13/08/1980 The Good Old Days
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Transcript
| Line | From | To | |
|---|---|---|---|
MUSIC HALL INSTRUMENTAL | 0:00:02 | 0:00:04 | |
# After the ball is over | 0:00:08 | 0:00:13 | |
# After the break of day | 0:00:13 | 0:00:17 | |
# After the dancers leaving | 0:00:17 | 0:00:22 | |
# After the stars are gone | 0:00:22 | 0:00:27 | |
# Many a heart is aching | 0:00:27 | 0:00:31 | |
# If you could read them all | 0:00:31 | 0:00:36 | |
# Many the hopes that have vanished | 0:00:36 | 0:00:40 | |
# After the ball... # | 0:00:40 | 0:00:45 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:52 | |
UP-TEMPO MUSIC | 0:00:52 | 0:00:54 | |
YELPING | 0:00:54 | 0:00:56 | |
# I love a lassie | 0:01:21 | 0:01:23 | |
# A bonnie, bonnie lassie | 0:01:23 | 0:01:25 | |
# She's as pure as the lily In the dell | 0:01:25 | 0:01:29 | |
# She's as sweet as the heather | 0:01:29 | 0:01:32 | |
# The bonnie, blooming heather | 0:01:32 | 0:01:34 | |
# Mary, ma Scotch bluebell | 0:01:34 | 0:01:37 | |
# I love a lassie, | 0:01:39 | 0:01:40 | |
# A bonnie, bonnie lassie | 0:01:40 | 0:01:42 | |
# She's as pure as the lily In the dell | 0:01:42 | 0:01:46 | |
# She's as sweet as the heather | 0:01:46 | 0:01:49 | |
# The bonnie, blooming heather | 0:01:49 | 0:01:51 | |
# Mary, ma Scotch bluebell | 0:01:51 | 0:01:55 | |
# Just a... | 0:01:55 | 0:01:57 | |
# Wee docht and doris | 0:01:57 | 0:02:00 | |
# Just a wee dram, that's all | 0:02:00 | 0:02:02 | |
# Just a wee docht and doris | 0:02:02 | 0:02:05 | |
# Afore ye gang awa' | 0:02:05 | 0:02:08 | |
# There's a wee wifey waiting | 0:02:08 | 0:02:10 | |
# In a wee butt and ben | 0:02:10 | 0:02:12 | |
# If you can say, It's a braw bricht moon licht nicht | 0:02:12 | 0:02:15 | |
# Then you're all right, you ken. | 0:02:15 | 0:02:18 | |
# I'm roamin' in the gloamin' | 0:02:18 | 0:02:22 | |
# On the bonnie banks o' Clyde | 0:02:22 | 0:02:26 | |
# Roamin' in the gloamin' | 0:02:26 | 0:02:29 | |
# With a lassie by my side | 0:02:29 | 0:02:33 | |
# When the sun that's gone to rest | 0:02:33 | 0:02:35 | |
# That's the time that I love best | 0:02:35 | 0:02:39 | |
# Oh, it's lovely roamin' In the gloamin'. # | 0:02:39 | 0:02:45 | |
WHOOPING AND CHEERING | 0:02:47 | 0:02:50 | |
# Hark when the night is falling | 0:02:51 | 0:02:53 | |
# Hear, hear, the pipes are calling | 0:02:53 | 0:02:55 | |
# Loudly and proudly calling | 0:02:55 | 0:02:57 | |
# Down through the glen | 0:02:57 | 0:02:59 | |
# There where the hills are sleeping | 0:02:59 | 0:03:02 | |
# Now feel the blood a-leaping | 0:03:02 | 0:03:04 | |
# High as the spirits Of the old Highland men | 0:03:04 | 0:03:07 | |
# Towering in gallant fame | 0:03:07 | 0:03:10 | |
# Scotland my mountain hame | 0:03:10 | 0:03:12 | |
# High may your proud standards Gloriously wave | 0:03:12 | 0:03:16 | |
# Land o' the high endeavour, | 0:03:16 | 0:03:18 | |
# Land o' the shining river | 0:03:18 | 0:03:20 | |
# Land o' my heart forever | 0:03:20 | 0:03:22 | |
# Scotland the brave | 0:03:22 | 0:03:24 | |
# Land o' the heart forever | 0:03:24 | 0:03:28 | |
# Scotland... | 0:03:28 | 0:03:31 | |
# The brave... # | 0:03:31 | 0:03:34 | |
Ah-hi! | 0:03:36 | 0:03:37 | |
CHEERING AND APPLAUSE | 0:03:37 | 0:03:39 | |
ENTRANCE MUSIC | 0:03:46 | 0:03:49 | |
CHEERING | 0:03:50 | 0:03:54 | |
CHEERING | 0:04:01 | 0:04:03 | |
Once again... | 0:04:03 | 0:04:05 | |
Good evening, ladies and gentlemen! | 0:04:05 | 0:04:10 | |
-AUDIENCE: -Good evening! | 0:04:10 | 0:04:12 | |
And say hello to your own Lord Mayor! | 0:04:12 | 0:04:16 | |
CHEERING | 0:04:16 | 0:04:18 | |
APPLAUSE | 0:04:20 | 0:04:21 | |
Lexico-graphically... | 0:04:26 | 0:04:28 | |
-AUDIENCE: -Ooh! | 0:04:28 | 0:04:30 | |
..exploratory of eulogistic exactitudes... | 0:04:30 | 0:04:34 | |
-AUDIENCE: -Ooh! | 0:04:34 | 0:04:35 | |
..for your...illuminat-ory... | 0:04:35 | 0:04:40 | |
elucidation... | 0:04:40 | 0:04:42 | |
primarily momentous in mimic | 0:04:42 | 0:04:45 | |
mountebankery... | 0:04:45 | 0:04:48 | |
Miss Doreen Hermitage and Miss Jan Hunt! | 0:04:48 | 0:04:54 | |
CHEERING AND APPLAUSE | 0:04:54 | 0:04:56 | |
# Mandolins | 0:05:07 | 0:05:09 | |
# Violins | 0:05:09 | 0:05:11 | |
# Hear the markers tuning up The fun begins | 0:05:11 | 0:05:14 | |
# Come this way | 0:05:14 | 0:05:16 | |
# Don't delay | 0:05:16 | 0:05:18 | |
# Better hurry honey dear Or you'll be missing | 0:05:18 | 0:05:21 | |
# Music sweet | 0:05:21 | 0:05:23 | |
# What a treat | 0:05:23 | 0:05:25 | |
# Goes right to your head And trickles to your feet | 0:05:25 | 0:05:28 | |
# It's a reminder | 0:05:28 | 0:05:30 | |
# A memory finder Of nights down in old Alabam' | 0:05:30 | 0:05:35 | |
# You ought to see Mr Jones When he rattles his bones | 0:05:42 | 0:05:45 | |
# Old Parson Brown Fooling round like a clown | 0:05:45 | 0:05:49 | |
# Aunt Jemima who is past 83 | 0:05:49 | 0:05:52 | |
# Yelling, "I'm full of pep!" | 0:05:52 | 0:05:54 | |
-# Watch your step -# Watch your step | 0:05:54 | 0:05:56 | |
