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APPLAUSE | 0:00:02 | 0:00:05 | |
From the heart of Scotland's capital city, the fanfare East Meets West | 0:00:10 | 0:00:15 | |
bids you welcome to the 2015 Royal Edinburgh Military Tattoo. | 0:00:15 | 0:00:19 | |
CHEERING AND APPLAUSE | 0:01:18 | 0:01:21 | |
ORDERS ARE SHOUTED | 0:01:21 | 0:01:24 | |
BAND STRIKES UP | 0:01:24 | 0:01:26 | |
A river of tartan, with buckles and buttons gleaming, | 0:01:28 | 0:01:31 | |
flows through the great oak gates | 0:01:31 | 0:01:33 | |
and across the drawbridge of Edinburgh Castle, | 0:01:33 | 0:01:36 | |
as 250 of the world's finest pipers and drummers | 0:01:36 | 0:01:39 | |
make their way on to the Esplanade. | 0:01:39 | 0:01:42 | |
Aptly, the march is The Old Rustic Bridge. | 0:01:45 | 0:01:48 | |
Major Steven Small, Director of Army Bagpipe Music, | 0:01:59 | 0:02:03 | |
has created a selection of tunes featuring equals and opposites. | 0:02:03 | 0:02:07 | |
This march recalls a time when Scots were on opposite sides - | 0:02:09 | 0:02:14 | |
Ye Jacobites By Name. | 0:02:14 | 0:02:16 | |
Marking the bicentenary, the march The Battle Of Waterloo | 0:02:41 | 0:02:45 | |
leads to the slow air, The Massacre Of Glencoe. | 0:02:45 | 0:02:49 | |
Happier times now, with Let's Have A Ceilidh. | 0:03:27 | 0:03:30 | |
Major Steven Small's own hornpipe, Gladstone. | 0:03:47 | 0:03:51 | |
The shape of yin and yang means all things are balanced. | 0:04:05 | 0:04:09 | |
The Maori lullaby, Now's The Hour. | 0:04:09 | 0:04:12 | |
It's jig time. | 0:04:45 | 0:04:47 | |
John Paterson's Mare moves effortlessly into Donald Blue. | 0:04:57 | 0:05:01 | |
From blue to black, with the Pibroch Of Donald Dhu. | 0:05:13 | 0:05:17 | |
CHEERING AND APPLAUSE | 0:05:35 | 0:05:38 | |
The Highland dancers and Shetland fiddlers | 0:05:42 | 0:05:45 | |
come to the ceilidh for the Black And White Jig. | 0:05:45 | 0:05:48 | |
CHEERING AND APPLAUSE | 0:06:08 | 0:06:09 | |
The Massed Pipes and Drums. | 0:06:09 | 0:06:11 | |
A display by the United States Air Force Honor Guard | 0:06:13 | 0:06:16 | |
features a choreographed sequence of precise rifle tosses, | 0:06:16 | 0:06:20 | |
complex weapon exchanges and a walk | 0:06:20 | 0:06:23 | |
through a gauntlet of spinning razor-sharp fixed bayonets. | 0:06:23 | 0:06:27 | |
What could possibly go wrong(?) | 0:06:27 | 0:06:29 | |
Absolutely nothing. | 0:06:29 | 0:06:32 | |
Watch and wonder. | 0:06:32 | 0:06:34 | |
CHEERING AND APPLAUSE | 0:06:42 | 0:06:45 | |
GASPS AND APPLAUSE | 0:07:14 | 0:07:16 | |
CHEERING AND APPLAUSE | 0:08:12 | 0:08:15 | |
APPLAUSE | 0:08:41 | 0:08:43 | |
Sheer precision from the United States Air Force Honor Guard | 0:09:00 | 0:09:03 | |
from Washington DC. | 0:09:03 | 0:09:06 | |
APPLAUSE | 0:09:06 | 0:09:08 | |
Led by Margaret Scollay, | 0:09:10 | 0:09:12 | |
the Shetland fiddlers Hjaltibonhoga | 0:09:12 | 0:09:15 | |
has a fiddler from every one of the Shetland Isles. | 0:09:15 | 0:09:19 | |
