Browse content similar to 2011. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
There's a brand new stand | 0:00:22 | 0:00:24 | |
on the Castle esplanade, | 0:00:24 | 0:00:27 | |
but like Edinburgh's famous trams, | 0:00:27 | 0:00:28 | |
they haven't quite finished the job in time. | 0:00:28 | 0:00:31 | |
CHEERING | 0:00:33 | 0:00:35 | |
A Typhoon fighter from 6 Squadron, | 0:01:45 | 0:01:47 | |
based at RAF Leuchars, | 0:01:47 | 0:01:49 | |
and the fanfare, Salute to the Stands, | 0:01:49 | 0:01:51 | |
mark the opening of the 2011 Royal Edinburgh Military Tattoo. | 0:01:51 | 0:01:55 | |
CHEERING AND APPLAUSE | 0:01:55 | 0:01:59 | |
Now, the massed pipes and drums cross the drawbridge | 0:02:05 | 0:02:08 | |
to the tune "The Royal Edinburgh Military Tattoo", | 0:02:08 | 0:02:11 | |
written by Captain Steven Small, | 0:02:11 | 0:02:13 | |
Director of Army Bagpipe Music and Highland Drumming. | 0:02:13 | 0:02:16 | |
This year, the bands featured are: The Royal Scots Dragoon Guards, | 0:02:25 | 0:02:29 | |
The First Battalion Scots Guards, The Royal Scots Borderers, | 0:02:29 | 0:02:33 | |
The Royal Highland Fusiliers, | 0:02:33 | 0:02:35 | |
First and Second Battalions of The Royal Regiment of Scotland, | 0:02:35 | 0:02:38 | |
First Battalion of The Royal Irish Regiment, | 0:02:38 | 0:02:41 | |
First and Second Battalions, The Royal Ghurkha Rifles, | 0:02:41 | 0:02:44 | |
and The Royal Air Force. | 0:02:44 | 0:02:45 | |
From overseas, The Royal Caledonian Society | 0:02:45 | 0:02:49 | |
of South Australia, | 0:02:49 | 0:02:50 | |
The Royal Army of Oman | 0:02:50 | 0:02:52 | |
and The Crossed Swords, | 0:02:52 | 0:02:54 | |
from Germany. | 0:02:54 | 0:02:55 | |
The March of the Cameron Men gives way | 0:03:01 | 0:03:03 | |
to the slow march, Rhu Vaternish... | 0:03:03 | 0:03:05 | |
In the Garb of Old Gaul... | 0:03:23 | 0:03:25 | |
The Gallowa' Hills... | 0:04:01 | 0:04:04 | |
Dark Lowers the Night... | 0:04:40 | 0:04:43 | |
..and to end this set, Kelsey's Wee Reel... | 0:05:11 | 0:05:15 | |
CHEERING AND APPLAUSE | 0:05:33 | 0:05:36 | |
HE ISSUES BAND COMMANDS | 0:05:39 | 0:05:42 | |
Drum Major, Brian Alexander, | 0:05:45 | 0:05:47 | |
the senior drum major in the British Army, | 0:05:47 | 0:05:50 | |
in his last Tattoo, gives the command | 0:05:50 | 0:05:52 | |
for the massed pipes and drums to continue with a march, | 0:05:52 | 0:05:55 | |
written to mark this, | 0:05:55 | 0:05:56 | |
the 90th anniversary of The Royal British Legion Scotland. | 0:05:56 | 0:06:00 | |
And as they form a Celtic cross, | 0:06:19 | 0:06:21 | |
they play the strathspey, Monymusk... | 0:06:21 | 0:06:23 | |
Fingal's Weeping... | 0:06:36 | 0:06:38 | |
The drum salute, Stoke The Boiler, | 0:07:10 | 0:07:13 | |
leads us aboard The Steam Train To Mallaig... | 0:07:13 | 0:07:16 | |
The jig, Asturia... | 0:08:05 | 0:08:08 | |
..and the Jig O' Slurs... | 0:08:20 | 0:08:22 | |
