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A close call - a moment of danger, when life can hang in the balance. | 0:00:02 | 0:00:06 | |
A split second, where the outcome could go either way. | 0:00:07 | 0:00:11 | |
I was rooted to the spot with fear. | 0:00:11 | 0:00:13 | |
The difference between disaster and survival. | 0:00:13 | 0:00:16 | |
Our hearts dropped. | 0:00:16 | 0:00:18 | |
This was a big crash. | 0:00:18 | 0:00:19 | |
These are the people that have been there and lived to tell the tale. | 0:00:19 | 0:00:22 | |
I need an ambulance. | 0:00:22 | 0:00:24 | |
15 minutes and your number would be up. | 0:00:24 | 0:00:27 | |
Their instincts and resources, | 0:00:27 | 0:00:29 | |
coupled with the quick thinking of others, | 0:00:29 | 0:00:31 | |
helped to pull them through. | 0:00:31 | 0:00:33 | |
Could have gone the wrong way, could easily have gone the wrong way. | 0:00:33 | 0:00:36 | |
And their dramatic experiences were recorded on camera. | 0:00:36 | 0:00:39 | |
I think there were several things that could have killed me, | 0:00:39 | 0:00:41 | |
should have killed me, and didn't. | 0:00:41 | 0:00:43 | |
It's a day they'll never forget. | 0:00:43 | 0:00:45 | |
The day they had a close call. | 0:00:45 | 0:00:48 | |
Today on Close Calls... | 0:01:03 | 0:01:05 | |
A DIY job for a friend leads to disaster... | 0:01:05 | 0:01:08 | |
..and a medical team have less than five minutes to act. | 0:01:19 | 0:01:22 | |
He wasn't breathing for himself. | 0:01:22 | 0:01:23 | |
He didn't have a recordable blood pressure. | 0:01:23 | 0:01:26 | |
He needed to have the surgery done there and then. | 0:01:26 | 0:01:28 | |
He couldn't even wait to get up to the theatre. | 0:01:28 | 0:01:31 | |
Plus, a bus roof is ripped off as passengers | 0:01:31 | 0:01:35 | |
dive for safety, fearing the worst. | 0:01:35 | 0:01:38 | |
Recent history as it is, the first thing that went | 0:01:38 | 0:01:40 | |
through my mind was that something had exploded. | 0:01:40 | 0:01:43 | |
And a photoshoot stunt goes wrong | 0:01:43 | 0:01:45 | |
when a professional bike rider makes a serious misjudgement. | 0:01:45 | 0:01:49 | |
He, like, nearly took his head off his shoulders. | 0:01:51 | 0:01:54 | |
I thought the worst straightaway. | 0:01:54 | 0:01:55 | |
It was disgusting to watch, you know? | 0:01:55 | 0:01:57 | |
Putney, West London. | 0:02:04 | 0:02:06 | |
Gym owner Chris Quinn has dialled 999. | 0:02:06 | 0:02:09 | |
Chris is right. | 0:02:20 | 0:02:21 | |
His friend Mark McCoyd has had a catastrophic accident with a power tool. | 0:02:21 | 0:02:25 | |
He's collapsed on the floor with a puncture wound to his chest. | 0:02:25 | 0:02:28 | |
He's barely breathing and his condition is worsening. | 0:02:28 | 0:02:31 | |
Mark's only hope is high-risk surgery. | 0:02:35 | 0:02:37 | |
He has no chance of survival unless this procedure is done. | 0:02:38 | 0:02:43 | |
But there isn't even time to get him to the operating theatre. | 0:02:43 | 0:02:46 | |
Aside from his two children, | 0:02:53 | 0:02:55 | |
Mark McCoyd's passion is restoring classic cars. | 0:02:55 | 0:02:59 | |
It's how he earns a living and no job is too big for him. | 0:02:59 | 0:03:03 | |
I do the bodywork and paintwork. | 0:03:03 | 0:03:05 | |
I like pre-war and after the war, which is my profession | 0:03:05 | 0:03:09 | |
since I was a boy of 15. | 0:03:09 | 0:03:11 | |
One of his clients is gym owner Chris Quinn, | 0:03:12 | 0:03:15 | |
who collects classic vans. | 0:03:15 | 0:03:16 | |
Over the years, the two men have become good friends. | 0:03:16 | 0:03:19 | |
Mark's been helping me look after the trucks, but I would have been seeing | 0:03:19 | 0:03:24 | |
Mark on and off for maybe the last...I don't even know, | 0:03:24 | 0:03:28 | |
maybe 10, 20 years, even. | 0:03:28 | 0:03:30 | |
Mark's work on cars means he's a pretty useful handyman. | 0:03:30 | 0:03:33 | |
And when Chris needs a job doing at his gym in Putney, | 0:03:33 | 0:03:36 | |
he knows the person to ask. | 0:03:36 | 0:03:38 | |
It was a metal security door that he wanted fitted, | 0:03:38 | 0:03:41 | |
