Browse content similar to 19/02/1976. Check below for episodes and series from the same categories and more!
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# Oh! You beautiful doll | 0:00:06 | 0:00:10 | |
# You great big beautiful doll | 0:00:10 | 0:00:14 | |
# Let me put my arms around you | 0:00:14 | 0:00:18 | |
# I could never live without you | 0:00:18 | 0:00:22 | |
# Oh! You beautiful doll | 0:00:22 | 0:00:25 | |
# You great big beautiful doll | 0:00:25 | 0:00:28 | |
# If you ever leave me how my heart would ache | 0:00:28 | 0:00:33 | |
# I want to hug you afraid you'd break | 0:00:33 | 0:00:36 | |
# Oh, oh, oh, oh | 0:00:36 | 0:00:40 | |
# Oh, you beautiful doll. # | 0:00:40 | 0:00:47 | |
APPLAUSE | 0:00:47 | 0:00:49 | |
FANFARE | 0:00:49 | 0:00:52 | |
CROWD CHEERS | 0:00:54 | 0:00:56 | |
-ALL: -Whoo! | 0:01:03 | 0:01:05 | |
Once again, good evening, ladies and gentlemen! | 0:01:05 | 0:01:12 | |
-ALL: -Good evening! -MAN: -..Leonard! | 0:01:12 | 0:01:16 | |
Thank you! LAUGHTER | 0:01:16 | 0:01:18 | |
-Felicitously... -Ohh! | 0:01:18 | 0:01:21 | |
..fanfaronaded by the infallible Mr Bernard Herrmann | 0:01:21 | 0:01:26 | |
and his frenetic affiliates... | 0:01:26 | 0:01:29 | |
Ooh! | 0:01:29 | 0:01:31 | |
..the incomparably protean Players Theatre, | 0:01:31 | 0:01:35 | |
plus none other than Miss Peggy Mount! | 0:01:35 | 0:01:40 | |
APPLAUSE | 0:01:40 | 0:01:42 | |
# We're getting ready for the mother-in-law | 0:01:47 | 0:01:50 | |
# Getting ready for the fray | 0:01:50 | 0:01:52 | |
# When she puts her face inside this place | 0:01:52 | 0:01:54 | |
# Well, fine if the old girl means to stay | 0:01:54 | 0:01:56 | |
# There's a little back room on the third top floor | 0:01:56 | 0:01:58 | |
# Where the beetles up the wall do climb | 0:01:58 | 0:02:01 | |
# Oh! Mother, mother, mother mother, mother, mother | 0:02:01 | 0:02:03 | |
# You'll have a lively time | 0:02:03 | 0:02:05 | |
# Oh! Mother, mother, mother mother, mother, mother | 0:02:05 | 0:02:07 | |
# You'll have a lively time... # | 0:02:07 | 0:02:09 | |
# For she's a bit of a ruin that Cromwell knocked about a bit | 0:02:09 | 0:02:15 | |
# One that Oliver Cromwell knocked about a bit | 0:02:15 | 0:02:18 | |
# In the gay old days there used to be some doings | 0:02:18 | 0:02:22 | |
# No wonder that the poor old Abbey went to ruins | 0:02:22 | 0:02:26 | |
# Those who've studied history sing and shout of it | 0:02:26 | 0:02:30 | |
# You can bet your life there isn't a doubt of it | 0:02:30 | 0:02:33 | |
# Outside the Oliver Cromwell last Saturday night | 0:02:33 | 0:02:36 | |
# She was one of the ruins that Cromwell knocked about a bit. # | 0:02:36 | 0:02:40 | |
What do you mean I'm one of the ruins that Cromwell knocked...? | 0:02:40 | 0:02:44 | |
-I'll give you ruin! -APPLAUSE | 0:02:44 | 0:02:47 | |
Ruin(!) | 0:02:47 | 0:02:48 | |
I'm no ruin! | 0:02:49 | 0:02:52 | |
I'm a very respectable woman, that's what I am. | 0:02:52 | 0:02:56 | |
AUDIENCE JEERS | 0:02:56 | 0:02:58 | |
