Browse content similar to 2012. Check below for episodes and series from the same categories and more!
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Roaring through the gloaming - | 0:00:14 | 0:00:16 | |
a diamond formation of Tornadoes and Typhoons | 0:00:16 | 0:00:19 | |
from RAF Lossiemouth and Leuchars | 0:00:19 | 0:00:21 | |
welcomes us to the 2012 Royal Edinburgh Military Tattoo. | 0:00:21 | 0:00:26 | |
The serried fanfare is William Walton's music | 0:00:39 | 0:00:43 | |
from the 1955 Sir Laurence Olivier film Richard III. | 0:00:43 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:06 | |
The Massed Pipes and Drums surge through the great castle gates | 0:01:08 | 0:01:11 | |
and across the drawbridge to the tune The Croft. | 0:01:11 | 0:01:15 | |
14 bands are represented, | 0:01:31 | 0:01:33 | |
drawn from across the Commonwealth, in this Diamond Jubilee year, | 0:01:33 | 0:01:36 | |
and overseen by the maestro, Major Stephen Small, | 0:01:36 | 0:01:39 | |
the director of Army bagpipe music and Highland drumming. | 0:01:39 | 0:01:44 | |
The music has been selected to reflect activities | 0:01:44 | 0:01:47 | |
across the croft in a year. | 0:01:47 | 0:01:49 | |
Crodh Chaillean, Colin's Cattle. | 0:01:50 | 0:01:52 | |
Proudly sporting the uniform of his antecedent regiment, | 0:02:17 | 0:02:19 | |
the Royal Scots, | 0:02:19 | 0:02:20 | |
Senior Drum Major Mick Hay, Royal Regiment of Scotland, | 0:02:20 | 0:02:24 | |
leads the break into slow time. | 0:02:24 | 0:02:27 | |
The Herding Song. | 0:02:27 | 0:02:29 | |
The march, Cutting Bracken. | 0:02:40 | 0:02:42 | |
The reel, Clean Pea Strae. | 0:03:00 | 0:03:03 | |
And another reel, The Wind That Shakes The Barley. | 0:03:20 | 0:03:23 | |
Here's a quirky reel, Na Goisidich, The Gossips. | 0:03:41 | 0:03:44 | |
And a fresh and syncopated arrangement of yet another reel, | 0:04:14 | 0:04:18 | |
Speed The Plough, closes this set. | 0:04:18 | 0:04:20 | |
-CHEERING AND APPLAUSE -Apart from his highly visible role, | 0:04:35 | 0:04:38 | |
it's the Senior Drum Major's task | 0:04:38 | 0:04:40 | |
to devise the beatings for the drummers. | 0:04:40 | 0:04:42 | |
Pipes and drums, by the centre, quick march! | 0:04:43 | 0:04:47 | |
We continue with a new tune by Major Stephen Small, | 0:04:47 | 0:04:50 | |
The Seeds of Life. | 0:04:50 | 0:04:52 | |
Formed into a diamond in the rough, | 0:05:27 | 0:05:29 | |
we continue with The Sheiling | 0:05:29 | 0:05:31 | |
and later, a waltz of Major Stephen Small's devising, | 0:05:31 | 0:05:35 | |
The Harvester's Lullaby. | 0:05:35 | 0:05:36 | |
Corporal Mark Lovell of the Royal Scots Dragoon Guards, | 0:05:56 | 0:05:59 | |
with his distinctive red and white bearskin, | 0:05:59 | 0:06:01 | |
is the timekeeper for the Massed Pipes and Drums, | 0:06:01 | 0:06:04 | |
and dovetails into the popular hornpipe, Harvest Home. | 0:06:04 | 0:06:07 | |
The last two jigs are also new compositions. | 0:06:15 | 0:06:18 | |
