Browse content similar to 2016. Check below for episodes and series from the same categories and more!
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FANFARE SOUNDS | 0:00:23 | 0:00:27 | |
This year, the Tattoo celebrates Tunes Of Glory | 0:00:38 | 0:00:42 | |
and, naturally enough, a glorious fanfare, the Alarm To Arms, | 0:00:42 | 0:00:45 | |
bids us welcome to the 2016 Royal Edinburgh Military Tattoo. | 0:00:45 | 0:00:50 | |
FIREWORK EXPLODES | 0:01:12 | 0:01:15 | |
CHEERING AND APPLAUSE | 0:01:15 | 0:01:17 | |
-SHOUTS: -Pipes and Drums, right and centre! Quick march! | 0:01:17 | 0:01:21 | |
The Massed Pipes and Drums. | 0:01:21 | 0:01:24 | |
As they return to their spiritual home barracks of the | 0:01:37 | 0:01:40 | |
Castle Esplanade, there can only be one march - The Black Bear. | 0:01:40 | 0:01:45 | |
In his last Tattoo as the Army's Director of Bagpipe Music and | 0:02:35 | 0:02:38 | |
Highland Drumming, Major Steven Small continues the Glory theme, | 0:02:38 | 0:02:42 | |
as The Campbells Are Coming eases into Amazing Grace. | 0:02:42 | 0:02:47 | |
The Rowan Tree. | 0:03:40 | 0:03:42 | |
The Reel Cabar Feidh, The Stag's Antlers. | 0:04:01 | 0:04:05 | |
Dumbarton's Drums, the regimental march of The Royal Scots. | 0:04:12 | 0:04:16 | |
And The Mason's Apron brings the set to a close. | 0:04:22 | 0:04:25 | |
CHEERING AND APPLAUSE | 0:04:45 | 0:04:47 | |
The Massed Pipes and Drums and the Highland Dancers join together for | 0:04:47 | 0:04:51 | |
Gille Chaluim, the oldest and most famous traditional Scottish dance. | 0:04:51 | 0:04:55 | |
Fleet of foot and fast of finger, | 0:05:48 | 0:05:50 | |
the Highland Dancers and the Massed Pipes and Drums. | 0:05:50 | 0:05:54 | |
APPLAUSE | 0:05:54 | 0:05:56 | |
The unique sound of the sarangi and the swirling snow | 0:06:00 | 0:06:04 | |
bring Nepal to Edinburgh, courtesy of the Nepal Army Band. | 0:06:04 | 0:06:10 | |
On their very first visit to the Tattoo, the band and dancers | 0:06:20 | 0:06:24 | |
commemorate the joint British and Nepalese conquest of | 0:06:24 | 0:06:27 | |
Mount Everest by Sir Edmund Hillary and Tenzing Norgay Sherpa | 0:06:27 | 0:06:31 | |
in 1953, the year of Her Majesty the Queen's Coronation. | 0:06:31 | 0:06:35 | |
The Nepal Army Band forms the outline of the double pennant | 0:07:31 | 0:07:35 | |
of the flag of Nepal. | 0:07:35 | 0:07:37 | |
Incidentally, the world's only known quadrilateral national flag. | 0:07:37 | 0:07:41 | |
The Nepal Army Band. | 0:07:58 | 0:08:00 | |
CHEERING AND APPLAUSE | 0:08:00 | 0:08:03 | |
The young daredevils of The Imps Motorcycle Display Team | 0:08:08 | 0:08:11 | |
cross the drawbridge with a glorious yet galactic theme. | 0:08:11 | 0:08:15 | |
THEME FROM "STAR WARS" PLAYS | 0:08:15 | 0:08:17 | |
For 40 years, the Imps from London's East End, all aged between | 0:08:17 | 0:08:21 | |