# I'm a poor daily help | 0:02:58 | 0:02:59 | |
# And I'm happy to say | 0:02:59 | 0:03:02 | |
# I goes out a-charring at five bob a day | 0:03:02 | 0:03:05 | |
# I muck out your house or your self-contained flat | 0:03:05 | 0:03:09 | |
# I'm a very good char known as Penelope Platt | 0:03:09 | 0:03:14 | |
# I'm Penelope | 0:03:14 | 0:03:19 | |
# Five bob a day and me meals is the price | 0:03:21 | 0:03:24 | |
# Though sometimes it's cheese and a lump of cold rice | 0:03:24 | 0:03:28 | |
# Fair cruel it is but you can't make a fuss | 0:03:28 | 0:03:33 | |
# Where on earth would folk be if it wasn't for us? | 0:03:33 | 0:03:38 | |
-# I'm Penelope -She's Penelope | 0:03:38 | 0:03:42 | |
# I gets out me bucket me mop and me broom | 0:03:44 | 0:03:47 | |
# And in less than a flash I've mucked out your room | 0:03:47 | 0:03:51 | |
# If I'm in a rush it goes under the mat | 0:03:51 | 0:03:55 | |
# I'm a very good char I'm Penelope Platt | 0:03:55 | 0:03:59 | |
-# I'm Penelope -She's Penelope | 0:03:59 | 0:04:04 | |
# When I've finished me work and I've rested me feet | 0:04:06 | 0:04:09 | |
# I hangs up me apron and nips down the street | 0:04:09 | 0:04:13 | |
# And there in the local each night you will see | 0:04:13 | 0:04:17 | |
# I drinks with me mates who goes charring with me | 0:04:17 | 0:04:22 | |
# We're Penelope. # | 0:04:22 | 0:04:26 | |
Who? | 0:04:26 | 0:04:27 | |
Penelope! | 0:04:27 | 0:04:29 | |
There you are, you see, mate? | 0:04:29 | 0:04:30 | |
If you're ever round our way, just drop in. | 0:04:30 | 0:04:33 | |
It would be lovely to see you. | 0:04:33 | 0:04:36 | |
Just... | 0:04:36 | 0:04:37 | |
# Call round any old time | 0:04:37 | 0:04:42 | |
# And make yourself at home | 0:04:42 | 0:04:46 | |
# Put your feet on the mantelshelf | 0:04:46 | 0:04:51 | |
# Open the cupboard and help yourself | 0:04:51 | 0:04:55 | |
# I don't care if your friends have left you all alone | 0:04:55 | 0:05:03 | |
# Rich or poor, knock at the door | 0:05:03 | 0:05:08 | |
# And make yourself at home. # | 0:05:08 | 0:05:17 | |
CROWD CHEERS | 0:05:17 | 0:05:20 | |
I...I promise you, | 0:05:30 | 0:05:32 | |
you will have Miss Peggy Mount once again later on in the programme. | 0:05:32 | 0:05:37 | |
But now - continentally contributory to culture, | 0:05:37 | 0:05:42 | |
for you cognoscenti... | 0:05:42 | 0:05:45 | |
-AUDIENCE: -Ooh! | 0:05:45 | 0:05:47 | |
For your ecstatic cooperation, | 0:05:49 | 0:05:53 | |
we give you...prima ballerina a saluta Chantal! | 0:05:53 | 0:05:59 | |
Partnered tonight, for the very first time, | 0:05:59 | 0:06:02 | |
by Dumont! | 0:06:02 | 0:06:04 | |
APPLAUSE | 0:06:04 | 0:06:06 | |
MUSIC: Theme from Swan Lake | 0:06:08 | 0:06:11 | |
LAUGHTER | 0:07:05 | 0:07:07 | |
APPLAUSE | 0:09:03 | 0:09:05 | |
APPLAUSE | 0:10:37 | 0:10:39 | |
APPLAUSE | 0:11:27 | 0:11:29 | |
APPLAUSE | 0:11:55 | 0:11:57 | |
Our cornucopic... | 0:12:14 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:18 | |
I must apologise for that series of accidents. | 0:12:18 | 0:12:20 | |
LAUGHTER Our cornucopic charivaria | 0:12:20 | 0:12:24 | |
convokes a compulsively cosmopolitan characterisation | 0:12:24 | 0:12:31 | |
from that sauciest of soubrettes, Miss Jeannie Harris! | 0:12:31 | 0:12:37 | |
APPLAUSE | 0:12:37 | 0:12:38 | |
MUSIC: Has Anyone Seen A German Band? | 0:12:40 | 0:12:43 | |
