Browse content similar to The Dream Team. Check below for episodes and series from the same categories and more!
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This programme contains very strong language. | 0:00:02 | 0:00:05 | |
-It's great you guys won, just you should pass more. -I don't think so! I want to make the goals. | 0:00:05 | 0:00:09 | |
-You're being a ball hog. -All right, I said... -You're a ball hog! | 0:00:09 | 0:00:12 | |
Oh, man. Hey, guys, are you sure you don't want to eat somewhere else? | 0:00:12 | 0:00:15 | |
-No. -Chin Chin! No, Chin Chin! Daddy, we love Chin Chin! | 0:00:15 | 0:00:17 | |
OK. All right. It's just, it's Father's Day, so it's a bit crowded. | 0:00:17 | 0:00:21 | |
Excuse me. Come on. | 0:00:21 | 0:00:23 | |
-Excuse us, sorry. -Come on. -We're so sorry. Thank you for coming. | 0:00:23 | 0:00:26 | |
-Just wait a little bit longer. -Excuse me. I'm sorry. Hi. -Yes? | 0:00:26 | 0:00:30 | |
How long would it be for a party of five? | 0:00:30 | 0:00:32 | |
-Oh, my God. Oh, my God. -Oh, my God. | 0:00:32 | 0:00:34 | |
-You're Richard Cordovian. -My God, you're the OJ guy. | 0:00:34 | 0:00:37 | |
-I'm Robert Kardashian. -Oh, my God. Yes! | 0:00:37 | 0:00:39 | |
I knew it! No way! No way! This is so cool. | 0:00:39 | 0:00:43 | |
Come this way. You can have whatever table you want. | 0:00:43 | 0:00:45 | |
-Oh. -What? Whoa! We don't even have to wait! | 0:00:45 | 0:00:48 | |
Let's go. | 0:00:49 | 0:00:51 | |
Right this way. | 0:00:53 | 0:00:55 | |
What do you say, kids? | 0:00:55 | 0:00:57 | |
-GIRLS: Thank you. -Thank you so much. | 0:00:57 | 0:01:01 | |
"Oh, my God, you're Richard Cordovian! I knew it! I knew it!" | 0:01:01 | 0:01:04 | |
-OK, OK. -GIRLS GIGGLE | 0:01:04 | 0:01:06 | |
-Four years. -Don't ask Mom for it. | 0:01:06 | 0:01:08 | |
Daddy? Do you think OJ did it? | 0:01:11 | 0:01:14 | |
No, of course not. | 0:01:14 | 0:01:16 | |
You know Uncle Juice. You know he would never hurt anyone. | 0:01:17 | 0:01:19 | |
Well, Mom says he did. | 0:01:19 | 0:01:21 | |
Look, your mother...your mother's very emotional right now. | 0:01:21 | 0:01:24 | |
And I understand that - she lost Nicole. | 0:01:24 | 0:01:27 | |
We all lost Nicole. | 0:01:27 | 0:01:29 | |
But she shouldn't be talking to you about these things. | 0:01:29 | 0:01:32 | |
Why? The entire universe is talking about it. | 0:01:32 | 0:01:35 | |
And people ask me about it all day. I mean, he is my godfather. | 0:01:35 | 0:01:40 | |
That's right, he is, and your Uncle Juice... | 0:01:40 | 0:01:42 | |
Your Uncle Juice is a good man. | 0:01:42 | 0:01:44 | |
In fact, I'm going to tell the whole world exactly that on TV. | 0:01:44 | 0:01:48 | |
-Barbara Walters called me. -Barbara Walters? | 0:01:48 | 0:01:50 | |
-Yeah. -She knows you? -She talked to Mom and Bruce, too. | 0:01:50 | 0:01:52 | |
Bruce is famous! He won the Olympics! | 0:01:52 | 0:01:54 | |
Bruce and Mom sell Thighmasters on TV, so they're BOTH famous. | 0:01:54 | 0:01:57 | |
-Dad, why are you famous? -I'm not. Listen, guys, listen to me. | 0:01:57 | 0:02:01 | |
Look, you know your grandparents. | 0:02:03 | 0:02:05 | |
You know me, and what I try to pass on to you. | 0:02:05 | 0:02:07 | |
We are Kardashians. | 0:02:07 | 0:02:09 | |
And, in this family, being a good person | 0:02:09 | 0:02:11 | |
and a loyal friend is more important than being famous. | 0:02:11 | 0:02:15 | |
Fame is fleeting. It's hollow. | 0:02:15 | 0:02:17 | |
It means nothing at all without a virtuous heart. | 0:02:17 | 0:02:20 | |
Give me two eggrolls. Don't... I'm not starting out with one. | 0:02:26 | 0:02:29 | |
-One for Dad. Do you want one, Dad? -Yes. Thank you. | 0:02:29 | 0:02:32 | |
This feels like the story of the year. | 0:02:41 | 0:02:43 | |
We all agree the mug shot is our cover? | 0:02:43 | 0:02:45 | |
But it'll be in every daily, | 0:02:45 | 0:02:46 | |
so, by the time we hit the stands, this shot will be old news. | 0:02:46 | 0:02:49 | |
We need to jazz it up - we need something dramatic. | 0:02:49 | 0:02:51 | |
-OK. -All right, try something like noir, intrigue. | 0:02:51 | 0:02:54 | |
Mm. I could add a bit of chiaroscuro. Heavy shadow. | 0:02:54 | 0:02:58 | |
-Like Rembrandt. -My God, that's great. | 0:02:58 | 0:03:01 | |
Yeah. That pops. He really looks trapped, haunted. | 0:03:01 | 0:03:05 | |
The falling of an idol. | 0:03:05 | 0:03:07 | |
CAMERA SHUTTERS CLICK | 0:03:19 | 0:03:20 | |
Good afternoon. I'm Deputy District Attorney Marcia Clark, | 0:03:22 | 0:03:25 | |
and what I will outline for you today | 0:03:25 | 0:03:27 | |
are my office's charges against Mr Orenthal James Simpson | 0:03:27 | 0:03:30 | |
in the murders of Nicole Brown Simpson and Mr Ronald Lyle Goldman | 0:03:30 | 0:03:33 | |
on the evening of June 12th, 1994. | 0:03:33 | 0:03:36 | |
'I think the facts speak for themselves. | 0:03:36 | 0:03:38 | |
'Simpson's blood was found at Bundy. | 0:03:38 | 0:03:40 | |
'Nicole's blood was found at Rockingham. | 0:03:40 | 0:03:42 | |
'And both Nicole and Ronald's blood were found in the Bronco. | 0:03:42 | 0:03:45 | |
'Simpson will be charged with the premeditated deaths of both victims, | 0:03:45 | 0:03:48 | |
'and that is precisely what we will prove.' | 0:03:48 | 0:03:50 | |
'What about the Bronco chase?' | 0:03:50 | 0:03:52 | |
-Do you think he was escaping to Mexico? -Are there plans to charge anyone else? | 0:03:52 | 0:03:55 | |
Mr Simpson is charged alone, because he is the sole murderer. | 0:03:55 | 0:03:58 | |
-Is death penalty on the table? -I'd say everything is on the table. | 0:03:58 | 0:04:01 | |
'Any other questions?' | 0:04:03 | 0:04:05 | |
Great job, Marcia. | 0:04:11 | 0:04:13 | |
Congratulations. A star is born. | 0:04:16 | 0:04:18 | |
Thank you. But with this kind of physical evidence | 0:04:18 | 0:04:21 | |
and a run for the border, he practically did my job for me. | 0:04:21 | 0:04:24 | |
