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This programme contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:10 | |
'Uh, one officer rendered, uh, six kicks | 0:00:13 | 0:00:16 | |
'and one officer, one kick.' | 0:00:16 | 0:00:17 | |
'It's probably the worst case of police misconduct that I've | 0:00:17 | 0:00:21 | |
'ever seen in my 27 years of law enforcement.' | 0:00:21 | 0:00:23 | |
'The four police officers, who were videotaped repeatedly beating | 0:00:23 | 0:00:27 | |
'an unarmed man were found not guilty.' | 0:00:27 | 0:00:29 | |
'I think it is devastating to the image of this city | 0:00:29 | 0:00:32 | |
'and especially to our police department. | 0:00:32 | 0:00:34 | |
'It's going to take years to recover from that.' | 0:00:34 | 0:00:37 | |
'What happened today with Rodney King was unjust!' | 0:00:37 | 0:00:39 | |
SIRENS | 0:00:39 | 0:00:40 | |
'It set off this country's worst riots this century.' | 0:00:40 | 0:00:43 | |
'I just... I just want to say, can we, can we all get along?' | 0:00:43 | 0:00:48 | |
CLAMOURING | 0:00:48 | 0:00:49 | |
SIRENS | 0:00:54 | 0:00:55 | |
EXPLOSION | 0:01:04 | 0:01:05 | |
Hey, sorry I'm late. I overslept. | 0:01:48 | 0:01:52 | |
I had to take a shower. | 0:01:52 | 0:01:54 | |
Hope we can still make the flight. | 0:01:56 | 0:01:58 | |
Mr Simpson, I have to apologise if I was staring before. | 0:02:01 | 0:02:05 | |
I've, um, I've never picked up a celebrity. | 0:02:05 | 0:02:09 | |
OJ LAUGHS | 0:02:09 | 0:02:10 | |
Oh, that's cool. I remember the first celebrity I ever met. | 0:02:10 | 0:02:14 | |
Willie Mays. | 0:02:14 | 0:02:15 | |
OJ CHUCKLES Boy, did that blow my mind. | 0:02:15 | 0:02:17 | |
He was so great. | 0:02:17 | 0:02:18 | |
I was just a kid, but it made me go, | 0:02:21 | 0:02:23 | |
"That's what I want to be when I grow up." | 0:02:23 | 0:02:27 | |
HE LAUGHS QUIETLY | 0:02:27 | 0:02:28 | |
DOG BARKS | 0:02:37 | 0:02:38 | |
DOG CONTINUES BARKING | 0:02:44 | 0:02:45 | |
Hey, what's wrong? | 0:02:50 | 0:02:53 | |
What happened to you? | 0:02:53 | 0:02:54 | |
Did you step in some glass? | 0:02:54 | 0:02:56 | |
Let me see. | 0:02:56 | 0:02:58 | |
Aw. | 0:03:00 | 0:03:01 | |
HE GASPS | 0:03:27 | 0:03:29 | |
GARBLED MESSAGE ON POLICE RADIO | 0:03:44 | 0:03:46 | |
HE EXHALES | 0:04:08 | 0:04:09 | |
HE EXHALES | 0:04:15 | 0:04:16 | |
SIRENS | 0:04:39 | 0:04:40 | |
Hey. Officer Riske. What do you got? | 0:04:45 | 0:04:48 | |
The female... | 0:04:48 | 0:04:50 | |
is Nicole Brown Simpson. She's the property owner. | 0:04:50 | 0:04:54 | |
The male is unidentified. | 0:04:54 | 0:04:56 | |
Lot of blood. | 0:04:56 | 0:04:58 | |
It has a clean heel print. | 0:04:58 | 0:05:00 | |
There's also a glove, hat and an envelope. | 0:05:00 | 0:05:02 | |
Down that path is a set of bloody shoe prints. | 0:05:02 | 0:05:05 | |
They exit through the rear. | 0:05:05 | 0:05:07 | |
He's bleeding from the left hand. | 0:05:07 | 0:05:09 | |
Nothing's disturbed. It's probably not a robbery. | 0:05:21 | 0:05:24 | |
-Mark? -Yeah? | 0:05:27 | 0:05:28 | |
We've got to withdraw from the case. They kicked it upstairs. | 0:05:28 | 0:05:32 | |
-To who? -Detective Vannatter. Where are the kids? | 0:05:32 | 0:05:35 | |
They're being held at West LA. | 0:05:35 | 0:05:36 | |
Have we ID'd the male? | 0:05:36 | 0:05:38 | |
What about OJ Simpson? Anybody notify him yet? | 0:05:38 | 0:05:40 | |
We don't want a Belushi situation. | 0:05:40 | 0:05:42 | |
Can't have him learning about this from his TV. | 0:05:42 | 0:05:44 | |
There's no media here. | 0:05:44 | 0:05:45 | |
This is a double homicide in Brentwood. They'll show. | 0:05:45 | 0:05:48 | |
So, anybody have Simpson's address? | 0:05:48 | 0:05:50 | |
I know where OJ lives. I'm Detective Mark Fuhrman, West LA Homicide. | 0:05:50 | 0:05:54 | |
I was there years ago. Family dispute. | 0:05:54 | 0:05:57 | |
It's a few minutes away. | 0:05:57 | 0:05:58 | |
I don't think I've ever been up here before. | 0:06:03 | 0:06:05 | |
BUZZER | 0:06:13 | 0:06:14 | |
Car's in the driveway and the lights are on. Someone's home. | 0:06:17 | 0:06:20 | |
I'm going to look around. | 0:06:20 | 0:06:21 | |
Let me try again. | 0:06:23 | 0:06:24 | |
BUZZER | 0:06:24 | 0:06:26 | |
Hey, you should see this. | 0:06:44 | 0:06:46 | |
We're going to need a criminalist, to confirm that that's blood. | 0:06:49 | 0:06:52 | |
Why don't they answer the door? | 0:06:52 | 0:06:54 | |
KNOCK ON DOOR | 0:07:44 | 0:07:45 | |
Hey, uh... Hello. | 0:07:49 | 0:07:52 | |
Sir, we're with the LAPD. Is OJ Simpson home? | 0:07:52 | 0:07:54 | |
I... I don't know... I don't... What? Is he not in the house? | 0:07:54 | 0:07:59 | |
Is...? Um, what time is it? | 0:07:59 | 0:08:02 | |
Was there an earthquake last night? | 0:08:02 | 0:08:04 | |
Cos I heard these crazy, um, thumps. These loud thumps by... | 0:08:04 | 0:08:08 | |
Sir? Are you on a substance? | 0:08:08 | 0:08:09 | |
HE LAUGHS | 0:08:12 | 0:08:13 | |
What? No, um, look, I'm not, like, an official person. | 0:08:13 | 0:08:19 | |
I just kind of... I live back here. | 0:08:19 | 0:08:22 | |
Sir, we need to speak to Mr Simpson. Where is he? | 0:08:22 | 0:08:25 | |
Oh, wait. He, um, he's in Chicago. | 0:08:26 | 0:08:30 | |
You sh... Um, you should go talk to his daughter, Arnelle. | 0:08:30 | 0:08:35 | |
CLEARS THROAT | 0:08:35 | 0:08:37 | |
PHONE RINGS OUT | 0:08:37 | 0:08:38 | |
'Chicago O'Hare Plaza.' | 0:08:38 | 0:08:39 | |
OJ Simpson, please. | 0:08:39 | 0:08:40 | |
-'One moment.' -BEEPING | 0:08:40 | 0:08:42 | |
-'Uh, hello?' -Is this OJ Simpson? | 0:08:42 | 0:08:45 | |
'Yeah, who's this?' | 0:08:45 | 0:08:47 | |
This is Detective Tom Lange, from the Los Angeles Police Department. | 0:08:47 | 0:08:50 | |
I have some bad news. | 0:08:50 | 0:08:52 | |
Your ex-wife Nicole Simpson has been killed. | 0:08:52 | 0:08:55 | |
'Oh, my God! | 0:08:55 | 0:08:58 | |
'Nicole has been killed?' | 0:08:58 | 0:09:00 | |
Back there, there was this loud bang on my air conditioner. | 0:09:00 | 0:09:03 | |
Seriously, I thought my walls were going to fall down. | 0:09:03 | 0:09:06 | |
'Oh, my God, is sh... Is she dead?' | 0:09:08 | 0:09:11 | |
Yes. | 0:09:11 | 0:09:12 | |
'I'm so sorry, Mr Simpson.' | 0:09:12 | 0:09:13 | |
I'll be on the first flight out of Chicago tomorrow. | 0:09:15 | 0:09:18 | |
I'll be back in LA tomorrow. | 0:09:18 | 0:09:20 | |
REPLACES HANDSET | 0:09:21 | 0:09:22 | |
QUIET, RAGGED BREATHING | 0:09:28 | 0:09:30 | |
What is it? | 0:09:53 | 0:09:54 | |
He didn't ask how she died. | 0:09:55 | 0:09:57 | |
Got to show you something. | 0:10:01 | 0:10:02 | |
It's right here, under the air conditioner. | 0:10:05 | 0:10:08 | |
This is a crime scene. | 0:10:13 | 0:10:14 | |
TV BLARES | 0:10:30 | 0:10:32 | |
Hey, Travis. Please, stop playing with your food. | 0:10:32 | 0:10:34 | |
-He put this... -I'm serious. Please eat. You have 90 seconds. | 0:10:34 | 0:10:37 | |