# Once a little German girl lonely and sad | 0:13:01 | 0:13:07 | |
# Came to merry England from her Fatherland | 0:13:07 | 0:13:14 | |
# Looking for her sweetheart whose front name was Fritz | 0:13:14 | 0:13:19 | |
# And he played the trombone in some German band | 0:13:19 | 0:13:27 | |
# She searched round the city by night and by day | 0:13:27 | 0:13:34 | |
# And asked everyone on the way | 0:13:34 | 0:13:43 | |
# "Has anyone seen a German Band? | 0:13:43 | 0:13:51 | |
# "German Band, German Band | 0:13:51 | 0:13:55 | |
# "I've been looking about all upon my own | 0:13:55 | 0:14:05 | |
# "I've searched every street both near und far | 0:14:05 | 0:14:11 | |
# "Near und far, ja, ja, ja | 0:14:11 | 0:14:16 | |
# I want my Fritz Vot plays twiddly bits | 0:14:16 | 0:14:20 | |
# "On his big trombone | 0:14:20 | 0:14:26 | |
# "Fritz was very fond of me" Katrina said | 0:14:35 | 0:14:41 | |
# "When he was in Germany over der sea | 0:14:41 | 0:14:47 | |
# "Und he would come round to mine own Vater's house | 0:14:47 | 0:14:52 | |
# "He'd make love and eat all our Limburger cheese | 0:14:52 | 0:14:59 | |
# "He'd serenade me | 0:14:59 | 0:15:03 | |
# Mit Der Watch On Der Rhine | 0:15:03 | 0:15:07 | |
# "Und I thought his... trombone divine | 0:15:07 | 0:15:17 | |
# Has anyone seen a German Band? | 0:15:17 | 0:15:24 | |
# German Band, German Band... # | 0:15:24 | 0:15:28 | |
Stop der music! | 0:15:28 | 0:15:30 | |
Stop the music. | 0:15:32 | 0:15:34 | |
-Vot is your name? -Herrmann. | 0:15:34 | 0:15:36 | |
-Herrmann! -Ja. | 0:15:36 | 0:15:38 | |
-Ahh! Is a good name, ja? -Ja. | 0:15:38 | 0:15:42 | |
Und you? | 0:15:43 | 0:15:44 | |
Sachs. | 0:15:44 | 0:15:47 | |
LAUGHTER | 0:15:47 | 0:15:49 | |
Mr Sachs, you vill help me down the steps, please, | 0:15:49 | 0:15:52 | |
-I have difficulties mit der feet. -I see. -Ja? | 0:15:52 | 0:15:55 | |
Danke schon. You can sit down now. Danke schon. | 0:15:59 | 0:16:02 | |
You vill all sink mit me. Ja? | 0:16:04 | 0:16:08 | |
-ALL: -Ja! | 0:16:08 | 0:16:10 | |
Ve have vays of making... | 0:16:10 | 0:16:12 | |
LAUGHTER | 0:16:12 | 0:16:14 | |
..vays of making you sink, ja? | 0:16:14 | 0:16:17 | |
Und not only vill you sink... | 0:16:18 | 0:16:22 | |
LAUGHTER | 0:16:22 | 0:16:23 | |
..but you vill svay. | 0:16:23 | 0:16:26 | |
You vill svay to the right... | 0:16:26 | 0:16:28 | |
To your right - everybody svay to the right. | 0:16:28 | 0:16:32 | |
And everybody svay to the left. | 0:16:32 | 0:16:35 | |
Und right... | 0:16:35 | 0:16:38 | |
Und left... | 0:16:38 | 0:16:39 | |
Und right... | 0:16:39 | 0:16:41 | |
Und left... | 0:16:41 | 0:16:43 | |
Keep svaying! | 0:16:43 | 0:16:45 | |
And vhile you are svaying, you vill sing! | 0:16:45 | 0:16:49 | |
Very loudly! | 0:16:49 | 0:16:51 | |
You vill, as you Englanders say, | 0:16:51 | 0:16:54 | |
"Give it vot you got." | 0:16:54 | 0:16:56 | |
LAUGHTER | 0:16:56 | 0:16:58 | |
And I 'ope you got a lot. | 0:16:58 | 0:17:00 | |
Ein, zwei, drei... | 0:17:01 | 0:17:04 | |
# Has anyone seen a German Band? | 0:17:04 | 0:17:10 | |
# German Band, German Band | 0:17:10 | 0:17:15 | |
# I've been looking about all upon my own | 0:17:15 | 0:17:23 | |
# I've searched every street both near und far | 0:17:23 | 0:17:28 | |
# Near und far, ja, ja, ja | 0:17:28 | 0:17:33 | |
# I vant my Fritz vot plays twiddly bits | 0:17:33 | 0:17:37 | |
# On his big trombone. # | 0:17:37 | 0:17:43 | |
-APPLAUSE -Ein more time! Ja! | 0:17:43 | 0:17:48 | |
