Browse content similar to 2013. Check below for episodes and series from the same categories and more!
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The Fanfare for First Life | 0:00:33 | 0:00:35 | |
welcomes you to the 2013 Royal Edinburgh Military Tattoo | 0:00:35 | 0:00:39 | |
in the incomparable setting of Edinburgh Castle. | 0:00:39 | 0:00:43 | |
APPLAUSE AND CHEERING | 0:00:48 | 0:00:51 | |
MAN SHOUTS ORDERS | 0:00:55 | 0:00:57 | |
Nothing can beat this sight and sound. | 0:01:08 | 0:01:11 | |
Across the drawbridge come the Massed Pipes and Drums | 0:01:11 | 0:01:14 | |
with that well-known favourite, The Atholl Highlanders. | 0:01:14 | 0:01:17 | |
Under the direction of Major Steven Small, | 0:01:33 | 0:01:35 | |
Director of Army Bagpipe Music, | 0:01:35 | 0:01:37 | |
the Massed Pipes and Drums programme | 0:01:37 | 0:01:39 | |
features new tunes and old, | 0:01:39 | 0:01:41 | |
celebrating many aspects of natural Scotland, | 0:01:41 | 0:01:45 | |
its life and its landscape. | 0:01:45 | 0:01:47 | |
The march, the Duke of Rothesay. | 0:02:04 | 0:02:05 | |
A new slow air, The Glorious 12th. | 0:02:25 | 0:02:27 | |
And Scotland's free itinerant pipers are recalled | 0:02:59 | 0:03:02 | |
with The Jolly Beggarman. | 0:03:02 | 0:03:04 | |
And the newer syncopation of The Creation. | 0:03:07 | 0:03:10 | |
It's a march, but it's called The Cameron Quickstep. | 0:03:30 | 0:03:33 | |
Slowing the pace on the Banks and Braes of Bonnie Doon. | 0:03:50 | 0:03:54 | |
The Drum Salute. | 0:04:29 | 0:04:31 | |
CHEERING AND APPLAUSE | 0:04:31 | 0:04:33 | |
Stepping Up, a new strathspey by Major Steven Small. | 0:05:18 | 0:05:22 | |
Then we're Auchtermuchty bound, with Wear the Fox Hat. | 0:05:52 | 0:05:56 | |
And a fresh arrangement of an old favourite, The Irish Washerwoman. | 0:06:36 | 0:06:40 | |
Then to a bright future with TFIO. | 0:07:09 | 0:07:12 | |
Before we end where it all began with Evolution. | 0:07:32 | 0:07:35 | |
CHEERING AND APPLAUSE | 0:07:51 | 0:07:53 | |
The Massed Pipes and Drums. | 0:07:53 | 0:07:55 | |
In his final Tattoo after 23 years as Dance Director, | 0:08:01 | 0:08:06 | |
Billy Forsyth's Tattoo Highland Dancers evoke the dawn of a new day. | 0:08:06 | 0:08:11 | |
MUSIC: "Morning Mood" by Edvard Grieg | 0:08:11 | 0:08:13 | |
Rhythm of Life, from Sweet Charity, given new voice | 0:09:22 | 0:09:25 | |
by the Erskine Stewart's Melville Schools Junior Choir. | 0:09:25 | 0:09:28 | |
# When I started down the street last Sunday | 0:09:28 | 0:09:31 | |
# Feeling kinda low and mighty mean | 0:09:31 | 0:09:33 | |
# Suddenly a voice said, go forth, neighbour | 0:09:33 | 0:09:35 | |
# Spread the picture on a wider screen | 0:09:35 | 0:09:38 | |
# And the voice said, neighbour, there's a million reasons | 0:09:38 | 0:09:40 | |
# Why you should be glad in all four seasons | 0:09:40 | 0:09:43 | |
# Hit the road, neighbour, leave your worries and strife | 0:09:43 | 0:09:45 | |
# Spread the