Browse content similar to Part 3. Check below for episodes and series from the same categories and more!
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Welcome back to Children in Need 2015! | :00:00. | :00:07. | |
Let's get loud and make some noise for your hosts. | :00:08. | :00:09. | |
MUSIC: "Let's Get Loud" by Jennifer Lopez | :00:10. | :00:28. | |
And, swapping The Saturdays for one Friday night only, | :00:29. | :00:31. | |
That was incredible! Strictly told me never to enter! | :00:32. | :01:29. | |
It is great to be back on Children in Need. | :01:30. | :01:37. | |
Sir Terry, I know you're watching us, so I promise we'll be | :01:38. | :01:40. | |
And we're going to do you proud, Sir Terry. | :01:41. | :01:49. | |
It's been an amazing night so far of fun and fundraising. | :01:50. | :01:53. | |
And we've got all of this still to come. | :01:54. | :02:01. | |
Every year on nights like this we meet some truly remarkable children. | :02:02. | :02:47. | |
But the word "remarkable" doesn't even begin to do justice to the | :02:48. | :02:49. | |
Here's my mate, Reggie Yates, to tell you more. | :02:50. | :02:53. | |
When a child is in pain, everyone who loves them hurts. | :02:54. | :02:56. | |
I want you to meet a truly amazing family. | :02:57. | :03:00. | |
They are so strong, it is unbelievable. | :03:01. | :03:01. | |
And I'm proud to say that your donations have helped them | :03:02. | :03:04. | |
Stop talking - it'll go down quicker. | :03:05. | :03:14. | |
What are you trying to say, Dad - I talk a lot? | :03:15. | :03:17. | |
So do you think you're getting better? | :03:18. | :03:21. | |
You are. You're fab, aren't you? | :03:22. | :03:26. | |
He was seven months actually in the hospital. | :03:27. | :03:33. | |
Maybe two or three weeks on a ventilator | :03:34. | :03:35. | |
That's iron, isn't it? It is. | :03:36. | :03:39. | |
Not knowing which way it's going to go, and then me having to tell | :03:40. | :03:43. | |
his sister that he might be going to play with his nan, | :03:44. | :03:46. | |
On May 17th last year, Daniel was playing | :03:47. | :03:52. | |
on a bouncy castle in the back garden at home. | :03:53. | :03:57. | |
And then when he came in, it was just... | :03:58. | :04:05. | |
A split second and he just collapsed. | :04:06. | :04:08. | |
I was saying, "If you can hear me, squeeze my hand. | :04:09. | :04:17. | |
He just kept squeezing my hand the whole time. | :04:18. | :04:22. | |
That's when we got the ambulance, didn't we? | :04:23. | :04:24. | |
Yes. To the hospital, and it was straight in, and there | :04:25. | :04:27. | |
Doctors battled to save Daniel's life. | :04:28. | :04:45. | |
He'd suffered a brain bleed, with terrible consequences. | :04:46. | :04:49. | |
In the beginning, he was just completely still | :04:50. | :04:53. | |
and he had so many tubes coming off him, you couldn't tell that it was | :04:54. | :04:56. | |
my brother, and I was expecting him to get up and say, | :04:57. | :04:59. | |
"Beth, I'm fine! Don't worry about me." | :05:00. | :05:01. | |
But he didn't, he just stayed still and didn't move. | :05:02. | :05:05. | |
We knew he was paralysed, all the way down, all his body. | :05:06. | :05:09. | |
But they couldn't tell us if he could hear hear, he'd have | :05:10. | :05:12. | |
Anything. They couldn't tell us anything. | :05:13. | :05:18. | |
You've got doctors coming up to talk to you and it's just constant and | :05:19. | :05:22. | |
they're firing all these questions, and you're just numb, aren't you? | :05:23. | :05:25. | |
They're feeding you that much information at once, | :05:26. | :05:28. | |
Thankfully, there was someone to help make sense of it all. | :05:29. | :05:38. | |
This is Fiona from the Child Brain Injury Trust, | :05:39. | :05:40. | |
a charity supported by Children in Need. | :05:41. | :05:45. | |
When you go into an acute hospital setting, it is very isolating, | :05:46. | :05:48. | |
Being able to support families from those very early days | :05:49. | :05:53. | |
Fiona, it's like she waved her magic wand and | :05:54. | :06:01. | |
She's on your level, she knows what you're going through. | :06:02. | :06:09. | |
Even if you didn't understand what the doctors were going on about, | :06:10. | :06:12. | |
You know, she answered a lot of Beth's questions | :06:13. | :06:18. | |
in a way that Beth understood. More than I could ever do. | :06:19. | :06:20. | |
..and how much harder it must be for Daniel to do | :06:21. | :06:23. | |
Bit by bit, Daniel learned to talk and walk all over again. | :06:24. | :06:33. | |
Then after seven months in hospital, he came home. | :06:34. | :06:37. | |
There's been over a dozen operations, and today, | :06:38. | :06:42. | |
though he still can't swallow or eat like other children. | :06:43. | :06:51. | |
But whenever the family needed a home visit or even | :06:52. | :06:53. | |
She was just the right person there, who knew everything we needed | :06:54. | :07:01. | |
to know. And she just did it. | :07:02. | :07:04. | |
Thank you so much for what you've done for us. | :07:05. | :07:07. | |
Thank you, Daniel. They're beautiful. | :07:08. | :07:10. | |
Fiona was always helping me with my problems. | :07:11. | :07:14. | |
Please help us to help more wonderful families like Daniel's | :07:15. | :07:22. | |
You are a truly fantastic little boy and we think you are brilliant. | :07:23. | :07:38. | |
That's what tonight is all about, showing how your money helps people | :07:39. | :07:48. | |
So, please, if you can, donate tonight. | :07:49. | :07:51. | |
If you haven't already done so, then perhaps now might be the time. | :07:52. | :07:54. | |
You can call 03457 33 22 33 or you can donate online. | :07:55. | :07:58. | |
Every single penny will be spent helping wonderful families | :07:59. | :08:03. | |
And it's never been easier to donate to Children in Need. | :08:04. | :08:08. | |
You can donate on the BBC Children in Need website, | :08:09. | :08:13. | |
using your debit or credit card, or with your PayPal account. | :08:14. | :08:17. | |
Pay in your money at all major banks, building | :08:18. | :08:20. | |
Send a cheque or a postal order to BBC Children in Need. | :08:21. | :08:30. | |
Or telephone to donate or tell us how much you have raised. | :08:31. | :08:37. | |
Standard geographic charges from landlines and mobiles will apply. | :08:38. | :08:43. | |
Every single penny you donate will help to make a big, big difference. | :08:44. | :08:55. | |
Do you think that applause was for us? It is not for us! | :08:56. | :08:59. | |
And news that our next act is performing has very | :09:00. | :09:03. | |
There is a woman here who is so excited. She has not stopped! | :09:04. | :09:13. | |
But that's what you get, Grimmy, for having one of the world's biggest | :09:14. | :09:16. | |
Singing Same Old Love, please go crazy for Selena Gomez. | :09:17. | :09:30. | |
# So don't you try and change your mind | :09:31. | :10:39. | |
Now, earlier this evening, we saw the cast members of | :10:40. | :13:07. | |
Call The Midwife swap hot towels for tutus and take a turn | :13:08. | :13:11. | |
But it's back to more familiar territory for the Midwife cast now, | :13:12. | :13:28. | |
Here's an exclusive preview of this year's Call The Midwife | :13:29. | :13:30. | |
And so the Bishop said that BBC television want to film a carol | :13:31. | :13:45. | |
service in an ordinary London church and broadcast on Christmas Day. How | :13:46. | :13:54. | |
nice. I think it would be more than nice, it would be wonderful for the | :13:55. | :13:58. | |
whole of the parish. Our parish? I should have made that clear. I think | :13:59. | :14:04. | |
it sounds tremendous. The children will enjoy it. But filming in a | :14:05. | :14:11. | |
church? My sentiments exactly. Is nothing sacred? To my mind, | :14:12. | :14:17. | |
Christmas is the most sacred festival of all. Sharing a religious | :14:18. | :14:21. | |
service with millions is a really good way to remind them of that. Not | :14:22. | :14:28. | |
to mention frightfully glamorous! I rest my case! People have forgotten | :14:29. | :14:32. | |
what it is about. Mrs Turner has agreed to take the children's choir, | :14:33. | :14:37. | |
and I was thinking we could create a crib scene and place a real newborn | :14:38. | :14:46. | |
baby in the manger. One of hours? Yes. I was rather hoping to see Ms | :14:47. | :14:55. | |
Gilbert, the producer of the TB broadcast is coming to inspect the | :14:56. | :15:01. | |
church... Tomorrow is a very busy day. Miss Gilbert will be occupied. | :15:02. | :15:28. | |
of ornamental plaster work. It always photographed so well. Wonders | :15:29. | :15:39. | |
with the elbow grease. Our cleaning lady is called Mrs Willens. Whatever | :15:40. | :15:46. | |
she is called, you have to add to artistic presentation. The | :15:47. | :15:50. | |
children's pageant is completely essential. Do you mean the nativity | :15:51. | :16:01. | |
play, -- nativity play? The nativity scene. I know how children add to | :16:02. | :16:07. | |
the sparkle. And they must thing. I have that in hand. And they must be | :16:08. | :16:14. | |
in costume. Mrs Turner has that in hand as well. The aesthetic is | :16:15. | :16:19. | |
vital. We cannot have anybody looking poor. | :16:20. | :16:26. | |
Lots of fun we will see. Ho, Ho, Ho! Merry Christmas! It is worthy of | :16:27. | :16:45. | |
the poet Laureate. Come on, you stragglers! You are married to the | :16:46. | :16:55. | |
Lady in the sewing shop? He is a cousin of mine. Well caught! | :16:56. | :17:05. | |
That wouldn't have happened if Sir Terry was here. | :17:06. | :17:23. | |
Now it's over to John Craven and his Countryfile team. | :17:24. | :17:25. | |
They've been set their toughest nature assignment yet, | :17:26. | :17:27. | |
to try and locate that rarest of bears, the lesser spotted Pudsey. | :17:28. | :17:38. | |
This year, Countryfile viewers have been raising money for Children in | :17:39. | :17:45. | |
Need well taking in the great British countryside. Sponsored | :17:46. | :17:47. | |
country far rambles have been taking place up and down the country. Our | :17:48. | :17:53. | |
view is got behind their lenses to capture the colour of the | :17:54. | :17:57. | |
countryside for our annual photographic competition. Only the | :17:58. | :18:01. | |
best 12 were selected for the Countryfile 2016 calendar. Last year | :18:02. | :18:08. | |
they're sold 350,000 copies. It supports the work of Children in | :18:09. | :18:12. | |
Need across the UK. This year we are hoping it can raise even more. How | :18:13. | :18:19. | |
are you doing? The winning photo really inspired me. It took a lot of | :18:20. | :18:23. | |
time and effort to get it. I thought I would have a go myself. I have | :18:24. | :18:28. | |
been told there is a rare bear around the countryside. I have been | :18:29. | :18:33. | |
waiting all day to try to capture it on camera. Oh, no! Too late. | :18:34. | :18:42. | |
Let's find out how much Countryfile have raised. | :18:43. | :18:55. | |
Thank you so much, John, Ellie and all of you at home who bought | :18:56. | :19:02. | |
Now, Grimmy, what would you think if I said Kinky Boots to you? | :19:03. | :19:20. | |
I would think of the picture I sent to you on Snapchat. | :19:21. | :19:28. | |
Performing Everybody Say Yeah, please give it up for the West End | :19:29. | :19:40. | |
Well, Boss, is this what you had in mind? | :19:41. | :19:43. | |
# You can throw out the old way cos it's been done | :19:44. | :19:47. | |
# Witness the future of Price and Son | :19:48. | :19:53. | |
# A life of broken heels got you down? | :19:54. | :20:01. | |
# Get up Get it on and | :20:02. | :20:06. | |
# Get in step with the kinky revolution | :20:07. | :20:13. | |
# Say yeah, yeah Yeah, yeah | :20:14. | :20:20. | |
# Say yeah Say yeah | :20:21. | :20:26. | |
# Can you picture this glamorous fashion exhibition | :20:27. | :20:48. | |
# I see flashbulb lights and fashion heights | :20:49. | :20:51. | |
Ladies and gentlemen, please help me welcome our niche market! | :20:52. | :21:39. | |
A belting performance from the cast of Kinky Boots. | :21:40. | :23:56. | |
And don't forget they've donated their time tonight in the hope that | :23:57. | :24:00. | |
you'll donate your money to help children right here in the UK. | :24:01. | :24:04. | |
Year after year, so many great performers support | :24:05. | :24:06. | |
And last night, this brilliant tradition continued | :24:07. | :24:08. | |
as BBC One saw a whole host of stars join Sir Tom and Rob Brydon | :24:09. | :24:12. | |
In case you missed it, here's a taste of One Big Night | :24:13. | :24:16. | |
# Baby, baby, everything is all right, uptight. | :24:17. | :24:33. | |
# I just want your extra time and your... | :24:34. | :24:37. | |
# Come along, little children, come along. | :24:38. | :24:40. | |
What a wonderful night of entertainment! | :24:41. | :25:03. | |
Shall we find out how much One Big Night for Children in Need raised? | :25:04. | :25:15. | |
And a huge thank you to Sir Tom Jones, | :25:16. | :25:17. | |
Rob Brydon and all the performers, who kindly gave their time. | :25:18. | :25:23. | |