# Has anyone seen a German Band? | 0:17:48 | 0:17:53 | |
# German Band, German Band | 0:17:53 | 0:17:58 | |
# I've been looking about all upon my own | 0:17:58 | 0:18:07 | |
# I've searched every street both near und far | 0:18:07 | 0:18:12 | |
# Near und far, ja, ja, ja | 0:18:12 | 0:18:17 | |
# I vant my Fritz vot plays twiddly bits | 0:18:17 | 0:18:21 | |
# On his big trombone. # | 0:18:21 | 0:18:27 | |
APPLAUSE | 0:18:27 | 0:18:29 | |
Illustrious in legerdemain... | 0:18:44 | 0:18:48 | |
-AUDIENCE: -Ooh! | 0:18:48 | 0:18:49 | |
-Nonpareil in necromancy... -Ooh! | 0:18:49 | 0:18:53 | |
-Omnipotent in prestidigitatory... -Ooh! | 0:18:53 | 0:18:58 | |
..prowess. | 0:18:58 | 0:19:00 | |
Conjuring. | 0:19:02 | 0:19:04 | |
For your amazement, Mr Larry Parker! | 0:19:04 | 0:19:08 | |
APPLAUSE | 0:19:08 | 0:19:11 | |
WHISTLE BLOWS | 0:19:24 | 0:19:27 | |
Hey! | 0:19:28 | 0:19:30 | |
Hup! | 0:19:30 | 0:19:31 | |
Ah... | 0:19:33 | 0:19:34 | |
Ooh... | 0:19:36 | 0:19:38 | |
STICK CLATTERS | 0:19:39 | 0:19:41 | |
For... | 0:19:45 | 0:19:46 | |
Ah! | 0:19:47 | 0:19:49 | |
LAUGHTER | 0:20:05 | 0:20:06 | |
HE MUMBLES | 0:20:09 | 0:20:11 | |
LAUGHTER | 0:20:18 | 0:20:20 | |
Oh, well... | 0:20:41 | 0:20:42 | |
LAUGHTER | 0:20:59 | 0:21:01 | |
Hey! | 0:21:02 | 0:21:03 | |
Hey! | 0:21:40 | 0:21:41 | |
What do you know? | 0:21:49 | 0:21:51 | |
Ah! | 0:21:51 | 0:21:53 | |
Hey! | 0:21:58 | 0:21:59 | |
Oi! | 0:22:03 | 0:22:04 | |
Now, for the - for the next part of the... | 0:22:10 | 0:22:13 | |
-LAUGHTER -..of... | 0:22:13 | 0:22:15 | |
Hey... | 0:22:15 | 0:22:17 | |
Now, for the next part of the... | 0:22:17 | 0:22:19 | |
For the next part of the show... | 0:22:23 | 0:22:26 | |
And of... Oi! | 0:22:26 | 0:22:28 | |
And for the...for the... | 0:22:30 | 0:22:32 | |
for, er... | 0:22:32 | 0:22:33 | |
Hey! | 0:22:35 | 0:22:36 | |
And the eyeballs, completely... | 0:22:36 | 0:22:38 | |
Nothing at all on the... | 0:22:38 | 0:22:39 | |
HE WHISTLES | 0:22:42 | 0:22:44 | |
Hey! | 0:22:48 | 0:22:49 | |
Hup! | 0:22:49 | 0:22:51 | |
Now, for, er... | 0:22:53 | 0:22:55 | |
MUSIC: Anything Goes | 0:22:55 | 0:22:58 | |
Take this trick. | 0:23:08 | 0:23:10 | |
MUSIC DROWNS SPEECH | 0:23:10 | 0:23:12 | |
..disbelief on the... | 0:23:12 | 0:23:14 | |
On the... On the... | 0:23:14 | 0:23:16 | |
Hup! | 0:23:16 | 0:23:17 | |
LAUGHTER | 0:23:38 | 0:23:41 | |
Now, for the next part... | 0:24:19 | 0:24:22 | |
Tearing once... | 0:24:23 | 0:24:25 | |
twos... | 0:24:25 | 0:24:27 | |
threes... | 0:24:27 | 0:24:28 | |
Goes in tiny pieces, goes in tiny pieces. | 0:24:28 | 0:24:30 | |
Now... | 0:24:30 | 0:24:32 | |
SPEECH MUFFLED | 0:24:32 | 0:24:35 | |
Now... | 0:24:39 | 0:24:41 | |
HE CHUCKLES | 0:24:42 | 0:24:44 | |
HE CHUCKLES | 0:24:47 | 0:24:49 | |
Placing the pieces in the bag. | 0:24:59 | 0:25:01 | |
In the bag, sir! From the... From the... | 0:25:01 | 0:25:04 | |
From the handkerchief to the corner. | 0:25:04 | 0:25:06 | |
Hey! | 0:25:11 | 0:25:13 | |
Hup! | 0:25:13 | 0:25:14 | |
Redeeming a pledge, it is my proud privilege to present again | 0:25:38 | 0:25:44 | |
that paramount paragon of amplitudinous plenitude... | 0:25:44 | 0:25:49 | |
-AUDIENCE: -Ooh! | 0:25:49 | 0:25:50 | |
..Miss Peggy Mount! | 0:25:50 | 0:25:53 | |
APPLAUSE | 0:25:53 | 0:25:55 | |