so to do that I had to use an angle grinder to cut | 0:03:41 | 0:03:47 | |
the bricks out to get the frame in. | 0:03:47 | 0:03:49 | |
It was, on face value, a fairly easy job. | 0:03:49 | 0:03:52 | |
An angle grinder is a heavy-duty power tool. | 0:03:54 | 0:03:56 | |
A motor drives a disc, which can be used to cut through brick and metal. | 0:03:56 | 0:04:01 | |
Mark regularly uses them at his garage. | 0:04:01 | 0:04:03 | |
It was bigger than the one I would normally use on cars, | 0:04:03 | 0:04:06 | |
but it's the same principle, you know - | 0:04:06 | 0:04:09 | |
goggles, mask and gloves. | 0:04:09 | 0:04:11 | |
You've got a safety shield on the grinder itself | 0:04:11 | 0:04:13 | |
and that's all you can do, that's all there is to do. | 0:04:13 | 0:04:16 | |
The safety guarding goggles are essential | 0:04:18 | 0:04:20 | |
because the disc or blades can break. | 0:04:20 | 0:04:22 | |
So, kitted up, Mark starts work on the door. | 0:04:23 | 0:04:26 | |
I got to about three quarters of the way round all the frame | 0:04:27 | 0:04:32 | |
and obviously on the last bit, before I had time to finish, | 0:04:32 | 0:04:35 | |
is when the machine got caught and jumped back and hit me in the chest. | 0:04:35 | 0:04:40 | |
The blow stops Mark in his tracks and the machine cuts out. | 0:04:42 | 0:04:46 | |
It hit me quite hard. It was like a big thud into the chest. | 0:04:46 | 0:04:50 | |
There wasn't a lot of pain, | 0:04:50 | 0:04:51 | |
but I knew at the time that something was not good. | 0:04:51 | 0:04:55 | |
At first, Mark can't understand what's happened to him | 0:04:56 | 0:04:59 | |
and isn't even sure he's injured. | 0:04:59 | 0:05:02 | |
When I looked down I had a small hole, | 0:05:02 | 0:05:04 | |
a rip of about an inch and a half, two inches, in my jacket. | 0:05:04 | 0:05:08 | |
I lifted up all my clothing | 0:05:08 | 0:05:10 | |
and in the centre of my chest there was a hole the size of my finger. | 0:05:10 | 0:05:14 | |
Now Mark knows he's in trouble. | 0:05:15 | 0:05:18 | |
My breathing was becoming a little bit hard to breathe. | 0:05:18 | 0:05:21 | |
I pulled all my safety gear off and threw it on the floor. | 0:05:21 | 0:05:24 | |
Upstairs in his office, Chris had been alerted by a faint cry | 0:05:26 | 0:05:30 | |
and now the sound of silence. | 0:05:30 | 0:05:32 | |
He heads outside and can't believe what he finds. | 0:05:32 | 0:05:36 | |
He was lying on the floor with his eyes wide open | 0:05:36 | 0:05:38 | |
and his mouth open, and he more or less looked like he was dead. | 0:05:38 | 0:05:42 | |
A stunned Chris immediately dials 999. | 0:05:42 | 0:05:46 | |
This is the call he made that afternoon. | 0:05:46 | 0:05:48 | |
Initially, there was no movement, | 0:06:15 | 0:06:16 | |
no breathing at all and I couldn't hear a heartbeat. | 0:06:16 | 0:06:19 | |
And while I was talking to the people on the phone, | 0:06:19 | 0:06:23 | |
basically he made a great, big... | 0:06:23 | 0:06:25 | |
INHALES SHARPLY | 0:06:25 | 0:06:27 | |
..noise and then from that point on you could see that he was | 0:06:27 | 0:06:30 | |
struggling for breath, but there was one of these coming every few | 0:06:30 | 0:06:33 | |
seconds where he was breathing, | 0:06:33 | 0:06:35 | |
so I was kind of relieved that he was actually alive at that point. | 0:06:35 | 0:06:38 | |
Mark is still breathing, | 0:07:16 | 0:07:18 | |
but it's sporadic and his face is turning purple. | 0:07:18 | 0:07:21 | |
Chris realises his friend is deteriorating by the second. | 0:07:21 | 0:07:25 | |
As I was trying to work out what had happened, | 0:07:43 | 0:07:45 | |
I noticed a very, very small... | 0:07:45 | 0:07:49 | |
cut about the size of a pound coin, | 0:07:49 | 0:07:52 | |
right in the centre of his chest. | 0:07:52 | 0:07:55 | |
Later, Chris briefs medics as they arrive at the scene. | 0:07:57 | 0:08:00 | |
And Mark's condition worsens as his anxious friend watches on. | 0:08:06 | 0:08:10 | |
At the nearest trauma centre, an emergency team is standing by. | 0:08:13 | 0:08:17 | |