-Oh. -SHE LAUGHS | 0:04:25 | 0:04:27 | |
-Can I have your autograph? -Oh, shut up! | 0:04:27 | 0:04:30 | |
You love all this. | 0:04:30 | 0:04:32 | |
Just think - a year ago, you wouldn't even have been here. | 0:04:32 | 0:04:35 | |
You were a supervisor. | 0:04:35 | 0:04:36 | |
Gil said I must be the first civil servant to ever ask for a demotion. | 0:04:36 | 0:04:39 | |
-It's back to the courtroom. -Trial junkie. | 0:04:39 | 0:04:42 | |
Mm, it's better than sex. | 0:04:42 | 0:04:43 | |
-HE GROANS -Shit, shit, shit, shit, shit, shit! | 0:05:07 | 0:05:10 | |
Linda? | 0:05:16 | 0:05:18 | |
Get me F Lee Bailey on the phone. | 0:05:18 | 0:05:20 | |
It's ringing. | 0:05:22 | 0:05:24 | |
Lee. It's Bob. | 0:05:26 | 0:05:28 | |
Well, I've been better. | 0:05:29 | 0:05:31 | |
-HE CHUCKLES -No, I am not crawling. | 0:05:31 | 0:05:34 | |
I'm inquiring. | 0:05:34 | 0:05:35 | |
How soon could you get out here? | 0:05:37 | 0:05:39 | |
Lee, I can't tell you how much I appreciate | 0:05:41 | 0:05:44 | |
your dropping everything and flying out here. | 0:05:44 | 0:05:47 | |
It means the world to me. | 0:05:47 | 0:05:49 | |
What, and miss the party? | 0:05:49 | 0:05:50 | |
Uh...wowsie. | 0:05:51 | 0:05:53 | |
You're sure up a creek of high-grade manure. | 0:05:53 | 0:05:56 | |
How are the boys? How is Linell? | 0:05:56 | 0:05:59 | |
Everyone's good, they're bad, they're... | 0:05:59 | 0:06:02 | |
I don't know. I can't think. | 0:06:02 | 0:06:04 | |
There's a streak of blood going from the murder scene | 0:06:04 | 0:06:06 | |
right to OJ's carpet in his bedroom, | 0:06:06 | 0:06:08 | |
and then there's the gloves, and then he runs. | 0:06:08 | 0:06:11 | |
He gets into that stupid Bronco and he runs. | 0:06:11 | 0:06:15 | |
Yeah, I caught that on the news. | 0:06:15 | 0:06:17 | |
You know, my most famous client ran - Sam Sheppard. | 0:06:17 | 0:06:20 | |
He ran because he was innocent. | 0:06:20 | 0:06:22 | |
Everyone prejudged him, but I got him off. | 0:06:22 | 0:06:24 | |
I know. I saw the movie, Lee. | 0:06:24 | 0:06:27 | |
But this is what I'm up against. Watch this. | 0:06:27 | 0:06:29 | |
Every channel. It doesn't matter. | 0:06:29 | 0:06:31 | |
'I've never seen a more obvious case of guilt. | 0:06:31 | 0:06:33 | |
'Uh, if Simpson is innocent, Geraldo... | 0:06:33 | 0:06:35 | |
'Alan Dershowitz, in all your years, | 0:06:35 | 0:06:37 | |
'have you ever seen a sensational, tragic case like this? | 0:06:37 | 0:06:41 | |
'In a short word, Larry, no. | 0:06:41 | 0:06:44 | |
'The evidence against Simpson is overwhelming. | 0:06:44 | 0:06:47 | |
'All right, Alan, what about a plea deal? Could that be in the cards? | 0:06:47 | 0:06:50 | |
'Larry, settling is Robert Shapiro's specialty, | 0:06:50 | 0:06:52 | |
'much more than actually trying cases in a courtroom. | 0:06:52 | 0:06:55 | |
'But with a vicious double murder, then Simpson attempting escape, no. | 0:06:55 | 0:06:59 | |
'OJ Simpson is going to stand trial for two counts of murder one, | 0:06:59 | 0:07:02 | |
-'maybe special circumstances.' -Aw, go to hell, Dershowitz! | 0:07:02 | 0:07:06 | |
Do you see what I'm up against here? | 0:07:07 | 0:07:09 | |
They've got me down as the schmuck that'll walk OJ to the gas chamber, | 0:07:09 | 0:07:12 | |
and then the most famous lawyer in the whole country | 0:07:12 | 0:07:15 | |
is going to dictate and narrate it on Larry King Live. | 0:07:15 | 0:07:18 | |
You think Alan's the most famous lawyer in the country? | 0:07:19 | 0:07:23 | |
Thank God he's so photogenic. | 0:07:24 | 0:07:26 | |
How do I shut him up? How do you shut Dershowitz up? | 0:07:27 | 0:07:30 | |
I like Alan, but he's a smug son of a bitch. | 0:07:32 | 0:07:34 | |
Every 15th word is "Harvard." | 0:07:34 | 0:07:36 | |
Look... | 0:07:37 | 0:07:40 | |
there's only one way to shut up Dershowitz. | 0:07:40 | 0:07:43 | |
Hire him. | 0:07:43 | 0:07:44 | |
Oh, trust me, it'll be better here. | 0:07:47 | 0:07:49 | |
But he killed them five minutes from the Santa Monica Courthouse. | 0:07:49 | 0:07:52 | |
Yeah, I know, I know, | 0:07:52 | 0:07:53 | |
but we can't ask them to move the trial to Santa Monica. | 0:07:53 | 0:07:56 | |
They're way behind fixing the earthquake damage, | 0:07:56 | 0:07:58 | |
the media room's dinky - it's downtown. | 0:07:58 | 0:08:01 | |
There'll be room for everybody. That way, we can handle the press, | 0:08:01 | 0:08:03 | |
we have our offices and resources down here. | 0:08:03 | 0:08:06 | |
Plus, the optics are a million times better. | 0:08:06 | 0:08:09 | |
The "optics"? What's an optic? | 0:08:10 | 0:08:13 | |
Marcia. | 0:08:13 | 0:08:15 | |
I have a black voting base | 0:08:15 | 0:08:16 | |
and I can't risk getting an all-white jury. | 0:08:16 | 0:08:18 | |
-I don't want to hear the words "Rodney King" or "Simi Valley" ever again. -I don't know. | 0:08:18 | 0:08:22 | |
Doesn't Simpson deserve a jury of his peers? | 0:08:22 | 0:08:24 | |
You know, rich, middle-aged white men? | 0:08:24 | 0:08:27 | |
-Marcia... -I'm kidding. | 0:08:27 | 0:08:28 | |
It's the truth, but I'm kidding. | 0:08:28 | 0:08:31 | |
Anyhow, downtown is fine by me. | 0:08:31 | 0:08:35 | |
I've won 19 out of 20 homicide trials here. | 0:08:35 | 0:08:37 | |
Yeah, that's great. | 0:08:37 | 0:08:38 | |
This office tries tens of thousands of cases. | 0:08:38 | 0:08:41 | |
People only pay attention to a couple of the loud ones. | 0:08:41 | 0:08:43 | |
We have a winning hand. | 0:08:43 | 0:08:45 | |
Let's make everyone look good. | 0:08:45 | 0:08:47 | |
Here he is. Alan! | 0:08:52 | 0:08:53 | |
-Come in. -Bob! How are you? | 0:08:55 | 0:08:58 | |
-Lee! Long time! -Alan. | 0:08:58 | 0:09:01 | |
-Oh. And, uh... -Robert Kardashian. | 0:09:01 | 0:09:04 | |
Right. Glad to meet you. Everyone, this is Barry Scheck. | 0:09:04 | 0:09:08 | |
Best DNA mind in the business. | 0:09:08 | 0:09:10 | |