# I met a tramp all alone in his camp | 0:26:06 | 0:26:10 | |
# Laughing gaily and singing a song | 0:26:10 | 0:26:14 | |
# This hobo man drank his tea from a can | 0:26:14 | 0:26:19 | |
# And I hailed him as I passed along | 0:26:19 | 0:26:23 | |
# I said, "You're down and out | 0:26:23 | 0:26:26 | |
# "But you seem happy | 0:26:26 | 0:26:28 | |
# "What is your secret? Tell me, friend" | 0:26:28 | 0:26:32 | |
# "Secret?" said he "By, gee, that's just philosophy | 0:26:32 | 0:26:37 | |
# "Here's the beginning and the end | 0:26:37 | 0:26:42 | |
# "Oh, the... | 0:26:42 | 0:26:44 | |
# "World's all right It's the people living in it | 0:26:44 | 0:26:49 | |
# "Make it seem all wrong seem all wrong | 0:26:49 | 0:26:54 | |
# "If there's strife or any trouble in it | 0:26:54 | 0:26:58 | |
# "You can bet your life it's the people who begin it | 0:26:58 | 0:27:02 | |
# "So I tramp my way and I'm happy every minute | 0:27:02 | 0:27:07 | |
# "And I sing my little song | 0:27:07 | 0:27:10 | |
# "Oh, the world's all right | 0:27:10 | 0:27:12 | |
# "It's the people living in it | 0:27:12 | 0:27:15 | |
# "Make it seem all wrong | 0:27:15 | 0:27:19 | |
# "Far from the crowd," he said | 0:27:23 | 0:27:26 | |
# "I sing aloud | 0:27:26 | 0:27:27 | |
# "And the song seems to flow from my heart | 0:27:27 | 0:27:31 | |
# "Maybe the birds haven't quite got the words | 0:27:31 | 0:27:36 | |
# "But they're in with the tune from the start | 0:27:36 | 0:27:40 | |
# "I never get the blues 'cept when I'm dreaming | 0:27:41 | 0:27:45 | |
# "Dreaming I feel my mother's kiss | 0:27:45 | 0:27:50 | |
# "In dreams back home I stray but when I wake I say | 0:27:50 | 0:27:55 | |
# " 'Don't want the old life give me this!' | 0:27:55 | 0:27:59 | |
# "Oh, the... | 0:28:00 | 0:28:03 | |
# "World's all right It's the people living in it | 0:28:03 | 0:28:07 | |
# "Make it seem all wrong seem all wrong | 0:28:07 | 0:28:11 | |
# "If there's strife or any trouble in it | 0:28:11 | 0:28:16 | |
# "You can bet your life it's the people who begin it | 0:28:16 | 0:28:19 | |
# "So I tramp my way and I'm happy every minute | 0:28:19 | 0:28:24 | |
# "And I sing my little song | 0:28:24 | 0:28:28 | |
# "Oh, the world's all right | 0:28:28 | 0:28:31 | |
# "It's the people living in it | 0:28:31 | 0:28:34 | |
# "Make it seem all wrong | 0:28:34 | 0:28:37 | |
# "So I tramp my way and I'm happy every minute | 0:28:37 | 0:28:42 | |
# "And I sing my little song | 0:28:42 | 0:28:45 | |
# "Oh, the world's all right | 0:28:45 | 0:28:48 | |
# "It's the people living in it | 0:28:48 | 0:28:51 | |
# "Make it seem all wrong." # | 0:28:51 | 0:28:55 | |
APPLAUSE | 0:28:55 | 0:28:57 | |
-For your enthusiastic enthrallment... AUDIENCE: -Ooh! | 0:29:09 | 0:29:14 | |
-..a thaumaturlogically... -Ooh! | 0:29:14 | 0:29:17 | |
..unorthodox exhibition of Jan Madd's magic! | 0:29:17 | 0:29:25 | |
APPLAUSE | 0:29:25 | 0:29:27 | |
APPLAUSE | 0:33:09 | 0:33:11 | |
-The ludicrously... AUDIENCE: -Ooh! | 0:33:30 | 0:33:35 | |
..loquacious lugubriousness of the one and only Mr Les Dawson! | 0:33:35 | 0:33:42 | |
CHEERING AND APPLAUSE | 0:33:42 | 0:33:44 | |
ALL CLAP IN TIME | 0:33:48 | 0:33:50 | |
Thank you for that well-rehearsed smatter of applause. | 0:34:02 | 0:34:04 | |
And yet I will endure this, because, let's face it, | 0:34:07 | 0:34:11 | |