He was dying and he would be dead, properly dead, | 0:08:17 | 0:08:21 | |
within four or five minutes of arrival into the department. | 0:08:21 | 0:08:25 | |
Also coming up, | 0:08:26 | 0:08:27 | |
a pro biker misjudges a stunt. | 0:08:27 | 0:08:29 | |
Suddenly he was just there, just skidding across the roof. | 0:08:31 | 0:08:34 | |
His best pal, waiting for him on a rooftop, watches on in horror. | 0:08:34 | 0:08:39 | |
The sound of the impact was unreal. | 0:08:39 | 0:08:41 | |
It was a massive bang on the edge of that roof. | 0:08:41 | 0:08:43 | |
Kingsway, London. | 0:08:53 | 0:08:55 | |
A busy street in Holborn and there's chaos. | 0:08:58 | 0:09:01 | |
Passers-by film the roof of this double-decker bus | 0:09:01 | 0:09:04 | |
peeled back like a sardine can. | 0:09:04 | 0:09:06 | |
I hope no-one got hurt. | 0:09:06 | 0:09:08 | |
Businessman Llewellyn Hill is sitting on the top deck | 0:09:08 | 0:09:11 | |
as the bus travels along the tree-lined street. | 0:09:11 | 0:09:14 | |
All of a sudden, there was this huge bang. | 0:09:14 | 0:09:18 | |
All these windows bursting around me. | 0:09:18 | 0:09:20 | |
The first thing that went through my mind was that something had exploded. | 0:09:20 | 0:09:24 | |
Llewellyn Hill regularly travels from north Wales | 0:09:31 | 0:09:34 | |
to London for business. | 0:09:34 | 0:09:35 | |
It's a grey morning in February | 0:09:37 | 0:09:39 | |
and he's on his way to a seminar in the city. | 0:09:39 | 0:09:42 | |
He catches the 91 bus at Euston Station | 0:09:42 | 0:09:45 | |
and heads up to his preferred view on the upper level. | 0:09:45 | 0:09:49 | |
On the top deck there was maybe 18 or 24 people, | 0:09:49 | 0:09:52 | |
and generally I sit right in the front seat, but, as it turns out, | 0:09:52 | 0:09:55 | |
on this occasion they were taken, so I went and sat | 0:09:55 | 0:09:59 | |
about halfway back on the bus | 0:09:59 | 0:10:01 | |
and decided I'll catch up on my messages on social media. | 0:10:01 | 0:10:04 | |
Although Llewellyn is concentrating on his phone, | 0:10:06 | 0:10:09 | |
his attention drifts to the window. | 0:10:09 | 0:10:11 | |
Out of the corner of my eye, I did notice some of the street signs | 0:10:11 | 0:10:14 | |
go past and I thought, "Blimey, that's close to the bus." | 0:10:14 | 0:10:18 | |
But something is about to come even closer than the passing road signs. | 0:10:18 | 0:10:22 | |
Dangerously close. | 0:10:22 | 0:10:24 | |
All of a sudden, there was this huge bang. | 0:10:24 | 0:10:27 | |
It sounded like a crash of some sort, but instinctively | 0:10:29 | 0:10:32 | |
I just ducked down because I felt things hitting me. | 0:10:32 | 0:10:37 | |
Llewellyn fears the worst. | 0:10:37 | 0:10:38 | |
Being in central London and being on a bus, | 0:10:38 | 0:10:41 | |
and recent history as it is, the first thing that went | 0:10:41 | 0:10:44 | |
through my mind was that something had exploded. | 0:10:44 | 0:10:47 | |
As the debris stops falling and the bus comes to a standstill, | 0:10:49 | 0:10:53 | |
Llewellyn dares to move again. | 0:10:53 | 0:10:55 | |
Well, when I picked myself up off the seat | 0:10:55 | 0:10:57 | |
I was surprised to discover there was a lot of blue sky above me, | 0:10:57 | 0:11:00 | |
so it did take what seemed a few seconds to absorb what had happened. | 0:11:00 | 0:11:05 | |
Onlookers filmed the catastrophic scene. | 0:11:07 | 0:11:10 | |
The roof of the bus has hit some low hanging branches | 0:11:10 | 0:11:13 | |
and has been ripped right off, over the heads of all the passengers. | 0:11:13 | 0:11:18 | |
There was a chap in the aisle on his hands and knees, and he looked | 0:11:18 | 0:11:21 | |
up at me, looking quite frightened, with blood streaming down his face. | 0:11:21 | 0:11:24 | |
There were more people to the back of the bus, some of them | 0:11:24 | 0:11:27 | |
were holding their heads in their hands, | 0:11:27 | 0:11:29 | |
looking like they had been hurt or hit by something. | 0:11:29 | 0:11:32 | |
That was when I noticed that the roof of the bus was actually | 0:11:32 | 0:11:34 | |
