Keith at the Controls Keith Richards' Lost Weekend


Keith at the Controls

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Transcript


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This programme contains very strong language.

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This is a bootleg television wake-up call.

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Do not adjust your set.

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Repeat, do not adjust your set.

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Normal service will not be resumed.

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Welcome to the permanent night shift.

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Keith Richards at the controls, calling all night owls and hipsters.

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This is a reality hacking incident.

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For the next nine hours, you're invited to ride with me

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through the night and out the other side.

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A random night flight across uncharted airwaves.

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Fasten your safety belts - the weekend starts here.

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Ready Steady Go! I'm going to play it.

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After all, we were virtually the house band on that show.

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# Sitting in my bedroom late last night

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# Got into bed and turned out the light

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# Decided to call my baby on the telephone

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# All I got was an engaged tone

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# Talking so long she upset my mind

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# Why is she talking such a long time?

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# Maybe she's sleeping Maybe she's ill

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# Phone's disconnected, unpaid bill

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# Don't want to see her Afraid of what I'd find

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# Tired of letting her upset me all the time

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# Back into bed Started reading my books

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# Take my phone right off of the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook

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# It's off the hook. #

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CHEERING AND APPLAUSE

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# I am the little red rooster

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# Too lazy to crow for day

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# I am the little red rooster

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# Too lazy to crow for day

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# Keep everything in the farmyard

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# Upset in every way

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# The dogs begin to bark

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# Hounds begin to howl

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# Dogs begin to bark

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# Hounds begin to howl

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# Watch out, strange cat people

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# Little red rooster's on the prowl

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# If you see my little red rooster

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# Please drive him home

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# If you see my little red rooster

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# Please drive him home

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# Ain't had no peace in the farmyard

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# Since my little red rooster's been gone. #

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CHEERING AND APPLAUSE

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It happened so quickly

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and it happened over a matter of, actually, six weeks

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that the Rolling Stones became suddenly THE Rolling Stones.

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And it happened to be on a tour and I'm working...

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..with, like, heroes.

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I'm working with Little Richard, Bo Diddley...

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..the Everly Brothers and...

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..I can't believe I'm on the same stage with these cats, you know?

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And I'm still learning the game.

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And I'm playing with...

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..cats I've been listening to

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and, like, trying to figure out them chords and their moves and the...

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And they're so professional, you know?

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And we'd just come out of the clubs.

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We don't know what the hell we're doing and we're just banging away.

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But over the six weeks of that tour, we suddenly became,

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you know, the bee's knees...

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..to the point where the Everly Brothers...

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And the last show was at the Albert Hall

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and the Everly Brothers said,

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"Listen, you guys, you finish the show."

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It was just the speed of the way it happened.

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I'm sure, probably, the Beatles will tell you the same thing.

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You know, the ones that are left. It's overwhelming, but...

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..you've got another gig to do.

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You're learning every day, you know?

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You're learning this game and nobody's been there before,

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so there's nobody to tell you, you know, "Oh, this is what you do."

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Like, it's a phenomenon.

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This is a little Stones special that we did for Ready Steady Go!.

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Hello. Yes.

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Well, the thing that I miss about Ready Steady Go!...

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Stop screaming, boys.

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..is the miming.

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And we haven't had any miming competitions for a long time,

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but here we've got a new lot from Leighton Buzzard,

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who are going to do their best for you.

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I Got You, Babe.

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# They say we're young and we don't know

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# We won't find out until we grow

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# Well, I don't know if all that's true

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# Cos you got me and, baby, I got you

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# Babe

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# I got you, babe

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# I got you, babe

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# They say our love won't pay the rent

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# Before it's earned our money's all been spent

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# I guess that's so We don't have a plot

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# But at least I'm sure of all the things we've got

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# Babe

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# I got you, babe

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# I got you, babe

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# I got flowers

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# In the spring

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# I got you to wear my ring

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# And when I'm sad, you're a clown

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# And if I get scared you're always around

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# Don't let them say your hair's too long

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# Cos I don't care With you I can't go wrong

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# Then put your little hand in mine

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# There ain't no hill or mountain we can't climb

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# Babe

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# I got you, babe

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# I got you, babe

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# I got you to hold my hand

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# I got you to understand

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# I got you to walk with me

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# I got you to talk with me

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# I got you to kiss goodnight

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# I got you to hold me tight

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# I got you, I won't let go

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# I got you to love me so

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# Babe

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# I got you, babe. #

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# You may talk all about me

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# And scandalise my name, oh, no

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# But deep down inside me, baby

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# I know I'm your only man

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# So don't worry about me, baby

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# Cos I'm right here at home

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# Oh, baby, oh, baby

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# We got a good thing going

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# So maybe I knew her

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# Once upon a time

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# But that's all in the past, babe

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# Baby, let me know you're mine All mine, all mine

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# No matter how she wants me

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# I'm not going nowhere, oh, no

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# I'm gonna stick right here, baby

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# I know how much you care

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# So don't worry about me, baby

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# Cos I'm right here at home

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# Oh, baby, oh, baby

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# We got a good thing going. #

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Thank you very much indeed. Thank you.

