Part 2 BBC Children in Need


Part 2

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Welcome to Children in Need 2015 on BBC Two.

:00:08.:00:12.

While BBC One have a breather, we are putting on our party pants and

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dancing shoes. Peter, over to you, my friend. A bit louder. Any time

:00:24.:00:25.

now. # Let me see what spring is like

:00:26.:00:29.

on Jupiter and Mars. # What about that? Yes, Peter, we have

:00:30.:00:45.

more of that later on. Peter, your music has really evolved

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over the years, as has your fashion. What were you thinking when you had

:00:51.:01:02.

this picture taken? What were you thinking then? It's shocking. I had

:01:03.:01:08.

it on my bedroom wall, when I was a kid. That one there, look at the

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Barnett on there. I can totally understand. Can you remember this

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was taken? No, but can you remember when this was taken? Where did you

:01:18.:01:24.

get that? You would have done Glenn Medeiros proud. What's scary about

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this one, look at the puppy fat, I was only about 15 then. There is a

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kicking off in the back of the Vic. Look at me there, I was a baby.

:01:34.:01:38.

Early Alfie Moon, look at the shirt I was wearing. I didn't know if

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anybody has mentioned this, you have to help out in the pub, OK? I have

:01:42.:01:47.

some guests that one drinks, I'm relying on you. We will hear from

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Peter bit later on. Yes! Now, very busy. We have the familiar face, he

:01:54.:01:58.

is still here, has been here for the last few hours, Warwick is still in

:01:59.:02:01.

the house, everybody. CHEERING AND APPLAUSE

:02:02.:02:06.

How can I put this, OK? You are about to start in probably one of

:02:07.:02:12.

the biggest franchise movies in the history of films, OK, starring

:02:13.:02:15.

alongside Harrison Ford, Mark Hammett, the biggest film everyone

:02:16.:02:20.

has been waiting for it. The question I want to ask is, are you

:02:21.:02:26.

doing panto? Yes, I'm in Bristol this year. I'm doing Snow White and

:02:27.:02:30.

the seven dwarfs, playing the handsome prince. Nothing wrong with

:02:31.:02:35.

that. Your highlights tonight? Apart from you and me, Bonnie was great

:02:36.:02:42.

doing the dancing stuff. Terrific. Ellie Goulding, Rod Stewart. I

:02:43.:02:46.

remember dancing to Rod Stewart when I was about ten, two if you want my

:02:47.:02:52.

body and do you think I'm sexy. We have the video! I'm only kidding. A

:02:53.:02:58.

quick highlight of being in Star Wars? I was 11 when I was first in

:02:59.:03:04.

it. 11 years old, so going onto the set for the first time and seeing

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Harrison Ford and the actors, they were the characters to me, not the

:03:10.:03:14.

actors, they were brilliant. The next movie? It's exciting, I'm a

:03:15.:03:19.

fan, it's exciting to be a small part of it. I can't say anything

:03:20.:03:24.

about it. Can someone get him a drink? A nice round of applause for

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my pal, Warwick. Look who's coming here, Nadeem, how are you? Madine

:03:32.:03:36.

and Shane, a round of applause, welcome to the Vic. Have you been

:03:37.:03:42.

out in the cold? You're my favourite from Girls Aloud. It was Kimberly

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but it is now. Who is your favourite Westlife? Mark. You have got

:03:51.:03:54.

together to do this duet, which you will perform later in the show. How

:03:55.:03:59.

did happen? It happened quickly, I asked her to do it and she loved the

:04:00.:04:06.

song. Did you write the song? Yes, over in Denmark. It hasn't two weeks

:04:07.:04:10.

later, really quickly. You have known each from the past. Of course,

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Girls Aloud, for years. This is her 19th time on Children in Need. Yes,

:04:20.:04:26.

collectively. Have you an exclusive? It was amazing, the last time we

:04:27.:04:32.

were on we did the single for Children in Need. We have both done

:04:33.:04:38.

the singles for Children in Need. You didn't do a single? We were

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never asked. Girls Aloud though. I'm so sorry about that! You are

:04:44.:04:48.