Next we'd like to show you a very powerful film that shows how | :25:24. | :25:27. | |
Children in Need can be there for families when their everyday lives | :25:28. | :25:30. | |
One day everything is normal and the next, well, everything changes. | :25:31. | :25:37. | |
Here's someone I know well, Marvin Humes, to tell you more. | :25:38. | :25:40. | |
Anyone who's lost someone special knows how much it can hurt. | :25:41. | :25:42. | |
Grief is tough but for children it can hit especially hard. | :25:43. | :25:47. | |
This is a film about a young boy who's had to deal | :25:48. | :25:50. | |
His name is Jeevan and we'd like to thank him | :25:51. | :25:55. | |
Oh, that's a nice picture of you and Dad. | :25:56. | :26:05. | |
He is a very sweet boy, just like his dad. | :26:06. | :26:27. | |
It was my dad's birthday on that day. | :26:28. | :26:30. | |
We were planning on going to get him some nice shoes. | :26:31. | :26:33. | |
Jeevan's dad got up, a very early riser. | :26:34. | :26:36. | |
He took his boys downstairs, gave them their breakfast. | :26:37. | :26:39. | |
He went into the bathroom, that's when Jeevan's mum heard quite | :26:40. | :26:46. | |
She jumped out of bed and went into the bathroom. | :26:47. | :27:08. | |
Mum went with him to the hospital and I went to my next door | :27:09. | :27:12. | |
neighbours and they looked after me and my brother for the whole day. | :27:13. | :27:16. | |
When I got back to my house there were loads of family | :27:17. | :27:20. | |
members in the house and I went into my room and just stayed in my room. | :27:21. | :27:28. | |
My dad was the best dad in the world. | :27:29. | :27:31. | |
At the funeral service Jeevan bravely paid tribute to his father. | :27:32. | :27:40. | |
You will always stay in mine, Jay's and Mum's hearts. | :27:41. | :27:42. | |
But in the weeks that followed his family became increasingly | :27:43. | :27:47. | |
I used to get angry with everyone in the house. | :27:48. | :27:53. | |
I used to stay up really late and not go to sleep. | :27:54. | :27:57. | |
He wouldn't eat properly and it got to the point | :27:58. | :28:03. | |
He would cover his face and he would scratch his own face. | :28:04. | :28:12. | |
We were trying to comfort him but we couldn't help. | :28:13. | :28:16. | |
That's when we made that decision that Jeevan was | :28:17. | :28:18. | |
At Edwards Trust in Birmingham your donations pay for | :28:19. | :28:27. | |
Jeevan has been coming to see her for a year or so now. | :28:28. | :28:37. | |
I think he wanted to make his mum proud and his dad proud. | :28:38. | :28:45. | |
Being the man of the house at a time when he was really quite | :28:46. | :28:49. | |
Holding it all in is not good for a young person. | :28:50. | :28:55. | |
So anything that we can do to help them express their feelings, | :28:56. | :28:58. | |
This is the canvas I made to represent my dad. | :28:59. | :29:07. | |
It reminds me of some of the fun times we had together as a family. | :29:08. | :29:12. | |
Devoted is because he was always there for me. | :29:13. | :29:21. | |
Counselling did change Jeevan's life. | :29:22. | :29:25. | |
It gave him the ability to look forward into his future. | :29:26. | :29:30. | |
I never thought just talking to you would help that much | :29:31. | :29:34. | |
Your donations have helped Jeevan and other like him | :29:35. | :29:41. | |
That is how the money you send affects people. | :29:42. | :30:08. | |
Our love goes to Jeevan and his family. | :30:09. | :30:10. | |
We know they've got a long way to go but it's good to know that projects | :30:11. | :30:14. | |
like Edwards Trust are there to help families when they really need it. | :30:15. | :30:17. | |
A donation of ?20 funds one counselling session | :30:18. | :30:19. | |
You've seen how important that work is. | :30:20. | :30:21. | |
Please pick up the phone tonight and call. | :30:22. | :30:23. | |
The number as always is 03457 33 22 33. | :30:24. | :30:29. | |
Or you can donate online at bbc.co.uk/pudsey. | :30:30. | :30:33. | |
Now, Nick, we all know you like to witter on, don't you? | :30:34. | :30:48. | |
Wait, so what's happening here is Rochelle from The Saturdays is | :30:49. | :30:52. | |
accusing me, Radio 1's Nick Grimshaw, of wittering on and on for | :30:53. | :30:55. | |
ages and ages, filling every moment of silence with whichever words just | :30:56. | :30:58. | |
happen to fall into my mind while never letting anyone else get | :30:59. | :31:02. | |
Is that what you're accusing me of, Rochelle from The Saturdays? | :31:03. | :31:07. | |
I've forgotten where I was going now. | :31:08. | :31:15. | |
Well, the stars of Radio 4 comedy like to witter on too. | :31:16. | :31:21. | |
Yes, especially for Children in Need, the cream of British | :31:22. | :31:26. | |
comedy have been given free reign to talk and talk and talk. | :31:27. | :31:32. | |
So, here they are with their very own shaggy-dog joke. | :31:33. | :31:35. | |
So she went to the local dog rescue home. | :31:36. | :31:44. | |
"Were you looking for a particular kind of dog?" | :31:45. | :31:47. | |
"I would quite like a shaggy dog if you have one." | :31:48. | :31:53. | |
"Madam, we have here the shaggiest dog you have ever seen in your | :31:54. | :31:58. | |
"I've seen a lot dogs in my time, young man, | :31:59. | :32:01. | |
"Just you wait and see, said the man." | :32:02. | :32:04. | |
And he returned with a very, very, very, shaggy dog. | :32:05. | :32:10. | |
"Isn't that the shaggiest dog you have ever seen in your life?" | :32:11. | :32:12. | |
And so the woman bought the shaggy dog and brought it | :32:13. | :32:19. | |
"Meet our new dog. isn't she the shaggiest dog you have | :32:20. | :32:23. | |
And her family said, she certainly was. | :32:24. | :32:31. | |
"We have never seen such a shaggy dog. | :32:32. | :32:32. | |
In fact, she is so shaggy, you should show her to the local MP." | :32:33. | :32:36. | |
So the woman and her family took the train to London. | :32:37. | :32:41. | |
Because their MP was not able to spend | :32:42. | :32:42. | |
as much time in their constituencies as they would have liked to. | :32:43. | :32:45. | |
Though, of course, they were still very committed to | :32:46. | :32:48. | |
Well, I am always utterly delighted to meet any of my constituents who, | :32:49. | :32:58. | |
are the salt of the earth and the decent, hard working people | :32:59. | :33:01. | |
I am a little busy to meet their ordinary decent dogs individually." | :33:02. | :33:08. | |
"I really think you want to see this one. | :33:09. | :33:11. | |
Isn't she the shaggiest dog you have ever seen in your life?" | :33:12. | :33:13. | |
In fact, the duty is clear, we need to show her to the Prime Minister." | :33:14. | :33:21. | |
And so off they went to 10 Downing Street. | :33:22. | :33:23. | |
And while the family distracted the police at the door with | :33:24. | :33:26. | |
their regional accents, the woman and the MP went inside | :33:27. | :33:28. | |
"I'm sorry to interrupt you, Prime Minister." | :33:29. | :33:31. | |
"I should think so too," said the Prime Minister. | :33:32. | :33:33. | |
"I'm just about to chair a meeting with | :33:34. | :33:35. | |
Once I have done that, I am was about to boil an egg | :33:36. | :33:43. | |
"I'm sure you should but before you do, this woman bought a shaggy dog | :33:44. | :33:47. | |
Isn't she the shaggiest dog you ever saw in your life?" | :33:48. | :33:52. | |
You were quite right to show her to me. | :33:53. | :33:55. | |
The importance of such remarkable shagginess in a | :33:56. | :33:57. | |
In fact, come with me, we must show her to the Queen." | :33:58. | :34:02. | |
So, off they went to Buckingham Palace. | :34:03. | :34:06. | |
Before long, they were standing there in the Throne Room itself, | :34:07. | :34:11. | |
"Your Majesty, you know I don't normally like to bother you | :34:12. | :34:17. | |
unless London is on fire, or someone has sunk your battleship. | :34:18. | :34:19. | |
This lady has bought a quite remarkably shaggy dog." | :34:20. | :34:23. | |
"Here she is, isn't she the most shaggiest dog you | :34:24. | :34:27. | |
So she showed her the dog and the Queen said... | :34:28. | :34:45. | |
I'd like to take a moment to remind you why we are all here tonight. | :34:46. | :34:52. | |
That is to raise as much money as possible for the thousands | :34:53. | :34:55. | |
of children across the UK who need your help and support. | :34:56. | :34:59. | |
Please, pick up the phone and call now. | :35:00. | :35:03. | |
Thank you to all those top comedians who gave up their time. | :35:04. | :35:17. | |
Time now to pay tribute to the unsung heroes of Children in | :35:18. | :35:21. | |
Need night, those amazing volunteers at BT who take your calls and make | :35:22. | :35:25. | |
it possible for your donations to get to the children who need it. | :35:26. | :35:29. | |
Once again, DTR supporting Children in Need by providing the technology | :35:30. | :35:48. | |
and phone lines needed to process your donations are. The volunteers | :35:49. | :35:53. | |
will handle thousands of calls from people like you wanting to make a | :35:54. | :35:57. | |
difference, so I am here to meet them and provide moral support for | :35:58. | :36:02. | |
the big day. It is lovely to meet you, thank you for letting me come | :36:03. | :36:08. | |
along. You took 16,000 calls last year, any calls that have been | :36:09. | :36:12. | |
emotional? We have had people that have not had much money, scrimping | :36:13. | :36:17. | |
and scraping, but they are willing to donate their last pound or | :36:18. | :36:20. | |
whatever to the cause of Children in Need. The time is upon us, Children | :36:21. | :36:27. | |
in Need need your help again, is everybody ready? Telephones, | :36:28. | :36:31. | |
headsets, water, ears! Yes! Pudsey! We want to keep those good | :36:32. | :36:42. | |
volunteers busier than ever tonight. The number to call | :36:43. | :36:51. | |
is 03457 33 22 33. Now, earlier on, we showed you | :36:52. | :36:55. | |
Children in Need's very own And, as with all things Star Wars, | :36:56. | :37:00. | |
it sent the internet Ah, yes, hyperdrive - | :37:01. | :37:05. | |
the means by which star ships enter hyperspace - allowing them to | :37:06. | :37:10. | |
traverse vast distances A key technology in the foundation | :37:11. | :37:12. | |
of intergalactic society, trade and Might have booked tickets | :37:13. | :37:19. | |
for the midnight screening. Well, for Grimmy and all | :37:20. | :37:30. | |
the other massive Star Wars fans out there, here's another chance to see | :37:31. | :37:33. | |
our Children in Need special. They want you to bring the Star Wars | :37:34. | :37:52. | |
super fan onstage for the first Totaliser of the | :37:53. | :38:15. | |
night. Sir, | :38:16. | :38:18. | |
I really think we need to hurry up. Need a lift to the Children in Need | :38:19. | :38:51. | |
studio? If I give you a lift, would you | :38:52. | :38:53. | |
help me push the Totaliser button? Wait, how did you hear | :38:54. | :38:59. | |
about the Totaliser? Sir Terry is no good | :39:00. | :39:02. | |
at keeping secrets. I have a Han Solo one back at home, | :39:03. | :39:04. | |
I can nip back and get it. According to my calculations, he | :39:05. | :39:13. | |
can't possibly make it back in time. You shall not this | :39:14. | :39:23. | |
Totaliser button press. I'm just letting you know, | :39:24. | :39:35. | |
I am a huge Star Wars fan. I should be the one to press | :39:36. | :39:58. | |
the Totaliser button. Not if you can't do a basic Yoda | :39:59. | :40:00. | |
impression. Maybe I can't do a basic Yoda | :40:01. | :40:03. | |
impression, as you call it, Which one | :40:04. | :40:05. | |
of you is shaking my cup of Rosie? Are you quite sure this is | :40:06. | :40:38. | |
the right way? I want to press that Totaliser | :40:39. | :41:31. | |
button. Someone who is a huge fan of | :41:32. | :41:35. | |
Star Wars. Yes, R2, I was expecting him to say, | :41:36. | :41:50. | |
you're fired! I'm afraid we are running really | :41:51. | :41:54. | |
late for our appearance on Children Oh, can I press the Totaliser | :41:55. | :42:11. | |
button, please? OK, if you're such a super fan, | :42:12. | :42:14. | |
name all the Star Wars films. Star Wars 1: | :42:15. | :42:28. | |
Carry On Storm Trooping. Star Wars 2: | :42:29. | :42:30. | |
Carry On Building The Death Star. Star Wars 3: | :42:31. | :42:32. | |
Carry On Up The Dagmar System. Yes, R2, | :42:33. | :42:34. | |
the stench in here is overwhelming. It must be some kind | :42:35. | :42:56. | |
of trash compactor. Our only hope | :42:57. | :42:59. | |
of pressing the Totaliser button. We made you a Millennium Falcon | :43:00. | :43:12. | |
cake. Have you eaten my Battenberg | :43:13. | :43:18. | |
cockpit? R2 is receiving | :43:19. | :43:19. | |
another transmission. I heard you were looking for | :43:20. | :43:32. | |
the ultimate Star Wars super fan. Before you answer, | :43:33. | :43:39. | |
who got you into this business? You've done something | :43:40. | :43:43. | |