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Thank you.

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CHEERING AND APPLAUSE

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We are 18, and within a matter of months,

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suddenly, you know, women are trying to tear your clothes off.

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And in actual fact, they almost killed me a couple of times.

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And also, killing themselves. They're jumping off of balconies.

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I said, "This is not quite what I had in mind..."

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GIRLS SCREAM

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The only thing that you could hear, just shrieking teenage female...

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And it's very impressive.

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SHRIEKING

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I can handle one at a time, you know?

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But 3,000...

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I'm still recovering, man.

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It is really a mystery.

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You never unlock this key.

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If it wasn't for Charlie Watts, I wouldn't be here.

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Without that beat, it wouldn't have worked.

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It would have just been another rock and roll band.

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What it does, of course, is, like, bonds guys together.

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I mean, suddenly, you're just in this little bunch

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and everybody's sort of going bananas over you.

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You really rely on each other.

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Mick and I and Charlie, especially, were, you know, tight.

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Brian went very quickly off the handle.

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But you've got to rely on each other a lot, you know?

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MAN: Some of these motorists will be kicking themselves when they learn

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they missed the chance of a lifetime of getting to know them.

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And it's all ground-breaking stuff, boys.

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Nobody's taken over a network before.

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So we'll see how it flies.

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EERIE ORGAN MUSIC

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THUNDERCLAP

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WOMAN SCREAMS

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MAN LAUGHS EVILLY

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WOMAN SCREAMS

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THUNDERCLAP, SCREAMING

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EVIL LAUGHTER

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THUNDERCLAP

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SCREAMING

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EVIL LAUGHTER

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THUNDERCLAP

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Good evening, ladies and gentlemen.

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Tonight, through the medium of the animated cartoon,

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we present a murder mystery

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condensed from authentic criminal records.

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It is my sincere purpose

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in exposing the brutal killer involved in this horrible case

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to prove to you, beyond a shadow of a doubt, that crime does not pay.

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Our story opens on a dark and stormy night...

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THUNDERCLAP

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EERIE ORGAN MUSIC

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Hm, yay-yay yesssss.

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If this picture is anything like the book,

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I get bumped off.

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Hm, why...this is terrible.

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I can't die at 11:30.

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HIS TEETH CHATTER

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CLOCK CHIMES REPEATEDLY

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At the sound of the gun,

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it will be exactly 12 o'clock.

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DOOR HINGES CREAK

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LOUD BANGS

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EERIE ORGAN MUSIC

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KEITH LAUGHS

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All right, everybody, stay where you are!

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Don't nobody move!

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LOUD THUMP

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That goes for you, too, bub!

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Now, let's not get nosy, bub.

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BELL RINGS

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OK, which one of you mugs bumped off the old boy?

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Who done it?

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TOGETHER: Oooooh, now, wouldn't you like to know?

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One of you bums is guilty of shooting this guy!

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I'm going to turn out the lights.

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And when I turn them on,

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I want to see the gun here on this table!

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All right, cut out the funny stuff!

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We'll try it again.

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FRANTIC KNOCKING

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I'll give you three to come out of there.

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One, two, three...

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Four, five, six, seven, eight, nine, ten,

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11, 12, 13, 14, 15, 16, 17, 18, 19, 20!

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EVIL CACKLE

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IT SHRIEKS

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Ah, yes, quite a bunch of us, isn't it?

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KNOCKING

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Who's there?

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A skeleton.

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Red skeleton!

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LOUD BANGING

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GUN PANTS

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LOUD BANGING

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DEEP VOICE: Ooooooooh-oh-oh!

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HE CLEARS HIS THROAT

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HE BLOWS A NOTE

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HIGH-PITCHED VOICE: Aaarrrgggghhh!

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Phew.

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Whoops, I'm sorry.

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Listen, Doc, can't you read?