religion of the rhythm of life | 0:09:45 | 0:09:47 | |
# You were made for a new sensation | 0:09:50 | 0:09:52 | |
# And a growing congregation | 0:09:52 | 0:09:54 | |
# And a glowing operation | 0:09:54 | 0:09:56 | |
# Here below Let's go! | 0:09:56 | 0:09:59 | |
# You feel the rhythm of life | 0:09:59 | 0:10:01 | |
# You feel the powerful beat | 0:10:01 | 0:10:04 | |
# You feel the tingle in your fingers | 0:10:04 | 0:10:06 | |
# You feel the rhythm of life | 0:10:06 | 0:10:08 | |
# The rhythm of life. # | 0:10:08 | 0:10:09 | |
# You feel the powerful beat | 0:10:45 | 0:10:47 | |
# You feel the tingle in your fingers | 0:10:47 | 0:10:50 | |
# You feel the tingle in your feet | 0:10:50 | 0:10:52 | |
# You feel the rhythm of life | 0:10:52 | 0:10:54 | |
# You feel the powerful beat | 0:10:54 | 0:10:56 | |
# You feel the tingle in your fingers | 0:10:56 | 0:10:58 | |
# You feel the tingle in your feet | 0:10:58 | 0:11:01 | |
# The rhythm of life, the powerful beat | 0:11:01 | 0:11:03 | |
# The tingle in your fingers, tingle in your feet | 0:11:03 | 0:11:05 | |
# The rhythm, rhythm | 0:11:05 | 0:11:07 | |
# Rhythm | 0:11:07 | 0:11:08 | |
# Rhythm of life | 0:11:08 | 0:11:11 | |
# The rhythm of life! # CHEERING AND APPLAUSE | 0:11:11 | 0:11:14 | |
Forsyth's First Regiment of Foot. Thank you, Billy. | 0:11:14 | 0:11:18 | |
From the vibrant rhythms of life, | 0:11:21 | 0:11:23 | |
the pace now eases with the Republic of Korea's Sound of Spring. | 0:11:23 | 0:11:28 | |
The dancers are the spring blossom swaying in the gentle breeze. | 0:11:28 | 0:11:32 | |
The call of the shell trumpet, | 0:12:25 | 0:12:27 | |
or nagak, is the overture for the traditional band. | 0:12:27 | 0:12:30 | |
The Republic of Korea Ministry of National Defence Traditional Band | 0:12:42 | 0:12:46 | |
was established in 1989, | 0:12:46 | 0:12:48 | |
and are joined here by civilian dance groups | 0:12:48 | 0:12:51 | |
for this colourful display. | 0:12:51 | 0:12:53 | |
The Ministry of National Defence Band and Dancers, | 0:16:13 | 0:16:16 | |
Republic of Korea. | 0:16:16 | 0:16:18 | |
APPLAUSE | 0:16:18 | 0:16:21 | |
For 40 years, the Imps Motorcycle Display Team from London's East End, | 0:16:26 | 0:16:31 | |
all aged between five and 16, by the way, | 0:16:31 | 0:16:34 | |
have impressed at displays all around the world. | 0:16:34 | 0:16:36 | |
Crossovers. | 0:16:39 | 0:16:40 | |
Some with bangs... and even more with bangs. | 0:16:46 | 0:16:50 | |
Reverse crossovers. | 0:16:52 | 0:16:53 | |
Synchronised reverse riding with fireworks. | 0:17:03 | 0:17:06 | |
Showing off now! | 0:17:06 | 0:17:07 | |
It takes many hours of practice to make this motorcycle display | 0:17:11 | 0:17:14 | |
look this easy. | 0:17:14 | 0:17:16 | |
And, please, do not try this at home. | 0:17:16 | 0:17:19 | |
Is it a bird? Is it a plane? | 0:17:27 | 0:17:30 | |
No, it's Superboy - Tom Galbraith, aged eight. | 0:17:30 | 0:17:34 | |
