0:06:25 | 0:06:28 | |
I think you'll find I'm Ukrainian. | 0:06:28 | 0:06:30 | |
What the heck is this? | 0:06:32 | 0:06:34 | |
That, my dear, is a haggis. | 0:06:34 | 0:06:38 | |
A real haggis! | 0:06:38 | 0:06:40 | |
Smells of the fresh mountain air from whence it came. | 0:06:40 | 0:06:44 | |
So these'd be the mountains around the lake where Nessie lives? | 0:06:46 | 0:06:49 | |
What is a haggis, exactly? | 0:06:49 | 0:06:51 | |
It's a sheep's liver, heart and lungs, mashed up with oatmeal, | 0:06:51 | 0:06:56 | |
onions and pepper, stuffed back into the sheep's stomach, | 0:06:56 | 0:06:59 | |
given a wee rinse first, and then boiled for a few hours. | 0:06:59 | 0:07:03 | |
Yeah, right! | 0:07:03 | 0:07:05 | |
No, really, what is it? | 0:07:05 | 0:07:07 | |
Really? | 0:07:09 | 0:07:10 | |
It's like a Scottish wee rodent, like a guinea pig, | 0:07:10 | 0:07:13 | |
that lives in the forests and eats pine cones. | 0:07:13 | 0:07:16 | |
THEY GIGGLE | 0:07:16 | 0:07:18 | |
Right, Loch Lomond here we come! | 0:07:20 | 0:07:23 | |
We'll see you tomorrow! | 0:07:23 | 0:07:26 | |
Have a great time! | 0:07:26 | 0:07:27 | |
Don't worry, we will. You behave yourselves, right? | 0:07:27 | 0:07:30 | |
-See you later, Maw. -Mmm-hmm. | 0:07:30 | 0:07:32 | |
Bye! | 0:07:34 | 0:07:36 | |
-Molly? -Mmm-hmm? | 0:07:40 | 0:07:43 | |
You don't mind if Alice stays over tonight, do you? | 0:07:43 | 0:07:46 | |
-SHE CHUCKLES -Thanks for the flowers. | 0:07:53 | 0:07:56 | |
Keep the music down. | 0:07:58 | 0:08:00 | |
Make another appointment on your way out. | 0:08:07 | 0:08:10 | |
OK, Doctor. Thank you very much. | 0:08:10 | 0:08:12 | |
-Miriam. -Hello! | 0:08:17 | 0:08:18 | |
I wouldn't bother you, but I'm desperate. | 0:08:21 | 0:08:24 | |
-SHE GIGGLES -I need to get a hold of Raymond. | 0:08:24 | 0:08:28 | |
And I thought, he won't ignore Stuart's doctor, | 0:08:28 | 0:08:31 | |
so if you can call and then hand the phone to me... | 0:08:31 | 0:08:33 | |
What? You want me to phone your pal for you? | 0:08:33 | 0:08:36 | |
Do you think I sit here all day | 0:08:36 | 0:08:38 | |
online shopping or polishing my nails? | 0:08:38 | 0:08:40 | |
I'm busy! | 0:08:40 | 0:08:42 | |
You always manage to squeeze me in. I thought you'd want to help. | 0:08:42 | 0:08:46 | |
Maybe Raymond isn't answering your calls | 0:08:46 | 0:08:50 | |
because he doesn't want to talk to you. | 0:08:50 | 0:08:52 | |
Have you thought of that? | 0:08:52 | 0:08:54 | |
Mrs Cargill! | 0:08:55 | 0:08:56 | |
"Aboon them a' ye tak your place, | 0:08:56 | 0:09:00 | |
"Painch, tripe or thairm..." | 0:09:00 | 0:09:04 | |
For God's sake, even I know it by now! | 0:09:04 | 0:09:06 | |
-THEY GIGGLE -I need some peace! | 0:09:06 | 0:09:09 | |
I've got to get this learnt | 0:09:09 | 0:09:10 | |
before Malcolm sneaks in and grabs all the glory! | 0:09:10 | 0:09:14 | |
Cheeky wee monkey! | 0:09:14 | 0:09:15 | |
It's your first night of freedom, I'm on a study day, | 0:09:19 | 0:09:21 | |
and we're spending it with a bunch of grannies at the Community Centre. | 0:09:21 | 0:09:24 | |
We should have made it special. | 0:09:24 | 0:09:27 | |
This IS special. I'm spending it with you. | 0:09:27 | 0:09:29 | |
Look, I'm part of your life, | 0:09:32 | 0:09:34 | |
and I'm with your family. | 0:09:34 | 0:09:35 | |
I couldn't be happier. | 0:09:35 | 0:09:37 | |
I learnt a Burns poem for you. | 0:09:39 | 0:09:43 | |
-Do you want to hear my favourite bit? -Yeah! | 0:09:43 | 0:09:46 | |
"Till a' the seas gang dry, my dear | 0:09:47 | 0:09:50 | |
"And the rocks melt wi' the sun | 0:09:50 | 0:09:52 | |
"I will luve thee still, my dear | 0:09:52 | 0:09:54 | |
"While the sands o' life shall run..." | 0:09:54 | 0:09:57 | |
Aw, that was beautiful. | 0:09:57 | 0:09:59 | |
You're beautiful. Thank you. | 0:09:59 | 0:10:01 | |
Starts about five. | 0:10:30 | 0:10:32 | |
So, er...anyway, I thought you might want to come over, | 0:10:32 | 0:10:37 | |
as your Auld Lang Syne's legendary. | 0:10:37 | 0:10:39 | |
Look, Raymond, if you get this message, get back to me. Please? | 0:10:41 | 0:10:45 | |
I don't suppose either of you have seen Raymond? | 0:10:51 | 0:10:54 | |
No, sorry. Is there anything wrong? | 0:10:54 | 0:10:57 | |
No, no. I just thought he might want to come along tonight. | 0:10:57 | 0:11:00 | |
He hasn't been returning my calls. | 0:11:00 | 0:11:02 | |
Do you mind if I just popped out? | 0:11:05 | 0:11:07 | |
No, of course. We'll be fine. | 0:11:07 | 0:11:09 | |
Thanks. I won't be long. | 0:11:09 | 0:11:11 | |
See you later. | 0:11:11 | 0:11:13 | |
"Till a' the seas gang dry!" | 0:11:18 | 0:11:20 | |
-SHE SQUEALS AND LAUGHS -Stop it! Stop it! | 0:11:22 | 0:11:25 | |
Stop it! | 0:11:27 | 0:11:29 | |
Alice! Stop it! | 0:11:29 | 0:11:30 | |
Shhh! | 0:11:30 | 0:11:32 | |
I'm sorry, mate, I can't help you. | 0:11:32 | 0:11:34 | |
I never sent flowers to your ma's funeral. | 0:11:34 | 0:11:36 | |
But the shop that sent the flowers | 0:11:36 | 0:11:38 | |