# Or one-legged Joe Danced around on his toe | 0:05:56 | 0:05:59 | |
# Threw away his crutch And hollered, "Let her go!" | 0:05:59 | 0:06:03 | |
# Well honey, hail, hail The gang's all here | 0:06:03 | 0:06:06 | |
# For the Alabama Jubilee! | 0:06:06 | 0:06:10 | |
# Let's look in | 0:06:17 | 0:06:18 | |
# It's a sin | 0:06:18 | 0:06:20 | |
# We are wasting time So let the fun begin | 0:06:20 | 0:06:23 | |
# Ho, ho! | 0:06:23 | 0:06:24 | |
# What you got? | 0:06:24 | 0:06:26 | |
# Quite a lot | 0:06:26 | 0:06:27 | |
# Here's a hat and more than that So let's get started | 0:06:27 | 0:06:31 | |
# Auntie Jane | 0:06:31 | 0:06:32 | |
# Not again | 0:06:32 | 0:06:34 | |
# Give your legs some exercise To this refrain | 0:06:34 | 0:06:37 | |
# This is what makes us so happy And takes us | 0:06:37 | 0:06:41 | |
# Back home go to our old Alabam' | 0:06:41 | 0:06:44 | |
# You ought to see Mr Jones When he rattles his bones | 0:06:44 | 0:06:48 | |
# Old Parson Brown Fooling round like a clown | 0:06:48 | 0:06:51 | |
# Aunt Jemima who is past 83 | 0:06:51 | 0:06:55 | |
# Yelling, "I'm full of pep!" | 0:06:55 | 0:06:57 | |
# Watch your step | 0:06:57 | 0:06:58 | |
# One-legged Joe Danced around on his toe | 0:06:58 | 0:07:02 | |
# Threw away his crutch And hollered, "Let her go!" | 0:07:02 | 0:07:05 | |
-# Oh, honey, hail, hail! -# Hail! Hail! | 0:07:05 | 0:07:07 | |
# The gang's all here For an Alabama Jubilee! # | 0:07:07 | 0:07:12 | |
INSTRUMENTAL | 0:07:13 | 0:07:16 | |
THEY WHOOP | 0:07:51 | 0:07:53 | |
APPLAUSE | 0:07:53 | 0:07:55 | |
I say, I say, I say, why did the moth eat a hole in the carpet? | 0:07:59 | 0:08:03 | |
I don't know, why did the moth eat a hole in the carpet? | 0:08:03 | 0:08:05 | |
-Because he wanted to see the floor show! -Ooh! | 0:08:05 | 0:08:09 | |
LAUGHTER AND GROANING | 0:08:09 | 0:08:11 | |
-I say, I say, I say. -Why did he cover it up again? | 0:08:11 | 0:08:14 | |
I don't know. Why did he cover it up again? | 0:08:14 | 0:08:16 | |
-Because he didn't want to see the -HOLE -show! | 0:08:16 | 0:08:19 | |
LAUGHTER AND GROANING | 0:08:20 | 0:08:22 | |
RUSTLING | 0:08:22 | 0:08:24 | |
MUSIC PLAYS ALONG | 0:08:24 | 0:08:26 | |
MUSIC MIMICS GESTURES | 0:08:29 | 0:08:30 | |
MUSIC HALL MUSIC | 0:08:33 | 0:08:35 | |
GLOVES RUSTLE | 0:08:58 | 0:08:59 | |
Whoo! | 0:09:09 | 0:09:10 | |
# You ought to see Mr Jones | 0:09:12 | 0:09:14 | |
# When he rattles the bones | 0:09:14 | 0:09:16 | |
# Old Parson Brown fooling round like a clown | 0:09:16 | 0:09:19 | |
# Aunt Jemina who is past 83 | 0:09:19 | 0:09:22 | |
-# Yellin' "I'm full o' pep!" -Yay! | 0:09:22 | 0:09:24 | |
# Watch your step Watch your step | 0:09:24 | 0:09:26 | |
# One-legged Joe danced around on his toe | 0:09:26 | 0:09:29 | |
# He threw away his crutch and hollered, "Let her go" | 0:09:29 | 0:09:32 | |
# Oh, honey, hail! Hail! | 0:09:32 | 0:09:33 | |
# Hail! Hail! | 0:09:33 | 0:09:34 | |
# The gang's all here | 0:09:34 | 0:09:35 | |
# For an Alabama Jubi... | 0:09:35 | 0:09:37 | |
# Alabama Jubi... | 0:09:37 | 0:09:39 | |
# Alabama | 0:09:39 | 0:09:41 | |
# Jubilee! # | 0:09:41 | 0:09:45 | |
APPLAUSE AND CHEERING | 0:09:45 | 0:09:47 | |
-MUSIC ENDS -Whoo! | 0:09:47 | 0:09:48 | |
BAND INTRO STARTS | 0:09:50 | 0:09:53 | |
APPLAUSE AND CHEERING | 0:09:53 | 0:09:54 | |
BAND INTRO ENDS | 0:09:55 | 0:09:57 | |
Inexhaustively | 0:10:01 | 0:10:04 | |
encapsulating | 0:10:04 | 0:10:06 | |
-cadenzas... AUDIENCE: -Ooh! | 0:10:06 | 0:10:08 | |
..coruscating | 0:10:08 | 0:10:10 | |
in crystalline AUDIENCE CHATTERS | 0:10:10 | 0:10:12 | |
sexduplicity. | 0:10:12 | 0:10:14 | |
-AUDIENCE: -Whoo! | 0:10:14 | 0:10:15 | |
Ladies and gentlemen, The King's Singers! | 0:10:15 | 0:10:19 | |
APPLAUSE AND CHEERING | 0:10:19 | 0:10:21 | |
MUSIC HALL INTRO PLAYS | 0:10:21 | 0:10:22 | |
MUSIC HALL INTRO ENDS | 0:10:26 | 0:10:28 | |
MUSIC: Danny Boy by Frederick Weatherly | 0:10:28 | 0:10:30 | |
# Oh, Danny Boy | 0:10:30 | 0:10:32 | |
# The pipes, the pipes are calling | 0:10:32 | 0:10:36 | |
# From glen to glen | 0:10:38 | 0:10:41 | |
# And down the mountainside | 0:10:41 | 0:10:44 | |
# Ooh-ooh, ooh-ooh | 0:10:44 | 0:10:46 | |
# The summer's gone | 0:10:46 | 0:10:49 | |
# And all the roses falling | 0:10:49 | 0:10:53 | |
# 'Tis you, 'tis you, must go | 0:10:55 | 0:10:59 | |
# And I must bide | 0:10:59 | 0:11:02 | |
-# But come ye back -Come back | 0:11:03 | 0:11:06 | |
# When summer's in the meadow | 0:11:06 | 0:11:10 | |
# Or when the valley's hushed | 0:11:12 | 0:11:15 | |
-# And white with snow -And white with snow | 0:11:17 | 0:11:20 | |
# 'Tis I'll be here | 0:11:21 | 0:11:25 | |
# In sunshine or in shadow | 0:11:25 | 0:11:29 | |
# Oh, Danny Boy, oh, Danny Boy | 0:11:31 | 0:11:35 | |
# I love you so... # | 0:11:35 | 0:11:38 | |
THEY HUM TUNE | 0:11:39 | 0:11:42 | |
# ..But when ye come... # | 0:11:48 | 0:11:49 | |
THEY HUM | 0:11:49 | 0:11:51 | |
# And all the flowers are dying... # | 0:11:51 | 0:11:54 | |
THEY HUM | 0:11:54 | 0:11:56 | |