5 and 16, have impressed with displays near and far, far away. | 0:08:21 | 0:08:26 | |
They originated from the Hackney Adventure Holiday Project, | 0:08:28 | 0:08:31 | |
a charity founded by Roy Pratt MBE. | 0:08:31 | 0:08:34 | |
One thing led to another and a unique motorcycle display team | 0:08:34 | 0:08:38 | |
was born, and what a team, | 0:08:38 | 0:08:41 | |
still led by Roy Pratt. | 0:08:41 | 0:08:45 | |
Cross-overs. | 0:08:47 | 0:08:50 | |
EXPLOSION | 0:08:50 | 0:08:53 | |
Now backwards. | 0:08:53 | 0:08:55 | |
Now accompanied by pyrotechnics. | 0:09:00 | 0:09:03 | |
Time for the mini pyramids. | 0:09:09 | 0:09:12 | |
Just learning? | 0:09:12 | 0:09:14 | |
And just passed! | 0:09:16 | 0:09:19 | |
It takes many hours of practice | 0:09:20 | 0:09:22 | |
to make this motorcycle display look easy, | 0:09:22 | 0:09:25 | |
so please don't try this at home. | 0:09:25 | 0:09:27 | |
I certainly won't be doing anything of the kind. | 0:09:27 | 0:09:30 | |
I don't even have a bike. | 0:09:30 | 0:09:33 | |
The great pyramid. | 0:09:43 | 0:09:46 | |
Five bikes and 15 Imps. | 0:09:56 | 0:09:59 | |
Plus a little squirt in the sidecar. | 0:10:07 | 0:10:10 | |
Lift-off with the greatest of ease. | 0:10:19 | 0:10:22 | |
Even at the speed of light, bikes and bugles do mix. | 0:10:32 | 0:10:36 | |
The Imps Motorcycle Display Team accompanied by the band and bugles | 0:10:55 | 0:10:59 | |
of The Rifles. | 0:10:59 | 0:11:02 | |
And the Force was certainly with them! | 0:11:02 | 0:11:05 | |
CHEERING AND APPLAUSE | 0:11:05 | 0:11:09 | |
2016 marks the 100th anniversary of the largest naval battle of | 0:11:17 | 0:11:21 | |
the Great War, the Battle of Jutland. | 0:11:21 | 0:11:24 | |
The Band of Her Majesty's Royal Marines Scotland play their tribute, | 0:11:34 | 0:11:38 | |
the suite Remembering Jutland. | 0:11:38 | 0:11:41 | |
APPLAUSE | 0:13:24 | 0:13:25 | |
Absolute precision as always | 0:13:25 | 0:13:27 | |
from the Band of Her Majesty's Royal Marines Scotland. | 0:13:27 | 0:13:31 | |
The strings of Hjaltibonhoga, | 0:13:32 | 0:13:35 | |
Shetland, my spiritual home, | 0:13:35 | 0:13:37 | |
are proud to present Shetland's international language, | 0:13:37 | 0:13:40 | |
traditional fiddle music. | 0:13:40 | 0:13:42 | |
The tune is Hillswick. | 0:13:42 | 0:13:45 | |
Arthur Anderson's Reel. | 0:13:52 | 0:13:55 | |
And Da Spirit O'Whisky is followed by Out n In Da Harbour. | 0:14:26 | 0:14:30 | |
CHEERING AND APPLAUSE | 0:14:54 | 0:14:57 | |
Hjaltibonhoga from Shetland. | 0:14:57 | 0:15:00 | |
The Tattoo Highland Dancers are an international team of champions | 0:15:03 | 0:15:07 | |
and it shows. | 0:15:07 | 0:15:09 | |
The Tattoo's Dance Director, Aileen Robertson, continues to | 0:15:20 | 0:15:24 | |
present outstanding displays | 0:15:24 | 0:15:25 | |