And riding side-saddle, Aliyyah Kiberu, aged seven | 0:17:34 | 0:17:39 | |
and Mikey Glover, six. | 0:17:39 | 0:17:41 | |
Dominic Manley, 15, atop an eight-foot ladder. | 0:17:50 | 0:17:53 | |
Now, that's not easy! | 0:17:53 | 0:17:55 | |
These youngest riders have mastered throttle control | 0:18:07 | 0:18:10 | |
to develop their confidence on the bikes. | 0:18:10 | 0:18:12 | |
A mini pyramid, complete with L plates. | 0:18:23 | 0:18:26 | |
A 90cc pyramid flies the Saltire flag for Scotland. | 0:18:30 | 0:18:34 | |
Watch out for Joe Dennis the Menace's water pistol. | 0:18:37 | 0:18:41 | |
Flying the Union flag, Ellie Summers, | 0:18:46 | 0:18:48 | |
whose father was an Imp before her, | 0:18:48 | 0:18:50 | |
tops the 17-rider, five-bike pyramid. | 0:18:50 | 0:18:53 | |
On the centre bike, Dominic Manley holds the whole thing together. | 0:19:06 | 0:19:10 | |
Roy Pratt, MBE, the team's director | 0:19:21 | 0:19:23 | |
and a retired senior member | 0:19:23 | 0:19:25 | |
of the Royal Military Police display team, The Redcaps, | 0:19:25 | 0:19:28 | |
is ideally suited to channel the energies of these youngsters. | 0:19:28 | 0:19:32 | |
There are just two rules - | 0:19:32 | 0:19:34 | |
any trouble with the police or any dodging school, and you're out. | 0:19:34 | 0:19:38 | |
Behave, and you will see the world. | 0:19:38 | 0:19:40 | |
For his hat-trick, Dominic Manley explodes off the ramp, | 0:19:51 | 0:19:56 | |
whilst Aliyyah Kiberu takes the salute | 0:19:56 | 0:19:59 | |
on behalf of the Imps Motorcycle Display Team. | 0:19:59 | 0:20:02 | |
Across the drawbridge | 0:20:14 | 0:20:15 | |
come the Compania de Danza Folklorica Tenochtitlan, | 0:20:15 | 0:20:18 | |
bringing the colours and sounds of the Aztec to Edinburgh. | 0:20:18 | 0:20:22 | |
In The Festival Of The Dead, family and friends who have died | 0:20:29 | 0:20:33 | |
are immortalised, in a national holiday of music and dance. | 0:20:33 | 0:20:37 | |
La Bruja - The Witch - sung with passion by Salvadore Sorcia. | 0:21:19 | 0:21:24 | |
# Ay que bonito es volar | 0:21:24 | 0:21:28 | |
# Y a las dos de la manana | 0:21:28 | 0:21:32 | |
# Y a las dos de la manana | 0:21:32 | 0:21:36 | |
# Y ay que bonito es volar, ay mama | 0:21:36 | 0:21:40 | |
# Volar y dejar se caer | 0:21:40 | 0:21:44 | |
# En los brasos de tu hermana | 0:21:44 | 0:21:48 | |
# Ay que bonito es volar | 0:21:48 | 0:21:52 | |
# Y a las dos de la manana | 0:21:52 | 0:21:56 | |
# Me agarra la bruja | 0:21:56 | 0:21:59 | |
# Me lleva al cuartel | 0:21:59 | 0:22:02 | |
# Me vuelve maceta | 0:22:02 | 0:22:03 | |
# Me da de comer | 0:22:03 | 0:22:05 | |
# Me agarra la bruja | 0:22:05 | 0:22:06 | |
# Me lleva al cerrito | 0:22:06 | 0:22:08 | |
# Me sienta en sus piernas | 0:22:08 | 0:22:11 | |
# Me da de besitos | 0:22:11 | 0:22:13 | |
# Ay digame? | 0:22:13 | 0:22:14 | |
# Ay digame? Ay digame usted? | 0:22:14 | 0:22:16 | |
# Cuantas creaturitas se ha chupado usted? | 0:22:16 | 0:22:20 | |
# Ninguna, ninguna, ninguna, no ve, | 0:22:20 | 0:22:24 | |
# Que ando en pretensions de chuparme a usted # | 0:22:24 | 0:22:29 | |
At last we can put a name to this well-known melody, Cielito Lindo. | 0:22:38 | 0:22:42 | |
