Browse content similar to The Run of His Life. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
A friend loveth at all times... | 0:00:02 | 0:00:05 | |
..and a brother is born in adversity. | 0:00:07 | 0:00:09 | |
Father, please, please, please have mercy on him. | 0:00:11 | 0:00:15 | |
Look after him, protect him, | 0:00:15 | 0:00:17 | |
for he's in pain and he knows not what he's doing. | 0:00:17 | 0:00:21 | |
Just tell him Robert Shapiro is calling. He'll know what it's about. | 0:00:24 | 0:00:28 | |
What do you want? | 0:00:28 | 0:00:29 | |
-Gil! -I wish I could reach through this goddamn phone and strangle you. | 0:00:29 | 0:00:33 | |
I am so sorry he did this to us. | 0:00:33 | 0:00:35 | |
I mean, you know that I'm a fixer of things. | 0:00:35 | 0:00:38 | |
I don't tolerate this kind of stuff. | 0:00:38 | 0:00:40 | |
How does a murder suspect disappear from a house full of people? | 0:00:40 | 0:00:42 | |
I didn't know that he was going to run. | 0:00:42 | 0:00:44 | |
I mean, you've got to believe me, Gil. | 0:00:44 | 0:00:46 | |
I mean, I'm the good guy here! | 0:00:46 | 0:00:48 | |
Look, who brought Menendez back from Israel, hmm? | 0:00:48 | 0:00:51 | |
Who backed your campaign? | 0:00:51 | 0:00:53 | |
Look, you even came to my 50th birthday. | 0:00:53 | 0:00:55 | |
You loved it, it was a great party. | 0:00:55 | 0:00:56 | |
Bob, find your client and deliver him. | 0:00:56 | 0:00:59 | |
Do you have a minute? | 0:01:13 | 0:01:14 | |
Of course. | 0:01:14 | 0:01:16 | |
Drink? | 0:01:16 | 0:01:17 | |
No, thanks. | 0:01:17 | 0:01:18 | |
OJ left a suicide note. | 0:01:26 | 0:01:27 | |
It's terrible. | 0:01:35 | 0:01:36 | |
I don't know what we're supposed to do with it. | 0:01:39 | 0:01:41 | |
I mean, do we need to give it to the police? | 0:01:41 | 0:01:43 | |
Jesus Christ. | 0:01:45 | 0:01:47 | |
Who the hell signs a suicide note with a happy face? | 0:01:47 | 0:01:50 | |
-TV: -'One of the most stunning announcements you're ever | 0:01:50 | 0:01:52 | |
'going to hear on live television - | 0:01:52 | 0:01:54 | |
'OJ Simpson, one of this country's best known personalities, | 0:01:54 | 0:01:57 | |
'is a suspect in a double homicide, a terribly gruesome crime, | 0:01:57 | 0:02:00 | |
'and he is at large tonight. | 0:02:00 | 0:02:02 | |
'There is now a state-wide manhunt under way for OJ Simpson | 0:02:02 | 0:02:05 | |
'in California.' | 0:02:05 | 0:02:07 | |
If it were our absolute goal, could we look more incompetent? | 0:02:07 | 0:02:10 | |
It's the worst day of my life. | 0:02:12 | 0:02:14 | |
It's worse than the day I was diagnosed with cancer. | 0:02:15 | 0:02:17 | |
'He failed to appear by 11.45. The Los Angeles Police Department...' | 0:02:17 | 0:02:20 | |
It's frigging Shapiro. He screwed all of us. | 0:02:20 | 0:02:22 | |
God forbid a celebrity should do a perp walk. | 0:02:22 | 0:02:24 | |
It's always the big cases that melt down - | 0:02:24 | 0:02:26 | |
McMartin, Twilight Zone, Menendez. | 0:02:26 | 0:02:29 | |
Why is it always the famous ones? | 0:02:30 | 0:02:31 | |
'Who would have thought that it would come to this, | 0:02:31 | 0:02:34 | |
'with this man who was so beloved in this country for so long? | 0:02:34 | 0:02:36 | |
'But now...' | 0:02:36 | 0:02:38 | |
He can't hide forever. | 0:02:38 | 0:02:40 | |
Everyone knows his face. | 0:02:40 | 0:02:41 | |
Let's go, let's go! | 0:02:43 | 0:02:44 | |
SIRENS BLARE | 0:02:51 | 0:02:53 | |
Let's go, let's go! | 0:02:56 | 0:02:58 | |
SIRENS BLARE | 0:02:58 | 0:03:01 | |
We've received 110 tips so far. | 0:03:08 | 0:03:09 | |
"He's with Magic Johnson." | 0:03:11 | 0:03:13 | |
"He's in Atlanta." | 0:03:13 | 0:03:14 | |
"He's eating lunch with Dionne Warwick at the Ivy." | 0:03:14 | 0:03:17 | |
Christ. | 0:03:17 | 0:03:18 | |
All right, look, we have to weed out the crackpots, all right? | 0:03:18 | 0:03:21 | |
So, make sure you put out the year and the plates on the white Bronco. | 0:03:21 | 0:03:24 | |
All right? | 0:03:24 | 0:03:25 | |
The guy he's with? | 0:04:13 | 0:04:14 | |
Can anybody tell me who AC Cowlings is? | 0:04:14 | 0:04:16 | |
He's a fourth-rate linebacker. He's sort of a poor man's OJ. | 0:04:16 | 0:04:19 | |
OJ, AC, get it? | 0:04:19 | 0:04:21 | |
Will you just quiet down? | 0:04:21 | 0:04:23 | |
I feel like I'm going to vomit. | 0:04:23 | 0:04:24 | |
Pardon me. | 0:04:30 | 0:04:31 | |
I want to say something to the entire community. | 0:04:33 | 0:04:36 | |
Mr Simpson is a fugitive of justice. | 0:04:36 | 0:04:39 | |
And if any of you assist him, in any way, | 0:04:40 | 0:04:44 | |
you are committing a felony, | 0:04:44 | 0:04:46 | |
and I personally guarantee you will be prosecuted. | 0:04:46 | 0:04:49 | |
-'Today, my office...' -I hope they catch him. | 0:04:51 | 0:04:53 | |
You know he did it. | 0:04:53 | 0:04:54 | |
You don't know that. They're just tearing down another black man. | 0:04:54 | 0:04:57 | |
'Nicole Brown Simpson and Ronald Lyle Goldman...' | 0:04:57 | 0:05:00 | |
Want me to turn off the TVs? Tell them to go back to work? | 0:05:00 | 0:05:03 | |
No, it's fine. Let them watch. | 0:05:03 | 0:05:04 | |
Something big's happening here. | 0:05:04 | 0:05:06 | |
'We are alleging special circumstances. | 0:05:06 | 0:05:09 | |
'We are also alleging the murder weapon was a knife. | 0:05:09 | 0:05:11 | |
'Mr Simpson must face these charges and we will find him.' | 0:05:11 | 0:05:14 | |
