Part Two Silent Witness


Part Two

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Transcript


LineFromTo

I want to be a pathologist, Nikki, but I have to go home.

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CROWD CHANTING

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Luisa went somewhere she should not have gone.

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Don't make the same mistake.

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This is my baby, Nesto.

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All these people have been taken by the cartels?

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Where is Luisa? Where have they got them?

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If we give up, if we stop...

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They'd give them back.

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Ernesto, Luisa, the others?

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I'd give my life for him.

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Eva...Eva you're confused. Nikki's at the compound.

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She was with me. She was here.

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Nikki!

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This programme contains some violent scenes and scenes which some viewers may find upsetting from the start

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SHE CRIES AND THUMPS

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PHONE VIBRATES

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Oh, don't ring off! Wait!

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Don't go!

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'Save your energy.

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'You will need it.'

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Who are you?

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Why are you doing this?

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'You'll need your oxygen, too, so stop screaming.'

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Get me out!

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Get me out of here!

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'You'll need water.

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'There's a bottle by your feet.

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'Only take sips.'

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PHONE DISCONNECTS

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Emergency services. What is it?

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9-1-1.

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FAILED CALL TONE

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Oh, Jack.

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What is it?

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Oh, no, think.

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0-7-5-1-7...

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FAILED CALL TONE

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I'm buried.

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Shit. Shit.

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Rewired.

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Hello.

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# Testator silens

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# Costestes e spiritu

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# Silentium. #

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Over. Down.

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Can we get it in there, OK?

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Tell me. Tell me again.

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I was driving. I looked over to Nikki, she was falling asleep.

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We were on the road to Santa Dominga and...

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Oh. Jet-lag.

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Sorry.

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Then what?

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I don't know.

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How's your head?

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He must have been hiding in the back. He must have hit me.

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I shouldn't touch.

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It's your car, you're all over it.

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Yeah, we can get some fibres off this.

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Yes.

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And then what do we do with them?

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What else can I do, Eva?

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This is my fault.

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If I had stayed home with her.

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It hasn't been used since midnight, before they left.

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It's hers?

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She's really gone, isn't she?

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Why take her?

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I don't know.

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Why take her, not Eva?

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I mean, Eva's the prize, isn't she?

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I don't know.

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Maybe they made a mistake. Maybe, maybe they thought she was Eva.

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What do they want?

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-What do they want? I asked you a question!

-I don't know!

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They don't want you here.

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They don't want anyone to help us.

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That's better.

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See, you always find the right thing to say in the end, don't you?

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How do you do it?

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Your childhood sweetheart is kidnapped, murdered, God knows what.

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All this shit swirling around you

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and you walk through it untouched.

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-The eye of the storm.

-Really?

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-You know that, do you?

-No. Nobody does.

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Nobody knows you, not really. You make sure of that.

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You're angry.

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What have I got to be angry about?

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Luisa's father, on the other hand, I imagine he's very angry.

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I mean, you...you let her go out there day after day, right?

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She called you that day.

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She needed you. Where were you?

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Did you love her?

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I mean, really?

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Or was she just another member of the fan club?

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I'm sorry.

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No, no. I'm sorry for you.

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For Dr Alexander.

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She wanted to be a part of something.

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Now she is.

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No!

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650 by 850.

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Roughly 2,300. Oh, shit.

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So, 1,270 litres of air.

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Only 21% is oxygen.

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267 litres.

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Say, at rest, a person consumes 0.35...

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763 minutes, that's 13 hours. I've been in here...

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..maybe two hours.

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So, 11 hours.

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But the box isn't empty.

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I'm in here.

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The average volume of the human body is...

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That's 13 litres less oxygen.

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35 minutes less.

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Can't panic.

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Wasting air.

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Slow breaths.

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SHE CRIES OUT

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Where's your friend?

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The pretty one.

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Prick.

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If you know something...

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How can I know? I'm in here.

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You know where Luisa Herrera is.

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Sure.

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She's in the ground.

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You know, if Dr Alexander doesn't come back,

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I might just put something else in this needle.

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No, you won't.

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She would...

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..but you wouldn't.

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This isn't good for us, either.

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We want to find her, too, but we're stretched.

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37 students were kidnapped from a college in Culiacan last week.

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You have a lot to deal with.

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A lot to turn a blind eye to.

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Have they been in touch?

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Have there been any demands?

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No. Not yet.

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Do you think they will?

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She's a foreigner, she has money.

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Or maybe they've already got what they want.

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We've got nothing. Nothing, Thomas. Don't even know if she's still...

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I'm at Heathrow, Jack.

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I'm on my way. I'll be there in less than 18 hours.

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What do the Foreign Office say?

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The embassy in Mexico City has been instructed

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to prioritise Nikki's case...

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-But?

-There's some hostage situation, oil workers in the Gulf of Mexico.

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But they've promised they'll get people up to you soon.

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What does soon mean?

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24 hours.

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24 hours?

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Be positive, Jack.

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When they realise they've got the wrong person, they'll send her home.

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# Sheila take a, Sheila take a bow

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# Boot the grime of this world in the crotch, dear

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# And don't go home tonight

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# Come out and find the one that you love and who loves you... #

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She was taken here?

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Yes. These are all the known cartel safe houses,

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including the one you were sent to.

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Gustavo and his men had all the main roads blocked within minutes,

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so we work on that presumption, that they had an hour and

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a half to take her wherever they were taking her.

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We'll work in a 60km zone, south along the coast,

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inland to the east.

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-Why not north?

-Because they knew we'd be coming from there.

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They sent us to that fake tip-off.

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We have to make rational presumptions.

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We cannot search everywhere.

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That still leaves all these...

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We found 4X4 tyre tracks leading off the road.

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There's nobody around.

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Not that we can see, anyway.