# ..Canta y no llores | 0:22:43 | 0:22:46 | |
# Porque cantando se alegran cielito lindo los corazones | 0:22:46 | 0:22:54 | |
# Ese lunar que tienes | 0:22:54 | 0:22:57 | |
# Cielito lindo junto a la boca | 0:22:57 | 0:23:02 | |
# No se lo des a nadie | 0:23:02 | 0:23:05 | |
# Cielito lindo que a mi me toca # | 0:23:05 | 0:23:09 | |
Everybody! | 0:23:09 | 0:23:11 | |
# Ah, ah, ah, ah, | 0:23:11 | 0:23:15 | |
# Canta y no llores | 0:23:15 | 0:23:18 | |
# Porque cantando se alegran cielito lindo los corazones # | 0:23:18 | 0:23:26 | |
El Jarabe Tapatio - The Mexican Hat. | 0:23:30 | 0:23:33 | |
Thank you! Thank you! | 0:24:13 | 0:24:18 | |
Gracias, Salvadore. | 0:24:18 | 0:24:19 | |
The Monumental Jaguares | 0:24:19 | 0:24:21 | |
with Mariachi Oro and the Tenochtitlan Dance company. | 0:24:21 | 0:24:24 | |
Tattoo favourites, the New Zealand Army Band enter to the Wero. | 0:24:33 | 0:24:37 | |
This Maori challenge is delivered by Corporal Via Peterson, | 0:24:39 | 0:24:43 | |
who wrote it to challenge the band members to give their best | 0:24:43 | 0:24:46 | |
and to recognise the talent of those who have come before. | 0:24:46 | 0:24:50 | |
Job done, he hands off the tewhatewha | 0:24:54 | 0:24:56 | |
to the Drum Major, Staff Sergeant Tristan Mitchell. | 0:24:56 | 0:25:00 | |
The Eve Of The War from War Of The Worlds. | 0:25:04 | 0:25:08 | |
The tewhatewha was originally a Maori chief's weapon, | 0:25:14 | 0:25:18 | |
used to direct his troops in battle. | 0:25:18 | 0:25:20 | |
Colonel Bogey. | 0:25:38 | 0:25:40 | |
Gee Officer Krupke, from West Side Story, brings organised confusion. | 0:25:52 | 0:25:56 | |
HE SHOUTS OUT HAKA OPENING | 0:27:37 | 0:27:43 | |
Ka mate! Ka mate! Ka ora! Ka ora! | 0:27:43 | 0:27:46 | |
Ka mate! Ka mate! Ka ora! Ka ora! | 0:27:46 | 0:27:49 | |
Tenei te tangata puhuruhuru | 0:27:49 | 0:27:52 | |
Nana nei i tiki mai whakawhiti te ra | 0:27:52 | 0:27:56 | |
A, upane! Ka upane! | 0:27:56 | 0:27:58 | |
A, upane, ka upane, whiti te ra! | 0:27:58 | 0:28:01 | |
The Haka, a welcome or a threat - take it as you wish. | 0:28:03 | 0:28:07 | |
THEY PLAY "GANGNAM STYLE" BY PSY | 0:28:13 | 0:28:16 | |
Oppan Gangnam Style! | 0:28:32 | 0:28:34 | |
CHEERING AND LAUGHTER | 0:28:34 | 0:28:35 | |
Army band, Gangnam Style? Now, this has to be a first. | 0:28:37 | 0:28:40 | |
Niki Nana. (We're One). | 0:29:10 | 0:29:12 | |
The truly remarkable New Zealand Army Band. | 0:30:39 | 0:30:43 | |
APPLAUSE | 0:30:43 | 0:30:45 | |
The Army Band will now take a supporting role | 0:30:48 | 0:30:50 | |
as New Zealand's other great export to the Edinburgh Tattoo, | 0:30:50 | 0:30:54 | |
the Lochiel Marching Drill Team, take to the Esplanade. | 0:30:54 | 0:30:57 | |
Precision Drill like this is a competitive sport in New Zealand | 0:31:18 | 0:31:21 | |