The TV on? | 0:05:20 | 0:05:22 | |
Course, I'm watching. Picked a hell of a day to leave town. | 0:05:22 | 0:05:24 | |
Well, how was I supposed to know that... | 0:05:24 | 0:05:27 | |
What is that? | 0:05:27 | 0:05:28 | |
Arnold Palmer's last US Open. He's retiring today. | 0:05:28 | 0:05:30 | |
Pops, come on. | 0:05:30 | 0:05:32 | |
'Now, you can tell I'm upset. This is a...' | 0:05:34 | 0:05:38 | |
-Oh, he looks horrible. -'It's a very serious case.' | 0:05:38 | 0:05:40 | |
Oh, my God, Marcia's dying up there. | 0:05:40 | 0:05:42 | |
-You know all those people? -Shh. | 0:05:42 | 0:05:43 | |
'I think, perhaps, that some of us might have had empathy for him. | 0:05:43 | 0:05:46 | |
'We saw the falling of an American hero, | 0:05:46 | 0:05:48 | |
'and to some extent, I viewed Mr Simpson the same way. | 0:05:48 | 0:05:51 | |
'But let's remember, | 0:05:51 | 0:05:52 | |
'we have two innocent people who were brutally murdered. | 0:05:52 | 0:05:55 | |
'But how could this happen? | 0:05:55 | 0:05:56 | |
'The entire world was focused on this one man and he slipped away.' | 0:05:56 | 0:05:59 | |
'How can you answer that? | 0:05:59 | 0:06:01 | |
'I can't.' | 0:06:02 | 0:06:04 | |
You think he's going to get away? | 0:06:04 | 0:06:06 | |
No way. | 0:06:06 | 0:06:07 | |
OJ humiliated them. | 0:06:07 | 0:06:08 | |
He's dead meat. | 0:06:10 | 0:06:11 | |
I don't like the subtext of this one bit. | 0:06:12 | 0:06:14 | |
There's an unspoken villain here. | 0:06:14 | 0:06:16 | |
Who, AC? | 0:06:16 | 0:06:17 | |
Hmm? No, me! | 0:06:17 | 0:06:20 | |
Everyone's blaming me for everything. | 0:06:20 | 0:06:22 | |
I have a very clean reputation. | 0:06:22 | 0:06:23 | |
What we need is our own press conference. | 0:06:23 | 0:06:26 | |
Are we good? | 0:06:29 | 0:06:31 | |
Sound good? | 0:06:31 | 0:06:32 | |
We're all... | 0:06:32 | 0:06:33 | |
OK. | 0:06:33 | 0:06:34 | |
I must make one thing perfectly clear - | 0:06:39 | 0:06:42 | |
I am as shocked as anybody is at this turn of events. | 0:06:42 | 0:06:46 | |
Over the past 25 years, on numerous occasions, | 0:06:46 | 0:06:49 | |
I have made similar arrangements with the LAPD, | 0:06:49 | 0:06:53 | |
with the district attorney's office and Mr Garcetti. | 0:06:53 | 0:06:56 | |
They have always kept their word to me | 0:06:57 | 0:07:00 | |
and I have always kept my word to them. | 0:07:00 | 0:07:03 | |
In fact, I arranged the surrender of Erik Menendez from Israel. | 0:07:03 | 0:07:09 | |
What a prick. | 0:07:09 | 0:07:10 | |
Robert Shapiro's focused on his number one priority - | 0:07:11 | 0:07:15 | |
Robert Shapiro. | 0:07:15 | 0:07:16 | |
What would you be saying? | 0:07:16 | 0:07:17 | |
I wouldn't be falling back on the pronouns "me", "myself" and "I." | 0:07:17 | 0:07:21 | |
People, when you take these jobs, you have only one role - | 0:07:21 | 0:07:24 | |
you are in service to your client. | 0:07:24 | 0:07:28 | |
Never betray that individual. | 0:07:28 | 0:07:30 | |
Never. | 0:07:30 | 0:07:31 | |
'No, he was always under a doctor's care. | 0:07:31 | 0:07:33 | |
'In fact, we were concerned that he would take this avenue. | 0:07:34 | 0:07:37 | |
'OJ, wherever you are,' | 0:07:39 | 0:07:41 | |
for the sake of your children, | 0:07:41 | 0:07:44 | |
for the sake of your family, | 0:07:44 | 0:07:47 | |
please, surrender immediately | 0:07:47 | 0:07:50 | |
to any law enforcement official. | 0:07:50 | 0:07:53 | |
What were the last words you heard from OJ? | 0:07:53 | 0:07:55 | |
Oh, well, they were of a complimentary nature. | 0:07:55 | 0:07:58 | |
He thanked me for everything I did for him. | 0:07:58 | 0:08:00 | |
So, now I would like to introduce Robert Kardashian - | 0:08:01 | 0:08:04 | |
one of OJ's closest and dearest friends. | 0:08:04 | 0:08:08 | |
He will now read a note that OJ handwrote today. | 0:08:08 | 0:08:11 | |
Robert? | 0:08:11 | 0:08:13 | |
Oh, my God, it's Daddy! | 0:08:13 | 0:08:15 | |
-ALL: -It's Daddy! It's Daddy! | 0:08:15 | 0:08:17 | |
'This letter was written by OJ today.' | 0:08:17 | 0:08:20 | |
"To whom it may concern, | 0:08:20 | 0:08:23 | |
"first, everyone understand, I had nothing to do with Nicole's murder. | 0:08:23 | 0:08:29 | |
"I loved her. | 0:08:30 | 0:08:31 | |
"At times, I felt like a battered husband..." | 0:08:33 | 0:08:37 | |
Did I hear that correctly? | 0:08:37 | 0:08:38 | |
He feels like a battered husband? | 0:08:38 | 0:08:40 | |
Well, you know, he cut his hand while he was killing her. | 0:08:40 | 0:08:43 | |
"Please think of the real OJ | 0:08:43 | 0:08:45 | |
"and not this lost person. | 0:08:45 | 0:08:47 | |
"Thank you for making my life special. | 0:08:49 | 0:08:52 | |
"I hope I helped yours. | 0:08:52 | 0:08:54 | |
"Peace and love. OJ." | 0:08:55 | 0:08:57 | |
Who are you? | 0:08:58 | 0:08:59 | |
Robert... Robert Kardashian. | 0:08:59 | 0:09:02 | |
Kazany? | 0:09:02 | 0:09:03 | |
'Rakashian? Can you please spell that?' | 0:09:03 | 0:09:05 | |
K-A-R-D-A-S-H-I-A-N. | 0:09:05 | 0:09:09 | |
-THEY CHANT: -Kardashian! Kardashian! Kardashian! | 0:09:09 | 0:09:11 | |
'Please, be respectful.' | 0:09:11 | 0:09:14 | |
This is a very close friend of Mr OJ Simpson's, Robert Kardashian. | 0:09:14 | 0:09:18 | |
MUSIC: Sabotage by Beastie Boys | 0:09:21 | 0:09:25 | |
Oh, my God. | 0:09:38 | 0:09:39 | |
There's a white Bronco behind us right now! | 0:09:39 | 0:09:42 | |