resting on the back of the bus, like a big skateboard ramp. | 0:11:34 | 0:11:38 | |
Emergency services arrive and guide people off the bus. | 0:11:38 | 0:11:42 | |
Miraculously, no-one's been seriously injured. | 0:11:43 | 0:11:46 | |
Before leaving, Llewellyn records the scene himself. | 0:11:47 | 0:11:50 | |
I took the opportunity to take some photos from on the top deck of the bus. | 0:11:52 | 0:11:55 | |
Well, I suppose there was a million thoughts flying | 0:11:55 | 0:11:58 | |
through my head at the time. | 0:11:58 | 0:11:59 | |
I don't think I comprehended, even then, | 0:11:59 | 0:12:02 | |
just how serious the incident had been. | 0:12:02 | 0:12:05 | |
All that was left standing was these blue handrails. | 0:12:05 | 0:12:07 | |
If it wasn't for those handrails, with that roof leaving the bus at | 0:12:07 | 0:12:10 | |
speed, and if it had landed on people, | 0:12:10 | 0:12:13 | |
that would have been pretty ugly. | 0:12:13 | 0:12:15 | |
After such a close call, Llewellyn has been | 0:12:17 | 0:12:19 | |
cautious about travelling by bus. | 0:12:19 | 0:12:21 | |
But a couple of months later, he returns to London to face his fears. | 0:12:21 | 0:12:25 | |
I was contemplating, "Am I going to take the number 91 bus on the | 0:12:27 | 0:12:31 | |
very same route past the very same tree?" | 0:12:31 | 0:12:35 | |
I decided I'd better man up. | 0:12:35 | 0:12:37 | |
They say if you fall off a horse, | 0:12:37 | 0:12:39 | |
the only thing to do is get back on it. | 0:12:39 | 0:12:41 | |
And, actually, I photographed the tree and posted it out on my social media, | 0:12:41 | 0:12:46 | |
saying that was the tree that caused it last time. | 0:12:46 | 0:12:51 | |
Accidents happen every now and again in most people's lives. | 0:13:01 | 0:13:05 | |
For professional sports people, they are calculated risks, | 0:13:05 | 0:13:09 | |
but there are times when those calculations go wrong. | 0:13:09 | 0:13:12 | |
In Southsea, Portsmouth, | 0:13:14 | 0:13:15 | |
professional BMX competition riders Mark Webb and Alex Coleborn | 0:13:15 | 0:13:20 | |
rehearse some tricks for a sports magazine photo shoot. | 0:13:20 | 0:13:23 | |
I just love riding. | 0:13:25 | 0:13:26 | |
I just think it's amazing and there's not a better feeling than | 0:13:26 | 0:13:29 | |
jumping through the air or doing things that scare you and then you're pulling it. | 0:13:29 | 0:13:33 | |
There's no better reward than that. | 0:13:33 | 0:13:35 | |
But during a particularly tricky manoeuvre, | 0:13:37 | 0:13:39 | |
Alex's head hits the roof of a building. | 0:13:39 | 0:13:42 | |
His friend Mark comes rushing to his aid. | 0:13:44 | 0:13:47 | |
I thought the worst straightaway. | 0:13:47 | 0:13:49 | |
I knew it was serious. | 0:13:49 | 0:13:50 | |
The sound of the impact was unreal. | 0:13:50 | 0:13:51 | |
It nearly took his head off his shoulders. | 0:13:53 | 0:13:55 | |
BMX racing is now an Olympic event. | 0:14:09 | 0:14:11 | |
BMX freestyle isn't yet, but it's a growing sport that's | 0:14:12 | 0:14:15 | |
attracted 23-year-old Alex Coleborn since he was a youngster. | 0:14:15 | 0:14:19 | |
Alex's boyhood dream was to follow in the bike tracks of this guy - | 0:14:22 | 0:14:25 | |
five times BMX champion Mark Webb. | 0:14:25 | 0:14:27 | |
Alex became very skilled at freestyle himself. | 0:14:38 | 0:14:42 | |
Now, this is him aged just 17, performing tricks in a video | 0:14:42 | 0:14:45 | |
his parents made and sent to his hero Mark without Alex knowing. | 0:14:45 | 0:14:50 | |
Alex's mum and dad sent me an actual letter to the skate park, | 0:14:50 | 0:14:54 | |
"This is Alex, this is my son. | 0:14:54 | 0:14:56 | |
He wants to come over and ride." It was cool, actually, | 0:14:56 | 0:14:58 | |
that his parents had gone to the effort of doing that. | 0:14:58 | 0:15:02 | |
Mark was immediately impressed with what he saw. | 0:15:02 | 0:15:05 | |
I checked out the video and there was just something about Alex, | 0:15:05 | 0:15:08 | |
and I thought, "He's actually amazing, really good." | 0:15:08 | 0:15:10 | |