with a high standard of technique and performance, | 0:15:25 | 0:15:29 | |
thrilling the audiences wherever her team performs. | 0:15:29 | 0:15:32 | |
The magnificent Tattoo Highland Dancers. | 0:17:22 | 0:17:26 | |
CHEERING AND APPLAUSE | 0:17:26 | 0:17:28 | |
Under the baton of Director of Music Major Dwayne Milburn, | 0:17:33 | 0:17:37 | |
The United States Army Europe Band and Chorus | 0:17:37 | 0:17:40 | |
bring a taste of American royalty to the Tattoo. | 0:17:40 | 0:17:43 | |
To get us going, from Benny Goodman, the King of Swing, | 0:17:43 | 0:17:46 | |
it's Sing, Sing, Sing. | 0:17:46 | 0:17:49 | |
BAND WHOOPS | 0:18:08 | 0:18:11 | |
APPLAUSE | 0:18:25 | 0:18:27 | |
It's time for the King of rock and roll, Elvis Presley, | 0:18:27 | 0:18:31 | |
with All Shook Up. | 0:18:31 | 0:18:33 | |
Taking the lead is Sergeant James Motts. | 0:18:34 | 0:18:37 | |
# Ah, well-a bless-a my soul, what's wrong with me | 0:18:37 | 0:18:39 | |
# I'm itchin' like a man on a fuzzy tree | 0:18:39 | 0:18:42 | |
# My friends say I'm actin' wild as a bug | 0:18:42 | 0:18:45 | |
-# I'm in love -Huh | 0:18:45 | 0:18:47 | |
# I'm all shook up, uh-huh-huh | 0:18:47 | 0:18:50 | |
-# Uh-huh -Yeah | 0:18:50 | 0:18:52 | |
-# Yeah, yeah -Yeah, yeah | 0:18:52 | 0:18:55 | |
# Oh, please don't ask me what's on my mind | 0:18:55 | 0:18:57 | |
# I'm a little bit stuck but I'm feelin' fine | 0:18:57 | 0:19:00 | |
# When I'm near that girl that I love best | 0:19:00 | 0:19:03 | |
# My heart beats so it scares me to death | 0:19:03 | 0:19:06 | |
# Touched my hand, what a chill I got | 0:19:06 | 0:19:09 | |
# Her lips are like a volcano that's hot | 0:19:09 | 0:19:12 | |
# I'm proud to say she's my buttercup | 0:19:12 | 0:19:14 | |
-# I'm in love -Huh | 0:19:14 | 0:19:16 | |
# I'm all shook up, uh-huh-huh | 0:19:16 | 0:19:19 | |
-# Uh-huh -Yeah | 0:19:19 | 0:19:21 | |
-# Yeah, yeah -I'm all shook up. # | 0:19:21 | 0:19:25 | |
Finally, the Queen of Soul, Aretha Franklin. | 0:19:25 | 0:19:29 | |
-# Freedom -Freedom | 0:19:29 | 0:19:31 | |
-# Freedom -Freedom | 0:19:31 | 0:19:33 | |
-# Freedom -Freedom | 0:19:33 | 0:19:35 | |
-# Freedom -Freedom... # | 0:19:35 | 0:19:37 | |
Sergeant Andrea Griffith does the honours on Think. | 0:19:37 | 0:19:40 | |
# Freedom, freedom | 0:19:40 | 0:19:44 | |
-# You better think -Think | 0:19:44 | 0:19:46 | |
# Think about what you're trying to do to me | 0:19:46 | 0:19:48 | |
-# Yeah, think -Think, think | 0:19:48 | 0:19:50 | |
# Let your mind go, let yourself be free | 0:19:50 | 0:19:52 | |
# Let's go back, let's go back, let's go way on back when | 0:19:52 | 0:19:55 | |
# I didn't even know you, couldn't have been too much more than ten | 0:19:55 | 0:19:58 | |
# Just a child | 0:19:58 | 0:19:59 | |
# I ain't no psychiatrist, ain't no doctor with degrees | 0:19:59 | 0:20:03 | |
# But it don't take too much high IQs to see what you're doing to me | 0:20:03 | 0:20:06 | |
-# You better think -Think | 0:20:06 | 0:20:08 | |