Ooh, DNA. To be 30 again. New guard, meet old guard. | 0:09:10 | 0:09:13 | |
This is Pat McKenna, our lead investigator. | 0:09:13 | 0:09:15 | |
-Pat. -He can go down and dirty. He's dug for the best. | 0:09:15 | 0:09:17 | |
All right, enough of the intros. | 0:09:17 | 0:09:19 | |
Alan made a reservation for lunch at Spago's. | 0:09:19 | 0:09:21 | |
Do you mind terribly if we skip lunch and just worked through the afternoon? | 0:09:21 | 0:09:24 | |
I got a lot to cover, and I'm on a 5.30 back to Boston. | 0:09:24 | 0:09:27 | |
-Oh. Really? -Yeah, that's how this is going to work. | 0:09:27 | 0:09:30 | |
I'll come out often, but my manpower's back at Harvard. | 0:09:30 | 0:09:34 | |
Harvard. | 0:09:35 | 0:09:36 | |
So, then, the first week culminates with Simpson deciding | 0:09:36 | 0:09:40 | |
-to make a run for it while under your supervision... -Careful. | 0:09:40 | 0:09:43 | |
..leaving behind a letter that sounds like an admission of guilt, | 0:09:43 | 0:09:46 | |
that you guys, for some mystifying reason, read aloud on television. | 0:09:46 | 0:09:50 | |
Bob thought it was a good idea. | 0:09:50 | 0:09:52 | |
No, no, wait, wait. Why did you say that? | 0:09:52 | 0:09:54 | |
You don't know what it was like that day. You weren't there. | 0:09:54 | 0:09:57 | |
Of course. And I'm here to help, not to judge. | 0:09:57 | 0:09:59 | |
Oh, you are here to judge. What was that? What was all that? | 0:09:59 | 0:10:01 | |
Bob, you have to move fast. | 0:10:01 | 0:10:03 | |
Your client - his goodwill, all of his popularity | 0:10:03 | 0:10:05 | |
and accomplishments - it's a depreciating asset. | 0:10:05 | 0:10:09 | |
What do you mean? | 0:10:09 | 0:10:10 | |
Right now, he's sort of like this handsome, gifted Greek god laid low. | 0:10:10 | 0:10:15 | |
It's a tragedy, but he's still a Greek god. | 0:10:15 | 0:10:18 | |
The longer he sits in that cell, | 0:10:18 | 0:10:20 | |
the more the public sees him in a jumpsuit and cuffs, | 0:10:20 | 0:10:23 | |
the more mortal he becomes. | 0:10:23 | 0:10:25 | |
That's the clock we're fighting. | 0:10:25 | 0:10:27 | |
Excuse me. He's never going to stop being The Juice. | 0:10:27 | 0:10:30 | |
You know what? Time is short, so let's get to your biggest obstacle - | 0:10:31 | 0:10:35 | |
the overwhelming physical evidence, | 0:10:35 | 0:10:36 | |
all of which seems to support the conclusion that OJ did it. | 0:10:36 | 0:10:39 | |
OK, we understand that, | 0:10:39 | 0:10:41 | |
so why don't you tell us something we don't know? | 0:10:41 | 0:10:43 | |
Why don't you suggest something? | 0:10:43 | 0:10:45 | |
Barry? | 0:10:47 | 0:10:49 | |
Well, how much do you gentlemen know about DNA evidence? | 0:10:49 | 0:10:52 | |
-Pretend not much. -That's OK, cos not a lot of people do. | 0:10:52 | 0:10:55 | |
But it is on the verge of revolutionising criminal law. | 0:10:55 | 0:10:58 | |
In a couple of years, it will be at the crux | 0:10:58 | 0:11:00 | |
of any case of violence without eyewitnesses. | 0:11:00 | 0:11:03 | |
OK, can you see DNA through a microscope? | 0:11:03 | 0:11:05 | |
No, no. A DNA molecule's about two nanometres in width, | 0:11:05 | 0:11:08 | |
whereas, like, a human hair's about 80,000 nanometres, | 0:11:08 | 0:11:10 | |
so it presents representationally, with electrons | 0:11:10 | 0:11:13 | |
-and scanning-tunnelling, atomic force microscopes... -OK, OK, OK! | 0:11:13 | 0:11:15 | |
Cut to the quick! | 0:11:15 | 0:11:17 | |
-Can you use DNA to show that it's someone else? -Not at all. | 0:11:17 | 0:11:21 | |
I mean, the chances of one individual's DNA profile | 0:11:21 | 0:11:24 | |
matching another person's are extremely small. | 0:11:24 | 0:11:27 | |
It's roughly one in a billion. | 0:11:27 | 0:11:28 | |
Great. We're screwed. What's your contribution here, anyway? | 0:11:28 | 0:11:32 | |
-Why are you here? -Hold on. Bob, you're so emotional. | 0:11:32 | 0:11:35 | |
-Aw, come on, come on, so are you! -Barry, clarify your strategy. | 0:11:35 | 0:11:39 | |
OK. I'm not going to contest the DNA matches. | 0:11:39 | 0:11:43 | |
I'm going to keep them out of court entirely. | 0:11:43 | 0:11:47 | |
If it can be shown that there may have been errors in the collection | 0:11:49 | 0:11:54 | |
or the handling of the samples used for the prosecution's DNA analysis, | 0:11:54 | 0:11:58 | |
we can contest the validity of the evidence itself. | 0:11:58 | 0:12:00 | |
At best, we get some of it thrown out. | 0:12:00 | 0:12:02 | |
At worst, we get the jury to question it - the very idea. | 0:12:02 | 0:12:06 | |
We will attack every assumption, | 0:12:06 | 0:12:09 | |
question every single molecule of evidence, | 0:12:09 | 0:12:11 | |
every aspect of how that molecule was gathered, handled and analysed! | 0:12:11 | 0:12:15 | |
We will disrupt their presentation of physical evidence at every turn. | 0:12:15 | 0:12:18 | |
We will hack at them. | 0:12:18 | 0:12:20 | |
Make every piece of evidence presented either thrown out, | 0:12:20 | 0:12:23 | |
untrustworthy or confusing. | 0:12:23 | 0:12:26 | |
No quarter. | 0:12:26 | 0:12:27 | |
Oh, boy. I better get going. | 0:12:34 | 0:12:36 | |
I never thought I'd say this, but I like the nerd science guy. | 0:12:38 | 0:12:42 | |
But he's esoteric, and we also have to think about the things | 0:12:42 | 0:12:45 | |
in the physical world, things we can see with our own eyeballs. | 0:12:45 | 0:12:47 | |
-What do you got, Pat? -So far, nothing I can sink my teeth into. | 0:12:47 | 0:12:50 | |
All I've seen is the LAPD acting like they were OJ's butler. | 0:12:50 | 0:12:53 | |
"Would you like a police escort home?" | 0:12:53 | 0:12:55 | |
"Can we get you some juice, Juice?" | 0:12:55 | 0:12:56 | |
I do know one of the detectives a little. | 0:12:56 | 0:12:58 | |
Worked with him once doing security for Johnny Carson. Mark Fuhrman. | 0:12:58 | 0:13:02 | |