You liar. No, there isn't. | 0:09:42 | 0:09:44 | |
I'm serious, look. | 0:09:44 | 0:09:45 | |
HORN BLARES CAR SCREECHES | 0:09:45 | 0:09:47 | |
Oh, my God! | 0:09:47 | 0:09:48 | |
-Oh, my God. -Oh, my God. | 0:09:51 | 0:09:52 | |
Oh, my God! Oh, my God! It's AC Cowlings! | 0:09:52 | 0:09:55 | |
-Oh! -Hey! -Hey! | 0:09:55 | 0:09:57 | |
HORN BLASTS | 0:09:57 | 0:09:59 | |
Hey! Over here! | 0:09:59 | 0:10:01 | |
CAR SCREECHES | 0:10:01 | 0:10:03 | |
HORN BLASTS | 0:10:03 | 0:10:05 | |
-Hey! -Hey! | 0:10:05 | 0:10:07 | |
What are you looking at?! | 0:10:07 | 0:10:09 | |
It's him! It's frigging him! | 0:10:09 | 0:10:10 | |
I told you! | 0:10:10 | 0:10:12 | |
Oh, my God. | 0:10:12 | 0:10:13 | |
What! | 0:10:13 | 0:10:14 | |
Holy crap! | 0:10:17 | 0:10:19 | |
Yes, yes, it is them. | 0:10:19 | 0:10:21 | |
Yes, it's them. | 0:10:21 | 0:10:22 | |
They're going north on the five, right before it merges with the 405. | 0:10:22 | 0:10:25 | |
I'm telling you, it's OJ! | 0:10:25 | 0:10:27 | |
HORN BLASTS | 0:10:30 | 0:10:31 | |
HORN BLASTS CAR SCREECHES | 0:10:39 | 0:10:44 | |
SIREN BLARES | 0:10:49 | 0:10:51 | |
We've sighted a white Ford Bronco, north of Irvine Center Drive. | 0:10:51 | 0:10:55 | |
Licence plate - Three, Papa, Charlie, Tango, Four, Zero, Three. | 0:10:55 | 0:10:58 | |
Hope we got him. | 0:10:59 | 0:11:00 | |
Stay in your car, sir. | 0:11:01 | 0:11:03 | |
Sir, step out of the vehicle! | 0:11:06 | 0:11:08 | |
No, no, no! Hell no! | 0:11:08 | 0:11:10 | |
Sir, you need to turn your engine off and step from the vehicle now! | 0:11:10 | 0:11:13 | |
Do you know what's going on here?! | 0:11:13 | 0:11:14 | |
OJ's in the back seat with a gun to his head! | 0:11:14 | 0:11:18 | |
Can I speak with Mr Simpson? | 0:11:18 | 0:11:19 | |
No! No, I ain't speaking to nobody! I ain't speaking to nobody! | 0:11:19 | 0:11:22 | |
Tell him the gun's loaded, AC! | 0:11:22 | 0:11:24 | |
-What? What? -Tell him! Tell him! | 0:11:24 | 0:11:25 | |
I know! OJ, OJ, I will handle it, OK? I know! | 0:11:25 | 0:11:27 | |
We don't want a situation here! We don't want anybody to get hurt! | 0:11:27 | 0:11:30 | |
-You both need to get out! -OJ, OJ, OJ! | 0:11:30 | 0:11:31 | |
-Tell him! Tell him! Tell him! -You need to get out! | 0:11:31 | 0:11:34 | |
That's not happening! Back off! | 0:11:34 | 0:11:37 | |
CAR SCREECHES | 0:11:37 | 0:11:38 | |
Do we shoot? | 0:11:38 | 0:11:40 | |
I'm not shooting at OJ Simpson unless somebody authorises it. | 0:11:40 | 0:11:43 | |
INDISTINCT SHOUTS | 0:11:43 | 0:11:45 | |
CAMERA CLICKS | 0:11:47 | 0:11:49 | |
HELICOPTER ROTORS WHIR | 0:12:04 | 0:12:07 | |
'Mr Simpson is a fugitive of justice. | 0:12:18 | 0:12:20 | |
'And if any of you assist him, in any way, | 0:12:22 | 0:12:24 | |
'you are committing a felony... | 0:12:24 | 0:12:26 | |
'..and I personally guarantee you will be prosecuted. | 0:12:27 | 0:12:30 | |
'Today, my office... | 0:12:32 | 0:12:34 | |
'filed murder charges against OJ Simpson | 0:12:35 | 0:12:38 | |
'for the murder of Nicole Brown Simpson | 0:12:38 | 0:12:41 | |
'and Ronald Lyle Goldman.' | 0:12:41 | 0:12:42 | |
Um, I have some bad news. | 0:12:42 | 0:12:44 | |
'These are very serious crimes.' | 0:12:44 | 0:12:46 | |
I was... | 0:12:48 | 0:12:50 | |
I was with OJ this morning and he... | 0:12:50 | 0:12:53 | |
..he was in pretty bad shape. | 0:12:56 | 0:12:58 | |
What do you mean? | 0:12:58 | 0:12:59 | |
He was in a lot of pain. | 0:13:02 | 0:13:03 | |
He left a note. | 0:13:09 | 0:13:10 | |
And we have reason to believe that he's killed himself. | 0:13:13 | 0:13:16 | |
Oh, my God! | 0:13:16 | 0:13:18 | |
I'm so sorry. I'm... | 0:13:19 | 0:13:22 | |
I'm so sorry. | 0:13:22 | 0:13:23 | |
FIST SLAMS ON TABLE | 0:13:25 | 0:13:27 | |
He wanted you to know, he wanted all of you to know, | 0:13:27 | 0:13:29 | |
he loved you... | 0:13:29 | 0:13:30 | |
he loved you very much. | 0:13:30 | 0:13:31 | |
He loved everybody here. | 0:13:32 | 0:13:34 | |
OJ's in a better place. | 0:13:34 | 0:13:36 | |
He's in a better place. | 0:13:38 | 0:13:39 | |
No, wait! | 0:13:44 | 0:13:46 | |
Look! | 0:13:46 | 0:13:47 | |
Look. | 0:13:47 | 0:13:48 | |
'OJ Simpson is sitting in the back seat | 0:13:50 | 0:13:52 | |
'and he has a gun at his head.' | 0:13:52 | 0:13:54 | |
Oh, Dad. | 0:13:54 | 0:13:55 | |
Oh! | 0:13:55 | 0:13:56 | |
'Presumably, the officers in those four cars that are maintaining | 0:13:56 | 0:13:59 | |
'the pace...' | 0:13:59 | 0:14:01 | |
RADIO: # We're in this love together | 0:14:14 | 0:14:18 | |
# We got the kind that lasts forever. # | 0:14:18 | 0:14:20 | |
Bob, where have you been? | 0:14:26 | 0:14:28 | |
Do you have any idea what is going on? | 0:14:28 | 0:14:29 | |
Yeah. I did a press conference, then I filled the gas tank. | 0:14:29 | 0:14:33 | |
Bob, they found him. | 0:14:33 | 0:14:35 | |
OJ is driving up and down the freeways with a police escort. | 0:14:35 | 0:14:38 | |
He's still alive? | 0:14:38 | 0:14:39 | |
'However, there are a number of highway patrol units | 0:14:40 | 0:14:42 | |
'and sheriff's vehicles sitting on the side of the road. | 0:14:42 | 0:14:45 | |
'And that's called a code 100, an intercept, | 0:14:45 | 0:14:47 | |
'and what they're doing is they're making sure no other vehicles...' | 0:14:47 | 0:14:50 | |
Good for you, OJ. | 0:14:50 | 0:14:51 | |
Good for you. | 0:14:51 | 0:14:52 | |