# If I am dead | 0:11:56 | 0:11:58 | |
# As dead I well may be | 0:11:58 | 0:12:02 | |
# You'll come and find | 0:12:04 | 0:12:06 | |
# The place where I am lying | 0:12:06 | 0:12:11 | |
# And kneel and say | 0:12:11 | 0:12:15 | |
# An ave there for me | 0:12:15 | 0:12:18 | |
-# And I shall hear -I'll hear | 0:12:21 | 0:12:23 | |
# Though soft your tread above me | 0:12:23 | 0:12:28 | |
# And all my grave | 0:12:29 | 0:12:33 | |
# Will warmer... | 0:12:33 | 0:12:35 | |
# Sweeter be | 0:12:35 | 0:12:37 | |
# For you will bend | 0:12:39 | 0:12:43 | |
# And tell me that you love me | 0:12:43 | 0:12:48 | |
-# And I shall sleep in peace -Sleep in peace | 0:12:51 | 0:12:57 | |
# Until you | 0:12:59 | 0:13:02 | |
# Come to me. # | 0:13:02 | 0:13:12 | |
APPLAUSE AND CHEERING | 0:13:12 | 0:13:14 | |
BAND MUSIC PLAYS | 0:13:19 | 0:13:20 | |
APPLAUSE AND CHEERING | 0:13:25 | 0:13:26 | |
Perilous | 0:13:31 | 0:13:32 | |
on the perimeter | 0:13:32 | 0:13:34 | |
of injurious | 0:13:34 | 0:13:36 | |
intrepidity... | 0:13:36 | 0:13:38 | |
-AUDIENCE: -Ooh! | 0:13:38 | 0:13:40 | |
..danger. | 0:13:40 | 0:13:41 | |
LAUGHTER | 0:13:41 | 0:13:43 | |
Bedazzling in bastinado! | 0:13:43 | 0:13:46 | |
From Paris, the Sherdans! | 0:13:46 | 0:13:48 | |
APPLAUSE DROWNS SPEECH | 0:13:48 | 0:13:50 | |
CHEERING | 0:13:50 | 0:13:51 | |
LIVELY MUSIC PLAYS | 0:13:53 | 0:13:54 | |
LAUGHTER | 0:14:45 | 0:14:47 | |
APPLAUSE AND CHEERING | 0:14:47 | 0:14:48 | |
LIVELY MUSIC PLAYS | 0:14:51 | 0:14:52 | |
APPLAUSE AND CHEERING | 0:15:07 | 0:15:08 | |
WHIP SNAPS | 0:15:10 | 0:15:12 | |
WHIP SNAPS | 0:15:28 | 0:15:29 | |
APPLAUSE AND CHEERING | 0:15:32 | 0:15:33 | |
CYMBAL CLASH | 0:15:50 | 0:15:51 | |
APPLAUSE AND CHEERING | 0:15:51 | 0:15:52 | |
MUSIC ENDS | 0:15:54 | 0:15:56 | |
PIANO MUSIC PLAYS | 0:15:56 | 0:15:57 | |
JAZZ MUSIC PLAYS | 0:16:05 | 0:16:06 | |
CYMBAL CLASH | 0:16:39 | 0:16:40 | |
APPLAUSE AND CHEERING | 0:16:40 | 0:16:42 | |
CYMBAL CLASH | 0:17:18 | 0:17:19 | |
APPLAUSE | 0:17:19 | 0:17:20 | |
CYMBAL CLASH | 0:17:52 | 0:17:53 | |
APPLAUSE | 0:17:55 | 0:17:56 | |
CYMBAL CLASH | 0:18:11 | 0:18:12 | |
APPLAUSE | 0:18:12 | 0:18:13 | |
LIVELY MUSIC FADES | 0:19:05 | 0:19:07 | |
QUIET DRUMROLL | 0:19:07 | 0:19:14 | |
DRUMROLL LOUDENS | 0:19:14 | 0:19:19 | |
DRUMROLL LOUDENS | 0:19:19 | 0:19:23 | |
DRUMROLL STOPS ABRUPTLY | 0:19:24 | 0:19:26 | |
AUDIENCE GASP, APPLAUSE | 0:19:30 | 0:19:32 | |
MUSIC HALL MUSIC PLAYS | 0:19:32 | 0:19:33 | |
MUSIC HALL MUSIC ENDS | 0:19:50 | 0:19:51 | |
You don't have to worry. They are good friends. | 0:19:53 | 0:19:56 | |
LAUGHTER Erm, excruciatingly... | 0:19:56 | 0:19:59 | |
Sorry. LAUGHTER | 0:19:59 | 0:20:00 | |
..egregious in ornithological anthropomorphism. | 0:20:00 | 0:20:05 | |
-AUDIENCE: -Ooh! | 0:20:05 | 0:20:07 | |
A human bird. | 0:20:07 | 0:20:08 | |
Welcome to Mr Bernie Clifton. | 0:20:08 | 0:20:11 | |
APPLAUSE AND CHEERING | 0:20:11 | 0:20:12 | |
MUSIC HALL MUSIC PLAYS | 0:20:12 | 0:20:13 | |
APPLAUSE AND CHEERING | 0:20:16 | 0:20:18 | |
MUSIC HALL MUSIC PLAYS | 0:20:18 | 0:20:20 | |
-AUDIENCE: -Ooh! | 0:20:26 | 0:20:27 | |
Whoa, whoa, whoa. | 0:20:27 | 0:20:29 | |
Whoa, whoa, whoa, whoa. | 0:20:29 | 0:20:30 | |
HE LAUGHS, LAUGHTER | 0:20:30 | 0:20:32 | |
Steady now. Steady. | 0:20:32 | 0:20:33 | |
-Good evening. -AUDIENCE: -Good evening! | 0:20:33 | 0:20:36 | |
And welcome to the war hero. This is him. | 0:20:36 | 0:20:38 | |
LAUGHTER | 0:20:38 | 0:20:39 | |
This is him, Oswald. Yes, he's a war hero. | 0:20:39 | 0:20:42 | |
He's been fighting for you, missus. | 0:20:42 | 0:20:45 | |
He's been over there in the trenches. | 0:20:45 | 0:20:48 | |
Up to his neck in muck and millet. | 0:20:48 | 0:20:49 | |
LAUGHTER | 0:20:49 | 0:20:50 | |
Steady, steady. Steady. | 0:20:51 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:54 | |
And all his mates sent him back. | 0:20:55 | 0:20:57 | |
-LAUGHTER -Yes, all his mates... | 0:20:57 | 0:20:59 | |
How would you like to live in a billet full of millet? | 0:20:59 | 0:21:01 | |
-You wouldn't, would you? -LAUGHTER | 0:21:01 | 0:21:03 | |
Yes, he comes from a long line of war heroes, actually, does Oswald. | 0:21:03 | 0:21:06 | |
His great-grandfather fought with Wellington. | 0:21:06 | 0:21:09 | |
Steady, steady. | 0:21:09 | 0:21:10 | |
His dad fought with Baden-Powell. | 0:21:11 | 0:21:13 | |
LAUGHTER | 0:21:13 | 0:21:14 | |
And now, he's fighting with Kitchener. | 0:21:14 | 0:21:16 | |
That's the trouble with the whole family, | 0:21:16 | 0:21:18 | |
-they can't get on with anybody. -LAUGHTER | 0:21:18 | 0:21:21 | |
-Watch it... -LAUGHTER | 0:21:21 | 0:21:22 | |
-Whoa, whoa, steady. -LAUGHTER | 0:21:22 | 0:21:24 | |
Whoa, whoa. | 0:21:24 | 0:21:25 | |
No, he's the hero of his regiment. | 0:21:27 | 0:21:29 | |
The 15th Ormskirk Foot and Mouth. That's him. | 0:21:29 | 0:21:32 | |
LAUGHTER | 0:21:32 | 0:21:33 | |
Volunteer submarine reserve parachutist. Now... | 0:21:33 | 0:21:36 | |