and Lochiel have been champions 33 times. | 0:31:21 | 0:31:26 | |
All done with mathematics and lots of practice. | 0:31:26 | 0:31:29 | |
APPLAUSE | 0:34:06 | 0:34:09 | |
All that concentration, and they still have time to smile! | 0:34:12 | 0:34:16 | |
The New Zealand Army Band and the Lochiel Marching Team - | 0:34:31 | 0:34:35 | |
a winning combination. | 0:34:35 | 0:34:36 | |
CHEERING AND APPLAUSE | 0:34:36 | 0:34:39 | |
From the frozen steppes of Asia, | 0:34:44 | 0:34:46 | |
we welcome, for the first time at the Tattoo, | 0:34:46 | 0:34:49 | |
The Central Orchestra of the General Staff of the Mongolian Armed Forces | 0:34:49 | 0:34:53 | |
under their Director of Music, Colonel Tsedensodonom Tumurbat. | 0:34:53 | 0:34:57 | |
WOMAN SINGS | 0:34:57 | 0:35:00 | |
Contortionism is a venerated art form in Mongolia | 0:35:35 | 0:35:38 | |
and, at 17, Serchmaa Bayarsaikhan is at the peak of her career. | 0:35:38 | 0:35:42 | |
Horse fiddles and throat singing - another Tattoo first. | 0:36:00 | 0:36:04 | |
Easily, the best known Mongol is Genghis Khan. | 0:36:25 | 0:36:28 | |
THEY HOWL | 0:36:32 | 0:36:35 | |
Through showing the comparative strength of a bundle of arrows, | 0:37:11 | 0:37:15 | |
in relation to a single one, | 0:37:15 | 0:37:16 | |
the great Khan learned the value of unity - a lesson he held for life. | 0:37:16 | 0:37:21 | |
HE THROAT SINGS | 0:37:55 | 0:37:58 | |
THE MEN SHOUT | 0:38:25 | 0:38:27 | |
The Central Orchestra of the General Staff | 0:39:27 | 0:39:29 | |
for the Mongolian Armed Forces. | 0:39:29 | 0:39:32 | |
APPLAUSE | 0:39:32 | 0:39:34 | |
Led onto parade by Drum Major Maurice Brown, Scots Guards, | 0:39:55 | 0:39:59 | |
The Bands of the Irish Guards, The Rifles and The Royal Logistic Corps | 0:39:59 | 0:40:03 | |
play a rousing medley of established favourites, | 0:40:03 | 0:40:05 | |
beginning with the overture from Bizet's Carmen. | 0:40:05 | 0:40:08 | |
John Philip Sousa's Stars and Stripes Forever, | 0:40:27 | 0:40:30 | |
with the piccolos to the fore. | 0:40:30 | 0:40:31 | |
Pyotr Ilyich Tchaikovsky's Marche Militaire. | 0:41:08 | 0:41:11 | |
Antonin Dvorak's ninth Symphony in E minor, From The New World. | 0:42:01 | 0:42:05 | |
And rejoining the parade are the New Zealand Army Band | 0:43:02 | 0:43:05 | |
and the Central Orchestra of the Mongolian Armed Forces. | 0:43:05 | 0:43:08 | |
The 2013 Tattoo's Principal Director of Music, | 0:43:20 | 0:43:23 | |
Lieutenant Colonel Wayne Hopla, Irish Guards, | 0:43:23 | 0:43:26 | |
takes command of the massed bands. | 0:43:26 | 0:43:28 | |
We're back to Bizet with the Farandole from L'Arlesienne, | 0:43:38 | 0:43:42 | |
as we welcome the Bugles of the Rifles at a swift and bold pace... | 0:43:42 | 0:43:47 | |
140 per minute, in fact. | 0:43:47 | 0:43:49 | |
APPLAUSE | 0:44:39 | 0:44:42 | |
From the acclaimed National Theatre adaptation | 0:44:51 | 0:44:53 | |
of Michael Morpurgo's Novel, War Horse, | 0:44:53 | 0:44:56 | |