performing later, we look forward to hearing the single and you are going

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head to head in a bit of a challenge later on. I hear, yes, questions

:04:53.:04:59.

will stop don't fall out, OK? You have to watch this, come -- it's

:05:00.:05:04.

coming up later on in the main studio. In case you are wondering

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what's coming up later on, feast your mince pies on this. Pucker up

:05:09.:05:17.

for some PD eights with Tom Jones and Rob Brydon. Welcome to the night

:05:18.:05:26.

with Children in Need. Wow, we have loads to look forward to. He's

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taking a break from his bar duties, as we get into the swing of things

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with a song from his new album, it's Mike Powell, Peter Andre. -- it is

:05:37.:05:41.

my friend, Peter Andre. # Come fly with me, let's fly,

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let's fly away # Come fly with me, let's fly,

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let's fly away # Come fly with me,

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let's float down to Peru # In llama-land

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there's a one-man band # Come fly with me, let's take off

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in the blue # Weather-wise,

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it's such a lovely day # Just say the words

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and we'll beat the birds # It is perfect for

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a flying honeymoon, they say # Come fly with me, let's fly,

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let's fly away all right fellas, do your thing,

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come on. # Weather-wise,

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it's such a lovely day # You just say the word

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and we will beat the birds # It is perfect for

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a flying honeymoon, they say # Come fly with me, let's fly,

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Rat-macro yes, that's what we've got to do.

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Let's hear it for the band. I've just clocked out of the corner of my

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eye the lovely lady, your dance partner, give round of applause to

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Jeannette. APPLAUSE

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I thought you were frankly from Saturday. -- Frankie. She is

:09:18.:09:25.

Jeannette, from Friday. You have been working for a long time, is it

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the first time you have seen him singing? Yes, I've seen him singing

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before but not front row. It's nice. Not nice seats, I apologise. It's

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nice to see him in his element because I see him terrified, so to

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see him really embracing this is so nice. Look at you, what's it like in

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rehearsals, I know in the past I spent time, he doesn't stop singing?

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He does thing all the time so I get my own personal serenade. I having

:09:58.:10:01.

him in rehearsal. We have so much fun. I will hear more from you

:10:02.:10:06.

later, fantastic. Give a nice big round of applause to Peter and

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Jeannette, in the Queen Vic. -- Jeannette.

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with two brilliant little girls as the stars.

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Here's BBC Sport's Ore Oduba to tell us more.

:10:17.:10:18.

Children in Need believes all children should be

:10:19.:10:20.

no matter what has happened in their lives.

:10:21.:10:23.

In this film, I'd like you to meet two little

:10:24.:10:26.

girls who have been through some pretty tough times, but who still

:10:27.:10:32.

managed to come out the other side.

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Meet five-year-old best friends Phoebe and Erin.

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The girls are in Newcastle for four days of fun and sport.

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But it's not just sports that brought these two girls together.

:10:47.:11:01.

Four years ago, Phoebe was fighting for her life in the transplant unit

:11:02.:11:05.

Phoebe had become encephaleptic, which meant the toxins that were

:11:06.:11:13.

building up in her liver were starting to affect her brain.

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She said Phoebe wouldn't get through a week without a transplant.

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Thankfully, Phoebe did get a new liver.

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The Leeds Children's Transplant Team in the house!

:11:28.:11:30.

She now competes for Leeds Children's Hospital

:11:31.:11:33.

I love running and I like getting some exercise.

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It was at the Games three years ago that she first met Erin.

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At five weeks of age, Erin suddenly turned yellow, virtually overnight.

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As the days were going on, we knew we were running out of options.

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One day, one of her favourite nurses came in.

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She said, "There's been a phone call.

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Erin, too, was saved by a transplant.

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But like Phoebe, her life now has many challenges.

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And the Transplant Games help tackle a few of them.

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She hadn't had a lot of contact with other children.

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We only ever met other families in hospital, so to see other

:12:23.:12:25.

children well and healthy and be able to do things is amazing.

:12:26.:12:34.

Thanks to you, Children in Need pays for Malcolm.

:12:35.:12:38.

He is the children and teens coordinator at the games.

:12:39.:12:42.