Burning the Peat and Tilling the Land. | 0:06:18 | 0:06:21 | |
CHEERING AND APPLAUSE | 0:06:40 | 0:06:41 | |
The Massed Pipes and Drums. | 0:06:41 | 0:06:44 | |
Returning to the Esplanade are the pipes, drums and dancers | 0:06:52 | 0:06:56 | |
of Queen Victoria School, Dunblane, | 0:06:56 | 0:06:58 | |
along with Australian pipes and drums | 0:06:58 | 0:07:00 | |
from the Scots College, Sydney. | 0:07:00 | 0:07:02 | |
This is the first time | 0:07:02 | 0:07:03 | |
that schools from the northern and southern hemispheres | 0:07:03 | 0:07:06 | |
have performed together at the Edinburgh Tattoo. | 0:07:06 | 0:07:10 | |
All of these tunes and the choreography | 0:07:21 | 0:07:24 | |
celebrate the weaving traditions | 0:07:24 | 0:07:25 | |
which are still an important rural industry in Scotland. | 0:07:25 | 0:07:29 | |
These compositions | 0:08:11 | 0:08:12 | |
by the Queen Victoria School Pipe Major Gordon Ross | 0:08:12 | 0:08:16 | |
are named for the good broadcloth tradition of Tweed. | 0:08:16 | 0:08:19 | |
CHEERING AND APPLAUSE | 0:08:45 | 0:08:47 | |
The Queen Victoria School and Scots College. | 0:08:47 | 0:08:49 | |
With music from the animated motion picture Brave, | 0:08:59 | 0:09:03 | |
penny whistle virtuoso Dinger Bell, | 0:09:03 | 0:09:05 | |
from the Corps of Army Music, | 0:09:05 | 0:09:07 | |
leads Patrick Doyle's inspired theme, Fate and Destiny. | 0:09:07 | 0:09:12 | |
Flight Lieutenant Matthew Little, | 0:09:53 | 0:09:55 | |
Director of Music for the Band of the Royal Air Force Regiment, | 0:09:55 | 0:09:59 | |
assembles a glittering tri-service ensemble. | 0:09:59 | 0:10:01 | |
Joining the soloists are the Minden Band of the Queen's Division, | 0:10:04 | 0:10:07 | |
the bands of the Royal Air Force Regiment, | 0:10:07 | 0:10:09 | |
Her Majesty's Royal Marines Scotland, the King's Division | 0:10:09 | 0:10:13 | |
and the Royal Regiment of Scotland. | 0:10:13 | 0:10:16 | |
Students from Stewart's Melville and Mary Erskine's colleges, Edinburgh, | 0:10:56 | 0:11:00 | |
gather in the lee of the standing stones. | 0:11:00 | 0:11:03 | |
Pipers from the Royal Regiment of Scotland | 0:12:34 | 0:12:37 | |
and the Royal Scots Dragoon Guards add another texture. | 0:12:37 | 0:12:40 | |
The music from Brave. | 0:12:53 | 0:12:55 | |
CHEERING AND APPLAUSE | 0:12:55 | 0:12:57 | |
"John Barleycore was a hero bold Of noble enterprise | 0:12:57 | 0:13:03 | |
"For if you do but taste his blood 'Twill make your courage rise." | 0:13:03 | 0:13:09 | |
Accompanied by the band of the Royal Regiment of Scotland, | 0:13:09 | 0:13:12 | |
Billy Forsyth's Tattoo Highland Dancers | 0:13:12 | 0:13:15 | |
and the Canadiana Celtic Dancers, under Nicola Grant, | 0:13:15 | 0:13:18 | |
dance up a portrayal of the creation of Scotland's most popular export... | 0:13:18 | 0:13:23 | |
whisky. | 0:13:23 | 0:13:25 | |
The music is an excerpt from a composition by Phamie Gow, | 0:13:48 | 0:13:52 | |