The next thing you know, he ends up staying down this way and riding, | 0:15:10 | 0:15:14 | |
and we end up becoming really good friends. | 0:15:14 | 0:15:17 | |
And Alex has turned professional himself, | 0:15:17 | 0:15:19 | |
earning a living from his passion and winning many titles, | 0:15:19 | 0:15:23 | |
much to the pleasure of his mentor. | 0:15:23 | 0:15:26 | |
He is definitely a genius when it comes to riding a BMX bike. | 0:15:26 | 0:15:29 | |
There is nothing that he can't do. | 0:15:29 | 0:15:31 | |
One summer's day, Alex and Mark head to a skate park | 0:15:32 | 0:15:35 | |
in Southsea for a photo session with a sports magazine. | 0:15:35 | 0:15:40 | |
It was a good day, it was a sunny day down Southsea, | 0:15:40 | 0:15:43 | |
so everyone was just chilled, cruising about. | 0:15:43 | 0:15:46 | |
A photographer is taking action shots. | 0:15:46 | 0:15:48 | |
Alex is hoping to pull off one of his most ambitious tricks yet. | 0:15:48 | 0:15:52 | |
I was fine that day, I felt good on my bike. | 0:15:55 | 0:15:57 | |
I wasn't really worried about the trick. | 0:15:57 | 0:15:59 | |
I was pretty confident in myself that I was going to pull it. | 0:15:59 | 0:16:01 | |
The photographer captures the action from the bottom of the ramp. | 0:16:01 | 0:16:05 | |
As Alex warms up for the main event, | 0:16:07 | 0:16:09 | |
performing a few comparatively straightforward barrel rolls. | 0:16:09 | 0:16:13 | |
It's kind of a backflip but just on the side, | 0:16:13 | 0:16:15 | |
so you kind of barrel roll over yourself. | 0:16:15 | 0:16:18 | |
But Alex is planning on | 0:16:18 | 0:16:19 | |
combining this manoeuvre with another highly skilled technique. | 0:16:19 | 0:16:22 | |
There was talks about trying a barrel roll with a tail whip. | 0:16:22 | 0:16:27 | |
A tail whip's when you spin the bike a full 360 with you | 0:16:27 | 0:16:31 | |
staying in the same space, | 0:16:31 | 0:16:32 | |
so your bike leaves your feet and then comes back and you catch to it. | 0:16:32 | 0:16:37 | |
It's a trick he's successfully performed in the past, but today, | 0:16:38 | 0:16:42 | |
on the very first attempt, something goes drastically wrong. | 0:16:42 | 0:16:46 | |
You all right? You all right? | 0:16:49 | 0:16:51 | |
As the camera continues to film, Mark, fearing the worst, | 0:16:51 | 0:16:55 | |
heads to his injured friend's side. | 0:16:55 | 0:16:58 | |
I just didn't expect it. | 0:16:58 | 0:16:59 | |
The barrel roll that he was doing was so consistent. | 0:16:59 | 0:17:02 | |
Suddenly it was just... And he was there, | 0:17:02 | 0:17:04 | |
just skidding across the roof. | 0:17:04 | 0:17:06 | |
Alex is bleeding heavily from his nose and mouth. | 0:17:08 | 0:17:10 | |
He is in a complete daze. | 0:17:10 | 0:17:12 | |
I didn't have a clue what was going on. | 0:17:12 | 0:17:14 | |
All I remember is trying to stand up and then Mark was like, | 0:17:14 | 0:17:17 | |
"Oh, you all right? You all right?" Like, seeing if I was OK. | 0:17:17 | 0:17:21 | |
I thought the worst straightaway. It was disgusting to watch. | 0:17:21 | 0:17:24 | |
I knew it was serious. | 0:17:24 | 0:17:25 | |
I knew just by the sound of the impact, it was unreal. | 0:17:25 | 0:17:29 | |
It was a massive bang on the edge of that roof. | 0:17:29 | 0:17:31 | |
He nearly took his head off at his shoulders. | 0:17:36 | 0:17:38 | |
His neck bent all the way back to his back. | 0:17:38 | 0:17:42 | |
He was folded in half. It was horrible. | 0:17:42 | 0:17:45 | |
The impact is so severe Alex could have fractured his skull or | 0:17:45 | 0:17:50 | |
even broken his neck, but he's conscious and moving. | 0:17:50 | 0:17:54 | |
It just kind of felt like my head was throbbing cos I hit it | 0:17:54 | 0:17:57 | |
so hard, and I was just a little bit dizzy and spat my gum shield out | 0:17:57 | 0:18:01 | |
and I could see my tooth in it. | 0:18:01 | 0:18:03 | |
As more people come to his aid, | 0:18:04 | 0:18:06 | |
a member of the team calls an ambulance. | 0:18:06 | 0:18:09 | |
Alex is helped down off the roof | 0:18:09 | 0:18:10 | |