# Think about what you're trying to do to me, now, now, now, think | 0:20:08 | 0:20:11 | |
# Think, think | 0:20:11 | 0:20:12 | |
# Let your mind go, let yourself be free | 0:20:12 | 0:20:14 | |
-# You need me -Need me | 0:20:14 | 0:20:16 | |
-# And I need you -Need you | 0:20:16 | 0:20:18 | |
# Without each other there ain't nothing we can do | 0:20:18 | 0:20:22 | |
-# Oh, freedom -Freedom | 0:20:22 | 0:20:24 | |
-# Freedom -Freedom | 0:20:24 | 0:20:25 | |
-# Freedom -Freedom | 0:20:25 | 0:20:27 | |
-# Freedom -Freedom | 0:20:27 | 0:20:29 | |
-# Freedom -Freedom | 0:20:29 | 0:20:31 | |
-# Freedom -Freedom | 0:20:31 | 0:20:33 | |
-# Freedom -Freedom | 0:20:33 | 0:20:35 | |
-# Freedom -Freedom | 0:20:35 | 0:20:37 | |
-# Freedom -Freedom | 0:20:37 | 0:20:38 | |
-# Freedom -Freedom | 0:20:38 | 0:20:40 | |
-# Freedom -Freedom | 0:20:40 | 0:20:42 | |
-# Freedom -Freedom | 0:20:42 | 0:20:44 | |
-# Freedom -Freedom | 0:20:44 | 0:20:47 | |
# Freedom | 0:20:47 | 0:20:48 | |
# Freedom | 0:20:48 | 0:20:50 | |
# Freedom | 0:20:50 | 0:20:51 | |
# Freedom | 0:20:51 | 0:20:52 | |
# Freedom. # | 0:20:52 | 0:20:57 | |
The United States Army Europe Band and Chorus. | 0:20:59 | 0:21:02 | |
CHEERING AND APPLAUSE | 0:21:02 | 0:21:06 | |
New Zealand's Lochiel Marching Drill Team was formed in the late 1950s | 0:21:06 | 0:21:10 | |
and is the oldest established team in the country. | 0:21:10 | 0:21:13 | |
Meticulously coached by Colleen Pobar since 1966, | 0:21:22 | 0:21:26 | |
yes, 50 years, | 0:21:26 | 0:21:28 | |
the team is a household name in New Zealand and continues to | 0:21:28 | 0:21:31 | |
delight audiences around the world. | 0:21:31 | 0:21:34 | |
Accuracy with an air of effortless ease | 0:24:30 | 0:24:32 | |
from Lochiel Marching Drill Team. | 0:24:32 | 0:24:35 | |
APPLAUSE | 0:24:35 | 0:24:38 | |
On their third visit to the Edinburgh Tattoo, | 0:24:42 | 0:24:44 | |
the Band and Drill Team of the Jordanian Armed Forces | 0:24:44 | 0:24:48 | |
now perform their salute to the centenary of the | 0:24:48 | 0:24:51 | |
Great Arab Revolt, that would wrest Arab lands from the control | 0:24:51 | 0:24:54 | |
of the Turkish Ottoman Empire. | 0:24:54 | 0:24:57 | |
APPLAUSE | 0:25:29 | 0:25:31 | |
Silent drill, not a word of command. | 0:25:35 | 0:25:38 | |
APPLAUSE | 0:25:47 | 0:25:50 | |
And watch out for the Jordanian wave. | 0:26:03 | 0:26:05 | |
LAUGHTER | 0:26:07 | 0:26:08 | |
APPLAUSE | 0:26:15 | 0:26:17 | |
AUDIENCE GASPS | 0:26:33 | 0:26:35 | |
FAST DRUMBEAT | 0:26:41 | 0:26:45 | |
MIDDLE-EASTERN STYLE TUNE PLAYS | 0:26:50 | 0:26:54 | |
BAGPIPES PLAY | 0:27:03 | 0:27:05 | |
APPLAUSE | 0:27:30 | 0:27:32 | |