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LOUD CRASH

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Stick 'em up.

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Reach for the ceiling.

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GUN CLICKS

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WOLF-WHISTLE

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Peekaboo!

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Now we'll see who done it!

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I doed it!

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HE SOBS

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Humour is probably the last bit of grease you get

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before you get insane, you know what I mean?

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It's probably one of the most important things in human life,

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is being able to take the piss out of something or have a laugh.

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Like, without that, I mean, really, I can't imagine a life worth living.

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It could be just your mates. I don't know. Everybody is a comedian.

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And there's guys that can make you laugh

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and you love them for it.

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There's a little mouse...

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a little mouse walking along the pavement in Piccadilly there.

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And a woman frightened it.

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And it stepped off the curb and got knocked down by a bus.

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Picked himself up, went across the road and went into a music shop.

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Said to the man behind the counter, "Do you sell mouse organs?"

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AUDIENCE CHUCKLES

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And the man said, "That's funny... That's funny you should say that.

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"We had a little mouse in here yesterday

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"and she wanted mouse organs."

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The little mouse said, "I know who that was. That was our Monica."

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LAUGHTER AND APPLAUSE

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Max Miller is still one of my faves.

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Like, "Listen, listen."

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He got banned in loads of places, just like me.

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PAINO MUSIC

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HE CACKLES

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Tommy Cooper. You know, I mean...

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The Goons.

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"You can't get the wood, you know?"

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The Pythons.

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This is an ex-parrot.

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Hancock. You must be joking!

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Probably the first comedian that knew how to work TV.

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Him and Sid James together, it was a must-see every week, you know?

0:23:090:23:14

BBC Television presents Tony Hancock in...

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..Hancock's Half Hour.

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APPLAUSE

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In your own words, in the events leading up to the apprehension

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of the prisoner, John Harrison Peabody. Certainly.

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I was on patrol car duty on the night of the 27th when we received

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a radio message that the offices of the Hathaway Jewellery Company

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had been burgled.

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We proceeded at once to their premises in Brook Street.

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As we pulled up outside the store, the criminal leapt from the door

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carrying numerous articles of jewellery.

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Items one to 37, m'lud.

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We immediately gave chase.

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After a brief struggle he was taken into custody

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and charged with a felony.

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Thank you very much. No further questions. Your witness.

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Very well done, isn't it?

0:24:090:24:10

LAUGHTER

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Just like The Verdict Is Yours.

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Inspector Jones, the prisoner made a statement when

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he arrived at the police station, did he not? He did, sir.

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Now, what did he say in that statement?

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He said, "You've got the wrong bloke, guv.

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"I was passing the shop when the burglar alarm went

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"and this geezer rushed out and dropped the stuff.

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"I was just about to go round to the police station with it

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"when your lot arrived."

0:24:370:24:39

You were wearing plain clothes at the time, were you not?

0:24:390:24:42

Quite right, sir. Now, Inspector Jones,

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what reason did the prisoner give for running away when you arrived?

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He said he thought we were teddy boys.

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LAUGHTER

0:24:520:24:55

Did you hear that? He said he thought they were teddy boys.

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That's a smack in the eye! Oh, goodness gracious me!

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GAVEL BANGS

0:24:590:25:01

Silence in court! I haven't laughed so much...

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I'm surprised at the foreman of the jury setting such a bad example.

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I thought at least he would show a little decorum.

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Beg your pardon, Your Honour,

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it's just that I thought it was rather amusing, that's all.

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Just slipped out. I couldn't help it.

0:25:140:25:16

I mean, you had a little giggle yourself.

0:25:160:25:18

I did not have a little giggle! Yes, you did. I saw you.

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Brought the end of your wig round to cover your mouth up!

0:25:230:25:26

Please be quiet. This is a very serious case.

0:25:300:25:34

It will shortly be your duty to judge this man.

0:25:340:25:36

Please show the necessary intelligence and restraint required

0:25:360:25:39

by the responsibility bestowed upon you.

0:25:390:25:42

You're not putting up with that. You're the foreman of the jury.

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He shouldn't make you look a charlie in front of everybody.

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Go on, tell him.

0:25:510:25:52

I beg to remind you, m'lud, that I am the foreman of the jury and,

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as such, you shouldn't make me look a charlie in front of everybody!

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LAUGHTER

0:25:580:26:01

Mr Foreman, I would remind you that I'm the judge in this courtroom and,

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as such, I can replace you with somebody I regard as more competent.