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The only obvious skid marks match the tread pattern from Eva's car.

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And nothing to pin down the vehicle they took Nikki in?

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There were other tyre tracks about 20 metres behind Eva's car,

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but the tread pattern is FS-470,

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which suggests a late-model saloon, not a 4X4.

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So, we've got...

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Very little.

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Sorry.

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This isn't your fault, Jack.

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I'll check those tread patterns, OK?

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TEXT ALERT

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RINGING

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Who are you?

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What have you done with her?

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Jack...

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Nikki?

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Nikki?!

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Jesus!

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Nikki, where are you? I'll come and get you.

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-Jack...

-Nikki, thank God you're safe.

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How did... How did you...?

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SHE SOBS

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Nikki, are you OK?

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Can you talk?

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No.

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Nikki, are you hurt?

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No, I...

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Just tell me where you are.

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Nikki, is there... Is there someone there with you?

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No.

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Can you tell me where you are?

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What can you see?

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Nothing.

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Any detail, the room you're in, anything at all.

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I'm not in a room, Jack.

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So where are you?

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I'm under the ground.

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What?

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Buried.

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What?

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In some sort of box.

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Under the ground.

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Do you understand?

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Help me, please.

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I'm panicking.

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I'm running out of air...

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It's OK, Nikki.

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It's OK, we're going to find you.

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How will you find me?

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I'm going to die in here, Jack.

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No. No, you're not.

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Don't lie to me.

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Don't tell me things that you can't know, can't do.

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Listen...

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-If I don't make it out of here, Jack...

-No, stop it, Nikki!

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Stop it.

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Did you text me your number?

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No.

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The phone they left me, it doesn't call out.

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Then somebody else did, Nikki. Somebody texted me your number.

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They want me to talk to you.

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Do you understand?

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If they wanted you dead, why let me talk to you?

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He called me on this phone.

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Did you recognise his voice?

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Sounded like his voice was altered, it sounded electronic.

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Why would they take me?

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We'll know that soon. Whatever it is they ask, we'll do it.

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Is there anything else you can tell me?

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Oh, my God, Eva...

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Is she OK?

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Is she buried, too, somewhere?

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Oh, my God. Did they kill her?

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Nikki, no. We found her, she has a bump on her head,

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she's going to be fine.

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You mustn't worry about anybody else, OK?

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I was asleep in the car, and then...

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I don't remember.

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I woke here.

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In the dark.

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Do you have food?

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No. Water.

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I don't think it's water that's the problem, Jack.

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This box, this thing you're in, how big is it?

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I've got about nine hours, Jack, maybe ten.

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The box is wood, slats.

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-Give me everything.

-I've reckoned 850 by 650 by 2,300.

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Do you know how deep you are?

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Too deep to push up. I tried.

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Some dirt fell through. It was cold.

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Was the earth dry?

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It's not sand. It's not clay. It's dry earth.

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Like the whole of this damn country!

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OK, what's in it? Can you taste it?

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What?

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Taste it!

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It tastes metallic.

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More metal than mineral?

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It's got a lovely bouquet, Jack, but I prefer the '74.

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Metal.

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Maybe iron?

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And salt.

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Salt...so maybe near the sea. Some kind of salt flats, maybe.

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Nikki?

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Oh, my God!

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RUMBLING

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SHE SCREAMS

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Are you OK?

0:13:500:13:51

Nikki?

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Nikki, are you OK?

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Nikki!

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Nikki, are you OK?

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RUMBLING SUBSIDES

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I'm OK.

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What was that?

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I don't know.

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It hasn't happened before.

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It might be an industrial site.

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If it happens again, record the time.

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Maybe we can build up a pattern.

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If we're relying on that...

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No, we're not. We're not.

0:14:130:14:14

Everyone is out looking for you - the police, the army,

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the British Embassy.

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There's helicopters everywhere.

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Jack...

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I've got your number. I'm going to track it.

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The phone's been tampered with. I don't think it will track.

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We'll find you.

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I will find you.

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I'll call you every half-hour, OK?

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No, don't.

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The battery. My air...

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Only call if you've got something to tell me.

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Nikki...

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..you're not alone.

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I'm in a wooden box, under the earth, Jack.

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I'm quite alone.

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SHE HANGS UP

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PHONE RINGS

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-Nikki?

-If you tell anyone, she'll die.

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If you discuss anything I tell you, you will never find her.

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No police, no army, no authorities.

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We have people everywhere, we'll know.

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Who are you?

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What do you want?

0:15:270:15:28

Money?

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I can get money. If it's not a crazy number, I can get it to you quickly.

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Just tell me how much.

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How much can you get?

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Maybe 100,000.

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Is that all?

0:15:350:15:37

Is that what she's worth to you?

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No, no, no, no, no, no. I can get more, I can get more.

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I just need to figure out how. There isn't much time.

0:15:410:15:44

Maybe if you'll get her out of there, then...

0:15:440:15:47

It's not money, pendejo.

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Then what is it?! Tell me!

0:15:480:15:51

If you want to see her again, you do exactly what we tell you.

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HANGS UP

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No. Wait, wait.

0:15:560:15:57

Shit!

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Shit!

0:15:590:16:00

'Gustavo, listen...'

0:16:000:16:01

Are you all right?

0:16:010:16:02

'I spoke to her, to Nikki.'

0:16:020:16:03

You spoke to her?

0:16:030:16:05

She's underground somewhere, in a box.

0:16:050:16:06

HE SPEAKS SPANISH

0:16:150:16:16

What is it? What have you found?

0:16:180:16:19

Just wait. It might be nothing.

0:16:190:16:21

HE SPEAKS SPANISH

0:16:210:16:23

Tell me. What's there? What's happening?

0:16:260:16:28

What is it? What can you see?

