2012 Edinburgh Military Tattoo


2012

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Transcript


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Roaring through the gloaming -

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a diamond formation of Tornadoes and Typhoons

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from RAF Lossiemouth and Leuchars

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welcomes us to the 2012 Royal Edinburgh Military Tattoo.

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The serried fanfare is William Walton's music

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from the 1955 Sir Laurence Olivier film Richard III.

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CHEERING AND APPLAUSE

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The Massed Pipes and Drums surge through the great castle gates

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and across the drawbridge to the tune The Croft.

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14 bands are represented,

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drawn from across the Commonwealth, in this Diamond Jubilee year,

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and overseen by the maestro, Major Stephen Small,

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the director of Army bagpipe music and Highland drumming.

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The music has been selected to reflect activities

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across the croft in a year.

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Crodh Chaillean, Colin's Cattle.

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Proudly sporting the uniform of his antecedent regiment,

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the Royal Scots,

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Senior Drum Major Mick Hay, Royal Regiment of Scotland,

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leads the break into slow time.

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The Herding Song.

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The march, Cutting Bracken.

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The reel, Clean Pea Strae.

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And another reel, The Wind That Shakes The Barley.

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Here's a quirky reel, Na Goisidich, The Gossips.

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And a fresh and syncopated arrangement of yet another reel,

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Speed The Plough, closes this set.

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-CHEERING AND APPLAUSE

-Apart from his highly visible role,

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it's the Senior Drum Major's task

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to devise the beatings for the drummers.

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Pipes and drums, by the centre, quick march!

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We continue with a new tune by Major Stephen Small,

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The Seeds of Life.

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Formed into a diamond in the rough,

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we continue with The Sheiling

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and later, a waltz of Major Stephen Small's devising,

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The Harvester's Lullaby.

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Corporal Mark Lovell of the Royal Scots Dragoon Guards,

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with his distinctive red and white bearskin,

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is the timekeeper for the Massed Pipes and Drums,

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and dovetails into the popular hornpipe, Harvest Home.

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The last two jigs are also new compositions.

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Burning the Peat and Tilling the Land.

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CHEERING AND APPLAUSE

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The Massed Pipes and Drums.

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Returning to the Esplanade are the pipes, drums and dancers

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of Queen Victoria School, Dunblane,

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along with Australian pipes and drums

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from the Scots College, Sydney.

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This is the first time

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that schools from the northern and southern hemispheres

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have performed together at the Edinburgh Tattoo.

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All of these tunes and the choreography

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celebrate the weaving traditions

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which are still an important rural industry in Scotland.

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These compositions

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by the Queen Victoria School Pipe Major Gordon Ross

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are named for the good broadcloth tradition of Tweed.

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CHEERING AND APPLAUSE

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The Queen Victoria School and Scots College.

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With music from the animated motion picture Brave,

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penny whistle virtuoso Dinger Bell,

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from the Corps of Army Music,

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leads Patrick Doyle's inspired theme, Fate and Destiny.

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Flight Lieutenant Matthew Little,

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Director of Music for the Band of the Royal Air Force Regiment,

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assembles a glittering tri-service ensemble.

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Joining the soloists are the Minden Band of the Queen's Division,

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the bands of the Royal Air Force Regiment,

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Her Majesty's Royal Marines Scotland, the King's Division

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and the Royal Regiment of Scotland.

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Students from Stewart's Melville and Mary Erskine's colleges, Edinburgh,

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gather in the lee of the standing stones.

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Pipers from the Royal Regiment of Scotland

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and the Royal Scots Dragoon Guards add another texture.

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The music from Brave.

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CHEERING AND APPLAUSE

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"John Barleycore was a hero bold Of noble enterprise

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"For if you do but taste his blood 'Twill make your courage rise."

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Accompanied by the band of the Royal Regiment of Scotland,

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Billy Forsyth's Tattoo Highland Dancers

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and the Canadiana Celtic Dancers, under Nicola Grant,

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dance up a portrayal of the creation of Scotland's most popular export...

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whisky.

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The music is an excerpt from a composition by Phamie Gow,

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a descendant of the great Scottish fiddler Niel Gow.

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Having tossed the toasted malt and brewed the beer,

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which will eventually distil into the water of life,

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the malt men, or ladies in this case,

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dance a celebratory shovel dance.

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A sort of soft shoe shovel!

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Slainte mhath!

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CHEERING AND APPLAUSE

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From the big island down under

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comes a specially assembled composite band

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of the Australian Army, Navy and Air Force

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with an energetic display of what makes Australia's music great.