a descendant of the great Scottish fiddler Niel Gow. | 0:13:52 | 0:13:56 | |
Having tossed the toasted malt and brewed the beer, | 0:14:36 | 0:14:39 | |
which will eventually distil into the water of life, | 0:14:39 | 0:14:42 | |
the malt men, or ladies in this case, | 0:14:42 | 0:14:44 | |
dance a celebratory shovel dance. | 0:14:44 | 0:14:46 | |
A sort of soft shoe shovel! | 0:14:47 | 0:14:50 | |
Slainte mhath! | 0:15:10 | 0:15:12 | |
CHEERING AND APPLAUSE | 0:15:12 | 0:15:14 | |
From the big island down under | 0:15:16 | 0:15:18 | |
comes a specially assembled composite band | 0:15:18 | 0:15:21 | |
of the Australian Army, Navy and Air Force | 0:15:21 | 0:15:24 | |
with an energetic display of what makes Australia's music great. | 0:15:24 | 0:15:28 | |
To open, The Parade of the Tall Ships | 0:15:32 | 0:15:36 | |
under Lieutenant Colonel Gordon Lambie. | 0:15:36 | 0:15:38 | |
A lot of show to get through, better get a move on! | 0:16:08 | 0:16:11 | |
# Once a jolly swagman | 0:16:15 | 0:16:20 | |
# Camped by a billabong... # | 0:16:20 | 0:16:24 | |
The singers are Corporal Debra Cotton, | 0:16:24 | 0:16:27 | |
musician Mark Nivet and able seaman Stephanie Monk. | 0:16:27 | 0:16:32 | |
# And he sang as he watched | 0:16:32 | 0:16:36 | |
# As he watched and waited till his billy boiled | 0:16:36 | 0:16:42 | |
# You'll come a waltzing Matilda with me | 0:16:43 | 0:16:49 | |
# Waltzing Matilda, waltzing Matilda | 0:16:49 | 0:16:54 | |
# You'll come a-waltzing Matilda with me | 0:16:54 | 0:16:58 | |
# And he sang as he watched and waited till his billy boiled | 0:16:58 | 0:17:05 | |
# You'll come a-waltzing Matilda with me. # | 0:17:05 | 0:17:11 | |
And from Banjo Paterson to Kylie Minogue. | 0:17:11 | 0:17:15 | |
# I'm spinning around move out of my way | 0:17:18 | 0:17:22 | |
# I know you're feeling me cos you like it this | 0:17:22 | 0:17:26 | |
# And breaking it down I'm not the same | 0:17:26 | 0:17:29 | |
# I know you're feeling me cos you like it like this | 0:17:29 | 0:17:32 | |
# Traded in some sorrow for some joy that I borrowed | 0:17:32 | 0:17:36 | |
# From back in the day | 0:17:36 | 0:17:39 | |
# Threw away my old clothes got myself a better wardrobe | 0:17:39 | 0:17:44 | |
# I've got something to say | 0:17:44 | 0:17:45 | |
# I'm through with the past Ain't no point in looking back | 0:17:45 | 0:17:50 | |
# Your future will be | 0:17:50 | 0:17:53 | |
# And did I forget to mention that I've found a new direction | 0:17:53 | 0:17:57 | |
# And it means back to me | 0:17:57 | 0:18:00 | |
# You kiss me, I'm falling | 0:18:00 | 0:18:04 | |
# Can you hear me calling? | 0:18:04 | 0:18:08 | |
# You touch me, I want you | 0:18:08 | 0:18:11 | |
# Feels like I've always known you | 0:18:11 | 0:18:15 | |
# On a night like this | 0:18:15 | 0:18:18 | |
-# I want to stay for ever -Stay for ever | 0:18:18 | 0:18:22 | |
# On a night like this | 0:18:22 | 0:18:24 | |
# Just want to be together. # | 0:18:24 | 0:18:28 | |
CHEERING AND APPLAUSE | 0:18:28 | 0:18:32 | |