0:26:050:26:09

Tell him he can't talk to you like that.

0:26:120:26:15

My friend says you can't talk to me like that!

0:26:150:26:18

I'm not the slightest bit interested in what your friend says.

0:26:180:26:21

I'm fully aware of my powers in this court.

0:26:210:26:22

I know exactly what I can or I can't do.

0:26:220:26:25

I've been a judge now for over 20 years and, furthermore,

0:26:250:26:28

if you and your friend do not behave yourselves

0:26:280:26:31

in a manner befitting members of the jury, I will have you both

0:26:310:26:33

turned out of this courtroom and charged with contempt.

0:26:330:26:36

Tell him you'd like to see him try. I'd like... YOU tell him!

0:26:410:26:44

LAUGHTER

0:26:440:26:48

You were going to say something? No, no, nothing at all, no, no, no.

0:26:480:26:51

May we continue? Yes, by all means. You carry on, mush.

0:26:510:26:55

Thank you. Please continue. Thank you, m'lud.

0:26:550:26:59

Exhibit number one, please.

0:26:590:27:01

Now those were the items of jewellery

0:27:020:27:04

found on the prisoner's person.

0:27:040:27:06

Those are the same ones, sir. Thank you, Inspector Jones.

0:27:060:27:09

Perhaps the jury would like to see them.

0:27:090:27:11

The jury have already seem them once

0:27:110:27:13

and, as we're pressed for time, I don't think we need see them again.

0:27:130:27:16

How do we know it's the ones we saw before?

0:27:160:27:18

Tell him we want to see them again.

0:27:180:27:19

How do we know they're the ones from before? We want to see them again.

0:27:190:27:22

I assure you they're the same ones you saw earlier.

0:27:220:27:25

He assures me they're the same ones we saw earlier.

0:27:250:27:28

That's up to us. We're the jury. That's up to us. We're the jury!

0:27:280:27:30

Ask him if he wants a fair trial or not.

0:27:300:27:32

Do you want a fair trial or not?

0:27:320:27:34

This IS a fair trial!

0:27:340:27:35

The prisoner's not complained.

0:27:350:27:37

With all due respect, m'lud, nobody's asked the poor blighter.

0:27:370:27:40

Don't you worry, mate, I'll see you get a fair trial.

0:27:400:27:43

There'll be no withholding evidence while I'm the foreman.

0:27:430:27:45

We are NOT withholding evidence.

0:27:450:27:47

No, well, what about another look at the exhibits, then?

0:27:470:27:50

Hands up anybody else who wants a butcher's at the evidence?

0:27:500:27:53

There you are. You're outvoted.

0:27:530:27:55

If that had been an election, you'd have lost your deposit there.

0:27:550:27:58

Very well, show the exhibits to the jury

0:28:000:28:02

and tell my wife I'll be a little late tonight.

0:28:020:28:05

Have you finished?

0:28:150:28:16

Time is pressing, and the rest of the jury want to examine it.

0:28:160:28:18

Please put it back on the tray.

0:28:180:28:20

Yes, of course.

0:28:210:28:23

LAUGHTER

0:28:230:28:25

Now what's wrong?

0:28:250:28:27

It's stuck, Your Honour. I can't get it off. Oh, no!

0:28:270:28:29

Why can't I have ordinary juries who do as I tell them like other judges?

0:28:290:28:33

Why does it always have to be me?

0:28:330:28:35

Pull it, man! I am pulling it, but it won't budge.

0:28:350:28:38

You got a bar of soap up there?

0:28:380:28:41

No, I haven't!

0:28:410:28:43

Oh, what a farce!

0:28:430:28:45

Very well, show it to the rest of the jury, then.

0:28:450:28:47

Try and get it off your finger.

0:28:470:28:49

Continue, Mr Pritchard. Thank you, m'lud.

0:28:490:28:51

I shall proceed with my final address to the jury. Very well.

0:28:510:28:55

M'lud, members of the jury,

0:28:550:28:57

it is the law of this land that in order to secure a conviction,

0:28:570:29:02

the prosecution must prove beyond any shadow of doubt

0:29:020:29:07

that the prisoner is guilty as charged.

0:29:070:29:10

Now this, I respectably beg to submit,

0:29:100:29:12

the prosecution has failed to do.

0:29:120:29:14

You must not...

0:29:140:29:16

Have you finished? I'm trying to get the ring off.

0:29:180:29:22

The defending counsel is talking to you. You must listen to the counsel.

0:29:220:29:25

Get the ring off afterwards.

