Browse content similar to 22/04/2014. Check below for episodes and series from the same categories and more!
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Petey, you're just a kid, it's not your fault. | 0:00:21 | 0:00:24 | |
-I'm telling the truth. -I know you are. And you know what? | 0:00:24 | 0:00:27 | |
There's at least one other person in that court | 0:00:27 | 0:00:30 | |
-that knows you're telling the truth, as well. -Who? | 0:00:30 | 0:00:32 | |
Your dad. | 0:00:32 | 0:00:34 | |
Dominic William Roberts, | 0:00:34 | 0:00:36 | |
you have been found guilty of the crime of murder, | 0:00:36 | 0:00:40 | |
for which you must serve a term of life imprisonment. | 0:00:40 | 0:00:44 | |
I love you, Petey! | 0:00:45 | 0:00:46 | |
-England versus Scotland? -Yeah. | 0:00:48 | 0:00:49 | |
-Planning a trip down to London together. -Brilliant. | 0:00:49 | 0:00:53 | |
I feel responsible for him. | 0:00:53 | 0:00:55 | |
You helped convicted his mother's killer, | 0:00:55 | 0:00:57 | |
cos that's what you're paid to do. | 0:00:57 | 0:00:58 | |
You're not responsible for Petey Roberts. | 0:00:58 | 0:01:00 | |
-What happens to him now? -You say cheerio and good luck. | 0:01:00 | 0:01:03 | |
MUSIC: "Cry From The Street" by David Gilmour | 0:01:09 | 0:01:12 | |
All right, Danny? | 0:01:36 | 0:01:37 | |
Samuel? | 0:01:57 | 0:01:59 | |
Come on, you've got court today, you cannae be late. | 0:01:59 | 0:02:02 | |
Samuel? | 0:02:03 | 0:02:04 | |
He's no' answering, Raymy. | 0:02:18 | 0:02:19 | |
Jesus! | 0:02:30 | 0:02:31 | |
Raymy, phone an ambulance! | 0:02:33 | 0:02:35 | |
-LOUD CHATTER -Can you move out the way? | 0:02:38 | 0:02:39 | |
Quiet! | 0:02:41 | 0:02:42 | |
HOLLERING AND CHEERING | 0:02:45 | 0:02:47 | |
Shut up, man! | 0:02:47 | 0:02:49 | |
CHEERING CONTINUES | 0:02:49 | 0:02:51 | |
HE LAUGHS | 0:03:10 | 0:03:11 | |
Is it just me or is this a wee bit weird? | 0:03:16 | 0:03:18 | |
Yeah, it is a bit weird. | 0:03:20 | 0:03:22 | |
Weird good or weird bad? | 0:03:23 | 0:03:24 | |
Good, definitely good. | 0:03:26 | 0:03:27 | |
-You'll be late for work. -Oh, work can wait. | 0:03:30 | 0:03:33 | |
Daydreaming already? We've no' even started yet? | 0:03:44 | 0:03:46 | |
Just feeling good, that's all. | 0:03:46 | 0:03:48 | |
-Hmm. -New member of staff? | 0:03:48 | 0:03:50 | |
Aye. He's feeling a wee bit under the weather. | 0:03:50 | 0:03:53 | |
He better not be spreading it about in here. | 0:03:53 | 0:03:54 | |
Aw, thanks for the sympathy. And don't worry. | 0:03:54 | 0:03:57 | |
Lenny's coming to pick him up. | 0:03:57 | 0:03:59 | |
-Lenny? -Aye. | 0:03:59 | 0:04:02 | |
-Lenny Murdoch? -Aye, Lenny Murdoch. | 0:04:02 | 0:04:04 | |
What? | 0:04:06 | 0:04:08 | |
Nothing. Just a bit surprised, that's all. | 0:04:08 | 0:04:11 | |
Well, there's no point living in the past, is there? | 0:04:11 | 0:04:14 | |
No. | 0:04:14 | 0:04:16 | |
-We just all need to get on with our lives. -You're right. | 0:04:16 | 0:04:20 | |
-So what are you saying about it? -Nothing. | 0:04:20 | 0:04:22 | |
You're lying. | 0:04:22 | 0:04:24 | |
-I'm not. -Aye, you are! -I'm not. -Aye, you are! | 0:04:24 | 0:04:26 | |
Will stayed at mine last night. | 0:04:29 | 0:04:31 | |
SHE GASPS | 0:04:34 | 0:04:36 | |
Oh. Nice of you to join us, Cooper(!) | 0:04:42 | 0:04:44 | |
Yeah, sorry, sir, the traffic was terrible this morning. | 0:04:44 | 0:04:47 | |
Yeah, well, if I wanted a traffic report, I'll turn on the radio. | 0:04:47 | 0:04:50 | |
I need you to go to St Mungo's | 0:04:50 | 0:04:51 | |
and interview the victim of a serious assault. | 0:04:51 | 0:04:54 | |
-Are you not coming? -No, I'd rather stay here, | 0:04:54 | 0:04:56 | |
in case ACC Walters decides to show her hand. | 0:04:56 | 0:04:59 | |
OK, what am I dealing with? | 0:04:59 | 0:05:00 | |
Er, took place in a halfway house for young people on the South Side. | 0:05:00 | 0:05:03 | |
Won't uniform be dealing with that? | 0:05:03 | 0:05:05 | |
No, it won't. It's notorious, this place. | 0:05:05 | 0:05:07 | |
It's just one thing after another. | 0:05:07 | 0:05:09 | |
-Er, if Walters wants to see you, let me know. -Mm-hm. | 0:05:11 | 0:05:14 | |
Well, at least you get to go out. I'm stuck here. | 0:05:17 | 0:05:22 | |
Why don't they just let you get on with your job? | 0:05:22 | 0:05:24 | |
If I have one, that is. | 0:05:24 | 0:05:26 | |
Look, you've got nothing to worry about, trust me. | 0:05:26 | 0:05:28 | |
That's easy for you to say. | 0:05:28 | 0:05:30 | |
DC COOPER: OK, thank you. | 0:05:36 | 0:05:38 | |
Excuse me? | 0:05:42 | 0:05:44 | |
I didn't get a chance to introduce myself earlier. I'm DC Cooper. | 0:05:44 | 0:05:46 | |
I'm Sandra Devlin, his social worker. | 0:05:46 | 0:05:49 | |
-Anything you can tell me? -Um, well, I discovered him this morning, | 0:05:49 | 0:05:53 | |
lying in a pool of his own blood. | 0:05:53 | 0:05:55 | |
I called an ambulance. That's all I know. | 0:05:55 | 0:05:59 | |
Was he definitely attacked? | 0:05:59 | 0:06:02 | |
Well, he was lying face down with a large wound at the back of his head. | 0:06:02 | 0:06:05 | |
I mean, I'm no expert, but I can't see how else it could have happened. | 0:06:05 | 0:06:09 | |
Any idea who the perpetrator might be? | 0:06:11 | 0:06:13 | |
I wouldn't want to speculate on something so serious as that. | 0:06:13 | 0:06:16 | |
Well, this was a brutal attack, so I'll take anything you've got. | 0:06:16 | 0:06:20 | |
I know how brutal it was, I was in the ambulance with Samuel. | 0:06:20 | 0:06:23 | |
Look, I need to be getting back, | 0:06:23 | 0:06:25 | |
I've got other clients that I need to see back at the house. | 0:06:25 | 0:06:28 | |
I'll give you a lift. I'll need to speak to everyone there anyway. | 0:06:28 | 0:06:31 | |