We're still in the game. | 0:14:54 | 0:14:56 | |
Hello, everyone, I'm Bob Costas. | 0:15:00 | 0:15:02 | |
It is our professional obligation to cover the ball game tonight. | 0:15:02 | 0:15:05 | |
We will do that in what we hope is an appropriate fashion. | 0:15:05 | 0:15:08 | |
We are, of course, mindful of the OJ Simpson situation | 0:15:08 | 0:15:12 | |
and we will apprise you of any new developments. | 0:15:12 | 0:15:14 | |
'..with doctors who've been treating Simpson...' | 0:15:14 | 0:15:16 | |
Why don't we stop him, shoot out his tyres? | 0:15:16 | 0:15:18 | |
We don't want a shoot-out on live TV. | 0:15:18 | 0:15:20 | |
We're on every network in the country. | 0:15:20 | 0:15:22 | |
What's the protocol? | 0:15:22 | 0:15:23 | |
Protocol? I don't know, Bill. What is the protocol... | 0:15:23 | 0:15:26 | |
for an armed celebrity fugitive being chased | 0:15:26 | 0:15:28 | |
by 12 police cars and seven helicopters? | 0:15:28 | 0:15:30 | |
Christ. | 0:15:32 | 0:15:33 | |
I thought I was going to run for mayor. | 0:15:34 | 0:15:36 | |
'And we are told by the California Highway Patrol | 0:15:36 | 0:15:38 | |
'that OJ Simpson is in that car, holding a gun to his head. | 0:15:38 | 0:15:43 | |
'He has been in touch with a police highway dispatcher, | 0:15:43 | 0:15:46 | |
'saying he wants to be taken to his mother. | 0:15:46 | 0:15:49 | |
'He wants to see her. | 0:15:49 | 0:15:50 | |
'But we don't know what the resolution of all of this will be. | 0:15:51 | 0:15:54 | |
'There are nine black and whites...' | 0:15:54 | 0:15:56 | |
SIRENS BLARE | 0:15:56 | 0:15:57 | |
All right, what do you want me to do, OJ? | 0:16:10 | 0:16:12 | |
I should die. | 0:16:12 | 0:16:14 | |
No. Put the gun down, Juice. | 0:16:14 | 0:16:15 | |
I'm tired of you driving me around, AC! | 0:16:15 | 0:16:18 | |
Tell me what you need! | 0:16:18 | 0:16:19 | |
Take me to the cemetery. | 0:16:19 | 0:16:20 | |
No, man. We did that already. | 0:16:20 | 0:16:22 | |
I don't know what is happening. Why is this happening to me? | 0:16:22 | 0:16:25 | |
I don't understand. I had such a beautiful family. | 0:16:25 | 0:16:28 | |
Nicole and Sydney and Justin... | 0:16:28 | 0:16:30 | |
You still got the kids, Juice, all right? | 0:16:30 | 0:16:32 | |
-Think about the kids. -Just... | 0:16:32 | 0:16:33 | |
Just take me home. | 0:16:33 | 0:16:35 | |
I want to see Mama. | 0:16:35 | 0:16:36 | |
Brother, we got half the police in California in pursuit. | 0:16:36 | 0:16:39 | |
They might not let us. | 0:16:39 | 0:16:40 | |
I want this to end! | 0:16:40 | 0:16:42 | |
PHONE BUTTONS BEEP RINGING TONE | 0:16:42 | 0:16:44 | |
'This is 911, what is your emergency?' | 0:16:45 | 0:16:48 | |
Hey, this is AC. I have OJ in the car. | 0:16:48 | 0:16:50 | |
'Who is this?' | 0:16:50 | 0:16:51 | |
You know who this is, goddamn it! I have OJ in the car! | 0:16:51 | 0:16:54 | |
You tell the police to back off! | 0:16:54 | 0:16:56 | |
-He's got a gun to his head! -'Hold on a moment. | 0:16:56 | 0:16:59 | |
'Where are you? Is everything else OK?' | 0:16:59 | 0:17:00 | |
What? No! What kind of stupid-ass question is that?! | 0:17:00 | 0:17:03 | |
Everything is terrible! | 0:17:03 | 0:17:04 | |
You just clear the freeway! We're going to Brentwood! | 0:17:04 | 0:17:07 | |
Stupid ass. | 0:17:08 | 0:17:09 | |
Ready on Chyron. Give me ten. | 0:17:15 | 0:17:17 | |
They're clearing the freeway. There's nobody else driving on it. | 0:17:17 | 0:17:20 | |
What?! You're kidding. | 0:17:20 | 0:17:22 | |
We've got to cut to OJ. | 0:17:22 | 0:17:24 | |
I can't, it's the NBA Finals. | 0:17:24 | 0:17:26 | |
You do realise how much these spots are going for? | 0:17:26 | 0:17:30 | |
Put the game in the box. | 0:17:30 | 0:17:32 | |
-What? No! -You have to think clearly! | 0:17:32 | 0:17:34 | |
OJ is news, entertainment and sports! | 0:17:34 | 0:17:36 | |
Jim, I can't. | 0:17:36 | 0:17:37 | |
In 24 years, I've never done anything like this. | 0:17:37 | 0:17:40 | |
OJ gets the big screen. I'm calling upstairs. | 0:17:40 | 0:17:43 | |
Shit! | 0:17:44 | 0:17:45 | |
Asshole. Go. Ready two and take two. Ready uplink. | 0:17:45 | 0:17:49 | |
CHEERING | 0:17:49 | 0:17:51 | |
CHEERING | 0:17:56 | 0:17:59 | |
Come on! | 0:18:00 | 0:18:01 | |
BOOING | 0:18:01 | 0:18:02 | |
'We bring you this breaking update on the OJ Simpson situation. | 0:18:02 | 0:18:05 | |
'Al Cowlings' car, as it makes its way along a freeway | 0:18:05 | 0:18:07 | |
'in Los Angeles in the south-central part of that area, | 0:18:07 | 0:18:11 | |
'and we are told by the California Highway Patrol that | 0:18:11 | 0:18:13 | |
'OJ Simpson is in that car, holding a gun to his head. | 0:18:13 | 0:18:17 | |
'He has been in touch with a police highway dispatcher, | 0:18:17 | 0:18:20 | |
'saying he wants to be taken to his mother. | 0:18:20 | 0:18:23 | |
'He wants to see her. | 0:18:23 | 0:18:25 | |
'Now, what we figure now is that OJ Simpson | 0:18:25 | 0:18:29 | |
'is sitting in the back seat and he has a gun at his head | 0:18:29 | 0:18:34 | |
'and presumably the officers in those four cars...' | 0:18:34 | 0:18:38 | |
I can't believe this is the 405 on a Friday night. | 0:18:38 | 0:18:41 | |
Where are all the cars? | 0:18:41 | 0:18:42 | |
The backup on Sepulveda must be unbelievable. | 0:18:42 | 0:18:44 | |
'..let situation play out | 0:18:44 | 0:18:46 | |
'and hope they can resolve it without anyone getting hurt. | 0:18:46 | 0:18:49 | |