And soon he'll be back at the front. | 0:21:36 | 0:21:38 | |
I said, soon you'll be back at the f... | 0:21:38 | 0:21:40 | |
No, no. Soon you'll be back at the...front... | 0:21:40 | 0:21:42 | |
-LAUGHTER -I don't mean that. No. | 0:21:42 | 0:21:44 | |
Not back-to-front, back at the front. | 0:21:44 | 0:21:46 | |
LAUGHTER | 0:21:46 | 0:21:47 | |
He's a bit deaf, you see. Shellshock. | 0:21:47 | 0:21:49 | |
Only with him, it's egg-shellshock. | 0:21:49 | 0:21:51 | |
LAUGHTER | 0:21:51 | 0:21:52 | |
And he's going back to the front to be a hero. | 0:21:52 | 0:21:54 | |
Have we got any rousing send-off music, Mr Herbert, please? | 0:21:54 | 0:21:57 | |
Let's try some. | 0:21:57 | 0:21:58 | |
TUNE: Goodbye Dolly Gray by Will D Cobb Paul Barnes | 0:21:58 | 0:21:59 | |
# Goodbye, Oswald | 0:21:59 | 0:22:01 | |
# You must leave us | 0:22:01 | 0:22:03 | |
# Though it breaks your heart to go... # | 0:22:03 | 0:22:06 | |
No, no, no. | 0:22:06 | 0:22:08 | |
Go, no? Not yet! | 0:22:08 | 0:22:09 | |
Not yet. Steady. | 0:22:09 | 0:22:10 | |
-LAUGHTER -Not yet. | 0:22:10 | 0:22:13 | |
Get back! | 0:22:13 | 0:22:14 | |
I'm sorry. | 0:22:14 | 0:22:16 | |
Do continue. | 0:22:16 | 0:22:17 | |
MUSIC STARTS | 0:22:17 | 0:22:18 | |
SCATTERED LAUGHTER | 0:22:21 | 0:22:23 | |
# Something tells me I am needed | 0:22:23 | 0:22:27 | |
# At the front to fight the... # | 0:22:27 | 0:22:29 | |
Oh! Oh! | 0:22:29 | 0:22:31 | |
-MUSIC STOPS -Oh! Oh! Not so fast! | 0:22:31 | 0:22:33 | |
Whoa, whoa. | 0:22:33 | 0:22:34 | |
-SCATTERED LAUGHTER -Sorry. | 0:22:34 | 0:22:37 | |
MUSIC STARTS | 0:22:37 | 0:22:38 | |
LAUGHTER | 0:22:39 | 0:22:41 | |
# See, the soldier boys are marching | 0:22:43 | 0:22:47 | |
# And I can no longer | 0:22:47 | 0:22:49 | |
# Stay! # | 0:22:49 | 0:22:51 | |
HE JABBERS | 0:22:51 | 0:22:53 | |
# Hark, I hear the bugle call | 0:22:53 | 0:22:56 | |
# Goodbye, Dolly. # | 0:22:58 | 0:23:00 | |
-HE SHOUTS -G...Gray! | 0:23:00 | 0:23:02 | |
INSTRUMENTAL | 0:23:02 | 0:23:05 | |
Hey! | 0:23:07 | 0:23:08 | |
-HE SHOUTS -Whoa! | 0:23:08 | 0:23:10 | |
-HE SHOUTS -Whoa! | 0:23:10 | 0:23:12 | |
Ooh! | 0:23:12 | 0:23:13 | |
Hey! Back up! | 0:23:15 | 0:23:17 | |
Whoa! | 0:23:17 | 0:23:18 | |
Whoa! | 0:23:18 | 0:23:19 | |
AUDIENCE SHOUTS | 0:23:19 | 0:23:21 | |
HE SHOUTS | 0:23:21 | 0:23:24 | |
Hey! Wah! | 0:23:24 | 0:23:25 | |
-Hey! -LAUGHTER | 0:23:25 | 0:23:27 | |
HE SHOUTS | 0:23:27 | 0:23:28 | |
Whoa! | 0:23:28 | 0:23:30 | |
-Get y... -LAUGHTER | 0:23:30 | 0:23:32 | |
Get your head out! | 0:23:32 | 0:23:33 | |
LAUGHTER | 0:23:33 | 0:23:34 | |
Get your... Now look what you've done! | 0:23:36 | 0:23:38 | |
LAUGHTER | 0:23:38 | 0:23:39 | |
You're missing all kinds of things here. There's... | 0:23:39 | 0:23:41 | |
there's ladies and gentlemen dressed up with beautiful dresses and... | 0:23:41 | 0:23:45 | |
there's a lady there with a lovely hat...hat on. | 0:23:45 | 0:23:48 | |
LAUGHTER | 0:23:48 | 0:23:49 | |
From a distance, it looks as if it's got ostrich feathers on it! | 0:23:51 | 0:23:54 | |
LAUGHTER | 0:23:54 | 0:23:56 | |
-AUDIENCE: -Ooh! | 0:23:56 | 0:23:58 | |
APPLAUSE | 0:23:59 | 0:24:01 | |
WOMAN LAUGHS | 0:24:04 | 0:24:05 | |
LAUGHTER | 0:24:07 | 0:24:09 | |
LAUGHTER | 0:24:12 | 0:24:14 | |
LAUGHTER | 0:24:19 | 0:24:21 | |
-ALL: -Ooh! | 0:24:24 | 0:24:26 | |
What are you laughing at? You've got his favourite food on your hat! | 0:24:26 | 0:24:29 | |
LAUGHTER | 0:24:29 | 0:24:30 | |
Ooh, that's got... He's going to do his war dance now. | 0:24:30 | 0:24:32 | |
LIVELY DRUMMING | 0:24:32 | 0:24:35 | |
HE HUMS NONSENSICALLY | 0:24:35 | 0:24:38 | |
HE YELPS, AUDIENCE GASPS | 0:24:39 | 0:24:42 | |
HE SHOUTS, WOMAN YELPS | 0:24:42 | 0:24:44 | |
-HE SHOUTS -Whoa! Whoa! Whoa! | 0:24:44 | 0:24:47 | |
-Whoa! -LAUGHTER | 0:24:47 | 0:24:49 | |
Steady. | 0:24:49 | 0:24:50 | |
Hardly worth the trouble. Now, ladies and gentlemen... | 0:24:50 | 0:24:53 | |
BUGLE PLAYS | 0:24:53 | 0:24:54 | |
What's that? | 0:24:57 | 0:24:58 | |
BUGLE ENDS | 0:24:58 | 0:24:59 | |
LAUGHTER | 0:25:01 | 0:25:02 | |
Do you know what that is? | 0:25:04 | 0:25:06 | |
That's your recall to barracks. | 0:25:06 | 0:25:08 | |
Oswald! You're going to be a hero. | 0:25:08 | 0:25:09 | |
-Come on. Ooh! -LAUGHTER | 0:25:09 | 0:25:11 | |
Get your head out of there. | 0:25:15 | 0:25:16 | |
LAUGHTER | 0:25:16 | 0:25:18 | |
Get your head out. Get it out, get it out. | 0:25:18 | 0:25:20 | |
Steady, steady. | 0:25:20 | 0:25:21 | |
-I do apologise about this. -LAUGHTER | 0:25:21 | 0:25:23 | |
Come on, Oswald. | 0:25:23 | 0:25:25 | |
LAUGHTER | 0:25:25 | 0:25:27 | |
Ah, yes, offer him a grape. See if that'll work. | 0:25:27 | 0:25:29 | |
AUDIENCE GASPS, LAUGHTER | 0:25:29 | 0:25:30 | |
Excuse me. | 0:25:32 | 0:25:33 | |
LAUGHTER | 0:25:33 | 0:25:36 | |
Steady. | 0:25:36 | 0:25:38 | |
LAUGHTER | 0:25:38 | 0:25:39 | |
Have you...? | 0:25:41 | 0:25:42 | |
HE SHOUTS | 0:25:42 | 0:25:45 | |
Have you found his beak yet? | 0:25:45 | 0:25:46 | |
LAUGHTER | 0:25:46 | 0:25:47 | |