0:16:290:16:31

It's a wooden box.

0:16:330:16:34

Come on. Please, please.

0:16:350:16:37

Is she OK?

0:16:410:16:42

Forget it.

0:16:440:16:46

-It's not her.

-What do you mean?

0:16:460:16:47

Is it a body?

0:16:470:16:48

It's no-one.

0:16:480:16:50

It's guns.

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PHONE RINGS

0:16:580:17:00

I told you.

0:17:040:17:06

You won't find her.

0:17:060:17:07

You piece of shit.

0:17:070:17:09

We'll go, we'll leave this place. Whatever...whatever you say.

0:17:100:17:13

What do you want?

0:17:160:17:17

There's a man being held at the Regional Police Headquarters.

0:17:170:17:22

You have access to that man.

0:17:220:17:23

Get him out.

0:17:230:17:25

Deliver him to us.

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El Buitre.

0:17:260:17:27

Or she will die in there.

0:17:270:17:29

SHE CRIES OUT

0:18:320:18:34

Oh, my God.

0:19:010:19:02

SHE WHIMPERS

0:19:210:19:22

Oh, God. I hate spiders.

0:19:350:19:37

PHONE VIBRATES

0:19:390:19:41

Hello?

0:19:430:19:44

Nikki, are you OK?

0:19:440:19:46

No, wait...

0:19:460:19:47

Nikki?

0:19:480:19:49

Jack, I've got to get out of here now.

0:19:490:19:51

I know, I know, Nikki. I know.

0:19:510:19:52

No, I mean right now, Jack!

0:19:520:19:55

Any luck with tracking this phone?

0:20:000:20:02

You were right about the phone, it's hacked.

0:20:020:20:03

Eva says they've found ones like it in cartel safe-houses.

0:20:030:20:06

Have they contacted you?

0:20:060:20:08

We're negotiating.

0:20:080:20:09

You're what?

0:20:090:20:11

How much do they want?

0:20:110:20:12

Don't you worry about it, we're nearly there.

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And if you're not?

0:20:150:20:16

If you can't...

0:20:160:20:17

You've looked, haven't you, Jack?

0:20:200:20:22

Looked at what?

0:20:220:20:23

Come on, Jack. I know you. The last of the Boy Scouts.

0:20:230:20:28

You've searched on the internet, haven't you?

0:20:280:20:31

101 death-defying escapes.

0:20:310:20:34

All right, but you're not going to like it.

0:20:350:20:37

We don't know how deep you are, so it's a one-shot thing.

0:20:380:20:41

You've got to break through the top of the box somehow.

0:20:430:20:45

You've got to get your feet up, kick through it,

0:20:450:20:47

enough space to let the earth in, enough to get your head out...

0:20:470:20:50

Go on.

0:20:500:20:51

Then you wait.

0:20:510:20:53

Let the box start to fill with earth.

0:20:530:20:55

You've got to wait as long as you can.

0:20:550:20:58

Then cover your face with whatever you've got, anything at all,

0:20:580:21:01

so that the earth doesn't suffocate you as you push up.

0:21:010:21:03

And that's it?

0:21:040:21:05

Keep going up.

0:21:050:21:07

Don't stop.

0:21:070:21:09

Because I've got no way back down.

0:21:090:21:10

The box will be full of earth.

0:21:120:21:14

I see what you mean.

0:21:150:21:16

It is a one-shot thing.

0:21:170:21:19

It's not going to come to that, though, Nikki.

0:21:210:21:23

Jack...

0:21:230:21:25

I don't want to be buried.

0:21:250:21:27

You're not. We're getting you out!

0:21:270:21:29

No, that's not what I mean.

0:21:290:21:30

When I die...

0:21:330:21:34

..whenever it is,

0:21:350:21:37

make sure I'm cremated, OK?

0:21:370:21:39

In my will, it says that I want to be buried

0:21:400:21:42

beside my mother.

0:21:420:21:44

Well, I don't.

0:21:440:21:45

I don't want to be under the ground.

0:21:450:21:47

Please.

0:21:470:21:48

I promise you,

0:21:490:21:51

when the time comes,

0:21:510:21:54

and you and I, Clarissa and Thomas are sitting in adjoining

0:21:540:21:57

armchairs in the Sunnyview Nursing Home TV room

0:21:570:22:01

and I look down and your custard cream lies, unnibbled,

0:22:010:22:04

in your cold dead hand...

0:22:040:22:06

SHE LAUGHS

0:22:060:22:08

..I will burn you. I promise.

0:22:080:22:09

Listen, Jack, I've been thinking.

0:22:120:22:15

Javier Rodriguez, the farm worker I did the postmortem on...

0:22:150:22:19

It's possible that he was kept here.

0:22:210:22:23

I mean, like this.

0:22:230:22:25

And the chemical that was in his body...

0:22:250:22:27

Did we get a fix on it?

0:22:270:22:28

No, but Clarissa should have the sample back by now.

0:22:280:22:33

Maybe I'm not the only one here.

0:22:330:22:34

Oh, my God.

0:22:350:22:36

Luisa...

0:22:380:22:39

Nikki, stop.

0:22:390:22:40

I need you to think back through every case you've ever done...

0:22:400:22:45

Every case?

0:22:450:22:47

I'm sorry, you've got something better to do?

0:22:470:22:49

You've come across this toxin before - you know you have.

0:22:490:22:53

I'm calling Clarissa now.

0:22:530:22:54

I'll call you back when I've spoken to her. OK?

0:22:540:22:56

I'm sorry for being such a coward, Jack.

0:22:560:22:59

Ah, yeah. You've got a yellow streak a mile wide.

0:22:590:23:02

Everyone says it.

0:23:020:23:03

I'm afraid...

0:23:050:23:06

..of what was going to happen to me.