Some of the experiences that children with transplants have had,

:12:43.:12:45.

they are able to talk about that and share it with people who understand,

:12:46.:12:50.

It's amazing for Erin to meet somebody else her

:12:51.:13:01.

age who could understand everything that she was going through.

:13:02.:13:07.

They wouldn't have met without the Transplant Games.

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It's been a massive positive that's come from

:13:12.:13:13.

The support that they all give each other, it's a huge thing.

:13:14.:13:22.

We believe that every child needs a childhood to have fun

:13:23.:13:40.

And the Transplant Games does just that.

:13:41.:13:43.

Please show your support by calling: 03457 33 22 33.

:13:44.:13:50.

Standard geographic charges from landlines and mobiles will apply.

:13:51.:13:56.

Or you can donate online at bbc.co.uk/pudsey.

:13:57.:14:03.

So of course, Children in Need would be nothing without all

:14:04.:14:10.

Whether you pick up the phone to donate or fundraise

:14:11.:14:13.

Who have we got here? Welcome to the show. How are you? You have a tray

:14:14.:14:30.

full of ice cream. How did you go about raising money? There was about

:14:31.:14:37.

20 ice cream vans across the country who got together to hand out free

:14:38.:14:41.

ice cream. How long have you been doing that? It has been going on for

:14:42.:14:46.

four years and getting bigger and bigger. We have made ?4500 this

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year. In total it is about ?7,000. 20 vans altogether across the UK.

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They are all the same. Get them down on you. I could be here all night!

:15:06.:15:12.

Hello, Lisa. Is it strange to be in the Queen Vic? It is strange for me

:15:13.:15:17.

as well. You have got this contraption, tell me about this and

:15:18.:15:23.

how you raise money. We decided to hold a drive in movie. We made 50

:15:24.:15:28.

cars out of cardboard boxes and sat children down to watch the film. How

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much did you raise? Just under ?300. Give them a round of applause for

:15:36.:15:42.

these people raising a lot of money. We had a glittering array of stars.

:15:43.:15:44.

Look at these lovely faces. Please welcome Russell Grant,

:15:45.:15:46.

Louis Smith, Let's hear it, everybody. Frankie,

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you are my favourite Saturday. Thank you. Thank you so much for being in

:15:58.:16:03.

the Queen Vic. Is it your first time? Is it strange? A little bit.

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It is like the Tardis. You have done a wonderful job on strictly. You

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know now that you have done the show, do you carry on dancing?

:16:20.:16:27.

Everybody says, I have had a wonderful time and I will carry on

:16:28.:16:32.

dancing for ever. Did you carry on? Don't be ridiculous! I was hopeless

:16:33.:16:39.

and I am never dancing again! I do dance around the kitchen sometimes.

:16:40.:16:44.

You are a mother now. Do you often get to go dancing? I have not done

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any. You get convinced that you're going to do it but I don't want to

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do it with anyone else now. Who was your partner? Kevin. We are still in

:16:55.:17:09.

touch. Flavia and I are still in touch. Musical chairs is happening

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later. When they told me about it I could not believe it. When was the

:17:17.:17:20.

last time you played? I literally can't remember. That will be fun. I

:17:21.:17:31.

was about six. I went to Margot Ingleton's birthday party. I am

:17:32.:17:37.

practising most weeks just in case this happens. CHUCKLES

:17:38.:17:42.

We are raising lots of money this year. Don't let me down, what is

:17:43.:17:49.

your prediction? What makes you think I can predict anything. It is

:17:50.:17:58.

in the stars! That is what you do. Well, I don't know. All I'm worried

:17:59.:18:02.

about is what I'm here for. Why are we here? The musical chairs. Once I

:18:03.:18:08.

found out what you were doing, it's very fun, but who do you think is

:18:09.:18:14.

going to win? We might have a sneaky bet. This one is very competitive.

:18:15.:18:23.