# Some day we'll all be together once more | 0:18:52 | 0:19:00 | |
# When all of the ships come back to your shore | 0:19:00 | 0:19:07 | |
# I feel like something that I've always known | 0:19:07 | 0:19:13 | |
# I still call Australia | 0:19:13 | 0:19:17 | |
# I still call Australia | 0:19:17 | 0:19:20 | |
# I still call Australia | 0:19:20 | 0:19:30 | |
# Home | 0:19:31 | 0:19:37 | |
# Australia home | 0:19:37 | 0:19:41 | |
# Australia home. # | 0:19:41 | 0:19:44 | |
CHEERING AND APPLAUSE | 0:19:44 | 0:19:47 | |
The band of the Australian Defence Force. | 0:19:47 | 0:19:49 | |
You wait all year for a Highland dance act | 0:19:49 | 0:19:52 | |
and then three come along at once! | 0:19:52 | 0:19:54 | |
Representing Scotland's proud tradition of heavy industry, | 0:19:56 | 0:19:59 | |
the castle becomes a foundry | 0:19:59 | 0:20:02 | |
as Cheryl Roach | 0:20:02 | 0:20:03 | |
and the ground-breaking OzScot Dancers from Australia | 0:20:03 | 0:20:06 | |
now wow us with an energetic performance entitled Metal. | 0:20:06 | 0:20:10 | |
The music is by a Andrew Wilkie, the renowned Tap Dogs composer. | 0:20:15 | 0:20:20 | |
CHEERING AND APPLAUSE | 0:21:48 | 0:21:50 | |
The OzScot Highland Dancers. | 0:21:50 | 0:21:52 | |
Fresh from their base in Naples, | 0:21:58 | 0:22:00 | |
the United States Naval Forces Europe Band | 0:22:00 | 0:22:03 | |
with Anchors Aweigh. | 0:22:03 | 0:22:05 | |
Perhaps the most famous US sailor of all, Popeye the Sailorman. | 0:22:34 | 0:22:38 | |
A guy who knows a thing or two about tattoos! | 0:22:38 | 0:22:41 | |
CHEERING AND APPLAUSE | 0:23:04 | 0:23:06 | |
As the dark night draws in in Gotham city, | 0:23:06 | 0:23:09 | |
it's time for Batman. | 0:23:09 | 0:23:10 | |
CHEERING AND APPLAUSE | 0:23:37 | 0:23:39 | |
With the Love Theme from Superman, "Can You Read My Mind?", | 0:23:39 | 0:23:43 | |
it's the quite supersonic Colin Reichow - | 0:23:43 | 0:23:45 | |
Petty Officer second class, trumpeter first class. | 0:23:45 | 0:23:49 | |
APPLAUSE | 0:24:33 | 0:24:35 | |
The United States Naval Forces Europe Band | 0:25:33 | 0:25:36 | |
under Lieutenant David Latour. | 0:25:36 | 0:25:38 | |
Always fresh and innovative, | 0:25:44 | 0:25:46 | |
the Top Secret Drum Corps from Basel, in Switzerland, | 0:25:46 | 0:25:49 | |
present a display designed around the idea of the digital age. | 0:25:49 | 0:25:53 | |
CHEERING AND APPLAUSE | 0:26:25 | 0:26:27 | |
CHEERING | 0:27:07 | 0:27:09 | |
ALL: Top, top, top, top secret! | 0:27:20 | 0:27:22 | |
CHEERING AND APPLAUSE | 0:28:29 | 0:28:31 | |
Top Secret's members are highly dedicated, with diverse day jobs - | 0:28:59 | 0:29:02 | |
bankers, civil servants, factory workers - | 0:29:02 | 0:29:06 | |
and perfection like this does not come overnight. | 0:29:06 | 0:29:09 | |
THEY ALL SHOUT | 0:29:09 | 0:29:11 | |
ALL: Ah! | 0:29:40 | 0:29:42 | |
CHEERING AND APPLAUSE | 0:29:42 | 0:29:45 | |