and it looks like he's escaped life threatening injuries. | 0:18:10 | 0:18:15 | |
He can't remember exactly what happened, | 0:18:15 | 0:18:17 | |
but Mark is able to fill him in. | 0:18:17 | 0:18:19 | |
The paramedics arrive and treat Alex at the scene. | 0:18:23 | 0:18:26 | |
His face shows the effects of the high impact smash. | 0:18:26 | 0:18:30 | |
I knocked out my front tooth here and then | 0:18:30 | 0:18:32 | |
I bent this one back a little bit and I broke my nose, | 0:18:32 | 0:18:35 | |
and then obviously I had fat lips | 0:18:35 | 0:18:37 | |
and stuff like that, just from where the impact was on my face. | 0:18:37 | 0:18:41 | |
Alex still doesn't remember everything that happened that day, | 0:18:43 | 0:18:46 | |
but he's studied the footage to try to find out what went wrong. | 0:18:46 | 0:18:50 | |
This is where I'm getting my run up, obviously, to hit the roof | 0:18:50 | 0:18:54 | |
and it was at this point here where my foot fell off the pedal, | 0:18:54 | 0:18:59 | |
and that's basically where it all went wrong. | 0:18:59 | 0:19:03 | |
It could have been worse. It could have been a lot worse. | 0:19:03 | 0:19:06 | |
It looked worse. | 0:19:06 | 0:19:08 | |
It is pretty scary to watch it and think that I did hit my head and neck | 0:19:08 | 0:19:12 | |
off the roof and it snapped back, | 0:19:12 | 0:19:14 | |
so it's kind of like, it could have broken easy. | 0:19:14 | 0:19:17 | |
Your neck's not a very strong part of your body, | 0:19:17 | 0:19:20 | |
so it could have easily broken, | 0:19:20 | 0:19:22 | |
and I think I did get away with it really lucky. | 0:19:22 | 0:19:25 | |
The accident doesn't hold Alex back for long. | 0:19:27 | 0:19:30 | |
He's soon back on his bike to continue his successful career, | 0:19:30 | 0:19:33 | |
recently winning a major world title. | 0:19:33 | 0:19:36 | |
Alex is a tough kid like no other. | 0:19:38 | 0:19:39 | |
He'd bounce himself off the ground and jump up and go, "Yeah, I'm all right." | 0:19:39 | 0:19:43 | |
For maybe like a week or two | 0:19:43 | 0:19:44 | |
I was a bit cautious of doing things because obviously | 0:19:44 | 0:19:48 | |
I didn't want to hit my face again, but you soon forget about it. | 0:19:48 | 0:19:51 | |
I'm sure if it was now, he'd do that barrel roll onto the roof | 0:19:51 | 0:19:54 | |
again no problem without the hiccup that he had that day. | 0:19:54 | 0:19:57 | |
Back in Putney, West London, gym owner Chris | 0:20:08 | 0:20:11 | |
is on the line to the emergency services. | 0:20:11 | 0:20:13 | |
His friend Mark is on the ground, struggling to breathe. | 0:20:13 | 0:20:16 | |
Just a few minutes ago, the blade on a heavy-duty power tool he was | 0:20:18 | 0:20:22 | |
using shattered, hitting him in the chest with devastating consequences. | 0:20:22 | 0:20:26 | |
An ambulance is on its way. | 0:20:28 | 0:20:29 | |
Within five minutes, the ambulance arrives at the scene. | 0:20:46 | 0:20:49 | |
I have no idea how long it took the ambulance to come here. | 0:20:50 | 0:20:54 | |
As far as I'm concerned, it was a very, very quickly. | 0:20:54 | 0:20:56 | |
It was almost as if they were hanging around outside. | 0:20:56 | 0:21:00 | |
The paramedics rushed to Mark's side. | 0:21:00 | 0:21:02 | |
Chris' open phone line records him briefing them. | 0:21:02 | 0:21:05 | |
One of the paramedics at the scene is David Biginton, | 0:21:19 | 0:21:22 | |
who immediately realises that Mark is in serious danger. | 0:21:22 | 0:21:26 | |
When I saw Mark's wound, | 0:21:28 | 0:21:29 | |
it was a two centimetre by one centimetre hole, | 0:21:29 | 0:21:31 | |
basically, and being hit with an angle grinder you might | 0:21:31 | 0:21:34 | |
have expected a much more open wound, a more extensive wound. | 0:21:34 | 0:21:38 | |
So my concerns really were what underlying structures | 0:21:38 | 0:21:41 | |
has he injured. Is it his lung, is it his heart? | 0:21:41 | 0:21:44 | |
Given that it was over the top of both of them, pretty much. | 0:21:44 | 0:21:46 | |
If it was his lung, the chances are it would have been bubbling | 0:21:46 | 0:21:49 | |