Really? ! It's going to be a tough competition and we are looking

:18:24.:18:27.

forward to it. Give them a round of applause. We look forward to seeing

:18:28.:18:36.

them tonight. This is what happened at Wembley on a fantastic big night

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out. Feast your mince pies on this. Tonight we are going to be bringing

:18:40.:18:44.

you some brilliant exclusive performances from our show here

:18:45.:18:49.

at Wembley. To start it all off,

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we've got a group of lads who have # She maxed her credit cards and

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don't got a job # She pays for gas with all the

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change in her car # It's not the end of the road,

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yeah, we've all been there before # And it goes oh, oh, oh,

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# Oh, oh, oh, oh! # He's walking home cause he can't

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pay for the bus # He needs a dollar but he ain't got

:19:31.:19:33.

enough # It's not the end of the world,

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yeah, we've all been there before # And it goes oh, oh, oh,

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# Oh, oh, oh, oh! # Hey, everybody - we don't have to

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live this way # Don't have your rent and it's the

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first of the month # Your bank account has got

:19:52.:20:28.

insufficient funds # We can't afford to give up,

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we gotta make our own luck # Work every weekend just to get out

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of town # Everyone says that you'll just

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turn back around # And what's ironic to me, the ones

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that don't ever leave because they # Hey, everybody - we don't have to

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live this way # Oh, oh, oh

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# Oh, oh, oh, oh # Hey, everybody - we don't have to

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live this way # Yeah, we don't have to live this

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way! #. Ladies and gentlemen,

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here with his brand-new single, # I got demons, I got demons, I got

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demons # I close my eyes and talk to God

:22:31.:22:47.

and pray that you can save my soul # I look to you to shine a light

:22:48.:22:51.

before the darkness takes a hold # And I won't break,

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and I won't run # I got demons,

:23:02.:23:06.

I got demons tryin' to get to me # I'm only human, so underneath my

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skin the cuts run deep # I just need a little time to work

:23:19.:23:26.

'em out # I got demons, I got demons I got

:23:27.:23:33.

demons # I got demons, I got demons, I got

:23:34.:23:46.

demons # I can hear them now and then when

:23:47.:23:52.

I try to make a stand # They try their best to pull me

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under # We are rulers of our minds, yes,

:23:57.:24:04.

we are # I know that there's an angel

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watching over me # I see your wings are open wide,

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yeah # And I won't break,

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and I won't run # We're only saved when we come

:24:37.:24:38.

undone # It's just the way that we're

:24:39.:24:46.

made, oh # I got demons,

:24:47.:24:53.

I got demons tryin' to get to me # I'm only human, so

:24:54.:24:58.

underneath my skin the cuts run deep # I just need a little time to work

:24:59.:25:08.

them out # I got demons, I

:25:09.:25:15.

got demons, I got demons # I got demons, I

:25:16.:25:23.

got demons, I got demons # I got demons, I got

:25:24.:25:32.

demons, I got demons Now, ladies and

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gentlemen, exclusively for Children in Need, let me please welcome The

:25:43.:25:53.

Shires! # Well, they'll say it's way too

:25:54.:25:58.

cold for cut-off jeans # And they won't be drinking

:25:59.:26:19.

moonshine, but G and Ts # Dancing with sweet country girls

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all night # We can build our own Nashville,

:26:29.:26:46.

underneath these grey skies # And people will come, they'll come

:26:47.:26:55.

from far and wide # They'll leave their village greens

:26:56.:27:05.

and their big cities behind # We can build our own Nashville -

:27:06.:27:16.

it's about time # Won't get that Southern sun, we'll

:27:17.:27:23.

be dancing in the rain # Every single night, we'll do it

:27:24.:27:30.

again and again # Kissing those country boys in the

:27:31.:27:38.

dark # We can build our own Nashville,

:27:39.:27:59.

underneath these grey skies # And people will come, they'll come

:28:00.:28:08.

from far and wide # They'll leave their village greens

:28:09.:28:18.

and their big cities behind # We can build our own Nashville -

:28:19.:28:26.

it's about time # Oh, oh, oh, oh

:28:27.:28:39.

# Oh, oh, oh, oh # It's about time

:28:40.:28:42.