0:29:250:29:27

Oh, very well, as long as I know where I stand.

0:29:270:29:29

Do you mind starting again, please?

0:29:290:29:31

Oh, really? Do I HAVE to?

0:29:330:29:34

Yes, I'm afraid so.

0:29:340:29:36

Well, I was saying that the prosecution

0:29:360:29:39

has failed to prove its conviction

0:29:390:29:42

and that if you are in any doubt whatsoever

0:29:420:29:45

you are bound by law to find my client not guilty.

0:29:450:29:49

I'm sure that's fair enough. I don't mind going along with that.

0:29:490:29:52

May I ask a question, m'lud? Yes, what is it?

0:29:540:29:56

Have you got a bit of butter? I could have this off...

0:29:560:29:59

Keep quiet and sit still! You're making a mockery of this courtroom!

0:29:590:30:03

How you were ever elected foreman I shall never know.

0:30:030:30:05

That's not very nice, is it? Ask him how he got to be made a judge.

0:30:050:30:08

How did you get to be made a judge? That shook him!

0:30:080:30:12

Carry on, Mr Pritchard, and no more interruptions, please.

0:30:120:30:15

Thank you, m'lud. And so, members of the jury,

0:30:150:30:18

I submit that the evidence put forward by the prosecution

0:30:180:30:22

is not conclusive of guilt and I further submit that

0:30:220:30:27

no jury could be asked to convict on such flimsy grounds

0:30:270:30:32

and, with that fact established, I suggest that you have no alternative

0:30:320:30:36

but to find my client not guilty, that he be discharged from

0:30:360:30:40

this court a free man without a stain on his character.

0:30:400:30:45

THEY APPLAUD

0:30:450:30:47

Very good. That was an excellent speech, my good man. You'll go far.

0:30:470:30:51

Got a very engaging personality. Oh, thank you very much.

0:30:510:30:54

Right, next!

0:30:560:30:57

LAUGHTER

0:30:570:30:59

May I be permitted to decide on the procedure of this court

0:30:590:31:02

or perhaps you'd like to borrow my wig and take over?

0:31:020:31:05

If you've had enough, I don't mind. Sit down!

0:31:050:31:08

Mr Spooner, would you care to sum up for the prosecution?

0:31:110:31:14

Certainly, m'lud. Oh, I don't like him.

0:31:140:31:17

He's dead smarmy. "Certainly, m'lud."

0:31:170:31:20

Swipe me, here's a crawler for you.

0:31:200:31:23

I was very much impressed with my learned friend's appe-e-eal

0:31:230:31:26

for this man's innocence.

0:31:260:31:28

MIMICS HIM

0:31:280:31:31

I'd give him a kick up the wig.

0:31:310:31:33

LAUGHTER

0:31:330:31:36

Very moving, eloquent, sentimental, maudlin rubbish.

0:31:360:31:40

I object! It's not up to you to object or not to object.

0:31:400:31:44

Mind your own business.

0:31:440:31:45

Forgive me, Mr Spooner. Thank you, m'lud.

0:31:450:31:48

The facts are quite plain. This man was caught red-handed

0:31:480:31:50

outside the shop with the proceeds on him.

0:31:500:31:52

He was also identified by the night-watchman.

0:31:520:31:54

It's an open-and-shut case.

0:31:540:31:56

I therefore submit that you have

0:31:560:31:57

no alternative but to find him guilty as charged and to put

0:31:570:32:00

this vicious criminal beyond the reach of decent society.

0:32:000:32:04

Members of the jury, you have heard the evidence in this case.

0:32:040:32:08

I would remind you that you are the sole judges of the fact.

0:32:080:32:12

I will now ask you to retire and consider your verdict.

0:32:120:32:16

May I ask a question, m'lud? Oh, what is it?

0:32:160:32:19

How long we got? I don't understand you.

0:32:190:32:21

Well, I've seen this on television, you know.

0:32:210:32:23

We go out and then the bloke with the earphones comes on

0:32:230:32:26

and then we come in and tell you our verdict.

0:32:260:32:29

Actually, how long have we got?

0:32:290:32:31

As long as you want. That can't be right.

0:32:310:32:33

They only get two minutes on television.

0:32:330:32:35

I don't care how long they get on television.

0:32:350:32:38

This is not the same thing. And they said their programme was authentic!

0:32:380:32:41

You don't know where you are these days, do you?

0:32:410:32:43

Will you please go and consider your verdict? Usher, please.