'The car is, again, on the 91 freeway. | 0:18:49 | 0:18:53 | |
'This is a white Ford Bronco. This is the one...' | 0:18:53 | 0:18:56 | |
It's like the world's longest Ford Bronco commercial. | 0:18:56 | 0:19:00 | |
-Look at this. -'..OJ Simpson was armed and dangerous. | 0:19:00 | 0:19:02 | |
'He should be considered dangerous. | 0:19:02 | 0:19:04 | |
'And here, in the back seat of the car with a gun to his head. | 0:19:04 | 0:19:07 | |
'This is heading in the...' | 0:19:07 | 0:19:09 | |
Phil, question. | 0:19:09 | 0:19:10 | |
How is OJ back in his white Bronco? | 0:19:10 | 0:19:12 | |
What do you mean? | 0:19:12 | 0:19:13 | |
I mean, the Bronco was full of blood. We impounded it! | 0:19:13 | 0:19:16 | |
How can he be driving it again? | 0:19:16 | 0:19:17 | |
Hold on a second. Tom, how is OJ back in the Bronco? | 0:19:17 | 0:19:20 | |
Believe it or not, there are two white Broncos. | 0:19:20 | 0:19:22 | |
AC Cowlings worships OJ so much, he bought the identical car. | 0:19:22 | 0:19:26 | |
Unbelievable. | 0:19:26 | 0:19:27 | |
What's the situation at Rockingham? | 0:19:28 | 0:19:30 | |
SWAT's taking over. | 0:19:30 | 0:19:31 | |
All right. | 0:19:32 | 0:19:33 | |
SIRENS BLARE | 0:19:34 | 0:19:36 | |
We need the breadsticks. How the chicken wings looking? | 0:19:44 | 0:19:47 | |
We got the 20-piece in the back. | 0:19:47 | 0:19:49 | |
Somebody got to get... | 0:19:49 | 0:19:50 | |
Aw, this is crazy, man! We ran out of cheese. | 0:19:51 | 0:19:54 | |
-'We are witnessing tonight a modern tragedy and drama...' -Come on, OJ. | 0:19:54 | 0:19:57 | |
-Come on. -'..of Shakespearean proportion being played out | 0:19:57 | 0:20:00 | |
-'live on television...' -PHONE RINGS | 0:20:00 | 0:20:01 | |
'..in Southern California. | 0:20:01 | 0:20:03 | |
-'We are told, as well, that OJ....' -PHONE RINGS | 0:20:03 | 0:20:05 | |
'..is sitting in the back seat with a gun to his head. | 0:20:05 | 0:20:08 | |
'That comes from the California Highway Patrol.' | 0:20:08 | 0:20:10 | |
Juice? | 0:20:10 | 0:20:12 | |
Bob. Bob, I've been looking for you. | 0:20:12 | 0:20:14 | |
I called the house in Encino and you weren't there. | 0:20:15 | 0:20:19 | |
'I don't know if you heard what's happening.' | 0:20:19 | 0:20:21 | |
Uh, yeah, I heard, Juice. It's on every channel. | 0:20:21 | 0:20:24 | |
I... | 0:20:26 | 0:20:27 | |
I just wanted to tell you I love you, Bobby. | 0:20:27 | 0:20:30 | |
'Bobby, you're the best.' | 0:20:30 | 0:20:32 | |
You know I feel the same, Juice. | 0:20:32 | 0:20:34 | |
Remember how much fun we used to have? | 0:20:36 | 0:20:39 | |
'Wow. | 0:20:39 | 0:20:40 | |
'Remember the night the four of us | 0:20:41 | 0:20:43 | |
'went to that steakhouse, used to be on La Cienega? | 0:20:43 | 0:20:46 | |
'I forget the name. | 0:20:47 | 0:20:48 | |
'You, me, Nicole, Kris.' | 0:20:49 | 0:20:51 | |
We had some fun times together. | 0:20:53 | 0:20:55 | |
Want you to tell everybody that I love them. | 0:20:58 | 0:21:01 | |
'Say goodbye for me. | 0:21:01 | 0:21:02 | |
'Say goodbye to Don Ohlmeyer... | 0:21:04 | 0:21:06 | |
'..Skip Taft, Wayne Hughes...' | 0:21:08 | 0:21:10 | |
..Louis Marx, Marcus Allen... | 0:21:12 | 0:21:15 | |
Cathy and Reggie. | 0:21:15 | 0:21:16 | |
If I'm forgetting anybody, please, let them know. | 0:21:18 | 0:21:20 | |
'You're going to tell them yourself, Juice, OK? | 0:21:20 | 0:21:23 | |
'You're going to see them all again.' | 0:21:23 | 0:21:26 | |
No. I just want to go home and see my mama one last time. | 0:21:26 | 0:21:30 | |
Yeah, I'm not sure coming home right now is such a hot idea. | 0:21:34 | 0:21:38 | |
'Juice? | 0:21:38 | 0:21:39 | |
'Juice?' | 0:21:41 | 0:21:42 | |
-OJ? -DISCONNECT TONE | 0:21:42 | 0:21:44 | |
'We continue to watch the white Bronco that is driven, | 0:21:45 | 0:21:48 | |
'we believe, by Al Cowlings, long-time friend of OJ Simpson. | 0:21:48 | 0:21:51 | |
'OJ Simpson is in the car.' | 0:21:51 | 0:21:52 | |
-Jason? -'At one point, he said he had a gun to his head. | 0:21:52 | 0:21:55 | |
'He's being pursued by California law enforcement...' | 0:21:55 | 0:21:57 | |
Where's your grandmother? | 0:21:57 | 0:21:59 | |
Oh. | 0:21:59 | 0:22:00 | |
She was having heart palpitations. | 0:22:00 | 0:22:02 | |
She's in hospital. | 0:22:02 | 0:22:03 | |
'..Simpson's home in Brentwood where his mother | 0:22:03 | 0:22:06 | |
'is believed to be staying...' | 0:22:06 | 0:22:07 | |
Hey, Uncle Bobby, | 0:22:07 | 0:22:08 | |
is my dad going to die? | 0:22:08 | 0:22:10 | |
'..told an LA dispatcher he wanted to see his mother. | 0:22:10 | 0:22:12 | |
'He has also said he could hurt himself.' | 0:22:12 | 0:22:14 | |
Gentlemen, the last I heard, the man was still alive. | 0:22:23 | 0:22:26 | |
We got to stay ahead of the news. | 0:22:30 | 0:22:32 | |
'Yes, it's a complex situation, but we must remember that' | 0:22:32 | 0:22:36 | |
he is a person not used to being arrested. | 0:22:36 | 0:22:38 | |
He's fragile, confused. | 0:22:38 | 0:22:41 | |
Whenever I see a black man being chased by armed officers, | 0:22:41 | 0:22:45 | |
my guard goes up. | 0:22:45 | 0:22:47 | |
With all due respect, this is a possible killer | 0:22:47 | 0:22:50 | |
who fled from the police. | 0:22:50 | 0:22:51 | |
Innocent until proven guilty. | 0:22:51 | 0:22:54 | |
If the LAPD is involved, | 0:22:54 | 0:22:56 | |