The Band and Drill Team of the Jordanian Armed Forces. | 0:27:33 | 0:27:37 | |
A distinctive sight and sounds from The Land of the Long White Cloud, | 0:27:41 | 0:27:44 | |
as the New Zealand Army Band cross the drawbridge | 0:27:44 | 0:27:48 | |
on its fifth visit to the Edinburgh Tattoo. | 0:27:48 | 0:27:50 | |
Armed with his tewhatewa, | 0:27:56 | 0:27:58 | |
Drum Major Staff Sergeant Tristan "Mitch" Mitchell guides | 0:27:58 | 0:28:02 | |
the band through entertaining displays of music and movement, | 0:28:02 | 0:28:05 | |
with humour and intricate drill manoeuvres | 0:28:05 | 0:28:08 | |
not normally associated with marching musicians. | 0:28:08 | 0:28:10 | |
BAND PLAYS JAZZY TUNE | 0:28:14 | 0:28:17 | |
BAND PLAYS SNIPPET OF JAMES BOND THEME | 0:28:45 | 0:28:49 | |
And now, their tribute to the New Zealanders who fell | 0:29:06 | 0:29:09 | |
in the Great War. | 0:29:09 | 0:29:10 | |
Passchendaele. | 0:29:10 | 0:29:12 | |
MAN SHOUTS OPENING LINES OF THE HAKA | 0:30:04 | 0:30:07 | |
OTHERS RESPOND | 0:30:09 | 0:30:13 | |
CHEERING AND APPLAUSE | 0:30:48 | 0:30:51 | |
BAND PLAYS Sabre Dance from Gayane by Aram Khachaturian | 0:31:03 | 0:31:07 | |
BAND PLAYS CHARIOTS OF FIRE THEME | 0:31:15 | 0:31:18 | |
LAUGHTER | 0:31:18 | 0:31:20 | |
CHEERING AND APPLAUSE | 0:31:23 | 0:31:25 | |
BAND PLAYS JAMES BOND THEME | 0:31:28 | 0:31:31 | |
LAUGHTER | 0:31:33 | 0:31:34 | |
WHOOPING | 0:31:37 | 0:31:39 | |
AUDIENCE GASPS | 0:31:46 | 0:31:48 | |
You know, not once in 25 performances | 0:31:48 | 0:31:51 | |
have they ever got their ball back. | 0:31:51 | 0:31:54 | |
A nice souvenir for someone. | 0:31:54 | 0:31:56 | |
The song is from the musical Hairspray - You Can't Stop the Beat. | 0:32:03 | 0:32:08 | |
-# Can't stop today -No! | 0:32:08 | 0:32:11 | |
# As it comes speeding down the tracks | 0:32:11 | 0:32:13 | |
# Ooh-ooh, child, yeah! | 0:32:13 | 0:32:15 | |
-# Yesterday is history -Be gone! | 0:32:15 | 0:32:17 | |
# And it's never coming back! | 0:32:17 | 0:32:20 | |
# But tomorrow is a brand-new day | 0:32:20 | 0:32:23 | |
-# And we don't know white from black -Yeah! | 0:32:23 | 0:32:26 | |
# Cos the world keeps spinning round and round | 0:32:26 | 0:32:29 | |
# And my heart's keeping time to the speed of sound | 0:32:29 | 0:32:32 | |
# I was lost till I heard those drums and I found my way | 0:32:32 | 0:32:37 | |
# Cos you can't stop the beat | 0:32:37 | 0:32:39 | |
# Ever since we first saw the light | 0:32:39 | 0:32:41 | |
# A man and woman like to shake it on a Saturday night | 0:32:41 | 0:32:44 | |
# So I'm going to shake and shimmy with all my might today! | 0:32:44 | 0:32:49 | |
# Cos you can't stop the... | 0:32:49 | 0:32:51 | |
# Motion of the ocean or the rain from above | 0:32:51 | 0:32:53 | |
# They can try to stop this paradise we're dreaming of | 0:32:53 | 0:32:57 | |
# But you cannot stop the rhythm of two hearts in love today | 0:32:57 | 0:33:01 | |
# Cos you can't stop the beat | 0:33:01 | 0:33:03 | |
# You can't stop the beat | 0:33:03 | 0:33:05 | |
# You can't stop the beat | 0:33:05 | 0:33:06 | |
# You can't stop the beat | 0:33:06 | 0:33:08 | |
# You can't stop the be-e-e-at. # | 0:33:08 | 0:33:15 | |
CHEERING AND APPLAUSE | 0:33:17 | 0:33:19 | |