Total prick. Really unpleasant. | 0:13:02 | 0:13:05 | |
Johnny never asked him back. | 0:13:05 | 0:13:07 | |
Really? Johnny never asked him back? That's interesting. | 0:13:07 | 0:13:10 | |
-What, Foreman? -Mark Fuhrman. -Fuhrman. Yeah. | 0:13:10 | 0:13:13 | |
Yeah, dig deep. Let me know what happens. | 0:13:13 | 0:13:16 | |
-"Dream team"? Give me a break. -Bob Shapiro is a settler. | 0:13:17 | 0:13:20 | |
Gets the big fee, cuts the deal, doesn't go to trial. | 0:13:20 | 0:13:23 | |
And when's the last time Lee Bailey won more than a drinking game? | 0:13:23 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:27 | |
Did you know Shapiro represented Bailey | 0:13:27 | 0:13:29 | |
in the longest drunk-driving trial in American history? | 0:13:29 | 0:13:32 | |
It's true, 11 days. | 0:13:32 | 0:13:34 | |
Dershowitz - appeals expert, | 0:13:34 | 0:13:35 | |
which tells you they're assuming conviction. | 0:13:35 | 0:13:37 | |
Kardashian - I literally did not realise he was a lawyer. | 0:13:37 | 0:13:40 | |
-SHE LAUGHS -It's really sad. | 0:13:40 | 0:13:42 | |
The most famous collection of expensive lawyers in the world, | 0:13:42 | 0:13:45 | |
trying to buy OJ out of trouble. | 0:13:45 | 0:13:47 | |
And everyone's jumping on the gravy train. | 0:13:47 | 0:13:50 | |
Look at this one. | 0:13:50 | 0:13:51 | |
OJ's golf caddy has insight into his state of mind | 0:13:51 | 0:13:53 | |
the day of the murders. | 0:13:53 | 0:13:55 | |
If this moron shows up on a witness list, one of you gets fired. | 0:13:55 | 0:13:58 | |
-LAUGHTER -I'm serious! | 0:13:58 | 0:14:00 | |
If they sell their story before they testify, | 0:14:00 | 0:14:02 | |
they've got zero credibility on the stand. | 0:14:02 | 0:14:04 | |
We can't have cash-for-trash. | 0:14:04 | 0:14:06 | |
Come on, Marcia - these are just honest, hardworking folks | 0:14:06 | 0:14:10 | |
trying to profit from the brutal murder of two innocent people. | 0:14:10 | 0:14:13 | |
It's vile, but they're welcome to it, after I'm done with them. | 0:14:13 | 0:14:18 | |
MUSIC: The First Time Ever I Saw Your Face by Roberta Flack | 0:14:18 | 0:14:21 | |
-That is where we will... -MUMBLING | 0:14:41 | 0:14:44 | |
That is where we will find the truth. | 0:14:44 | 0:14:47 | |
-Hey. -Hey. -What are you doing? | 0:14:47 | 0:14:50 | |
I'm getting ready for that NBC thing. | 0:14:50 | 0:14:52 | |
You know, they're calling me the "senior OJ analyst" or some such... | 0:14:52 | 0:14:55 | |
SHE LAUGHS But, Johnnie, you are on your feet. | 0:14:55 | 0:14:57 | |
Taking in the room, | 0:14:57 | 0:14:59 | |
putting the jury in the bookcase over there, like you do. | 0:14:59 | 0:15:02 | |
Oh, hell, no. I'm on the sidelines. | 0:15:02 | 0:15:05 | |
They're going to lose. | 0:15:05 | 0:15:07 | |
I don't want to be a part of all of that when that happens. | 0:15:07 | 0:15:11 | |
Mm, course not. | 0:15:11 | 0:15:13 | |
But...how would you feel if someone else got him off? | 0:15:14 | 0:15:20 | |
-HE SIGHS -I wouldn't feel good. | 0:15:27 | 0:15:30 | |
Pretty crazy, huh? | 0:16:04 | 0:16:06 | |
They made him blacker. | 0:16:06 | 0:16:07 | |
This image plays to the perception | 0:16:12 | 0:16:14 | |
that a darker black man is a more dangerous black man. | 0:16:14 | 0:16:17 | |
They're assuming that he's guilty. Darker is guiltier. | 0:16:17 | 0:16:20 | |
-Black is badder. -Hold on, George. | 0:16:20 | 0:16:22 | |
-It's racist and vile. -Isn't your interpretation just as racist? | 0:16:22 | 0:16:24 | |
-I haven't seen such journalist irresponsibility... -Oh, come on! | 0:16:24 | 0:16:27 | |
If you take a picture of Simpson in a dark room, are you being racist? | 0:16:27 | 0:16:30 | |
Of course, it's racially insensitive. | 0:16:30 | 0:16:33 | |
But the real injustice | 0:16:33 | 0:16:35 | |
is the way police officers view blacks in Los Angeles. | 0:16:35 | 0:16:39 | |
Even after the riots, even after the Christopher Commission, | 0:16:39 | 0:16:43 | |
the LAPD culture has not changed. | 0:16:43 | 0:16:48 | |
'You have to understand that this is a city where four white police officers...' | 0:16:48 | 0:16:52 | |
TV TURNS OFF OK, I went down into the county courts records, | 0:16:52 | 0:16:55 | |
found file after file on Detective Mark Fuhrman. | 0:16:55 | 0:16:59 | |
Guy's worse than I remembered. Actually sued the city. | 0:16:59 | 0:17:02 | |
-He was the plaintiff? -Hang on. That's not the mind-blowing part. | 0:17:02 | 0:17:06 | |
He sued the city, basically claiming | 0:17:06 | 0:17:08 | |
that his duties as an LAPD officer made him into a bigot. | 0:17:08 | 0:17:11 | |
-What? -Serving as a cop gave him "violent fantasies". | 0:17:11 | 0:17:14 | |
-Come on. -He describes beating up and attacking black people. | 0:17:14 | 0:17:18 | |
Wait, OK, let me get this straight. | 0:17:18 | 0:17:20 | |
You're saying that the homicide detective | 0:17:20 | 0:17:23 | |
that discovered all the evidence on OJ Simpson | 0:17:23 | 0:17:26 | |
hates black people? | 0:17:26 | 0:17:27 | |
The cop who found the glove at Rockingham. | 0:17:27 | 0:17:30 | |
This is... | 0:17:33 | 0:17:35 | |
This is a gift. | 0:17:35 | 0:17:37 | |
Imagine... | 0:17:39 | 0:17:40 | |
Imagine... | 0:17:41 | 0:17:43 | |
..that OJ Simpson was set up by the cops | 0:17:48 | 0:17:51 | |
because he was a black man... | 0:17:51 | 0:17:53 | |
..and because the LAPD has a systemic racism problem. | 0:17:55 | 0:18:00 | |
BEEP | 0:18:06 | 0:18:08 | |
Bob, there's a reporter from The New Yorker magazine here to see you. | 0:18:08 | 0:18:12 | |
Is that on the schedule? | 0:18:13 | 0:18:15 | |
No, he just showed up. | 0:18:15 | 0:18:17 | |
Well, tell him it doesn't work that way. | 0:18:17 | 0:18:19 | |
Tell him I'm very busy. | 0:18:19 | 0:18:20 | |
Linda, I want to see him. Don't let him go. | 0:18:38 | 0:18:41 | |
Thanks for taking the time to see me. | 0:18:44 | 0:18:46 | |