They're joined by the Band of the Royal Regiment of Scotland | 0:09:19 | 0:09:22 | |
for that fine old Irish tune, | 0:09:22 | 0:09:24 | |
Toss The Feathers. | 0:09:24 | 0:09:26 | |
Toss The Feathers from Hjaltibonhoga and friends. | 0:10:51 | 0:10:55 | |
APPLAUSE | 0:10:55 | 0:10:58 | |
The Tattoo Highland Dancers come together from Scotland, | 0:10:58 | 0:11:02 | |
Canada, Australia and the United States of America... | 0:11:02 | 0:11:06 | |
..with the world champion, Abbie MacNeil, centre stage. | 0:11:08 | 0:11:11 | |
Dance Director Aileen Robertson keeps the international theme going | 0:11:13 | 0:11:17 | |
with the choice of music - Jai Ho. | 0:11:17 | 0:11:20 | |
# Jai ho | 0:11:20 | 0:11:21 | |
# Jai ho | 0:11:24 | 0:11:25 | |
# Jai ho | 0:11:27 | 0:11:29 | |
# I'll keep it steady cos steady is how I do it | 0:11:35 | 0:11:40 | |
# This beat is heavy So now you're going to feel it | 0:11:40 | 0:11:43 | |
# Jai ho | 0:11:43 | 0:11:45 | |
# You are the reason that I breathe | 0:11:45 | 0:11:47 | |
# Jai ho | 0:11:47 | 0:11:49 | |
# You are the reason that I still believe | 0:11:49 | 0:11:52 | |
# You are my destiny | 0:11:52 | 0:11:54 | |
# Jai ho | 0:11:54 | 0:11:57 | |
# Oh, oh, oh, oh | 0:11:57 | 0:11:59 | |
# No, there is nothing that can stop us | 0:11:59 | 0:12:03 | |
# Jai ho | 0:12:03 | 0:12:04 | |
# Nothing can ever come between us | 0:12:04 | 0:12:06 | |
# Jai ho | 0:12:06 | 0:12:08 | |
# So come and dance with me | 0:12:08 | 0:12:10 | |
# Jai ho | 0:12:10 | 0:12:12 | |
# Oh, oh, oh, oh | 0:12:12 | 0:12:14 | |
# Catch me, catch me, catch me | 0:12:14 | 0:12:16 | |
# Come on, catch me, I want you now | 0:12:16 | 0:12:18 | |
# I know you can save me | 0:12:18 | 0:12:20 | |
# You can save me, I need you now | 0:12:20 | 0:12:22 | |
# I am your for ever, yes, for ever | 0:12:22 | 0:12:24 | |
# I will follow | 0:12:24 | 0:12:26 | |
# Anyway and anywhere | 0:12:26 | 0:12:28 | |
# Never gonna let go | 0:12:28 | 0:12:29 | |
# Jai ho | 0:12:40 | 0:12:42 | |
# Jai ho | 0:12:44 | 0:12:46 | |
# Jai ho | 0:12:49 | 0:12:50 | |
# You are the reason that I breathe | 0:12:50 | 0:12:53 | |
# Jai ho | 0:12:53 | 0:12:54 | |
# You are the reason that I still believe | 0:12:54 | 0:12:57 | |
# Jai ho | 0:12:57 | 0:12:58 | |
# You are my destiny | 0:12:58 | 0:13:00 | |
# Jai ho | 0:13:00 | 0:13:02 | |
# Oh, oh, oh, oh | 0:13:02 | 0:13:04 | |
# No, there is nothing that can stop us | 0:13:04 | 0:13:08 | |
# Jai ho | 0:13:08 | 0:13:09 | |
# Nothing can ever come between us | 0:13:09 | 0:13:12 | |
# Jai ho | 0:13:12 | 0:13:13 | |
# So come and dance with me | 0:13:13 | 0:13:15 | |
# Jai ho | 0:13:15 | 0:13:17 | |
# Oh, oh, oh, oh | 0:13:17 | 0:13:19 | |
# Catch me, catch me, catch me | 0:13:19 | 0:13:21 | |
# Come on, catch me, I want you now | 0:13:21 | 0:13:23 | |
# Any way and anywhere | 0:13:23 | 0:13:25 | |
# Never gonna let go | 0:13:25 | 0:13:27 | |
# Jai ho | 0:13:46 | 0:13:47 | |
# You are the