we should let history be our guiding principle. | 0:22:56 | 0:22:58 | |
Time after time, the police shoot first | 0:22:58 | 0:23:00 | |
and offer sloppy apologies afterwards. | 0:23:00 | 0:23:03 | |
30 years ago, a young man named Leonard Deadwyler | 0:23:03 | 0:23:06 | |
was driving his pregnant wife to the hospital. | 0:23:06 | 0:23:09 | |
She was about to give birth to their child. | 0:23:09 | 0:23:11 | |
And that very same LAPD saw a black man driving too fast | 0:23:11 | 0:23:15 | |
and they did what they do - | 0:23:15 | 0:23:17 | |
they shot and killed him. | 0:23:17 | 0:23:19 | |
I represented Leonard's family. | 0:23:20 | 0:23:23 | |
It was one of my very first cases. | 0:23:23 | 0:23:26 | |
Unfortunately, the first of many. | 0:23:26 | 0:23:28 | |
It was a terrible thing. | 0:23:32 | 0:23:34 | |
Leonard's only crime... | 0:23:36 | 0:23:37 | |
..the colour of his skin. | 0:23:38 | 0:23:40 | |
PHONE RINGS | 0:23:57 | 0:23:58 | |
What?! Who is this?! | 0:24:01 | 0:24:02 | |
This is Detective Tom Lange with the Los Angeles Police Department. | 0:24:02 | 0:24:05 | |
-How'd you get this number?! -You called 911. | 0:24:05 | 0:24:08 | |
Well, you tell the cops to back off, all right? | 0:24:08 | 0:24:10 | |
Stay away from us! | 0:24:10 | 0:24:12 | |
AC, give me the phone. | 0:24:12 | 0:24:13 | |
Hey, this is OJ. | 0:24:16 | 0:24:17 | |
I just wanted to say how sorry I am. | 0:24:19 | 0:24:21 | |
I didn't mean for you guys to all have to come out like this. | 0:24:22 | 0:24:25 | |
I know it's late on a Friday. | 0:24:27 | 0:24:29 | |
You guys work hard. | 0:24:29 | 0:24:30 | |
Probably want to go home and see your kids. | 0:24:31 | 0:24:35 | |
No, it's OK. We're just doing our jobs. | 0:24:35 | 0:24:38 | |
So... | 0:24:38 | 0:24:39 | |
..I understand you have a gun. | 0:24:41 | 0:24:43 | |
Yeah, but it's not for you. | 0:24:43 | 0:24:45 | |
Don't worry. I would never hurt any of you guys. | 0:24:45 | 0:24:48 | |
This gun's for me. | 0:24:49 | 0:24:51 | |
No, no, no, no, you don't want to do that. | 0:24:51 | 0:24:53 | |
Things will get better. | 0:24:53 | 0:24:55 | |
You should just toss it out the window. | 0:24:55 | 0:24:57 | |
No, no. I can't do that. | 0:24:57 | 0:24:59 | |
I got to be with Nicole. | 0:25:01 | 0:25:03 | |
Yeah. | 0:25:03 | 0:25:05 | |
That's all I'm trying to do. | 0:25:05 | 0:25:07 | |
I just can't do it on the freeway. | 0:25:07 | 0:25:10 | |
I can't do it in a field. | 0:25:10 | 0:25:11 | |
I tried to do it at her grave. | 0:25:12 | 0:25:15 | |
Now, I... | 0:25:15 | 0:25:16 | |
I'm just going to do it at home. | 0:25:16 | 0:25:17 | |
OJ, we want to keep you alive. We're not going to bother you. | 0:25:17 | 0:25:21 | |
We'll let you go home. We know you want to go there. | 0:25:21 | 0:25:23 | |
We'll let you go there. | 0:25:23 | 0:25:25 | |
But the gun is scaring everybody. | 0:25:25 | 0:25:27 | |
Please, can't you just throw it away? | 0:25:27 | 0:25:29 | |
No. | 0:25:32 | 0:25:34 | |
I deserve to get hurt. | 0:25:34 | 0:25:35 | |
-Go, OJ! -Go where? Where's he going to go? | 0:25:40 | 0:25:42 | |
-Anywhere but jail, baby. -Yo, Chris! -Yeah? | 0:25:42 | 0:25:44 | |
Get over here, man. | 0:25:44 | 0:25:46 | |
I thought you was going to give us a little play-by-play. | 0:25:46 | 0:25:48 | |
Please. | 0:25:48 | 0:25:49 | |
Ooh! Look at OJ go! That boy can still run. | 0:25:49 | 0:25:52 | |
Them goddamn cops ain't chasing him. | 0:25:52 | 0:25:54 | |
Remember his run in '67 against UCLA? | 0:25:54 | 0:25:57 | |
-Oh, yeah! -That was the best! | 0:25:57 | 0:25:59 | |
-That was pretty. -Nobody could catch the Juice. | 0:25:59 | 0:26:01 | |
I don't know what you guys are cheering for. | 0:26:01 | 0:26:03 | |
Jim Brown was a much better player. | 0:26:03 | 0:26:05 | |
What?! | 0:26:05 | 0:26:07 | |
-Chris, go in the house, boy. -OJ is local! | 0:26:07 | 0:26:09 | |
He went to Galileo High! | 0:26:09 | 0:26:11 | |
So what? | 0:26:11 | 0:26:12 | |
OJ never gave back. | 0:26:12 | 0:26:14 | |
You see any parks around here named for him? | 0:26:14 | 0:26:17 | |
Any children's centres? | 0:26:17 | 0:26:19 | |
See, now, Jim Brown cared about black people. | 0:26:19 | 0:26:22 | |
He was an activist. He spoke up. | 0:26:22 | 0:26:24 | |
Once OJ made his money, he split and never came back. | 0:26:24 | 0:26:27 | |
He became white. | 0:26:27 | 0:26:28 | |
Aah. | 0:26:28 | 0:26:29 | |
Well, you got the cops chasing him. | 0:26:29 | 0:26:32 | |
He's black now. | 0:26:32 | 0:26:34 | |
THEY LAUGH | 0:26:34 | 0:26:35 | |
# One nation under a groove | 0:26:35 | 0:26:40 | |
# Getting down just for the funk of it | 0:26:40 | 0:26:43 | |
# One nation and we're on the move | 0:26:44 | 0:26:48 | |
# Nothing can stop us now. # | 0:26:48 | 0:26:50 | |
'Orenthal James Simpson - | 0:26:53 | 0:26:55 | |
'a grieving former husband, comforting his motherless children. | 0:26:56 | 0:27:00 | |
-'A celebrity running...' -Why does that sound like a eulogy? | 0:27:01 | 0:27:05 | |
'A movie star, and a man wanted for double murder.' | 0:27:05 | 0:27:08 | |
I want him to finish this day alive. | 0:27:08 | 0:27:10 | |
'All of this in one week...' | 0:27:10 | 0:27:12 | |
I want him to pay for what he's done. | 0:27:12 | 0:27:14 | |
'..images of OJ Simpson.' | 0:27:14 | 0:27:15 | |
-THEY CHANT: -Go, OJ! | 0:27:17 | 0:27:22 | |
Why are you guys rooting for him? | 0:27:22 | 0:27:23 | |