-I don't want cereal. -Well, that's too bad. That's all we have. | 0:10:37 | 0:10:40 | |
-I don't like it. -Well, tough, eat it. | 0:10:40 | 0:10:42 | |
He got puzzles. | 0:10:42 | 0:10:43 | |
Oh, no, no, seriously? Why are your puzzle pieces in your c...? | 0:10:43 | 0:10:46 | |
OK, you know what? That's it. You guys are going to starve. | 0:10:46 | 0:10:48 | |
-I hope you make it till lunch. -I'll be hungry then! | 0:10:48 | 0:10:51 | |
Yeah, you should've thought about that. | 0:10:51 | 0:10:53 | |
-PHONE RINGS -Yeah. | 0:10:53 | 0:10:54 | |
Mama! | 0:10:54 | 0:10:55 | |
'Marcia, Phil Vannatter. Got a sec?' | 0:10:55 | 0:10:57 | |
I need your opinion on a double homicide. | 0:10:57 | 0:11:00 | |
-Mom! -Boys, please go get your stuff. | 0:11:00 | 0:11:04 | |
What have you got? | 0:11:04 | 0:11:05 | |
We've got two victims in Brentwood on Bundy Drive. It's pretty brutal. | 0:11:05 | 0:11:09 | |
Brentwood? Nobody gets killed in Brentwood. | 0:11:09 | 0:11:12 | |
Well, one of the victims is the ex-wife of OJ Simpson. | 0:11:12 | 0:11:15 | |
-Who? -'Marcia, OJ Simpson. You know, the football player.' | 0:11:15 | 0:11:18 | |
Yeah, I have no idea who you're talking about. | 0:11:18 | 0:11:20 | |
Marcia, OJ - The Juice? He's a movie star. | 0:11:20 | 0:11:22 | |
He's in The Naked Gun movie. | 0:11:22 | 0:11:24 | |
'He's the guy in the, uh, the, uh, Hertz commercials.' | 0:11:24 | 0:11:27 | |
Oh, yeah, that guy. | 0:11:27 | 0:11:28 | |
Huh, well, will you just tell me what happened, please? Come here. | 0:11:28 | 0:11:31 | |
Let me tie your shoe. | 0:11:31 | 0:11:33 | |
'Well, there's a lot of blood at the murders.' | 0:11:33 | 0:11:35 | |
Here at OJ's house, there appears to be blood on one of his vehicles | 0:11:35 | 0:11:39 | |
and we can see drops of blood leading into the house. | 0:11:39 | 0:11:41 | |
'There are also two bloody gloves - | 0:11:41 | 0:11:43 | |
'one at each location - that appear to match.' | 0:11:43 | 0:11:46 | |
Wow. | 0:11:46 | 0:11:47 | |
What were you doing at Simpson's? | 0:11:49 | 0:11:51 | |
We were here notifying a family member. | 0:11:51 | 0:11:54 | |
We just didn't realise he turned out to be a suspect. | 0:11:54 | 0:11:57 | |
Well, it sounds like you have enough to arrest him. This is major. | 0:11:57 | 0:12:00 | |
No, no, no. One step at a time. | 0:12:00 | 0:12:01 | |
Right now, I just want a search warrant. | 0:12:01 | 0:12:03 | |
Just wanted a prosecutor's opinion. | 0:12:03 | 0:12:05 | |
Well, this prosecutor says, go get him. | 0:12:06 | 0:12:08 | |
Boys, in the car - now! | 0:12:10 | 0:12:12 | |
SIRENS | 0:12:13 | 0:12:15 | |
INDISTINCT CHATTER | 0:12:15 | 0:12:17 | |
PHONE RINGS | 0:12:36 | 0:12:37 | |
-ANSWERING MACHINE: -'It's Nicole. You know what to do.' | 0:12:44 | 0:12:46 | |
BEEP | 0:12:46 | 0:12:48 | |
-(CRYING) -'Mommy, where are you? Why are we at the police station? | 0:12:48 | 0:12:51 | |
'Mommy, please call back. What happened? | 0:12:51 | 0:12:55 | |
Mommy! Please answer! | 0:12:55 | 0:12:57 | |
'Please answer the phone! | 0:12:57 | 0:12:59 | |
'OK, bye.' | 0:12:59 | 0:13:01 | |
INDISTINCT CHATTER | 0:13:03 | 0:13:04 | |
What's going on over there? | 0:13:14 | 0:13:15 | |
I'm just going to need you guys to stay right here, OK? | 0:13:15 | 0:13:19 | |
OVERLAPPING, INDISTINCT CHATTER | 0:13:20 | 0:13:22 | |
-Thank you. -Good morning, Marcia. | 0:13:24 | 0:13:27 | |
-Good morning. Have we heard from the LAPD? -Uh-huh. | 0:13:27 | 0:13:29 | |
-What time does Simpson return? -He lands at LAX around noon. -Uh-huh. | 0:13:29 | 0:13:32 | |
Oh, Westwood Flower Garden called. | 0:13:32 | 0:13:34 | |
They want to know if the baby tulips can be peach, not pink. | 0:13:34 | 0:13:36 | |
Your lips are moving, but I don't know what they're saying. | 0:13:36 | 0:13:39 | |
-Lynn's baby shower. -Oh, Jesus! | 0:13:39 | 0:13:41 | |
Today at lunch. | 0:13:41 | 0:13:42 | |
What time am I supposed to be going? | 0:13:42 | 0:13:44 | |
Marcia, you're not going, you're throwing it. | 0:13:44 | 0:13:46 | |
Well, not anymore. I'll tell her. | 0:13:46 | 0:13:49 | |
She'll understand. | 0:13:49 | 0:13:51 | |
-And Gordon's lawyer called. He... -I don't have time for this today. | 0:13:51 | 0:13:54 | |
-Got it. -Sorry. -Mm-hmm. | 0:13:54 | 0:13:56 | |
-Tell Gil I'll be right over. -Uh-huh. | 0:13:56 | 0:13:58 | |
-What time did he fly to Chicago? -11.45 pm. | 0:13:58 | 0:14:01 | |
-What time do you ballpark the murders? -Between 10 and 11. | 0:14:01 | 0:14:04 | |
The male, Ronald Goldman, worked in an Italian restaurant nearby. | 0:14:04 | 0:14:07 | |
He was 25. Actor/waiter. | 0:14:07 | 0:14:10 | |
He left at just before ten. | 0:14:10 | 0:14:13 | |
Wow. You think OJ had time to do it? | 0:14:13 | 0:14:16 | |
-Well, he is fast. -Let's stay on point. What about motive? | 0:14:16 | 0:14:20 | |
Don't know. Ex-wife with a younger man? | 0:14:20 | 0:14:22 | |
"A warm bath and candles." Was he her boyfriend? | 0:14:22 | 0:14:25 | |
It's unclear. He was returning glasses that were left | 0:14:25 | 0:14:27 | |
in the restaurant by her mother. | 0:14:27 | 0:14:29 | |
-"By her mother." That sounds ridiculous. -I agree. | 0:14:29 | 0:14:31 | |
Never heard a restaurant offering that. | 0:14:31 | 0:14:33 | |
KNOCK ON DOOR | 0:14:33 | 0:14:34 | |
In any case, we can assume that the killer walked in | 0:14:34 | 0:14:37 | |
on the two of them... Thank you. | 0:14:37 | 0:14:38 | |
..or that Goldman walked in on the killing. | 0:14:38 | 0:14:41 | |
Crime scene photos. | 0:14:50 | 0:14:51 | |
Oh, Jesus. | 0:15:00 | 0:15:01 | |
These are really vicious. | 0:15:02 | 0:15:04 | |
She's practically decapitated. | 0:15:06 | 0:15:08 | |
I just can't picture OJ Simpson doing it. | 0:15:12 | 0:15:14 | |
I met him once at a golfing event. | 0:15:14 | 0:15:16 | |
He's the nicest guy. | 0:15:16 | 0:15:17 | |
Yeah, I met him. He's charming. | 0:15:17 | 0:15:20 | |
He's not so terrific. Simpson has a prior. | 0:15:20 | 0:15:23 | |
Five years ago, he pled no contest after he beat up Nicole. | 0:15:23 | 0:15:26 | |
He never even did his community service. | 0:15:26 | 0:15:28 | |
He just got out, celebrity-style. | 0:15:28 | 0:15:30 | |
He raised money for Camp Ronald McDonald. | 0:15:30 | 0:15:33 | |
INDISTINCT CHATTER | 0:15:39 | 0:15:41 | |
I'm Tanya Young, reporting here from Brentwood, California. | 0:15:41 | 0:15:44 | |
Excuse me. Excuse me, excuse me, excuse me. | 0:15:44 | 0:15:48 | |
Excuse me. Excuse me. | 0:15:48 | 0:15:51 | |
-Sorry. -Excuse me, can I get through, please? | 0:15:53 | 0:15:55 | |
No, sir. | 0:15:55 | 0:15:56 | |
Well, uh, OJ's expecting me. I'm his friend, Robert Kardashian. | 0:15:56 | 0:15:59 | |
-I'm sure I'm on the list. -There's no list. | 0:15:59 | 0:16:01 | |
Howard! | 0:16:04 | 0:16:05 | |
Howard! Howard! | 0:16:05 | 0:16:08 | |