APPLAUSE | 0:30:20 | 0:30:23 | |
CHEERING AND APPLAUSE | 0:30:48 | 0:30:52 | |
CHEERING AND APPLAUSE | 0:31:25 | 0:31:27 | |
LOUD CHEERING AND APPLAUSE | 0:31:46 | 0:31:48 | |
The Top Secret drum Corps of Basel - unbeatable! | 0:31:48 | 0:31:51 | |
From one perennial favourite to another. | 0:31:53 | 0:31:56 | |
Rhythm, elegance and precision have always been the watchwords | 0:31:56 | 0:31:59 | |
of his Majesty the King of Norway's Guards Band and Drill Team. | 0:31:59 | 0:32:03 | |
Entering to The Guards' March. | 0:32:03 | 0:32:06 | |
All these young men and women | 0:32:35 | 0:32:36 | |
are serving their one year's National Service, | 0:32:36 | 0:32:39 | |
but membership of the courteous and disciplined King's Guard | 0:32:39 | 0:32:42 | |
is a badge of honour which they will carry for the rest of their lives. | 0:32:42 | 0:32:47 | |
The plumed bowler hat | 0:33:38 | 0:33:40 | |
was copied from the hat of the Italian Bersaglieri - | 0:33:40 | 0:33:44 | |
troops that so impressed King Harald's great-grandmother | 0:33:44 | 0:33:46 | |
that she insisted the Norwegian guards be similarly hatted in 1860. | 0:33:46 | 0:33:51 | |
APPLAUSE | 0:33:58 | 0:34:00 | |
CHEERING AND APPLAUSE | 0:34:11 | 0:34:15 | |
CROWD MURMURS | 0:34:28 | 0:34:30 | |
APPLAUSE | 0:34:33 | 0:34:34 | |
GUNFIRE AND GASPING | 0:34:53 | 0:34:57 | |
This piece of music | 0:35:04 | 0:35:05 | |
is said to have been composed by King Henry VIII of England, | 0:35:05 | 0:35:09 | |
Pastime With Good Company. | 0:35:09 | 0:35:11 | |
CHEERING AND APPLAUSE | 0:35:43 | 0:35:45 | |
ALL THE SOLDIERS SHOUT | 0:36:36 | 0:36:37 | |
CHEERING AND APPLAUSE | 0:36:37 | 0:36:40 | |
Die Kongens Garde, from Norway. | 0:36:40 | 0:36:42 | |
In this Diamond Jubilee year, | 0:36:46 | 0:36:48 | |
the tattoo begins its salute to Her Majesty the Queen | 0:36:48 | 0:36:51 | |
with a medley of music from the British Isles. | 0:36:51 | 0:36:54 | |
The Massed Military Bands start off with The Rolling Green of Ireland. | 0:36:54 | 0:36:59 | |
Killaloe. | 0:37:34 | 0:37:35 | |
And so to Wales, the land of song, with Men of Harlech. | 0:37:54 | 0:37:58 | |
And to Scotland by way of the high road and the low road. | 0:38:50 | 0:38:54 | |
And the Road to the Isles. | 0:39:09 | 0:39:11 | |
There Will Always Be An England. | 0:39:48 | 0:39:50 | |
The 2012 tattoo Principal Director of Music | 0:39:57 | 0:40:00 | |
is Lieutenant Colonel Bob Meldrum MBE, | 0:40:00 | 0:40:04 | |
who is also Principal Director of Music of the British Army. | 0:40:04 | 0:40:07 | |
CHEERING AND APPLAUSE | 0:40:17 | 0:40:20 | |
It's now time for the overseas military bands to join - | 0:40:20 | 0:40:22 | |
each with their own tribute to the Diamond Jubilee. | 0:40:22 | 0:40:26 | |
Leading the way is the United States Naval Forces Europe Band | 0:40:26 | 0:40:29 | |
with a march, Stars and Stripes Forever. | 0:40:29 | 0:40:33 | |
The Australian Defence Force Band, Along the Road to Gundagai. | 0:40:53 | 0:40:58 | |