before you worked with us? Is it something anyone | :43:44. | :43:48. | |
has ever heard of? About this button thing, | :43:49. | :43:52. | |
I think I would be... Whatever. | :43:53. | :44:10. | |
Come on. BB-8, you are the super fan | :44:11. | :44:18. | |
we have been looking for. Thanks so much to Warwick | :44:19. | :44:45. | |
and all the Star Wars crew. Earlier tonight we showed you a film | :44:46. | :45:05. | |
about a little girl called Abbie. Here to introduce it is | :45:06. | :45:10. | |
Dame Helen Mirren. Over the years on Children in Need, | :45:11. | :45:16. | |
we have introduced you to many wonderful, | :45:17. | :45:19. | |
inspiring and brave families. They have been through things | :45:20. | :45:24. | |
the rest of us simply can't begin Their grace and dignity | :45:25. | :45:27. | |
in the face of unspeakable pain is Now, we don't show you | :45:28. | :45:32. | |
these films to upset you. We show them because time after | :45:33. | :45:39. | |
time, you continue to help us to This is a very sad film, | :45:40. | :45:42. | |
but a really important one. I'd like you to introduce | :45:43. | :45:53. | |
you to 15-year-old Abbie. When Abbie was just 11, her father, | :45:54. | :46:01. | |
Brian, When you hear news like that... | :46:02. | :46:03. | |
It didn't feel real. It felt very surreal, because you | :46:04. | :46:12. | |
never expect it to happen to you. Brian fought hard | :46:13. | :46:18. | |
against the illness and he was still fighting eight months later, | :46:19. | :46:21. | |
when Abbie was chosen to run We really hoped that Brian would be | :46:22. | :46:24. | |
able to go and see that, but I can remember him | :46:25. | :46:32. | |
saying to me just before, It was a lovely moment | :46:33. | :46:40. | |
and it just made him so happy. It was only a couple of weeks | :46:41. | :46:49. | |
after that that he died, yeah. I think | :46:50. | :46:55. | |
about him pretty much every day. When my dad passed away, | :46:56. | :46:59. | |
me and my mum got a lot closer, She is extremely strong, | :47:00. | :47:08. | |
really brave, inspiring... Me and Abbie just said to each other | :47:09. | :47:17. | |
one day, you know, Just two years after losing her | :47:18. | :47:25. | |
father, unbearably, Abbie's mum When you told me, I felt really | :47:26. | :47:40. | |
numb and I was really scared. I can just remember you not | :47:41. | :47:53. | |
being able to breathe. Yes. And I said, "Abbie, | :47:54. | :47:56. | |
you need to breathe." Yeah. It was just such | :47:57. | :47:58. | |
an awful thing to have to do. I can remember my mum saying that | :47:59. | :48:09. | |
it wasn't curable I felt like all my strength that I | :48:10. | :48:12. | |
put to dealing with my dad and his death, I didn't feel that I | :48:13. | :48:22. | |
was strong enough to have to go When her father was coming to | :48:23. | :48:26. | |
the end of his life, Abbie had bereavement counselling here, | :48:27. | :48:34. | |
at Saint Gemma's Hospice in Leeds. You could make these for Christmas | :48:35. | :48:40. | |
presents... Abbie doesn't like to just sit | :48:41. | :48:48. | |
and talk, so we always do different activities, and so we've done lots | :48:49. | :48:51. | |
of creative things and some sewing and cooking and different things | :48:52. | :48:57. | |
that Abbie enjoys to do. So if I come in | :48:58. | :49:04. | |
and I'm a bit upset and I'm not really into talking, Nick can kind | :49:05. | :49:08. | |
of tell that, and try to help me to talk a bit more and get my feelings | :49:09. | :49:11. | |
out. You can tell when she's been | :49:12. | :49:13. | |
to a session. She'll come back and it's like | :49:14. | :49:15. | |
the weight has been lifted off her Although Abbie has other family, | :49:16. | :49:19. | |
including a brother who lives away now, the future | :49:20. | :49:28. | |
can sometimes seem daunting. I see Nick, and talking to Nick, | :49:29. | :49:31. | |
I kind of get more strength. And I know that | :49:32. | :49:38. | |
when my mum does pass away, Thanks to Children in Need, | :49:39. | :49:42. | |
Nick is there for Abbie Well, her mum has been | :49:43. | :49:50. | |
thinking about that. Before Brian died, we were friends | :49:51. | :50:00. | |
with Steve and Tracey, and Bethany, and when I found out that I was | :50:01. | :50:05. | |
terminally ill, you know, that they were happy to | :50:06. | :50:09. | |
take on Abbie. What we've talked about is that we | :50:10. | :50:16. | |
will do the right thing for Abbie and we will steer her | :50:17. | :50:18. | |
in the way that makes her happy. I'm really grateful that there are | :50:19. | :50:26. | |
people there that can support you in the future. | :50:27. | :50:30. | |
Yes. I suppose if I had anything to say | :50:31. | :50:33. | |
to you, it would be - work hard. And do me proud. | :50:34. | :50:37. | |
Yes. Abbie and her mum, Jo, | :50:38. | :50:42. | |
have been watching We send all our love | :50:43. | :51:13. | |
and support to them both. Now, here to lend | :51:14. | :51:17. | |
their support to Children in Need are Years And Years with | :51:18. | :51:24. | |
their beautiful song, Eyes Shut. And the boys would love you to phone | :51:25. | :51:28. | |
and donate while they're singing. # Nothing's gonna hurt me | :51:29. | :51:40. | |
with my eyes shut # Nothing's gonna hurt me | :51:41. | :52:23. | |
with my eyes shut # Nothing's gonna hurt me | :52:24. | :53:32. | |
with my eyes shut # Nothing's gonna hurt me | :53:33. | :54:10. | |
with my eyes shut Now, Nick, | :54:11. | :54:30. | |
we've got an important job to do. It's our very first Totaliser | :54:31. | :55:10. | |
together! Giant Totaliser-type thing, tell | :55:11. | :55:16. | |
us how much money we've raised! 32 million! That is phenomenal. That | :55:17. | :55:42. | |
is insane. Well done. But please stay with us and please | :55:43. | :56:04. | |
keep those donations coming in. We're running out | :56:05. | :56:11. | |
of ways to say thank you to all Good job EastEnders' Jake Wood's | :56:12. | :56:14. | |
here to help. Once again, the customers and staff | :56:15. | :56:25. | |
at Asda have been raising money for Children in Need. I have decided to | :56:26. | :56:30. | |
come down to one of their stores to see if I can get involved. What can | :56:31. | :56:36. | |
I do to help? You need to look the part. Follow me. | :56:37. | :56:47. | |
Here we go. First customer. Let's hope she does not watch Coronation | :56:48. | :56:56. | |
Street. Fantastic! Thank you for buying be is. It is my first day. | :56:57. | :57:02. | |
Could be my last. Perfect! Thank you very much. We are going to buy some | :57:03. | :57:12. | |
years. Thank you to all the customers who have donated for | :57:13. | :57:15. | |
Children in Need. You are all heroes! | :57:16. | :57:20. | |
A big, big thank you to the staff and customers of Asda. | :57:21. | :57:28. | |
Now, Rochelle, I have some exciting news. | :57:29. | :57:45. | |
Texts will cost ?10 plus your standard network message charge | :57:46. | :58:00. | |
and the whole ?10 will go to BBC Children in Need. | :58:01. | :58:04. | |
For full terms and conditions, visit bbc.co.uk/pudsey. | :58:05. | :58:10. | |
And don't forget you can still phone or go online to donate as well. | :58:11. | :58:53. | |
So, grab your phone, sit back and relax, because we have | :58:54. | :59:00. | |
Coming up, the West End cast of Beautiful. Girls Aloud and West live | :59:01. | :59:16. | |
join forces. And Anastacia sings live. | :59:17. | :59:29. | |
But now it's back to the Queen Vic, where Peter Andre | :59:30. | :59:39. | |
and his dance partner, Janette, are about to face | :59:40. | :59:41. | |
Sadly it is almost closing time. Before last orders, I have Peter and | :59:42. | :59:54. | |
his beautiful dance partner, Jeanette, here to play a game called | :59:55. | :00:01. | |
Strictly No Dancing. After 11 weeks, how well do you know each other? If | :00:02. | :00:06. | |
I feel you are as good of the dance floor as you are on, you're going to | :00:07. | :00:12. | |
win this. Film it'll put it together. Who needs this Strictly | :00:13. | :00:17. | |
glitter ball trophy? Round one. Strictly No Dancing. This will test | :00:18. | :00:34. | |
how well you know Peter. Your answers are on the boards you are | :00:35. | :00:40. | |
holding. I will ask the questions that I asked Jeanette. Once you | :00:41. | :00:47. | |
answer, she will reveal her answers, we will see if they match. Let's | :00:48. | :00:59. | |
begin. Here we go. Peter, what did chinette say is your favourite snack | :01:00. | :01:10. | |
in the training room? A Snickers bar. Eminem with peanuts. I am | :01:11. | :01:20. | |
sticking with that, I like Jeanette. Other chocolate bars available. The | :01:21. | :01:33. | |
answer was... Pistachio nuts! I thought, it will be wrong now! | :01:34. | :01:38. | |
Question number two. I like pistachios as well. Not as much as | :01:39. | :01:46. | |
M! What word would you use to describe Jeanette? Awesome. That is | :01:47. | :01:58. | |
a good word! One word, did you say or some? Patient! She is awesome, | :01:59. | :02:12. | |
man! Two wrong. She does have to put up with me. Only a 1 word answer! | :02:13. | :02:21. | |
The final question, Peter, we want this. What do you think your | :02:22. | :02:29. | |
favourite feature is? What do I think? Gosh. You are trying to think | :02:30. | :02:41. | |
like you have got loads of them. It is actually the opposite! Unlike | :02:42. | :02:51. | |
gorgeous Shane Richie here! Answer? My thumb. You're some? I am not | :02:52. | :03:00. | |
going to say I look good! What was the answer? Your chest. You are | :03:01. | :03:09. | |
known for your man boobs! A big round of applause! Three wrong. Your | :03:10. | :03:17. | |
man boobs, you are famous for them! It is time for our final round of | :03:18. | :03:21. | |
Strictly No Dancing, it is all to play for. | :03:22. | :03:29. | |
We will test how well you work together as a team. You will place | :03:30. | :03:39. | |
one of these on your forehead, and you will have to guess who it is. | :03:40. | :03:49. | |
Who is that? She is sitting there. So you have to guess as many as you | :03:50. | :03:54. | |
can. The time is up when I ring this bell. Your time starts now. Go. If | :03:55. | :04:04. | |
you want to put a ring on it... Beyonce. She loved Kermit The Frog. | :04:05. | :04:15. | |
Miss Piggy. She makes beautiful cakes, she is a star of making | :04:16. | :04:28. | |
cakes... Every... -- Janette. An Australian singer. Kylie Minogue. We | :04:29. | :04:36. | |
are out of time. In the words of Bruce Forsyth, didn't he do well! Do | :04:37. | :04:44. | |
we win? You have one. Congratulations. Let's hope they do | :04:45. | :04:49. | |
better on the dance floor tomorrow night. You get to take home the | :04:50. | :04:55. | |
trophy. From all of us, thank you so much, goodbye, and I hope you have | :04:56. | :05:02. | |
had as much fun as we have, we have had a wonderful night with these | :05:03. | :05:07. | |
wonderful guests. Peter, thank you for being my house band tonight. | :05:08. | :05:11. | |
Everybody, finish your drinks, we have got to go home. At night, | :05:12. | :05:13. | |
everybody! Now, | :05:14. | :05:20. | |
whether you've gone on a ramble, baked a cake or picked up the phone | :05:21. | :05:22. | |
tonight, you are all heroes. Without you it wouldn't be possible | :05:23. | :05:25. | |
for Children And here to tell you | :05:26. | :05:29. | |
a little bit more about some I'm always astounded and humbled | :05:30. | :05:33. | |
by the people we meet Brave families coping with | :05:34. | :05:38. | |
incredibly tough times, and fantastic project workers | :05:39. | :05:43. | |
who just want to help others. In the film you're about to see, we | :05:44. | :05:48. | |
meet a project worker called Andy. He was there to help | :05:49. | :05:52. | |
a family through their darkest days, This is my brother's pyjamas, | :05:53. | :05:55. | |
and someone very clever knitted them Because Tyler had died | :05:56. | :06:07. | |
by this point, In January 2013, Dylan's brother | :06:08. | :06:12. | |
Tyler was diagnosed with a rare neurological disease, infantile | :06:13. | :06:22. | |
metachromatic leukodystrophy. Being told that actually | :06:23. | :06:29. | |
he's going to die We were just in total shock, | :06:30. | :06:36. | |
weren't we? Over the following months, Dylan | :06:37. | :06:43. | |
and his parents could only watch He couldn't walk and he was | :06:44. | :06:46. | |
struggling to feed himself. And there came a point where he | :06:47. | :06:54. | |
wasn't able to sit up any more, We needed to spend | :06:55. | :06:58. | |
as much time with him and make his life as happy as possible and make | :06:59. | :07:05. | |
lots of lovely memories together. Hi, Dylan! | :07:06. | :07:12. | |
How are you doing? We're being filmed today, Andy. | :07:13. | :07:14. | |
I know! Andy is a music therapist from | :07:15. | :07:20. | |
a charity called Thomas's Fund. He first visited the house 16 months | :07:21. | :07:27. | |