I know him. | 0:16:08 | 0:16:09 | |
It's OK, officer. He's with me. | 0:16:09 | 0:16:11 | |
-Can you believe it? -It's like a circus here. | 0:16:12 | 0:16:14 | |
I came as soon as I heard. Kris called me. | 0:16:14 | 0:16:16 | |
-She and Nicole were going to have lunch today. -I know, it's horrible. | 0:16:16 | 0:16:19 | |
-How is he? -He's doing OK. He's trying. | 0:16:19 | 0:16:22 | |
-Where is he? -He's on his way. | 0:16:22 | 0:16:23 | |
-I'm going to need you to step back. -Is that him? | 0:16:23 | 0:16:26 | |
CLAMOURING | 0:16:26 | 0:16:27 | |
OJ? OJ! | 0:16:27 | 0:16:29 | |
-Sir, sir... Back... -BANGING ON VEHICLE | 0:16:29 | 0:16:33 | |
OJ. OJ! It's me. | 0:16:33 | 0:16:36 | |
Shit. | 0:16:36 | 0:16:37 | |
Back up! | 0:16:37 | 0:16:38 | |
-I am his lawyer. -Stay back, sir. | 0:16:42 | 0:16:45 | |
HE EXHALES | 0:16:46 | 0:16:48 | |
What's happening? Why are you here? | 0:16:59 | 0:17:01 | |
Mr Simpson, we're here because of the death of your ex-wife. | 0:17:01 | 0:17:04 | |
We found a trail of blood. | 0:17:04 | 0:17:06 | |
A trail? | 0:17:07 | 0:17:10 | |
Aw, man. | 0:17:10 | 0:17:12 | |
God. | 0:17:12 | 0:17:13 | |
-Aw, man. -Mr Simpson, let's get away from the cameras. | 0:17:15 | 0:17:17 | |
Let's go around the corner. | 0:17:17 | 0:17:19 | |
I need you to back away. Sir, you need to step back. | 0:17:25 | 0:17:28 | |
All right, you fellas want to tell me what happens next? | 0:17:44 | 0:17:50 | |
Oh. | 0:17:50 | 0:17:51 | |
What are you doing? | 0:17:51 | 0:17:53 | |
Howard? | 0:17:54 | 0:17:55 | |
Whoa, whoa! Slow down here! | 0:17:55 | 0:17:57 | |
Is that necessary? | 0:17:57 | 0:17:58 | |
No, it's not. I only wanted him detained. | 0:17:58 | 0:18:01 | |
Everybody, just calm down. Shit. | 0:18:02 | 0:18:06 | |
-I'm going through a lot here. -Mr Simpson, I'm very sorry. | 0:18:06 | 0:18:09 | |
Well... | 0:18:09 | 0:18:10 | |
But we do have some questions about the death of your ex-wife, Nicole. | 0:18:10 | 0:18:13 | |
Would you be willing to come down to headquarters? Have a talk? | 0:18:13 | 0:18:17 | |
OJ, OJ. You don't have to talk to them. | 0:18:17 | 0:18:21 | |
You're wrong, Howard. | 0:18:23 | 0:18:25 | |
If I don't talk, it looks like I have something to hide. | 0:18:25 | 0:18:28 | |
Yes, officer, I'm happy to cooperate. | 0:18:28 | 0:18:32 | |
Great. | 0:18:34 | 0:18:35 | |
So, what happens now? | 0:18:44 | 0:18:45 | |
OJ's a suspect. | 0:18:49 | 0:18:50 | |
Honey? | 0:18:56 | 0:18:57 | |
Honey, where's my Hugo Boss? | 0:18:59 | 0:19:02 | |
I swear that girl hides my clothes. I-I-I got nothing to wear! | 0:19:02 | 0:19:05 | |
-Johnnie. -I got a thousand million things to do today. | 0:19:05 | 0:19:08 | |
I got to stop by the DA's. Meet with the Taylor family. | 0:19:08 | 0:19:11 | |
Do a TV appearance. So I can't dress too festive. | 0:19:11 | 0:19:14 | |
-I need to be strong, uplifting. -OK, what about lime green? | 0:19:14 | 0:19:19 | |
Lime green, that would be exceptional. Except... | 0:19:19 | 0:19:21 | |
then I got to run out to Neverland. | 0:19:21 | 0:19:23 | |
MJ's got some new pile of commotion, so I can't wear lime... | 0:19:23 | 0:19:26 | |
Michael's afraid of that colour. | 0:19:26 | 0:19:27 | |
I never met someone with so many phobias. | 0:19:27 | 0:19:30 | |
-SHE LAUGHS -Nobody said your job would be easy. | 0:19:30 | 0:19:32 | |
-All right, what about purple? -Purple? | 0:19:32 | 0:19:34 | |
Well, that would be fine... No, I don't want to look like no grape. | 0:19:34 | 0:19:38 | |
Afternoon, Chris. | 0:19:45 | 0:19:46 | |
You finished your investigation of the Taylor shooting? | 0:19:46 | 0:19:48 | |
Uh, yeah. I didn't want to just send over the report. | 0:19:48 | 0:19:51 | |
I thought it'd be better if we talked in person. | 0:19:51 | 0:19:53 | |
-Save your breath, my brother. -Let me explain. | 0:19:53 | 0:19:55 | |
Come on, I had your job. I know the drill. | 0:19:55 | 0:19:59 | |
The Police Commission determined the officers acted in self-defence. | 0:19:59 | 0:20:02 | |
The officers were scared. There were seven of them | 0:20:02 | 0:20:04 | |
with guns up against one mentally ill woman with a knife. | 0:20:04 | 0:20:06 | |
Johnnie, I tried. You know all they had to claim was that their lives | 0:20:06 | 0:20:09 | |
-were in danger. -Danger. They shot her in the back. | 0:20:09 | 0:20:12 | |
You know, it's remarkable to me | 0:20:12 | 0:20:14 | |
how many black folks get shot in the backside while they attack, | 0:20:14 | 0:20:17 | |
like they're going back and forwards at the same time. | 0:20:17 | 0:20:20 | |
John, I wish I could prosecute. I... It's terrible. | 0:20:20 | 0:20:24 | |
Look, if you check the report, you'll see that | 0:20:24 | 0:20:26 | |
I slipped in that the officers may not have been 100% truthful. | 0:20:26 | 0:20:29 | |
Oh, please! One sentence nobody's going to read makes you feel | 0:20:29 | 0:20:31 | |
-better about yourself? -What do you expect me to do?! | 0:20:31 | 0:20:34 | |
You know what we're talking about! Choose a side! | 0:20:34 | 0:20:36 | |
Look. | 0:20:41 | 0:20:43 | |
I know your heart is in the right place. | 0:20:43 | 0:20:46 | |
But these four walls, they, they box you in. | 0:20:46 | 0:20:49 | |
It's just an endless cycle of bullshit. | 0:20:49 | 0:20:52 | |
-Can I be honest with you? -Always. | 0:20:53 | 0:20:55 | |
I hate this place. | 0:21:03 | 0:21:05 | |
I mean, I hate SID. I'm thinking of quitting. | 0:21:06 | 0:21:09 | |
Good, now you're finally talking some sense. | 0:21:09 | 0:21:12 | |
And I know you're capable of more. | 0:21:12 | 0:21:14 | |
The world needs more black men willing to make a difference. | 0:21:14 | 0:21:20 | |
That means a lot to me. | 0:21:20 | 0:21:21 | |
You know, I've always looked to you as a mentor. | 0:21:23 | 0:21:25 | |
Indeed. | 0:21:25 | 0:21:26 | |
Onward and upward. | 0:21:28 | 0:21:30 | |
-Now, if you'll excuse me. -Oh. | 0:21:31 | 0:21:34 | |
I've got to go deliver the bad news to the Taylor family. | 0:21:34 | 0:21:37 | |
Fortunately, I've got a Plan B. | 0:21:37 | 0:21:40 | |
I'm going to advise the family to sue the city for police brutality | 0:21:40 | 0:21:43 | |
and wrongful death. | 0:21:43 | 0:21:45 | |
See, the way things are sometimes, | 0:21:45 | 0:21:46 | |
money is the only way to get justice. | 0:21:46 | 0:21:50 | |
Hey, uh, take... | 0:21:51 | 0:21:53 | |
This is outrageous. | 0:22:03 | 0:22:06 | |
Eight 911 calls. | 0:22:06 | 0:22:08 | |
The police were called out there eight times. | 0:22:08 | 0:22:11 | |
Nicole had a bruised face, black eye, bleeding lip. | 0:22:11 | 0:22:15 | |
OJ broke a windshield with a baseball bat. | 0:22:15 | 0:22:19 | |
God, the system failed her. | 0:22:19 | 0:22:21 | |
You can't get so upset. | 0:22:21 | 0:22:22 | |
You know what really pisses me off? This went on for years. | 0:22:22 | 0:22:26 | |