as you all know, this great nation of ours, at present, | 0:34:11 | 0:34:13 | |
is going through a very severe economic depression. | 0:34:13 | 0:34:16 | |
Not that depression bothers me, | 0:34:16 | 0:34:17 | |
because I was a failure during the boom. | 0:34:17 | 0:34:20 | |
This suit bears mute testament to that fact - look at it. | 0:34:25 | 0:34:28 | |
Oh, I know it's seen better days. | 0:34:28 | 0:34:30 | |
God knows how old it is, | 0:34:30 | 0:34:31 | |
but every time a band plays The Lancers, | 0:34:31 | 0:34:33 | |
me trousers break into a gallop. | 0:34:33 | 0:34:35 | |
I wanted so desperately to get some new fustian for tonight. | 0:34:41 | 0:34:46 | |
I went to a tailor in Leeds for a suit - | 0:34:46 | 0:34:48 | |
I couldn't believe the prices. I said, "What can I have for £15?" | 0:34:48 | 0:34:51 | |
He gave me some wool and a loom. | 0:34:51 | 0:34:52 | |
In the name of piety, why do I kid myself? | 0:35:00 | 0:35:03 | |
It's not been a good year. I'm not looking for sympathy, | 0:35:03 | 0:35:05 | |
but last year, I lost over 15 first-class engagements | 0:35:05 | 0:35:08 | |
through repeated illness. | 0:35:08 | 0:35:10 | |
They all got sick of me. | 0:35:10 | 0:35:12 | |
I don't mind telling you that I'm so far behind on the rent, | 0:35:18 | 0:35:21 | |
the town hall's holding the wife as hostage. | 0:35:21 | 0:35:23 | |
And that was a blow. My wife, she had to give her job up. | 0:35:27 | 0:35:29 | |
It was a damn good job - it wasn't her fault. | 0:35:29 | 0:35:31 | |
She got rheumatism in her shoulder, | 0:35:31 | 0:35:33 | |
and she couldn't throw the harpoon properly. | 0:35:33 | 0:35:35 | |
It's an amazing thing that | 0:35:37 | 0:35:39 | |
when you first meet the woman who will be your life partner, | 0:35:39 | 0:35:42 | |
romance comes into people's lives in different guises. | 0:35:42 | 0:35:45 | |
In some cases, it's a drift of perfume on a Georgian staircase... | 0:35:45 | 0:35:49 | |
it can be a snatch of song on a Neapolitan balcony... | 0:35:49 | 0:35:52 | |
WOMAN TITTERS | 0:35:52 | 0:35:54 | |
LAUGHTER | 0:35:54 | 0:35:55 | |
..the caress of hands in the scented bower. | 0:35:55 | 0:35:59 | |
True love came to me | 0:35:59 | 0:36:00 | |
the night I saw the wife suck a hot chip with her teeth out. | 0:36:00 | 0:36:03 | |
Well, that night, when romance came into my life, | 0:36:14 | 0:36:17 | |
I knew, as we sat opposite the table with a candle between us, | 0:36:17 | 0:36:22 | |
that she was emotionally moved, and I told her I loved her. | 0:36:22 | 0:36:26 | |
I bent across the table over the candle to kiss her lips | 0:36:26 | 0:36:30 | |
and she snatched her head away angrily, | 0:36:30 | 0:36:33 | |
and I fell heavily on the candle. | 0:36:33 | 0:36:36 | |
It took the head waiter 15 minutes to get the wick from up me nose. | 0:36:36 | 0:36:40 | |
And then we had our first engagement - | 0:36:47 | 0:36:49 | |
that first magical moment | 0:36:49 | 0:36:50 | |
when two souls come together on the sea of life. | 0:36:50 | 0:36:54 | |
We sat on the omnibus holding hands | 0:36:54 | 0:36:56 | |
which took some doing - I was upstairs, she was down. | 0:36:56 | 0:36:59 | |
Because... | 0:37:03 | 0:37:05 | |
Because of her passion for food, | 0:37:05 | 0:37:07 | |