And the King of Norway's guards band with His Majesty the King's March. | 0:41:25 | 0:41:29 | |
Lieutenant Colonel Bob Meldrum MBE, | 0:42:03 | 0:42:05 | |
Principal Director of Music of the 2012 tattoo, | 0:42:05 | 0:42:09 | |
now leads the Massed Bands in a new arrangement by Mac McDermott | 0:42:09 | 0:42:13 | |
of Michael Korb and Ulrich Roever's now almost mandatory piece | 0:42:13 | 0:42:18 | |
first performed at the Waldbuhne in West Berlin in 1986... | 0:42:18 | 0:42:22 | |
..Highland Cathedral with the Massed Pipes and Drums. | 0:42:23 | 0:42:26 | |
LOUD CHEERING AND APPLAUSE | 0:42:33 | 0:42:36 | |
CHEERING AND APPLAUSE | 0:44:10 | 0:44:13 | |
Now members of the cast. | 0:44:13 | 0:44:15 | |
The OzScot Highland Dancers and the Queen Victoria School, Dunblane. | 0:44:16 | 0:44:21 | |
The Royal Edinburgh Military Tattoo Highland Dancers | 0:44:23 | 0:44:26 | |
and the King's Guard Drill Team. | 0:44:26 | 0:44:28 | |
The Top Secret Drum Corps. | 0:44:28 | 0:44:31 | |
About to retire with a military pension, | 0:44:37 | 0:44:39 | |
which should see him comfortably off - | 0:44:39 | 0:44:41 | |
for oats - is Corporal Cruachan III, | 0:44:41 | 0:44:44 | |
regimental mascot of the Royal Regiment of Scotland. | 0:44:44 | 0:44:48 | |
The guard of honour are found from the Black Watch, | 0:44:50 | 0:44:53 | |
the third Battalion of the Royal Regiment of Scotland. | 0:44:53 | 0:44:56 | |
Battalion halt! | 0:45:07 | 0:45:11 | |
CHEERING AND APPLAUSE | 0:45:13 | 0:45:15 | |
The Isle has formed and the congregation assembles | 0:45:15 | 0:45:19 | |
as Edinburgh Castle becomes Westminster Abbey | 0:45:19 | 0:45:22 | |
to commemorate Her Majesty the Queen's coronation in 1953. | 0:45:22 | 0:45:26 | |
Vivat! Vivat! Vivat! | 0:45:30 | 0:45:34 | |
The crown moves up the nave towards the solemn moment of anointing | 0:45:34 | 0:45:38 | |
and for the coronation. | 0:45:38 | 0:45:40 | |
To Sir Hubert Parry's great anthem I Was Glad | 0:45:40 | 0:45:45 | |
and to George Frederic Handel's Zadok the Priest. | 0:45:45 | 0:45:48 | |
APPLAUSE | 0:47:28 | 0:47:30 | |
After the coronation, | 0:47:36 | 0:47:38 | |
Her Majesty processed through the nave | 0:47:38 | 0:47:41 | |
to be greeted by the cheering of the waiting crowds | 0:47:41 | 0:47:44 | |
and the pealing of the Abbey bells. | 0:47:44 | 0:47:47 | |
CHEERING AND APPLAUSE | 0:48:08 | 0:48:11 | |
The National Anthem. | 0:48:15 | 0:48:17 | |
This arrangement was written for the Coronation | 0:48:17 | 0:48:20 | |
by the foremost wind band composer of his day, Gordon Jacob. | 0:48:20 | 0:48:24 | |
And as further celebration of the Diamond Jubilee, | 0:49:26 | 0:49:29 | |
not to be outshone by a dazzling firework display, | 0:49:29 | 0:49:32 | |
the tattoo cast and audience play their part | 0:49:32 | 0:49:35 | |
in a very special light show... | 0:49:35 | 0:49:37 | |
..Diamonds are Forever... | 0:49:39 | 0:49:40 | |