Some of them won't talk to you. They don't trust the police. | 0:06:31 | 0:06:35 | |
I'll take my chances. | 0:06:35 | 0:06:37 | |
OK. | 0:06:38 | 0:06:39 | |
-Seen better days. -Haven't we all? | 0:07:04 | 0:07:07 | |
What are they for - to keep the residents in or someone else out? | 0:07:07 | 0:07:11 | |
A bit of both. There are some really scary people out there. | 0:07:11 | 0:07:14 | |
So what exactly is this place? | 0:07:15 | 0:07:17 | |
Well, it's a halfway house for teenagers who've got problems. | 0:07:17 | 0:07:21 | |
-The last resort? -Definitely. | 0:07:22 | 0:07:24 | |
-..two, three, four, five, six, seven, eight... -All right? | 0:07:38 | 0:07:43 | |
That's the office. | 0:07:43 | 0:07:45 | |
Ash! | 0:07:45 | 0:07:46 | |
Take the ball outside, will you? | 0:07:46 | 0:07:48 | |
Ash, take the ball outside! | 0:07:50 | 0:07:52 | |
This is the games room. | 0:07:54 | 0:07:56 | |
CHATTER AND LAUGHTER | 0:07:57 | 0:07:59 | |
This can't pass inspections, can it? | 0:08:04 | 0:08:07 | |
They've been threatening to pull it down for years, | 0:08:07 | 0:08:09 | |
but we've got to find somewhere else to place them first. | 0:08:09 | 0:08:12 | |
Then, they'll pull it down, bury the misery along with the rubble. | 0:08:12 | 0:08:16 | |
HE SIGHS | 0:08:17 | 0:08:19 | |
The place has a high turnover. Damaged kids are a growth industry! | 0:08:19 | 0:08:24 | |
I can see that. | 0:08:24 | 0:08:25 | |
Samuel Jardine's room. | 0:08:26 | 0:08:27 | |
I thought he was dead. | 0:08:40 | 0:08:41 | |
I couldn't hear him breathing. | 0:08:42 | 0:08:44 | |
I never realised there was so much blood on the carpet. | 0:09:20 | 0:09:23 | |
It might still turn into a murder inquiry, according to the doctor. | 0:09:23 | 0:09:27 | |
SHE SIGHS | 0:09:27 | 0:09:29 | |
Is there anyone that might've had a motive to attack Samuel? | 0:09:29 | 0:09:33 | |
I've been his social worker for three years. | 0:09:33 | 0:09:35 | |
I could give you a long list of people who'd want to damage him. | 0:09:35 | 0:09:38 | |
So not exactly an angel, then? Thank you. | 0:09:38 | 0:09:40 | |
-Oh, you still have a spot of blood on your hand. -Oh... | 0:09:40 | 0:09:44 | |
Thanks. | 0:09:44 | 0:09:45 | |
You know, he...he was due in court this morning on assault charges. | 0:09:47 | 0:09:52 | |
Assaulting a pensioner. | 0:09:53 | 0:09:55 | |
How long has he been here? | 0:09:57 | 0:09:59 | |
Um, a month. | 0:09:59 | 0:10:02 | |
What's the security like in the building? | 0:10:05 | 0:10:08 | |
Well, there's a front desk and the door gets closed at 12, | 0:10:08 | 0:10:11 | |
and then no-one's allowed in and out after that. | 0:10:11 | 0:10:14 | |
So, it's possible to say that the attack | 0:10:14 | 0:10:17 | |
could've been carried out by somebody already in here? | 0:10:17 | 0:10:20 | |
Yeah, it's possible. | 0:10:20 | 0:10:21 | |
Who is that boy out there? | 0:10:24 | 0:10:26 | |
You know, two and two doesn't always make four in here, DC Cooper. | 0:10:26 | 0:10:29 | |
So, who is he? | 0:10:29 | 0:10:31 | |
His name's Danny Gallacher. He's a troubled boy. | 0:10:34 | 0:10:39 | |
But he's his own worst enemy, rather than anyone else's. | 0:10:39 | 0:10:43 | |
-You his social worker, too? -Yeah. He's got problems - Danny. | 0:10:43 | 0:10:48 | |
He's been nosing around since I got here. | 0:10:48 | 0:10:50 | |
Have you made up your mind already? | 0:10:50 | 0:10:52 | |
-I'm sorry. -It's OK. You had a real shock this morning. | 0:10:55 | 0:10:59 | |
He's a good kid - Danny. | 0:10:59 | 0:11:01 | |
With all due respect, Sandra, I think, from your point of view, | 0:11:01 | 0:11:04 | |
-they're all good kids. -Well, they are. | 0:11:04 | 0:11:06 | |
They've just been unlucky that every adults in their lives let them down. | 0:11:06 | 0:11:11 | |
Well, I'll need to speak to them all. | 0:11:11 | 0:11:13 | |
-They don't trust the police. -I understand. | 0:11:13 | 0:11:16 | |
They don't trust anybody. | 0:11:16 | 0:11:17 | |
< BUZZ OF CONVERSATION | 0:11:22 | 0:11:25 | |
Peter, where have you been? | 0:11:48 | 0:11:50 | |
You're on the list to be seen, OK? Come on. | 0:11:53 | 0:11:55 | |
No, it's fine. Thanks for letting me know. | 0:12:04 | 0:12:07 | |
I'll be two minutes. | 0:12:09 | 0:12:10 | |
My 11:30's just cancelled. | 0:12:13 | 0:12:15 | |
-Don't change the subject. -I'm not. -How did it happen? | 0:12:15 | 0:12:18 | |
She just phoned and said she didn't want the appointment. | 0:12:18 | 0:12:21 | |
That's not what I'm not talking about that. | 0:12:21 | 0:12:23 | |
-I don't know how it happened. -Why, were you not there? | 0:12:25 | 0:12:28 | |
-I'm not going into details. -That's not what I asked. | 0:12:28 | 0:12:32 | |
So, how long has Lenny been baby-sitting Cal? | 0:12:32 | 0:12:35 | |
-Not long. -How did that happen? -What? -Were you not there? | 0:12:35 | 0:12:39 | |
Sometimes, things just happen. | 0:12:39 | 0:12:42 | |
-You don't know why or how, but they just do. -Exactly. | 0:12:42 | 0:12:45 | |
And you don't question it, you just keep going - | 0:12:45 | 0:12:47 | |
one foot in front of the other. | 0:12:47 | 0:12:50 | |
I think you've just answered your own question. | 0:12:50 | 0:12:53 | |
Do you know what you're doing, though? | 0:12:53 | 0:12:55 | |
Maybe the trick is to just let things happen, don't over-think it. | 0:12:55 | 0:13:00 | |
Be careful. | 0:13:00 | 0:13:01 | |
You, too. | 0:13:01 | 0:13:03 | |
She came into the office, totally looked straight through me, | 0:13:07 | 0:13:10 | |
then left without saying a word. | 0:13:10 | 0:13:11 | |
Walters didn't get to where she is today | 0:13:11 | 0:13:13 | |
by giving anything away or leaving anything to chance. | 0:13:13 | 0:13:16 | |