0:23:080:23:10

I killed a scorpion, Jack.

0:23:140:23:16

Well, give a donation to the RSPCA when you get home.

0:23:160:23:19

I'm hanging up now.

0:23:210:23:23

They've made contact.

0:23:360:23:38

Nikki's kidnappers.

0:23:380:23:40

What did they say?

0:23:400:23:41

I think they're watching me.

0:23:460:23:47

They seem to know everything I do.

0:23:480:23:50

I think there's someone within the compound...

0:23:510:23:54

So, you think we were set up?

0:23:540:23:55

What, Luisa?

0:23:560:23:58

-Ernesto, too?

-Maybe.

0:23:580:23:59

There are two calls from Luisa's phone that are still unexplained.

0:24:010:24:04

One to Gustavo...

0:24:040:24:05

He did explain. He never got it, he was on a flight.

0:24:050:24:08

The flight had landed by then.

0:24:080:24:09

I checked. It landed 15 minutes before.

0:24:090:24:12

Gustavo and Luisa, they were...

0:24:130:24:15

You were the only one who knew about them,

0:24:150:24:16

the only one who'd seen them together.

0:24:160:24:19

They were together. They were happy. They...

0:24:190:24:22

What? Eva, please...

0:24:240:24:26

They had a fight, an argument.

0:24:280:24:31

It was just before he left for Hermosillo.

0:24:310:24:34

I don't know what it was about.

0:24:340:24:36

This is stupid.

0:24:370:24:38

You said two calls?

0:24:400:24:41

Someone called Luisa from a public call box in San Lorenzo.

0:24:410:24:44

The call we think sent her to the farm.

0:24:440:24:46

Now, if they were all taken by the same kidnappers...

0:24:460:24:49

You're right, this is stupid.

0:24:510:24:53

What do they want?

0:24:550:24:56

Jack, I've lost one son, maybe two.

0:24:560:25:01

If there was anything I could have done, could do,

0:25:010:25:04

to get them back, to have them here, at home,

0:25:040:25:09

I'd do it.

0:25:090:25:10

Anything.

0:25:110:25:13

Give them what they want, Jack.

0:25:130:25:16

No-one will blame you.

0:25:160:25:18

This is not your fight.

0:25:180:25:20

WEAKLY: There was a child...

0:25:220:25:24

..a girl.

0:25:250:25:26

Who did the postmortem?

0:25:290:25:30

It wasn't me.

0:25:320:25:33

Was it Harry?

0:25:340:25:35

Oh, no, it was Leo.

0:25:370:25:38

We can ask Leo...

0:25:400:25:41

What am I talking about?

0:25:440:25:46

Leo's dead.

0:25:470:25:48

Oh, God.

0:25:490:25:50

SHE HYPERVENTILATES

0:25:520:25:54

She's not like the others.

0:26:570:26:59

She doesn't belong here.

0:27:000:27:02

I'm sorry.

0:27:040:27:05

Wait, Jack.

0:27:060:27:08

Nikki's coming home.

0:27:080:27:09

She has to.

0:27:100:27:11

She's coming home.

0:27:120:27:13

PHONE RINGS

0:27:190:27:21

Oh, shit. Luisa's phone?

0:27:330:27:34

Eight missed calls.

0:27:380:27:39

I know that number.

0:27:400:27:41

Call box.

0:27:420:27:43

PHONE ALERT

0:27:470:27:49

This is Nikki Alexander.

0:27:550:27:56

I'm a doctor,

0:27:570:28:00

a pathologist from England,

0:28:000:28:02

working for the British Home Office.

0:28:020:28:06

I've been doing some work with the Reunited Project.

0:28:060:28:08

It's possible I'm not going to live through this...

0:28:090:28:11

..but there are some things I want to say.

0:28:130:28:15

Jack...

0:28:190:28:22

I know you've been doing everything you can.

0:28:220:28:24

I know you're frantic,

0:28:250:28:26

I know you'll feel like you failed...

0:28:260:28:28

..but your voice has kept me sane in here, you know.

0:28:300:28:32

Clarissa...

0:28:340:28:35

..I never thanked you enough.

0:28:380:28:39

I never told you how loved you are.

0:28:410:28:43

Thomas,

0:28:460:28:48

I'm sorry I've caused so much fuss.

0:28:480:28:50

I know I drive you crazy,

0:28:520:28:54

but I respect you so much.

0:28:540:28:56

I know you all wonder sometimes why I've never settled down.

0:29:000:29:03

Why I've never focused on my own life,

0:29:050:29:08

a family maybe...

0:29:080:29:09

But this has been my family.

0:29:110:29:12

Your lives,

0:29:140:29:16

their lives...

0:29:160:29:17

..it's the only decent family I've ever known.

0:29:190:29:21

Jack, Clarissa, Thomas,

0:29:240:29:26

you are my family.

0:29:260:29:28

I love you.

0:29:300:29:32

PHONE RINGS

0:29:500:29:51

VOICEMAIL ANSWERS IN SPANISH

0:29:510:29:52

HE SPEAKS SPANISH

0:29:540:29:56

Hey, she's dead.

0:29:580:29:59

Luisa muerta.

0:30:010:30:02

You understand me?

0:30:020:30:03

You sent her to that farm.

0:30:030:30:06

I need to know what you told her.

0:30:060:30:08

'Where have you been?'

0:30:190:30:20

San Lorenzo. I wanted to check something.

0:30:200:30:22

I've been thinking about you and

0:30:220:30:24

that girl you were seeing a while back. Amy, right?

0:30:240:30:27

Anna? All right...

0:30:270:30:28

What's your problem?

0:30:280:30:30

She was nice..

0:30:300:30:31

What makes you so sure you can do any better?