ago, when Tyler was still alive. He was just such a precious, | :07:28. | :07:35. | |
lovely boy. Every time I come to visit Dylan, | :07:36. | :07:40. | |
Tyler is the reason. So Andy would set up the chimes | :07:41. | :07:44. | |
and Tyler would be lying in my arms, and he moved his arm and | :07:45. | :07:56. | |
it would brush across the chimes. He did, didn't he? | :07:57. | :08:02. | |
He used his hand. Those times I spent with Tyler | :08:03. | :08:12. | |
on my lap, with Andy, Just over a year ago, Tyler finally | :08:13. | :08:20. | |
lost his battle with the disease. The doctor came and shone | :08:21. | :08:32. | |
a light into his eyes and he said, "I'm so sorry, he's not alive any | :08:33. | :08:39. | |
more," and then my dad carried him out of the house, and he got put | :08:40. | :08:45. | |
into this van and was taken away. After Tyler passed away, | :08:46. | :08:56. | |
Andy got in touch and he asked if Dylan would like to have | :08:57. | :08:59. | |
some music sessions with him. When I see Dylan with Andy, | :09:00. | :09:03. | |
I just see happiness. With your donations, | :09:04. | :09:08. | |
we'd like to help more families It's only afterwards that you | :09:09. | :09:13. | |
realise just how important those times were and why something | :09:14. | :09:22. | |
like Thomas's Fund has such an important part to play in the | :09:23. | :09:27. | |
lives of terminally ill children. He is still alive, | :09:28. | :09:32. | |
he's just moved countries. But that's not the case, | :09:33. | :09:42. | |
because he's really gone to heaven. Our thoughts go to Dylan | :09:43. | :09:48. | |
and his family. We know he has a long road ahead | :09:49. | :10:02. | |
of him but, with Andy alongside, we hope it will become | :10:03. | :10:06. | |
a little bit easier. And that's what your money does, | :10:07. | :10:09. | |
it makes life better Just ?40 provides | :10:10. | :10:12. | |
a music-therapy session You can donate ?10 by texting | :10:13. | :10:17. | |
the word DONATE to 70710. Texts will cost ?10 plus your | :10:18. | :10:25. | |
standard network message charge. And don't forget you can still | :10:26. | :10:28. | |
phone to donate, or go online. They've made a mad dash | :10:29. | :10:43. | |
across London to be here tonight. of the award-winning hit Beautiful: | :10:44. | :10:49. | |
The Carole King Musical. # They say the neon lights | :10:50. | :11:05. | |
are bright on Broadway # On Broadway, they say | :11:06. | :11:13. | |
there's magic in the air # But when you're walking | :11:14. | :11:17. | |
down that street # The glitter rubs right off | :11:18. | :11:23. | |
and you're nowhere # But looking at them | :11:24. | :11:32. | |
just gives me the blues # And one thin dime | :11:33. | :11:47. | |
won't even shine your shoes # They say that I won't | :11:48. | :12:03. | |
last too long on Broadway # I'll catch a Greyhound bus | :12:04. | :12:17. | |
for home, they say # But they're dead wrong | :12:18. | :12:32. | |
I know they are # They say that | :12:33. | :12:34. | |
I won't last too long # And when I knew I'd have to face | :12:35. | :12:40. | |
another day # Now your love is the key | :12:41. | :13:35. | |
to my peace of mind # You make me feel | :13:36. | :13:54. | |
like a natural woman # You make me feel | :13:55. | :14:10. | |
like a natural # You make me feel | :14:11. | :14:49. | |
like a natural woman # You've got to get up every morning | :14:50. | :15:09. | |
with a smile on your face # And show the world | :15:10. | :15:39. | |
all the love in your heart # Then people gonna treat you better | :15:40. | :15:46. | |
You're gonna find # Waiting at the station | :15:47. | :15:49. | |
with a workday wind a-blowing # And I've got nothing to do | :15:50. | :16:06. | |
but watch the passers-by # Mirrored in their faces | :16:07. | :16:13. | |
I see frustration growing # And they don't see it showing | :16:14. | :16:18. | |
Why do I? # You've got to get up every morning | :16:19. | :16:25. | |
with a smile on your face # And show the world all the love | :16:26. | :16:30. | |
in your heart # I have often asked myself | :16:31. | :16:36. | |
the reason for the sadness # In a world where tears | :16:37. | :16:57. | |
are just a lullaby # You've got to get up every morning | :16:58. | :17:03. | |
with a smile on your face # And show the world | :17:04. | :17:21. | |
all the love in your heart Please give it up for the cast | :17:22. | :17:27. | |
of Beautiful. Really interesting! They went off | :17:28. | :19:01. | |
and you grabbed one of their faces. It is good you told me you were | :19:02. | :19:05. | |
friends. Now, here are even more great | :19:06. | :19:06. | |
supporters of BBC Children in Need The people of Horsham braved the | :19:07. | :19:17. | |
elements to raise money for Children in Need at a Rotary street party. | :19:18. | :19:25. | |
And the weather did not dampen Dave Benson and Pudsey's spirits. Costco | :19:26. | :19:34. | |
supported Children in Need for the past 18 years. They really know how | :19:35. | :19:40. | |
to put the fun in fundraising. Customers and staff are getting | :19:41. | :19:44. | |
involved in a lot of activities, including face painting and fancy | :19:45. | :19:54. | |
dress. All four Pudsey. The dynamic duo Round Table and ladies Circle | :19:55. | :19:58. | |
joined forces for an afternoon of tea and games in aid of Children in | :19:59. | :20:03. | |
Need. Every single penny counts. Anything you can give, you know the | :20:04. | :20:07. | |
money will go to children and need in your local community. -- Children | :20:08. | :20:13. | |
in Need. APPLAUSE | :20:14. | :20:18. | |
I want tea and cake now! Well done. Now let's look at | :20:19. | :20:30. | |
the fundraising efforts you've been # I'm ready for this, there's no | :20:31. | :20:32. | |
denying # I'm ready for this, won't you hold | :20:33. | :22:06. | |
my hand # If we can do ?65,500, we will be | :22:07. | :22:46. | |
delighted. We have been singing songs all about Pudsey. # now we are | :22:47. | :22:54. | |
on our way. I blame David Walliams! It is just a | :22:55. | :23:24. | |
way we can all help by doing something we love. We have to wear | :23:25. | :23:32. | |
our favourite clothes, dressed as a superhero or dressed as Pudsey. | :23:33. | :23:42. | |
Can we get you to donate to Children in Need? Who are you? I am raising | :23:43. | :23:54. | |
shed loads of cash for Children in Need. I've promised to hold onto | :23:55. | :24:05. | |
height! How many laps have you done? I think it is two. Pudsey! | :24:06. | :24:23. | |
So good to see the whole of the UK digging deep to do their bit. | :24:24. | :24:37. | |
And don't forget, there are Children in Need-funded projects | :24:38. | :24:43. | |
There's two in Halifax, 19 in Swansea and 66 in Birmingham. | :24:44. | :24:57. | |
We will just want to say our thoughts are with everyone in Paris | :24:58. | :25:01. | |
after the terrible events. Stephen is an eight-year-old boy who | :25:02. | :25:13. | |
lives with his mum and dad at home. Sounds pretty typical, doesn't it? | :25:14. | :25:18. | |
He has ASBO this syndrome and finds it difficult. -- as Pogo 's | :25:19. | :25:27. | |
syndrome. He has undergone chemotherapy and a bone marrow | :25:28. | :25:32. | |
transplant. A year after his diagnosis he suffered a relapse, | :25:33. | :25:35. | |
which made his feature very bleak. His parents have taken the decision | :25:36. | :25:39. | |
that man should give up work to look after him. Dad has also had to take | :25:40. | :25:45. | |
unpaid leave from his job due to the stress. That makes many tight and | :25:46. | :25:50. | |
the family has slipped into debt. They are in a dreadful situation. | :25:51. | :25:55. | |
They would like to buy a more suitable bed full Stephen. Right now | :25:56. | :26:00. | |
his mum and that have to lift him in and out of bed to give him | :26:01. | :26:07. | |
medication. A bed that is lowered to the floor would really help but they | :26:08. | :26:09. | |
cannot afford one. Every child deserves a safe and warm place to | :26:10. | :26:13. | |
sleep. So simple but in so many families this is just not possible. | :26:14. | :26:20. | |
There is, however, hope. An organisation supported by Children | :26:21. | :26:23. | |
in Need provides emergency essentials to families living in | :26:24. | :26:27. | |
crisis or extreme poverty. They help families when they really need it. I | :26:28. | :26:32. | |
am pleased to tell you they have provided a new and more suitable bed | :26:33. | :26:37. | |
so Stephen now has a better place to sleep. Daily life is hard but in a | :26:38. | :26:41. | |
small Waigel money has helped him and his family. Sadly, Stephen is | :26:42. | :26:47. | |
one of 3.7 million children living in poverty in the UK. That is an | :26:48. | :26:53. | |
incredibly large number. These children live really tough lives. | :26:54. | :26:57. | |
The thing is, none of this hardship is their fault. It is desperately | :26:58. | :27:03. | |
unfair. Every year, Buttle UK received thousands of applications | :27:04. | :27:07. | |
from families in desperate need of help. Because of your donations, | :27:08. | :27:11. | |
Children in Need is there to support families. Please help. | :27:12. | :27:17. | |
We want to continue helping these people. | :27:18. | :27:41. | |
The whole ?10 will go to BBC Children in Need. Don't forget, you | :27:42. | :27:50. | |
can still phone to donate. Now, | :27:51. | :27:58. | |
we all know Grimmy likes a party. Anyone would think this | :27:59. | :28:00. | |
link was planned. Welcome to a very special party | :28:01. | :28:04. | |
game indeed, musical chairs! Now, we all grew up playing musical | :28:05. | :28:08. | |
chairs as kids, but this is a game Joining us to play are four of your | :28:09. | :28:11. | |
Saturday night dancing favourites. OK, so we know how | :28:12. | :28:18. | |
musical chairs works. There are four of you | :28:19. | :28:53. | |
and four chairs. When the music starts, | :28:54. | :28:55. | |
I will take away a chair, you will dance around and | :28:56. | :28:58. | |
when the music stops you sit down. Whoever misses out | :28:59. | :29:03. | |
on a chair is out of the game. As you're all proven dancers, | :29:04. | :29:05. | |
tonight you must recreate some So if we play jive music, | :29:06. | :29:17. | |
we want to see kicks and flicks. If it's a samba, we'll be looking | :29:18. | :29:21. | |
for some serious booty shaking! As if the dancing part is not | :29:22. | :29:26. | |
challenging enough, you will be I am used to dancing, just not being | :29:27. | :29:51. | |
blindfolded. That is the tough bit, I think. For us, this is really | :29:52. | :30:00. | |
funny. For them, it is really hard. Judy, how are you feeling? Are you | :30:01. | :30:04. | |
excited to be dancing on BBC One? No. Rasul, how are you? I am | :30:05. | :30:23. | |
petrified. # I can feel the music in me. | :30:24. | :30:28. | |
Frankie, congratulations on the baby. Are you delighted to be back | :30:29. | :30:35. | |
on television, playing musical chairs? I feel like I have completed | :30:36. | :30:44. | |
my whole career. The get everything you have achieved so far. This is | :30:45. | :30:46. | |
it. Because you will all be playing | :30:47. | :30:55. | |
for this, the Pudsey Blindfold OK, before we get started, | :30:56. | :30:57. | |
a health-and-safety check. Don't dance off the mat, | :30:58. | :31:05. | |
the chairs will always be somewhere Stand up, blindfolds on, please, | :31:06. | :31:11. | |
and don't take them off unless you Rochelle, is she a cheat, Frankie? | :31:12. | :31:41. | |
No. She is not. I can see a geek in your eye. You are enjoying this far | :31:42. | :31:45. | |
too much. There will be three rounds | :31:46. | :31:46. | |
of competition. Start dancing! I can't remember what | :31:47. | :32:16. | |
to do! Judy is killing it! That is rodeo, not samba! But the blindfold | :32:17. | :32:24. | |
down, you look like you are cheating, Judy. OK, find your | :32:25. | :32:34. | |
chairs. Russell! It is between Frankie and Judy. Louis Smith is | :32:35. | :32:43. | |
already on that one, Frankie! Take your blindfold off Tom Frankie. I am | :32:44. | :32:55. | |
fuming! Frankie is the first one out. Judy, that was not a samba. You | :32:56. | :33:07. | |
looked like you were riding a horse. Why does that surprise you? | :33:08. | :33:09. | |
OK, we have three of you left and there will now only be two | :33:10. | :33:13. | |
Time for round two, the tantalizing tango! | :33:14. | :33:15. | |
Amazing scenes here on BBC One. Wow. OK, find your seats! Judy has a | :33:16. | :34:06. | |
seat! That leaves rustle and Louis. Audience, who do you want to have a | :34:07. | :34:08. | |
chair? Russell, you are out. Good work. I | :34:09. | :34:38. | |
like how you were giving it a Frankenstein. | :34:39. | :34:39. | |
You are, of course, playing for the coveted Pudsey | :34:40. | :34:43. | |
There will only be one chair and can only be one winner, | :34:44. | :34:47. | |
so get your dancing shoes on for the jumping jive! | :34:48. | :35:02. | |
Watch them go! Time to take a seat. Judy found the seat! | :35:03. | :35:47. | |