-What if it's something I said? -Is that what she said to you? | 0:13:16 | 0:13:18 | |
She never anything! She just looked at me and left. | 0:13:18 | 0:13:21 | |
-What if she's found something new? -She hasn't. | 0:13:21 | 0:13:23 | |
Maybe somebody's come forward and said something against me. | 0:13:23 | 0:13:25 | |
Like what? You didn't do anything wrong. | 0:13:25 | 0:13:28 | |
-SHE SIGHS -A woman's dead because of me. | 0:13:28 | 0:13:30 | |
-Do you want to go for a drink? -It's true... What? | 0:13:30 | 0:13:33 | |
Tonight, after work, do you want to have a drink? | 0:13:33 | 0:13:35 | |
-A drink? -So we can chat. | 0:13:36 | 0:13:38 | |
So we can chat? | 0:13:38 | 0:13:40 | |
Or so you can repeat everything I say? | 0:13:41 | 0:13:43 | |
-Tonight? -After work. | 0:13:45 | 0:13:48 | |
Yes. | 0:13:52 | 0:13:53 | |
LOUD CHATTER OUTSIDE | 0:14:02 | 0:14:04 | |
So, tell me again from the start. | 0:14:04 | 0:14:06 | |
I had my dinner at six - macaroni cheese and chips. | 0:14:08 | 0:14:10 | |
I didn't eat the chips. I went to the games room, | 0:14:10 | 0:14:12 | |
had a couple of games of pool. I was tired, I went to bed at ten. | 0:14:12 | 0:14:15 | |
-Any witnesses to that? -Aye, the cockroaches in my room. | 0:14:15 | 0:14:18 | |
So, you can't account for your whereabouts at time of the attack? | 0:14:18 | 0:14:21 | |
I was in my room. Everybody was in their room. | 0:14:21 | 0:14:24 | |
They don't have witnesses, either. | 0:14:24 | 0:14:26 | |
What's your relationship to Samuel Jardine? | 0:14:28 | 0:14:31 | |
-He's not nice. -In what way? | 0:14:31 | 0:14:32 | |
-He likes to hurt people. -Did he hurt you? | 0:14:32 | 0:14:34 | |
-Yeah. -How did that make you feel? -Not good, that's why I hate him. | 0:14:34 | 0:14:39 | |
-Strong words. -I hope he dies. | 0:14:39 | 0:14:41 | |
Did YOU attack Samuel Jardine? | 0:14:44 | 0:14:46 | |
-Did you attack Samuel Jardine? -No, but I wish I had. | 0:14:49 | 0:14:52 | |
-So, you're glad he was attacked? -He thought he was untouchable. | 0:14:52 | 0:14:54 | |
-Where were you last night? -He didn't think about repercussions. | 0:14:54 | 0:14:57 | |
Are you responsible for the attack on Samuel Jardine? | 0:14:57 | 0:14:59 | |
-You trying to trick me? -Did you try and kill Samuel Jardine? -No! | 0:14:59 | 0:15:03 | |
-Ever been involved in violence? -I'm not trying to hide anything. | 0:15:03 | 0:15:06 | |
I said I attacked my teacher once, cos he tried to have sex with me. | 0:15:06 | 0:15:08 | |
Were you violent towards Samuel Jardine? | 0:15:08 | 0:15:10 | |
Sammy Jardine was a bully! He liked to piss on people for a laugh! | 0:15:10 | 0:15:14 | |
What goes around, comes around. Look, are we done here? | 0:15:14 | 0:15:16 | |
- GIRL: Gonnae move? - BOY: No! | 0:15:22 | 0:15:24 | |
GIRL: Aye! Move! | 0:15:24 | 0:15:26 | |
-Well? -He did it. | 0:15:26 | 0:15:28 | |
Look, I attended his mother's funeral with him a few months ago. | 0:15:28 | 0:15:32 | |
He's not been the same since. | 0:15:32 | 0:15:34 | |
He admitted to a history of violence. I knew it. | 0:15:34 | 0:15:37 | |
And he'd been treated at the hospital a couple of weeks ago | 0:15:37 | 0:15:39 | |
after Samuel Jardine attacked him. | 0:15:39 | 0:15:42 | |
I'll need to see the rest of them, alone. | 0:15:42 | 0:15:44 | |
Me too, I can't wait either. Bye. KNOCK ON DOOR | 0:15:52 | 0:15:54 | |
This is, er, Peter Roberts. Sorry we're late. | 0:15:57 | 0:15:59 | |
Have a seat, Peter. | 0:15:59 | 0:16:01 | |
Um, I'll be just outside, OK? | 0:16:01 | 0:16:04 | |
Petey? How long have you been here? | 0:16:08 | 0:16:10 | |
Petey, it's me, Will. | 0:16:12 | 0:16:14 | |
Well, talk to me. | 0:16:15 | 0:16:17 | |
How long's he been here? | 0:16:26 | 0:16:28 | |
Look, I'm sorry, I don't feel comfortable | 0:16:28 | 0:16:30 | |
talking about him like he's not in the room. | 0:16:30 | 0:16:32 | |
I know him. It's Petey Roberts, I know him. | 0:16:32 | 0:16:35 | |
Oh, well, um, he's been here three months. | 0:16:35 | 0:16:38 | |
He's been passed from pillar to post. | 0:16:38 | 0:16:41 | |
He's not had an easy time of it. | 0:16:41 | 0:16:43 | |
I'll get his file, if that is OK with you, Peter? | 0:16:44 | 0:16:46 | |
Petey, I want to help. | 0:16:52 | 0:16:53 | |
What's happened to you? | 0:16:53 | 0:16:55 | |
This is awful. | 0:17:01 | 0:17:02 | |
How is he be expected to get over seeing his father murder his mother? | 0:17:02 | 0:17:07 | |
Not that. What's happened since. I thought you were | 0:17:07 | 0:17:10 | |
-supposed to be protecting him? -Well, I could say the same about you! | 0:17:10 | 0:17:13 | |
He's been attacked twice since he's been in here. | 0:17:14 | 0:17:17 | |
What sort of place is this? | 0:17:17 | 0:17:18 | |
The kind of place people like you people don't notice, DC Cooper, | 0:17:18 | 0:17:21 | |
until you get a personal interest. | 0:17:21 | 0:17:23 | |
-He's not a violent kid. -How do you know? | 0:17:25 | 0:17:28 | |
I know Petey Roberts. | 0:17:29 | 0:17:30 | |
I'm sorry, Petey, I have to ask you this. | 0:17:40 | 0:17:43 | |
Can you account for your movements last night? | 0:17:43 | 0:17:45 | |
Did you know Samuel Jardine? | 0:17:52 | 0:17:54 | |
HE SPEAKS SOFTLY What was that? | 0:17:57 | 0:17:59 | |
I don't want to talk in here. | 0:17:59 | 0:18:01 | |
Why not? | 0:18:01 | 0:18:03 | |
Because they're all watching. | 0:18:04 | 0:18:06 | |
Where, then? | 0:18:06 | 0:18:07 | |
Anywhere, just not in here. | 0:18:07 | 0:18:10 | |
We're going to take a breath of fresh air. | 0:18:17 | 0:18:20 | |
-I don't know about that. -That's not up to you. | 0:18:20 | 0:18:22 | |
Can we go or not? | 0:18:25 | 0:18:26 | |
Follow me. | 0:18:28 | 0:18:29 | |
Where have you been? | 0:18:35 | 0:18:36 | |
I've been busy. A lot's happened to me. | 0:18:36 | 0:18:40 | |