said that this was the billing address for the credit card. | 0:11:38 | 0:11:40 | |
Maybe somebody put the wrong number on it or something. | 0:11:40 | 0:11:43 | |
I thought maybe one of her old pupils had sent them. | 0:11:43 | 0:11:46 | |
She was a teacher. | 0:11:46 | 0:11:49 | |
OK. I'm sorry to bother you. | 0:11:49 | 0:11:51 | |
I was up this way seeing relatives | 0:11:51 | 0:11:53 | |
-and I thought I'd check it out, say thank you. -No, hang on, mate! | 0:11:53 | 0:11:55 | |
I'm sorry! Of course, the accent! | 0:11:55 | 0:11:59 | |
Are you from Rochdale? | 0:11:59 | 0:12:01 | |
-Manchester. -My apprentice is from Rochdale. | 0:12:01 | 0:12:03 | |
She used my card last week. It must've been her. | 0:12:03 | 0:12:05 | |
Her? She's not called Al..? | 0:12:05 | 0:12:07 | |
Alice Reynolds. | 0:12:07 | 0:12:09 | |
She's got shortish black hair, brown eyes, about 18? | 0:12:09 | 0:12:12 | |
Well, she's grew her hair but, aye, that sounds like Alice. | 0:12:12 | 0:12:16 | |
-Hold on. -No, don't phone her! | 0:12:16 | 0:12:18 | |
I haven't seen her for years, I'd like to surprise her. | 0:12:18 | 0:12:21 | |
When's she back? | 0:12:21 | 0:12:23 | |
This is her day off. | 0:12:23 | 0:12:24 | |
She'll be round here somewhere with Christina, her pal. | 0:12:24 | 0:12:27 | |
-Right. That's great. Thanks. -No bother. | 0:12:27 | 0:12:29 | |
And if I see her, don't worry, I can keep a secret. | 0:12:29 | 0:12:32 | |
Serving dishes? Aye, we've got plenty in the kitchen. | 0:12:38 | 0:12:40 | |
-I'll sort you out. -Thanks. | 0:12:40 | 0:12:42 | |
Alice is helping me at the Community Centre, so we'll pick them up later. | 0:12:42 | 0:12:45 | |
Aw! She's spending her day off helping you? | 0:12:45 | 0:12:48 | |
Must be the real deal! | 0:12:48 | 0:12:49 | |
Hi. | 0:12:50 | 0:12:51 | |
Here, let me help. | 0:13:04 | 0:13:06 | |
So chivalry's no' dead?! | 0:13:06 | 0:13:08 | |
Cheers. | 0:13:08 | 0:13:09 | |
Fancy a top-up? | 0:13:09 | 0:13:11 | |
Oh, ladies first. | 0:13:11 | 0:13:12 | |
Aye, if there were any ladies around here... | 0:13:12 | 0:13:14 | |
That one's nasty enough without a drink in her. | 0:13:14 | 0:13:17 | |
Still, after everything Christina's been put through, | 0:13:17 | 0:13:21 | |
she's the one that's ended up smiling. | 0:13:21 | 0:13:24 | |
It's funny. | 0:13:25 | 0:13:27 | |
Some things are just so ugly, | 0:13:27 | 0:13:28 | |
no amount of make-up's gonnae cover them up. | 0:13:28 | 0:13:31 | |
Scarlett! | 0:13:31 | 0:13:32 | |
Just giving her a taste of her own medicine. | 0:13:32 | 0:13:34 | |
I'll maybe see you there, eh? | 0:13:34 | 0:13:36 | |
Jimmy! | 0:13:41 | 0:13:42 | |
Have you heard from Raymond? | 0:13:42 | 0:13:44 | |
-Sorry, no. -You don't know where he is? | 0:13:44 | 0:13:46 | |
Damn. I was hoping you'd heard from him. | 0:13:48 | 0:13:50 | |
He hasn't answered any of my messages in over a week. | 0:13:50 | 0:13:53 | |
What's it about? If he gets in touch, | 0:13:53 | 0:13:55 | |
I can maybe pass the message on. | 0:13:55 | 0:13:56 | |
I think he just wants to clear his head, lick his wounds. | 0:13:56 | 0:14:01 | |
The last thing he needs is more stress. | 0:14:01 | 0:14:03 | |
Well, he won't get any from me! I'm worried! | 0:14:03 | 0:14:05 | |
It's not like him to ignore me. | 0:14:05 | 0:14:07 | |
I know he's having a hard time, but I want to make sure he's OK. | 0:14:07 | 0:14:10 | |
I didn't mean it like that. | 0:14:10 | 0:14:12 | |
-It's just he says he doesn't want to see anybody. -Jimmy! | 0:14:12 | 0:14:16 | |
I'm doing the Address to the Haggis! | 0:14:19 | 0:14:21 | |
I told Murray I was doing it and he agreed. | 0:14:21 | 0:14:24 | |
No, no! Murray asked Malcolm! | 0:14:25 | 0:14:28 | |
He's spent hours on it! | 0:14:28 | 0:14:30 | |
I've spent days on it! | 0:14:30 | 0:14:32 | |
Liz! Look, I don't mind, really. | 0:14:32 | 0:14:35 | |
If Molly's gone to all that trouble... | 0:14:35 | 0:14:36 | |
I knew this would happen! | 0:14:36 | 0:14:39 | |
I told Murray, I said these things need to be organised. | 0:14:39 | 0:14:43 | |
He should have designated one reader for each poem | 0:14:43 | 0:14:47 | |
and not left it as a free-for-all! | 0:14:47 | 0:14:49 | |
He did. He designated ME to do the Address to the Haggis. | 0:14:49 | 0:14:54 | |
Murray'll be back soon. | 0:14:54 | 0:14:56 | |
Aye, and then HE can decide. | 0:14:56 | 0:14:58 | |
I can always read something else. | 0:14:58 | 0:15:01 | |
No, dearie, you've been working on it, | 0:15:01 | 0:15:03 | |
and people are expecting you to do it. | 0:15:03 | 0:15:06 | |
Well, they're going to have a surprise! | 0:15:06 | 0:15:09 | |
Well? | 0:15:16 | 0:15:17 | |
It could be her. She's called Alice Reynolds. | 0:15:19 | 0:15:21 | |
But she's not in work today. She's out with some pal, Christina. | 0:15:21 | 0:15:24 | |
There was a Christina here! | 0:15:24 | 0:15:25 | |
She said Alice was helping her at the Community Centre. | 0:15:25 | 0:15:29 | |
So what now? | 0:15:29 | 0:15:30 | |
Excuse me. Could you tell me where the Community Centre is? | 0:15:32 | 0:15:35 | |