The New Zealand Army Band. | 0:33:19 | 0:33:21 | |
His Majesty The King's Guard | 0:33:26 | 0:33:27 | |
is the Norwegian Forces' finest display unit, | 0:33:27 | 0:33:30 | |
consisting of a band, a bugles and drum section and a drill team. | 0:33:30 | 0:33:35 | |
All these impeccable young soldiers are coming to the end of their | 0:33:41 | 0:33:44 | |
one year's national service. | 0:33:44 | 0:33:46 | |
This is quite an extraordinary display of discipline | 0:34:22 | 0:34:25 | |
and precision, and all mastered within a year. | 0:34:25 | 0:34:28 | |
MUSIC STOPS | 0:34:53 | 0:34:54 | |
APPLAUSE | 0:34:59 | 0:35:00 | |
CHEERING AND APPLAUSE | 0:35:16 | 0:35:18 | |
MUSIC: Scotland The Brave played on glockenspiel | 0:35:45 | 0:35:48 | |
LAUGHTER | 0:35:48 | 0:35:49 | |
THEY SHOUT IN UNISON | 0:36:16 | 0:36:18 | |
CHEERING AND APPLAUSE | 0:36:18 | 0:36:20 | |
CHOIR SINGS | 0:36:36 | 0:36:39 | |
BAND PLAYS Triumphal March from Aida by Giuseppe Verdi | 0:36:57 | 0:37:00 | |
CHOIR RESUMES | 0:37:30 | 0:37:33 | |
Norway's finest, His Majesty The King's Guard. | 0:38:31 | 0:38:35 | |
CHEERING AND APPLAUSE | 0:38:35 | 0:38:37 | |
Military bands have always played a key role on the battlefield, | 0:38:40 | 0:38:43 | |
and to commemorate the place of music in conflict, | 0:38:43 | 0:38:46 | |
the Massed Bands take up their formations. | 0:38:46 | 0:38:49 | |
Evoking the Napoleonic Wars, | 0:39:00 | 0:39:02 | |
the castle esplanade will resound to artillery bombardments, | 0:39:02 | 0:39:06 | |
cavalry charges, rifle volleys and bugle calls. | 0:39:06 | 0:39:09 | |
And, as one would expect, light infantry skirmishes, | 0:39:10 | 0:39:14 | |
and the occasional foray by pipers into the melee. | 0:39:14 | 0:39:18 | |
To battle. | 0:39:18 | 0:39:20 | |
CANNON FIRE | 0:39:45 | 0:39:46 | |
APPLAUSE | 0:40:49 | 0:40:52 | |
CHEERING AND APPLAUSE | 0:41:26 | 0:41:31 | |
BAND PLAYS The British Grenadiers' March | 0:43:00 | 0:43:04 | |
It's time for the guard to return. | 0:43:10 | 0:43:13 | |
And the Royal Marines join the campaign. | 0:43:37 | 0:43:39 | |
The Massed Bands now assume their more familiar peacetime role, | 0:44:33 | 0:44:37 | |
where the emphasis turns to music and ceremonial. | 0:44:37 | 0:44:41 | |
APPLAUSE | 0:44:41 | 0:44:44 | |
2016 has seen Her Majesty The Queen celebrate her 90th birthday. | 0:45:07 | 0:45:11 | |
The drum horse Mercury and a mounted escort of four trumpeters | 0:45:18 | 0:45:21 | |