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To open, The Parade of the Tall Ships

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under Lieutenant Colonel Gordon Lambie.

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A lot of show to get through, better get a move on!

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# Once a jolly swagman

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# Camped by a billabong... #

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The singers are Corporal Debra Cotton,

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musician Mark Nivet and able seaman Stephanie Monk.

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# And he sang as he watched

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# As he watched and waited till his billy boiled

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# You'll come a waltzing Matilda with me

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# Waltzing Matilda, waltzing Matilda

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# You'll come a-waltzing Matilda with me

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# And he sang as he watched and waited till his billy boiled

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# You'll come a-waltzing Matilda with me. #

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And from Banjo Paterson to Kylie Minogue.

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# I'm spinning around move out of my way

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# I know you're feeling me cos you like it this

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# And breaking it down I'm not the same

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# I know you're feeling me cos you like it like this

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# Traded in some sorrow for some joy that I borrowed

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# From back in the day

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# Threw away my old clothes got myself a better wardrobe

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# I've got something to say

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# I'm through with the past Ain't no point in looking back

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# Your future will be

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# And did I forget to mention that I've found a new direction

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# And it means back to me

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# You kiss me, I'm falling

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# Can you hear me calling?

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# You touch me, I want you

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# Feels like I've always known you

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# On a night like this

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-# I want to stay for ever

-Stay for ever

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# On a night like this

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# Just want to be together. #

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CHEERING AND APPLAUSE

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# Some day we'll all be together once more

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# When all of the ships come back to your shore

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# I feel like something that I've always known

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# I still call Australia

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# I still call Australia

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# I still call Australia

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# Home

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# Australia home

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# Australia home. #

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CHEERING AND APPLAUSE

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The band of the Australian Defence Force.

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You wait all year for a Highland dance act

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and then three come along at once!

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Representing Scotland's proud tradition of heavy industry,

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the castle becomes a foundry

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as Cheryl Roach

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and the ground-breaking OzScot Dancers from Australia

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now wow us with an energetic performance entitled Metal.

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The music is by a Andrew Wilkie, the renowned Tap Dogs composer.

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CHEERING AND APPLAUSE

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The OzScot Highland Dancers.

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Fresh from their base in Naples,

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the United States Naval Forces Europe Band

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with Anchors Aweigh.

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Perhaps the most famous US sailor of all, Popeye the Sailorman.

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A guy who knows a thing or two about tattoos!

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CHEERING AND APPLAUSE

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As the dark night draws in in Gotham city,

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it's time for Batman.

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CHEERING AND APPLAUSE

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With the Love Theme from Superman, "Can You Read My Mind?",

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it's the quite supersonic Colin Reichow -

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Petty Officer second class, trumpeter first class.

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APPLAUSE

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The United States Naval Forces Europe Band

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under Lieutenant David Latour.

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Always fresh and innovative,

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the Top Secret Drum Corps from Basel, in Switzerland,

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present a display designed around the idea of the digital age.

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CHEERING AND APPLAUSE

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CHEERING

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ALL: Top, top, top, top secret!

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CHEERING AND APPLAUSE

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Top Secret's members are highly dedicated, with diverse day jobs -

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bankers, civil servants, factory workers -

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and perfection like this does not come overnight.

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THEY ALL SHOUT

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ALL: Ah!

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CHEERING AND APPLAUSE

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APPLAUSE

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

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LOUD CHEERING AND APPLAUSE

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The Top Secret drum Corps of Basel - unbeatable!

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From one perennial favourite to another.

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Rhythm, elegance and precision have always been the watchwords

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of his Majesty the King of Norway's Guards Band and Drill Team.

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Entering to The Guards' March.

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All these young men and women

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are serving their one year's National Service,

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but membership of the courteous and disciplined King's Guard

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is a badge of honour which they will carry for the rest of their lives.

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The plumed bowler hat

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was copied from the hat of the Italian Bersaglieri -

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troops that so impressed King Harald's great-grandmother

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that she insisted the Norwegian guards be similarly hatted in 1860.

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APPLAUSE

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CHEERING AND APPLAUSE

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CROWD MURMURS

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APPLAUSE

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GUNFIRE AND GASPING

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This piece of music

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is said to have been composed by King Henry VIII of England,

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Pastime With Good Company.

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CHEERING AND APPLAUSE

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ALL THE SOLDIERS SHOUT

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CHEERING AND APPLAUSE

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Die Kongens Garde, from Norway.

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In this Diamond Jubilee year,

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the tattoo begins its salute to Her Majesty the Queen

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with a medley of music from the British Isles.

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The Massed Military Bands start off with The Rolling Green of Ireland.