The Gypsy Dance... | 0:08:36 | 0:08:38 | |
CHEERING AND APPLAUSE | 0:08:54 | 0:08:57 | |
The massed pipes and drums. | 0:08:57 | 0:08:59 | |
APPLAUSE | 0:08:59 | 0:09:02 | |
And now for something completely different. | 0:09:02 | 0:09:05 | |
The Band of the Royal Netherlands Army Mounted Regiments | 0:09:10 | 0:09:14 | |
uphold the traditions | 0:09:14 | 0:09:16 | |
of the Nederlandsch Wielrijders Muziekcorps, | 0:09:16 | 0:09:18 | |
the Dutch music corps of the Bicycle Regiment, | 0:09:18 | 0:09:20 | |
as they take to the esplanade in replica First World War uniforms, | 0:09:20 | 0:09:25 | |
bikes and instruments. | 0:09:25 | 0:09:27 | |
AIR HISSING | 0:09:43 | 0:09:46 | |
Oh, dear, oh, dear, oh, dear. | 0:09:46 | 0:09:49 | |
And, of course, they are subject to the usual | 0:09:49 | 0:09:51 | |
occupational hazards associated with the bicycle. | 0:09:51 | 0:09:54 | |
In a cycle-friendly country like theirs, | 0:09:55 | 0:09:58 | |
where there are more bikes than people, | 0:09:58 | 0:10:00 | |
they've had a bicycle regiment since 1894. | 0:10:00 | 0:10:02 | |
The first music bicycle corps was founded in 1917. | 0:10:02 | 0:10:07 | |
Help is at hand, from the pump major. | 0:10:09 | 0:10:13 | |
And this is The Bicycle Song. | 0:10:13 | 0:10:16 | |
SOLDIERS SING IN DUTCH | 0:10:16 | 0:10:20 | |
'Sometimes we bike one hour or ten, | 0:10:23 | 0:10:26 | |
'On silken tyres so slick, | 0:10:26 | 0:10:28 | |
'Of all the mounted military men, | 0:10:28 | 0:10:32 | |
'We are the ones who are quick.' | 0:10:32 | 0:10:34 | |
CHEERING AND APPLAUSE | 0:10:52 | 0:10:54 | |
OFFICER ISSUES COMMANDS | 0:10:56 | 0:11:00 | |
Whoops! That close-up was maybe a wee bit too close. | 0:11:18 | 0:11:21 | |
The Musickorps last appeared in Edinburgh in 2002 | 0:11:23 | 0:11:28 | |
and are back in formation with that perennial favourite, | 0:11:28 | 0:11:31 | |
Tulips From Amsterdam... | 0:11:31 | 0:11:33 | |
And now they're on the high road to Loch Lomond... | 0:12:06 | 0:12:10 | |
It may be safer on the low road. | 0:12:19 | 0:12:20 | |
CHEERING AND APPLAUSE | 0:12:29 | 0:12:32 | |
It's a dangerous game, this musical cycling. | 0:12:34 | 0:12:37 | |
Emergency treatment required. | 0:12:37 | 0:12:39 | |
AMBULANCE SIREN WAILS | 0:12:39 | 0:12:43 | |
LAUGHTER | 0:12:48 | 0:12:50 | |
Well, they'll soon have that one back on the road again. | 0:12:50 | 0:12:53 | |
AMBULANCE SIREN WAILS | 0:12:53 | 0:12:55 | |
And this one? | 0:12:57 | 0:12:59 | |
He's hitching a lift on a bicycle that's suddenly built for two. | 0:12:59 | 0:13:03 | |
CHEERING AND APPLAUSE | 0:13:03 | 0:13:06 | |
The Banda Dos Fuzileiros Navais Brazil, | 0:13:12 | 0:13:15 | |
The Brazilian Marine Corps Martial Band, | 0:13:15 | 0:13:18 | |
whose motto is 'Adsumus' - 'Here we are' - | 0:13:18 | 0:13:21 | |
and, indeed, here they are! | 0:13:21 | 0:13:24 | |
The first commander of the Brazilian Navy in the 19th century was a Scot. | 0:13:54 | 0:13:58 | |