A lot's happened to me, too, you know. | 0:18:40 | 0:18:42 | |
My father's been very ill. | 0:18:42 | 0:18:44 | |
My father's in jail. | 0:18:45 | 0:18:47 | |
My mother's dead. | 0:18:47 | 0:18:48 | |
I meant to get in touch. | 0:18:52 | 0:18:53 | |
But you didn't. You never even phoned me | 0:18:53 | 0:18:56 | |
about the England-Scotland game, after you gave me the tickets. | 0:18:56 | 0:19:00 | |
I sent you a text. I told you to take someone else. | 0:19:00 | 0:19:03 | |
Who? Who could I go with? Who'd want to go with me? | 0:19:03 | 0:19:06 | |
Well, I don't know. Who did you go with? | 0:19:06 | 0:19:08 | |
-I didn't. -You didn't go? | 0:19:08 | 0:19:10 | |
Well, look, if you're angry at me, we can deal with that later? | 0:19:13 | 0:19:15 | |
Right now, I need to find out what is happening at that place. | 0:19:15 | 0:19:18 | |
I'm worried about you. | 0:19:18 | 0:19:20 | |
-Don't. -Well, I am. | 0:19:20 | 0:19:21 | |
I've been in a lot worse places than that, believe me. | 0:19:23 | 0:19:25 | |
Samuel Jardine? | 0:19:28 | 0:19:29 | |
You gave me my phone, so it's not like you lost my number. | 0:19:30 | 0:19:33 | |
-Tell me about him? -So, you could have contacted me. | 0:19:33 | 0:19:35 | |
Samuel Jardine. | 0:19:37 | 0:19:38 | |
HE SIGHS | 0:19:41 | 0:19:42 | |
Always taking money, always hurting people. | 0:19:43 | 0:19:46 | |
Did he hurt you? | 0:19:47 | 0:19:48 | |
-I keep myself to myself. -Who did he hurt? | 0:19:50 | 0:19:53 | |
Who did he hurt, Petey? | 0:19:56 | 0:19:58 | |
I saw Danny. | 0:20:02 | 0:20:03 | |
Is that what you want me to say? | 0:20:04 | 0:20:06 | |
I saw Danny leaving Jardine's room. | 0:20:08 | 0:20:10 | |
What did you see? | 0:20:12 | 0:20:13 | |
I think it was a pool cue. | 0:20:16 | 0:20:19 | |
There was...blood dripping off it. | 0:20:19 | 0:20:22 | |
OK, Petey, that's good, you've done well. | 0:20:24 | 0:20:27 | |
He's not a bad guy. | 0:20:30 | 0:20:31 | |
And you definitely saw him leaving Samuel Jardine's room | 0:20:34 | 0:20:37 | |
on the night of the attack? | 0:20:37 | 0:20:38 | |
Will Samuel wake up? | 0:20:42 | 0:20:43 | |
We don't know that yet. | 0:20:46 | 0:20:47 | |
-You've got to be kidding me. -I wish I was. | 0:20:52 | 0:20:54 | |
Look, Peter Roberts is no angel, either. | 0:20:54 | 0:20:57 | |
I know Petey. | 0:20:57 | 0:20:58 | |
-How well do you know him? -Well enough. | 0:20:59 | 0:21:02 | |
Look, think about what you're doing. I mean, what evidence do you have? | 0:21:02 | 0:21:06 | |
-I can't reveal my evidence to you. -Because you don't have any! | 0:21:06 | 0:21:09 | |
You made up your mind the minute you walked into this building! | 0:21:09 | 0:21:12 | |
Look, I know what I'm doing OK? | 0:21:12 | 0:21:13 | |
You wanted to see me? | 0:21:15 | 0:21:17 | |
Danny, will you come to the station, | 0:21:17 | 0:21:18 | |
so that we can question you further about the Samuel Jardine attack? | 0:21:18 | 0:21:21 | |
-Am I being arrested? -Not yet. | 0:21:21 | 0:21:24 | |
I didn't do anything! | 0:21:24 | 0:21:25 | |
Look, it's all right, Danny, I'll come with you. | 0:21:25 | 0:21:27 | |
-Follow me. -But I didn't do anything! | 0:21:27 | 0:21:30 | |
You're not doing yourself any favours here, Danny. | 0:21:34 | 0:21:37 | |
You can't account for your movements at the time of the attack. | 0:21:40 | 0:21:43 | |
The victim has history with you | 0:21:43 | 0:21:45 | |
-and you said you hoped he wouldn't wake up? -I didn't do it. | 0:21:45 | 0:21:47 | |
-Who did, then? -I don't know. | 0:21:47 | 0:21:49 | |
Oh, come on, Danny! Jardine had you in hospital a couple of weeks ago. | 0:21:49 | 0:21:52 | |
He put a lot of people in hospital. | 0:21:52 | 0:21:54 | |
Did it feel good, to get your own back? | 0:21:54 | 0:21:57 | |
How would I know? | 0:21:57 | 0:21:58 | |
Do you have a temper, Danny? | 0:22:02 | 0:22:04 | |
I didn't do anything. | 0:22:06 | 0:22:07 | |
What do you think you're doing? | 0:22:18 | 0:22:20 | |
-He did it. -He may have done, but you're a policeman. Use your head! | 0:22:20 | 0:22:23 | |
Look, he did it, he's got every reason in the world to do it. | 0:22:23 | 0:22:25 | |
Prove it! | 0:22:25 | 0:22:27 | |
All right, I will, just give me five minutes alone with him. | 0:22:27 | 0:22:29 | |
He'll tell the truth, then. | 0:22:29 | 0:22:30 | |
Have you lost your mind? What is going on with you? | 0:22:30 | 0:22:33 | |
HE SIGHS | 0:22:33 | 0:22:34 | |
-Petey Roberts. -What about him? -He's been put in that awful house. | 0:22:35 | 0:22:39 | |
-You interviewed him? -Yeah, and read his file. | 0:22:41 | 0:22:44 | |
You would not believe what's happened to him since the trial. | 0:22:44 | 0:22:48 | |
That's none of our business. We got a conviction, end of story. | 0:22:48 | 0:22:51 | |
That's what you said at the time. | 0:22:53 | 0:22:55 | |
-You were wrong then and you're wrong now. -Sorry? | 0:22:55 | 0:22:58 | |
Look, we used him to convict his father. | 0:22:58 | 0:23:00 | |
A boy that had been through all that trauma, we used him, | 0:23:00 | 0:23:03 | |
then we dumped him back into the system and that hurt him even more. | 0:23:03 | 0:23:06 | |
We are not his baby-sitters. | 0:23:06 | 0:23:08 | |
Then what are we? What are we? | 0:23:08 | 0:23:10 | |
Look, I told you at the time, don't let it become personal. | 0:23:10 | 0:23:14 | |
Too late, it is. What, are we just going to stand back and do nothing? | 0:23:14 | 0:23:18 | |
Right, what did Petey say? | 0:23:20 | 0:23:22 | |
That he saw Danny coming out of Samuel Jardine's room | 0:23:22 | 0:23:25 | |
on the night of the attack carrying a pool cue covered in blood. | 0:23:25 | 0:23:28 | |
-Where's the pool cue? -Oh, just... | 0:23:28 | 0:23:29 | |