You see some funny sights in your job, don't you? | 0:25:53 | 0:25:55 | |
LAUGHTER, BUGLE PLAYS | 0:25:55 | 0:25:58 | |
-That's it! -ALL: -Whey! | 0:25:58 | 0:25:59 | |
It's food! It's the cookhouse for him! | 0:25:59 | 0:26:01 | |
Come on, Oswald. Back to the cookhouse! | 0:26:01 | 0:26:03 | |
MILITARY DRUMMING | 0:26:03 | 0:26:04 | |
-AUDIENCE GASPS, HE SHOUTS -Look out! | 0:26:04 | 0:26:06 | |
HE SHOUTS | 0:26:06 | 0:26:08 | |
Ooh! | 0:26:08 | 0:26:10 | |
Ooh! | 0:26:10 | 0:26:12 | |
BAND PLAYS | 0:26:12 | 0:26:13 | |
# I hear the bugle calling... # | 0:26:13 | 0:26:15 | |
AUDIENCE CLAP ALONG | 0:26:15 | 0:26:17 | |
# Goodbye | 0:26:17 | 0:26:18 | |
# Dolly | 0:26:18 | 0:26:20 | |
# Gray! # | 0:26:20 | 0:26:23 | |
-MUSIC ENDS -Wahey! | 0:26:23 | 0:26:24 | |
-APPLAUSE AND CHEERING -Come on! | 0:26:24 | 0:26:26 | |
MUSIC: Goodbye Dolly Gray by Will D Cobb Paul Barnes | 0:26:26 | 0:26:29 | |
APPLAUSE AND CHEERING | 0:26:29 | 0:26:31 | |
BAND MUSIC ENDS | 0:26:38 | 0:26:40 | |
APPLAUSE | 0:26:40 | 0:26:41 | |
AUDIENCE MURMURS | 0:26:43 | 0:26:44 | |
A relation... | 0:26:45 | 0:26:46 | |
A relation of Leda's swan. | 0:26:46 | 0:26:49 | |
Delicious delineatrix of... | 0:26:49 | 0:26:52 | |
Ooh! | 0:26:52 | 0:26:53 | |
It's the feminine of delineator! | 0:26:53 | 0:26:55 | |
LAUGHTER | 0:26:55 | 0:26:56 | |
..of cautionary ditties. | 0:26:56 | 0:26:59 | |
Engaging in gaminerie, | 0:26:59 | 0:27:01 | |
Miss Sheila White! | 0:27:01 | 0:27:04 | |
APPLAUSE AND CHEERING | 0:27:04 | 0:27:05 | |
MUSIC PLAYS | 0:27:05 | 0:27:06 | |
MUSIC: Heaven Will Protect An Honest Girl by Weston and Lee | 0:27:09 | 0:27:13 | |
IN COCKNEY ACCENT: # On the day I left the village | 0:27:13 | 0:27:15 | |
# My dear Mother whispered, Nell | 0:27:15 | 0:27:18 | |
# Take this piece of bread and dripping and your fare | 0:27:18 | 0:27:21 | |
# And remember when in London | 0:27:21 | 0:27:23 | |
# Though you're just a servant girl | 0:27:23 | 0:27:26 | |
# You're a blonde, the sort that gentlemen ensnare | 0:27:26 | 0:27:31 | |
# When you get to London, Nelly | 0:27:31 | 0:27:33 | |
# And to Waterloo | 0:27:33 | 0:27:34 | |
# There'll be crowds of lords and millionaires | 0:27:35 | 0:27:39 | |
# All waiting there for you | 0:27:39 | 0:27:41 | |
# But | 0:27:43 | 0:27:44 | |
# Heaven will protect an honest girl | 0:27:44 | 0:27:46 | |
# An an-gi-el will guard you, little Nell | 0:27:48 | 0:27:51 | |
# When these rich men tempt you, Nelly | 0:27:52 | 0:27:54 | |
# With their sparkling Moselley | 0:27:54 | 0:27:56 | |
# Say "Nay, nay!" and do be very care-fu-el! | 0:27:56 | 0:28:01 | |
# And if some old rascal roue swell | 0:28:01 | 0:28:04 | |
# Says I'll kiss you, we're alone in this hotel | 0:28:05 | 0:28:08 | |
# Nelly, pray he shall not do it | 0:28:09 | 0:28:12 | |
# And then biff him with the cruet... # DRUM PLAYS | 0:28:12 | 0:28:15 | |
LAUGHTER | 0:28:15 | 0:28:16 | |
# And Heaven will protect an honest girl | 0:28:17 | 0:28:22 | |
# La-da ti-dah, ti-dah, ti-dah | 0:28:22 | 0:28:24 | |
# Di-dah, di-dah, di-dah, di-dah | 0:28:24 | 0:28:25 | |
# Da-di, da-di, da-di | 0:28:25 | 0:28:27 | |
# Da-di, da-di, dah | 0:28:27 | 0:28:29 | |
# Oh-oh! | 0:28:29 | 0:28:31 | |
# Heaven will protect an honest girl | 0:28:32 | 0:28:35 | |
# An an-gi-el will guard you, little Nell | 0:28:37 | 0:28:39 | |
# When a rich men tempts you, Nelly | 0:28:41 | 0:28:43 | |
# With his sparkling Moselley | 0:28:43 | 0:28:45 | |
# Say "Nay, nay" and do be very care-fu-el! | 0:28:45 | 0:28:48 | |
# And if some old bloated blase roue swell | 0:28:50 | 0:28:54 | |
# Says I'll kiss you, we're alone in this hotel | 0:28:54 | 0:28:59 | |
# Nelly, pray he shall not do it | 0:28:59 | 0:29:01 | |
# And then biff him with the cruet... # DRUM PLAYS | 0:29:02 | 0:29:05 | |
LAUGHTER | 0:29:05 | 0:29:06 | |
# And Heaven will protect an honest girl | 0:29:08 | 0:29:10 | |
# La-da ti-dah, ti-dah, ti-dah | 0:29:12 | 0:29:14 | |
# Ti-dah, ti-dah, ti-dah | 0:29:14 | 0:29:16 | |
# Ooh! # | 0:29:16 | 0:29:18 | |
MUSIC ENDS | 0:29:18 | 0:29:20 | |
APPLAUSE AND CHEERING | 0:29:20 | 0:29:21 | |
-AUDIENCE: -Ooh! | 0:29:26 | 0:29:28 | |
Right. | 0:29:28 | 0:29:29 | |
MUSIC HALL MUSIC PLAYS | 0:29:29 | 0:29:31 | |
# Here is a picture | 0:29:34 | 0:29:35 | |
# A man and a girl | 0:29:35 | 0:29:38 | |
# Strolling along in the shade | 0:29:38 | 0:29:42 | |
# He is a marquess The son of an earl | 0:29:42 | 0:29:46 | |
# She is a pure village maid | 0:29:46 | 0:29:50 | |
# He tells her he loves her | 0:29:52 | 0:29:54 | |
# Again and again | 0:29:54 | 0:29:57 | |
# She thinks he is loyal and true | 0:29:57 | 0:30:00 | |
# And then comes the night that he gives her champagne | 0:30:02 | 0:30:08 | |
# And does what he ought not to do... # | 0:30:08 | 0:30:13 | |
LAUGHTER | 0:30:13 | 0:30:15 | |
# Only a glass of champagne Ooh | 0:30:15 | 0:30:20 | |
# But it led a poor girl into sin... # | 0:30:20 | 0:30:24 | |
AUDIENCE JOINS IN SINGING # Only a glass of champagne | 0:30:25 | 0:30:30 | |