All that battering before he was even arrested. | 0:22:26 | 0:22:29 | |
It's the LAPD and a famous guy. | 0:22:29 | 0:22:31 | |
-Marcia. -Yeah. | 0:22:32 | 0:22:34 | |
The tape is here. | 0:22:34 | 0:22:35 | |
'OJ, when was the last time you saw Nicole?' | 0:22:37 | 0:22:40 | |
'Yesterday, when we were leaving our daughter's dance recital. | 0:22:40 | 0:22:44 | |
'It ended at about, uh, 6.30, 6.45, something like that.' | 0:22:44 | 0:22:47 | |
'And what time did you get back home?' | 0:22:47 | 0:22:50 | |
Oh, seven something. | 0:22:50 | 0:22:53 | |
I'm trying to think. Did I leave? | 0:22:54 | 0:22:56 | |
You know, I had to run and get my daughter, uh, recital flowers. | 0:22:58 | 0:23:02 | |
HE CHUCKLES | 0:23:02 | 0:23:03 | |
Then I called my girlfriend Paula, as I headed to her house. | 0:23:03 | 0:23:07 | |
And Paula wasn't home. | 0:23:07 | 0:23:08 | |
What, what did he say? | 0:23:08 | 0:23:10 | |
Did... Did he buy flowers before or after the recital? | 0:23:10 | 0:23:14 | |
-Did he even go to Paula's house? -Shh. | 0:23:14 | 0:23:16 | |
'And when did you park your Bronco on Rockingham?' | 0:23:16 | 0:23:18 | |
Eight something. Seven, eight, nine... | 0:23:18 | 0:23:23 | |
I don't know. Around that area. | 0:23:23 | 0:23:26 | |
And then I was sitting with Kato. | 0:23:26 | 0:23:28 | |
He hadn't done a Jacuzzi, so we went and got a burger. | 0:23:28 | 0:23:30 | |
Seven, eight, nine. | 0:23:30 | 0:23:32 | |
That's not an answer! Guys, lock him to a time frame. | 0:23:32 | 0:23:36 | |
Pin him to a version of the story he can't change later. | 0:23:36 | 0:23:38 | |
And what about your left hand there? | 0:23:38 | 0:23:42 | |
How did you get that injury? | 0:23:42 | 0:23:44 | |
Oh, I don't know. Uh... the first time I was in Chicago. | 0:23:44 | 0:23:48 | |
Yeah, and then I got back to the house, | 0:23:48 | 0:23:51 | |
and I was running around and, uh, I broke a glass. | 0:23:51 | 0:23:53 | |
-Oh. -Yeah. | 0:23:53 | 0:23:54 | |
And then one of your guys just called. | 0:23:54 | 0:23:59 | |
Uh, actually, uh, uh, I cut it before. | 0:23:59 | 0:24:02 | |
'Maybe I opened it. | 0:24:02 | 0:24:04 | |
'But it's no big deal. I bleed all the time.' | 0:24:04 | 0:24:06 | |
I golf, you know. HE CHUCKLES | 0:24:06 | 0:24:08 | |
It's always something! | 0:24:08 | 0:24:10 | |
'Nicks and stuff, yeah.' OJ LAUGHS | 0:24:10 | 0:24:12 | |
That's it. | 0:24:12 | 0:24:13 | |
Well, I can't tell. | 0:24:13 | 0:24:14 | |
Did he cut his hand in Los Angeles or in Chicago? | 0:24:14 | 0:24:17 | |
How did he injure himself? | 0:24:17 | 0:24:20 | |
'This is a fiasco. | 0:24:20 | 0:24:21 | |
'Why did the cops tolerate it?' | 0:24:21 | 0:24:23 | |
'Cos they're not used to grilling a star. He's The Juice.' | 0:24:23 | 0:24:25 | |
He rushed more than 2,000 yards in one season. | 0:24:25 | 0:24:28 | |
I have no idea what that means. But you know what? | 0:24:28 | 0:24:30 | |
It shouldn't matter. He got away with beating her. | 0:24:30 | 0:24:33 | |
He is not going to get away with killing her. | 0:24:33 | 0:24:34 | |
Here, Simpson's blood. | 0:24:40 | 0:24:41 | |
OK, but you'll have to wait 48 hours. | 0:24:41 | 0:24:44 | |
-We need to be super cautious if we're running the DNA. -All right. | 0:24:44 | 0:24:48 | |
Why don't they just leave?! I told them all the facts! | 0:24:50 | 0:24:53 | |
They're acting like I did this or something. | 0:24:53 | 0:24:56 | |
I didn't kill her! | 0:24:56 | 0:24:57 | |
We know, Orenthal. | 0:24:57 | 0:24:59 | |
It's all becoming a big mess! | 0:24:59 | 0:25:01 | |
It's just shameful. They should let the family mourn. | 0:25:01 | 0:25:03 | |
-TV: -'The bodies of Nicole Brown Simpson and Ronald Lyle Goldman...' | 0:25:03 | 0:25:06 | |
-Juice, you need juice? -Kato, cut that shit out! | 0:25:06 | 0:25:09 | |
TV CONTINUES INDISTINCTLY | 0:25:11 | 0:25:13 | |
It's about time, AC. | 0:25:13 | 0:25:15 | |
Sorry, OJ, but that traffic out there is a mother. | 0:25:15 | 0:25:18 | |
I'm starving. Is there a lot of people out there still? | 0:25:18 | 0:25:22 | |
Packed, right? This is the cheeseburger? | 0:25:22 | 0:25:26 | |
-Here... Like that. -Kato, you like them burgers, huh? | 0:25:26 | 0:25:29 | |
Oh, I love them. | 0:25:29 | 0:25:31 | |
You told the cops you and I went out for burgers last night, right? | 0:25:31 | 0:25:34 | |
-Hmm? Yeah. -CLEARS THROAT | 0:25:34 | 0:25:36 | |
-Mm-hmm. -You did, huh? | 0:25:36 | 0:25:38 | |
Yeah, yeah. Mm-hm. | 0:25:38 | 0:25:40 | |
-Good. Cos that's what happened. -Mm-hm. | 0:25:40 | 0:25:42 | |
See, I need support, y'all! I need lots of support from everybody! | 0:25:42 | 0:25:45 | |
You've got it, Juice. | 0:25:45 | 0:25:48 | |
Who called? Any of my friends leave me a message? | 0:25:48 | 0:25:51 | |
Hey, Dad, it's that shot again. | 0:25:51 | 0:25:53 | |
TV: 'OJ Simpson in cuffs...' | 0:25:53 | 0:25:54 | |
Oh, see, now, that pisses me off! | 0:25:54 | 0:25:57 | |
They got The Juice in handcuffs! I was handcuffed for five seconds! | 0:25:57 | 0:26:00 | |
They ain't got no other footage of me? | 0:26:00 | 0:26:02 | |
-This situation is worrisome. -What's the lawyer say? | 0:26:02 | 0:26:04 | |
I don't know! I don't even know where the hell Howard is. | 0:26:04 | 0:26:08 | |
-Hey, where's Howard, AC?! -I, I couldn't find him. | 0:26:08 | 0:26:10 | |
-Well, find him, man, come on! -We've tried. -I'm drowning over here! | 0:26:10 | 0:26:13 | |
-OJ, you need, you need your counsel. -Robert, are you a lawyer? | 0:26:13 | 0:26:16 | |
Yes. Well, I used to be, but not criminal. | 0:26:16 | 0:26:19 | |
OJ, is it, is it impolite to ask? | 0:26:19 | 0:26:21 | |
-No, man, talk to me! -I mean, what, what is Howard's game plan? | 0:26:21 | 0:26:24 | |
I don't know what Howard's... That's what I keep telling you! | 0:26:24 | 0:26:26 | |
-Why'd he let you get cuffed?! -That's what I'm saying! | 0:26:26 | 0:26:29 | |
Why was I cuffed, and now it's all over TV! | 0:26:29 | 0:26:31 | |
Why did he let you get interviewed? | 0:26:31 | 0:26:32 | |
Whatever they asked me, I talked to them! | 0:26:32 | 0:26:34 | |
I told them I had nothing to hide! | 0:26:34 | 0:26:35 | |
What do I got to hide?! Juice ain't got nothing to hide! | 0:26:35 | 0:26:38 | |
Why in the hell were you in there alone? | 0:26:38 | 0:26:40 | |
I don't know, man. I don't... | 0:26:41 | 0:26:43 | |
These are good questions. | 0:26:43 | 0:26:45 | |
So you're saying I need a new lawyer? | 0:26:47 | 0:26:49 | |
-I'm saying your lawyer should be here. -That's what I'm saying... | 0:26:49 | 0:26:52 | |
DOOR OPENS | 0:26:52 | 0:26:53 | |
Oh, come here. Come here. | 0:26:55 | 0:26:57 | |
Daddy's going to take care of things. | 0:27:00 | 0:27:02 | |
-TV: -'Also, new reports that a bloodstained glove...' | 0:27:02 | 0:27:05 | |
So, Brando came to me, weeping. | 0:27:05 | 0:27:07 | |
He said, "My son is facing life in prison. | 0:27:07 | 0:27:10 | |