We're not cheering for OJ. We're booing the LAPD! | 0:27:23 | 0:27:26 | |
It doesn't sound like you guys are booing. | 0:27:26 | 0:27:27 | |
We're doing both. OJ's running cos he's innocent. | 0:27:27 | 0:27:30 | |
He's a black man being hunted by the police. | 0:27:30 | 0:27:32 | |
They pick you up for anything. | 0:27:32 | 0:27:33 | |
I'd run! | 0:27:33 | 0:27:35 | |
Hey, look, it's OJ! | 0:27:35 | 0:27:36 | |
CHEERING | 0:27:36 | 0:27:38 | |
-THEY CHANT: -OJ! | 0:27:38 | 0:27:42 | |
-THEY CHANT: -Go, OJ! | 0:27:47 | 0:27:51 | |
HORNS BLARE | 0:27:54 | 0:27:58 | |
You hear that? | 0:27:58 | 0:27:59 | |
HORN BLARES | 0:27:59 | 0:28:00 | |
Those people shouldn't be on the freeway. | 0:28:00 | 0:28:02 | |
It's not safe. | 0:28:02 | 0:28:04 | |
-They're out because they love you. -CHEERING | 0:28:04 | 0:28:07 | |
They still love you, Juice. | 0:28:07 | 0:28:09 | |
'64 yards!' | 0:28:17 | 0:28:18 | |
'OJ Simpson!' | 0:28:19 | 0:28:21 | |
'80 yards for OJ Simpson!' | 0:28:23 | 0:28:24 | |
-Go, OJ! Go, OJ! -SIRENS BLARE | 0:28:25 | 0:28:28 | |
Go, OJ! Go, OJ! | 0:28:28 | 0:28:31 | |
We need to find him and get him down here right now. | 0:28:31 | 0:28:33 | |
Arnelle, where are you going? | 0:28:33 | 0:28:35 | |
Don't leave, Arnelle! | 0:28:35 | 0:28:37 | |
We need everyone off the property for your own safety. | 0:28:37 | 0:28:39 | |
No! I'm not leaving! This is my home! | 0:28:39 | 0:28:41 | |
Yeah, I'm not leaving either. I'm Mr Simpson's attorney. | 0:28:41 | 0:28:43 | |
-Hey, who are you? -Roger Sandler, Time Life photography. | 0:28:43 | 0:28:46 | |
-We have an arrangement with the West LA Division. -Your funeral. | 0:28:46 | 0:28:48 | |
Don't get caught in the crossfire. | 0:28:48 | 0:28:51 | |
CHEERING HORN BLARES | 0:28:51 | 0:28:55 | |
What the...? | 0:28:58 | 0:29:00 | |
CHEERING HORNS BLARE | 0:29:00 | 0:29:03 | |
Come on, come on! | 0:29:08 | 0:29:09 | |
How do they expect us to get through? | 0:29:09 | 0:29:11 | |
Honk! HORN BLARES | 0:29:11 | 0:29:14 | |
Move! Move! Get out of the way! | 0:29:14 | 0:29:16 | |
CHEERING | 0:29:16 | 0:29:19 | |
We love you! | 0:29:23 | 0:29:25 | |
'You're looking at a Ford Bronco and OJ Simpson is almost back home. | 0:29:25 | 0:29:29 | |
'He's in that car. We're told that he has a gun. | 0:29:29 | 0:29:31 | |
'His mother is at his Brentwood estate and apparently his...' | 0:29:31 | 0:29:34 | |
CHEERING | 0:29:34 | 0:29:36 | |
Hey, murderer! | 0:29:39 | 0:29:40 | |
AC, you got to get me to my house. | 0:29:42 | 0:29:44 | |
I'm trying, Juice. | 0:29:44 | 0:29:46 | |
-Hey, let us in! -HORN BLARES | 0:29:46 | 0:29:48 | |
Get me home, AC. | 0:29:56 | 0:29:57 | |
CHEERING SIRENS BLARE | 0:29:57 | 0:30:02 | |
'What happens when he gets to his home, we cannot say. | 0:30:06 | 0:30:09 | |
'People are standing in the street.' | 0:30:09 | 0:30:11 | |
All right, Juice, we're here, brother. | 0:30:11 | 0:30:13 | |
Here we are. | 0:30:13 | 0:30:15 | |
CHEERING | 0:30:15 | 0:30:17 | |
All right. | 0:30:21 | 0:30:23 | |
All right, we're home, OJ. | 0:30:24 | 0:30:26 | |
-Dad, please! Dad! -Jason, no! Get back! | 0:30:26 | 0:30:28 | |
-Get back, get in the house! -No! | 0:30:28 | 0:30:31 | |
-Dad, put down the gun! -Get back! I am handling this, OK? | 0:30:31 | 0:30:35 | |
-Get in the house! Get in the house! -Dad, I'm going to help! | 0:30:35 | 0:30:37 | |
I am handling this! Get your ass in the house! Get back! | 0:30:37 | 0:30:40 | |
Get your ass back in the house! | 0:30:40 | 0:30:42 | |
OJ, OJ, put the gun down! You're scaring me, man! | 0:30:42 | 0:30:45 | |
SIRENS BLARE | 0:30:45 | 0:30:47 | |
Put the gun down, Juice. | 0:30:47 | 0:30:48 | |
OJ WAILS | 0:30:51 | 0:30:53 | |
'OJ? | 0:30:55 | 0:30:57 | |
'OJ, how can I help you?' | 0:30:57 | 0:30:58 | |
Leave us alone! | 0:30:58 | 0:30:59 | |
'I want to speak with Mr Simpson. | 0:30:59 | 0:31:02 | |
'OJ?' | 0:31:02 | 0:31:03 | |
-There's a guy in the tree with a gun. This is a trick. -'No, no.' | 0:31:03 | 0:31:07 | |
No tricks. | 0:31:07 | 0:31:08 | |
We want OJ safe. | 0:31:08 | 0:31:09 | |
Man, there's guns in my face everywhere! | 0:31:09 | 0:31:12 | |
Kill the lights. | 0:31:12 | 0:31:14 | |
I said, tell the choppers, kill all the lights now! | 0:31:14 | 0:31:17 | |
'All right, we are sorry for the dark picture, but no light | 0:31:19 | 0:31:21 | |
'has been allowed there. Part of the early negotiations...' | 0:31:21 | 0:31:24 | |
They don't want us to see. | 0:31:24 | 0:31:25 | |
'..get the helicopters up and away and that they get the lights on. | 0:31:25 | 0:31:28 | |
'Even the police car's turned off, so it's been very dark. | 0:31:28 | 0:31:31 | |
'If OJ attempted to take his own life, | 0:31:31 | 0:31:33 | |
'to be able to get in there quickly enough...' | 0:31:33 | 0:31:36 | |
SIRENS BLARE | 0:31:37 | 0:31:39 | |
OJ, we want to get you out of the Bronco. | 0:31:39 | 0:31:42 | |
We want to get you safely into your house. | 0:31:42 | 0:31:46 | |
OJ? | 0:31:46 | 0:31:47 | |
OJ, will you open the door, so that we can talk? | 0:31:47 | 0:31:50 | |
He doesn't want to talk to you! Go away! | 0:31:50 | 0:31:53 | |
All right, Juice. | 0:31:54 | 0:31:55 | |
What do you want me to do, man? | 0:31:55 | 0:31:57 | |
I should've killed myself this morning. | 0:31:58 | 0:32:00 | |
No, I can't do it. | 0:32:02 | 0:32:03 | |
Juice, no! Juice! Juice, put the gun down! | 0:32:03 | 0:32:06 | |