# It's about time # We can build our own Nashville,

:28:43.:28:48.

underneath these grey skies # And people will come, they'll come

:28:49.:29:00.

from far and wi-ide # People will come, they'll come

:29:01.:29:10.

from far and wide # They'll leave their village greens

:29:11.:29:16.

and their big cities behind # We can build our own Nashville -

:29:17.:29:28.

it's about time We do love a good old song

:29:29.:29:35.

and dance on Children in Need. Next, to tell you about a project in

:29:36.:30:05.

Northern Ireland, that has song and Earthlings,

:30:06.:30:08.

join us on our secret mission. A visit to the theatre can

:30:09.:30:14.

bring magic into all our lives. But for children with profound

:30:15.:30:19.

and multiple learning difficulties, like these at a special school

:30:20.:30:22.

in Lisburn, What if the theatre

:30:23.:30:24.

was to come to them? Replay are a touring company,

:30:25.:30:31.

we jump in the van and we bring the van to schools, community centres

:30:32.:30:35.

wherever the show needs to go. There are lights,

:30:36.:30:39.

stars and there is room for boats. The children are moved

:30:40.:30:52.

into the bubble and there is Because of you,

:30:53.:30:55.

Children in Need makes it possible for Replay to stage sensory

:30:56.:31:03.

performances at special schools all She's got dravet syndrome,

:31:04.:31:05.

which is severe epilepsy. It is hard because

:31:06.:31:15.

when Orla takes a seizure you don't know if she will ever come out

:31:16.:31:17.

of it, if it will be her last. The children I teach in school

:31:18.:31:22.

have profound difficulties. Most of them would have severe forms

:31:23.:31:26.

of epilepsy, they would have global developmental

:31:27.:31:29.

delay, they would have autism, they Our current show is called Closer

:31:30.:31:32.

and Closer is a really fantastical journey into space and that kind

:31:33.:31:40.

of fantasy unlocks something There is just something really

:31:41.:31:43.

important in giving them those She struggles to see and has no

:31:44.:31:50.

verbal speech but inside the bubble Miriam enjoys the play group

:31:51.:32:05.

because she enjoys noise, music. Towards the end of the show we sing

:32:06.:32:14.

the children's names to them in a cappella and it can be

:32:15.:32:24.

the most beautiful experience. The funding that we get

:32:25.:32:29.

from Children in Need is absolutely vital to continue us to give

:32:30.:32:32.

the children these experiences. If any children deserve

:32:33.:32:36.

the opportunity to have these wonderful experiences, it's these

:32:37.:32:38.

children that we work with. This is therapy, it is joy

:32:39.:32:43.

and magic all rolled into one. You can make it happen

:32:44.:32:49.

for other children too. Wow, how cool is that? If the child

:32:50.:33:10.

can't come to the theatre, take the theatre to the child. Absolutely

:33:11.:33:14.

brilliant. Please help us to help more children have an experience

:33:15.:33:18.

like that by calling 03457 33 22 33. Thanks so much. Each and every one

:33:19.:33:26.

of you make those events possible, so please keep up the good work and

:33:27.:33:31.

please keep on donating. Now, we have a Queen Vic regular, Bonnie

:33:32.:33:35.

Langford is in the house! CHEERING AND APPLAUSE

:33:36.:33:41.

Hello, Bonnie. I have just been told, so far we have raised on

:33:42.:33:47.

children in the tonight, a whopping ?23 million! How good is that?

:33:48.:33:51.

APPLAUSE Keep donating, everybody. Now,

:33:52.:33:57.

Bonnie listen, top hat. You were brilliant. You were great, when you

:33:58.:34:01.

kicked your leg you nearly took out the front row. You were fantastic.

:34:02.:34:07.

How long have you been in the show? On and off since April and now since

:34:08.:34:13.

August, and back on screen. We have the executive producer here, can we

:34:14.:34:18.

talk about Christmas storylines. Is amazing. Can I tell you something?

:34:19.:34:25.

Cat and Alfie are back. I thought I would get a chair when I said that.

:34:26.:34:29.