I took her to a very well-known French restaurant in Huddersfield. | 0:37:07 | 0:37:11 | |
It was called the Chez By Gum. | 0:37:11 | 0:37:13 | |
HE CHUCKLES | 0:37:15 | 0:37:17 | |
LAUGHTER | 0:37:23 | 0:37:25 | |
And yet I've been married for 15 years, and believe me, | 0:37:30 | 0:37:33 | |
it just seems like yesterday. | 0:37:33 | 0:37:36 | |
If it was tomorrow, I'd cancel the bloody thing. | 0:37:36 | 0:37:39 | |
It... | 0:37:42 | 0:37:44 | |
I can see it now - the rays of the hot August sun | 0:37:47 | 0:37:50 | |
were filtering through the stained glass windows | 0:37:50 | 0:37:52 | |
of the medieval chapel, | 0:37:52 | 0:37:54 | |
highlighting the mellow antiquity of the Saxon altar | 0:37:54 | 0:37:57 | |
and glinting on her father's rifle. | 0:37:57 | 0:37:59 | |
The organist was playing O Perfect Love, | 0:38:03 | 0:38:06 | |
until he saw the wife's family canter down the aisle, | 0:38:06 | 0:38:10 | |
then he stopped and broke into the March Of The Gladiators. | 0:38:10 | 0:38:13 | |
The wife's mother was crying her eyes out on the front pew. | 0:38:19 | 0:38:21 | |
But that was because she had her hand trapped in the collection box. | 0:38:21 | 0:38:24 | |
The wife and I stood at the altar. | 0:38:32 | 0:38:33 | |
The vicar at the size of the wife, he looked at me, he said, | 0:38:33 | 0:38:36 | |
"Do you take this woman, or will you have her delivered?" | 0:38:36 | 0:38:38 | |
Now, don't get me wrong, I'm not saying she's fat, | 0:38:42 | 0:38:44 | |
but when she stood in the garden the other week in her vest... | 0:38:44 | 0:38:47 | |
..she... | 0:38:49 | 0:38:51 | |
It looked like a canvas-topped abattoir. | 0:38:51 | 0:38:53 | |
She hasn't got elastic in her drawers - | 0:38:56 | 0:38:58 | |
it's a curtain rail. | 0:38:58 | 0:38:59 | |
And to add to my bowl of happiness, | 0:39:05 | 0:39:07 | |
the wife's mother has just come to live with us. | 0:39:07 | 0:39:10 | |
LAUGHTER | 0:39:13 | 0:39:14 | |
As soon as I heard the knock on the door, | 0:39:17 | 0:39:19 | |
I knew it was her mother, | 0:39:19 | 0:39:20 | |
because next door's savage Alsatian was whimpering. | 0:39:20 | 0:39:23 | |
My wife said, "Will you put the gas fire in me mother's room?" | 0:39:28 | 0:39:31 | |
Said, "Yes, but I haven't lit it." | 0:39:31 | 0:39:33 | |
Tonight, in a more light-hearted vein, | 0:39:36 | 0:39:38 | |
in response to several fan letters | 0:39:38 | 0:39:39 | |
that arrived through the window round a brick, | 0:39:39 | 0:39:41 | |
I should like to play the piano for you. | 0:39:41 | 0:39:44 | |
Now, I thought, just to get away from the usual theatrical dross, | 0:39:44 | 0:39:48 | |
these drapes of illusion, | 0:39:48 | 0:39:50 | |
to all sing together the songs that we all love - | 0:39:50 | 0:39:55 | |
to be ourselves, to get back to the grassroots. | 0:39:55 | 0:39:58 | |
Will you join me on some songs? | 0:39:58 | 0:40:00 | |
-ALL: -Yes! | 0:40:00 | 0:40:02 | |
We shall start off on the pianoforte in these oral coro d'antics... | 0:40:02 | 0:40:06 | |
Ooh! | 0:40:06 | 0:40:08 | |
..with My Old Man Said Follow The Band. | 0:40:08 | 0:40:11 | |
You will note that when I play the piano, it has often been said | 0:40:11 | 0:40:14 | |
there's one difference between myself and Chopin. | 0:40:14 | 0:40:16 | |