Congratulations. I never thought I would say this, but Judy has won a | :35:48. | :35:54. | |
dancing competition. Everyone get around here. Maybe all you needed to | :35:55. | :36:02. | |
do was kick your shoes off. How does it feel to be the first champion of | :36:03. | :36:22. | |
blindfold musical chairs? The winner is Judy! How do you feel? It was | :36:23. | :36:34. | |
only a matter of time. Louis, you missed out. I just had fun. I don't | :36:35. | :36:38. | |
know if you could tell, but I was more interesting in the dancing than | :36:39. | :36:42. | |
finding the chair. It was fun, right? I loved touching Judy up. I | :36:43. | :36:49. | |
didn't know that was you! Do have fun, Frankie? It was great. For me, | :36:50. | :36:55. | |
it was not long enough. You could carry on until two. | :36:56. | :36:56. | |
Thanks to Louis, Frankie, Judy and Russell for being part | :36:57. | :36:59. | |
of this historical event, back to you, Rochelle! | :37:00. | :37:11. | |
Now, earlier tonight Harry Hill gave us a very special history lesson. | :37:12. | :37:17. | |
On the syllabus, British television greats of the post-war period. | :37:18. | :37:26. | |
For those of you who were late to class, | :37:27. | :37:29. | |
Good evening and welcome to the history of TV in four minutes. | :37:30. | :37:39. | |
In at number three, it's Denis Waterman. | :37:40. | :39:13. | |
# If you want to, I'll change the situation... # | :39:14. | :39:17. | |
I've been stuck in there for 40 years! | :39:18. | :40:05. | |
MUSIC: Theme to Strictly Come Dancing. | :40:06. | :40:52. | |
MUSIC: Theme to The Great British Bake Off | :40:53. | :41:05. | |
That's pretty much all you need to know about TV. | :41:06. | :41:30. | |
Now, Rochelle, what do you get if you cross Westlife and Girls Aloud? | :41:31. | :41:46. | |
I don't know, Grimmy, what do you get if you cross | :41:47. | :41:49. | |
It's not a joke, Rochelle, it's a well-crafted link. | :41:50. | :41:54. | |
Because it's now time to introduce our next performers. | :41:55. | :41:58. | |
Singing their new duet I Could Be, please make some noise for | :41:59. | :42:02. | |
# I look at you with frozen eyes Cold as ice | :42:03. | :42:17. | |
# You want to bring me back Back to life | :42:18. | :42:23. | |
# I could help you find that place again | :42:24. | :42:46. | |
# Let me be the one to open up that door | :42:47. | :42:52. | |
# I could be the first to let you into your heart | :42:53. | :43:05. | |
# And are you searching for somewhere to hide? | :43:06. | :43:17. | |
# I could help you find that place again | :43:18. | :43:46. | |
# Let me be the one to open up that door | :43:47. | :43:51. | |
# I could be the first to let you into your heart | :43:52. | :44:04. | |
# Let me be the one to open up that door | :44:05. | :44:16. | |
# I could be the first to let you into your | :44:17. | :44:25. | |
# Set you free Then come to me | :44:26. | :44:58. | |
They've now racked up an incredible 18 Children in Need | :44:59. | :45:24. | |
And we'll be seeing Shane and Nadine again later on for some more | :45:25. | :45:36. | |
This is a very sad film but the brave and stay with it. | :45:37. | :46:19. | |
Sometimes, though, that is just not possible. | :46:20. | :46:23. | |
In this film, you're going to meet two amazing parents, Anne and Mark, | :46:24. | :46:26. | |
With the support of your donations, their life was made just | :46:27. | :46:30. | |
a little bit easier at the most terrible times. | :46:31. | :46:33. | |
Robbie was nearly four when we got the diagnosis of infantile Batten's | :46:34. | :46:35. | |
It's a neurodegenerative condition, so every seizure kills a bit | :46:36. | :46:39. | |
And it was terminal, and he would only survive to mid-childhood. | :46:40. | :46:51. | |
Both Mark and I carried a faulty gene, and at the time, I was already | :46:52. | :46:57. | |
pregnant, with seven weeks to go until I had Rosie. Anne and Mark | :46:58. | :47:08. | |
were told that Rosie could have the same condition as her brother. | :47:09. | :47:13. | |
So after three months, she was tested. | :47:14. | :47:17. | |
Rosie had infantile Batten's disease as well. | :47:18. | :47:24. | |
Home from the hospital, curtains shut, phone off the hook... | :47:25. | :47:31. | |
That was the end of the world, really. | :47:32. | :47:37. | |
Now we had these two beautiful children that we | :47:38. | :47:39. | |
This is Robin House, a children's Hospice in Balloch | :47:40. | :47:51. | |
Robin House offers respite care for children and young adults with | :47:52. | :47:57. | |
Because of your donations, Children in Need is able to pay for | :47:58. | :48:04. | |
When a family comes into Robin House, often it's really difficult | :48:05. | :48:11. | |
for that family to walk through the front door, thinking that they're | :48:12. | :48:14. | |
giving up, they're bringing their children to somewhere where their | :48:15. | :48:17. | |
child is going to die. In actual fact, when they come to visit | :48:18. | :48:20. | |
the hospice, they see that our children come here to live. | :48:21. | :48:25. | |
Anne and Mark first brought Robbie here ten years ago, | :48:26. | :48:30. | |
Every visit, he was enjoying whatever it was we were doing with | :48:31. | :48:37. | |
him at the time, what the staff was doing with him, whether it was the | :48:38. | :48:41. | |
Yes, to come up here, to have fun with them. | :48:42. | :48:46. | |
Eventually, you know, it became obvious that he was | :48:47. | :48:55. | |
nearing end of life, so we wanted Robbie to be here. | :48:56. | :49:00. | |
Although there were tears, there was laughter in the tears | :49:01. | :49:03. | |
Because we were where we wanted to be. | :49:04. | :49:09. | |
They said, "Do you want to wash him for the last time?" | :49:10. | :49:18. | |
So I did, and put on his favourite pyjamas, and cosied him all in. | :49:19. | :49:25. | |
He just looked as if he was sleeping. | :49:26. | :49:30. | |
I don't think we got the chance to properly grieve | :49:31. | :49:32. | |
for him, knowing that we still had Rosie. We knew what was... | :49:33. | :49:36. | |
Rosie spent another six years on and off at Robin House. | :49:37. | :49:45. | |
She was eight when her time finally came. | :49:46. | :49:50. | |
She was kind of lying here and I said, "I think we'll take her out | :49:51. | :49:53. | |
And when I did, I don't even think it was ten | :49:54. | :49:57. | |
happy to be in my arms again, and she went, she passed very | :49:58. | :50:03. | |
She came into the world with me and she went out of the world...with | :50:04. | :50:17. | |
And I thought, "Well, she's with her brother now | :50:18. | :50:29. | |
The Hospice is still here for Anne and Mark, and someone else, too. | :50:30. | :50:43. | |
They've been able to have two more children, Roxy and Ruthie, | :50:44. | :50:47. | |
knowing that they didn't have the faulty genes. | :50:48. | :50:51. | |
We'll never forget everything Robin House did for us as a family. | :50:52. | :50:56. | |
For Robbie and Rosie. Robin House gave them... | :50:57. | :50:58. | |
You know, people will say, "Robbie - is that your name?" | :50:59. | :51:06. | |
That's the date he was born and the that's the day he died," | :51:07. | :51:11. | |
And then I say, "This is my daughter, Rosie, and | :51:12. | :51:16. | |
that was the day that she was born, and that was the day she died." | :51:17. | :51:20. | |
And then they'll say, "Sorry - I wish I never asked." | :51:21. | :51:22. | |
And at that point, I'll say "No, it's fine," because they're my kids | :51:23. | :51:25. | |
Your help really does make a difference. | :51:26. | :51:34. | |
We send our fondest wishes to that family and we are so proud to | :51:35. | :51:58. | |
support Robin House. Like many hospices, they rely on donations to | :51:59. | :52:03. | |
carry out their great work. 70% of their running costs are paid for | :52:04. | :52:07. | |
through public generosity. If you want to be generous, we would | :52:08. | :52:08. | |
appreciate it. Here was Jess Glynne earlier with | :52:09. | :52:37. | |
her beautiful Children in Need single. | :52:38. | :52:44. | |
# Wrapped up So consumed by all this hurt | :52:45. | :52:51. | |
# If you ask me Don't know where to start | :52:52. | :52:57. | |
# I know there's somewhere better cos you always take me there | :52:58. | :53:10. | |
# Tell me I'm safe You've got me now | :53:11. | :53:23. | |
# Could you take care of a broken soul? | :53:24. | :53:42. | |
# Hold the truth to my head Count one, two, three | :53:43. | :54:07. | |
# If it helps me walk away then it's what I need | :54:08. | :54:14. | |
# Every minute gets easier the more you talk to me | :54:15. | :54:22. | |
# Tell me I'm safe You've got me now | :54:23. | :54:40. | |
# You say space will make it better and time will make it heal | :54:41. | :55:07. | |
# I won't be lost forever and soon I wouldn't feel | :55:08. | :55:10. | |
# You say space will make it better and time will make it heal | :55:11. | :55:20. | |
# I won't be lost forever and soon I wouldn't feel | :55:21. | :55:23. | |
# Could you take care of a broken soul? | :55:24. | :55:50. | |
Brilliant. And that is why Jess Glynne is | :55:51. | :56:25. | |
breaking chart records all over the place. | :56:26. | :56:27. | |
And don't forget, you can download Jess's | :56:28. | :56:30. | |
official 2015 Children in Need single Take | :56:31. | :56:33. | |
to your usual music download site. It's time now for old Grimmy to play | :56:34. | :56:40. | |
game-show host once again. And after the | :56:41. | :56:43. | |
runaway success of Musical Chairs, one can | :56:44. | :56:45. | |
only wonder at what he has up his sleeve | :56:46. | :56:47. | |
this time. Pass The Parcel with the cast of | :56:48. | :56:49. | |
The Apprentice? What's The Time, Mr Wolf | :56:50. | :56:51. | |
with the stars of Bargain Hunt? Back to Grimmy. | :56:52. | :57:00. | |
Hello and welcome to a new game show, Phone Box Battle. | :57:01. | :57:08. | |
And like every good game show, we need good contestants. | :57:09. | :57:13. | |
Combined, they have record sales of over 40 million, | :57:14. | :57:16. | |
They may have teamed up for a new duet earlier, but now, in | :57:17. | :57:21. | |
vintage Children in Need fashion, we are pitting them against each other | :57:22. | :57:24. | |
Please welcome back to the stage Nadine Coyle and Shane Filan! | :57:25. | :57:41. | |
It was good, right? How are you enjoying the evening? It has been | :57:42. | :58:04. | |
great, we have been here all day. It is great to be back for the 19th | :58:05. | :58:09. | |
time, together. Have you ever done anything like this, been forced to | :58:10. | :58:13. | |
play a game in the middle of the night, live on TV? What could go | :58:14. | :58:16. | |
wrong? I'm thinking Borg versus McEnroe, | :58:17. | :58:17. | |
the Doctor versus the Master, Ah, electro Euro pop from the 80s, | :58:18. | :58:25. | |
you spoil me! Now, to anyone under the age of 15, | :58:26. | :58:53. | |
you'll have to believe me I'm not even kidding, this is | :58:54. | :58:56. | |
what they used to look like. You speak into that and you can hear | :58:57. | :59:12. | |
them in there. And you type in the number. Hilarious! | :59:13. | :59:15. | |
I'll phone Nadine and Shane one at a time and ask them a question, | :59:16. | :59:20. | |
like a proper quizmaster, like wot Paxman does and that. | :59:21. | :59:24. | |
If they get the question right, then a mystery guest waiting at | :59:25. | :59:27. | |
our quintessential British bus stop behind this screen here will join | :59:28. | :59:29. | |
If they get the question wrong, however, then the mystery guest will | :59:30. | :59:39. | |
These are the people that could potentially be in there. That looks | :59:40. | :59:59. | |
like an animal. I don't know what is going on. | :00:00. | :00:00. | |
So not a great game if you suffer from personal space issues. | :00:01. | :00:03. | |
Still, the more people in the phone box, the more people | :00:04. | :00:06. | |
You have ten seconds to answer each question. | :00:07. | :00:11. | |
Do I have to actually pick up the phone? Yes. Hi, Nadine! What are you | :00:12. | :00:41. | |
doing? Just hanging out in a phone box. Trying to reverse the court. We | :00:42. | :00:48. | |
have a question for you. If you get it right, a member from behind the | :00:49. | :00:54. | |
screen will go in Shane's box. If not, they join you in your phone | :00:55. | :00:59. | |
box. This is quite knowledgeable and is, isn't it? | :01:00. | :01:01. | |
Nadine, which Girls Aloud song opens with the lyrics, "Static tone on | :01:02. | :01:03. | |
He's been let out of the Queen Vic, please welcome Shane Richie! | :01:04. | :01:38. | |
Shane, how was your night down the Vic? | :01:39. | :01:45. | |
There were some very rowdy customers. It was a bit loud. Kat | :01:46. | :01:54. | |
couldn't be there, but Peter Andre took her place. Very similar. Can I | :01:55. | :02:00. | |
just say, behind the curtain, I'm the only one I've heard of. I'm | :02:01. | :02:10. | |
joking! Get in your phone box, Shane Richie. You are doing all right so | :02:11. | :02:23. | |