He did it! | 0:23:29 | 0:23:31 | |
I want him held overnight, see if that loosens his tongue. | 0:23:31 | 0:23:33 | |
Now is not the time to be bending the rules. | 0:23:35 | 0:23:37 | |
HE LAUGHS: Yeah, that's right. | 0:23:37 | 0:23:38 | |
-They're only allowed to be bent when you do it? -I beg your pardon? | 0:23:38 | 0:23:42 | |
I think you heard. | 0:23:42 | 0:23:43 | |
I'm going to cut you some slack, | 0:23:45 | 0:23:47 | |
cos you're obviously upset about the boy. | 0:23:47 | 0:23:50 | |
Don't push your luck. | 0:23:50 | 0:23:51 | |
-We've a witness who places you at the scene. -What witness? | 0:23:59 | 0:24:02 | |
-Saw you leaving Jardine's room with a weapon in your hand. -What weapon? | 0:24:02 | 0:24:05 | |
-You tell me. -I didn't do anything. | 0:24:05 | 0:24:07 | |
-Who did, then, Danny? -FRUSTRATED SIGH | 0:24:07 | 0:24:09 | |
Daniel Gallacher, you are charged that, on the 21st of April 2014, | 0:24:12 | 0:24:15 | |
-you did strike Samuel Jardine on the head. -Is that absolutely necessary? | 0:24:15 | 0:24:19 | |
-We'll be detaining you overnight. -What?! | 0:24:19 | 0:24:21 | |
See if you feel more like talking tomorrow. | 0:24:21 | 0:24:23 | |
This is DC Cooper, terminating the interview at 1812. | 0:24:23 | 0:24:25 | |
What, are you actually keeping me in here? | 0:24:25 | 0:24:28 | |
I didn't do anything wrong. | 0:24:28 | 0:24:30 | |
It wasn't me! | 0:24:30 | 0:24:31 | |
-Er, no! Take your hands off me! -It'll be all right, Danny! | 0:24:33 | 0:24:36 | |
Do something about it, then! | 0:24:36 | 0:24:38 | |
You better have looked at every scrap of evidence | 0:24:50 | 0:24:52 | |
and pray that it's right, | 0:24:52 | 0:24:54 | |
cos, from where I was sitting, I think he's telling the truth. | 0:24:54 | 0:24:56 | |
-Petey saw him. -Well, check every bit of evidence, | 0:24:56 | 0:24:59 | |
then check it again, cos if that's an innocent boy in there, | 0:24:59 | 0:25:03 | |
it's you who'll be responsible. How are you going to feel, then, eh? | 0:25:03 | 0:25:06 | |
MUSIC: "Afterglow" by Wilkinson | 0:25:12 | 0:25:16 | |
INAUDIBLE SPEECH | 0:25:31 | 0:25:34 | |
-SONG BLASTS ON HEADPHONES -The phone. | 0:25:34 | 0:25:36 | |
-DC COOPER: 'I can talk to people.' -I don't care. | 0:25:43 | 0:25:46 | |
-'Explain your situation.' -You're too late! | 0:25:46 | 0:25:49 | |
'Don't say that, Petey.' | 0:25:49 | 0:25:50 | |
Look, I've told you what's happened to me here. | 0:25:52 | 0:25:54 | |
-Do I need to draw you a picture? -'No, you do not.' | 0:25:54 | 0:25:58 | |
Look... | 0:26:01 | 0:26:03 | |
I'll be fine. | 0:26:03 | 0:26:05 | |
'Maybe you could come and stay with me for a while.' | 0:26:05 | 0:26:08 | |
Petey? | 0:26:10 | 0:26:12 | |
'Petey, are you there?' | 0:26:12 | 0:26:13 | |
You've travelled all across America, right through Canada, | 0:26:28 | 0:26:31 | |
got on to a big ocean liner across the Atlantic! We're nearly there! | 0:26:31 | 0:26:34 | |
Oh, no, you're going to overtake me | 0:26:34 | 0:26:36 | |
just as we get to the finish line! | 0:26:36 | 0:26:38 | |
-Oh, he's won again! -THEY LAUGH | 0:26:38 | 0:26:42 | |
Hey, listen, sorry I'm late. We got held up. | 0:26:42 | 0:26:44 | |
That's all right. We're having a great time here. | 0:26:44 | 0:26:48 | |
Look, let him take the cars with him? I've no use for them here. | 0:26:48 | 0:26:51 | |
Right, OK. | 0:26:51 | 0:26:53 | |
Right, I'll go and get your stuff, all right? | 0:26:53 | 0:26:56 | |
-One more game? -Yey! | 0:26:56 | 0:26:58 | |
Listen, thanks. | 0:26:58 | 0:27:00 | |
I should be thanking you. | 0:27:00 | 0:27:01 | |
I was always too busy to play with my own boys. | 0:27:01 | 0:27:04 | |
Right, pal, this time, we're going to start at the South Pole, OK? | 0:27:05 | 0:27:09 | |
You ready? I'm going to use the big truck this time, OK? | 0:27:09 | 0:27:14 | |
I'm not good at this. | 0:27:24 | 0:27:26 | |
-What? -This. | 0:27:26 | 0:27:29 | |
What is this? | 0:27:30 | 0:27:32 | |
I don't know. | 0:27:34 | 0:27:36 | |
-I'm just not good at it. -You're doing fine. | 0:27:36 | 0:27:39 | |
I'm not good at most things, really, to be honest. | 0:27:44 | 0:27:47 | |
Don't be ridiculous, you're a DCI. | 0:27:47 | 0:27:49 | |
Oh, my job, yes, I'm OK at my job, but... | 0:27:49 | 0:27:52 | |
..everything else... I'm just...useless. | 0:27:54 | 0:27:58 | |
-I keep thinking about Mandy Kennedy. -Don't. | 0:28:06 | 0:28:10 | |
-I can't help it. -Don't. | 0:28:10 | 0:28:12 | |
We brought her in and questioned her. | 0:28:14 | 0:28:16 | |
We made it look like she was co-operating with us. | 0:28:16 | 0:28:19 | |
-It was my idea. -Yeah, and I backed it from the start. | 0:28:19 | 0:28:22 | |
We had no way of anticipating what was going to happen, no way. | 0:28:24 | 0:28:28 | |
We didn't think further than our own case, and that's the truth of it. | 0:28:30 | 0:28:34 | |
I still feel like I'm to blame for her death. | 0:28:36 | 0:28:39 | |
You need to stop that. | 0:28:39 | 0:28:40 | |
I can't help it. | 0:28:42 | 0:28:43 | |
-Do you want to get out of here? -Am I embarrassing you? | 0:28:47 | 0:28:49 | |
No! | 0:28:49 | 0:28:51 | |
Yeah, a bit, but only because we're in the job. | 0:28:53 | 0:28:56 | |
-I just don't want people to see. -Yeah, don't worry. | 0:28:56 | 0:28:59 | |
Or to think I caused it. | 0:28:59 | 0:29:01 | |
I won't fall apart. | 0:29:05 | 0:29:06 | |
Look, let's get out of here, then you can fall apart all you like. | 0:29:10 | 0:29:15 | |
That didn't come out right. | 0:29:15 | 0:29:17 | |
-I'm so sorry. -Don't worry. | 0:30:04 | 0:30:06 | |
I'm not annoyed, I'm just glad you're here. | 0:30:09 | 0:30:12 | |
Oh! That bad? | 0:30:14 | 0:30:15 | |
Er...not great. | 0:30:15 | 0:30:18 | |
I told somebody. | 0:30:20 | 0:30:21 | |