reason that I breathe | 0:13:47 | 0:13:50 | |
# Jai ho | 0:13:50 | 0:13:51 | |
# You are the reason that I still believe | 0:13:51 | 0:13:54 | |
# Jai ho | 0:13:54 | 0:13:55 | |
# You are my destiny | 0:13:55 | 0:13:57 | |
# Jai ho | 0:13:57 | 0:13:59 | |
# Oh, oh, oh, oh | 0:13:59 | 0:14:01 | |
# No, there is nothing that can stop us | 0:14:01 | 0:14:05 | |
# Jai ho | 0:14:05 | 0:14:06 | |
# Nothing can ever come between us | 0:14:06 | 0:14:09 | |
# Jai ho | 0:14:09 | 0:14:10 | |
# You are my destiny | 0:14:10 | 0:14:12 | |
# Jai ho | 0:14:12 | 0:14:14 | |
# Oh, oh, oh, oh | 0:14:14 | 0:14:16 | |
# Jai ho! # | 0:14:16 | 0:14:18 | |
East meets West with the Tattoo Highland Dancers. | 0:14:18 | 0:14:21 | |
Now the Military Band of the People's Liberation Army of China | 0:14:21 | 0:14:25 | |
with that most traditional of hymns, words written by a Scotsman, | 0:14:25 | 0:14:29 | |
Abide With Me. | 0:14:29 | 0:14:31 | |
Time to celebrate the rising of the moon. | 0:15:55 | 0:15:59 | |
THEY SING | 0:15:59 | 0:16:02 | |
SINGING ENDS | 0:16:47 | 0:16:49 | |
DRUMROLL | 0:16:49 | 0:16:53 | |
MUSIC: Abide With Me resumes | 0:16:53 | 0:16:57 | |
CHEERING AND APPLAUSE | 0:17:24 | 0:17:28 | |
ROUSING TUNE PLAYS | 0:17:33 | 0:17:37 | |
APPLAUSE | 0:17:37 | 0:17:39 | |
CHEERING | 0:18:13 | 0:18:15 | |
A gold-star performance from | 0:18:15 | 0:18:17 | |
the Military Band of the People's Liberation Army of China. | 0:18:17 | 0:18:20 | |
CHEERING AND APPLAUSE | 0:18:20 | 0:18:23 | |
In this Year of Cultural Exchange between China | 0:18:23 | 0:18:25 | |
and the United Kingdom, the Chinese theme continues. | 0:18:25 | 0:18:29 | |
The vivid colours, elegance and artistry | 0:18:29 | 0:18:32 | |
of the Changxing Lotus Dragon Dance Folklore Group | 0:18:32 | 0:18:36 | |
bring to life the story of the birth of a dragon in a lotus pool | 0:18:36 | 0:18:40 | |
in the lower reaches of the Yangtze River. | 0:18:40 | 0:18:43 | |
TRADITIONAL CHINESE MUSIC PLAYS | 0:18:43 | 0:18:46 | |
APPLAUSE | 0:21:14 | 0:21:17 | |
A truly visual feast from | 0:21:44 | 0:21:46 | |
the Changxing Lotus Dragon Dance Folklore Group. | 0:21:46 | 0:21:50 | |
CHEERING AND APPLAUSE | 0:21:50 | 0:21:52 | |
The immaculately turned out | 0:21:54 | 0:21:56 | |
Citadel Regimental Band and Pipes | 0:21:56 | 0:21:59 | |
from Charleston, South Carolina, | 0:21:59 | 0:22:01 | |
march across the drawbridge. | 0:22:01 | 0:22:03 | |
The march - Killaloe. | 0:22:11 | 0:22:13 | |
From County Clare to Tupelo, Mississippi. | 0:23:04 | 0:23:08 | |
MUSIC: Hound Dog | 0:23:08 | 0:23:11 | |
It takes a surprising amount of discipline | 0:23:27 | 0:23:30 | |
to look this out of control and still get it right. | 0:23:30 | 0:23:33 | |
And back into order for Moonlight Serenade. | 0:23:38 | 0:23:43 | |
APPLAUSE | 0:23:43 | 0:23:45 | |
Now a gentle stroll to the Rocky Top | 0:24:23 | 0:24:26 | |
of the Great Smoky Mountains of Tennessee. | 0:24:26 | 0:24:29 | |
SLOW MARCH PLAYS | 0:24:29 | 0:24:31 | |