from The Band of the Household Cavalry lead the commemorations. | 0:45:21 | 0:45:25 | |
They are joined by the historic Scottish State Coach, | 0:45:28 | 0:45:31 | |
on a rare visit to the Scottish capital. | 0:45:31 | 0:45:33 | |
Dating from 1830, | 0:45:41 | 0:45:43 | |
the coach is usually on display in the Royal Mews at Buckingham Palace. | 0:45:43 | 0:45:48 | |
On its roof you will see a model of the Crown of Scotland, which, | 0:45:48 | 0:45:52 | |
along with the other Honours of Scotland, | 0:45:52 | 0:45:55 | |
is on display in Edinburgh Castle. | 0:45:55 | 0:45:57 | |
# Zadok the Priest | 0:45:57 | 0:46:03 | |
# And Nathan the Prophet | 0:46:03 | 0:46:11 | |
# Anointed Solomon king | 0:46:11 | 0:46:19 | |
# God save the Queen | 0:46:27 | 0:46:30 | |
# God save the Queen | 0:46:30 | 0:46:33 | |
# God save the Queen | 0:46:33 | 0:46:36 | |
# May the Queen live | 0:46:36 | 0:46:40 | |
# May the Queen live for ever | 0:46:40 | 0:46:46 | |
# For ever, for ever | 0:46:46 | 0:46:49 | |
# Amen, amen, alleluia | 0:46:49 | 0:46:53 | |
# Alleluia, amen | 0:46:53 | 0:46:56 | |
# Alleluia, amen, amen, alleluia... # | 0:46:56 | 0:47:02 | |
George Frideric Handel's Zadok the Priest makes way for | 0:47:02 | 0:47:05 | |
William Walton's Crown Imperial. | 0:47:05 | 0:47:08 | |
APPLAUSE | 0:48:24 | 0:48:26 | |
The Massed Bands now prepare to play the 79th's Farewell to Gibraltar, | 0:48:31 | 0:48:35 | |
rated among the finest marches ever written for the pipes. | 0:48:35 | 0:48:39 | |
So all we need are the pipes. | 0:48:47 | 0:48:50 | |
BAGPIPES PLAY | 0:48:51 | 0:48:53 | |
CHEERING AND APPLAUSE | 0:49:30 | 0:49:33 | |
Major Jason Griffiths from the Corps of Army Music, | 0:49:33 | 0:49:37 | |
the 2016 Tattoo Principal Director of Music, takes charge. | 0:49:37 | 0:49:41 | |
Fireworks will fill the sky for the Tattoo's tribute to David Bowie, | 0:49:43 | 0:49:47 | |
who died early in 2016. | 0:49:47 | 0:49:50 | |
Life On Mars. | 0:49:50 | 0:49:53 | |
MUSIC: Instrumental version of Life On Mars by David Bowie | 0:49:53 | 0:49:57 | |
MUSIC: Instrumental version of Starman by David Bowie | 0:50:58 | 0:51:02 | |
CHEERING AND APPLAUSE | 0:51:10 | 0:51:13 | |
Guards of Honour! | 0:51:23 | 0:51:25 | |
General salute - present arms! | 0:51:25 | 0:51:31 | |
The national anthem. | 0:51:32 | 0:51:34 | |
# God save our gracious Queen | 0:51:34 | 0:51:38 | |
# Long live our noble Queen | 0:51:38 | 0:51:42 | |
# God save the Queen | 0:51:44 | 0:51:48 | |
# Send her victorious | 0:51:50 | 0:51:55 | |
# Happy and glorious | 0:51:55 | 0:52:00 | |
# Long to reign over us | 0:52:00 | 0:52:05 | |
# God save the Queen. # | 0:52:05 | 0:52:10 | |
Guards of honour! | 0:52:12 | 0:52:15 | |
Slope arms! | 0:52:15 | 0:52:18 | |
Now The Evening Hymn. O Valiant Hearts. | 0:52:21 | 0:52:26 | |
Sunset. | 0:52:26 | 0:52:27 | |