0:32:430:32:46

I will take this jury to some private and convenient place

0:32:460:32:49

and shall not suffer anyone to speak to them.

0:32:490:32:51

Neither shall I speak to them lest it be to ask them if they be

0:32:510:32:54

agreed upon their verdict.

0:32:540:32:56

Have a bar of soap sent in, would you?

0:32:560:32:58

Bit of hair cream or something. Perhaps you've got an idea.

0:32:580:33:01

What do you think?

0:33:010:33:03

There you are, ladies and gentlemen, you heard what the judge said.

0:33:190:33:22

There's no hurry. We can take as long as we like.

0:33:220:33:24

We shan't be disturbed. Our time is our own.

0:33:240:33:26

Oh, good, let's have a game of cards. Put those things away.

0:33:260:33:29

We're here to decide whether that poor wretch out there

0:33:290:33:31

is innocent or guilty. Oh, let's cut for it and get off home.

0:33:310:33:34

Anything under a seven, he's guilty.

0:33:340:33:36

What do you mean, "Anything under a seven, he's guilty?"

0:33:360:33:39

What sort of justice is that?

0:33:390:33:40

What's the point of all that going on out there with lawyers

0:33:400:33:43

and wigs and things if all you've got to do

0:33:430:33:45

is cut for a seven or under?

0:33:450:33:46

This is the Old Bailey, mate, not Dodge House!

0:33:460:33:48

Come on, hurry up, we don't want to be here all day.

0:33:480:33:50

Wait a minute, we mustn't be hasty.

0:33:500:33:52

It is essential for the course of justice that we deliberate this

0:33:520:33:55

slowly and carefully before reaching a decision.

0:33:550:33:57

Agreed? Agreed. Right.

0:33:570:33:59

Guilty.

0:33:590:34:01

Oh.

0:34:010:34:03

Well, you didn't wait long about that, did you?

0:34:030:34:05

In my opinion, it's an open-and-shut case. The man's obviously guilty.

0:34:050:34:08

Well, I think he's innocent. What do the rest of you think?

0:34:080:34:10

Guilty. Guilty. Guilty. Guilty. Guilty. Guilty.

0:34:100:34:13

Guilty. Guilty. Guilty.

0:34:130:34:15

Guilty. Et tu, Brute?

0:34:150:34:18

Let's face it, they all say guilty.

0:34:180:34:20

We'd be here for weeks if we disagree. Guilty.

0:34:200:34:24

Come on, let's get down to the pub,

0:34:240:34:26

have a couple of pints at The Wig and Gavel.

0:34:260:34:28

That is not the attitude. We're here to ensure that justice is done.

0:34:280:34:31

That's what we're being paid for.

0:34:310:34:34

We're getting paid?

0:34:340:34:35

Of course we're getting paid. 30 shillings a day.

0:34:350:34:37

30 bob a day? Well, that's seven-and-a-half quid a week.

0:34:370:34:40

That's more than I get outside. In that case, not guilty.

0:34:400:34:43

Let's keep it going as long as we can.

0:34:430:34:46

I love Sid James.

0:34:460:34:48

I can't say I agree with your motives,

0:34:480:34:50

but I agree with your decision.

0:34:500:34:52

Right, two not guiltys. Any advance on two not guiltys?

0:34:520:34:54

This is ridiculous.

0:34:540:34:56

30 shillings a day may be more than you earn, sir, but I am

0:34:560:34:58

a company director and I am losing a fortune while this thing goes on!

0:34:580:35:01

How DARE you put your personal gain before your duty as a citizen!

0:35:010:35:05

You unfeeling swine! Haven't you got any sense of duty?

0:35:050:35:08

Yes, of course I've got a sense of justice,

0:35:080:35:10

but this is a watertight case.

0:35:100:35:13

I can't see that there's anything to discuss.

0:35:130:35:14

But there's loads to discuss.

0:35:140:35:16

I reckon we've got a good six or seven days of nonstop chat

0:35:160:35:18

in front of us.

0:35:180:35:20

Really, this is too much! He MUST be guilty.

0:35:200:35:22

He is not guilty. Of course he is. He isn't! He is.

0:35:220:35:25

Are you looking for a punch-up?

0:35:250:35:28

Please, please, please, please!

0:35:280:35:30

Sidney, please, you'll have the wallopers in here in a minute.

0:35:300:35:33

A punch-up at the Old Bailey, whatever next?

0:35:330:35:35

Ladies and gentlemen, control yourselves

0:35:350:35:37

and realise that I am the foreman.