0:30:310:30:33

What? What are you talking about?

0:30:330:30:35

Men...is what I'm talking about.

0:30:360:30:38

You think you're romantics, but you're not.

0:30:390:30:43

You're obsessives.

0:30:430:30:44

You fix on something and nothing else exists.

0:30:450:30:48

It's brutal.

0:30:500:30:51

A man put you in there.

0:30:530:30:54

What does he think he'll achieve?

0:30:560:30:58

I'm not alone.

0:30:580:31:00

There's 30,000 of us under this earth.

0:31:000:31:03

That's a whole city

0:31:030:31:04

A city lost.

0:31:040:31:06

We're breathing dirt.

0:31:080:31:09

You've got time, Nikki.

0:31:110:31:12

Six hours.

0:31:150:31:17

And then what?

0:31:170:31:19

It starts in the liver and then the brain.

0:31:190:31:22

The cells start to break down.

0:31:220:31:24

-Autolysis.

-Nikki...

0:31:240:31:26

The first to arrive will be the Phoridae, coffin flies.

0:31:260:31:30

They can burrow through two feet of earth.

0:31:300:31:32

And the Nicrophorus, the carrion beetles.

0:31:320:31:35

And then the ones that feed on the others will join the feast,

0:31:350:31:39

the spiders and millipedes and mites,

0:31:390:31:41

the insect fauna specific to the region...

0:31:410:31:44

Nikki!

0:31:440:31:45

Oxygen escapes through the slats.

0:31:450:31:47

I haven't got six hours, have I?

0:31:480:31:50

Jack, how much time have I got?

0:31:500:31:52

You've got time.

0:31:560:31:57

You called me.

0:32:000:32:01

You said San Lorenzo... PHONE CHIMES

0:32:010:32:03

What's that?

0:32:030:32:04

It's them, isn't it?

0:32:050:32:06

Nikki, I'm going to call you back, OK?

0:32:080:32:09

-I'm here.

-You're late.

0:32:150:32:17

He was meant to get his insulin shot an hour ago.

0:32:170:32:19

Why haven't you done what we told you?

0:32:190:32:21

You must know time is running out for her.

0:32:210:32:22

It takes planning.

0:32:220:32:23

I can't just break in there and bust the guy out...

0:32:230:32:25

Get him out.

0:32:250:32:28

-We'll tell you what to do then.

-LAPTOP ALERT

0:32:280:32:30

Shit! Shit!

0:32:370:32:39

What are you going to do with that?

0:33:290:33:31

I want to be able to protect myself. Look what happened to Nikki.

0:33:310:33:34

I don't know.

0:33:350:33:37

I don't know what I'm going to do.

0:33:370:33:39

What do you want from me?

0:33:440:33:45

What do they want from you?

0:33:450:33:46

The cartel?

0:33:460:33:48

They haven't said anything.

0:33:480:33:49

You know, don't you?

0:33:520:33:54

It's you.

0:33:560:33:58

Me? What's me?

0:33:580:33:59

I've been to San Lorenzo.

0:33:590:34:01

You didn't check out that call box, did you? I did.

0:34:010:34:03

I know why Luisa went to the farm that day.

0:34:030:34:06

She was told the farmers had been threatened and robbed.

0:34:060:34:08

-By the Navajas...

-Ah, come on!

0:34:080:34:10

The men who demanded the money wore yellow shirts.

0:34:100:34:13

Yes.

0:34:150:34:17

That's what you and Luisa fought about, wasn't it?

0:34:170:34:20

She knew what you were doing, she knew about the corruption.

0:34:200:34:23

Who said that?

0:34:290:34:30

That's why she went to the farm?

0:34:310:34:32

Are you sure?

0:34:320:34:34

Go on. Deny it.

0:34:340:34:35

OK, we did fight.

0:34:350:34:37

The night before I left.

0:34:380:34:39

She kept saying that I couldn't see what was in front of me,

0:34:390:34:42

that I was blind.

0:34:420:34:43

Some of my own men, she said.

0:34:440:34:46

Working with the cartel?

0:34:460:34:48

I told her she was crazy.

0:34:480:34:49

She went to get proof at the farm.

0:34:500:34:52

That's why the cartel took her.

0:34:520:34:54

So that she couldn't tell me what she'd found out.

0:34:550:34:57

She's gone because of me.

0:34:580:34:59

You know, the cartel want me to get him out.

0:35:010:35:05

The prisoner, El Buitre.

0:35:060:35:08

And if I don't do it...

0:35:080:35:09

Look, she's only got a few hours of air left.

0:35:120:35:16

What does it matter, one more or one less of them?

0:35:160:35:19

Nikki matters.

0:35:190:35:21

Right, she saves lives.

0:35:210:35:23

No, this is not the way.

0:35:230:35:24

I'm not asking you, man.

0:35:240:35:26

It's my choice, my decision,

0:35:260:35:28

my fault.

0:35:280:35:29

You're not going to get him out of there with that gun.

0:35:320:35:34

Look, the police are terrified of El Buitre,

0:35:370:35:39

of what he'll bring down on them,

0:35:390:35:41

but they can't just let him go.

0:35:410:35:43

But, if he were to die in there, now that would be their worst nightmare.

0:35:430:35:47

I don't understand.

0:35:470:35:48

I'm saying...there's a better way.

0:35:480:35:51

RINGING

0:36:000:36:02

Nikki, you're not going to hear from me for an hour or so.

0:36:020:36:05

You're not to worry, OK?

0:36:050:36:06

I'm going to get you out of there.

0:36:060:36:07

What are you going to do?

0:36:070:36:09

Jack?

0:36:100:36:11

I don't like it any more than you do.

0:36:250:36:27

-GUARD:

-Espera!

0:36:570:36:58

Right, it's a fit. He's hypoglycaemic.