You're New York magazine or New Yorker? | 0:18:46 | 0:18:48 | |
-New Yorker. -New Yorker. | 0:18:48 | 0:18:49 | |
-Yeah. Alan Dershowitz told me to look you up. -Ah. | 0:18:49 | 0:18:52 | |
I'm doing a piece on cash-for-trash stories - | 0:18:52 | 0:18:54 | |
witnesses selling their testimony. | 0:18:54 | 0:18:56 | |
-The OJ Simpson trial seemed like... -No, no, it's inconsequential. | 0:18:56 | 0:18:59 | |
It's window dressing. It's not the best use of your time. | 0:18:59 | 0:19:02 | |
It's the story I'm out here to cover, so... | 0:19:02 | 0:19:04 | |
I know it is, but wouldn't you rather ask me | 0:19:04 | 0:19:06 | |
why a man like me would take a case like this? | 0:19:06 | 0:19:08 | |
You might be surprised. | 0:19:08 | 0:19:10 | |
I might be surprised if I'm surprised. OK. Tell me. | 0:19:10 | 0:19:13 | |
Because of its far-reaching implications. | 0:19:13 | 0:19:15 | |
I've never seen anything like it. | 0:19:15 | 0:19:17 | |
And I couldn't stand by and let it happen. Please. | 0:19:17 | 0:19:20 | |
Let what happen, exactly? | 0:19:20 | 0:19:21 | |
The systematic railroading of OJ Simpson | 0:19:23 | 0:19:26 | |
by a racist LAPD, | 0:19:26 | 0:19:29 | |
because he is a black man. | 0:19:29 | 0:19:31 | |
-Wait, what? -The LAPD history is a shameful history | 0:19:31 | 0:19:35 | |
and everybody knows it - it's no secret. | 0:19:35 | 0:19:37 | |
And this cop, Mark Fuhrman, who discovered everything, | 0:19:37 | 0:19:40 | |
he's an admitted racist. | 0:19:40 | 0:19:42 | |
Any evidence he touches is questionable. | 0:19:42 | 0:19:45 | |
So, I want to be clear - | 0:19:45 | 0:19:46 | |
you're saying this policeman set up OJ Simpson? | 0:19:46 | 0:19:49 | |
Maybe. Maybe Mark Fuhrman, maybe others, in a conspiracy. | 0:19:49 | 0:19:52 | |
Wait. OK, wait. So, all the blood evidence - | 0:19:52 | 0:19:54 | |
somehow these cops, a cabal of racist police officers, planted it? | 0:19:54 | 0:19:58 | |
From the murder scene to the Bronco to Rockingham? | 0:19:58 | 0:20:01 | |
Who else could have? Take a step back. | 0:20:01 | 0:20:03 | |
Doesn't it seem odd that this glove just happened to be at Rockingham | 0:20:03 | 0:20:07 | |
at the same time that Detective Fuhrman just happened to find it? | 0:20:07 | 0:20:10 | |
Uh, it isn't odd if Simpson dropped it after | 0:20:10 | 0:20:12 | |
he climbed the wall to avoid being seen by the limo driver. | 0:20:12 | 0:20:15 | |
Jeff, you look like a smart kid. Don't rush to judgment. | 0:20:15 | 0:20:18 | |
We will show that it is impossible for a black man | 0:20:18 | 0:20:22 | |
to get a fair shake with the LAPD. We will prove this. | 0:20:22 | 0:20:25 | |
So, you're going to say this case is all about race? | 0:20:25 | 0:20:28 | |
Yes, because it is. I'm just simply shedding a light on it. | 0:20:28 | 0:20:33 | |
Vroom, vroom... | 0:20:33 | 0:20:35 | |
-Sweetie, what are you doing? -Uh, nothing. -Yeah! | 0:20:35 | 0:20:38 | |
Oh, no, no, no, no, no. No. Travis, come on! | 0:20:38 | 0:20:41 | |
-No, I can do it. -Yeah, not with that, you can't. | 0:20:41 | 0:20:44 | |
But it's not plugged in. | 0:20:44 | 0:20:45 | |
Well, it's still not safe. Here. Use that. | 0:20:45 | 0:20:48 | |
Come on. This isn't fun. | 0:20:48 | 0:20:50 | |
Yeah, well, that way, you'll hold on to your fingers. | 0:20:50 | 0:20:52 | |
-Come on, Mom. -All of your fingers... | 0:20:52 | 0:20:54 | |
-TV: -'In the dark, I could see it was OJ Simpson. | 0:20:54 | 0:20:56 | |
'How would you describe his expression? | 0:20:56 | 0:20:59 | |
'OJ's face was like a mask of rage. I was terrified. | 0:20:59 | 0:21:03 | |
'I hope I don't have nightmares for the rest of my life.' | 0:21:03 | 0:21:06 | |
Shively's out. I'm not putting her on the stand. | 0:21:08 | 0:21:10 | |
-Marcia... -She lied... | 0:21:10 | 0:21:11 | |
She's your only eyewitness. She ties him to the crime. | 0:21:11 | 0:21:14 | |
She lost all credibility. The jury won't believe her. | 0:21:14 | 0:21:16 | |
The defence will portray her as a media whore, which she is. | 0:21:16 | 0:21:19 | |
They'll say she just made it all up to score some quick money. | 0:21:19 | 0:21:22 | |
-It's just a sleazy news show. -They paid her five grand. | 0:21:22 | 0:21:27 | |
It's a slippery slope from Hard Copy to the National Enquirer | 0:21:27 | 0:21:30 | |
to the Weekly World News. We need to set a tone. | 0:21:30 | 0:21:33 | |
Is that what this is about? | 0:21:33 | 0:21:34 | |
-We've used witnesses before who did interviews for money. -Gil. | 0:21:34 | 0:21:39 | |
If we don't keep control, then the press can hijack all of it. | 0:21:39 | 0:21:42 | |
We'll end up spending our time responding to them, | 0:21:43 | 0:21:46 | |
instead of focusing on things that matter. | 0:21:46 | 0:21:48 | |
Come on, guys. | 0:21:50 | 0:21:51 | |
We have all the aces. | 0:21:51 | 0:21:54 | |
Let's hold the high ground. | 0:21:54 | 0:21:56 | |
BUZZER | 0:21:59 | 0:22:01 | |
Where's Craig? Why hasn't he come see me yet? | 0:22:14 | 0:22:18 | |
Or any of the other guys from the golf club? | 0:22:18 | 0:22:20 | |
I'm losing it in here, guys. They won't even let me shower. | 0:22:20 | 0:22:24 | |
I got dirt on my elbows. | 0:22:24 | 0:22:26 | |
Have your people looked into Faye Resnick yet? | 0:22:28 | 0:22:31 | |
Her drugs? Underworld drug connections? | 0:22:31 | 0:22:34 | |
I hear a lot of coke moves through Mezzaluna. | 0:22:34 | 0:22:36 | |
-Uh, cocaine connections? -Yeah. | 0:22:38 | 0:22:40 | |
Sure. We'll put an investigator on it. | 0:22:40 | 0:22:42 | |
We have something more pressing to discuss with you. | 0:22:42 | 0:22:45 | |
We need to add a litigator to the team, one who fits the, uh... | 0:22:45 | 0:22:49 | |
Well, the particular developing circumstances in the downtown venue. | 0:22:49 | 0:22:54 | |
What are you saying, Bob? | 0:22:54 | 0:22:55 | |
Well, I was thinking someone along the lines of Johnnie Cochran. | 0:22:55 | 0:22:59 | |