LIVELY TUNE PLAYS | 0:24:55 | 0:24:58 | |
Now you know the tune! | 0:25:00 | 0:25:03 | |
# Oh, Rocky Top, you'll always be | 0:25:22 | 0:25:25 | |
# Home, sweet home to me | 0:25:25 | 0:25:28 | |
# Yo! Ho! | 0:25:28 | 0:25:30 | |
# Rocky Top, whoo! | 0:25:30 | 0:25:31 | |
# Rocky Top, Tennessee | 0:25:31 | 0:25:34 | |
# Rocky Top, Tennessee... # | 0:25:34 | 0:25:38 | |
The Citadel Band and Pipes from Charleston, South Carolina. | 0:25:44 | 0:25:48 | |
APPLAUSE | 0:25:48 | 0:25:50 | |
Now East comes West. | 0:25:50 | 0:25:51 | |
Performers from Delhi-based Teamwork Arts | 0:25:51 | 0:25:55 | |
have joined forces with members of various South Asian dance groups | 0:25:55 | 0:25:58 | |
from across Scotland. | 0:25:58 | 0:26:00 | |
The Tattoo Highland Dancers are here, as well, | 0:26:00 | 0:26:03 | |
having jettisoned their kilts. | 0:26:03 | 0:26:05 | |
It's a love story Bollywood style. | 0:26:07 | 0:26:12 | |
BOLLYWOOD MUSIC PLAYS | 0:26:12 | 0:26:14 | |
Hooray for Brollywood! | 0:27:02 | 0:27:05 | |
Will you marry me, Radha? | 0:27:33 | 0:27:37 | |
Bollywood comes to Holyrood. | 0:28:38 | 0:28:41 | |
CHEERING AND APPLAUSE | 0:28:41 | 0:28:43 | |
Shetland fiddler Margaret Scollay | 0:28:46 | 0:28:48 | |
leads off this moving version of James Scott Skinner's beautiful | 0:28:48 | 0:28:52 | |
tribute to Major General Sir Hector Macdonald, | 0:28:52 | 0:28:55 | |
Hector The Hero. | 0:28:55 | 0:28:56 | |
And on the small pipes, | 0:29:25 | 0:29:27 | |
Director of Army Bagpipe Music, Major Steven Small. | 0:29:27 | 0:29:31 | |
# Lament him, ye sons of old Scotia | 0:30:04 | 0:30:13 | |
# Ye kinsmen on many a shore | 0:30:13 | 0:30:20 | |
# The patriot-warrior Fearless of foe | 0:30:22 | 0:30:30 | |
# Has fallen to rise no more. # | 0:30:30 | 0:30:38 | |
Soloists - Margaret Scollay, Maeve Mackinnon | 0:31:29 | 0:31:33 | |
and Major Steven Small. | 0:31:33 | 0:31:35 | |
APPLAUSE | 0:31:35 | 0:31:36 | |
Basel's Top Secret Drum Corps always produce something special. | 0:31:36 | 0:31:40 | |
This year is no exception. | 0:31:43 | 0:31:45 | |
ALL: Br-r-r-r-r-r-r! | 0:32:44 | 0:32:47 | |
This display is entitled Hashtag 5 | 0:33:24 | 0:33:27 | |
to mark their 5th visit to the Edinburgh Tattoo. | 0:33:27 | 0:33:30 | |
CHEERING AND APPLAUSE | 0:34:12 | 0:34:16 | |
ALL: Top Secret! | 0:34:55 | 0:34:58 | |
CHEERING AND APPLAUSE | 0:35:04 | 0:35:07 | |
MUSIC: Scotland The Brave | 0:35:41 | 0:35:43 | |
CHEERING AND APPLAUSE | 0:35:43 | 0:35:45 | |
AUDIENCE CLAPS IN TIME | 0:35:49 | 0:35:51 | |
THEY SHOUT | 0:35:58 | 0:36:00 | |
THEY SHOUT | 0:36:26 | 0:36:28 | |
APPLAUSE | 0:36:28 | 0:36:30 | |
CHEERING AND APPLAUSE | 0:37:12 | 0:37:15 | |
GASPS | 0:37:23 | 0:37:26 | |
APPLAUSE | 0:37:33 | 0:37:35 | |
CHEERING AND APPLAUSE | 0:37:41 | 0:37:43 | |
The unbeatable Top Secret Drum Corps from Basel. | 0:37:43 | 0:37:46 | |
Swiss precision. | 0:37:46 | 0:37:48 | |
In the summer and autumn of 1940, | 0:37:51 | 0:37:53 | |