0:35:370:35:39

But he's talking a lot of nonsense. He wants to keep up here all week.

0:35:390:35:42

The man is obviously guilty and I demand... Ah, ah, ah.

0:35:420:35:45

Who's the foreman?

0:35:460:35:48

You are. There we are then.

0:35:480:35:50

Yes, but I can't... Ah, ah, ah.

0:35:500:35:53

Yes, but I... Ah, ah.

0:35:530:35:55

But I... Ah.

0:35:550:35:58

You're not leaving this jury room till we've reached

0:35:580:36:01

a unanimous decision... from all of us. Now then...

0:36:010:36:04

LAUGHTER

0:36:040:36:06

..have a look at the score.

0:36:060:36:08

Two not guiltys and ten say guilty.

0:36:080:36:11

I think a discussion is called for to elaborate our points of view.

0:36:110:36:13

Guilty! I'll slosh you!

0:36:130:36:16

I am the foreman. I shall speak.

0:36:160:36:18

Ladies and gentlemen,

0:36:180:36:20

we are gathered here today to witness the joining together... No!

0:36:200:36:23

LAUGHTER

0:36:230:36:25

Ladies and gentlemen,

0:36:250:36:27

we are gathered here today to sit in judgment of

0:36:270:36:29

a fellow human being, but before we have the temerity,

0:36:290:36:32

nay, audacity, to take it upon ourselves to judge another,

0:36:320:36:39

surely we must first judge ourselves?

0:36:390:36:42

LAUGHTER

0:36:420:36:45

Are there any of us so pure,

0:36:460:36:50

so free from sin in our own personal wives...

0:36:500:36:53

LIVES!

0:36:530:36:56

LAUGHTER

0:36:560:36:58

..that we can, dispassionately, nay, objectively...

0:37:000:37:05

..nay...

0:37:070:37:09

..dispassionately, judge another? And therefore I submit...

0:37:130:37:17

Oh, get on with it! Oh, don't do that, please!

0:37:170:37:20

I was just working up to a crescendo then.

0:37:200:37:22

Never interrupt anybody when they're getting to a crescendo,

0:37:220:37:25

it can be very nasty.

0:37:250:37:27

Please don't do that again. Where was I?

0:37:270:37:29

You were submitting. Yes, therefore I submit... What was I submitting?

0:37:290:37:32

I don't know. There it is, it's gone now.

0:37:320:37:34

I've forgotten what I was submitting.

0:37:340:37:36

Good - now perhaps you'll be quiet and let somebody else have a go.

0:37:360:37:38

All right, then, I shall extend to him...

0:37:380:37:42

the courtesy that he didn't extend to me.

0:37:420:37:44

That will show you how much better brought up I am than he was,

0:37:440:37:48

out of the two of us in comparison with each other.

0:37:480:37:53

Carry on.

0:37:530:37:55

Ladies and gentlemen,

0:37:550:37:56

all I have to say is the evidence points unequivocally...

0:37:560:38:00

Do you mind? There's ladies here.

0:38:000:38:03

Unequivocally. Oh, yes, all right, just watch it. Go on, carry on.

0:38:030:38:07

Unequivocally to this man's guilt.

0:38:070:38:09

Now, ten of us believe him to be guilty.

0:38:090:38:11

The will of the majority should prevail, as in any democracy, and

0:38:110:38:15

therefore, sir, you should reverse your verdict to one of guilty.

0:38:150:38:18

Hear, hear. I see, that's the way the wind's blowing, is it?

0:38:180:38:22

We'll have a go round the table. What about you, madam?

0:38:220:38:24

You with the hat on. Yes. What do you think?

0:38:240:38:26

Guilty, guilty, guilty. Put him away, he's a menace!

0:38:260:38:29

Send him away for as long as the law allows. Make an example of him.

0:38:290:38:32

There's too much namby-pamby treatment of these thugs.

0:38:320:38:35

Bring back the Cat. That'd show them.

0:38:350:38:37

I'd do it myself if you men haven't got the courage.

0:38:370:38:41

Put him away. Guilty! Guilty!

0:38:410:38:43

So much for the gentler sex(!)

0:38:440:38:47

Right, now you. Well, really, I don't know.

0:38:470:38:50

No, no, I'm not sure, but I always felt that he was guilty.

0:38:500:38:53

But that is not good enough. You must be sure.

0:38:530:38:58

This could have been your own boy.

0:38:580:39:00

Your own flesh and blood.