It's a big storyline coming up. Everyone asks me because you do a

:34:30.:34:33.

lot of theatre, what do you prefer, theatre or TV? I loved doing both, I

:34:34.:34:38.

love being here in Eastenders because you never know what is

:34:39.:34:41.

coming next. That's one of the things I found hard to get used to

:34:42.:34:45.

is the fact you don't know what's going to happen. It's really

:34:46.:34:48.

exciting, when you go to the help desk and they give you your scripts

:34:49.:34:52.

and you think, what's going to happen? I read them and go, I can't

:34:53.:34:56.

believe that. You don't know about being killed off in March then? I'm

:34:57.:35:02.

joking! I'm joking! And come back to life again! I used to watch, when I

:35:03.:35:10.

was a little boy. Twins! We looked great for 62! Alvarez at you have

:35:11.:35:15.

done, what's the best thing you have done in your career? What's a

:35:16.:35:22.

turning point? Turning point? This is a turning point. I was in

:35:23.:35:27.

Broadway when I was ten. I love Cricklewood Broadway. That was

:35:28.:35:32.

pretty good, with Angela Lansbury. I did Spamalot, which was fabulous.

:35:33.:35:38.

Thank you for being here tonight. I will see you at work on Monday.

:35:39.:35:41.

Bonnie Langford, everybody! CHEERING AND APPLAUSE

:35:42.:35:46.

As I move across the bar and I say hello to a lovely lady that has hit

:35:47.:35:51.

the charts with a storm. Jess Glynne is here, folks.

:35:52.:35:54.

CHEERING AND APPLAUSE I spoke to you earlier. You find it

:35:55.:35:59.

really strange, being in the Queen Vic? Do you find it weird? I'm so

:36:00.:36:06.

excited. Do you watch the show? Yes, I have grown up with it. You are

:36:07.:36:14.

busy. I want to ask you right now, your favourite character ever in

:36:15.:36:17.

Eastenders, bearing in mind who is talking to you? Alfie? Yes, nothing

:36:18.:36:24.

wrong with that, love. The Children in Need single, how did it come

:36:25.:36:30.

about? I wrote the song and the guys at Children in Need heard it and it

:36:31.:36:33.

touched them and they were like, we'd love to have it as part of

:36:34.:36:38.

Children in Need this year. It's amazing, it's such a personal song

:36:39.:36:41.

for me and I find amazing that can share that with everyone else doing

:36:42.:36:48.

Children in Need. We have something in common. What's that? I did the

:36:49.:36:53.

Children in Need single as well. I have to big myself up, OK? Thank you

:36:54.:36:58.

so much for getting involved. Jess Glynne, everybody.

:36:59.:37:02.

APPLAUSE We have got the winner of... Laura

:37:03.:37:13.

won the Strictly Call The Midwife dans off. I didn't know how I'd feel

:37:14.:37:22.

so proud. I think you gave it to the biggest fan. Congratulations, give a

:37:23.:37:28.

big round of applause. Now, it's time to say a big round of -- it's

:37:29.:37:34.

time to say thank you to more incredible Children in Need

:37:35.:37:43.

fundraisers. This year, the CEO set himself a sponsored endurance

:37:44.:37:48.

challenge. We are doing an 1100 mile trek around the country to see the

:37:49.:37:52.

welcome break websites. We have raised staggering amounts of money.

:37:53.:37:56.

Children need is part of our DNA, part of what we do. We love it and

:37:57.:38:01.

to raise so much money for the children is awesome. DFS customers

:38:02.:38:07.

and staff have been supporting Children in Need again this year.

:38:08.:38:11.

They have got a relaxing incentive this time. We have them in the store

:38:12.:38:18.

and we want people to take their weight off their feet for Children

:38:19.:38:22.

in Need. They have been donating by entering the Pudsey prize draw. We

:38:23.:38:26.

enter them into a drawer once a month and whoever wins wins a sofa,

:38:27.:38:36.

for free. Brilliant work, guys. Unfortunately our time on BBC Two

:38:37.:38:40.

has come to an end. I know, but the Queen Vic is still open for business

:38:41.:38:44.

and the next round is on me! CHEERING AND APPLAUSE

:38:45.:38:48.

We are going to switch back to BBC One, where Selena Gomez and the cast

:38:49.:38:52.

of Kinky Boots will be performing and we will see you back here later.

:38:53.:38:56.

See you, folks. APPLAUSE

:38:57.:39:00.

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