Their Highland bagpipes, however, were only presented in 1951, | 0:13:58 | 0:14:03 | |
by a former British ship, which was integrated into the Brazilian Navy. | 0:14:03 | 0:14:07 | |
CHEERING AND APPLAUSE | 0:15:53 | 0:15:56 | |
As they perform the familiar tune Aquarela, or Watercolour Of Brazil, | 0:16:13 | 0:16:19 | |
they break ranks for a little samba. | 0:16:19 | 0:16:21 | |
Coming from Rio De Janeiro, they're probably not used to dancing | 0:16:30 | 0:16:34 | |
in the tropical heat of a Scottish summer(!) | 0:16:34 | 0:16:37 | |
Still, it's one way to keep warm. | 0:16:37 | 0:16:40 | |
The Brazilian Marine Corps Martial Band spell it out. | 0:17:13 | 0:17:17 | |
CHEERING AND APPLAUSE | 0:17:17 | 0:17:18 | |
The Royal Navy is the lead service at this year's Tattoo. | 0:17:18 | 0:17:22 | |
The oldest ship in Scotland, HMS Unicorn, is berthed in Dundee, | 0:17:22 | 0:17:26 | |
but her figurehead takes pride of place, here on the esplanade. | 0:17:26 | 0:17:30 | |
When she was launched in 1824, | 0:17:30 | 0:17:32 | |
Unicorn, a sailing frigate, was fast and heavily armed, | 0:17:32 | 0:17:36 | |
with 46 guns. | 0:17:36 | 0:17:39 | |
EXPLOSION | 0:17:40 | 0:17:41 | |
A Royal Navy 18-pounder gun was powerful, | 0:17:41 | 0:17:44 | |
able to punch a hole in three feet of solid oak. | 0:17:44 | 0:17:47 | |
APPLAUSE | 0:17:47 | 0:17:51 | |
The famous Royal Navy | 0:17:56 | 0:17:58 | |
field gun display first took place at the Royal Tournament | 0:17:58 | 0:18:01 | |
in 1907 | 0:18:01 | 0:18:02 | |
and has been a popular naval spectacle ever since, | 0:18:02 | 0:18:05 | |
encouraging inter-ship and inter-port competition. | 0:18:05 | 0:18:09 | |
CHEERING AND APPLAUSE | 0:18:09 | 0:18:13 | |
Crews from HMS Neptune, based in Faslane, | 0:18:13 | 0:18:16 | |
and HMS Raleigh, based in Plymouth, will now compete in this display. | 0:18:16 | 0:18:21 | |
Dating back to the Boer War in 1900, the Gun Run, as it became known, | 0:18:29 | 0:18:34 | |
commemorates the actions of a Naval Brigade, who dragged | 0:18:34 | 0:18:37 | |
specially-adapted guns overland, to relieve the Siege of Ladysmith. | 0:18:37 | 0:18:41 | |
This version of the display has been adapted to suit this location. | 0:18:47 | 0:18:52 | |
GUN BLAST | 0:18:53 | 0:18:54 | |
The teams race down the esplanade with the gun and the limber, | 0:18:54 | 0:18:57 | |
carrying the ammunition. | 0:18:57 | 0:18:59 | |
They exchange limber wheels with gun wheels... | 0:19:06 | 0:19:08 | |
..and fire three rounds each. | 0:19:22 | 0:19:25 | |
CANNON FIRE | 0:19:26 | 0:19:30 | |
CHEERING AND APPLAUSE | 0:19:30 | 0:19:33 | |
They then head back up the esplanade and do the same thing halfway up... | 0:19:38 | 0:19:42 | |
before the run home. | 0:19:42 | 0:19:45 | |
The guns weigh about 1,200 lbs and each of the wheels 100 lbs. | 0:19:45 | 0:19:52 | |