"Bob, can you help?" | 0:27:10 | 0:27:12 | |
So I'm busy, but it's Marlon, | 0:27:12 | 0:27:14 | |
so I go to the DA and explain you cannot prove premeditation. | 0:27:14 | 0:27:17 | |
Guns go off. Cut a deal, everyone's happy. | 0:27:17 | 0:27:21 | |
His son pled to manslaughter. He's out in five. | 0:27:21 | 0:27:24 | |
-Oh, look. Look. -Oh, enough, Bob, come on. I don't want to be late. | 0:27:26 | 0:27:29 | |
We have tickets to the premiere of I Love Trouble | 0:27:29 | 0:27:31 | |
Hang on. I want to say hi to Ovitz. Mike! | 0:27:31 | 0:27:34 | |
Excuse me, Mr Shapiro? | 0:27:34 | 0:27:35 | |
Sorry to bother you, sir, but you have an emergency phone call. | 0:27:35 | 0:27:39 | |
Emergency? | 0:27:39 | 0:27:41 | |
Robert Shapiro here. Who is this? | 0:27:52 | 0:27:54 | |
'Bob, I'm glad I found you.' | 0:27:54 | 0:27:56 | |
Who? | 0:27:56 | 0:27:57 | |
It's OJ Simpson. | 0:27:57 | 0:27:59 | |
LIFT DINGS | 0:28:03 | 0:28:05 | |
We're putting off filing until we get the blood test. | 0:28:05 | 0:28:07 | |
Obviously, this sort of makes me crazy. | 0:28:07 | 0:28:09 | |
It's ridiculous that he's back in the house. | 0:28:09 | 0:28:11 | |
He could be destroying evidence, intimidating witnesses... | 0:28:11 | 0:28:14 | |
-Marcia... -I think we put our best witnesses in front of | 0:28:14 | 0:28:16 | |
a grand jury this week. Block them from the defence. | 0:28:16 | 0:28:19 | |
Marcia. I want to pair you with Bill. | 0:28:19 | 0:28:22 | |
This case is too big for one prosecutor. A partner'll be good. | 0:28:22 | 0:28:25 | |
Bill runs a little cooler than you. | 0:28:25 | 0:28:26 | |
You're perfect for the case because you care, | 0:28:26 | 0:28:28 | |
but I think this'll be useful. | 0:28:28 | 0:28:30 | |
You know, little checks and balances. | 0:28:30 | 0:28:32 | |
I...understand. | 0:28:32 | 0:28:34 | |
And, frankly, you're going to be drowning in paper. | 0:28:34 | 0:28:36 | |
There's no way we're going to keep up with the defence's resources. | 0:28:36 | 0:28:39 | |
Well, nobody is more organised than Bill. | 0:28:39 | 0:28:42 | |
I'm here to help. | 0:28:42 | 0:28:43 | |
OK. | 0:28:45 | 0:28:46 | |
HE CLEARS THROAT | 0:28:48 | 0:28:50 | |
Yeah, things are hopping. But I'm not really a part of it. | 0:28:52 | 0:28:55 | |
You know, since OJ broke, meetings have been cancelled, | 0:28:55 | 0:28:59 | |
everyone's tripping over themselves to get on the celebrity case. | 0:28:59 | 0:29:04 | |
You know, I was thinking I'd take a long weekend. | 0:29:04 | 0:29:06 | |
Come up and visit you guys. | 0:29:06 | 0:29:08 | |
-HE LAUGHS -Ah, trust me. | 0:29:08 | 0:29:11 | |
Nobody'll miss me. | 0:29:11 | 0:29:13 | |
Believe me, Howard Weitzman is a very capable lawyer, | 0:29:29 | 0:29:33 | |
but I agree with you. | 0:29:33 | 0:29:36 | |
You can't afford any more missteps. | 0:29:36 | 0:29:38 | |
In a situation like this, you have to stay ahead of the events. | 0:29:38 | 0:29:42 | |
It's the same thing I told Johnny Carson when I represented him. | 0:29:42 | 0:29:46 | |
You have to hire the best experts, the top investigators. | 0:29:46 | 0:29:49 | |
-Already? -Yes. And you have to stay ahead of the leads to make sure | 0:29:49 | 0:29:53 | |
they don't grow stale. | 0:29:53 | 0:29:55 | |
And just so you know, the DA is going to throw | 0:29:55 | 0:29:57 | |
all their resources at this. | 0:29:57 | 0:29:59 | |
They have a very bad rep for losing cases to the rich and famous. | 0:29:59 | 0:30:02 | |
They're going to do everything they can to win. | 0:30:02 | 0:30:05 | |
OJ has a very good relationship with the cops. | 0:30:05 | 0:30:07 | |
They come over for tennis sometimes, uh, Saturday pool parties. | 0:30:07 | 0:30:11 | |
That's useful. That's good to know. You know, I wonder... | 0:30:11 | 0:30:16 | |
Rob, what do you think of the idea that you join the team, too? | 0:30:16 | 0:30:19 | |
You could reactivate your license, | 0:30:19 | 0:30:21 | |
and you might provide a special insight to us. | 0:30:21 | 0:30:23 | |
Absolutely. I think that's a great idea. Bobby understands me. | 0:30:23 | 0:30:27 | |
We've been friends forever. | 0:30:27 | 0:30:29 | |
When Kris and I broke up, The Juice was there for me every night. | 0:30:29 | 0:30:32 | |
I'd do anything for this man. | 0:30:32 | 0:30:34 | |
Good. OK. OK. Now, there's one final thing. | 0:30:34 | 0:30:38 | |
There's something I need to talk to OJ about privately. | 0:30:38 | 0:30:42 | |
-Do you mind, Rob? -No. Of course. | 0:30:42 | 0:30:44 | |
Any time that I take on a new criminal case, | 0:30:57 | 0:31:00 | |
I always ask the client a question. | 0:31:00 | 0:31:02 | |
Now, I won't be judgmental, but I think it's crucial that | 0:31:02 | 0:31:07 | |
the attorney and the client are truthful with each other. | 0:31:07 | 0:31:10 | |
So, anything you tell me is completely confidential | 0:31:12 | 0:31:15 | |
and will never leave this room. | 0:31:15 | 0:31:17 | |
So, OJ...did you do it? | 0:31:19 | 0:31:21 | |
No. | 0:31:24 | 0:31:25 | |
I loved her. | 0:31:30 | 0:31:31 | |
Don't you hate having to see lawyers? | 0:31:41 | 0:31:43 | |
Just makes me sick to my stomach. | 0:31:43 | 0:31:45 | |
What is going on? | 0:31:48 | 0:31:50 | |
Gordon isn't accepting the proposed terms of divorce. | 0:31:50 | 0:31:52 | |
-He wants to go to trial. -Goddamn it! I don't have time for this! | 0:31:52 | 0:31:55 | |
Marcia, you filed on Thursday. You knew what you were getting into. | 0:31:55 | 0:31:58 | |
Well, I didn't know OJ Simpson was going to kill his wife on Sunday. | 0:31:58 | 0:32:01 | |
You have a lot on your plate. Divorce usually isn't so simple. | 0:32:01 | 0:32:04 | |
I know that. I've done this before. | 0:32:04 | 0:32:06 | |
Then you know how emotionally draining it is. | 0:32:06 | 0:32:09 | |
This could go on for a year. | 0:32:09 | 0:32:11 | |
As your friend, I'm worried for you. You're taking on too much. | 0:32:11 | 0:32:14 | |
Brothers and sisters, | 0:32:30 | 0:32:31 | |
today's guest is the esteemed Dennis Schatzman, lead writer | 0:32:31 | 0:32:34 | |
for the black-owned Los Angeles Sentinel Dennis, how are you? | 0:32:34 | 0:32:38 | |
Todd, I'm not good. I am disgusted with how OJ Simpson's been treated | 0:32:38 | 0:32:43 | |
by the LAPD. | 0:32:43 | 0:32:44 | |
He has not been charged with a crime and yet they handcuffed him. | 0:32:44 | 0:32:48 | |
They put him chains. Now, let me ask you a question. | 0:32:48 | 0:32:53 | |
-You remember Jeffrey Dahmer? -Oh, yes. | 0:32:53 | 0:32:55 | |
Jeffrey Dahmer was a mass murderer. Jeffrey Dahmer was a cannibal. | 0:32:55 | 0:32:59 | |
He, literally, ate people. | 0:32:59 | 0:33:01 | |
'How many times you see Jeffrey Dahmer in handcuffs?' | 0:33:01 | 0:33:03 | |
'Come on, now.' | 0:33:03 | 0:33:04 | |
'The black/white double standard endures, brother. | 0:33:04 | 0:33:07 | |