Please, Juice! | 0:32:06 | 0:32:07 | |
-Juice, I'm begging you, man! -PHONE RINGS | 0:32:07 | 0:32:10 | |
Hello? | 0:32:13 | 0:32:15 | |
OJ, it's Bobby. | 0:32:15 | 0:32:17 | |
Oh, Bobby, help me, man! | 0:32:17 | 0:32:19 | |
Please, help me, Bobby! | 0:32:19 | 0:32:20 | |
'We're all inside here. We love you. Your whole family's here, Juice.' | 0:32:20 | 0:32:24 | |
Please, just...just come on inside. | 0:32:24 | 0:32:26 | |
Is Mama here? | 0:32:30 | 0:32:31 | |
Yes, she's on the phone. She's waiting... | 0:32:31 | 0:32:34 | |
'She's on the house phone waiting to talk to you, Juice.' | 0:32:34 | 0:32:37 | |
I just...just want to come inside, man. | 0:32:37 | 0:32:39 | |
I just want to come inside. | 0:32:39 | 0:32:41 | |
'That's a great idea.' | 0:32:41 | 0:32:42 | |
Just come on in and we just sit down. We just... | 0:32:42 | 0:32:47 | |
We just sit down and relax. | 0:32:47 | 0:32:49 | |
I'm sorry, man. All these people out here like this. | 0:32:49 | 0:32:52 | |
All the cops, man. You got to tell them I'm sorry, | 0:32:52 | 0:32:54 | |
that I didn't mean for them to have to come out like this. | 0:32:54 | 0:32:57 | |
No, no, they just... They just... | 0:32:57 | 0:32:58 | |
They just want you to be safe, Juice. They... | 0:32:58 | 0:33:01 | |
They want to make sure that nothing bad happens. | 0:33:01 | 0:33:03 | |
Nothing bad IS going to happen. | 0:33:03 | 0:33:05 | |
Just come inside. | 0:33:05 | 0:33:07 | |
I can't be on the TV again, man, in the handcuffs. | 0:33:07 | 0:33:09 | |
I can't do that, with all the... | 0:33:09 | 0:33:11 | |
OK, what do you... What do you need? | 0:33:11 | 0:33:14 | |
What do you want? | 0:33:14 | 0:33:16 | |
Maybe come inside, maybe. | 0:33:16 | 0:33:19 | |
-You mean, do it in here? -Yeah, maybe I... | 0:33:19 | 0:33:21 | |
OK. OK. That's easy. That's easy, just give me one second, OK? | 0:33:21 | 0:33:25 | |
OK, Juice? He doesn't want to be arrested outside. | 0:33:25 | 0:33:27 | |
You got to do it inside the house, away from the cameras. | 0:33:27 | 0:33:30 | |
-Gun's got to stay inside the vehicle. -OK, Juice, | 0:33:30 | 0:33:32 | |
we're good to go. They're going to do it inside the house, OK? | 0:33:32 | 0:33:35 | |
You just got to make sure that the gun stays inside the car. | 0:33:35 | 0:33:37 | |
You can't bring the gun outside. Do you understand me? | 0:33:37 | 0:33:40 | |
-'That's real important.' -All right, man. -'OK?' -All right. | 0:33:40 | 0:33:43 | |
OK, good. Stay with me, yes? | 0:33:46 | 0:33:48 | |
OK, come on in, come on in. Stay with me. | 0:33:48 | 0:33:50 | |
Simpson's about to exit the vehicle. Subject will not be armed. | 0:33:50 | 0:33:54 | |
No hotheads. We're on TV. | 0:33:54 | 0:33:55 | |
Don't fire unless you're fired upon first. | 0:33:55 | 0:33:58 | |
SIRENS BLARE | 0:34:01 | 0:34:03 | |
I'm sorry. | 0:34:45 | 0:34:46 | |
I'm sorry. | 0:34:47 | 0:34:48 | |
I'm sorry, you guys. | 0:34:51 | 0:34:52 | |
He's got a gun! | 0:35:02 | 0:35:03 | |
No, no! Those are pictures! | 0:35:03 | 0:35:05 | |
Those are framed pictures of his kids! | 0:35:05 | 0:35:07 | |
I'm sorry, guys. | 0:35:14 | 0:35:15 | |
Sorry. | 0:35:27 | 0:35:28 | |
Sorry. | 0:35:36 | 0:35:37 | |
OK. OK. | 0:35:39 | 0:35:40 | |
Oh. | 0:35:42 | 0:35:43 | |
All right, all right. | 0:35:43 | 0:35:45 | |
All right, we got you. Come on. | 0:35:45 | 0:35:46 | |
-I got you. -I'm sorry, Bobby. | 0:35:52 | 0:35:53 | |
No, no. No, you're home now. | 0:35:53 | 0:35:55 | |
You're home, Juice. | 0:35:55 | 0:35:57 | |
Come on, here we go. | 0:35:57 | 0:35:59 | |
Here we go. | 0:35:59 | 0:36:00 | |
Can I speak to my mama? | 0:36:04 | 0:36:05 | |
And can I get some orange juice? | 0:36:07 | 0:36:09 | |
Of course, OJ. | 0:36:09 | 0:36:10 | |
Hello, Mama. | 0:36:16 | 0:36:18 | |
Yeah, yeah. | 0:36:18 | 0:36:20 | |
I know, Mama. | 0:36:20 | 0:36:21 | |
OK. | 0:36:24 | 0:36:25 | |
I know, Mama. | 0:36:29 | 0:36:30 | |
OK. | 0:36:32 | 0:36:33 | |
I love you, too, Mama. | 0:36:37 | 0:36:38 | |
'Right now, to wrap up this live coverage, so you can tune in | 0:36:39 | 0:36:43 | |
'to your late local news, which will have plenty about | 0:36:43 | 0:36:47 | |
'how all this unfolded. | 0:36:47 | 0:36:49 | |
'So, for right now, Dan Rather with Connie Chung, John Blackstone | 0:36:49 | 0:36:53 | |
'and our colleagues at KCBS in Los Angeles...' | 0:36:53 | 0:36:56 | |
We're taking him to trial. | 0:36:56 | 0:36:57 | |
'The confirmation now that that arrest has taken place, | 0:36:58 | 0:37:01 | |
'and, in fact a convoy...' | 0:37:01 | 0:37:02 | |
Too bad you're not working on this case. | 0:37:02 | 0:37:04 | |
What? You better not. | 0:37:04 | 0:37:07 | |
He got framed. | 0:37:07 | 0:37:08 | |
I was thinking the same thing. | 0:37:08 | 0:37:09 | |
Oh, come on. I can guarantee you OJ was not framed. | 0:37:09 | 0:37:13 | |
Sure he was. | 0:37:13 | 0:37:15 | |
'I haven't identified that location yet. | 0:37:15 | 0:37:16 | |
'That could prove to be a bit of a challenge.' | 0:37:16 | 0:37:18 | |
You stay the hell away from this. | 0:37:18 | 0:37:20 | |
'..those narrow streets around the residence, | 0:37:20 | 0:37:22 | |
'they're now crowded with people. | 0:37:22 | 0:37:24 | |
'There are hundreds of teenagers out there, we're told, with many | 0:37:24 | 0:37:27 | |
'now shouting OJ's name.' | 0:37:27 | 0:37:30 | |
SIREN BLARES | 0:37:30 | 0:37:32 |