the Battle of Britain was at its height. | 0:37:53 | 0:37:55 | |
To mark the 75th anniversary of that aerial campaign, | 0:37:55 | 0:37:58 | |
the Central Band of the Royal Air Force | 0:37:58 | 0:38:01 | |
and the Band of the RAF College | 0:38:01 | 0:38:03 | |
come together on the Castle Esplanade, | 0:38:03 | 0:38:05 | |
recalling a time when so much was owed by so many to so few. | 0:38:05 | 0:38:10 | |
The March is To The Few. | 0:38:13 | 0:38:16 | |
Ron Goodwin's Aces High. | 0:39:14 | 0:39:17 | |
The March from the Battle Of Britain Suite. | 0:40:27 | 0:40:30 | |
BELL RINGS | 0:41:28 | 0:41:31 | |
RECORDING OF ROAR OF ENGINES | 0:41:31 | 0:41:34 | |
GUNFIRE | 0:41:34 | 0:41:37 | |
Ad astra - to the stars. | 0:41:37 | 0:41:41 | |
In 1960, the RAF Drill Unit was renamed The Queen's Colour Squadron | 0:41:44 | 0:41:49 | |
and has become renowned for its Continuity Drill Displays. | 0:41:49 | 0:41:53 | |
The QCS hold the record for having completed | 0:41:53 | 0:41:56 | |
over 2.7 million foot and rifle drill movements continuously | 0:41:56 | 0:42:01 | |
in 23 hours and 55 minutes. | 0:42:01 | 0:42:04 | |
Even though they don't reach that number in this display, | 0:42:04 | 0:42:07 | |
they are still impressive. | 0:42:07 | 0:42:10 | |
Back to Ron Goodwin and the Battle Of Britain March. | 0:42:26 | 0:42:30 | |
CHEERING AND APPLAUSE | 0:43:05 | 0:43:08 | |
The salute to the 75th anniversary of the Battle of Britain. | 0:43:08 | 0:43:13 | |
CHEERING AND APPLAUSE | 0:43:14 | 0:43:17 | |
The Queen's Colour Squadron leaves the Esplanade | 0:43:22 | 0:43:25 | |
to John Philip Sousa's march, Hands Across The Sea. | 0:43:25 | 0:43:28 | |
Led by Senior Drum Major Warrant Officer Terry Gardner | 0:44:18 | 0:44:21 | |
and Drum Major Chief Technician Simon Carter, | 0:44:21 | 0:44:25 | |
the Central Band of the RAF | 0:44:25 | 0:44:26 | |
and the Band of the Royal Air Force College | 0:44:26 | 0:44:29 | |
are joined by the Citadel Regimental Band | 0:44:29 | 0:44:31 | |
and the Band of the Royal Regiment of Scotland. | 0:44:31 | 0:44:34 | |
Wing Commander Duncan Stubbs, Royal Air Force, | 0:44:47 | 0:44:49 | |
the 2015 Royal Edinburgh Military Tattoo's Principal Director of Music, | 0:44:49 | 0:44:54 | |
takes to the podium. | 0:44:54 | 0:44:56 | |
Finally, the Military Band of the People's Liberation Army of China | 0:45:04 | 0:45:08 | |
takes its place in the Massed Bands. | 0:45:08 | 0:45:11 | |
CHEERING AND APPLAUSE | 0:45:13 | 0:45:15 | |
The ubiquitous Margaret Scollay takes centre stage once again | 0:45:20 | 0:45:24 | |
as even more of the Tattoo performers | 0:45:24 | 0:45:27 | |
continue to assemble on the Castle Esplanade. | 0:45:27 | 0:45:29 | |
The Gaelic welcome comes from Maeve Mackinnon. | 0:45:53 | 0:45:57 | |
SHE SINGS IN GAELIC | 0:45:57 | 0:46:00 | |
CHOIR HARMONISES | 0:46:23 | 0:46:26 | |
PIPE BANDS PICK UP THE MELODY | 0:46:58 | 0:47:01 | |
CHEERING AND APPLAUSE | 0:47:42 | 0:47:44 | |