Aye, you just go out the front door there, | 0:15:35 | 0:15:38 | |
turn right and follow the path round. | 0:15:38 | 0:15:40 | |
You can't miss it. | 0:15:40 | 0:15:42 | |
You wait here for her, and I'll check the Community Centre. | 0:15:45 | 0:15:50 | |
It'll be OK. | 0:15:50 | 0:15:51 | |
Do you want a drink? | 0:15:53 | 0:15:54 | |
No, I'm fine, thanks. | 0:15:54 | 0:15:56 | |
All right. What about your pal? | 0:15:56 | 0:15:58 | |
I may as well! | 0:15:58 | 0:15:59 | |
-All right? -Hiya. | 0:16:03 | 0:16:06 | |
Did you find the garage, aye? | 0:16:06 | 0:16:07 | |
Yeah. Thanks. | 0:16:07 | 0:16:08 | |
Stella, has anyone handed a phone in? | 0:16:12 | 0:16:15 | |
I've lost mine and it's got loads of my stuff in it. | 0:16:15 | 0:16:17 | |
Would that be stuff you made up about our Christina? | 0:16:17 | 0:16:20 | |
No. Photos of my dad. | 0:16:20 | 0:16:23 | |
Oh, is that right? | 0:16:23 | 0:16:24 | |
Leave it, Scarlett. | 0:16:24 | 0:16:25 | |
Have you tried phoning it? | 0:16:27 | 0:16:29 | |
HE DIALS NUMBER | 0:16:30 | 0:16:32 | |
It's ringing. | 0:16:37 | 0:16:39 | |
No, it's just went to voicemail. | 0:16:42 | 0:16:44 | |
Oh, that's a shame, somebody must've nicked it. | 0:16:44 | 0:16:47 | |
Is that what they call bad karma? | 0:16:47 | 0:16:48 | |
What goes around comes around. | 0:16:48 | 0:16:51 | |
I said I'm sorry, OK? And I mean it. | 0:16:51 | 0:16:55 | |
Why will no-one believe me? | 0:16:55 | 0:16:57 | |
-Take a guess. -Scarlett! | 0:16:57 | 0:16:59 | |
It'll show up somewhere. | 0:17:08 | 0:17:10 | |
If not, it's just a phone. | 0:17:10 | 0:17:11 | |
It's the one you got me. | 0:17:21 | 0:17:22 | |
Remember when my dad was checking all my calls? | 0:17:24 | 0:17:27 | |
But, yeah, it's just a phone. | 0:17:30 | 0:17:32 | |
Thanks. | 0:17:41 | 0:17:43 | |
It means a lot that you're still nice to me. | 0:17:45 | 0:17:47 | |
Why wouldn't I be? | 0:17:52 | 0:17:53 | |
Lots of good reasons. | 0:17:55 | 0:17:56 | |
We've all done things we regret. | 0:18:00 | 0:18:03 | |
It's not been easy for me either. | 0:18:04 | 0:18:06 | |
-HE SIGHS -I don't know. | 0:18:08 | 0:18:10 | |
-Maybe I should have... -No! | 0:18:10 | 0:18:13 | |
I'm not dumping any of my guilt on you. | 0:18:13 | 0:18:15 | |
I should have been there for you, | 0:18:19 | 0:18:22 | |
and I wasn't, and I'm really sorry. | 0:18:22 | 0:18:24 | |
I miss you. | 0:18:28 | 0:18:29 | |
I miss you too. | 0:18:39 | 0:18:40 | |
I'm sorry. | 0:18:54 | 0:18:55 | |
Hey. | 0:19:01 | 0:19:03 | |
Come here. | 0:19:04 | 0:19:06 | |
BANGING ON DOOR | 0:19:18 | 0:19:20 | |
HE BANGS ON DOOR | 0:19:28 | 0:19:30 | |
I told you not to tell anyone where I was. | 0:19:42 | 0:19:44 | |
Come on, Raymond, it's Murray. It's no' anyone. | 0:19:44 | 0:19:47 | |
It's my fault. I thought something had happened. | 0:19:47 | 0:19:50 | |
-Me too. -I'm fine. | 0:19:50 | 0:19:52 | |
Look, I know it's not the Ritz, but needs must, eh? | 0:20:00 | 0:20:03 | |
Aye, it just needs a lick of paint. | 0:20:04 | 0:20:06 | |
It needs a lot more than a lick of paint | 0:20:06 | 0:20:08 | |
before they're going to let Stuart stay over. | 0:20:08 | 0:20:10 | |
That's if they let me have him at all. | 0:20:10 | 0:20:12 | |
Of course they will. You're a good dad. | 0:20:12 | 0:20:14 | |
HE LAUGHS | 0:20:14 | 0:20:16 | |
So, what's so important | 0:20:18 | 0:20:19 | |
that you couldn't wait for me to call you back? | 0:20:19 | 0:20:22 | |
The Burns Supper at the Community Centre. You're usually there. | 0:20:22 | 0:20:26 | |
The Burns Supper? | 0:20:27 | 0:20:29 | |
It would be a good chance for you to catch up with everyone. | 0:20:29 | 0:20:32 | |
With everyone? | 0:20:32 | 0:20:33 | |
Like who? Eileen? Stuart? | 0:20:33 | 0:20:37 | |
Has she said something to you pair? Is that why you're here? | 0:20:37 | 0:20:40 | |
Why would she say anything to us? | 0:20:40 | 0:20:43 | |
Has something happened? | 0:20:43 | 0:20:45 | |
No, nothing. | 0:20:45 | 0:20:46 | |
It's just that Stuart's not going to have a dad if she gets her way. | 0:20:48 | 0:20:51 | |
Look, I don't think it's doing you any good being here on your own. | 0:20:55 | 0:21:01 | |
Why don't you come and stay with me until you get back on your feet? | 0:21:01 | 0:21:04 | |
No, really! I'm fine here, thanks. | 0:21:04 | 0:21:07 | |
And you and the good Dr Miriam surely need your space. | 0:21:07 | 0:21:11 | |
It's daft for you to be spending money on this place | 0:21:13 | 0:21:16 | |
when you can come and stay at mine. | 0:21:16 | 0:21:19 | |
Is that it? | 0:21:19 | 0:21:20 | |
Is it money you're so concerned about? | 0:21:21 | 0:21:23 | |
Don't worry, you'll get it back. | 0:21:24 | 0:21:27 | |
Raymond! That's not what I meant! | 0:21:27 | 0:21:29 | |
We just want to help! | 0:21:29 | 0:21:31 | |
I don't need your help. | 0:21:31 | 0:21:33 | |
-We're worried. -Well, don't be. | 0:21:34 | 0:21:36 | |
I might have lost my livelihood, my pub, and my son, | 0:21:36 | 0:21:43 | |