air through the blood, which it wasn't. | 0:21:49 | 0:21:51 | |
And given its location, | 0:21:51 | 0:21:53 | |
the most likely injury it could have done was his heart. | 0:21:53 | 0:21:55 | |
If I'm honest, I thought his chances were probably slim, | 0:21:57 | 0:22:01 | |
so, apart from a bit of sedative and some oxygen, | 0:22:01 | 0:22:04 | |
the only other treatment that he got was the decision to get him | 0:22:04 | 0:22:07 | |
to hospital as quick as possible and the right hospital. | 0:22:07 | 0:22:10 | |
With Mark onboard the ambulance, the paramedics head to | 0:22:12 | 0:22:15 | |
St George's Hospital in south London - | 0:22:15 | 0:22:18 | |
the nearest major trauma centre. | 0:22:18 | 0:22:20 | |
En route to the hospital his vital signs were changing, | 0:22:21 | 0:22:25 | |
identifying that something internally was going wrong. | 0:22:25 | 0:22:28 | |
We pretty much came to the conclusion that he was | 0:22:28 | 0:22:30 | |
probably having a cardiac tamponade, | 0:22:30 | 0:22:32 | |
which is bleeding around the sack of the heart. | 0:22:32 | 0:22:34 | |
Paramedic Dave asks the ambulance control centre to ring | 0:22:34 | 0:22:37 | |
ahead to the emergency department, | 0:22:37 | 0:22:40 | |
but consultant Dr William Glazebrook | 0:22:40 | 0:22:42 | |
and his trauma team are on full alert. | 0:22:42 | 0:22:45 | |
At about 2:45, our red phone went off. | 0:22:45 | 0:22:49 | |
The London Ambulance Service were telling us to expect a middle-aged | 0:22:49 | 0:22:54 | |
gentleman who had an injury to the centre of his chest. | 0:22:54 | 0:22:58 | |
When Mark arrives, Dr Glazebrook and the team realise | 0:22:58 | 0:23:01 | |
that this is about as bad as it gets. | 0:23:01 | 0:23:03 | |
He wasn't breathing for himself, he didn't have a recordable blood | 0:23:03 | 0:23:07 | |
pressure and his heart was going at about 140/150 beats per minute. | 0:23:07 | 0:23:12 | |
It's not clear what the injury is, but it's obviously life-threatening. | 0:23:12 | 0:23:17 | |
He was dying and he would be dead, properly dead, | 0:23:17 | 0:23:20 | |
within four or five minutes of arrival into the department. | 0:23:20 | 0:23:24 | |
Dr Glazebrook and his team will have to operate right here, | 0:23:24 | 0:23:28 | |
right now, in the emergency department. | 0:23:28 | 0:23:30 | |
His injuries were so severe he needed to have the surgery done there and then. | 0:23:30 | 0:23:35 | |
He couldn't even wait to get up to the theatre, | 0:23:35 | 0:23:38 | |
even if it was ready there and then. | 0:23:38 | 0:23:41 | |
Mark's condition is deteriorating so much that Dr Glazebrook has | 0:23:41 | 0:23:45 | |
no choice but to carry out a highly dangerous procedure | 0:23:45 | 0:23:48 | |
called a thoracotomy. | 0:23:48 | 0:23:50 | |
The operation has a less than one in five chance of success. | 0:23:50 | 0:23:54 | |
If Mark hadn't had this procedure, | 0:23:54 | 0:23:57 | |
he has a 100% mortality rate, | 0:23:57 | 0:24:01 | |
ie, he has no chance of survival unless this procedure is done. | 0:24:01 | 0:24:05 | |
We cut from one side of the chest to the other side of the chest | 0:24:07 | 0:24:11 | |
and open up the whole of the chest | 0:24:11 | 0:24:13 | |
so we have a really good access to the heart and to the lungs | 0:24:13 | 0:24:18 | |
to find out and diagnose what injury was killing Mark. | 0:24:18 | 0:24:21 | |
And it's soon clear what's going wrong. | 0:24:23 | 0:24:25 | |
When we opened Mark's chest, | 0:24:25 | 0:24:27 | |
all we could see was a big bag of blood clot | 0:24:27 | 0:24:31 | |
and the procedure then is literally to make a small hole in this bag, | 0:24:31 | 0:24:36 | |
and to remove all of that blood clot from around the heart. | 0:24:36 | 0:24:41 | |
As soon as we did that, Mark's heart then came into view, | 0:24:41 | 0:24:44 | |
started filling up with blood and started beating again. | 0:24:44 | 0:24:48 | |
Finally, Mark's heart starts working. | 0:24:49 | 0:24:52 | |
It reveals the full extent of the damage caused by the angle grinder. | 0:24:52 | 0:24:56 | |