I just hope these guys have had their porridge! | 0:19:52 | 0:19:56 | |
GUNFIRE | 0:19:59 | 0:20:03 | |
EXPLOSION | 0:20:15 | 0:20:17 | |
It's a home win this time for HMS Neptune | 0:20:17 | 0:20:20 | |
but clearly it's the taking apart not to mention the putting together | 0:20:20 | 0:20:23 | |
that counts in this race! | 0:20:23 | 0:20:26 | |
And they leave to the official march of the Royal Navy - | 0:20:26 | 0:20:29 | |
"Heart Of Oak" nothing more appropriate. | 0:20:29 | 0:20:32 | |
It's 25 years since a German military band | 0:20:45 | 0:20:48 | |
performed at the Tattoo. | 0:20:48 | 0:20:50 | |
This particular band, the Gebirgsmusikkorps, | 0:20:50 | 0:20:53 | |
are based in Garmisch-Partenkirchen, in the Bavarian Alps. | 0:20:53 | 0:20:56 | |
They are very proud of their Bavarian traditions | 0:21:05 | 0:21:08 | |
so much so they've transformed Edinburgh Castle | 0:21:08 | 0:21:11 | |
into an Alpine chalet. | 0:21:11 | 0:21:12 | |
That cap badge is an edelweiss. | 0:22:00 | 0:22:04 | |
Military music gives way to the more traditional image | 0:22:05 | 0:22:09 | |
of German folk music. | 0:22:09 | 0:22:10 | |
The spoons being played on the thigh of band leader | 0:22:14 | 0:22:17 | |
Major Christian Prchal. | 0:22:17 | 0:22:18 | |
CHEERING | 0:22:32 | 0:22:34 | |
Lederhosen, leather breeches, are still worn in Bavaria | 0:23:06 | 0:23:10 | |
and are practical garments, more durable than cloth trousers. | 0:23:10 | 0:23:13 | |
Ideal for everyday tasks such as dancing and thigh slapping. | 0:23:13 | 0:23:19 | |
Or chopping wood as demonstrated in this Tyrolean wood-chopping display. | 0:23:19 | 0:23:23 | |
Strictly Come Chopping, perhaps? | 0:23:28 | 0:23:31 | |
More work as the band play the Anvil Polka. | 0:23:56 | 0:24:00 | |
Accompanying the heavy metal music, some men with whips. | 0:24:16 | 0:24:20 | |
The whip, or Goselschnaltzer, was traditionally used | 0:24:20 | 0:24:25 | |
to generate loud sounds to waken the good spirits. | 0:24:25 | 0:24:28 | |
Apparently the whip is the only musical instrument that actually | 0:24:30 | 0:24:34 | |
breaks the sound barrier and was the first human invention to do so. | 0:24:34 | 0:24:38 | |
CHEERING | 0:24:48 | 0:24:50 | |
The German Mountain Army Band. | 0:24:50 | 0:24:52 | |
Members of the Tattoo Highland Dancers and Total Dance Company | 0:24:57 | 0:25:01 | |
from West Ulster take to the esplanade, | 0:25:01 | 0:25:04 | |
for this display choreographed | 0:25:04 | 0:25:06 | |
by former world champion dancer and Tattoo stalwart Billy Forsyth. | 0:25:06 | 0:25:10 | |
The theme, celebrates Scotland's rich fishing history | 0:25:10 | 0:25:15 | |
and its traditions. | 0:25:15 | 0:25:16 | |
The Tattoo Highland Dancers and Total Dance Group from Ulster. | 0:27:45 | 0:27:50 | |
Having ditched those pesky bikes | 0:27:56 | 0:27:58 | |
and donned their historic cavalry uniforms we welcome back | 0:27:58 | 0:28:02 | |