but I don't need your pity, cos I'll sort it myself! | 0:21:43 | 0:21:45 | |
It's not pity! We're your pals. | 0:21:45 | 0:21:47 | |
We just want to help you out. | 0:21:47 | 0:21:49 | |
You really want to help? | 0:21:49 | 0:21:50 | |
Fine. We're going. | 0:21:55 | 0:21:58 | |
But if you're looking for your mates, you'll know where to find us. | 0:21:58 | 0:22:01 | |
Yeah, in my pub! | 0:22:03 | 0:22:04 | |
I better see how Stella and Scarlett are getting on. | 0:22:35 | 0:22:38 | |
Do you want me to go now? | 0:22:39 | 0:22:40 | |
No, of course not. | 0:22:40 | 0:22:43 | |
-So, I can stay? -Aye. | 0:22:43 | 0:22:45 | |
Or did you just want to have your evil way with me and then bolt? | 0:22:47 | 0:22:50 | |
THEY GIGGLE | 0:22:50 | 0:22:53 | |
I'll be back in five minutes. | 0:22:55 | 0:22:56 | |
PHONE VIBRATES | 0:23:02 | 0:23:04 | |
Hi, Leyla? Yeah, I'm fine. | 0:23:15 | 0:23:18 | |
I'm with Stevie. | 0:23:18 | 0:23:20 | |
Yeah, I'm going to stay overnight. | 0:23:20 | 0:23:23 | |
Right, see you tomorrow. Bye. | 0:23:23 | 0:23:25 | |
HE SIGHS | 0:23:59 | 0:24:02 | |
I'm back! | 0:24:05 | 0:24:06 | |
-I'm back! -SHE GIGGLES | 0:24:12 | 0:24:14 | |
-Hey! Careful! -Sorry. | 0:24:16 | 0:24:18 | |
It's weird, I don't know where it was. | 0:24:30 | 0:24:33 | |
It was in your bag. | 0:24:33 | 0:24:34 | |
It must have got caught in the lining. | 0:24:37 | 0:24:40 | |
Remember you phoned it downstairs and... | 0:24:40 | 0:24:42 | |
It's on silent. | 0:24:44 | 0:24:45 | |
And you just spoke to Leyla. | 0:24:47 | 0:24:49 | |
OK, I... | 0:24:52 | 0:24:54 | |
..I had lost it. I just found it again. | 0:24:55 | 0:24:59 | |
Why did you not say anything? | 0:24:59 | 0:25:01 | |
Because I knew this would be how you'd react. | 0:25:01 | 0:25:03 | |
I knew you'd think I was lying! | 0:25:03 | 0:25:05 | |
I must need my head checked! | 0:25:08 | 0:25:11 | |
No, I promise, I had lost it! | 0:25:11 | 0:25:13 | |
I just found it there. | 0:25:13 | 0:25:14 | |
Everything I said, I meant it! | 0:25:17 | 0:25:19 | |
I just wanted a chance to explain. | 0:25:20 | 0:25:22 | |
What? That you're a liar? | 0:25:22 | 0:25:24 | |
I already know that! | 0:25:24 | 0:25:25 | |
Do you know what? | 0:25:30 | 0:25:31 | |
Get out. | 0:25:34 | 0:25:35 | |
Get out! | 0:25:36 | 0:25:38 | |
HE GROANS | 0:25:57 | 0:25:59 | |
-LIZ: -Just a wee one for me, thanks. | 0:26:02 | 0:26:05 | |
THEY LAUGH | 0:26:05 | 0:26:07 | |
Oh, yes! | 0:26:07 | 0:26:09 | |
Very nice! | 0:26:09 | 0:26:12 | |
-Thanks, my darling. -You're welcome. | 0:26:12 | 0:26:14 | |
-Cheers! -Cheers! Let's hear it for Rabbie! | 0:26:14 | 0:26:16 | |
What's with your sudden interest in Burns anyway? | 0:26:21 | 0:26:23 | |
-I suggested we come here last week. -I changed my mind. | 0:26:23 | 0:26:27 | |
Oh, here! Come and sit with us. | 0:26:27 | 0:26:29 | |
It will be fun, it's only a couple of hours. | 0:26:29 | 0:26:31 | |
At my age, that's a long time. | 0:26:31 | 0:26:33 | |
Ah, come on! Come over here, come on! | 0:26:33 | 0:26:36 | |
Dad, this is Liz and Malcolm Hamilton. | 0:26:36 | 0:26:39 | |
This is my father, Edward Cooper. | 0:26:39 | 0:26:40 | |
Good to meet you. | 0:26:40 | 0:26:41 | |
Hello. | 0:26:43 | 0:26:44 | |
Nice to see you again! | 0:26:52 | 0:26:55 | |
Like father, like son! | 0:26:55 | 0:26:57 | |
SHE LAUGHS | 0:26:57 | 0:26:59 | |
Oh, it must be a pain in the neck, walking on those crutches. | 0:26:59 | 0:27:02 | |
But it's great that the boys have carted you over. | 0:27:02 | 0:27:05 | |
While you're sitting there, I'm going to do a wee rehearsal, | 0:27:05 | 0:27:08 | |
and you can tell me what you think. | 0:27:08 | 0:27:10 | |
Unfortunately for you, you're a captive audience! | 0:27:10 | 0:27:13 | |
I've went and left my book in the flat. | 0:27:15 | 0:27:17 | |
Christina, could you go and get my book? | 0:27:17 | 0:27:20 | |
-No, we can't. We're a bit busy! -It'll no' take you long! | 0:27:20 | 0:27:23 | |
Here, Molly, you can borrow mine. | 0:27:23 | 0:27:25 | |
That's very kind of you, Malcolm, | 0:27:25 | 0:27:27 | |
but I've got notes and other things written in mine. | 0:27:27 | 0:27:30 | |
We'll get it. | 0:27:32 | 0:27:33 | |
Lovely lassie, that. | 0:27:35 | 0:27:37 | |
HE TYPES TEXT MESSAGE | 0:27:42 | 0:27:45 | |
Hi! It's nice and warm in there! | 0:28:05 | 0:28:07 | |
THEY LAUGH | 0:28:07 | 0:28:10 | |
Sam, it's her. | 0:28:13 | 0:28:16 | |
It's definitely her. | 0:28:17 | 0:28:19 | |
She's coming into the pub. | 0:28:19 | 0:28:21 | |
That talk at the Historical Society was very good. | 0:28:21 | 0:28:26 | |
I'm not much of a poetry or history person myself. | 0:28:26 | 0:28:31 | |
No, but the subtext of some of Burns' poems | 0:28:31 | 0:28:34 | |
-is quite fascinating. -The what?! | 0:28:34 | 0:28:38 | |
He was a poor, handsome ploughman | 0:28:38 | 0:28:41 | |
who had his way with the lassies. | 0:28:41 | 0:28:43 | |
He wrote some lovely poetry | 0:28:43 | 0:28:45 | |
and made himself some money. | 0:28:45 | 0:28:47 | |
He was the rock star of his age. | 0:28:47 | 0:28:49 | |