-Kelly-Marie? -I can't hide anything from her. | 0:30:24 | 0:30:27 | |
She says it's like I'm having an affair. | 0:30:27 | 0:30:29 | |
Well, you are. | 0:30:29 | 0:30:31 | |
With my ain husband, that doesn't count. | 0:30:31 | 0:30:34 | |
-They're the best kind. -What about you? | 0:30:34 | 0:30:38 | |
I kept catching myself first thing. | 0:30:38 | 0:30:40 | |
And then, the rest of the day caught up with you? | 0:30:40 | 0:30:44 | |
Something like that. | 0:30:45 | 0:30:46 | |
-See how this is really good and we're both dead happy? -Yeah. | 0:30:48 | 0:30:52 | |
That only gets spoiled when we can't talk to each other. | 0:30:52 | 0:30:56 | |
I just don't want to bother you. | 0:30:57 | 0:30:59 | |
When you bottle things up, they still have to come out, remember? | 0:30:59 | 0:31:04 | |
Yeah, you're right. | 0:31:04 | 0:31:06 | |
-I saw Petey Roberts today. -Who? | 0:31:08 | 0:31:10 | |
-The boy from the trial. -Oh, yeah, I remember, how's he? | 0:31:10 | 0:31:14 | |
Not great. | 0:31:14 | 0:31:16 | |
Terrible, actually. | 0:31:16 | 0:31:17 | |
What's happened? | 0:31:18 | 0:31:20 | |
Look, you know what? I'm fine, honestly. | 0:31:23 | 0:31:25 | |
-I don't want to spoil this. -You're not spoiling anything. | 0:31:25 | 0:31:28 | |
I should've helped him. | 0:31:33 | 0:31:35 | |
I didn't. | 0:31:35 | 0:31:36 | |
He's been put in a home. | 0:31:36 | 0:31:38 | |
-Damaged. A lot worse than before. -Can you not get him moved? | 0:31:38 | 0:31:43 | |
He's already been moved from pillar to post. | 0:31:43 | 0:31:46 | |
I should have kept in touch. | 0:31:47 | 0:31:49 | |
Well, you're in touch now - that's the important thing. | 0:31:49 | 0:31:53 | |
-He's been let down again and again. -There's only so much you can do. | 0:31:54 | 0:31:58 | |
I kept thinking about my dad today, how I nearly lost him. | 0:31:59 | 0:32:03 | |
Well, it must have been a million times worse for Petey. | 0:32:03 | 0:32:06 | |
You got a second chance, just be grateful for it. | 0:32:06 | 0:32:10 | |
I know. | 0:32:10 | 0:32:12 | |
And you can't be Petey's father either. | 0:32:12 | 0:32:14 | |
But who does he have? | 0:32:14 | 0:32:16 | |
Who cares if he lives or dies? | 0:32:16 | 0:32:19 | |
You do. | 0:32:19 | 0:32:20 | |
MUSIC: "Neon" by Sander van Doorn | 0:32:26 | 0:32:30 | |
PEOPLE CHATTER | 0:34:01 | 0:34:03 | |
Late for work two days on the trot. | 0:35:28 | 0:35:30 | |
-I'm a bad influence. -Aw, long may it continue. | 0:35:30 | 0:35:33 | |
-I'll see you tonight. -Mm-hm. | 0:35:34 | 0:35:36 | |
Hey. Where have you been? | 0:35:47 | 0:35:50 | |
The staff said that you weren't in your room last night. | 0:35:50 | 0:35:52 | |
Where's Danny? | 0:35:55 | 0:35:57 | |
He's been arrested, kept him in overnight. | 0:35:57 | 0:35:59 | |
If someone says I can go and live with them... | 0:36:03 | 0:36:06 | |
could I go? | 0:36:06 | 0:36:08 | |
Um, well, it depends who it was. | 0:36:08 | 0:36:11 | |
Someone who wants to look after me. | 0:36:13 | 0:36:16 | |
Look, you're 17, you can live anywhere you want, Peter. | 0:36:16 | 0:36:20 | |
I need to go down to the police station and see Danny. | 0:36:24 | 0:36:27 | |
How's he doing? | 0:36:27 | 0:36:29 | |
He's not good. | 0:36:29 | 0:36:31 | |
He'll be all right. | 0:36:35 | 0:36:36 | |
-You all right, Danny? -Mmm. | 0:36:48 | 0:36:51 | |
Morning. | 0:36:52 | 0:36:53 | |
Interview with Daniel Gallagher commences at 10am. | 0:37:05 | 0:37:08 | |
In attendance are DC Cooper, DCI Donald and Sandra Devlin. | 0:37:08 | 0:37:11 | |
Did you get some breakfast? | 0:37:13 | 0:37:15 | |
I wasn't hungry. | 0:37:15 | 0:37:16 | |
Did you sleep all right? | 0:37:16 | 0:37:18 | |
You know that I didn't. | 0:37:19 | 0:37:21 | |
Anything to tell us? | 0:37:23 | 0:37:24 | |
This is your last chance, Danny. | 0:37:35 | 0:37:37 | |
-I didn't do it. -You're going to need to do better than that. | 0:37:37 | 0:37:40 | |
Look, I saw him going into the room after Sammy. | 0:37:47 | 0:37:50 | |
I knew something was going to happen after...he...pissed on him. | 0:37:51 | 0:37:56 | |
Who are you talking about? | 0:37:57 | 0:37:58 | |
Peter Roberts. | 0:38:01 | 0:38:03 | |
Look, I don't blame him. I would've done the exact same thing. | 0:38:03 | 0:38:06 | |
You really expect us to believe that? | 0:38:08 | 0:38:10 | |
Look, I heard a struggle. I just hoped Peter was all right. | 0:38:12 | 0:38:16 | |
And then, he came out, covered in blood with the pool cue in his hand. | 0:38:18 | 0:38:21 | |
-Did he see you? -Aye, but he ran off. -Where to? | 0:38:21 | 0:38:25 | |
The garage. I watched him through the window. | 0:38:25 | 0:38:29 | |
He put the pool cue in a wheelie bin and then he went to the old garage. | 0:38:29 | 0:38:33 | |
All right and where's that? | 0:38:33 | 0:38:35 | |
Just round from the house. We drink there sometimes. | 0:38:35 | 0:38:38 | |
And where are the bins? | 0:38:38 | 0:38:40 | |
Outside the house. I watched him go. | 0:38:40 | 0:38:42 | |
Petey Roberts wouldn't hurt anyone. | 0:38:42 | 0:38:44 | |
Nah, I saw his face. | 0:38:45 | 0:38:47 | |
And I've never seen anyone look like that before. | 0:38:47 | 0:38:50 | |
I still don't believe it. | 0:38:52 | 0:38:54 | |
Petey Roberts, he wouldn't hurt a fly. | 0:38:54 | 0:38:57 | |
He'd attacked a female teacher when we first came across him. | 0:38:57 | 0:39:00 | |
I know, but I can't see him doing this. | 0:39:00 | 0:39:02 | |
That's because you've allowed yourself to get too close to him. | 0:39:02 | 0:39:05 | |
Use your training, follow the evidence. | 0:39:05 | 0:39:08 | |
-Sir? -Get yourself down the house, | 0:39:08 | 0:39:09 | |
find this garage, search through the bins. | 0:39:09 | 0:39:12 | |
That's where you'll find some physical evidence. | 0:39:12 | 0:39:14 | |