..and for all. | 0:49:43 | 0:49:45 | |
CHEERING AND APPLAUSE | 0:50:33 | 0:50:36 | |
The Evening Hymn, Sunset... | 0:50:44 | 0:50:46 | |
the lowering of the colours, lights out... | 0:50:46 | 0:50:50 | |
the day thou gave us, Lord, has ended. | 0:50:50 | 0:50:53 | |
CHEERING AND APPLAUSE | 0:54:26 | 0:54:27 | |
Commemorating 30 years | 0:54:27 | 0:54:29 | |
since the conflict for the relief of the Falkland Islands, | 0:54:29 | 0:54:32 | |
the Lone Piper, Lance Corporal Phil Stevenson of the Scots Guards, | 0:54:32 | 0:54:37 | |
plays Pipe Major Jim Riddle's tune, | 0:54:37 | 0:54:40 | |
written on the Falklands battlefield. | 0:54:40 | 0:54:42 | |
The Crags of Tumbledown. | 0:54:42 | 0:54:44 | |
CHEERING AND APPLAUSE | 0:55:50 | 0:55:52 | |
CHEERING AND APPLAUSE | 0:56:02 | 0:56:04 | |
Farewell to the guard of honour... | 0:56:06 | 0:56:09 | |
..the King's Guard Drill Team... | 0:56:10 | 0:56:12 | |
..farewell to the Highland dancers from Scotland and from Canada... | 0:56:15 | 0:56:19 | |
..and from Australia... | 0:56:20 | 0:56:22 | |
..to the dancers from Queen Victoria School... | 0:56:24 | 0:56:26 | |
..the Top Secret Drum Corps... | 0:56:29 | 0:56:31 | |
..to Australia Defence Forces... | 0:56:32 | 0:56:35 | |
..and the boys and girls from Erskine Stewart's Melville school. | 0:56:37 | 0:56:41 | |
Farewell to the Massed Military Bands | 0:56:44 | 0:56:46 | |
from the United Kingdom and Norway, | 0:56:46 | 0:56:49 | |
and from Australia, and the United States of America. | 0:56:49 | 0:56:52 | |
It's been another unforgettable Royal Edinburgh Military Tattoo. | 0:56:52 | 0:56:56 | |
The event, supported by the Royal Bank of Scotland, | 0:56:56 | 0:56:59 | |
now very much at home and settled in the new stands. | 0:56:59 | 0:57:02 | |
During the month of August, | 0:57:03 | 0:57:06 | |
the brightest and best of the world's artists | 0:57:06 | 0:57:09 | |
congregate in Edinburgh | 0:57:09 | 0:57:10 | |
and every year the tattoo visitors leave the Esplanade | 0:57:10 | 0:57:13 | |
knowing that they have experienced | 0:57:13 | 0:57:15 | |
one of Edinburgh's greatest spectacles and enduring events. | 0:57:15 | 0:57:19 | |
And finally, the traditional tune, The Black Bear, | 0:57:27 | 0:57:30 | |
as the Massed Pipes and Drums head for the Royal Mile | 0:57:30 | 0:57:33 | |
and back to barracks. | 0:57:33 | 0:57:35 | |
"From scenes like these old Scotia's grandeur springs | 0:57:38 | 0:57:42 | |
"What makes her loved at home, revered abroad." | 0:57:42 | 0:57:47 | |
I hope you've enjoyed this unique event. | 0:57:47 | 0:57:49 | |
I'm Bill Paterson, thanks for watching | 0:57:49 | 0:57:52 | |
and wherever you are in the world, | 0:57:52 | 0:57:53 | |
I wish you a good night from Edinburgh and haste ye back. | 0:57:53 | 0:57:58 | |
Until the next time, may good fortune and good health be yours. | 0:57:58 | 0:58:02 | |
CHEERING AND APPLAUSE | 0:58:08 | 0:58:11 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:51 |