Subtext, my bahooky! | 0:28:49 | 0:28:52 | |
That's a very good point, Molly. | 0:28:52 | 0:28:54 | |
-At last! -Everything OK? | 0:28:58 | 0:29:00 | |
Well, they're struggling in the kitchen | 0:29:00 | 0:29:02 | |
and you appear to have doubled up on one of the poems. | 0:29:02 | 0:29:07 | |
Molly and me have both been learning the Address to a Haggis. | 0:29:07 | 0:29:12 | |
Right. Why don't you do a verse each? Malcolm, you start. | 0:29:12 | 0:29:15 | |
-Aye. Good idea, eh? -Aye, all right. | 0:29:15 | 0:29:20 | |
Great. Excuse me a minute. | 0:29:20 | 0:29:21 | |
Murray? | 0:29:27 | 0:29:28 | |
Quite the diplomat, aren't you? | 0:29:30 | 0:29:32 | |
Why are you here? | 0:29:32 | 0:29:34 | |
When I suggested it, you said you'd rather stick needles in your eyes. | 0:29:34 | 0:29:37 | |
Yes, but once the performances start, | 0:29:37 | 0:29:39 | |
we can step outside for a bit of entertainment of our own. | 0:29:39 | 0:29:43 | |
You really are incredible! | 0:29:43 | 0:29:46 | |
Don't worry. I found Raymond. | 0:29:46 | 0:29:49 | |
Living in a cold, damp bedsit, drinking himself to death. | 0:29:49 | 0:29:51 | |
And he didn't want to see you? | 0:29:51 | 0:29:54 | |
I won't say I told you so. | 0:29:54 | 0:29:56 | |
You really don't give a damn about anyone, do you? | 0:29:56 | 0:29:59 | |
Don't start picking on me just because I was right. | 0:29:59 | 0:30:02 | |
If he wanted to see you he'd have called you. | 0:30:02 | 0:30:05 | |
-Can't you take a hint? -Obviously not! | 0:30:05 | 0:30:08 | |
You know, maybe you should go on one of those internet sites. | 0:30:08 | 0:30:11 | |
Get your entertainment without the bother of conversation. | 0:30:11 | 0:30:14 | |
-What? -Find yourself a friend with a battery | 0:30:14 | 0:30:17 | |
rather than one with a heart. | 0:30:17 | 0:30:19 | |
I hope this is not his idea of a romantic date! | 0:30:23 | 0:30:26 | |
You and him. | 0:30:29 | 0:30:30 | |
Oh, sorry, is it a secret? | 0:30:32 | 0:30:34 | |
So, I gather Raymond wasn't particularly welcoming, then. | 0:30:36 | 0:30:41 | |
That's the understatement of the year. | 0:30:41 | 0:30:43 | |
Poor Murray, he got both barrels. | 0:30:43 | 0:30:45 | |
Hiya. | 0:30:53 | 0:30:54 | |
Oh, hiya! Listen, I've even washed them for you! | 0:30:54 | 0:30:57 | |
Oh, thanks! I can manage these. | 0:30:57 | 0:31:00 | |
All right, well, I'll go get Molly's book, then. | 0:31:00 | 0:31:03 | |
OK, bye. | 0:31:03 | 0:31:04 | |
Right... | 0:31:33 | 0:31:35 | |
Oh! | 0:31:40 | 0:31:41 | |
Hello, Alex. | 0:31:47 | 0:31:48 | |
You left the door open. | 0:31:49 | 0:31:51 | |
What are you doing here? | 0:31:52 | 0:31:55 | |
We've come to see you, Alex. | 0:31:55 | 0:31:57 | |
Please. You've got to go. | 0:31:57 | 0:31:59 | |
If you're found near me... | 0:31:59 | 0:32:01 | |
You're the only one who can tell us what happened. | 0:32:01 | 0:32:04 | |
I can't tell you anything. | 0:32:04 | 0:32:05 | |
It was all said in court. There's nothing more! | 0:32:05 | 0:32:07 | |
We weren't allowed in court. | 0:32:07 | 0:32:10 | |
Our parents couldn't talk about it | 0:32:10 | 0:32:12 | |
and you're the first to be released. | 0:32:12 | 0:32:14 | |
So it's down to you. | 0:32:14 | 0:32:17 | |
I've told you, I can't help. | 0:32:17 | 0:32:18 | |
You were there. | 0:32:19 | 0:32:22 | |
All we want is for you to tell us what happened. | 0:32:22 | 0:32:26 | |
Sorry to ask but we're a bit short-staffed in there. | 0:32:35 | 0:32:38 | |
-Yeah, I'll help. -Cheers. | 0:32:38 | 0:32:40 | |
-Me too. -Is Alice not back yet? | 0:32:40 | 0:32:43 | |
-Aye, where's my book? -She'll be back in a minute! | 0:32:43 | 0:32:45 | |
You're still here? | 0:32:52 | 0:32:54 | |
Christina said you needed some help. | 0:32:55 | 0:32:57 | |
-NOW you want to help? -Oh, get over yourself! | 0:32:57 | 0:33:01 | |
I'm sorry about Raymond. | 0:33:01 | 0:33:03 | |
But he needs to find his own way out of this mess. | 0:33:03 | 0:33:07 | |
And hard as it is, you need to step back and wait | 0:33:07 | 0:33:11 | |
till he asks for your help. | 0:33:11 | 0:33:12 | |
And that's your professional opinion? | 0:33:15 | 0:33:17 | |
Professional and personal. | 0:33:17 | 0:33:20 | |
But why Gavin? | 0:33:26 | 0:33:28 | |
SHE SOBS There was no reason! | 0:33:28 | 0:33:30 | |
No reason for any of it. | 0:33:30 | 0:33:32 | |
There must have been. | 0:33:32 | 0:33:34 | |
Was it because he was short? | 0:33:34 | 0:33:36 | |
Shy? He wore glasses? His mum was a teacher? | 0:33:36 | 0:33:39 | |
Nothing. I don't know! | 0:33:39 | 0:33:42 | |
Why you? Why did they tell you to take him there? | 0:33:42 | 0:33:46 | |
Because he was always hanging around me. | 0:33:46 | 0:33:49 | |
Why? | 0:33:52 | 0:33:54 | |
I don't know. | 0:33:54 | 0:33:56 | |
He was always on his own, never with anyone. | 0:33:56 | 0:33:59 | |
I guess I just wasn't as mean to him as everybody else. | 0:33:59 | 0:34:02 | |
He trusted you. | 0:34:02 | 0:34:04 | |
So you used that? | 0:34:05 | 0:34:06 | |
I didn't know what they were going to do! | 0:34:08 | 0:34:11 | |