-If they see me searching, and do a runner. -Who? | 0:39:16 | 0:39:19 | |
Whoever did this. | 0:39:19 | 0:39:20 | |
Will you listen to yourself? | 0:39:20 | 0:39:22 | |
MOBILE PHONE RINGS | 0:39:23 | 0:39:25 | |
DC Cooper? | 0:39:27 | 0:39:29 | |
Oh... | 0:39:30 | 0:39:32 | |
Right, yeah, I'll be right down. | 0:39:32 | 0:39:34 | |
Well, we'll know for sure now. | 0:39:35 | 0:39:37 | |
Samuel Jardine has just regained consciousness. | 0:39:37 | 0:39:40 | |
So I'll get down to the hospital. | 0:39:42 | 0:39:44 | |
Good. | 0:39:44 | 0:39:46 | |
What are you waiting for? | 0:39:47 | 0:39:49 | |
INAUDIBLE | 0:41:43 | 0:41:45 | |
-Why won't you answer my questions, Petey? -Why are you asking them? | 0:42:08 | 0:42:13 | |
-You know why. -Do I? | 0:42:13 | 0:42:16 | |
Yes, you do. | 0:42:16 | 0:42:17 | |
Am I in trouble here? | 0:42:20 | 0:42:21 | |
-Stop acting, Petey. It's not working. -Who asked you? | 0:42:21 | 0:42:25 | |
Tough guy now, are we? | 0:42:25 | 0:42:26 | |
HE LAUGHS | 0:42:26 | 0:42:28 | |
Oh! You two made me put my dad in jail. | 0:42:28 | 0:42:32 | |
Were you in Samuel Jardine's room on the night of the attack? | 0:42:37 | 0:42:40 | |
You saw me bury my own mother. | 0:42:40 | 0:42:42 | |
And then you made me put my dad in jail. | 0:42:43 | 0:42:45 | |
Did you at any time touch the pool cue that was in the room? | 0:42:47 | 0:42:50 | |
You think this is funny? | 0:42:52 | 0:42:54 | |
We spoke to Samuel this morning. | 0:42:57 | 0:42:59 | |
Was he asking for me? | 0:43:01 | 0:43:03 | |
-We know what happened, Petey. -Why don't you tell me, then. | 0:43:03 | 0:43:06 | |
I found the pool cue... | 0:43:08 | 0:43:10 | |
covered in blood and fingerprints... | 0:43:10 | 0:43:12 | |
..a bloody T-shirt... | 0:43:13 | 0:43:14 | |
..and Samuel's statement | 0:43:16 | 0:43:18 | |
saying that he saw you before you struck him. | 0:43:18 | 0:43:21 | |
Forensics have confirmed your fingerprints in blood on the weapon | 0:43:26 | 0:43:31 | |
and Samuel's blood on your T-shirt. | 0:43:31 | 0:43:33 | |
You promised. | 0:43:37 | 0:43:38 | |
But you're just like all the rest of them, aren't you? | 0:43:39 | 0:43:43 | |
You made your own decisions, Petey. | 0:43:43 | 0:43:44 | |
Why are you so interested, Will? | 0:43:47 | 0:43:49 | |
You weren't interested last week, were you? | 0:43:51 | 0:43:55 | |
-Where were you, then? -This is getting us nowhere. | 0:43:55 | 0:43:58 | |
Why did you do it, Petey? | 0:44:01 | 0:44:02 | |
Nobody hurts me. | 0:44:04 | 0:44:06 | |
Nobody touches me unless I want them to. | 0:44:06 | 0:44:09 | |
Do you want me to tell you what I think happened? | 0:44:11 | 0:44:14 | |
Drink has taken over your life. | 0:44:24 | 0:44:26 | |
You're usually on your own, but always desperate to join in, | 0:44:28 | 0:44:32 | |
just to try and stop that... loneliness. | 0:44:32 | 0:44:35 | |
Then the latest in a long line of terrible things happens to you. | 0:44:41 | 0:44:44 | |
You felt determined | 0:44:47 | 0:44:50 | |
and you decided you wouldn't take it any more. | 0:44:50 | 0:44:52 | |
You just wanted it to stop. | 0:45:08 | 0:45:10 | |
Make him feel the way you'd felt. | 0:45:10 | 0:45:13 | |
How many beatings have you taken in your life, Petey? | 0:45:14 | 0:45:16 | |
How many times have you wished you could kill someone? | 0:45:18 | 0:45:21 | |
You followed Samuel Jardine. | 0:45:28 | 0:45:30 | |
What you going to do with that, big man? | 0:45:30 | 0:45:32 | |
The latest in a long line of bullies that started with your father. | 0:45:32 | 0:45:35 | |
And all those months of pain came flooding through your body. | 0:45:44 | 0:45:48 | |
It was Samuel Jardine lying on the floor, | 0:45:50 | 0:45:52 | |
but it was your father you were hurting... | 0:45:52 | 0:45:55 | |
..and every other single person that's hurt you in your life. | 0:45:56 | 0:46:01 | |
So, you hit him, and you hit him again, | 0:46:01 | 0:46:04 | |
and you couldn't stop. | 0:46:04 | 0:46:06 | |
Danny saw you. | 0:46:19 | 0:46:20 | |
You looked at him and it was like looking in a mirror. | 0:46:22 | 0:46:25 | |
You saw the fear in his eyes and you...you realised what you'd done. | 0:46:25 | 0:46:29 | |
Interview suspended at 13.30 hours. | 0:47:08 | 0:47:11 | |
Give me five minutes with him. | 0:47:13 | 0:47:15 | |
No. | 0:47:15 | 0:47:16 | |
Please. | 0:47:16 | 0:47:18 | |
DOOR SHUTS | 0:47:31 | 0:47:33 | |
I'm sorry. | 0:47:39 | 0:47:41 | |
-I let you down. -I don't care. | 0:47:42 | 0:47:45 | |
I know you do. You had to get steaming drunk before you did it. | 0:47:45 | 0:47:50 | |
That's because you couldn't do it sober, because it's not you. | 0:47:50 | 0:47:53 | |
How do you know who I am? | 0:47:53 | 0:47:55 | |
See when you said I was hitting everybody that hurt me. | 0:48:04 | 0:48:06 | |
Was I hitting you, too? | 0:48:08 | 0:48:09 | |
Petey, just listen to me. | 0:48:11 | 0:48:13 | |
You hated what your father was. | 0:48:15 | 0:48:17 | |
-Did I? -Yes. Always protecting your mother. | 0:48:17 | 0:48:20 | |
You had to watch him beat her black and blue. | 0:48:20 | 0:48:22 | |
If it was now, I'd take a kitchen knife to him. | 0:48:22 | 0:48:24 | |
-No, you wouldn't. -I would, believe me. | 0:48:24 | 0:48:26 | |
You are not your father. | 0:48:26 | 0:48:28 | |
-How would you know? -I know more than you think. | 0:48:28 | 0:48:30 | |
I was a violent man. A very violent man. | 0:48:30 | 0:48:33 | |
You know how it feels, then. People stop hurting you. | 0:48:33 | 0:48:37 | |
They look the other way when you catch their eye. | 0:48:37 | 0:48:39 | |
-It feels good. -For a bit, yeah. | 0:48:41 | 0:48:43 | |
I hated my dad, hated him, | 0:48:45 | 0:48:48 | |
and I promised myself I wouldn't be like him, but I was. | 0:48:48 | 0:48:51 | |