What?! No, no, no, that's all wrong. | 0:22:59 | 0:23:02 | |
Just hear him out, Juice. | 0:23:02 | 0:23:04 | |
We need someone who can communicate to the downtown jury. | 0:23:04 | 0:23:07 | |
It's just the.... | 0:23:08 | 0:23:10 | |
It's just the conditions on our football field, that's all. | 0:23:10 | 0:23:14 | |
You want to make this a black thing. | 0:23:14 | 0:23:16 | |
That's why you want Cochran. Well, I'm not black. | 0:23:16 | 0:23:19 | |
I'm OJ! | 0:23:19 | 0:23:20 | |
-What is that there? -OK, well, I've filed the motion petition... | 0:23:23 | 0:23:27 | |
Come on, Carl, I'm trying to work with this. | 0:23:27 | 0:23:29 | |
I'll tell you what, why don't we go back to this section? | 0:23:29 | 0:23:32 | |
OK. What do you got? What do you got? | 0:23:32 | 0:23:34 | |
-SPEAKER PHONE: -'Mr Cochran, OJ Simpson is calling for you.' | 0:23:34 | 0:23:38 | |
Let me have the room. Carl, let me have the room. | 0:23:38 | 0:23:41 | |
Diane, patch him through. | 0:24:03 | 0:24:05 | |
PHONE RINGS | 0:24:07 | 0:24:10 | |
-Johnnie Cochran. -'Johnnie? Johnnie, this is OJ. | 0:24:12 | 0:24:15 | |
'I need you. I'm calling from jail. I keep telling everyone, | 0:24:15 | 0:24:18 | |
'Johnnie Cochran is the man I need to speak to.' | 0:24:18 | 0:24:21 | |
Well, I appreciate that. | 0:24:21 | 0:24:23 | |
'I keep telling everyone I'm innocent. | 0:24:23 | 0:24:25 | |
'I need the best lawyer in the world to get me out of this jam. | 0:24:25 | 0:24:27 | |
'You gotta help me, man.' | 0:24:27 | 0:24:29 | |
OJ, I'm glad you called me. You've made a smart decision. | 0:24:29 | 0:24:32 | |
'I sure did. Cos I killed her. | 0:24:32 | 0:24:34 | |
SNICKERING 'I killed her good. Oh, yeah!' | 0:24:34 | 0:24:38 | |
Diane? | 0:24:40 | 0:24:41 | |
Next time, screen the damn call! | 0:24:41 | 0:24:44 | |
It's weird. I was always so tight with the Simpsons. | 0:24:48 | 0:24:51 | |
Now they say they need their guesthouse back. | 0:24:51 | 0:24:53 | |
Dude, it's not a problem. | 0:24:53 | 0:24:55 | |
You can stay on my couch as long as you want. | 0:24:55 | 0:24:57 | |
You, my friend, are a total pussy magnet. | 0:24:57 | 0:24:59 | |
It's crazy. Ever since this stuff, you know, | 0:24:59 | 0:25:01 | |
my beeper's going off 50 times a day. | 0:25:01 | 0:25:03 | |
TV shows, girls, agents, managers - it's crazy. | 0:25:03 | 0:25:07 | |
You going to get auditions? | 0:25:07 | 0:25:08 | |
You must be getting offered a tonne of parts, right? | 0:25:08 | 0:25:10 | |
Well, not really, but I don't want to blow this opportunity. | 0:25:10 | 0:25:13 | |
I have to update my reel. | 0:25:13 | 0:25:15 | |
I only have that Coke commercial from '86. | 0:25:15 | 0:25:17 | |
Oh, yeah. | 0:25:17 | 0:25:18 | |
-Kato! Kato! Kato! -WHOOPING | 0:25:18 | 0:25:22 | |
-KATO LAUGHS -Oh, look! Whoo-whoo-whoo! | 0:25:23 | 0:25:26 | |
WHOOPING | 0:25:26 | 0:25:27 | |
-They're so friendly! -You've got the life. | 0:25:27 | 0:25:29 | |
Hey, Kato! Hey, asshole! | 0:25:31 | 0:25:33 | |
Go straight to hell with OJ, murderer! | 0:25:33 | 0:25:35 | |
Fame's complicated. | 0:25:42 | 0:25:44 | |
PHONE RINGS | 0:25:54 | 0:25:56 | |
ADA Darden, Special Investigations Division. | 0:25:56 | 0:25:59 | |
Actually, this office is in charge of investigating all LAPD officers. | 0:26:00 | 0:26:04 | |
How can I help you? | 0:26:04 | 0:26:05 | |
Uh-huh. | 0:26:09 | 0:26:10 | |
Uh... Yeah, right. OK. | 0:26:11 | 0:26:14 | |
What's the name of that detective again? | 0:26:14 | 0:26:17 | |
How you doing today? | 0:26:30 | 0:26:31 | |
Get the passenger manifests for both Chicago flights, | 0:26:31 | 0:26:34 | |
see if anyone can attest to Simpson's demeanour. | 0:26:34 | 0:26:37 | |
Yes. That is fine. He can sign it. | 0:26:37 | 0:26:38 | |
And please close the door on your way out, Lisa. Thank you. | 0:26:38 | 0:26:41 | |
Knock-knock. Hey, Big-Time. | 0:26:41 | 0:26:43 | |
Darden. Sorry I can't offer you a chair. What's up? | 0:26:43 | 0:26:46 | |
I got a call. | 0:26:46 | 0:26:48 | |
Reporter from The New Yorker asking about Mark Fuhrman. | 0:26:48 | 0:26:50 | |
-I know he's a key witness for you, so... -Mm-hm. | 0:26:50 | 0:26:53 | |
I just thought you should know. I sandbagged him. | 0:26:53 | 0:26:56 | |
-Told him it would take a week to get the file. -Nice. | 0:26:56 | 0:26:59 | |
Would you do me a favour and shut the door? I need a break. | 0:26:59 | 0:27:02 | |
-You mind? -No. | 0:27:04 | 0:27:06 | |
What do you think about the case? | 0:27:15 | 0:27:17 | |
-It's pretty bulletproof. -Mm-hm. -Strong. | 0:27:17 | 0:27:19 | |
Though, it's interesting - | 0:27:20 | 0:27:22 | |
a lot of black people think OJ didn't do it. | 0:27:22 | 0:27:24 | |
What? | 0:27:26 | 0:27:28 | |
-Really? -Yeah. Guess they just don't want it to be true. | 0:27:29 | 0:27:33 | |
You know, good-looking, charming, talented black kid from the street | 0:27:33 | 0:27:36 | |
makes it all the way to the top, then gets pushed off his pedestal | 0:27:36 | 0:27:40 | |
and thrown into jail, like black men do. | 0:27:40 | 0:27:42 | |
Oh, come on! It's not like OJ was a pillar of the black community. | 0:27:42 | 0:27:46 | |
-Hm. -Well, and even if he were, would it matter? | 0:27:46 | 0:27:50 | |
It would still be the same evidence, the same history, the same facts. | 0:27:50 | 0:27:54 | |
-He obviously did it. -I hear you. | 0:27:55 | 0:27:58 | |
But right now, it's an emotional thing, not a rational one. | 0:27:58 | 0:28:02 | |
SHE SIGHS Might be hard for you to understand. | 0:28:04 | 0:28:07 | |
Since you never get emotional about your cases. | 0:28:07 | 0:28:10 | |
HE CHUCKLES | 0:28:14 | 0:28:16 | |
DOORBELL RINGS | 0:28:24 | 0:28:26 | |
-Dad's here! -I need to find my coat! | 0:28:26 | 0:28:28 | |
I can't find my shoe! | 0:28:28 | 0:28:29 | |
-Hey. How are you? -Wait here. I'll get them. | 0:28:31 | 0:28:33 | |