We noticed three small jets of blood coming out of the holes | 0:24:56 | 0:25:00 | |
in the heart and, initially, all we did was put our fingers | 0:25:00 | 0:25:04 | |
on the three holes to stop them from within. | 0:25:04 | 0:25:06 | |
Like plugging a leaking Dam, | 0:25:06 | 0:25:08 | |
Dr Glazebrook and his team stitch up the holes in Mark's heart. | 0:25:08 | 0:25:12 | |
Once we'd got control of the bleeding in Mark's chest, | 0:25:12 | 0:25:15 | |
he went up to our cardiothoracic theatre | 0:25:15 | 0:25:17 | |
with our cardiothoracic surgeons, where the procedure that we'd done | 0:25:17 | 0:25:22 | |
was tidied up and his chest was closed. | 0:25:22 | 0:25:25 | |
Just hours after almost losing his life, | 0:25:25 | 0:25:28 | |
Mark awakes in the intensive care unit. | 0:25:28 | 0:25:30 | |
When you wake up, you sort of just come to automatically. | 0:25:33 | 0:25:37 | |
He's desperate to see his children. | 0:25:37 | 0:25:39 | |
My daughter and my boy, Emma and Lewis, | 0:25:42 | 0:25:44 | |
were the first people that I saw. | 0:25:44 | 0:25:46 | |
And considering what I'd been told already that I'd gone through, | 0:25:46 | 0:25:50 | |
I might never have seen them again. | 0:25:50 | 0:25:52 | |
Seeing my kids was brilliant, it was the best thing ever. | 0:25:53 | 0:25:57 | |
Mark's next visitor is a man who is also very pleased to see him. | 0:25:58 | 0:26:03 | |
He probably actually looked better than he does on a normal day. | 0:26:03 | 0:26:06 | |
They cleaned him up, shaved him, | 0:26:06 | 0:26:07 | |
washed his hair and he was sitting up there | 0:26:07 | 0:26:09 | |
and he was just telling them he's bored and wants to get out. | 0:26:09 | 0:26:12 | |
I mean, this was just moments after the operation. | 0:26:12 | 0:26:15 | |
Mark knows that he owes his friend a huge debt of gratitude. | 0:26:15 | 0:26:19 | |
Without Chris coming to actually look out the door | 0:26:19 | 0:26:22 | |
and check on me, I wouldn't have been alive. | 0:26:22 | 0:26:25 | |
It remains a mystery just how the angle grinder made | 0:26:27 | 0:26:30 | |
the three holes in Mark's heart. | 0:26:30 | 0:26:32 | |
But it was the quick action of the medical team, | 0:26:32 | 0:26:34 | |
prepared to carry out the high risk operation while he was | 0:26:34 | 0:26:37 | |
still in the emergency department that ultimately saved his life. | 0:26:37 | 0:26:42 | |
I've done this procedure about 12 times now | 0:26:42 | 0:26:45 | |
and this is the first survivor that I have had | 0:26:45 | 0:26:48 | |
in the seven or eight years that I've been able to perform this. | 0:26:48 | 0:26:52 | |
It is actually a miracle that he's still with us. | 0:26:55 | 0:26:59 | |
I mean, if it had been an inch or even a centimetre, | 0:26:59 | 0:27:03 | |
a tiny little bit either way, he probably wouldn't be here now. | 0:27:03 | 0:27:07 | |
This is the closest I've ever come to dying. | 0:27:07 | 0:27:12 | |
Without all those circumstances just happening instantly like that, | 0:27:12 | 0:27:16 | |
I wouldn't be here at the moment. | 0:27:16 | 0:27:18 | |
And Mark will forever be indebted to the team at St George's Hospital | 0:27:20 | 0:27:24 | |
who managed to bring him back from the brink. | 0:27:24 | 0:27:27 | |
Mark basically came in dead to our department. | 0:27:27 | 0:27:30 | |
Some people described his case as a bit of a miracle. | 0:27:30 | 0:27:33 | |
I don't believe he was a miracle. | 0:27:33 | 0:27:36 | |
I think his case is what the trauma networks | 0:27:36 | 0:27:39 | |
that are set up around the country now are for. | 0:27:39 | 0:27:42 | |
It's him, it's his particular patient. | 0:27:42 | 0:27:44 | |
He was found quickly, | 0:27:44 | 0:27:46 | |
the ambulance crew recognised he had a significant injury, | 0:27:46 | 0:27:49 | |
he was brought to a department where this procedure could be | 0:27:49 | 0:27:52 | |
done on him immediately, but for that, he would have died. | 0:27:52 | 0:27:55 | |
Close calls with a positive ending - that's what we like. | 0:28:07 | 0:28:10 | |
Join us next time. | 0:28:10 | 0:28:12 |