# Was the door where the devil crept in | 0:30:30 | 0:30:34 | |
# It's just an old story | 0:30:34 | 0:30:37 | |
# It's always the same | 0:30:37 | 0:30:39 | |
# Just like a poor moth She flew too near the flame | 0:30:39 | 0:30:43 | |
# She opened her wings | 0:30:43 | 0:30:46 | |
# And she lost her good name | 0:30:46 | 0:30:50 | |
# All through a glass of champagne... # | 0:30:50 | 0:30:55 | |
Oh! | 0:30:55 | 0:30:58 | |
A glass of champagne! | 0:30:58 | 0:31:00 | |
# But it led a poor girl into sin | 0:31:00 | 0:31:05 | |
# Only a glass of champagne | 0:31:05 | 0:31:08 | |
# Was the door where the devil crept in | 0:31:08 | 0:31:14 | |
# So all you young maidens | 0:31:14 | 0:31:16 | |
# Take warning from her | 0:31:16 | 0:31:18 | |
# If you're taken out by a lord or a sir | 0:31:18 | 0:31:23 | |
# Be careful you don't let the same thing occur | 0:31:23 | 0:31:29 | |
# All through a glass of champagne. # | 0:31:29 | 0:31:35 | |
CHEERING | 0:31:35 | 0:31:38 | |
BAND PLAYS MUSIC | 0:31:43 | 0:31:45 | |
CHEERING | 0:31:50 | 0:31:53 | |
Sartorially resplendent. | 0:32:04 | 0:32:07 | |
-AUDIENCE: -Ooh! | 0:32:07 | 0:32:09 | |
Vocally velutinous. | 0:32:09 | 0:32:12 | |
-AUDIENCE: -Ooh! | 0:32:12 | 0:32:14 | |
Velvety. | 0:32:14 | 0:32:15 | |
Your own, your very own Mr Frankie Vaughan. | 0:32:15 | 0:32:20 | |
CHEERING AND APPLAUSE | 0:32:20 | 0:32:23 | |
MUSIC: Paradise by Frankie Vaughan | 0:32:26 | 0:32:32 | |
# And then she holds my hand | 0:32:32 | 0:32:39 | |
# La-la-la-la | 0:32:39 | 0:32:42 | |
# La-la-la-la | 0:32:42 | 0:32:46 | |
# And then I understand | 0:32:46 | 0:32:52 | |
# La-la-la-la | 0:32:52 | 0:32:55 | |
# La-la-la-la | 0:32:55 | 0:32:59 | |
# Her eyes afire | 0:32:59 | 0:33:06 | |
# With one desire | 0:33:06 | 0:33:11 | |
# Then a heavenly kiss | 0:33:13 | 0:33:18 | |
# Could I resist? | 0:33:21 | 0:33:27 | |
# And then she dims the light | 0:33:27 | 0:33:34 | |
# La-la-la-la | 0:33:34 | 0:33:37 | |
# La-la-la-la | 0:33:37 | 0:33:41 | |
# And then I hold her tight... # | 0:33:41 | 0:33:46 | |
LAUGHTER | 0:33:46 | 0:33:49 | |
# La-la-la-la | 0:33:49 | 0:33:52 | |
# La-la-la-la | 0:33:52 | 0:33:55 | |
# Each kiss | 0:33:55 | 0:33:59 | |
# The sweet caress | 0:33:59 | 0:34:03 | |
# Will lead the way to happiness... # | 0:34:03 | 0:34:08 | |
MUSIC STOPS Yes. | 0:34:10 | 0:34:13 | |
LAUGHTER Oh, yes. | 0:34:13 | 0:34:15 | |
No? | 0:34:17 | 0:34:19 | |
# She takes me | 0:34:19 | 0:34:21 | |
# To paradise. # | 0:34:23 | 0:34:31 | |
CHEERING | 0:34:50 | 0:34:54 | |
Oh... | 0:34:56 | 0:34:58 | |
It was nothing, really. I just... LAUGHTER | 0:35:00 | 0:35:03 | |
MUSIC: Cecilia, Does Your Mother Know You're Out? | 0:35:03 | 0:35:05 | |
Evening. | 0:35:05 | 0:35:07 | |
# Does your mother know you're out? | 0:35:08 | 0:35:12 | |
# Cecilia | 0:35:12 | 0:35:16 | |
# Two, three, four | 0:35:16 | 0:35:19 | |
# Does she know that I'm about? | 0:35:19 | 0:35:24 | |
# Cecilia | 0:35:24 | 0:35:28 | |
# Two, three, four | 0:35:28 | 0:35:30 | |
# Oh, my | 0:35:30 | 0:35:33 | |
# When I | 0:35:33 | 0:35:35 | |
# Look in your eyes | 0:35:35 | 0:35:39 | |
# Something tells me | 0:35:42 | 0:35:47 | |
# You and I should get together | 0:35:48 | 0:35:53 | |
# How's about a little kiss? | 0:35:53 | 0:35:59 | |
# Cecilia | 0:35:59 | 0:36:03 | |
# Two, three, four | 0:36:03 | 0:36:05 | |
# Just a kiss | 0:36:05 | 0:36:07 | |
# You'll never miss | 0:36:07 | 0:36:10 | |
# Cecilia | 0:36:10 | 0:36:14 | |
# Two, three, four | 0:36:14 | 0:36:17 | |
# Why do we two | 0:36:17 | 0:36:22 | |
# Keep on wasting time? | 0:36:22 | 0:36:26 | |
# Oh, Cecilia | 0:36:28 | 0:36:31 | |
# Say that you'll be mine. # | 0:36:31 | 0:36:34 | |
MUSIC: On Mother Kelly's Doorstep | 0:36:34 | 0:36:36 | |
# On Mother Kelly's doorstep | 0:36:36 | 0:36:40 | |
# Down Paradise Row | 0:36:40 | 0:36:45 | |
# I'd sit along o' Nelly | 0:36:45 | 0:36:49 | |
# She'd sit along o' Joe | 0:36:49 | 0:36:54 | |
# Got a little hole in her frock | 0:36:54 | 0:36:57 | |
# A hole in her shoe | 0:36:57 | 0:36:59 | |
# A hole in her stocking | 0:36:59 | 0:37:01 | |
# Where her toe peeps through | 0:37:01 | 0:37:04 | |
# But Nelly was the smartest down our alley | 0:37:04 | 0:37:11 | |
# On Mother Kelly's doorstep | 0:37:11 | 0:37:15 | |
# I'm wondering now | 0:37:15 | 0:37:20 | |
# If little girl Nelly | 0:37:20 | 0:37:24 | |
# Remembers Joe... # | 0:37:24 | 0:37:26 | |
LAUGHTER | 0:37:26 | 0:37:28 | |
# And does she love me like she used to? | 0:37:28 | 0:37:37 | |
# On Mother Kelly's doorstep | 0:37:37 | 0:37:42 | |
# Down Paradise Row. # | 0:37:42 | 0:37:46 | |
CHEERING | 0:37:46 | 0:37:49 | |
WHISTLING | 0:37:54 | 0:37:56 | |
-Huh? AUDIENCE: -More! | 0:37:59 | 0:38:01 | |
CHEERING | 0:38:01 | 0:38:05 | |
HE COUGHS | 0:38:10 | 0:38:13 | |
LAUGHTER Now... | 0:38:13 | 0:38:15 | |
MUSIC: Give Me The Moonlight, Give Me The Girl | 0:38:15 | 0:38:17 | |