They were going to give him a kicking! And you knew that! | 0:34:11 | 0:34:14 | |
That happened to somebody every day at school! | 0:34:14 | 0:34:17 | |
You took him to the factory, | 0:34:19 | 0:34:21 | |
and you killed him. | 0:34:21 | 0:34:23 | |
THEY killed him! | 0:34:23 | 0:34:24 | |
I wasn't there. | 0:34:26 | 0:34:29 | |
So you're telling me that none of this is your fault? | 0:34:29 | 0:34:33 | |
You even had the brass neck to send flowers to my mum's funeral! | 0:34:33 | 0:34:39 | |
And you killed her! | 0:34:40 | 0:34:42 | |
Have you got any idea what you did to her? | 0:34:45 | 0:34:48 | |
To all of us? | 0:34:49 | 0:34:51 | |
I can't even remember my mum's smile. | 0:34:55 | 0:34:57 | |
When they found Gavin, she died inside. | 0:35:00 | 0:35:03 | |
There was no hope, no love, no life. And you sent flowers! | 0:35:05 | 0:35:11 | |
I read that she'd died, and I couldn't do nothing. | 0:35:14 | 0:35:20 | |
I couldn't just pretend that it was nothing to do with me. | 0:35:20 | 0:35:23 | |
You got five years! Five years! | 0:35:25 | 0:35:30 | |
We've got a life sentence! | 0:35:31 | 0:35:33 | |
You ripped the heart out of our family! | 0:35:35 | 0:35:38 | |
Our little brother is dead and buried but he's not gone. | 0:35:40 | 0:35:46 | |
Gavin is still here. | 0:35:47 | 0:35:49 | |
How much he suffered. | 0:35:51 | 0:35:55 | |
How scared he must have been. | 0:35:55 | 0:35:56 | |
Why him? | 0:35:59 | 0:36:00 | |
There was no plan, no why! | 0:36:03 | 0:36:05 | |
I left Gavin at the factory and ran, because I was scared. | 0:36:07 | 0:36:11 | |
Not as scared as Gavin! | 0:36:11 | 0:36:12 | |
PHONE RINGS | 0:36:15 | 0:36:18 | |
Is she still not back yet? | 0:36:26 | 0:36:27 | |
I'm just going to get her. I won't be long. | 0:36:27 | 0:36:31 | |
Where's my book? I'm needing it! | 0:36:31 | 0:36:33 | |
All right! I'm going to get it! | 0:36:33 | 0:36:34 | |
We're needing a handsome brute in there to lift the pots. | 0:36:37 | 0:36:39 | |
That's you, big man. | 0:36:39 | 0:36:42 | |
Good luck! | 0:36:42 | 0:36:43 | |
Is that wise? | 0:36:49 | 0:36:50 | |
Of course! To loosen the vocal chords. | 0:36:50 | 0:36:53 | |
And a few other bits and bobs as well! | 0:36:53 | 0:36:55 | |
THEY LAUGH | 0:36:55 | 0:36:58 | |
It's purely medicinal! | 0:36:58 | 0:36:59 | |
BAGPIPES PLAY | 0:37:01 | 0:37:04 | |
THEY CLAP ALONG | 0:37:09 | 0:37:12 | |
Hey, how about a wee dram for the piper? | 0:37:20 | 0:37:22 | |
There we are, piper! | 0:37:22 | 0:37:24 | |
APPLAUSE | 0:37:25 | 0:37:28 | |
"Fair fa' your honest, sonsie face | 0:37:36 | 0:37:39 | |
"Great chieftain o' the puddin-race! | 0:37:39 | 0:37:42 | |
"Aboon them a' ye tak your place | 0:37:42 | 0:37:44 | |
"Painch, tripe, or thairm | 0:37:44 | 0:37:46 | |
"Weel are ye wordy o' a grace | 0:37:46 | 0:37:49 | |
"As lang's my arm." | 0:37:49 | 0:37:50 | |
"The groaning trencher there ye fill | 0:37:54 | 0:37:57 | |
"Your hurdies like a distant hill | 0:37:57 | 0:38:00 | |
"Your pin wad help to mend a mill In time o' need | 0:38:00 | 0:38:04 | |
"While thro your pores the dews distil | 0:38:04 | 0:38:09 | |
"Like amber bead." | 0:38:09 | 0:38:11 | |
"His knife see rustic Labour dight | 0:38:16 | 0:38:19 | |
"An cut ye up wi ready slight!" | 0:38:19 | 0:38:22 | |
CHEERING | 0:38:22 | 0:38:25 | |
'You're telling me...' | 0:38:25 | 0:38:26 | |
..that you took him there, | 0:38:28 | 0:38:30 | |
then you left him with them, and you went home and had your tea? | 0:38:30 | 0:38:34 | |
-Like nothing had happened? -Yes! | 0:38:34 | 0:38:37 | |
I found out what had happened the next day at school. | 0:38:39 | 0:38:41 | |
Stop lying! Do you think we're stupid? | 0:38:41 | 0:38:43 | |
You were there. | 0:38:45 | 0:38:46 | |
This is crazy. You shouldn't be here. | 0:38:48 | 0:38:50 | |
-If you don't go, then I'll... -What? | 0:38:50 | 0:38:53 | |
Phone the police? Like you should have done five years ago! | 0:38:54 | 0:38:58 | |
Get out! Now! | 0:38:58 | 0:39:00 | |
No. | 0:39:00 | 0:39:01 | |
Not until we get answers! | 0:39:01 | 0:39:03 | |
Here you are, Christina. | 0:39:09 | 0:39:10 | |
-Just take it and go. -No, what's going on? | 0:39:10 | 0:39:12 | |
Yeah. | 0:39:12 | 0:39:13 | |
She should stay and hear the truth. | 0:39:14 | 0:39:16 | |
Our brother's dead because of her. | 0:39:21 | 0:39:23 | |
What? | 0:39:24 | 0:39:25 | |
She killed him. | 0:39:27 | 0:39:28 | |
That's not how it is. | 0:39:28 | 0:39:30 | |
SHE SOBS I never wanted to lie to you. | 0:39:36 | 0:39:38 | |
But I had to. | 0:39:41 | 0:39:42 | |
I wanted to tell you, I wanted to tell you everything! | 0:39:44 | 0:39:46 | |
So now you can. | 0:39:46 | 0:39:48 | |
My real name is Alex Fairclough. | 0:40:04 | 0:40:07 | |
Five years and seven months ago, I took their little brother... | 0:40:10 | 0:40:14 | |
..Gavin Treadcastle, to the old factory. | 0:40:15 | 0:40:18 | |
There was a bunch of kids waiting for him, six of them. | 0:40:20 | 0:40:26 | |
When he saw them, he tried to run, but... | 0:40:27 | 0:40:29 | |