He's been dead longer than I have. | 0:40:20 | 0:40:22 | |
Thank you. Are you ready, young man? | 0:40:24 | 0:40:27 | |
Try and keep up if you can. | 0:40:27 | 0:40:29 | |
My Old Man Said Follow The Band. | 0:40:36 | 0:40:38 | |
Now, come on, let's hear you, now. | 0:40:39 | 0:40:41 | |
Let's raise the roof. | 0:40:41 | 0:40:43 | |
It won't take much doing - the guttering's on the inside. | 0:40:43 | 0:40:45 | |
Are you ready? | 0:40:45 | 0:40:47 | |
HE PLAYS DISCORDANTLY | 0:40:47 | 0:40:51 | |
LAUGHTER | 0:40:51 | 0:40:53 | |
We can't all be professionals! | 0:40:57 | 0:40:58 | |
We'll try this one - Lily Of Laguna. | 0:41:00 | 0:41:02 | |
PLAYING FALLS OUT OF TUNE | 0:41:07 | 0:41:09 | |
It just glows, doesn't it? | 0:41:20 | 0:41:23 | |
HE RESUMES | 0:41:23 | 0:41:25 | |
ALL: # I know she likes me, I know she likes me | 0:41:25 | 0:41:29 | |
# Because she says so... # | 0:41:29 | 0:41:31 | |
I wish I was out there listening to this. | 0:41:31 | 0:41:33 | |
# Lily of Laguna | 0:41:33 | 0:41:37 | |
# She is my Lily and my Rose. # | 0:41:37 | 0:41:41 | |
Often, when faced with genius, there is a shyness. | 0:41:43 | 0:41:46 | |
Perhaps tonight might be as good a time as any | 0:41:47 | 0:41:49 | |
to introduce to you the works of a very...unfortunately - | 0:41:49 | 0:41:54 | |
how can I put it? - forgotten Yorkshire composer. | 0:41:54 | 0:41:57 | |
His name was Seth Bottlegreen. | 0:41:57 | 0:41:59 | |
The first man to discover | 0:42:01 | 0:42:02 | |
that people who ate prunes were never late for work. | 0:42:02 | 0:42:05 | |
Most of his music was very moving, | 0:42:13 | 0:42:15 | |
but this one in particular, I feel... | 0:42:15 | 0:42:17 | |
LAUGHTER | 0:42:17 | 0:42:18 | |
HE PLAYS LIVELY PIECE | 0:42:21 | 0:42:23 | |
Tricky, isn't it? | 0:42:27 | 0:42:29 | |
That's three fingers. | 0:42:29 | 0:42:31 | |
On the same hand. | 0:42:31 | 0:42:32 | |
# My Auntie Fanny by mistake | 0:42:34 | 0:42:36 | |
# Put senna pods in the currant cake | 0:42:36 | 0:42:38 | |
# And the only advice that we could give | 0:42:40 | 0:42:42 | |
# Was, "Skip to the loo my darling." # | 0:42:42 | 0:42:44 | |
APPLAUSE | 0:42:46 | 0:42:48 | |
There's only just time to ask Mr Les Dawson to lead the company | 0:43:06 | 0:43:10 | |
and yourselves for the last chorus tonight - | 0:43:10 | 0:43:13 | |
Down At The Old Bull And Bush. | 0:43:13 | 0:43:15 | |
Ladies and gentlemen, | 0:43:15 | 0:43:16 | |
Mr Les Dawson and the entire company, Mr Bernard Herrmann | 0:43:16 | 0:43:19 | |
and the entire and indomitable orchestra... | 0:43:19 | 0:43:22 | |
CHEERING AND APPLAUSE | 0:43:22 | 0:43:24 | |
-But this time, chiefly... ALL: -..yourselves! | 0:43:24 | 0:43:30 | |
# Come, come Come and make eyes at me | 0:43:34 | 0:43:37 | |
# Down at the old Bull and Bush | 0:43:37 | 0:43:41 | |
# Come, come Drink some port wine with me | 0:43:41 | 0:43:45 | |
# Down at the old Bull and Bush | 0:43:45 | 0:43:48 | |
# Hear the little German band Umpapa, umpapa | 0:43:48 | 0:43:52 | |
# Just let me hold your hand dear | 0:43:52 | 0:43:56 | |
# Do, do Come and have a drink or two | 0:43:56 | 0:44:00 | |
# Down at the old Bull and Bush. | 0:44:00 | 0:44:03 | |
# Bush-Bush. # | 0:44:03 | 0:44:05 | |
APPLAUSE AND CHEERING | 0:44:05 | 0:44:07 |