# I never worry if a girl is bashful | 0:38:17 | 0:38:21 | |
# Or if a girl is shy | 0:38:21 | 0:38:24 | |
# I never worry if she has that | 0:38:24 | 0:38:28 | |
# "Don't you dare to kiss me" in her eye... # | 0:38:28 | 0:38:36 | |
LAUGHTER | 0:38:38 | 0:38:40 | |
# I never worry | 0:38:40 | 0:38:43 | |
# When I need some lovin' | 0:38:43 | 0:38:45 | |
# I know just what to try | 0:38:46 | 0:38:49 | |
# You may wonder what I do | 0:38:50 | 0:38:54 | |
# There's nothin' strange about it... # | 0:38:54 | 0:38:57 | |
LAUGHTER | 0:38:57 | 0:38:59 | |
# Here is all I ask | 0:38:59 | 0:39:02 | |
# Of you-ou-ou-ou-ou... # | 0:39:02 | 0:39:05 | |
AUDIENCE HOWLS ALONG | 0:39:05 | 0:39:08 | |
Bernard, hooligans. What's this? | 0:39:08 | 0:39:10 | |
LAUGHTER | 0:39:10 | 0:39:13 | |
# Give me the moonlight | 0:39:13 | 0:39:17 | |
# Give me the girl... # APPLAUSE | 0:39:17 | 0:39:20 | |
# And leave the rest to me | 0:39:20 | 0:39:26 | |
# Give me a shady nook | 0:39:27 | 0:39:31 | |
# By a babbling brook | 0:39:31 | 0:39:35 | |
# Where no-one else can see | 0:39:35 | 0:39:41 | |
# Give me a bench for two | 0:39:41 | 0:39:45 | |
# Where we can bill and coo | 0:39:45 | 0:39:49 | |
# And mine she's gonna be | 0:39:49 | 0:39:56 | |
# If there's anyone in doubt | 0:39:56 | 0:40:00 | |
# And they'd like to try me out | 0:40:00 | 0:40:04 | |
# Give me the moonlight | 0:40:04 | 0:40:07 | |
# Give me the girl | 0:40:07 | 0:40:11 | |
# And leave the rest to me | 0:40:11 | 0:40:18 | |
# Give me the girl | 0:40:22 | 0:40:24 | |
# To me | 0:40:29 | 0:40:32 | |
# Give me a bench for two | 0:40:46 | 0:40:50 | |
# Where we can bill and coo | 0:40:50 | 0:40:54 | |
# And mine she's gonna be | 0:40:54 | 0:41:01 | |
# And leave the rest to me | 0:41:15 | 0:41:20 | |
# Give me a bench for two | 0:41:22 | 0:41:26 | |
# Where we can bill and coo | 0:41:26 | 0:41:29 | |
# And mine she's gonna be | 0:41:30 | 0:41:37 | |
# If there's anyone in doubt | 0:41:37 | 0:41:41 | |
# And they'd like to try me out | 0:41:41 | 0:41:45 | |
# Give me the moonlight | 0:41:45 | 0:41:48 | |
# Give me the girl | 0:41:48 | 0:41:50 | |
# And leave the rest | 0:41:51 | 0:41:56 | |
# To me. # | 0:41:56 | 0:41:58 | |
HE MOUTHS | 0:42:00 | 0:42:03 | |
CHEERING | 0:42:16 | 0:42:19 | |
In total tribute to Miss Marie Lloyd, | 0:42:29 | 0:42:33 | |
once again, The Players Theatre, plus Miss Jan Hunt. | 0:42:33 | 0:42:39 | |
CHEERING AND APPLAUSE | 0:42:39 | 0:42:41 | |
MUSIC: One Of The Ruins That Cromwell Knocked About by Marie Lloyd | 0:42:41 | 0:42:45 | |
# She's a bit of a ruin that Cromwell knocked about a bit | 0:42:45 | 0:42:49 | |
# One that Oliver Cromwell knocked about a bit | 0:42:49 | 0:42:52 | |
# In the gay old days | 0:42:52 | 0:42:54 | |
# There used to be some doings | 0:42:54 | 0:42:56 | |
# No wonder that the poor old Abbey went to ruins | 0:42:56 | 0:42:59 | |
# But those who've studied history sing and shout of it | 0:42:59 | 0:43:03 | |
# And you can bet your life There isn't a doubt of it | 0:43:03 | 0:43:07 | |
# Outside the Oliver Cromwell last Saturday night | 0:43:07 | 0:43:10 | |
# She was one of the ruins that Cromwell knocked about a bit | 0:43:10 | 0:43:13 | |
# Outside the Oliver Crom Last Saturday night | 0:43:13 | 0:43:17 | |
# I was one of the ruins that Cromwell knocked about a bit. # | 0:43:17 | 0:43:21 | |
# Oh, Mr Porter | 0:43:21 | 0:43:23 | |
# What shall I do? | 0:43:23 | 0:43:25 | |
# I wanted to go to Birmingham | 0:43:25 | 0:43:27 | |
# But they've taken me off to Crewe | 0:43:27 | 0:43:29 | |
# Take me back to London | 0:43:29 | 0:43:31 | |
# As quickly as you can | 0:43:31 | 0:43:33 | |
# Oh, Mr Porter What a silly girl I am | 0:43:33 | 0:43:37 | |
# Oh, Mr Porter What a silly girl I am. # | 0:43:37 | 0:43:40 | |
# Well | 0:43:40 | 0:43:42 | |
# I arrived at Euston by the midnight train | 0:43:42 | 0:43:46 | |
# But when I got to the wicket | 0:43:46 | 0:43:49 | |
# There someone wanted to punch my ticket | 0:43:49 | 0:43:51 | |
# The guards and porters came round me by the score | 0:43:51 | 0:43:55 | |
# And I told them all I'd never had my ticket punched before | 0:43:55 | 0:44:00 | |
# She arrived at Euston by the midnight train | 0:44:00 | 0:44:04 | |
# But when she got to the wicket | 0:44:04 | 0:44:06 | |
# There someone wanted to punch her ticket | 0:44:06 | 0:44:08 | |
# The guards and porters came round her by the score | 0:44:08 | 0:44:12 | |
# And she told them all she'd never had her ticket punched before. # | 0:44:12 | 0:44:17 | |
# When I'll | 0:44:17 | 0:44:20 | |
# Take my morning promenade | 0:44:20 | 0:44:24 | |
# Quite a fashion card | 0:44:24 | 0:44:27 | |
# On the promenade | 0:44:27 | 0:44:29 | |
# Oh, I don't mind nice boys staring hard | 0:44:29 | 0:44:34 | |
# If it satisfies their desire | 0:44:34 | 0:44:38 | |
# Do you think my dress is a little bit? | 0:44:38 | 0:44:42 | |
# Just a little bit? | 0:44:42 | 0:44:44 | |
# Well, not too much of it | 0:44:44 | 0:44:47 | |
# Though it shows my shape | 0:44:47 | 0:44:49 | |
# Just a little bit | 0:44:49 | 0:44:52 | |
# That's the little bit the boys admire. # | 0:44:52 | 0:44:56 | |
Oh! | 0:44:56 | 0:44:58 | |