..I grabbed him. | 0:40:32 | 0:40:34 | |
I was so scared that they were going to hurt me | 0:40:36 | 0:40:40 | |
so I stopped him from running away. | 0:40:40 | 0:40:42 | |
Someone kicked him. | 0:40:45 | 0:40:46 | |
Just like they were kick-boxing, and... | 0:40:48 | 0:40:51 | |
he fell to the floor. | 0:40:51 | 0:40:52 | |
That's when he started crying. | 0:40:56 | 0:40:58 | |
He was just laying on the floor, curled up. | 0:41:02 | 0:41:04 | |
That's when they were all on him. | 0:41:04 | 0:41:07 | |
I couldn't see him. | 0:41:08 | 0:41:10 | |
He was underneath them all, being kicked and stamped on. | 0:41:11 | 0:41:15 | |
Then he stopped crying. | 0:41:17 | 0:41:18 | |
I couldn't hear him... | 0:41:21 | 0:41:22 | |
-HE SHOUTS -Enough! | 0:41:22 | 0:41:23 | |
He wasn't dead, was he? | 0:41:28 | 0:41:30 | |
He was still alive when you left, wasn't he? | 0:41:33 | 0:41:35 | |
He bled to death! | 0:41:38 | 0:41:40 | |
You left him there! Alone! | 0:41:40 | 0:41:43 | |
And they didn't find him till the next day. | 0:41:44 | 0:41:47 | |
If you had called an ambulance, called anyone... | 0:41:47 | 0:41:50 | |
I know! | 0:41:50 | 0:41:52 | |
He was only 13 years old! | 0:41:52 | 0:41:54 | |
So was I! | 0:41:54 | 0:41:56 | |
I swear, no-one meant for it to go that far! | 0:41:57 | 0:42:02 | |
It just got demented! | 0:42:02 | 0:42:04 | |
I can't describe it, it was crazy. | 0:42:06 | 0:42:09 | |
I swear to you, it's the truth! | 0:42:11 | 0:42:14 | |
No-one meant to kill him! | 0:42:14 | 0:42:15 | |
I wish that I could go back in time and stop it. | 0:42:18 | 0:42:22 | |
Every night since, I have closed my eyes and seen Gavin, | 0:42:24 | 0:42:30 | |
just staring at me. | 0:42:30 | 0:42:32 | |
So hurt and confused and alone. | 0:42:35 | 0:42:38 | |
I wish I could go back and help him. | 0:42:40 | 0:42:46 | |
I destroyed everything that day. | 0:42:46 | 0:42:49 | |
Gavin, your family, my family! | 0:42:49 | 0:42:53 | |
Your family? YOUR family? | 0:42:53 | 0:42:56 | |
Nothing will ever be enough for what I did that day, I know that! | 0:42:59 | 0:43:03 | |
I took Gavin there. | 0:43:05 | 0:43:06 | |
It was all my fault and I'm so sorry! | 0:43:08 | 0:43:11 | |
I am so, so sorry! | 0:43:11 | 0:43:13 | |
Can you ever forgive me? | 0:43:16 | 0:43:18 | |
Alice... | 0:43:18 | 0:43:20 | |
I'm so sorry for what I did. | 0:43:20 | 0:43:22 | |
APPLAUSE That was great, wasn't it? | 0:43:24 | 0:43:28 | |
I'm going to go and check on Christina and Alice. | 0:43:28 | 0:43:30 | |
Leave them alone. What's the matter with you? | 0:43:30 | 0:43:32 | |
What's taking them so long? They should be back by now. | 0:43:32 | 0:43:34 | |
They're young, into each other and got the flat to themselves. | 0:43:34 | 0:43:37 | |
What do you think's taking them so long! | 0:43:37 | 0:43:39 | |
I'll be five minutes max, OK? | 0:43:39 | 0:43:40 | |
Hey, I don't suppose Alice is in there, is she? | 0:43:45 | 0:43:48 | |
No. I think she went into town with her pal. | 0:43:48 | 0:43:50 | |
-What pal? -He came to see me at the garage earlier on. | 0:43:50 | 0:43:54 | |
And the other pal was waiting for her in the Ship. | 0:43:54 | 0:43:56 | |
She'll be out with them. | 0:43:56 | 0:43:58 | |
You couldn't tell where they were from, could you? | 0:43:58 | 0:44:00 | |
North of England somewhere. | 0:44:00 | 0:44:02 | |
Aye, Manchester. Think she knows the family. | 0:44:02 | 0:44:05 | |
She sent flowers to the ma's funeral. | 0:44:05 | 0:44:08 | |
Thanks, guys. | 0:44:08 | 0:44:09 | |
-HE DIALS NUMBER -I need back-up. | 0:44:10 | 0:44:13 | |
20 Montego Street, immediately. | 0:44:13 | 0:44:16 | |
You lost YOUR family? | 0:44:16 | 0:44:18 | |
They're all still alive and kicking! | 0:44:19 | 0:44:22 | |
You stupid bitch! You think YOU'VE suffered? | 0:44:22 | 0:44:25 | |
And you have the nerve to compare what we've been through. | 0:44:28 | 0:44:32 | |
Gavin didn't even get justice! | 0:44:34 | 0:44:37 | |
Sam, let's go! We wanted answers, we got them. | 0:44:37 | 0:44:39 | |
I never wanted answers! | 0:44:39 | 0:44:41 | |
You did! | 0:44:43 | 0:44:44 | |
Why would I want to know that? | 0:44:46 | 0:44:49 | |
He's dead! | 0:44:49 | 0:44:51 | |
He was tortured and murdered! | 0:44:51 | 0:44:53 | |
I knew that. | 0:44:55 | 0:44:56 | |
But I've had to stand here | 0:44:59 | 0:45:02 | |
and listen to that bitch telling it | 0:45:02 | 0:45:05 | |
like it's just some story. | 0:45:06 | 0:45:09 | |
Listen to her saying she's sorry! | 0:45:13 | 0:45:16 | |
What's sorry supposed to mean? | 0:45:16 | 0:45:18 | |
They killed him! | 0:45:19 | 0:45:22 | |
None of them paid for what they did to him! | 0:45:22 | 0:45:26 | |
The papers got it right, they're worse than animals! | 0:45:26 | 0:45:28 | |
-They should have been put down! -Alice! | 0:45:28 | 0:45:31 | |
-She should suffer like Gavin, like Mum. -Sam! No! | 0:45:31 | 0:45:37 | |
Don't hurt her! Do anything to me, but please, don't hurt her! | 0:45:40 | 0:45:43 | |