'Daryl Gates and his nefarious chokehold, | 0:33:07 | 0:33:09 | |
'guns drawn on Olympic legend Al Joyner, | 0:33:09 | 0:33:11 | |
'the Rodney King verdict, as affirmed by an all-white jury. | 0:33:11 | 0:33:14 | |
'Of course, we rioted. | 0:33:14 | 0:33:16 | |
The LAPD's war against African-Americans has got to | 0:33:16 | 0:33:18 | |
'be stopped.' | 0:33:18 | 0:33:20 | |
'Whoo, brother, you touched a nerve. You got the phone lines lit up.' | 0:33:20 | 0:33:23 | |
All right. | 0:33:23 | 0:33:25 | |
Look, I ain't been this popular since the riots. | 0:33:37 | 0:33:41 | |
Famous black man in trouble, the TV shows go down the list. | 0:33:41 | 0:33:44 | |
Jesse, Sharpton, me. | 0:33:44 | 0:33:45 | |
-Oh, are you on the case? -No, no. My plate is full. | 0:33:45 | 0:33:49 | |
I'm busy with a single mother been shot nine times by LAPD. | 0:33:49 | 0:33:52 | |
-Nine times? -Nine times. | 0:33:52 | 0:33:54 | |
-Oh... -Tragic, typical, but it ain't sexy, | 0:33:54 | 0:33:56 | |
so they kick it to the back of the newspaper. | 0:33:56 | 0:33:59 | |
-RADIO: -'His lawyer Robert Shapiro is heading his defence team.' | 0:33:59 | 0:34:01 | |
-Robert Shapiro. -HE CHUCKLES | 0:34:01 | 0:34:04 | |
-BELL RINGS -You know him? | 0:34:04 | 0:34:05 | |
Yeah, he's great if you smash your Rolls, drunk on Mulholland, | 0:34:05 | 0:34:08 | |
but he's a plea bargain guy. | 0:34:08 | 0:34:09 | |
He ain't no litigator. | 0:34:09 | 0:34:11 | |
-What if OJ asked you to help? -Me? Oh, no. No. I like to win. | 0:34:11 | 0:34:14 | |
This case is a loser. | 0:34:14 | 0:34:16 | |
Three, two... | 0:34:16 | 0:34:18 | |
Well, thank you very much for having me. | 0:34:19 | 0:34:22 | |
First and foremost, we should all extend our prayers | 0:34:22 | 0:34:25 | |
to the Simpson family. | 0:34:25 | 0:34:26 | |
You saw him? | 0:34:31 | 0:34:32 | |
Yeah. Sunday night at about, uh, 10.45. | 0:34:32 | 0:34:36 | |
I was driving to the, uh, | 0:34:36 | 0:34:37 | |
Souplantation on San Vicente, they have amazing frozen yogurt, | 0:34:37 | 0:34:41 | |
and then, all of a sudden, just out of nowhere, | 0:34:41 | 0:34:43 | |
a white vehicle just goes screeching up Bundy and it was totally crazy. | 0:34:43 | 0:34:47 | |
It ran right through the red. | 0:34:47 | 0:34:49 | |
And me and this other car, | 0:34:49 | 0:34:50 | |
we just swerved so that we wouldn't crash into it, and it honked at me. | 0:34:50 | 0:34:54 | |
Like I did something wrong! | 0:34:54 | 0:34:56 | |
TYRES SCREECH AND HORN HONKS | 0:34:56 | 0:34:58 | |
Move your damn car! Move it! | 0:34:58 | 0:35:00 | |
TYRES SCREECH | 0:35:00 | 0:35:01 | |
The driver was OJ Simpson. | 0:35:03 | 0:35:04 | |
How did you feel that night? | 0:35:10 | 0:35:12 | |
I was nervous. | 0:35:14 | 0:35:15 | |
Um, at 10.40, I buzzed the gate, but he didn't answer, | 0:35:15 | 0:35:21 | |
and I got scared, because I didn't want him to miss his flight, | 0:35:21 | 0:35:23 | |
so I called my boss, um, my mom... | 0:35:23 | 0:35:27 | |
-I didn't know what to do. -Then what? | 0:35:27 | 0:35:30 | |
Um... | 0:35:30 | 0:35:32 | |
just before 11.00, in the dark, I saw a man go into the house. | 0:35:32 | 0:35:36 | |
Anything else unusual? | 0:35:36 | 0:35:38 | |
Uh, well, when we drove away, I saw a white Bronco parked on Rockingham. | 0:35:39 | 0:35:44 | |
It wasn't there when I arrived. | 0:35:44 | 0:35:46 | |
Goldman left the restaurant just before 10.00. | 0:35:50 | 0:35:53 | |
Neighbours start hearing dog barking at 10.15. | 0:35:53 | 0:35:56 | |
OJ screams at the salad bar lady at 10.45. | 0:35:56 | 0:35:59 | |
OJ runs into his house a little before 11.00. | 0:35:59 | 0:36:02 | |
-Our timeline totally holds together. -Hm. | 0:36:04 | 0:36:07 | |
Bill...I know that you know I wanted this all for myself. | 0:36:10 | 0:36:14 | |
But I'm glad we're doing it together. | 0:36:15 | 0:36:18 | |
OK? | 0:36:18 | 0:36:20 | |
HE BREATHES HEAVILY | 0:36:31 | 0:36:32 | |
What is your name? | 0:36:32 | 0:36:34 | |
Orenthal James Simpson. | 0:36:34 | 0:36:35 | |
How many years were you married to Nicole Brown Simpson? | 0:36:38 | 0:36:41 | |
Seven. | 0:36:41 | 0:36:43 | |
Have you ever thought about killing Nicole? | 0:36:43 | 0:36:45 | |
No. | 0:36:45 | 0:36:46 | |
Do you know the whereabouts of the knife that was used to kill | 0:36:46 | 0:36:49 | |
Nicole Brown Simpson and Ron Goldman? | 0:36:49 | 0:36:51 | |
No. | 0:36:51 | 0:36:52 | |
Is the person who killed Nicole in this room? | 0:36:52 | 0:36:55 | |
I don't think he's holding up. | 0:37:01 | 0:37:03 | |
It's like he's not really The Juice, anymore. | 0:37:03 | 0:37:05 | |
Bob... | 0:37:05 | 0:37:07 | |
whatever happens inside there today, neither of us says a word to anyone. | 0:37:07 | 0:37:12 | |
Agreed? | 0:37:12 | 0:37:13 | |
-So... -HE CLEARS THROAT | 0:37:17 | 0:37:20 | |
I administered Mr Simpson a zone of comparison exam. | 0:37:20 | 0:37:23 | |
The polygraph measured three physiological responses - | 0:37:23 | 0:37:26 | |
heart rate, breathing and electrical sensitivity of his skin. | 0:37:26 | 0:37:29 | |
I tabulated Mr Simpson's answers and responses. | 0:37:29 | 0:37:32 | |
He scored a minus 24. | 0:37:35 | 0:37:38 | |
Minus 24? What, what does that mean? | 0:37:38 | 0:37:39 | |
It's a flunk. It's the worst you can do. | 0:37:39 | 0:37:42 | |
There's no way he could have done it. | 0:37:54 | 0:37:57 | |
I'm going to need you on this, Bob. | 0:37:57 | 0:37:59 | |
There's no way... There's no way he could have done it. | 0:37:59 | 0:38:03 | |
Of course I failed it! She'd just died! I'm so emotional! | 0:38:03 | 0:38:06 | |
I mean, every time they mentioned Nicole's name, my heart went crazy! | 0:38:06 | 0:38:09 | |
All right, calm down. Don't worry. | 0:38:09 | 0:38:10 | |
-These things don't work! These machines don't work! -We know. | 0:38:10 | 0:38:13 | |
-That's why we can't use them in the courtroom. -We know. | 0:38:13 | 0:38:15 | |
This was just for us, it doesn't mean anything. | 0:38:15 | 0:38:17 | |
It doesn't mean anything. Bob is right. | 0:38:17 | 0:38:19 | |
-Just to give us something to talk about. -It's not admissible. | 0:38:19 | 0:38:21 | |
What did they think was going to happen?! You ask me that. | 0:38:21 | 0:38:24 | |
Somebody say something! What did they think was going to happen? | 0:38:24 | 0:38:27 | |
They're talking about the mother of my children dying | 0:38:27 | 0:38:29 | |
and they ask me these questions! | 0:38:29 | 0:38:30 | |
Of course the needle's going to be jumping! | 0:38:30 | 0:38:32 | |
And you two are supposed to be representing me! | 0:38:32 | 0:38:35 | |
-You're supposed to be in the room. Why am I paying your ass? -Come on. | 0:38:35 | 0:38:37 | |
-Let's take a break from this. -I think that's a good idea. | 0:38:37 | 0:38:40 | |
CLAMOURING | 0:38:40 | 0:38:41 | |
Did you kill Nicole?! | 0:38:41 | 0:38:43 | |
INDISTINCT SHOUTING | 0:38:43 | 0:38:44 | |