# Well | 0:45:01 | 0:45:03 | |
# Ah, ha-ha-ha-ha | 0:45:03 | 0:45:05 | |
# I always hold in having it if you fancy it | 0:45:05 | 0:45:09 | |
# If you fancy it | 0:45:09 | 0:45:11 | |
# That's understood | 0:45:11 | 0:45:13 | |
# Well, suppose it makes you fat? | 0:45:13 | 0:45:15 | |
# I don't worry over that | 0:45:15 | 0:45:17 | |
# Cos a little of what you fancy does you good | 0:45:17 | 0:45:20 | |
# Oh, sing it again Ooh | 0:45:20 | 0:45:22 | |
# I always hold in having it if you fancy it | 0:45:22 | 0:45:25 | |
# If you fancy it That's understood | 0:45:25 | 0:45:29 | |
# And suppose it makes you fat? | 0:45:29 | 0:45:31 | |
# I don't worry over that | 0:45:31 | 0:45:33 | |
# Cos a little of what you fancy does you good | 0:45:33 | 0:45:36 | |
# Does you good. # | 0:45:36 | 0:45:38 | |
MUSIC: She'd Never Had A Lesson In Her Life | 0:45:38 | 0:45:41 | |
# Mary was fond of music | 0:45:46 | 0:45:48 | |
# Mary Green was very smart | 0:45:48 | 0:45:50 | |
# Every kind of melody | 0:45:50 | 0:45:52 | |
# She used to play by heart | 0:45:52 | 0:45:54 | |
# Even when just a little child | 0:45:54 | 0:45:56 | |
# She never was a dunce | 0:45:56 | 0:45:59 | |
# Sat at her grand piano | 0:45:59 | 0:46:00 | |
# And she played it off at once | 0:46:00 | 0:46:03 | |
# They had a fellow used to call And his name was Mr Gee | 0:46:03 | 0:46:07 | |
# He had a lovely voice | 0:46:07 | 0:46:09 | |
# And he was lovely company | 0:46:09 | 0:46:12 | |
# Whenever he was asked to sing | 0:46:12 | 0:46:14 | |
# He always used to say | 0:46:14 | 0:46:17 | |
# "Delighted, if dear Mary only says that she will play" | 0:46:17 | 0:46:25 | |
# Clever Mary | 0:46:26 | 0:46:29 | |
# Clever Mary Green | 0:46:29 | 0:46:31 | |
# She always was as sharp as any knife | 0:46:31 | 0:46:35 | |
# Now, when she played for Mr Gee | 0:46:35 | 0:46:39 | |
# She could always find HIS key | 0:46:39 | 0:46:43 | |
# Though she'd never had a lesson in her life | 0:46:43 | 0:46:47 | |
# Oh | 0:46:47 | 0:46:48 | |
# Clever Marie | 0:46:48 | 0:46:51 | |
# Clever Marie Lloyd | 0:46:51 | 0:46:53 | |
# She always was as sharp as any knife | 0:46:53 | 0:46:56 | |
# Though not as sharp as my old man | 0:46:56 | 0:47:00 | |
# He's shoving things inside the van | 0:47:00 | 0:47:03 | |
# And he's never had a lesson in his life. # | 0:47:03 | 0:47:07 | |
# Oh, my old man | 0:47:08 | 0:47:10 | |
# Said "Follow the van and don't dilly-dally on the way" | 0:47:10 | 0:47:15 | |
# Off went the van with my home packed in it | 0:47:15 | 0:47:19 | |
# And I followed on with my old cock linnet | 0:47:19 | 0:47:22 | |
# I dillied I dallied | 0:47:22 | 0:47:24 | |
# Dallied and I dillied | 0:47:24 | 0:47:26 | |
# I lost my way and don't know where to roam | 0:47:26 | 0:47:29 | |
# Well, I stopped on the way to have my old half quarten | 0:47:29 | 0:47:33 | |
# Now I can't find my way home | 0:47:33 | 0:47:35 | |
# All together | 0:47:35 | 0:47:36 | |
# My old man said "Follow the van and don't dilly-dally on the way" | 0:47:36 | 0:47:43 | |
# Off went the van with my home packed in it | 0:47:43 | 0:47:47 | |
# I followed on with my old cock linnet | 0:47:47 | 0:47:49 | |
-# I dillied and dallied -Whoo | 0:47:49 | 0:47:52 | |
# Dallied and dillied | 0:47:52 | 0:47:54 | |
# I lost my way and don't know where to roam | 0:47:54 | 0:47:57 | |
# Oh, you can't trust the specials like the old-time coppers | 0:47:57 | 0:48:00 | |
# When you can't find your way home | 0:48:00 | 0:48:04 | |
# Oh, you can't trust the specials | 0:48:04 | 0:48:05 | |
# Like the old-time coppers | 0:48:05 | 0:48:07 | |
# When you can't find your way home. # | 0:48:07 | 0:48:14 | |
CHEERING | 0:48:14 | 0:48:17 | |
Whoo! | 0:48:17 | 0:48:18 | |
WHISTLING AND CHEERING | 0:48:20 | 0:48:23 | |
There's time... | 0:48:31 | 0:48:33 | |
There's just time for... | 0:48:33 | 0:48:35 | |
Mr Frankie Vaughan to lead the company and yourselves | 0:48:35 | 0:48:38 | |
in the last chorus for tonight, Down At The Old Bull And Bush. | 0:48:38 | 0:48:41 | |
Ladies and gentlemen, Mr Frankie Vaughan, the entire company, | 0:48:41 | 0:48:45 | |
Mr Bernard Hermann and the entire, and dedicated orchestra. | 0:48:45 | 0:48:49 | |
CHEERING | 0:48:49 | 0:48:52 | |
And this time, chiefly, yourselves! | 0:48:52 | 0:48:56 | |
# Come, come Come and make eyes at me | 0:49:00 | 0:49:04 | |
# Down at the old Bull and Bush | 0:49:04 | 0:49:06 | |
# Na-na-na-na-na | 0:49:06 | 0:49:08 | |
# Come, come Drink some more wine with me | 0:49:08 | 0:49:11 | |
# Down at the old Bull and Bush | 0:49:11 | 0:49:15 | |
# Hear the little German band | 0:49:15 | 0:49:17 | |
# Na-na-na-na-na-na-na | 0:49:17 | 0:49:19 | |
# Just let me hold your hand dear | 0:49:19 | 0:49:22 | |
# Do, do Come and have a drink or two | 0:49:22 | 0:49:26 | |
# Down at the old Bull and Bush | 0:49:26 | 0:49:29 | |
# Bush, Bush. # | 0:49:29 | 0:49:31 | |
CHEERING AND APPLAUSE | 0:49:31 | 0:49:34 |