Whoa, what's wrong? | 0:28:33 | 0:28:36 | |
You guys have a movie to get to. | 0:28:36 | 0:28:37 | |
-I don't really want to get into this right now. -What? No, come on. | 0:28:37 | 0:28:40 | |
No, we don't let stuff go like that. | 0:28:40 | 0:28:43 | |
No, we don't. You're right. | 0:28:43 | 0:28:46 | |
Jesus, how do you expect me to act? When you're standing by him! | 0:28:46 | 0:28:50 | |
He's my best friend, Kris. I don't turn my back on people. | 0:28:50 | 0:28:53 | |
You're turning your back on Nicole! | 0:28:53 | 0:28:55 | |
He butchered her, Robert. He murdered her! | 0:28:55 | 0:28:57 | |
OK. Look, come on. Come on, | 0:28:57 | 0:29:00 | |
I'm devastated about Nicole. | 0:29:00 | 0:29:02 | |
You know that. I mean, it's...horrible. | 0:29:02 | 0:29:06 | |
-But he had nothing to do with that. I know that. -Bullshit! | 0:29:06 | 0:29:09 | |
You can tell yourself that, but you do not know that. | 0:29:09 | 0:29:12 | |
Would you at least please not tell the kids | 0:29:15 | 0:29:17 | |
that their uncle is a killer? | 0:29:17 | 0:29:19 | |
PRETEND uncle, Robert. | 0:29:19 | 0:29:21 | |
Everything about him is pretend. | 0:29:21 | 0:29:24 | |
DOOR OPENS | 0:29:24 | 0:29:25 | |
-Guys, your father's here. -DOOR CLOSES | 0:29:25 | 0:29:28 | |
-You rang? -Yep. Come on in. | 0:29:37 | 0:29:39 | |
-Hypothetical question. -Hmm? | 0:29:41 | 0:29:43 | |
What do you think about AC Cowlings aiding and abetting? | 0:29:43 | 0:29:46 | |
-Really? -Mm-hm. -Well, it's complicated. | 0:29:46 | 0:29:49 | |
On one hand, he was the driver | 0:29:49 | 0:29:51 | |
in what looked like Simpson's getaway attempt. | 0:29:51 | 0:29:53 | |
-There was passports, fake beard, 8,700 in cash. -Mm-hm. | 0:29:53 | 0:29:56 | |
Refused to stop the vehicle for police when ordered. | 0:29:56 | 0:29:59 | |
On the other hand, Simpson was holding a gun to his own head. | 0:29:59 | 0:30:02 | |
He may have pointed it at Cowlings. | 0:30:02 | 0:30:04 | |
I guess it comes down to establishing | 0:30:04 | 0:30:06 | |
what the situation was inside that vehicle. | 0:30:06 | 0:30:08 | |
-Why? -Because we're thinking about pressing charges. -Oh. | 0:30:08 | 0:30:12 | |
I've known you forever, and I think you're the one to run with it. | 0:30:12 | 0:30:14 | |
-You do? -Mm-hm. -Wow. | 0:30:14 | 0:30:17 | |
-Huh. -You should do it. You'll have fun. | 0:30:17 | 0:30:20 | |
Marcia, I haven't been in a courtroom in a long time. | 0:30:21 | 0:30:24 | |
Quit hiding in the basement, Chris. | 0:30:24 | 0:30:26 | |
-I know you can do it. -Is that right, Big-Time? | 0:30:26 | 0:30:29 | |
Yeah. You should trust me. | 0:30:29 | 0:30:30 | |
Look, I know it doesn't seem like much now, | 0:30:30 | 0:30:32 | |
but it could turn out to be crucial to proving OJ's intent and guilt. | 0:30:32 | 0:30:36 | |
And that would be all yours - | 0:30:36 | 0:30:37 | |
Big-Time. | 0:30:37 | 0:30:39 | |
Well... | 0:30:39 | 0:30:41 | |
I guess I'm all yours, Marcia. | 0:30:42 | 0:30:44 | |
Good. Because I could use all the help I can get. | 0:30:44 | 0:30:48 | |
-KNOCKS AT DOOR -Marcia? -Yeah? | 0:30:48 | 0:30:50 | |
You gotta come out and see this. | 0:30:50 | 0:30:51 | |
-TV: -'OK, what does he look like? | 0:30:53 | 0:30:55 | |
'He's OJ Simpson. I think you know his record. | 0:30:55 | 0:30:57 | |
'Could you just send somebody over here? | 0:30:57 | 0:30:59 | |
-'OK, what is he doing there?' -Are these the 911 tapes? -Yeah. | 0:30:59 | 0:31:02 | |
The media made a request, and some idiot at county released them. | 0:31:02 | 0:31:06 | |
'First of all, he broke the back door down to get in. | 0:31:06 | 0:31:08 | |
'OK, wait a minute. What is he doing? Is he threatening you? | 0:31:08 | 0:31:11 | |
-'I am freaking going nuts. -OK, just stay on the line... | 0:31:11 | 0:31:14 | |
'I don't want to stay on the line. | 0:31:14 | 0:31:15 | |
-'He's going to beat the shit out of me....' -Oh, my God... | 0:31:15 | 0:31:18 | |
'..so we can know what's going on till the police get there, OK? | 0:31:18 | 0:31:21 | |
'Just a moment. Does he have any weapons? | 0:31:21 | 0:31:23 | |
-'I don't know. -Has he hit you today or no? -No. | 0:31:23 | 0:31:26 | |
-'OK, you don't need any paramedics or anything? -Uh-uh.' | 0:31:26 | 0:31:29 | |
-SHOUTING INDISTINCTLY -'Is he inside right now? -Yes. | 0:31:29 | 0:31:32 | |
'OK, just a moment.' | 0:31:32 | 0:31:35 | |
This is exactly what I feared. The tail wagging the dog. | 0:31:35 | 0:31:39 | |
My witnesses are on TV. My evidence is on TV. | 0:31:39 | 0:31:42 | |
Hey, maybe we should invite Bernard Shaw over to rifle through my files. | 0:31:42 | 0:31:45 | |
Marcia, we'll come through. | 0:31:45 | 0:31:46 | |
We have enough evidence to win five times over. | 0:31:46 | 0:31:49 | |
When Shapiro sees what we've got, | 0:31:49 | 0:31:51 | |
he's going to roll over and play dead. | 0:31:51 | 0:31:53 | |
Thank you, sir. | 0:32:09 | 0:32:10 | |
I hear a sound. | 0:32:27 | 0:32:28 | |
The sound of metal orbs clanging, against one another. | 0:32:30 | 0:32:35 | |
-HE CHUCKLES -Come on, Lee. | 0:32:35 | 0:32:36 | |
Oh, my God. | 0:32:39 | 0:32:41 | |
-It's coming from your pants, Bob. -LAUGHTER | 0:32:42 | 0:32:45 | |
Balls. | 0:32:45 | 0:32:47 | |
Big, brass balls. | 0:32:47 | 0:32:49 | |
God love you. | 0:32:49 | 0:32:50 | |
We are back in this thing! | 0:32:50 | 0:32:52 | |
Ah, thank you, thank you. | 0:32:52 | 0:32:54 | |
But how do I get rid of those 911 tapes? | 0:32:54 | 0:32:57 | |
I know. Those tapes are today. | 0:32:57 | 0:33:00 | |
In a week, they're flotsam over the stern. | 0:33:00 | 0:33:03 | |
If they had to come out, I'm glad they were followed with this. | 0:33:03 | 0:33:05 | |
What you've laid out here - this is an entire case strategy. | 0:33:05 | 0:33:09 | |
Spectacular. | 0:33:09 | 0:33:11 | |
This is masterful. | 0:33:11 | 0:33:13 | |
Bob, you had a car that flew off a cliff. | 0:33:13 | 0:33:16 | |