Over its season of 25 packed public performances, | 0:47:44 | 0:47:48 | |
the Royal Edinburgh Military Tattoo | 0:47:48 | 0:47:50 | |
is seen by almost a quarter of a million spectators | 0:47:50 | 0:47:53 | |
from all over the world. | 0:47:53 | 0:47:55 | |
They marvel at the talents of an equally international cast, | 0:47:55 | 0:47:59 | |
who, though they arrived as strangers, | 0:47:59 | 0:48:01 | |
will leave as friends. | 0:48:01 | 0:48:04 | |
# Tonight we are as one | 0:48:04 | 0:48:10 | |
# Here in the heart of the nation | 0:48:10 | 0:48:14 | |
# There's a welcome for you | 0:48:14 | 0:48:18 | |
# In Edinburgh we see | 0:48:18 | 0:48:23 | |
# That East and West come together | 0:48:23 | 0:48:27 | |
# Old friends meeting anew | 0:48:27 | 0:48:31 | |
# Let the pipes play | 0:48:31 | 0:48:34 | |
# Let the people celebrate this day | 0:48:34 | 0:48:41 | |
# May our goodwill remain | 0:48:41 | 0:48:48 | |
# Until we meet again | 0:48:48 | 0:48:54 | |
# Let the pipes play | 0:48:54 | 0:48:56 | |
# Let the people celebrate this day | 0:48:56 | 0:49:03 | |
# May our goodwill remain | 0:49:03 | 0:49:09 | |
# Until we meet again | 0:49:09 | 0:49:16 | |
# We met as strangers | 0:49:16 | 0:49:20 | |
# Now we leave as friends. # | 0:49:20 | 0:49:31 | |
CHEERING AND APPLAUSE | 0:49:31 | 0:49:34 | |
Squadron Leader Matthew Little. | 0:49:34 | 0:49:38 | |
Guard of honour, | 0:49:38 | 0:49:40 | |
general salute, | 0:49:40 | 0:49:43 | |
present arms! | 0:49:43 | 0:49:45 | |
DRUMROLL | 0:49:48 | 0:49:51 | |
The National Anthem. | 0:49:51 | 0:49:52 | |
# God save our gracious Queen | 0:49:52 | 0:49:58 | |
# Long live our noble Queen | 0:49:58 | 0:50:03 | |
# God save the Queen | 0:50:03 | 0:50:08 | |
# Send her victorious | 0:50:08 | 0:50:12 | |
# Happy and glorious | 0:50:12 | 0:50:17 | |
# Long to reign over us | 0:50:17 | 0:50:22 | |
# God save the Queen... # | 0:50:22 | 0:50:28 | |
Slope arms! | 0:50:31 | 0:50:34 | |
And now that international anthem of friendship that Robert Burns | 0:50:36 | 0:50:40 | |
gave to the world, Auld Lang Syne. | 0:50:40 | 0:50:44 | |
# Should old acquaintance be forgot | 0:50:44 | 0:50:48 | |
# And never brought tae mind? | 0:50:48 | 0:50:52 | |
# Should old acquaintance be forgot | 0:50:52 | 0:50:57 | |
# For auld lang syne | 0:50:57 | 0:51:01 | |
# For auld lang syne, my dear | 0:51:01 | 0:51:05 | |
# For auld lang syne | 0:51:05 | 0:51:09 | |
# We'll tak a cup o' kindness yet | 0:51:09 | 0:51:14 | |
# For auld lang syne | 0:51:14 | 0:51:18 | |
# Should old acquaintance be forgot | 0:51:20 | 0:51:24 | |
# And never brought tae mind? | 0:51:24 | 0:51:28 | |
# Should old acquaintance be forgot | 0:51:28 | 0:51:31 | |
# For auld lang syne | 0:51:31 | 0:51:35 | |
# For auld lang syne, my dear | 0:51:35 | 0:51:39 | |
# For auld lang syne | 0:51:39 | 0:51:43 | |
# We'll tak a cup o' kindness yet | 0:51:43 | 0:51:48 | |
# For auld lang syne... # | 0:51:48 | 0:51:55 | |
CHEERING AND APPLAUSE | 0:51:55 | 0:51:58 | |