Joey takes to the centre of this great stage. | 0:44:56 | 0:45:01 | |
APPLAUSE | 0:47:28 | 0:47:31 | |
Truly captivating. | 0:47:33 | 0:47:35 | |
Lance-Sergeant Richard Lorimer, Irish Guards, | 0:47:43 | 0:47:46 | |
takes the lead on Wild Mountain Thyme. | 0:47:46 | 0:47:49 | |
# And we'll all go together | 0:48:46 | 0:48:53 | |
# To pull wild mountain thyme | 0:48:53 | 0:49:00 | |
# All around the blooming heather | 0:49:00 | 0:49:06 | |
# Will you go, lassie, go? # | 0:49:06 | 0:49:14 | |
To the Rhythm of My Heart, the international cast assembles... | 0:49:20 | 0:49:24 | |
# Oh rhythm of my heart... # | 0:49:24 | 0:49:27 | |
..from New Zealand... | 0:49:27 | 0:49:28 | |
# With the words, "I love you," rolling off my tongue... # | 0:49:28 | 0:49:31 | |
..from London... | 0:49:31 | 0:49:34 | |
# No, never will I roam For I know my place... # | 0:49:34 | 0:49:36 | |
..from Mongolia... | 0:49:36 | 0:49:38 | |
# Where the ocean meets the sky I'll be sailing... # | 0:49:38 | 0:49:41 | |
..from Mexico... | 0:49:41 | 0:49:43 | |
# Sailing... # | 0:49:43 | 0:49:44 | |
..from Scotland... | 0:49:44 | 0:49:46 | |
..and from Korea. | 0:49:52 | 0:49:53 | |
The Guard of Honour are from The Black Watch, 3rd Battalion, | 0:49:55 | 0:49:59 | |
The Royal Regiment of Scotland. | 0:49:59 | 0:50:01 | |
Taking the lead is Cruachan IV, | 0:50:01 | 0:50:04 | |
the mascot of the Royal Regiment of Scotland. | 0:50:04 | 0:50:07 | |
-SHOUTS: -Guard of honour! | 0:50:07 | 0:50:08 | |
The Guard Commander is Captain Timothy Towler. | 0:50:08 | 0:50:11 | |
HALT! | 0:50:11 | 0:50:12 | |
APPLAUSE | 0:50:12 | 0:50:14 | |
Gustav Holst's suite The Planets soars into the night sky | 0:50:23 | 0:50:27 | |
with the Tattoo fireworks. | 0:50:27 | 0:50:29 | |
APPLAUSE | 0:51:53 | 0:51:56 | |
We continue with Holst and the Evening Hymn, | 0:52:02 | 0:52:05 | |
led by the Erskine Stewart's Melville School's Junior Choir... | 0:52:05 | 0:52:09 | |
..the lowering of the flags, lights out, | 0:52:11 | 0:52:15 | |
I Vow to Thee, My Country. | 0:52:15 | 0:52:17 | |
# I vow to thee, my country | 0:52:22 | 0:52:27 | |
# All earthly things above | 0:52:27 | 0:52:33 | |
# Entire and whole and perfect | 0:52:33 | 0:52:39 | |
# The service of my love | 0:52:39 | 0:52:45 | |
# The love that asks no question | 0:52:45 | 0:52:50 | |
# The love that stands the test | 0:52:50 | 0:52:56 | |
# That lays upon the altar | 0:52:56 | 0:53:01 | |
# The dearest and the best | 0:53:01 | 0:53:07 | |
# The love that never falters | 0:53:07 | 0:53:13 | |
# The love that pays the price | 0:53:13 | 0:53:18 | |
# The love that makes undaunted | 0:53:18 | 0:53:24 | |
# The final sacrifice. # | 0:53:24 | 0:53:33 | |
The Lone Piper, | 0:53:34 | 0:53:35 | |
Senior Pipe Major Jason Sumner of the Army School of Bagpipe Music, | 0:53:35 | 0:53:40 | |
plays Reflections of Panmunjom, | 0:53:40 | 0:53:42 | |
commemorating the 60th anniversary of the Korean War Armistice. | 0:53:42 | 0:53:47 | |