Nobody's going to get hurt. You hear me? Nobody. | 0:45:43 | 0:45:47 | |
Let's just try and calm down! | 0:45:47 | 0:45:49 | |
She killed my brother! | 0:45:49 | 0:45:52 | |
I know all about it. | 0:45:52 | 0:45:55 | |
SHE WHIMPERS | 0:45:55 | 0:45:57 | |
Just let Christina go. We can talk. | 0:45:58 | 0:46:02 | |
Sam, do what he says! | 0:46:03 | 0:46:05 | |
Just let her go, Sam! | 0:46:05 | 0:46:08 | |
Let me talk to him. | 0:46:08 | 0:46:09 | |
Wait! Just stay back, yeah? | 0:46:09 | 0:46:12 | |
Sam and I are going to talk. Aren't we, Sam? | 0:46:12 | 0:46:15 | |
SHE WHIMPERS | 0:46:20 | 0:46:23 | |
POLICE RADIO: 'One female hostage being held. Unconfirmed weapon. | 0:46:34 | 0:46:38 | |
'DC Cooper on the premises, negotiating.' | 0:46:38 | 0:46:40 | |
Where's Christina? | 0:46:41 | 0:46:42 | |
Sam, come on, mate. You don't want to hurt her. | 0:46:45 | 0:46:48 | |
You're not thinking straight. | 0:46:48 | 0:46:50 | |
They tortured him. | 0:46:50 | 0:46:53 | |
Left him to die...alone. | 0:46:53 | 0:46:55 | |
I know, and I can only imagine how angry you must feel, but... | 0:46:58 | 0:47:02 | |
let Christina go. She's nothing to do with it. | 0:47:02 | 0:47:04 | |
She should know what it feels like... | 0:47:07 | 0:47:09 | |
This is crazy! | 0:47:10 | 0:47:12 | |
..to lose someone you love. | 0:47:12 | 0:47:14 | |
Why are you doing this? | 0:47:15 | 0:47:17 | |
She should know how much it hurts! | 0:47:17 | 0:47:20 | |
How it never leaves you! | 0:47:20 | 0:47:23 | |
This would kill Mum! Seeing you like this! | 0:47:23 | 0:47:26 | |
As bad as them. | 0:47:26 | 0:47:27 | |
Why are you doing this? You didn't even want to come here! | 0:47:29 | 0:47:32 | |
He wanted me to walk him home! | 0:47:32 | 0:47:34 | |
Gavin asked me to walk him home that day. | 0:47:39 | 0:47:43 | |
I should have looked out for my little brother, that's why! | 0:47:48 | 0:47:53 | |
-CHRISTINA SCREAMS -I told him to get lost! | 0:47:53 | 0:47:56 | |
CHRISTINA SCREAMS | 0:47:56 | 0:47:59 | |
Sam. | 0:48:06 | 0:48:07 | |
Nothing will bring Gavin back. | 0:48:09 | 0:48:13 | |
And none of this is your fault. | 0:48:13 | 0:48:15 | |
Please, Sam. | 0:48:17 | 0:48:18 | |
Please, Sam! | 0:48:29 | 0:48:31 | |
Oh, hen! | 0:49:23 | 0:49:24 | |
Christina? | 0:52:04 | 0:52:05 | |
I never wanted to lie to you. | 0:52:26 | 0:52:27 | |
But I couldn't tell you that my whole life had been made up. | 0:52:31 | 0:52:34 | |
I would have dealt with it. | 0:52:35 | 0:52:37 | |
How? I don't even know who I am any more. | 0:52:37 | 0:52:41 | |
I know who you are. | 0:52:43 | 0:52:44 | |
After everything that you've heard, you don't hate me? | 0:52:46 | 0:52:50 | |
I couldn't believe it. | 0:52:56 | 0:52:57 | |
I didn't want to. | 0:53:01 | 0:53:02 | |
But watching you... | 0:53:06 | 0:53:07 | |
..and all that pain... | 0:53:10 | 0:53:11 | |
..and facing up to what you did. | 0:53:13 | 0:53:16 | |
What happened. | 0:53:16 | 0:53:17 | |
Then you stopping Sam and saving me. | 0:53:20 | 0:53:24 | |
I don't hate you. | 0:53:27 | 0:53:28 | |
I still love you. | 0:53:31 | 0:53:33 | |
Alice. | 0:53:36 | 0:53:37 | |
What's he doing here? | 0:53:41 | 0:53:42 | |
I have to go. | 0:53:46 | 0:53:47 | |
Start again. | 0:53:49 | 0:53:51 | |
Be someone else, somewhere else. | 0:53:51 | 0:53:54 | |
What? No! You can't leave! | 0:53:54 | 0:53:56 | |
I don't have a choice. | 0:53:56 | 0:53:58 | |
Now that everybody knows who I am, I'm a danger to everyone, | 0:54:01 | 0:54:05 | |
especially you. | 0:54:05 | 0:54:07 | |
And I have ruined enough lives, I'm not going to ruin yours. | 0:54:07 | 0:54:12 | |
You haven't ruined my life! | 0:54:12 | 0:54:14 | |
You've made it. Don't you understand? | 0:54:14 | 0:54:17 | |
Yes, because you've made mine. | 0:54:17 | 0:54:21 | |
More than you'll ever know. | 0:54:21 | 0:54:24 | |
You can't go. I love you! | 0:54:24 | 0:54:27 | |
And because I love you so much, I have to go. | 0:54:32 | 0:54:36 | |
But we're meant to be together! | 0:54:36 | 0:54:39 | |
Alice, we really do need to go now. | 0:54:39 | 0:54:41 | |
Don't leave me! | 0:54:50 | 0:54:51 | |
Alice, I'll come with you! | 0:55:30 | 0:55:31 | |
Please don't make this harder! | 0:55:32 | 0:55:36 | |
I am not saying goodbye to you! | 0:55:36 | 0:55:37 | |
Alice! | 0:55:58 | 0:55:59 | |
Alice! | 0:56:09 | 0:56:10 | |
I'm not sure how comfortable I am investigating my own boss. | 0:56:44 | 0:56:47 | |
Well, you better get comfortable, because it's going to be a long day. | 0:56:47 | 0:56:51 | |
You're only in business because of me, | 0:56:51 | 0:56:53 | |
you're here because I tolerate you. | 0:56:53 | 0:56:55 | |
Who the hell do you think you're talking to? | 0:56:55 | 0:56:57 | |
You actually think you're running things? You're an errand boy. | 0:56:57 | 0:57:02 | |
You're coming after me for laddering? | 0:57:02 | 0:57:04 | |
You think I care about the stats that much? | 0:57:04 | 0:57:06 | |
I'm not sure what you care about. | 0:57:06 | 0:57:08 | |
Subtitles by Red Bee Media Ltd | 0:57:28 | 0:57:31 |