0:37:010:37:03

He's had a bad reaction to the insulin.

0:37:030:37:05

What else has he taken today?

0:37:050:37:07

Give me that blanket. Quickly.

0:37:070:37:08

Give him sugar.

0:37:080:37:09

Don't be daft, he's having a seizure. It could choke him.

0:37:090:37:12

We need emergency care. Do you want him to die in your jail cell?

0:37:120:37:14

Call an ambulance.

0:37:140:37:16

We're losing him here, we're losing him. Shit!

0:37:160:37:18

He's gone into insulin shock. It's a coma. Get me a stretcher.

0:37:180:37:20

ALARM BLARES

0:37:260:37:28

Elevator, elevator!

0:37:470:37:48

Go, go! Let's go, let's go!

0:37:510:37:53

No, no, no, no, no. Out, out, out.

0:38:030:38:04

He's dangerous.

0:38:040:38:05

HE SPEAKS SPANISH

0:38:080:38:09

REPLIES IN SPANISH

0:38:220:38:23

What's he saying?

0:38:230:38:24

He's saying, hit him.

0:38:240:38:26

Just do it.

0:38:260:38:27

HE SPEAKS SPANISH

0:38:380:38:39

He's no use to us dead.

0:38:480:38:49

-Jack?

-Wait.

0:38:520:38:53

Come on, come on, come on come on, come on.

0:38:570:38:59

Come on. Don't you die.

0:39:030:39:05

Here he comes, here he comes.

0:39:070:39:09

PHONE CHIMES

0:39:100:39:11

OK. Take us here.

0:39:130:39:14

About a half an hour away.

0:39:160:39:18

He said they'd know when we got him out.

0:39:180:39:20

They've got people in the police, don't they?

0:39:200:39:22

The cartel are everywhere.

0:39:220:39:23

We're all running out of time.

0:39:230:39:24

Here they come.

0:39:310:39:33

Where's Nikki? I don't see her.

0:39:410:39:43

We saved your life so you can go on killing for the cartel.

0:39:500:39:54

I kill for anyone.

0:39:540:39:56

The cartel, the police.

0:39:560:39:58

Whoever pays me.

0:39:580:39:59

And no-one does it as good as me.

0:40:000:40:03

Hey, wait. Wait, where is she? Where's Nikki?!

0:40:110:40:14

Wait, where are you going? What, are they're bringing her back? Where?

0:40:140:40:17

-I don't know.

-Where is she? Are they going to bring her out?

0:40:170:40:19

Jesus. Shit.

0:40:210:40:23

No. No, no, no, no, no, no, no.

0:40:230:40:25

Jack. Jack!

0:40:250:40:26

No, no, no. Where is she? Nikki? I gave you him, where's my friend?

0:40:260:40:30

Wait!

0:40:300:40:31

Jesus Christ!

0:40:320:40:34

What just happened?

0:40:340:40:36

There was no exchange, was there?

0:40:360:40:37

He didn't even know what I was talking about!

0:40:370:40:39

Why kill him?

0:40:410:40:42

He's dead, and all their crimes die with him.

0:40:450:40:47

They've got what they want.

0:40:500:40:51

It won't be long now, Nikki.

0:40:520:40:53

What have you done?

0:40:540:40:56

We're going to get you out of there.

0:40:560:40:57

We're going home.

0:40:590:41:00

PHONE DISCONNECTS

0:41:020:41:04

Is she?

0:41:070:41:08

Is she coming home?

0:41:100:41:11

She's got an hour or two of air left, maybe.

0:41:130:41:15

Possibly less, as the carbon dioxide builds up.

0:41:150:41:18

Let's go.

0:41:180:41:20

The police will be here soon.

0:41:200:41:21

What have I done?

0:41:290:41:30

VOICES SHOUT IN SPANISH

0:41:360:41:37

It's amazing.

0:41:410:41:42

Jack, Gustavo, it's amazing.

0:41:420:41:44

They were left on the side of the road 30 minutes ago.

0:41:450:41:48

My baby.

0:41:480:41:49

Nikki?

0:41:490:41:50

It won't be long, Jack.

0:41:510:41:53

I'm sure of it. Luisa, too.

0:41:530:41:55

This is incredible.

0:41:550:41:56

MUSIC: Sheila Take A Bow by The Smiths

0:42:120:42:15

PHONE VIBRATES

0:42:210:42:22

SHE GASPS

0:42:220:42:23

PHONE VIBRATES

0:42:280:42:30

SHE GASPS

0:42:300:42:31

Oh, no, no, no, no, no.

0:42:360:42:38

Please!

0:42:390:42:40

Just get me out!

0:42:400:42:41

They get El Buitre...

0:42:560:42:58

..and Ernesto walks free.

0:42:590:43:01

Ernesto walks free.

0:43:030:43:06

'I've lost one son,

0:43:190:43:21

'maybe two.

0:43:210:43:22

'If there was anything I could do'

0:43:220:43:25

to get them back, I'd do it.

0:43:250:43:27

Anything.

0:43:270:43:28

Eva.

0:43:280:43:29

Eva! Eva!

0:43:330:43:36

'Jack, this doesn't make sense.'

0:43:360:43:38

She made a deal with them, Gustavo.

0:43:380:43:40

She gives them El Buitre, they give her her son back.

0:43:400:43:42

-EVA:

-Father Cadena, the priest of Chilapa,

0:43:440:43:46

he knows people in the cartel.

0:43:460:43:48

He's acted as an intermediary for us in the past.

0:43:480:43:51

-Nesto?

-Mama.

0:43:510:43:53

I had access to the prisoner,

0:43:530:43:55

she had to find a way to get me to do it. Don't you see?

0:43:550:43:58

You wanted something, and you found something to give them in return.