The lowering of the flags. | 0:52:27 | 0:52:30 | |
Lights out. | 0:52:30 | 0:52:32 | |
# O valiant hearts | 0:52:32 | 0:52:36 | |
# Who to your glory came | 0:52:36 | 0:52:41 | |
# Through dust of conflict and through battle flame | 0:52:41 | 0:52:49 | |
# Tranquil you lie, your knightly virtue proved | 0:52:51 | 0:52:59 | |
# Your memory hallowed in the land you loved | 0:53:02 | 0:53:10 | |
# Deep your contentment in that blessed abode | 0:53:13 | 0:53:21 | |
# Who wait the last clear trumpet call of God... # | 0:53:23 | 0:53:33 | |
It matters not how strait the gate | 0:53:36 | 0:53:40 | |
How charged with punishments the scroll | 0:53:40 | 0:53:44 | |
I am the master of my fate, I am the captain of my soul. | 0:53:44 | 0:53:51 | |
Pipe Major Roddy MacDonald of The Pipers' Trail now plays | 0:54:55 | 0:54:58 | |
Sleep, Soldier, Sleep. | 0:54:58 | 0:55:01 | |
Sleep, Soldier, Sleep. | 0:56:07 | 0:56:09 | |
APPLAUSE | 0:56:09 | 0:56:11 | |
It's time to bid farewell to this international cast. | 0:56:18 | 0:56:22 | |
His Majesty The King's Guard of Norway. | 0:56:22 | 0:56:25 | |
The 1st Battalion, the Scots Guards. | 0:56:25 | 0:56:28 | |
The Jordanian Army Drill Team. | 0:56:29 | 0:56:31 | |
Lochiel Marching Team, | 0:56:33 | 0:56:35 | |
the Highland dancers | 0:56:35 | 0:56:38 | |
and the Shetland Fiddlers. | 0:56:38 | 0:56:40 | |
The Massed Bands now take their leave, | 0:56:44 | 0:56:46 | |
but they're no' awa' tae bide awa'. | 0:56:46 | 0:56:48 | |
The Royal Edinburgh Military Tattoo, | 0:56:51 | 0:56:53 | |
in partnership with the Royal Bank of Scotland, | 0:56:53 | 0:56:55 | |
has had its 18th consecutive sell-out season, | 0:56:55 | 0:56:59 | |
going from strength to strength. | 0:56:59 | 0:57:01 | |
The Massed Pipes and Drums, | 0:57:05 | 0:57:07 | |
led by Drum Major Michael Hay from the Royal Regiment of Scotland, | 0:57:07 | 0:57:11 | |
march towards the cobbles of Castlehill, to the fine tune | 0:57:11 | 0:57:15 | |
that has taken generations of pipes and drums back to barracks - | 0:57:15 | 0:57:19 | |
The Black Bear. | 0:57:19 | 0:57:20 | |
Tattoo producer Brigadier David Allfrey MBE continues to bring | 0:57:25 | 0:57:29 | |
fresh ingredients from home and abroad into this unique production, | 0:57:29 | 0:57:33 | |
now in its 67th year. | 0:57:33 | 0:57:36 | |
Yet it remains true to its heritage and values, | 0:57:36 | 0:57:39 | |
maintaining a balance between the new and the familiar. | 0:57:39 | 0:57:42 | |
THEY PLAY Scotland The Brave | 0:57:46 | 0:57:49 | |
From the ever-familiar Edinburgh Castle, this is Bill Paterson | 0:57:51 | 0:57:54 | |
wishing you, wherever in the world you have been watching, | 0:57:54 | 0:57:57 | |
good fortune, good health, until we meet again. | 0:57:57 | 0:58:01 | |
CHEERING AND APPLAUSE | 0:58:01 | 0:58:04 |