It's missing two tyres, leaking oil and flung into a ravine, | 0:33:16 | 0:33:21 | |
yet somehow, you drove us back up the hill. | 0:33:21 | 0:33:24 | |
We're highway-ready again and back in the race. | 0:33:24 | 0:33:27 | |
What is it with this case? | 0:33:29 | 0:33:30 | |
Every time I think I get my bearings... | 0:33:30 | 0:33:32 | |
It's crazy. They're going racial. | 0:33:32 | 0:33:35 | |
You know, I think this could stick. | 0:33:35 | 0:33:37 | |
No way. Nobody's going to buy into this. | 0:33:37 | 0:33:39 | |
It's desperate, transparent, and coming from "Brentwood" Bob Shapiro. | 0:33:39 | 0:33:43 | |
I know a lot of people who would believe it. | 0:33:43 | 0:33:45 | |
Darden's right. | 0:33:51 | 0:33:53 | |
This move may be sleazy and cynical, but it could work. | 0:33:53 | 0:33:56 | |
They're trying to take down the LAPD. | 0:33:56 | 0:33:58 | |
We have to stop looking at this case as a slam dunk. | 0:34:00 | 0:34:03 | |
This article - it's a declaration of war. | 0:34:03 | 0:34:06 | |
Then Dershowitz says, "Once I decide to take a case, | 0:34:10 | 0:34:12 | |
-"I have only one agenda - "I want to win." -Mm! | 0:34:12 | 0:34:15 | |
"I will try by every fair and legal means | 0:34:15 | 0:34:18 | |
-"to get my client off without regard to the consequences." -Mm. | 0:34:18 | 0:34:21 | |
So, they're saying that this racist cop framed me | 0:34:24 | 0:34:27 | |
-just because I'm black?! -It could explain a lot, Juice. | 0:34:27 | 0:34:31 | |
I mean, this Fuhrman cop, and the glove... | 0:34:31 | 0:34:34 | |
And why not do everything we can to get you out of here, | 0:34:34 | 0:34:37 | |
if you're not supposed to be here? | 0:34:37 | 0:34:39 | |
I just want to go home, be with my children, | 0:34:39 | 0:34:41 | |
do everything that I can to help find the killer, you know? | 0:34:41 | 0:34:44 | |
OJ, these 911 tapes that have been circulating - | 0:34:44 | 0:34:47 | |
they've been playing day and night on all the channels - | 0:34:47 | 0:34:49 | |
it's an audio recording | 0:34:49 | 0:34:51 | |
in which the world can hear you beating your wife. | 0:34:51 | 0:34:54 | |
Bob, we was just, you know, tussling. I can... I can fix this. | 0:34:54 | 0:34:58 | |
No, no, no, you can't! You can't clear that up! | 0:34:58 | 0:35:00 | |
You can't put the genie back in the bottle. | 0:35:00 | 0:35:02 | |
Now, there's hope, but you have to listen, | 0:35:02 | 0:35:04 | |
and you have to listen very carefully. | 0:35:04 | 0:35:06 | |
This race defence is the crux of our case. | 0:35:06 | 0:35:09 | |
We need to bring in Johnnie Cochran, and we need to do it now! | 0:35:09 | 0:35:12 | |
-No. -Yes, we do. | 0:35:12 | 0:35:14 | |
His angle is the only angle that you will ever see daylight again. | 0:35:14 | 0:35:16 | |
Do you hear me? Do you hear me?! | 0:35:16 | 0:35:19 | |
He's right, Juice. | 0:35:20 | 0:35:22 | |
PHONE RINGS | 0:35:25 | 0:35:27 | |
RINGING CONTINUES | 0:35:30 | 0:35:32 | |
Johnnie Cochran. | 0:35:44 | 0:35:45 | |
Let me say this. | 0:35:47 | 0:35:48 | |
I've always admired you and wanted to work with you for years. | 0:35:48 | 0:35:51 | |
Thank you, Bob. That's kind of you. | 0:35:51 | 0:35:53 | |
I feel a strong emotional connection to this case. | 0:35:53 | 0:35:57 | |
I'm so glad you feel this way. It's excellent. | 0:35:57 | 0:36:00 | |
But I... I feel that I owe you the utmost clarity on one issue. | 0:36:01 | 0:36:06 | |
Mm-hm. | 0:36:06 | 0:36:07 | |
And that is, I will remain lead counsel. | 0:36:07 | 0:36:10 | |
This case could accomplish a lot of important things. | 0:36:16 | 0:36:20 | |
I know, I'm so excited - for you, for us. | 0:36:20 | 0:36:22 | |
-It's big. It's big. -Bob, Bob, Bob, hang on, hang on, hang on. | 0:36:22 | 0:36:25 | |
-Before I come aboard... -Yes? | 0:36:25 | 0:36:28 | |
-Yeah? -I have to look into OJ's eyes. | 0:36:28 | 0:36:30 | |
I have to look into his eyes. I need to believe him. | 0:36:30 | 0:36:33 | |
BUZZER | 0:36:41 | 0:36:43 | |
BUZZER | 0:36:55 | 0:36:57 | |
You all right, my brother? | 0:37:12 | 0:37:14 | |
-No, Johnnie. No. -Come on, come on, come on, come on. Talk to me. | 0:37:14 | 0:37:18 | |
Whatever you decide to do, whether you're with me or not, | 0:37:28 | 0:37:32 | |
you gotta know this... | 0:37:32 | 0:37:33 | |
HE SOBS: I loved her. | 0:37:37 | 0:37:40 | |
I loved Nicole more than you can possibly imagine. | 0:37:40 | 0:37:44 | |
She was the mother of my children. | 0:37:44 | 0:37:46 | |
I... | 0:37:48 | 0:37:50 | |
I didn't do it, Johnnie. | 0:37:50 | 0:37:52 | |
I didn't. I didn't do... I couldn't have done it, I swear. | 0:37:52 | 0:37:54 | |
There's no way I could've killed her. No way. | 0:37:54 | 0:37:58 | |
Nicole was the centre of my world, man. | 0:37:58 | 0:38:01 | |
Come on, come on, come on, come on, head up, come on. | 0:38:01 | 0:38:04 | |
Head up. Head up. | 0:38:04 | 0:38:05 | |
You just gotta believe me, Johnnie. | 0:38:07 | 0:38:10 | |
-You just gotta believe me. -Of course. | 0:38:10 | 0:38:12 | |
I believe you. | 0:38:12 | 0:38:14 | |
And I'm going to get you out of here, but I need you to stay strong. | 0:38:16 | 0:38:19 | |
-Come on. -OJ SNIFFLES | 0:38:19 | 0:38:21 | |
I want to see that strength that I know that's in you. | 0:38:22 | 0:38:25 | |
If it's not enough, then you can have some of mine. | 0:38:25 | 0:38:27 | |
-OJ LAUGHS -You know what I'm saying? | 0:38:27 | 0:38:30 | |
-That means a lot to me, Johnnie. -Good, good. | 0:38:30 | 0:38:33 | |
Listen to me. | 0:38:33 | 0:38:35 | |
Listen. | 0:38:35 | 0:38:37 | |
We get one black juror, just one... | 0:38:37 | 0:38:41 | |
..and I'll give you a hung jury. When I give you a hung jury... | 0:38:42 | 0:38:46 | |
..you are going home. | 0:38:48 | 0:38:50 | |
You're going home. | 0:38:52 | 0:38:54 | |
Cochran. | 0:39:52 | 0:39:53 | |
Motherfucker. | 0:40:01 | 0:40:03 |