the Band of the Royal Netherlands Army Mounted Regiments. | 0:28:02 | 0:28:06 | |
This musical selection takes us to the cinema, | 0:28:10 | 0:28:13 | |
the castle walls becoming a movie screen, | 0:28:13 | 0:28:15 | |
providing an atmospheric backdrop to some familiar and rousing tunes. | 0:28:15 | 0:28:20 | |
The Theme from Harry Potter. | 0:28:25 | 0:28:29 | |
Mussorgsky's "Night On The Bare Mountain" | 0:29:20 | 0:29:23 | |
as featured in Disney's 1940 film Fantasia. | 0:29:23 | 0:29:26 | |
Over The Rainbow giving way to music from The Wiz by Quincy Jones. | 0:30:15 | 0:30:21 | |
The band of the Royal Netherlands Army Mounted Regiments. | 0:32:18 | 0:32:21 | |
The Royal Navy has always had an important role to play, | 0:32:25 | 0:32:28 | |
policing the seas around the world particularly now | 0:32:28 | 0:32:32 | |
as international piracy is on the increase. | 0:32:32 | 0:32:35 | |
In this naval display, Edinburgh Castle becomes a motor vessel | 0:32:36 | 0:32:39 | |
in distress as pirates board and take control of her. | 0:32:39 | 0:32:43 | |
ALARM WAILS 'Mayday, mayday. | 0:32:43 | 0:32:45 | |
'This is MV Edinburgh Castle. We're under a pirate attack | 0:32:45 | 0:32:48 | |
'in position 3 degrees, 34 North, 59 degrees, 32 East. Help. Over.' | 0:32:48 | 0:32:54 | |
Modern-day pirates are very active in certain parts of the world | 0:32:54 | 0:32:57 | |
disrupting trade routes, holding ships and crews to ransom. | 0:32:57 | 0:33:00 | |
'Edinburgh Castle, this is British warship Montrose. | 0:33:02 | 0:33:05 | |
'We're proceeding at best speed to your assistance. Over.' | 0:33:05 | 0:33:09 | |
The crew from HMS Montrose, a Clyde-built frigate, | 0:33:09 | 0:33:12 | |
hearing the mayday call, come to the rescue | 0:33:12 | 0:33:14 | |
and the boarding team re-enact their operations. | 0:33:14 | 0:33:17 | |
'Montrose, this is the boarding officer. | 0:33:30 | 0:33:33 | |
'Vessel secured. Releasing the crew. Over.' | 0:33:33 | 0:33:35 | |
They quickly, safely and calmly hand control of the ship | 0:33:35 | 0:33:38 | |
back to a very relieved crew. | 0:33:38 | 0:33:40 | |
HMS Montrose was deployed in the Indian Ocean in 2010, | 0:33:41 | 0:33:45 | |
disrupting piracy in the Horn of Africa and the Somali Basin. | 0:33:45 | 0:33:50 | |
APPLAUSE | 0:33:50 | 0:33:54 | |
The Massed Bands of Her Majesty's Royal Marines | 0:33:58 | 0:34:01 | |
from Portsmouth, Rosyth | 0:34:01 | 0:34:03 | |
and the Commando Training Centre, Devon and the march By Sea, By Land, | 0:34:03 | 0:34:08 | |
which celebrates the Royal Marines' motto - Per Mare, Per Terram. | 0:34:08 | 0:34:12 | |
The drum corps march at the front of the band | 0:36:43 | 0:36:46 | |
as they have done since 1903. | 0:36:46 | 0:36:48 | |
Din Eidyn is Pictish for Edinburgh and is the title for this | 0:36:56 | 0:37:00 | |
remarkable show of co-ordination, control and concentration. | 0:37:00 | 0:37:04 | |