Please step back. | 0:38:53 | 0:38:54 | |
Over here! | 0:39:10 | 0:39:11 | |
I can't believe she's gone. | 0:39:23 | 0:39:26 | |
She was my personal angel. | 0:39:26 | 0:39:29 | |
I wouldn't have gone to rehab if it weren't for her. | 0:39:29 | 0:39:31 | |
RUNNING FOOTSTEPS | 0:39:31 | 0:39:32 | |
-GIGGLING -Khloe. Kourtney. Stop running. | 0:39:32 | 0:39:36 | |
Put away that candy! | 0:39:36 | 0:39:38 | |
Do you... | 0:39:38 | 0:39:39 | |
-VERY QUIETLY: -Do you think he did it? | 0:39:41 | 0:39:43 | |
Oh, Kris. She was terrified of him. | 0:39:43 | 0:39:46 | |
I just wish we'd done something. | 0:39:48 | 0:39:50 | |
It was right in front of us. | 0:39:52 | 0:39:54 | |
He always had that temper. | 0:39:54 | 0:39:56 | |
He'd be smiling and then she'd mention some guy | 0:39:56 | 0:39:58 | |
and he'd start screaming. | 0:39:58 | 0:40:01 | |
Did you ever see the pictures of her face after he laid into her? | 0:40:01 | 0:40:05 | |
And you know she hid them away, just in case something happened? | 0:40:05 | 0:40:10 | |
CLAMOURING | 0:40:10 | 0:40:12 | |
OJ, let me handle this. | 0:40:26 | 0:40:27 | |
There's your ex. | 0:40:30 | 0:40:32 | |
No pictures. Please, no pictures. | 0:40:38 | 0:40:41 | |
Please, respect the family. Joe... | 0:40:44 | 0:40:47 | |
Who the hell brings their lawyer to a funeral? | 0:40:50 | 0:40:53 | |
SHOUTING | 0:40:53 | 0:40:56 | |
SHOUTING BECOMES SILENT | 0:41:03 | 0:41:05 | |
ECHOED SHOUTING | 0:41:11 | 0:41:13 | |
He came. | 0:41:56 | 0:41:57 | |
He has no shame. | 0:41:57 | 0:41:59 | |
Sweetheart, I am sorry, I... I can't come home yet. | 0:42:37 | 0:42:41 | |
Mommy is waiting for something important. | 0:42:41 | 0:42:44 | |
I know, but if you're hungry, have Alba make you some food. | 0:42:44 | 0:42:46 | |
DOOR CLOSES | 0:42:46 | 0:42:47 | |
What? | 0:42:47 | 0:42:49 | |
Sweetie, I have to go. | 0:42:49 | 0:42:51 | |
I have to go, I'm sorry, I have to go. | 0:42:51 | 0:42:53 | |
Well? Do we have him? | 0:42:53 | 0:42:56 | |
Yep. The DNA came through. | 0:42:56 | 0:42:58 | |
The blood drops at Bundy are Simpson's type and the | 0:42:58 | 0:43:01 | |
Rockingham glove matches a mix of Simpson and the victim's blood. | 0:43:01 | 0:43:04 | |
Well, thank God. Let's put him behind bars. | 0:43:04 | 0:43:09 | |
Tom, how long have you known me? | 0:43:09 | 0:43:11 | |
Look, I know you have a warrant for his arrest, | 0:43:11 | 0:43:13 | |
but there's no reason you have to come and get Mr Simpson | 0:43:13 | 0:43:16 | |
when I can bring him to you. | 0:43:16 | 0:43:17 | |
And let's be clear, no perp walk here. | 0:43:17 | 0:43:19 | |
'Bob, I'm in no mood for games. | 0:43:19 | 0:43:21 | |
'I was up all night prepping this paperwork. | 0:43:21 | 0:43:23 | |
'You have a client charged with double homicide | 0:43:23 | 0:43:26 | |
'with special circumstances.' | 0:43:26 | 0:43:28 | |
-HE SIGHS -It's 8.30 now. | 0:43:28 | 0:43:31 | |
-Why don't, why don't I bring him in at noon? -'What? | 0:43:31 | 0:43:33 | |
'Why do you need three and a half hours to drive him from Brentwood? | 0:43:33 | 0:43:37 | |
'11.00.' | 0:43:37 | 0:43:38 | |
11.00! Yes, yes. That's good, that's... | 0:43:38 | 0:43:40 | |
I'll bring him in at 11.00, and you have my word, and my word is gold. | 0:43:40 | 0:43:44 | |
I'll see you then. | 0:43:44 | 0:43:45 | |
HE REPLACES RECEIVER | 0:43:45 | 0:43:46 | |
HE SIGHS | 0:43:46 | 0:43:47 | |
Your word is gold? | 0:43:48 | 0:43:50 | |
-HE SIGHS -That was a heap of bad news. | 0:43:50 | 0:43:52 | |
They're arresting him, of course, | 0:43:52 | 0:43:54 | |
but they're using "special circumstances," which means no bail. | 0:43:54 | 0:43:57 | |
He'll be in jail until the verdict. God! | 0:43:57 | 0:44:00 | |
-Well, is he back at Rockingham? -No, no. He's at the hideout. | 0:44:00 | 0:44:03 | |
DOORBELL CHIMES | 0:44:20 | 0:44:23 | |
KNOCK ON DOOR | 0:44:28 | 0:44:30 | |
Where is he? He's sedated. He's still asleep, Bob. He, uh... | 0:44:34 | 0:44:39 | |
He was really upset after the funeral. | 0:44:39 | 0:44:42 | |
Juice. Juice... | 0:44:42 | 0:44:43 | |
Wake up. It's Bob. | 0:44:43 | 0:44:45 | |
Now, look, we've got a lot of work to do today. | 0:44:45 | 0:44:48 | |
-What's happening? -Now, here is where we're at. | 0:44:48 | 0:44:50 | |
Now, I hate to be the bearer of bad news, | 0:44:50 | 0:44:52 | |
but we must be pragmatic about these things. | 0:44:52 | 0:44:55 | |
-Well, what are you saying to me? -Honey, what's going on? | 0:44:55 | 0:44:57 | |
-Paula, go back to bed. -They've issued a warrant for your arrest. | 0:44:57 | 0:45:00 | |
-You have to be downtown at 11.00. It's fine. -No! -I'll fix this. | 0:45:00 | 0:45:03 | |
-No, no! I can't do that, Bob! -Look, we're going to... | 0:45:03 | 0:45:05 | |
I can't go to jail! Oh... | 0:45:05 | 0:45:07 | |
-OK, we'll just work through this together. -Oh, God! | 0:45:07 | 0:45:09 | |
Now, listen to me. It's very important that you understand this. | 0:45:09 | 0:45:12 | |
-OJ. -I can't go to jail, Bob! -Yes, you can. | 0:45:12 | 0:45:14 | |
And you have to understand one thing. | 0:45:14 | 0:45:16 | |
This may be the last time we get to speak without anyone eavesdropping, | 0:45:16 | 0:45:19 | |
so if you have anything to say, I'll clear the room. | 0:45:19 | 0:45:23 | |
What are you saying to me? | 0:45:23 | 0:45:25 | |
DOORBELL CHIMES Oh, who is that? | 0:45:25 | 0:45:28 | |
-Bob, get out of here. -What is that? They're already here? | 0:45:28 | 0:45:30 | |
No, they're just friends. They're here to look at you. | 0:45:30 | 0:45:33 | |
We had this planned. Let's not do that. | 0:45:33 | 0:45:35 | |
No significant wounds or abrasions. | 0:45:40 | 0:45:41 | |
What about here, on the torso? | 0:45:41 | 0:45:43 | |
I see some swollen lymph nodes. | 0:45:44 | 0:45:47 | |
Is there any family history of cancer? | 0:45:47 | 0:45:49 | |
OJ looks sad. Can he lie down? | 0:45:49 | 0:45:52 | |
You let them do their thing. This is best defence money can buy. | 0:45:52 | 0:45:56 | |
I want to call Mama. | 0:45:56 | 0:45:58 | |
Take a shower. | 0:45:58 | 0:45:59 | |
DOORBELL CHIMES | 0:45:59 | 0:46:01 | |
-Yes? -Dr Faerstein. | 0:46:04 | 0:46:07 | |
This way. | 0:46:07 | 0:46:08 | |
Hello, Saul. Thank you for coming. | 0:46:08 | 0:46:10 | |
Would you make it quick? | 0:46:10 | 0:46:12 | |
Another doctor? | 0:46:13 | 0:46:15 | |
That's Saul Faerstein. Expert psychiatrist. Just in case. | 0:46:15 | 0:46:19 | |
-In case what? -Just in case we need a "diminished capacity" defence. | 0:46:19 | 0:46:23 | |
What do you... What do you mean? Plead guilty? | 0:46:23 | 0:46:26 | |
What are you saying, he was insane? | 0:46:26 | 0:46:28 | |
I'm saying, we keep our options open. | 0:46:28 | 0:46:30 | |
I've got 11.05. He is late. | 0:46:36 | 0:46:38 | |
This is unbelievable. We cut him every favour possible. | 0:46:41 | 0:46:45 | |