far, Nadine. # we are the world, we are the children. | :02:24. | :02:28. | |
I hope they are in. Hello? This is Shane. Oh, Shane! Two Shanes in a | :02:29. | :02:50. | |
phone box. I have a question for you. | :02:51. | :02:51. | |
Shane, finish this Westlife lyric. "When I call you at home | :02:52. | :02:53. | |
Please get this right. Come on. You're embarrassing me. The first | :02:54. | :03:14. | |
thing that came to my mind... Incorrect, Shane. Completely wrong. | :03:15. | :03:26. | |
Has he got it wrong? Could we not get Boyzone? | :03:27. | :03:30. | |
You look gorgeous. Sinitta is here, everyone. You are joining the two | :03:31. | :04:10. | |
Shanes. I can't wait. Good luck. Getting cramped in there. Question | :04:11. | :04:12. | |
three to Nadine. Nadine, | :04:13. | :04:16. | |
name three acts who have performed the official Children in Need | :04:17. | :04:27. | |
single, not including Girls Aloud. One Direction. Um... Boyzone? No, | :04:28. | :04:50. | |
there were 22 you could have chosen from. Oh, no! | :04:51. | :04:55. | |
How are you? Come over here. I have just had an operation, so don't come | :04:56. | :05:23. | |
to near. It is fine. Please get in to Nadine's phone box. I would love | :05:24. | :05:34. | |
to. Hello, darling! Where is the curtain? | :05:35. | :05:36. | |
Shane, Sir Terry has presented Children in Need with lots | :05:37. | :05:51. | |
Name three, but none of tonight's hosts! | :05:52. | :06:01. | |
Between the three of you. Gaby Roslin. Yes. Out of time, you only | :06:02. | :06:15. | |
got one. Ten second limit. It's a buy-one-get-one-free Bogof | :06:16. | :06:22. | |
offer. We are knackered. I am excited and | :06:23. | :06:55. | |
you are on the show and excited that you are going in the phone box with | :06:56. | :07:01. | |
those two Shanes and Sinitta. I thought we were going in the other | :07:02. | :07:14. | |
one! No, you are going in there. This is insane! | :07:15. | :07:16. | |
The final question is worth our last remaining stranger, or is | :07:17. | :07:25. | |
Please welcome Bernie Clifton and his ostrich Oswald! | :07:26. | :07:47. | |
How are you? What happens next? Come over here with me. No, thank you, | :07:48. | :07:58. | |
Oswald. Here is that all-important | :07:59. | :08:00. | |
final question. Combined, | :08:01. | :08:01. | |
how many weeks have Girls Aloud If not the exact answer, | :08:02. | :08:11. | |
then closest to it will do it. I would say 27. 30. Nadine says 30. | :08:12. | :08:57. | |
27! OK. The correct answer is neither of you, but nearest to the | :08:58. | :09:16. | |
correct answer is... Shane! Which means you go in here. | :09:17. | :09:35. | |
And that just leaves me to go through my phone box contacts | :09:36. | :09:40. | |
and thank Nadine Coyle, Shane Filan, Shane Richie, Sinitta, | :09:41. | :09:45. | |
Wayne Sleep, Stavros Flatley and, of course, Bernie Clifton | :09:46. | :09:47. | |
That's it for another year of Shane and Nadine's Phone Box Battle. | :09:48. | :09:52. | |
Thank you to all our stars for taking part. | :09:53. | :10:04. | |
And while you're in the phone box, don't forget to call that | :10:05. | :10:07. | |
It's tough watching your child struggle to do something. | :10:08. | :10:24. | |
It's even tougher being a parent and thinking you can't help. | :10:25. | :10:28. | |
With a little help from Children in Need, you'll be surprised what | :10:29. | :10:32. | |
I want you to meet a lovely little geezer called Logan | :10:33. | :10:39. | |
Logan was born very early at 28 weeks. | :10:40. | :10:53. | |
They found out that he had a bleed on the brain. | :10:54. | :10:56. | |
We later found out that it would affect his movement, | :10:57. | :10:59. | |
I think he was two when we finally got the diagnosis and they | :11:00. | :11:07. | |
I only asked the question once, "Will he walk?" | :11:08. | :11:12. | |
Maybe, one day, when he's older, he might just throw his sticks away | :11:13. | :11:17. | |
That was the day that I came home on the bus and I cried. | :11:18. | :11:24. | |
It was horrible seeing him struggle because I didn't know how | :11:25. | :11:27. | |
I just knew that there has got to be something out there for Logan | :11:28. | :11:34. | |
This is School for Parents in Nottingham. | :11:35. | :11:50. | |
It is a place for children who have motor disorders or develop | :11:51. | :11:53. | |
We walked through the doors and, for me, | :11:54. | :11:57. | |
Your donations help pay for Erica, who specialises in a technique | :11:58. | :12:06. | |
We started to teach him how to stand initially | :12:07. | :12:14. | |
We had to work through those tears and we had to help mum to be | :12:15. | :12:25. | |
Almost immediately, Erica would have him walking with his Kaye Walker. | :12:26. | :12:32. | |
Fast forward a couple of weeks and she's got him stood up with | :12:33. | :12:35. | |
The progress was coming thick and fast. | :12:36. | :12:40. | |
We were able to show him ways of doing things for himself, which | :12:41. | :12:47. | |
increased his independence which, in turn, increased his confidence. | :12:48. | :12:50. | |
At the end of the day, we all knew he had it in him to be able to walk. | :12:51. | :13:04. | |
The sessions that we provide, they only happen once a week | :13:05. | :13:15. | |
but the real learning is actually in the home environment. | :13:16. | :13:19. | |
What we need to do is to teach parents to become the teachers | :13:20. | :13:22. | |
I can only describe Erica as our guardian angel. | :13:23. | :13:32. | |
Somewhere out there, there's mums struggling like I was. | :13:33. | :13:49. | |
I just don't know where we would be without her. | :13:50. | :13:55. | |
I wouldn't be able to do all the things that I am doing now. | :13:56. | :14:01. | |
Make a difference to other children like Logan. | :14:02. | :14:07. | |
To donate ?10, just text the word DONATE to 70710. | :14:08. | :14:27. | |
Texts will cost ?10 plus your standard network message charge | :14:28. | :14:30. | |
and the whole ?10 will go to BBC Children in Need. | :14:31. | :14:34. | |
For full terms and conditions, visit bbc.co.uk/pudsey. | :14:35. | :14:39. | |
And don't forget, you can still phone to donate or go online. | :14:40. | :14:47. | |
And now it's time to welcome a very courageous Children in Need | :14:48. | :14:50. | |
Earlier we saw him abseil down the UK's tallest sculpture, the Orbit in | :14:51. | :14:53. | |
Here he is with the Royal Marines' Major Brian Hayes. | :14:54. | :14:58. | |
Please give a hero's welcome to Scott Mills. | :14:59. | :15:09. | |
No. Until an hour ago my hand was still shaking. We saw you saying | :15:10. | :15:45. | |
your legs were shaking. Someone said, that is Elvis legs. I know. | :15:46. | :15:55. | |
Initially you were supposed to do the Blackpool Tower but the weather | :15:56. | :16:00. | |
stopped that. Did you think you were off the hook? There was a point when | :16:01. | :16:04. | |
I thought it would be bad weather everywhere so it would be fine. | :16:05. | :16:08. | |
I thought it would be bad weather Brian helped me through the whole | :16:09. | :16:11. | |
thing and the Royal Marines have been brilliant. There is no way I | :16:12. | :16:14. | |
could have got up there without them. Were you nervous with the | :16:15. | :16:23. | |
location change? 100%. I was looking at diagrams of the Blackpool Tower, | :16:24. | :16:28. | |
because you showed them to me. And it all changed midweek. Horrendous! | :16:29. | :16:36. | |
Has he impressed you? Yes. Two weeks ago we went up two flights of stairs | :16:37. | :16:43. | |
and he could not function. I feel nervous on this slightly raised | :16:44. | :16:48. | |
stage. It is true, two flights and I could not get down. What is the | :16:49. | :16:53. | |
scariest thing, stepping over? I would agree. You were the one in the | :16:54. | :17:04. | |
film who said, it is fun now, relax. Scott, what are you going to do next | :17:05. | :17:11. | |
year? How do you top that? A bungee jumped, abseiling from the moon? | :17:12. | :17:18. | |
Probably none of those. Last year, I played Sherrard is with you and | :17:19. | :17:24. | |
Terry Wogan. I might do that. No, we are going to push you. | :17:25. | :17:29. | |
Well done for doing that, it was incredible and genuinely terrifying. | :17:30. | :17:32. | |
Thank you for making sure that Scott Mills is still here. And a big hand | :17:33. | :17:35. | |
to Scott Mills, everybody. And to show your appreciation for | :17:36. | :17:40. | |
Scott's heroics, you can donate ?10 Texts will cost ?10 plus your | :17:41. | :17:43. | |
standard network message charge. So many performers have lent | :17:44. | :17:47. | |
their support to the Children in Need cause this evening, | :17:48. | :17:49. | |
and as always the cast of EastEnders Here's another chance to see | :17:50. | :17:52. | |
Walford's finest in action # I just got an invitation through | :17:53. | :18:37. | |
the mail # Presents requested, wipe-out, top | :18:38. | :18:39. | |
hat and tails. # Puttin' down my top hat | :18:40. | :18:54. | |
Dancin' in my tails # I just got an invitation through | :18:55. | :18:56. | |
the mails # If you're blue and you don't know | :18:57. | :19:04. | |
where to go to # Why don't you go | :19:05. | :19:34. | |
where fashion sits # Different types who wear | :19:35. | :19:36. | |
a daycoat, pants with stripes # And cut away coats, perfect fits | :19:37. | :19:43. | |
Puttin' on the Ritz # Dressed up like | :19:44. | :19:50. | |
a million-dollar trouper # Come, let's mix where | :19:51. | :19:54. | |
Rockefellers walk with sticks # For I'll be there | :19:55. | :20:13. | |
Puttin' down my top hat # Puttin' down my top hat | :20:14. | :22:23. | |
Dancin' in my tails Next to grace the stage is a | :22:24. | :22:39. | |
little lady with a big, big voice. Singing her global smash | :22:40. | :23:04. | |
Left Outside Alone, it's Anastacia! # For you to bring a fairytale | :23:05. | :23:17. | |
my way # Thought you were sent | :23:18. | :23:24. | |
from up above # For you to bring a fairytale | :23:25. | :24:00. | |
my way # For you to bring a fairytale | :24:01. | :24:38. | |
my way # For you to bring a fairytale | :24:39. | :25:38. | |
my way Every year we meet some | :25:39. | :27:46. | |
extraordinary children and this little boy is certainly that. | :27:47. | :28:01. | |
When a child is in pain, everyone who loves them hurts. | :28:02. | :28:04. | |
I want you to meet a truly amazing family. | :28:05. | :28:06. | |
They are so strong it is unbelievable. | :28:07. | :28:08. | |
And I'm proud to say that your donations have helped them | :28:09. | :28:11. | |
Stop talking - it'll go down quicker. | :28:12. | :28:14. | |
What are you trying to say, Dad - I talk a lot? | :28:15. | :28:17. | |
So do you think you're getting better? | :28:18. | :28:21. | |
You are. You're fab, aren't you? | :28:22. | :28:24. | |
He was seven months actually in the hospital. | :28:25. | :28:28. | |
Maybe two or three weeks on a ventilator | :28:29. | :28:30. | |
That's iron, isn't it? It is. | :28:31. | :28:33. | |
Not knowing which way it's going to go, and then me having to tell | :28:34. | :28:36. | |
his sister that he might be going to play with his nan, | :28:37. | :28:39. | |
On May 17th last year, Daniel was playing | :28:40. | :28:45. | |
on a bouncy castle in the back garden at home. | :28:46. | :28:50. | |
And then when he came in, it was just... | :28:51. | :28:58. | |
A split second and he just collapsed. | :28:59. | :29:00. | |
I was saying, "If you can hear me, squeeze my hand. | :29:01. | :29:09. | |
He just kept squeezing my hand the whole time. | :29:10. | :29:13. | |
That's when we got the ambulance, didn't we? | :29:14. | :29:16. | |
Yes. To the hospital, and it was straight in, and there | :29:17. | :29:19. | |
Doctors battled to save Daniel's life. | :29:20. | :29:38. | |
He'd suffered a brain bleed, with terrible consequences. | :29:39. | :29:43. | |
In the beginning, he was just completely still | :29:44. | :29:46. | |
and he had so many tubes coming off him, you couldn't tell that it was | :29:47. | :29:49. | |
my brother, and I was expecting him to get up and say, | :29:50. | :29:52. | |
"Beth, I'm fine! Don't worry about me." | :29:53. | :29:54. | |
But he didn't, he just stayed still and didn't move. | :29:55. | :29:58. | |
We knew he was paralysed, all the way down, all his body. | :29:59. | :30:02. | |
But they couldn't tell us if he could hear hear, he'd have | :30:03. | :30:06. | |
Anything. They couldn't tell us anything. | :30:07. | :30:11. | |
You've got doctors coming up to talk to you and it's just constant and | :30:12. | :30:15. | |
they're firing all these questions, and you're just numb, aren't you? | :30:16. | :30:19. | |
They're feeding you that much information at once, | :30:20. | :30:21. | |
Thankfully, there was someone to help make sense of it all. | :30:22. | :30:33. | |
This is Fiona from the Child Brain Injury Trust, | :30:34. | :30:35. | |
a charity supported by Children in Need. | :30:36. | :30:38. | |
When you go into an acute hospital setting, it is very isolating, | :30:39. | :30:41. | |