CHEERING | 0:37:54 | 0:37:58 | |
CHEERING | 0:38:18 | 0:38:22 | |
Great stuff and not just for show. | 0:38:22 | 0:38:24 | |
Historically drums were used to communicate orders during battle. | 0:38:24 | 0:38:28 | |
That display was written by corporal buglers Graham Stephenson | 0:38:28 | 0:38:32 | |
and Stewart Warmington from the Corps of Drums, Royal Marine Band Scotland. | 0:38:32 | 0:38:36 | |
Now a Seafarers set. | 0:38:36 | 0:38:37 | |
Haul Away Joe. | 0:38:44 | 0:38:46 | |
The popular tune Bobby Shafto. | 0:39:36 | 0:39:39 | |
Now senior drum major James "Wiggie" Whitwham hands control | 0:40:34 | 0:40:38 | |
of the bands to the Tattoo's Principal Director of Music, | 0:40:38 | 0:40:42 | |
Lieutenant Colonel Nick Grace, as they finish this Seafarers set | 0:40:42 | 0:40:46 | |
with the famous American folk song Shenandoah. | 0:40:46 | 0:40:49 | |
APPLAUSE | 0:41:43 | 0:41:47 | |
The Massed Bands of Her Majesty's Royal Marines take us back | 0:41:53 | 0:41:57 | |
to the cinema now, with this suite from the 2010 fantasy film | 0:41:57 | 0:42:01 | |
How To Train Your Dragon. | 0:42:01 | 0:42:04 | |
The music was written by John Powell, | 0:42:04 | 0:42:06 | |
and this arrangement is by Mac McDermott. | 0:42:06 | 0:42:09 | |
The film score was nominated for an Oscar, and appropriately, | 0:42:09 | 0:42:13 | |
the castle walls once again provide a cinematic backdrop. | 0:42:13 | 0:42:16 | |
The Royal Marines are joined by | 0:43:22 | 0:43:24 | |
the band of the Royal Netherlands Army Mounted Regiments, | 0:43:24 | 0:43:27 | |
the German Mountain Army Band | 0:43:27 | 0:43:29 | |
and The Brazilian Marine Corps Martial Band. | 0:43:29 | 0:43:32 | |
Now The Band of The Royal Regiment of Scotland. | 0:44:01 | 0:44:05 | |
DRAGON ROARS | 0:44:34 | 0:44:37 | |
The dragon's roar greets the return of the massed pipes and drums. | 0:44:37 | 0:44:41 | |
The Tattoo Highland Dancers | 0:45:47 | 0:45:50 | |
and Total Dance Group from Ulster join in. | 0:45:50 | 0:45:53 | |
APPLAUSE | 0:47:06 | 0:47:11 | |
APPLAUSE | 0:47:27 | 0:47:30 | |
And the remainder of the cast begin to assemble. | 0:47:53 | 0:47:57 | |
The Bagpipes from the Brazilian Marine Corps Martial Band. | 0:47:57 | 0:48:02 | |
APPLAUSE | 0:48:02 | 0:48:05 | |
The crew from HMS Montrose - The Royal Naval Piracy Patrol. | 0:48:21 | 0:48:26 | |
APPLAUSE | 0:48:26 | 0:48:29 | |
The Royal Navy Field Gun Display teams from HMS Neptune and HMS Raleigh. | 0:48:29 | 0:48:34 | |
APPLAUSE | 0:48:34 | 0:48:37 | |
The Dutch Bicycle Corps. | 0:48:42 | 0:48:45 | |
Pony Major William Perrie leads Lance Corporal Cruachan III - | 0:49:08 | 0:49:12 | |
mascot of the Royal Regiment of Scotland. | 0:49:12 | 0:49:15 | |
The guard of honour - the Royal Highland Fusiliers - | 0:49:34 | 0:49:37 | |
the second battalion of the Royal Regiment of Scotland, | 0:49:37 | 0:49:40 | |
recently returned from active duty in Afghanistan's Helmand Province. | 0:49:40 | 0:49:45 | |