Self-surrender, plenty of time... | 0:46:45 | 0:46:48 | |
You know what? Call him. Call him. | 0:46:48 | 0:46:51 | |
Tom, I have to apologise. We're a few minutes behind. | 0:46:58 | 0:47:01 | |
Bob, you are in your car? | 0:47:01 | 0:47:03 | |
-Well, almost. We're about to leave. -'What?!' | 0:47:03 | 0:47:06 | |
No. No, no, Bob. Do not jerk me around. | 0:47:06 | 0:47:08 | |
But he's washing up. He's getting dressed. | 0:47:08 | 0:47:11 | |
He's moving a bit slowly. | 0:47:11 | 0:47:12 | |
Shapiro! We have a press conference scheduled for 12.00. | 0:47:12 | 0:47:15 | |
'Marcia's going to blow a gasket.' | 0:47:15 | 0:47:17 | |
DIAL TONE | 0:47:17 | 0:47:18 | |
Mr Kaelin, do you live on the property | 0:47:21 | 0:47:23 | |
of Mr Orenthal James Simpson? | 0:47:23 | 0:47:25 | |
I, uh, I respectfully decline to answer | 0:47:26 | 0:47:29 | |
and assert my constitutional right to remain silent. | 0:47:29 | 0:47:32 | |
On the night of June 12, 1994, were you in the company of Mr Simpson? | 0:47:32 | 0:47:35 | |
I... I respectfully decline to answer | 0:47:37 | 0:47:39 | |
and assert my constitutional right to remain silent. | 0:47:39 | 0:47:42 | |
Mr Kaelin, you are a witness, not a suspect. | 0:47:42 | 0:47:45 | |
You have no right to invoke the Fifth Amendment, | 0:47:45 | 0:47:47 | |
so I am going to ask you again. | 0:47:47 | 0:47:49 | |
On the night of June 12, 1994, | 0:47:49 | 0:47:50 | |
were you in the company of Mr Simpson? | 0:47:50 | 0:47:53 | |
Lange just called. OJ has not turned himself in. | 0:47:54 | 0:47:57 | |
We gotta get you dressed, Juice. | 0:48:29 | 0:48:31 | |
Call up the Browns. | 0:48:32 | 0:48:34 | |
Tell Lou and Judy I want them to be the guardians of my children. | 0:48:35 | 0:48:38 | |
What... What are you doing? | 0:48:40 | 0:48:42 | |
This is my will. | 0:48:45 | 0:48:47 | |
This is a statement to my fans. | 0:48:48 | 0:48:51 | |
This is a letter to Mama... | 0:48:53 | 0:48:56 | |
and to my kids. | 0:48:56 | 0:48:57 | |
Juice, Juice...a will? | 0:49:01 | 0:49:02 | |
It's just easier for everybody. | 0:49:07 | 0:49:08 | |
Juice... | 0:49:11 | 0:49:12 | |
Juice... | 0:49:12 | 0:49:14 | |
This situation has gotten real bad. | 0:49:14 | 0:49:16 | |
Juice... | 0:49:16 | 0:49:19 | |
Don't! | 0:49:19 | 0:49:20 | |
Don't. | 0:49:20 | 0:49:22 | |
Come here. | 0:49:23 | 0:49:24 | |
Come on. | 0:49:26 | 0:49:27 | |
Come here. | 0:49:31 | 0:49:32 | |
Come on, Juice. | 0:49:53 | 0:49:54 | |
This is out of control. | 0:49:58 | 0:50:00 | |
I have left the grand jury to make this call. | 0:50:00 | 0:50:02 | |
Where is your client?! | 0:50:02 | 0:50:03 | |
Marcia, I'm sorry, but he's with a few doctors. He's very depressed. | 0:50:03 | 0:50:07 | |
Yeah, well, he should be depressed. | 0:50:07 | 0:50:09 | |
He killed two people, he's going to prison. | 0:50:09 | 0:50:11 | |
Now what is your location? | 0:50:11 | 0:50:12 | |
Here's one of the doctors now. Saul, handle this. | 0:50:12 | 0:50:16 | |
-Um... Hello? -Who is this? | 0:50:18 | 0:50:20 | |
I'm a psychiatrist. Who is this? | 0:50:20 | 0:50:22 | |
This is District Attorney Marcia Clark. Where are you? | 0:50:22 | 0:50:24 | |
We have a warrant for this man's arrest. | 0:50:24 | 0:50:27 | |
Now, Doctor, as I am sure you are aware, | 0:50:27 | 0:50:29 | |
there are laws relating to the aiding and abetting of a fugitive. | 0:50:29 | 0:50:32 | |
If you are not aware of these laws, let me make them clear to you now... | 0:50:32 | 0:50:34 | |
Bob, I am not going to jail for this. | 0:50:34 | 0:50:36 | |
Marcia, Bob. I am so sorry how this unfolded. I apologise. | 0:50:36 | 0:50:40 | |
Do you have a pen? I'll give you the address. | 0:50:40 | 0:50:42 | |
We're in Encino. | 0:50:42 | 0:50:45 | |
Juice! | 0:50:45 | 0:50:46 | |
OJ, no, please. This, this is where my daughter sleeps. | 0:50:47 | 0:50:51 | |
Come on, OJ, please. Do not kill yourself in Kimmy's bedroom. | 0:50:51 | 0:50:54 | |
Give me the gun. Give me the gun. Come on, come on. | 0:50:54 | 0:50:57 | |
We can beat this thing together, just... We all love you. | 0:50:57 | 0:51:00 | |
We all love you. Your kids love you. | 0:51:00 | 0:51:02 | |
God... | 0:51:02 | 0:51:03 | |
God loves you. | 0:51:03 | 0:51:05 | |
Juice... OK, OK. | 0:51:05 | 0:51:07 | |
Just...you don't want your kids to grow up with no parents. | 0:51:07 | 0:51:11 | |
You want your kids to lose both parents? Come on... | 0:51:11 | 0:51:14 | |
TYRES SCREECH | 0:51:14 | 0:51:16 | |
Look, it's AC. Juice, it's A.C. Come here! Come here! | 0:51:16 | 0:51:19 | |
It's AC, come here. Come here! AC's here. | 0:51:19 | 0:51:21 | |
-SHE GASPS -Oh, God! | 0:51:21 | 0:51:23 | |
-Paula, OK... -What's going on? No. | 0:51:23 | 0:51:25 | |
Just stay with him. Don't leave him. I'm getting AC. | 0:51:25 | 0:51:28 | |
Juice! A.C.'s here! | 0:51:28 | 0:51:29 | |
SHE SOBS | 0:51:31 | 0:51:32 | |
Jesus Christ. Who are all of these people? | 0:51:37 | 0:51:40 | |
AC! You gotta, you gotta come handle this. | 0:51:40 | 0:51:43 | |
What? What's happening? | 0:51:43 | 0:51:44 | |
-Come on, it's OJ. He's got a gun. -What? | 0:51:44 | 0:51:46 | |
He's suicidal. | 0:51:46 | 0:51:48 | |
There's a warrant for the arrest of Orenthal James Simpson. | 0:52:03 | 0:52:06 | |
I understand. Come in. He's here. | 0:52:06 | 0:52:09 | |
We intend to fully cooperate. | 0:52:09 | 0:52:11 | |
Bob, please get Mr Simpson. | 0:52:11 | 0:52:13 | |
# They say every distance is not near... # | 0:52:18 | 0:52:21 | |
Are you gentlemen familiar with Chief Williams? Dear friend of mine. | 0:52:23 | 0:52:26 | |
No, sir. We just need Mr Simpson. | 0:52:26 | 0:52:29 | |
# Yet I remember every face | 0:52:29 | 0:52:33 | |
# Of every man who put me here. # | 0:52:33 | 0:52:36 | |
He... He's not there. | 0:52:36 | 0:52:39 | |
What do you mean? | 0:52:39 | 0:52:41 | |
# I see my light... # | 0:52:41 | 0:52:43 | |
He's gone? Well, let's find him! Come on! | 0:52:43 | 0:52:47 | |
OJ! OJ! | 0:52:48 | 0:52:51 | |
Mr Simpson. | 0:52:51 | 0:52:52 | |
-Juice? -Mr Simpson? | 0:52:52 | 0:52:54 | |
Juice! | 0:52:54 | 0:52:55 | |
Mr Simpson? Juice? | 0:52:55 | 0:52:57 | |
Mr Simpson? | 0:52:57 | 0:52:59 | |
-# Any day now... # -OJ! | 0:52:59 | 0:53:02 | |
-# Any day now... # -O.J.! | 0:53:02 | 0:53:04 | |
They went out back. | 0:53:04 | 0:53:06 | |
# I shall be released | 0:53:07 | 0:53:11 | |
# All day long I hear him... # | 0:53:15 | 0:53:17 | |
The Bronco's gone. | 0:53:17 | 0:53:19 | |
Yeah, I got it. | 0:53:21 | 0:53:23 | |
Oh, my God. We're going to look like morons. | 0:53:24 | 0:53:28 | |
# I see my light | 0:53:30 | 0:53:32 | |
# Come shining | 0:53:32 | 0:53:35 | |
# From the west down to the east | 0:53:37 | 0:53:44 | |
# Any day now | 0:53:45 | 0:53:49 | |
# Any day now... | 0:53:49 | 0:53:53 | |
# I shall be | 0:53:54 | 0:53:58 | |
# Released. # | 0:53:58 | 0:54:05 |