And now the Airman's Hymn, | 0:51:58 | 0:52:01 | |
the lowering of the flags, lights out. | 0:52:01 | 0:52:04 | |
# To all who, spurning earthly joys | 0:52:29 | 0:52:38 | |
# Seek undismayed the trackless way | 0:52:38 | 0:52:48 | |
# High in the wide expanse of heaven | 0:52:48 | 0:52:59 | |
# Be thou their help by night and day | 0:52:59 | 0:53:08 | |
# Through fire, through cloud | 0:53:08 | 0:53:13 | |
# O'er land, o'er wave | 0:53:13 | 0:53:18 | |
# Still by thy presence strong to save... # | 0:53:18 | 0:53:30 | |
It's 100 years since Piper Daniel Laidlaw was awarded | 0:54:54 | 0:54:58 | |
the Victoria Cross at the Battle of Loos. | 0:54:58 | 0:55:01 | |
Corporal Stewart Hunter, RAF, | 0:55:01 | 0:55:04 | |
marks the centenary with the tune, The Piper Of Loos. | 0:55:04 | 0:55:08 | |
APPLAUSE | 0:55:59 | 0:56:02 | |
BANDS STRIKE UP | 0:56:08 | 0:56:11 | |
It's time to bid farewell to this international cast - | 0:56:11 | 0:56:15 | |
the Royal Scots Dragoon Guards, | 0:56:15 | 0:56:17 | |
the Queen's Colour Squadron, | 0:56:17 | 0:56:19 | |
the United States Air Force Honor Guard, | 0:56:19 | 0:56:22 | |
and the Highland dancers, | 0:56:22 | 0:56:24 | |
the dancers from Bollywood, | 0:56:24 | 0:56:26 | |
the Lotus Dragon Dancers | 0:56:26 | 0:56:28 | |
and Top Secret Drum Corps. | 0:56:28 | 0:56:30 | |
And the Shetland fiddlers! | 0:56:30 | 0:56:34 | |
Even in its 66th year, this event doesn't feel old. | 0:56:34 | 0:56:39 | |
This special melting pot of international colour, history, | 0:56:39 | 0:56:43 | |
tradition and talent is why this year sees the 17th successive | 0:56:43 | 0:56:47 | |
sold-out season of the Royal Edinburgh Military Tattoo, | 0:56:47 | 0:56:50 | |
supported by the Royal Bank of Scotland. | 0:56:50 | 0:56:54 | |
Tattoo Producer Brigadier David Allfrey | 0:56:54 | 0:56:56 | |
has once again filled this unique stage | 0:56:56 | 0:56:59 | |
with a rich variety of acts | 0:56:59 | 0:57:01 | |
where East has met West. | 0:57:01 | 0:57:03 | |
Indeed, all points of the cultural compass have been represented | 0:57:03 | 0:57:06 | |
as the performers, whether military or not, | 0:57:06 | 0:57:09 | |
have been able to display their differences | 0:57:09 | 0:57:11 | |
and celebrate their similarities. | 0:57:11 | 0:57:13 | |
Drum Major Michael Hay, from the Royal Regiment of Scotland, | 0:57:13 | 0:57:19 | |
leads the Massed Pipes and Drums | 0:57:19 | 0:57:21 | |
as they march towards the cobbles of Castlehill | 0:57:21 | 0:57:23 | |
to the tune that has taken generations of pipes and drums | 0:57:23 | 0:57:26 | |
back to barracks - | 0:57:26 | 0:57:28 | |
The Black Bear. | 0:57:28 | 0:57:29 | |
From Edinburgh Castle, this is Bill Paterson | 0:57:52 | 0:57:54 | |
wishing you, wherever in the world you've been watching, | 0:57:54 | 0:57:58 | |
good fortune and good health until we meet again. | 0:57:58 | 0:58:01 | |
CHEERING AND APPLAUSE | 0:58:06 | 0:58:10 |