0:43:580:44:03

They get El Buitre, and Ernesto walks free.

0:44:030:44:06

Eva?

0:44:060:44:07

Eva, are you there?

0:44:070:44:09

Eva, stop, please.

0:44:090:44:10

I know what you did and I know why.

0:44:100:44:13

Please, stop. Eva?

0:44:130:44:15

'Nikki is OK.'

0:44:150:44:16

Tell me where she is, please!

0:44:160:44:18

'I'm going to make this right.

0:44:180:44:20

'It's all going to be all right.'

0:44:200:44:21

Where is she, Eva? Where did you bury her.

0:44:210:44:24

She doesn't have much time.

0:44:240:44:25

I only did what I had to do.

0:44:250:44:27

-Eva!

-You think you know what it's like...

0:44:270:44:29

Stop! Please, stop!

0:44:290:44:30

EVA SCREAMS FRANTICALLY

0:44:310:44:32

Eva! Eva!

0:44:330:44:35

Eva, what's happening?

0:44:350:44:37

Eva!

0:44:470:44:48

Eva...Eva.

0:44:500:44:52

Oh, God.

0:44:520:44:53

Eva?

0:44:530:44:54

Eva, where is she?

0:44:550:44:57

Oh, my God. Eva?

0:44:570:44:59

Eva, wake up and tell me where she is!

0:44:590:45:02

Oh, Jesus.

0:45:020:45:04

Oh, Jesus.

0:45:040:45:05

'I'd give my life for him.'

0:45:050:45:07

I'd give all our lives for him.

0:45:070:45:09

Nikki?

0:45:130:45:14

Are they coming, Jack?

0:45:140:45:16

I'm running out of air, I can feel it.

0:45:160:45:18

I don't know how much more I can take...

0:45:210:45:23

Nikki, listen.

0:45:240:45:25

When you were with Eva, when you fell asleep in the car,

0:45:250:45:30

do you remember exactly where you were?

0:45:300:45:32

Why are you asking me this?

0:45:320:45:33

Aren't they...aren't they coming?

0:45:350:45:37

Please, did you see anything by the road, any landmarks,

0:45:370:45:41

before you passed out?

0:45:410:45:43

What do you mean, "passed out"?

0:45:430:45:45

I'm scared, Jack.

0:45:450:45:47

What's happening?

0:45:470:45:49

Please tell me the truth.

0:45:490:45:50

I need the truth.

0:45:500:45:52

It wasn't the cartel that took you.

0:45:560:45:57

It was Eva.

0:45:590:46:00

To get Ernesto back.

0:46:000:46:02

No.

0:46:020:46:03

It was a man who called.

0:46:030:46:04

Yeah, I've got her phone.

0:46:040:46:06

There's an application on it that changes your voice,

0:46:060:46:08

it costs, like, a dollar.

0:46:080:46:10

Eva's dead, Nikki. They killed her.

0:46:100:46:12

But we're coming to find you.

0:46:130:46:14

Now we know it was her that took you, we will find you.

0:46:140:46:18

Nikki?

0:46:220:46:24

Nikki?

0:46:250:46:26

Nikki, are you there?

0:46:300:46:31

What's happening, Nikki?

0:46:310:46:33

I'm going to get out of here, Jack.

0:46:330:46:35

Like you told me.

0:46:360:46:37

No, Nikki! Wait, please.

0:46:390:46:41

Please, not yet. Not yet. Wait.

0:46:440:46:46

Nikki, are you there? What's happening?

0:46:560:46:59

Nikki, are you there?

0:47:140:47:15

I can't do it.

0:47:220:47:23

I'm not strong enough.

0:47:280:47:29

Don't you give up, Nikki.

0:47:320:47:33

Don't give up.

0:47:340:47:36

What you do isn't about death, is it?

0:47:370:47:41

It's about the value we place on a life.

0:47:410:47:44

That's what I've learnt from you...

0:47:440:47:45

Look at the pupae.

0:47:450:47:47

..Clarissa, Jack and Thomas.

0:47:470:47:49

You only get this in cases of extreme contamination.

0:47:490:47:53

Industrial levels.

0:47:550:47:57

I found something that seemed to correspond.

0:47:570:47:58

A chemical compound developed for industrial R&D.

0:47:580:48:02

It sometimes goes under different trade names.

0:48:020:48:04

-Nikki?

-It still has some limited industrial application,

0:48:040:48:06

but it's so carcinogenic, it's restricted to laboratory usage.

0:48:060:48:09

Tetracynadine.

0:48:090:48:11

What?

0:48:110:48:12

Tetracynadine.

0:48:120:48:14

Berricane. It's marketed under different names.

0:48:140:48:16

What is?

0:48:160:48:17

The chemical we found in Javier Rodriguez' liver.

0:48:170:48:21

It's an industrial chemical.

0:48:210:48:22

Find where they're using Tetracynadine, Jack,

0:48:220:48:26

you'll find me.

0:48:260:48:28

There's one right here, here and here.

0:48:280:48:29

These are small-scale facilities.

0:48:290:48:31

We're looking for something much bigger.

0:48:310:48:33

This is a heavy-duty chemical,

0:48:330:48:34

-it would have to be licensed, controlled...

-Like what?

0:48:340:48:36

It's used in ore extraction, mining.

0:48:360:48:39

There's a copper mine, right here.

0:48:390:48:41

It's too far. She wouldn't have had time to get Nikki there

0:48:410:48:43

-and get back...

-How can you be sure of that?

0:48:430:48:45

I can't! I can't be sure about anything.

0:48:450:48:47

What about manufacturing, plastics?

0:48:480:48:50

It was used in transmission fluid for the automobile industry,

0:48:500:48:53

-but they stopped...

-What about old cars? Trucks?