Being able to support families from those very early days | :30:42. | :30:46. | |
Fiona - it's like she waved her magic wand and | :30:47. | :30:53. | |
She's on your level, she knows what you're going through. | :30:54. | :31:02. | |
Even if you didn't understand what the doctors were going on about, | :31:03. | :31:05. | |
You know, she answered a lot of Beth's questions | :31:06. | :31:11. | |
in a way that Beth understood. More than I could ever do. | :31:12. | :31:15. | |
..and how much harder it must be for Daniel to do | :31:16. | :31:17. | |
Bit by bit, Daniel learned to talk and walk all over again. | :31:18. | :31:26. | |
Then after seven months in hospital, he came home. | :31:27. | :31:30. | |
There's been over a dozen operations, and today, | :31:31. | :31:34. | |
though he still can't swallow or eat like other children. | :31:35. | :31:43. | |
But whenever the family needed a home visit or even | :31:44. | :31:46. | |
She was just the right person there, who knew everything we needed | :31:47. | :31:53. | |
to know. And she just did it. | :31:54. | :31:57. | |
Thank you so much for what you've done for us. | :31:58. | :32:00. | |
Thank you, Daniel. They're beautiful. | :32:01. | :32:03. | |
Fiona was always helping me with my problems. | :32:04. | :32:05. | |
Please help us to help more wonderful families like Daniel's | :32:06. | :32:14. | |
children like Daniel. This is really easy to do. You can do it right now | :32:15. | :32:52. | |
with the mobile in your hand. If you just donate ?10, that is all we are | :32:53. | :32:53. | |
asking. Texts will cost ?10 plus | :32:54. | :32:57. | |
your standard network message charge and the whole ?10 will go to | :32:58. | :32:59. | |
BBC Children in Need. For full terms and conditions, | :33:00. | :33:03. | |
visit bbc.co.uk/pudsey. Now, a huge part of this year's | :33:04. | :33:07. | |
fundraising effort has been Sir Tom Jones and Rob Brydon's One | :33:08. | :33:09. | |
Big Night for Children in Need. In case you missed it, here are | :33:10. | :33:13. | |
the best bits. And please, please, do keep texting | :33:14. | :33:20. | |
in your donations as you watch. Well, here we are, | :33:21. | :33:30. | |
at the Job Centre. We've got a 75-year-old male, | :33:31. | :33:32. | |
just made redundant. According to this form he has filled | :33:33. | :33:39. | |
in, he had to spin round in a chair, a couple of times a week, | :33:40. | :33:59. | |
and press a button. At his age, | :34:00. | :34:03. | |
it's probably a panic alarm. Oh, it says here | :34:04. | :34:08. | |
he's a bit of a singer. Has been one of the highest | :34:09. | :34:13. | |
earners in show business. Deluded - | :34:14. | :34:26. | |
he's away with the fairies, But you can deal with him, because | :34:27. | :34:33. | |
you seem to understand the "Welsh". # Want some whisky in your water, | :34:34. | :34:43. | |
want some sugar in your tea? # What's all these crazy questions | :34:44. | :35:10. | |
they're asking of me? # This is the craziest party there | :35:11. | :35:14. | |
ever could be # Don't turn on the lights, cause I | :35:15. | :35:17. | |
don't want to see... # She said, that ain't the way to | :35:18. | :35:21. | |
have fun, Son # Open up the window, let some air | :35:22. | :35:37. | |
into this room # I think I'm almost choking on the | :35:38. | :35:41. | |
smell of stale perfume # And that cigarette you're smoking | :35:42. | :35:45. | |
scares me half to death # Open up the window, let me catch | :35:46. | :35:49. | |
my breath # She said, that ain't the way to | :35:50. | :35:52. | |
have fun, Son # That ain't the way to have fun, | :35:53. | :36:04. | |
Son # Mama told me, Mama told me, Mama | :36:05. | :36:13. | |
Welcome to One Big Night for Children in Need. | :36:14. | :36:34. | |
It is a wonderful evening of music and comedy, and people are already | :36:35. | :36:37. | |
So it is One Big Night Here at Wembley Arena, and I have always | :36:38. | :36:51. | |
Wow, this is one big room, but, Tom, you've played here loads of times, | :36:52. | :37:01. | |
Yes, I have, and I must say it is great to be back. | :37:02. | :37:05. | |
You know, I've never played here before. | :37:06. | :37:09. | |
The last time I was in a room this size was in America. | :37:10. | :37:12. | |
Now then, Tom, is there anything in your huge repertoire that would | :37:13. | :37:26. | |
# You just leave it all up to me, girl | :37:27. | :38:05. | |
# You don't have to be rich to be my girl | :38:06. | :38:13. | |
# You don't have to be cool to rule my world | :38:14. | :38:18. | |
# Ain't no particular sign I'm more compatible with | :38:19. | :38:22. | |
# I just want your extra time and your... | :38:23. | :38:27. | |
# Women and girls rule my world, I said they rule my world | :38:28. | :39:11. | |
# Act your age, woman, not your shoe size | :39:12. | :39:21. | |
# You don't have to watch Dynasty to have an attitude | :39:22. | :39:26. | |
# You don't have to be rich to be my girl | :39:27. | :39:38. | |
# You don't have to be cool to rule my world | :39:39. | :39:43. | |
# Ain't no particular sign I'm more compatible with | :39:44. | :39:47. | |
# I just want your extra time and your... | :39:48. | :39:54. | |
We have something very special for you now, as Tom is joined by the | :39:55. | :40:05. | |
# Baby! # Everything is all right | :40:06. | :40:15. | |
# Uptight! # Out of sight | :40:16. | :40:18. | |
# Baby, everything is all right, uptight, clean out of sight | :40:19. | :40:23. | |
# I'm a poor man's son from across the railroad track | :40:24. | :40:26. | |
# The only thing I own is hanging on my back | :40:27. | :40:29. | |
# But I'm the envy of every single guy, because I'm the apple of my | :40:30. | :40:32. | |
# When I go out and it is time for a ride | :40:33. | :40:37. | |
# But it's all right, because my heart is true | :40:38. | :40:43. | |
# She said, baby... # Baby! | :40:44. | :40:47. | |
# Everything is all right, uptight # Uptight! | :40:48. | :40:49. | |
# Clean out of sight, singin'... # Baby, everything is all right | :40:50. | :40:53. | |
# It's not unusual to be loved by anyone. | :40:54. | :41:01. | |
# But when I see you hanging about with anyone | :41:02. | :41:13. | |
# I wanna die # I wanna die... #. | :41:14. | :41:21. | |
Tom, it has been a long career, hasn't it? | :41:22. | :41:24. | |
A very long career, but I will say this. | :41:25. | :41:28. | |
Throughout it all, you've not put a foot wrong. | :41:29. | :41:32. | |
Stylistically, with the clothes - you have never worn clothing that | :41:33. | :41:40. | |
would now be considered a bit silly, a bit foolish, a bit ill advised. | :41:41. | :41:47. | |
You have never done dance moves that might look a bit... | :41:48. | :41:50. | |
Silly, a bit foolish, a bit ill advised. | :41:51. | :41:55. | |
We asked some young people, some very young people, | :41:56. | :42:02. | |
to check out your moves and your outfits through the years. | :42:03. | :42:05. | |
# Just help yourself to my lips, to my arms | :42:06. | :42:11. | |
# Just say the words, and they are yours. | :42:12. | :42:15. | |
I think that picture in the background looks a bit like, | :42:16. | :42:18. | |
Michael Jackson or Bruno Mars? | :42:19. | :42:22. | |
His head doesn't look like David Cameron. | :42:23. | :42:41. | |
In that picture in the background. | :42:42. | :42:43. | |
# Just help yourself to my lips, to my arms | :42:44. | :42:47. | |
# Just say the word and they are yours #. | :42:48. | :42:51. | |
PUTS ON WELSH ACCENT: 'Hello, love - how you doin'?' | :42:52. | :42:58. | |
You can't marry a lot of them - King Henry did that | :42:59. | :43:05. | |
# Let me see what spring is like on Jupiter and Mars | :43:06. | :43:12. | |
He is probably trying not to wince that they are too tight. | :43:13. | :43:22. | |
# I have always thought that it's a crime, so I will ask you | :43:23. | :44:07. | |
He walks like an old man, that can't walk anymore. | :44:08. | :44:10. | |
He looks like my dad with hair. | :44:11. | :44:13. | |
I think he's famous for doing whatever he's doing right now. | :44:14. | :44:31. | |
The way he's dancing, it looks like he doesn't know how to dance. | :44:32. | :44:35. | |
Yes, good evening, everybody, and welcome to another edition | :44:36. | :45:14. | |
of the BBC's longest running quiz show, Name That Tom! | :45:15. | :45:21. | |
The musical Tom Jones, from 1965 to 2015. | :45:22. | :45:30. | |
"He's 22, he's single, and he's a coalminer", | :45:31. | :45:32. | |
where words used to describe which married 24-year-old who had | :45:33. | :45:35. | |
Who was described by one critic as "roaring around disastrously, | :45:36. | :45:43. | |
like a three-legged ox in a blindfold"? | :45:44. | :45:48. | |
What song is this - SINGS: Burning down the house? | :45:49. | :46:02. | |
What song is this... | :46:03. | :46:05. | |
Too late - it was What's New, Pussycat? | :46:06. | :46:19. | |
Which idiot turned down the opportunity to be the first | :46:20. | :46:23. | |
person to record The Beatles' classic, The Long And Winding Road? | :46:24. | :46:27. | |
Which popular singer speaks as though he is not sure... If... | :46:28. | :46:40. | |
English... Is... Your... First language? | :46:41. | :46:45. | |
Which singer is about to go over there and sing Delilah? | :46:46. | :46:57. | |
# I felt the knife in my hand and she laughed no more | :46:58. | :47:20. | |
# So before they come to break down the door | :47:21. | :47:49. | |
# Forgive me, Delilah, I just couldn't take any more #. | :47:50. | :48:12. | |
He just gets better and better. What was brilliant was the kids, showing | :48:13. | :48:40. | |
them clips of Tom Jones. That is something you would never want to | :48:41. | :48:47. | |
see, as Tom Jones. His clothes were little, too tight. Like my dad with | :48:48. | :48:53. | |
hair! I used to love Tom Jones when I was little. I still do. That was | :48:54. | :48:55. | |
incredible. And | :48:56. | :48:57. | |
of course, they gave up their time You can donate ?10 by texting | :48:58. | :49:02. | |
the word DONATE to 70710. Texts will cost ?10 plus your | :49:03. | :49:11. | |
standard network message charge. Let's do it for Sir Terry. We know | :49:12. | :49:26. | |
use tuned in and he would love us to donate lots and lots. Yes, we miss | :49:27. | :49:32. | |
you, Terry. Next, one Direction would like to tell you about a | :49:33. | :49:33. | |
special friendship. When things get tough, it's family | :49:34. | :49:40. | |
we turn to, to hold things together. But sometimes, | :49:41. | :49:43. | |
that isn't always enough. Sometimes you need someone new to | :49:44. | :49:45. | |
come in and make a difference. This film is about | :49:46. | :49:48. | |
a lovely little boy called Sam and his best friend, Josie. Meet Josie | :49:49. | :49:50. | |
and the family who have grown to If we didn't have Josie, | :49:51. | :49:53. | |
Sam would probably be moody, grumpy When Sam was four, he was diagnosed | :49:54. | :50:02. | |
with a muscle-wasting disease. I was starting to notice I was | :50:03. | :50:18. | |
falling over a lot more than other people, and not being able to ride | :50:19. | :50:28. | |
a bike or kicking balls. He got to school and he realised | :50:29. | :50:38. | |
that all the other boys and girls He was very angry that he couldn't | :50:39. | :50:42. | |
do the things that I didn't want to go outside | :50:43. | :50:50. | |
or talk to anyone. That's when Josie came into Sam's | :50:51. | :50:58. | |
life. Specially trained for him by | :50:59. | :51:16. | |
Dogs For Good - a charity supported The first weekend home, | :51:17. | :51:20. | |
the door to the kitchen opened Look what I've done with Josie. | :51:21. | :51:26. | |
" She'd helped him change. For the first time in two years, | :51:27. | :51:33. | |
she helped him dress himself But Josie didn't just become Sam's | :51:34. | :51:37. | |
muscles, she became his friend. The change in Sam, | :51:38. | :52:02. | |
it was like a weight being lifted We went from being tense | :52:03. | :52:06. | |
and stress all the time to... Josie brought that | :52:07. | :52:11. | |
little boy back again. Sam and Josie. In 2010, | :52:12. | :52:19. | |
Sam and Josie won the prestigious Josie's a hero to us and we know | :52:20. | :52:24. | |
the impact she's actually had. For other people to recognise it, | :52:25. | :52:37. | |
it was really quite humbling. I love Josie. She means | :52:38. | :52:42. | |
the world to me. There are so many children, like | :52:43. | :52:47. | |
Sam, who could use a friend like Josie, but training these puppies | :52:48. | :52:55. | |
and matching them up with the right families take time and patience - | :52:56. | :52:58. | |
so, please, help us to support the incredible work charities like | :52:59. | :53:04. | |
Dogs For Good are doing. Incredible. I met them before and it | :53:05. | :53:34. | |
is so incredible and vital for Sam, an incredible story. Making that | :53:35. | :53:39. | |
relationship does not come easy. Training and matching up the | :53:40. | :53:42. | |