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Killaloe.

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And so to Wales, the land of song, with Men of Harlech.

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And to Scotland by way of the high road and the low road.

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And the Road to the Isles.

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There Will Always Be An England.

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The 2012 tattoo Principal Director of Music

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is Lieutenant Colonel Bob Meldrum MBE,

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who is also Principal Director of Music of the British Army.

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CHEERING AND APPLAUSE

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It's now time for the overseas military bands to join -

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each with their own tribute to the Diamond Jubilee.

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Leading the way is the United States Naval Forces Europe Band

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with a march, Stars and Stripes Forever.

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The Australian Defence Force Band, Along the Road to Gundagai.

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And the King of Norway's guards band with His Majesty the King's March.

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Lieutenant Colonel Bob Meldrum MBE,

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Principal Director of Music of the 2012 tattoo,

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now leads the Massed Bands in a new arrangement by Mac McDermott

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of Michael Korb and Ulrich Roever's now almost mandatory piece

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first performed at the Waldbuhne in West Berlin in 1986...

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..Highland Cathedral with the Massed Pipes and Drums.

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LOUD CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

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Now members of the cast.

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The OzScot Highland Dancers and the Queen Victoria School, Dunblane.

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The Royal Edinburgh Military Tattoo Highland Dancers

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and the King's Guard Drill Team.

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The Top Secret Drum Corps.

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About to retire with a military pension,

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which should see him comfortably off -

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for oats - is Corporal Cruachan III,

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regimental mascot of the Royal Regiment of Scotland.

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The guard of honour are found from the Black Watch,

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the third Battalion of the Royal Regiment of Scotland.

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Battalion halt!

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CHEERING AND APPLAUSE

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The Isle has formed and the congregation assembles

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as Edinburgh Castle becomes Westminster Abbey

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to commemorate Her Majesty the Queen's coronation in 1953.

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Vivat! Vivat! Vivat!

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The crown moves up the nave towards the solemn moment of anointing

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and for the coronation.

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To Sir Hubert Parry's great anthem I Was Glad

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and to George Frederic Handel's Zadok the Priest.

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APPLAUSE

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After the coronation,

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Her Majesty processed through the nave

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to be greeted by the cheering of the waiting crowds

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and the pealing of the Abbey bells.

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CHEERING AND APPLAUSE

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The National Anthem.

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This arrangement was written for the Coronation

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by the foremost wind band composer of his day, Gordon Jacob.

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And as further celebration of the Diamond Jubilee,

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not to be outshone by a dazzling firework display,

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the tattoo cast and audience play their part

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in a very special light show...

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..Diamonds are Forever...

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..and for all.

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CHEERING AND APPLAUSE

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The Evening Hymn, Sunset...

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the lowering of the colours, lights out...

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the day thou gave us, Lord, has ended.

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CHEERING AND APPLAUSE

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Commemorating 30 years

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since the conflict for the relief of the Falkland Islands,

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the Lone Piper, Lance Corporal Phil Stevenson of the Scots Guards,

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plays Pipe Major Jim Riddle's tune,

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written on the Falklands battlefield.

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The Crags of Tumbledown.

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CHEERING AND APPLAUSE

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CHEERING AND APPLAUSE

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Farewell to the guard of honour...

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..the King's Guard Drill Team...

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..farewell to the Highland dancers from Scotland and from Canada...

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..and from Australia...

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..to the dancers from Queen Victoria School...

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..the Top Secret Drum Corps...

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..to Australia Defence Forces...

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..and the boys and girls from Erskine Stewart's Melville school.

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Farewell to the Massed Military Bands

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from the United Kingdom and Norway,

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and from Australia, and the United States of America.

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It's been another unforgettable Royal Edinburgh Military Tattoo.

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The event, supported by the Royal Bank of Scotland,

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now very much at home and settled in the new stands.

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During the month of August,

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the brightest and best of the world's artists

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congregate in Edinburgh

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and every year the tattoo visitors leave the Esplanade

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knowing that they have experienced

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one of Edinburgh's greatest spectacles and enduring events.

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And finally, the traditional tune, The Black Bear,

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as the Massed Pipes and Drums head for the Royal Mile

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and back to barracks.

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"From scenes like these old Scotia's grandeur springs

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"What makes her loved at home, revered abroad."

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I hope you've enjoyed this unique event.

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I'm Bill Paterson, thanks for watching

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and wherever you are in the world,

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I wish you a good night from Edinburgh and haste ye back.

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Until the next time, may good fortune and good health be yours.

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CHEERING AND APPLAUSE

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