0:48:530:48:55

There's a scrapyard right here, near Novelda. It's huge.

0:48:550:48:57

It's inside the search area.

0:48:570:48:59

I know the scrapyard.

0:48:590:49:00

Nesto...

0:49:010:49:02

We went there.

0:49:020:49:03

To Novelda.

0:49:030:49:05

-What?

-It was years ago, I remember.

0:49:050:49:07

Her windshield was cracked, so we went to find a new one.

0:49:070:49:09

She knew the guy.

0:49:100:49:11

We know where you are, Nikki. We're coming to get you.

0:49:130:49:15

Where? Where is it?

0:49:150:49:16

There's a scrapyard.

0:49:160:49:18

The Tetracynadine, it's leaking out of old transmission units.

0:49:180:49:20

Are you sure, Jack?

0:49:200:49:22

The level of contamination we're talking about,

0:49:220:49:24

there's only one possible site.

0:49:240:49:26

The rumbling sound you're hearing, there's a car crusher.

0:49:260:49:29

It's the place, I'm sure of it.

0:49:290:49:31

You're going to be home in London for the weekend.

0:49:310:49:34

Forecast is for eight degrees and drizzle.

0:49:340:49:36

Sounds beautiful, Jack.

0:49:360:49:38

We're here. Tell me if you can hear this.

0:49:510:49:54

Nikki!

0:49:540:49:56

Nikki!

0:49:560:49:57

OK, stay with me.

0:50:000:50:01

You stay with me.

0:50:020:50:03

Stay with me. We're coming for you.

0:50:070:50:09

We're coming. Nikki!

0:50:090:50:11

Nikki!

0:50:120:50:13

I can't find...

0:50:530:50:54

HEAVY MACHINERY OPERATING

0:50:560:50:57

OK. OK.

0:51:070:51:09

Gustavo.

0:51:170:51:18

Gustavo!

0:51:190:51:21

Over here!

0:51:210:51:22

Get someone to move this truck.

0:51:220:51:24

Come on.

0:51:250:51:26

Push it.

0:51:260:51:28

Push!

0:51:280:51:30

Can you hear us, Nikki?

0:51:330:51:35

You're close. I know it.

0:51:350:51:37

We're coming for you.

0:51:370:51:39

Come on.

0:51:410:51:43

We're coming, Nikki. Cover your eyes!

0:51:430:51:44

Nikki!

0:51:510:51:52

Nikki!

0:51:520:51:54

Nikki?

0:51:540:51:55

Nikki?

0:51:550:51:56

Where are you?

0:52:090:52:10

Have you found them, Jack?

0:52:110:52:13

Have you found them?

0:52:140:52:15

You're not here?

0:52:150:52:17

Are they alive, Jack?

0:52:170:52:18

Yes, they're alive, but, Nikki...

0:52:180:52:20

I don't understand.

0:52:220:52:23

Oh, Nikki.....

0:52:260:52:27

Luisa...

0:52:270:52:29

is she there?

0:52:290:52:30

What have you done?

0:52:320:52:33

What have you done?!

0:52:380:52:39

The Tetracynadine that was in Javier's body...

0:52:390:52:42

..kills insects,

0:52:440:52:46

any invertebrate life...

0:52:460:52:48

There was a scorpion,

0:52:490:52:51

so it's not where I am...

0:52:510:52:52

..but I'm glad...

0:52:540:52:55

No, no, no.

0:52:550:52:57

No, Nikki, no. You could have...

0:52:590:53:00

How many are there, Jack?

0:53:000:53:02

Oh, my God.

0:53:030:53:05

20, 30.

0:53:050:53:07

And they're alive?

0:53:070:53:08

Yes, they're alive.

0:53:080:53:10

Luisa?

0:53:100:53:11

Yes, she's alive. She's with Gustavo now.

0:53:110:53:14

No, wait.

0:53:300:53:32

Wait, wait, wait.

0:53:320:53:33

Wait, the air.

0:53:330:53:34

-The air shouldn't have...

-It's OK.

0:53:340:53:36

It's OK, Jack.

0:53:380:53:40

Really.

0:53:400:53:41

It's all going to be OK.

0:53:430:53:44

Nikki, I didn't tell you...

0:53:450:53:47

PHONE BEEPS

0:53:470:53:48

It's a nice place.

0:54:060:54:07

'No tornadoes.'

0:54:090:54:11

No tornadoes.

0:54:110:54:12

'No volcanoes.'

0:54:120:54:13

No volcanoes.

0:54:130:54:14

I'm coming, Mum...

0:54:200:54:21

Wait, wait, wait.

0:55:040:55:06

Wait, the air.

0:55:060:55:07

Nikki, I didn't tell you this, but you should...

0:55:170:55:19

WEAKLY: I shouldn't be alive.

0:55:190:55:21

There must be air.

0:55:300:55:31

Well, I have to be at the dig in the morning.

0:55:430:55:45

We're excavating Cahitas.

0:55:450:55:47

Burial mounds on the coast.

0:55:480:55:50

3,000 years old.

0:55:500:55:51

I'm not underground.

0:55:540:55:56

SHE GROANS WITH EFFORT

0:55:580:56:00

THUMPING

0:56:000:56:02

MORE GROANING

0:56:060:56:07

SHE CONTINUES TO GROAN WITH EFFORT

0:56:150:56:18

WOOD CREAKS AND SNAPS

0:56:220:56:24

# Is it wrong to want to live on your own?

0:58:310:58:34

# No, it's not wrong but I must know

0:58:340:58:38

# How can someone so young sing words so sad?

0:58:380:58:46

# Sheila take a, Sheila take a bow

0:58:470:58:50

# Boot the grime of this world in the crotch, dear

0:58:500:58:54

# And don't go home tonight... #

0:58:540:58:58

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