I battered the person I loved | 0:48:51 | 0:48:53 | |
because I couldn't understand or control that anger inside. | 0:48:53 | 0:48:57 | |
I'd become the man I hated, and so have you. | 0:48:59 | 0:49:01 | |
I used to lie in my bed at night and cry. | 0:49:18 | 0:49:22 | |
Stuffing the blanket into my mouth so that he wouldn't hear me. | 0:49:24 | 0:49:27 | |
Just listening to my mum begging for mercy. | 0:49:30 | 0:49:33 | |
And I'd just lie there, frozen. | 0:49:34 | 0:49:37 | |
You were just a kid, Petey. | 0:49:41 | 0:49:43 | |
I'd say a prayer | 0:49:45 | 0:49:46 | |
and wish that someone would come and save us... | 0:49:46 | 0:49:49 | |
me and my mum. | 0:49:49 | 0:49:51 | |
I prayed so hard. | 0:49:53 | 0:49:55 | |
None of that was your fault. | 0:49:57 | 0:50:00 | |
But see if I had been different... | 0:50:01 | 0:50:04 | |
if I had been the one to stand up to him... | 0:50:04 | 0:50:06 | |
-..she'd still be here. -You don't know that. | 0:50:08 | 0:50:10 | |
But then everywhere I go... | 0:50:12 | 0:50:15 | |
there's violence and more violence. | 0:50:15 | 0:50:17 | |
Hurting me, humiliating me. | 0:50:17 | 0:50:19 | |
What am I supposed to do? | 0:50:21 | 0:50:22 | |
Keep praying? | 0:50:24 | 0:50:25 | |
I can get someone to come and talk to you. | 0:50:28 | 0:50:30 | |
I was crying the other night when it happened. | 0:50:36 | 0:50:39 | |
I just knew that I wasn't going to take it any more. | 0:50:42 | 0:50:46 | |
I got up and knew I just had to put a stop to it once and for all. | 0:50:49 | 0:50:53 | |
I still wish he was dead. | 0:50:57 | 0:50:59 | |
Why do you care about me? | 0:51:05 | 0:51:06 | |
Because it's like... it's like looking into a mirror | 0:51:09 | 0:51:14 | |
and seeing myself a long time ago. | 0:51:14 | 0:51:16 | |
That's why. | 0:51:16 | 0:51:18 | |
You were too late. | 0:51:20 | 0:51:21 | |
We'll be charging you with attempted murder. | 0:51:25 | 0:51:27 | |
You'll be going to jail for a long time, do you understand? | 0:51:30 | 0:51:33 | |
You prefer me when I'm a victim, don't you? | 0:51:36 | 0:51:40 | |
You don't like me standing up for myself. | 0:51:40 | 0:51:42 | |
When you get out, I'll be waiting. | 0:51:44 | 0:51:47 | |
This... | 0:51:47 | 0:51:49 | |
isn't the end, | 0:51:49 | 0:51:51 | |
and I won't let you down again. | 0:51:51 | 0:51:52 | |
Like I said. | 0:51:53 | 0:51:55 | |
I don't care. | 0:51:55 | 0:51:56 | |
Interview resumes at 13.34 hours. In attendance, as before. | 0:52:24 | 0:52:29 | |
Peter Roberts, you are charged that, on the 21st of April 2014, | 0:52:31 | 0:52:35 | |
you did strike Samuel Jardine | 0:52:35 | 0:52:37 | |
over the head several times with a pool cue. | 0:52:37 | 0:52:40 | |
You did attempt to murder him. | 0:52:40 | 0:52:42 | |
Do you understand? | 0:52:44 | 0:52:46 | |
OK. | 0:52:50 | 0:52:51 | |
Interview terminated - 13.35 hours. | 0:53:10 | 0:53:13 | |
You really cared about him. | 0:53:39 | 0:53:42 | |
I still do. | 0:53:42 | 0:53:43 | |
I wish it had turned out differently. | 0:53:48 | 0:53:51 | |
I should have done better. | 0:53:51 | 0:53:53 | |
We could all do better. | 0:53:53 | 0:53:55 | |
I could have helped him. | 0:53:57 | 0:53:59 | |
My mother's dead | 0:54:04 | 0:54:06 | |
and my father tried to kill himself a while back, and... | 0:54:06 | 0:54:10 | |
..when I thought he was going to die, I felt alone. | 0:54:11 | 0:54:14 | |
-I've never felt so alone. -That's normal. | 0:54:18 | 0:54:21 | |
The point is, I'm a grown man. | 0:54:21 | 0:54:24 | |
Petey watched his father kill his mother. He saw it. | 0:54:24 | 0:54:28 | |
-What does that do to someone? -Look, you've done all you can. | 0:54:28 | 0:54:31 | |
No, I didn't. I really didn't. | 0:54:31 | 0:54:34 | |
How many Peteys are there out there? | 0:54:37 | 0:54:40 | |
How many kids are suffocated by life before they even get started? | 0:54:40 | 0:54:44 | |
And you wish you could change it? | 0:54:45 | 0:54:47 | |
I will. When Petey gets out, I'll be waiting for him. | 0:54:47 | 0:54:51 | |
I'll make sure he gets another chance at life. | 0:54:51 | 0:54:54 | |
Listen, there are lots of kids out there needing help. | 0:54:54 | 0:54:58 | |
Thanks. | 0:55:00 | 0:55:02 | |
Phone me, any time, if you want to talk. | 0:55:02 | 0:55:07 | |
-How do you do it? -What? | 0:55:09 | 0:55:11 | |
Care for them, work with them, | 0:55:13 | 0:55:14 | |
when you see so many fall through the cracks. | 0:55:14 | 0:55:18 | |
I do what I can. That's it. | 0:55:18 | 0:55:20 | |
I couldn't do it. | 0:55:21 | 0:55:23 | |
I'll see you about? | 0:55:24 | 0:55:27 | |
If this proposal is passed, | 0:55:48 | 0:55:50 | |
it could mean a road running right through here, | 0:55:50 | 0:55:53 | |
and that would include the compulsory purchase | 0:55:53 | 0:55:55 | |
and demolition of the health centre. | 0:55:55 | 0:55:57 | |
You want to speak to the man in charge? | 0:55:58 | 0:56:01 | |
Well, that's me. Alan Lindsay. | 0:56:01 | 0:56:03 | |
So, what's going on? This land has only just gone up for sale. | 0:56:03 | 0:56:06 | |
-I havenae bought it. -Who has bought it? | 0:56:06 | 0:56:08 | |
That's no' for me to say, but I'm sure you can find out, Councillor. | 0:56:08 | 0:56:12 | |
You were found in a car, senseless with alcohol, | 0:56:12 | 0:56:14 | |
evidence of drinking in the passenger seat. | 0:56:14 | 0:56:17 | |
Listen to me. I was asleep in the back of the car. | 0:56:17 | 0:56:20 | |
Oh, well, that's OK. You still got your licence, then? | 0:56:20 | 0:56:23 | |
Cos I don't need a driver that cannae drive. | 0:56:23 | 0:56:26 | |
-Just wan dr...wan drink. -Gabriel, just go. Look at you. | 0:56:26 | 0:56:29 | |
Who do you think you are?! | 0:56:29 | 0:56:31 |