Garrison Sergeant Major Graham White | 0:49:47 | 0:49:51 | |
follows the guard down the esplanade. | 0:49:51 | 0:49:53 | |
APPLAUSE | 0:50:14 | 0:50:17 | |
Now, that universal song of longing for old friends | 0:50:20 | 0:50:22 | |
and old times by Rabbie Burns. | 0:50:22 | 0:50:26 | |
One of the Tattoo crew, Cameron Goodall, leads the company. | 0:50:26 | 0:50:32 | |
# Should auld acquaintance be forgot | 0:50:32 | 0:50:39 | |
# And never brought tae mind | 0:50:39 | 0:50:46 | |
# Should auld acquaintance be forgot | 0:50:46 | 0:50:53 | |
# And auld lang syne | 0:50:53 | 0:51:00 | |
# For auld lang syne, my dear | 0:51:00 | 0:51:07 | |
# For auld lang syne | 0:51:07 | 0:51:14 | |
# We'll tak a cup o' kindness yet | 0:51:14 | 0:51:21 | |
# For auld lang syne. # | 0:51:21 | 0:51:28 | |
AUDIENCE CLAPS ALONG | 0:51:34 | 0:51:38 | |
RUMBLE OF FIREWORKS | 0:51:46 | 0:51:51 | |
CHEERING AND APPLAUSE | 0:52:06 | 0:52:11 | |
The Naval Hymn, Sunset, and the lowering of the colours. | 0:52:17 | 0:52:22 | |
"Oh hear us when we cry to thee for those in peril on the sea." | 0:52:22 | 0:52:27 | |
High above the esplanade on the castle ramparts, | 0:54:33 | 0:54:37 | |
the Lone Piper, Pipe Major Gordon Rowan, the senior pipe major | 0:54:37 | 0:54:41 | |
in the British Army, with the air A Parting Glass. | 0:54:41 | 0:54:45 | |
APPLAUSE | 0:55:34 | 0:55:38 | |
"Land of my high endeavour, | 0:55:52 | 0:55:55 | |
"Land of the shining river, | 0:55:55 | 0:55:57 | |
"Land of my heart forever, | 0:55:57 | 0:55:59 | |
"Scotland the brave." | 0:55:59 | 0:56:01 | |
Time now to bid farewell to this talented international cast. | 0:56:01 | 0:56:06 | |
It's been another memorable Royal Edinburgh Military Tattoo, | 0:56:06 | 0:56:10 | |
supported by the Royal Bank of Scotland, | 0:56:10 | 0:56:13 | |
the first produced by Brigadier David Allfrey MBE. | 0:56:13 | 0:56:16 | |
He's only the 8th producer since the Tattoo was first staged | 0:56:16 | 0:56:19 | |
in 1950 in front of a total of 6,000 spectators. | 0:56:19 | 0:56:24 | |
It's grown a lot since then. | 0:56:24 | 0:56:26 | |
This year, over 226,000 will have seen the show from the new stands. | 0:56:26 | 0:56:31 | |
The massed bands of Her Majesty's Royal Marines | 0:56:54 | 0:56:57 | |
perform their Regimental Quick March - A Life on the Ocean Wave. | 0:56:57 | 0:57:01 | |
AUDIENCE CLAPS ALONG | 0:57:01 | 0:57:05 | |
The Black Bear, and the massed pipes and drums | 0:57:29 | 0:57:31 | |
head for the Royal Mile and back to barracks. | 0:57:31 | 0:57:34 | |
I hope you've enjoyed this unique and quite wonderful event. | 0:57:36 | 0:57:40 | |
I'm Bill Paterson. | 0:57:40 | 0:57:41 | |
Thanks for watching, wherever you are in the world, | 0:57:41 | 0:57:45 | |
and until the next time, good night from Edinburgh | 0:57:45 | 0:57:48 | |
and joy be with you all. | 0:57:48 | 0:57:51 |