children with dogs is expensive so please help us continuing to support | :53:43. | :53:44. | |
this wonderful work. Texts will cost ?10 plus | :53:45. | :53:46. | |
your standard network message charge and the whole ?10 will go to | :53:47. | :53:50. | |
BBC Children in Need. For full terms and conditions, | :53:51. | :53:53. | |
visit bbc.co.uk/pudsey. And don't forget, you can still | :53:54. | :53:57. | |
phone to donate And it's back to Wembley, where one | :53:58. | :53:59. | |
big knight is hosting, Here's highlights from | :54:00. | :54:06. | |
Sir Tom Jones' and Rob Brydon's It's a big year for both of us, | :54:07. | :54:11. | |
we've had big birthdays, I have to ask, | :54:12. | :54:20. | |
is everything still working? I still have a wee-wee | :54:21. | :54:36. | |
at 6 o'clock in the morning. Not really | :54:37. | :54:43. | |
because I don't get up until 7. Do they still love you | :54:44. | :54:50. | |
like they used to do? Well, that's | :54:51. | :54:53. | |
a question I often ask myself. # Why don't you love me | :54:54. | :54:58. | |
like you used to do? # How come you treat me | :54:59. | :55:04. | |
like a worn out shoe? # My hair's still curly | :55:05. | :55:07. | |
and my eyes are still blue. # So why don't you love me | :55:08. | :55:11. | |
like you used to do? # We had no loving and a hugging and | :55:12. | :55:14. | |
a kissing in a long, long, while. # We don't get nearer, further, | :55:15. | :55:21. | |
closer than a country mile. # Why don't you spark me | :55:22. | :55:29. | |
like you used to do? # Say sweet nothings | :55:30. | :55:32. | |
like you used to coo. # I'm the same old trouble | :55:33. | :55:36. | |
you've always been through. # So why don't you love me | :55:37. | :55:39. | |
like you used to do? # It's not unusual to be loved | :55:40. | :55:46. | |
by anyone. # It's not unusual to | :55:47. | :56:04. | |
have fun with anyone. # But when I see you hanging | :56:05. | :56:09. | |
about with anyone. # It's not | :56:10. | :56:14. | |
unusual to go out at any time. # But when I see you out and about, | :56:15. | :56:36. | |
it's such a crime. # If you should ever wanna | :56:37. | :56:41. | |
be loved by anyone. # It's not unusual, | :56:42. | :56:46. | |
it happens every day. # You'll find it happens all | :56:47. | :56:50. | |
the time. # And a love will never | :56:51. | :56:58. | |
do what you want it to. # Why can't this crazy love be | :56:59. | :57:03. | |
mi-i-i-i-ne #. Now, then, | :57:04. | :57:12. | |
another amazing organisation supported by Children In Need is | :57:13. | :57:14. | |
the Chicken Shed Theatre Company. I'm delighted to say, that | :57:15. | :57:19. | |
a group of their young performers are here tonight, to perform with | :57:20. | :57:22. | |
Tom and the UK's biggest country # Come along little children, | :57:23. | :57:26. | |
come along. # I love my biscuits dipping | :57:27. | :57:36. | |
in gravy. # Save me the half | :57:37. | :57:57. | |
and keep me the gravy. # I love my biscuits dipped | :57:58. | :58:02. | |
in gravy. # Come along, little children, | :58:03. | :58:07. | |
come along. # Now when I die, | :58:08. | :58:11. | |
won't you bury me deep. # Put molasses on my head | :58:12. | :58:28. | |
and my feet. # Why don't we raise | :58:29. | :58:33. | |
a ruckus tonight. # Come on | :58:34. | :59:03. | |
and raise a ruckus tonight #. There's only one way to follow that | :59:04. | :59:09. | |
and that's with another duet, # I'm | :59:10. | :59:25. | |
about to die. So here is what I thought, we could | :59:26. | :00:40. | |
have a story-off, a competition, both tell a story, the audience has | :00:41. | :01:32. | |
to vote on who tells the best one I'm going to hit this button, words | :01:33. | :01:36. | |
are going to flash up on the screen. You hit the button, | :01:37. | :01:46. | |
whatever word comes up, we've got to We have no idea what | :01:47. | :01:49. | |
the word is going to be. I'll take this one, Tom, | :01:50. | :01:54. | |
I've got an excellent one. Mrs Brydon and I are having | :01:55. | :02:11. | |
a new shower fitted in our home. The fella from down the road who's | :02:12. | :02:17. | |
doing the job, Peter Whitley, a lovely man, he's retired now but | :02:18. | :02:22. | |
he was a plumber and an interiors He's coming up this weekend to do it | :02:23. | :02:27. | |
and he's taking out the old shower and he's told us that | :02:28. | :02:32. | |
he's going to be able to keep So that's knocking about ?50 | :02:33. | :02:36. | |
off our bill and he's said he'll take away all of the rubbish | :02:37. | :02:44. | |
and dispose of it all himself. So this time next week, | :02:45. | :02:47. | |
we'll have a new shower. Right, I was in Caesar's Palace | :02:48. | :02:53. | |
in Las Vegas. And when I come off stage, | :02:54. | :02:59. | |
I perspire a lot, So I was in the shower this night, | :03:00. | :03:06. | |
right, and, as I'm washing my hair Then I thought, wait a minute, | :03:07. | :03:13. | |
who's this now. So I opened my eyes | :03:14. | :03:25. | |
and the shower head was there And right there was Elvis Presley | :03:26. | :03:29. | |
leaning over the shower door, and he So first of all, if you preferred | :03:30. | :03:38. | |
my rather lovely story about fitting Well, our doorbell | :03:39. | :03:51. | |
at home is a lovely doorbell. Goes through the the house, | :03:52. | :04:19. | |
but the electrical gubbins where you actually press it, they are | :04:20. | :04:23. | |
hanging down, so this weekend - shut up - I'm going to buy some | :04:24. | :04:29. | |
duct tape, do you know what I mean? I'm going to stick | :04:30. | :04:33. | |
the gubbins back up, Well, I was at my house in Bel Air, | :04:34. | :04:37. | |
California. And I was in the kitchen, | :04:38. | :04:46. | |
my cook hadn't shown up, So all | :04:47. | :04:49. | |
of a sudden the doorbell rang and I put the camera on because we've got | :04:50. | :04:54. | |
cameras over the gate, you see. So I looked at the screen | :04:55. | :04:58. | |
and there in the screen was Straight to the vote, | :04:59. | :05:01. | |
straight to the vote. # can learn to be like someone like | :05:02. | :05:07. | |
you! Everyone says I clap weird, what is | :05:08. | :06:41. | |
wrong with it? I will never clap again. Thanks again to Sir Tom | :06:42. | :06:45. | |
Jones, Rob Brydon and everyone at Wembley who gave up their time for | :06:46. | :06:49. | |
Children In Need in the hope that you at home would kindly donate. | :06:50. | :07:04. | |
If you enjoyed that and you think we are the best presenting duo since an | :07:05. | :07:07. | |
Beck, and deck. Vote. So grateful to all of the performers | :07:08. | :07:23. | |
who have given their time and talent for Children In Need tonight. | :07:24. | :07:33. | |
Here are some of tonight's best bits. Ladies and gentlemen, boys and | :07:34. | :07:43. | |
girls, get ready for the biggest night of the year, Children In Need | :07:44. | :07:44. | |
2015! # I'm so excited, and I just can't | :07:45. | :08:02. | |
hide it. Welcome to the history of TV in four | :08:03. | :08:21. | |
minutes. Exterminate, exterminate! It's a bit dry, Nadia. Exterminate, | :08:22. | :08:31. | |
exterminate! Welcome to the It's a bit dry, Nadia. Exterminate, | :08:32. | :08:42. | |
Come Dancing Children In Need special. We have four stars of Call | :08:43. | :08:46. | |
The Midwife. They are ditching the hot water and towels for a night of | :08:47. | :08:56. | |
glitter and sequins. Only three days of practice, and you have come out | :08:57. | :09:03. | |
fantastic. And our winner is... Laura and Brendan! | :09:04. | :09:16. | |
# I'm so sick of that same old love, the kind that breaks your heart. # | :09:17. | :09:24. | |
oh, that same old love. # oh, that same old love. | :09:25. | :09:38. | |
Hello, R2-D2 and C-3PO. What does he think he's doing? Sorry, got a bit | :09:39. | :09:49. | |
carried away. Let's make the jump to hyperspace. Which one of you is | :09:50. | :10:05. | |
shaking my cup? OK, I don't have Jedi powers. You may pass. Yes, the | :10:06. | :10:14. | |
stent in here is overwhelming. It's the BBC canteen. Help us, Warwick | :10:15. | :10:21. | |
Davis, you're our only hope. We are such massive Star Wars fans, we made | :10:22. | :10:26. | |
you a millennium Balkan cake. Have you eaten my bat in the cockpit? -- | :10:27. | :10:34. | |
Battenberg. Also joining us tonight for as special challenge, Scott | :10:35. | :10:42. | |
Mills and Helen Skelton. I don't like it. Oh, my legs are shaking. | :10:43. | :10:49. | |
Lock your knees, Scott. Step breakdown. It's so windy! Oh, no. | :10:50. | :11:04. | |
Come on, Scott, you're a hero! You've done it! What an achievement. | :11:05. | :11:14. | |
Let him, you could feel the fear. Scott Mills! I can't walk properly. | :11:15. | :11:31. | |
# will you take me home? # The way you take me home. | :11:32. | :12:34. | |
And very soon, we shall reveal the all-important final totaliser. | :12:35. | :12:41. | |
But before that, there's time for one last musical performance. | :12:42. | :12:47. | |
Currently wowing the West End, please give it up for the cast of | :12:48. | :12:56. | |
# Wanna be stronger? Wanna be stronger? | :12:57. | :13:36. | |
# Wanna sustain? Wanna sustain? | :13:37. | :13:38. | |
# Gotta keep wishing Gotta keep pushing | :13:39. | :13:40. | |
# Gotta keep training, toning, trying | :13:41. | :13:43. | |
# Gonna make an earth-shaking myth-making | :13:44. | :14:02. | |
I didn't even know they had a girls' team here. | :14:03. | :14:21. | |
# Who bends the rules and reinvents the game | :14:22. | :15:04. | |
# We all will share the fortune and the fame | :15:05. | :15:21. | |
# When we bring home the glory and the flame | :15:22. | :15:28. | |
# Sadaa Sadaa | :15:29. | :16:17. | |
# Result, result Sadaa charhdi kalaa | :16:18. | :16:58. | |
# Top flight, fair fight Sadaa charhdi kalaa | :16:59. | :17:14. | |
# The girls who get results Sadaa charhdi kalaa | :17:15. | :17:18. | |
# We could be glorious Result, result | :17:19. | :17:22. | |
# Us girls are good as gold Us girls we get results | :17:23. | :17:24. | |
# We could be glorious No mess, success | :17:25. | :17:28. | |
# Sadaa charhdi kalaa A wonder to behold us | :17:29. | :17:31. | |
# Girls, we get results Sadaa charhdi kalaa | :17:32. | :17:38. | |
# You did it! We did it! | :17:39. | :17:39. | |
# You've done it! We've done it! | :17:40. | :17:41. | |
# Talk about a perfect aim What a way to end a game | :17:42. | :17:47. | |
# We've made a winner She did it | :17:48. | :17:55. | |
# They did it We did it! | :17:56. | :17:58. | |
Give it up for the stars of Bend It Like Beckham. | :17:59. | :18:30. | |
That is almost it for Children in Need 2015. | :18:31. | :18:37. | |
You can enjoy the best bits all over again in our special highlights show | :18:38. | :18:41. | |
But of course, we've got one more very important bit | :18:42. | :18:45. | |
How much have all you generous people at home raised | :18:46. | :18:58. | |
Sir Terry, if you are still watching, this is all for you to | :18:59. | :19:09. | |
night. Here is the final total. CHEERING AND APPLAUSE Wow! That is | :19:10. | :20:03. | |
insane. An insane amount of money. Last year we were at 32 million when | :20:04. | :20:12. | |
we closed the show. Well done everyone. | :20:13. | :20:14. | |
Well, that was Children in Need 2015. | :20:15. | :20:15. | |
Too right, Rochelle. Just a few people to thank. | :20:16. | :20:26. | |
As well as the Cast of Bend It Like Beckham here, we've enjoyed amazing | :20:27. | :20:30. | |
performances and exclusive treats from the best in the business. | :20:31. | :20:34. | |
Rod Stewart, Selena Gomez, the cast of Beautiful, Call the Midwife stars | :20:35. | :20:38. | |
taking on Strictly, Warwick Davis, R2-D2, C-3PO, BB-8 and their new | :20:39. | :20:44. | |
mates Mel and Sue, Barbara Windsor, Martin Freeman, Danny Dyer, Stephen | :20:45. | :20:48. | |
Merchant, Ricky Wilson, Lewis Hamilton, Tom Daley, | :20:49. | :20:53. | |
Lord Sugar, will.i.am and The Stig. | :20:54. | :21:00. | |
We've also seen The One Show's Matt and Alex and their amazing Rickshaw | :21:01. | :21:03. | |
riders, Years Years, our Children in Need choir, Peter | :21:04. | :21:05. | |
Andre, Judy Murray, Russell Grant, Frankie Bridge, Louis Smith and the | :21:06. | :21:08. | |
Not to mention the mighty Scott Mills, Helen Skelton, the comedy | :21:09. | :21:13. | |
stars of Radio 4, Ellie Goulding, Nadine Coyle, Shane Filan, Sinitta, | :21:14. | :21:16. | |
Wayne Sleep, Stavros Flatley, Bernie Clifton and all the stars of | :21:17. | :21:18. | |
Children in Need's One Big Night As well as Jess Glynne with our | :21:19. | :21:26. | |
official single, the cast of Kinky Boots, Anastacia, and Harry Hill and | :21:27. | :21:32. | |
his telly mates Peter Purvis, Peter Davison, Nadiya Hussein, Jenny | :21:33. | :21:36. | |
Agutter, Tony Blackburn, Mr Blobby, La La and the Dalek, | :21:37. | :21:42. | |
our fellow hosts Tess, Dermot, Fearne and Shane. | :21:43. | :21:46. | |
And of course, a massive shout out to Sir Terry Wogan! | :21:47. | :21:59. | |
especially those of you still watching! | :22:00. | :22:01. |