CHEERING AND APPLAUSE | 0:54:25 | 0:54:28 | |
-SHOUTS: -General salute! | 0:54:35 | 0:54:37 | |
Present arms! | 0:54:37 | 0:54:40 | |
The National Anthem. | 0:54:41 | 0:54:44 | |
# God save our Gracious Queen | 0:54:44 | 0:54:49 | |
# Long live our noble Queen | 0:54:49 | 0:54:54 | |
# God save our Queen | 0:54:54 | 0:55:00 | |
# Send her victorious | 0:55:00 | 0:55:05 | |
# Happy and glorious | 0:55:05 | 0:55:10 | |
# Long to reign over us | 0:55:10 | 0:55:16 | |
# God save the Queen. # | 0:55:16 | 0:55:22 | |
The song of friendship that Robert Burns gave to the world - | 0:55:27 | 0:55:31 | |
Auld Lang Syne. | 0:55:31 | 0:55:32 | |
# Should auld acquaintance be forgot | 0:55:32 | 0:55:37 | |
# And never brought to mind? | 0:55:37 | 0:55:41 | |
# Should auld acquaintance be forgot | 0:55:41 | 0:55:46 | |
# And auld lang syne? | 0:55:46 | 0:55:50 | |
# For auld lang syne | 0:55:50 | 0:55:55 | |
# For auld lang syne | 0:55:55 | 0:55:59 | |
# We'll tak a cup o' kindness yet | 0:55:59 | 0:56:04 | |
# For auld lang syne | 0:56:04 | 0:56:08 | |
# And there's a hand my trusty fiere! | 0:56:10 | 0:56:14 | |
# And gie's a hand o' thine! | 0:56:14 | 0:56:18 | |
# We'll tak a right gude-willy waught | 0:56:18 | 0:56:22 | |
# For auld lang syne | 0:56:22 | 0:56:27 | |
# For auld lang syne | 0:56:27 | 0:56:31 | |
# For auld lang syne | 0:56:31 | 0:56:35 | |
# We'll tak a cup o' kindness yet | 0:56:35 | 0:56:39 | |
# For auld lang syne. # | 0:56:39 | 0:56:47 | |
CHEERING AND APPLAUSE | 0:56:47 | 0:56:51 | |
Scotland the Brave. | 0:57:05 | 0:57:07 | |
Now is the time to bid farewell to this colourful cast | 0:57:07 | 0:57:10 | |
who have filled the esplanade with their memorable performances. | 0:57:10 | 0:57:13 | |
Lieutenant colonel Wayne Hopla gives the signal | 0:57:21 | 0:57:24 | |
and the Massed Military Bands take their leave. | 0:57:24 | 0:57:27 | |
The Edinburgh Tattoo was first staged | 0:57:30 | 0:57:32 | |
in the years of post-war austerity, | 0:57:32 | 0:57:34 | |
when the Armed Services were asked to make a contribution | 0:57:34 | 0:57:37 | |
to lifting the spirits of the people of Edinburgh. | 0:57:37 | 0:57:40 | |
64 years on and after this event, | 0:57:40 | 0:57:43 | |
supported by The Royal Bank of Scotland, | 0:57:43 | 0:57:45 | |
the Tattoo can proudly claim to have fulfilled its original role. | 0:57:45 | 0:57:49 | |
And so the Massed Pipes and Drums march towards Castlehill, | 0:58:04 | 0:58:08 | |
to a tune that has taken generations of Jocks back to the barracks | 0:58:08 | 0:58:12 | |
at the end of the day... | 0:58:12 | 0:58:14 | |
The Black Bear. | 0:58:14 | 0:58:16 | |
And from Edinburgh Castle, this is Bill Paterson wishing you, | 0:58:23 | 0:58:27 | |
wherever in the world you've been watching, | 0:58:27 | 0:58:28 | |
good fortune and good health until we meet again. | 0:58:28 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:59:08 | 0:59:11 |