0:39:000:39:02

The little boy you bounced upon your knee.

0:39:020:39:05

It could be him sent away for 15 years to a darkened cell.

0:39:050:39:09

No sun to light his morning.

0:39:090:39:12

Out on the moors with the mists

0:39:120:39:14

swirling around his ball and chain...

0:39:140:39:16

..breaking up huge boulders into little pieces and then

0:39:190:39:22

cementing little pieces back into big boulders so he can bash it.

0:39:220:39:26

LAUGHTER

0:39:260:39:29

And what of his child at home?

0:39:290:39:32

What of his mother putting him to bed?

0:39:320:39:35

"Where's Daddy, Mummy? Is he coming home tonight?"

0:39:360:39:39

"Hush, child.

0:39:390:39:40

"Eat your crust of dry bread and don't drop crumbs on the sacking

0:39:400:39:43

"that forms your bedclothes."

0:39:430:39:46

"Mummy, is that a tear I see

0:39:460:39:47

"trickling down your thin, pale face?"

0:39:470:39:50

"'Tis nothing, child. Drink up your spoonful of milk, go to sleep."

0:39:500:39:54

"But where's my daddy? Where did they put my daddy?"

0:39:560:39:58

SID WAILS

0:39:580:40:00

LAUGHTER

0:40:000:40:03

I've already got you. I'm after him.

0:40:040:40:08

"Where is my daddy? When are they going to bring my daddy back to me?"

0:40:080:40:12

Not guilty. Got him!

0:40:120:40:14

LAUGHTER

0:40:140:40:17

9-3. Right, anybody else coming over to our side?

0:40:170:40:19

You won't get me - guilty!

0:40:190:40:22

You won't get me with your cheap tricks. Nor I. Guilty!

0:40:220:40:25

I see - that's the way things are shaping, is it? Stalemate.

0:40:260:40:29

Good, let's have a game of cards. A small party? Get some booze in.

0:40:290:40:33

Get some more birds.

0:40:330:40:35

Oh, shut up, you licentious fool!

0:40:350:40:37

Look, I suggest we go back and tell them we can't agree on a verdict.

0:40:370:40:40

Then what happens? We can all go home. Oh, mate, I'm not having that.

0:40:400:40:43

Go home, 30 bob a day, is he kidding?

0:40:430:40:46

I can't stop here forever. I've got a farm to run.

0:40:460:40:48

There's crops to get in. That's charming, isn't it?

0:40:480:40:50

You're prepared to send a man to jail for 15 years

0:40:500:40:52

so you can get your spuds in?

0:40:520:40:54

The equation of human kindness -

0:40:540:40:56

15 years in jug equals two tonne of King Edwards.

0:40:560:41:00

LAUGHTER

0:41:000:41:01

But he's guilty. He deserves to go to prison.

0:41:010:41:03

Well, I think he's innocent. Good heavens, why, man?

0:41:030:41:06

Why do you persist in saying he's innocent

0:41:060:41:08

in light of all the evidence against him?

0:41:080:41:11

Caught red-handed, identified. Why? Why? WHY?

0:41:110:41:15

Well, he's got such a nice face.

0:41:180:41:21

Look, the man's impossible. We'll be here all night.

0:41:210:41:24

Send in 12 dinners, will you?

0:41:240:41:26

Ask them if they'll send a bit of lard in, will you?

0:41:260:41:28

A bit of lard too, yes.

0:41:280:41:31

Good grief, man, how COULD it have been his twin brother?!

0:41:540:41:58

It's happened before. What about the Corsican Brothers?

0:42:000:42:02

One was good, one was bad, and I say we've got the good one.

0:42:020:42:05

But he hasn't even got a brother. That doesn't matter.

0:42:050:42:08

We've all got doubles.

0:42:080:42:09

There's a bookie's runner down our way looks exactly like you.

0:42:090:42:13

Thank you very much.

0:42:130:42:16

It isn't you, is it? No, it isn't!

0:42:160:42:19

Well, there you are, then.

0:42:190:42:21

Oh, this is ridiculous. We're getting absolutely nowhere.

0:42:210:42:24

We've been locked in this confounded room for seven hours now.

0:42:240:42:27

Seven hours!

0:42:270:42:28

And what theories have you concocted? Twin brothers.

0:42:280:42:34

Doubles.

0:42:340:42:36

Blackouts.

0:42:360:42:38

He was drugged by a gang of international crooks.

0:42:380:42:41

He's a rightful heir to a European throne

0:42:410:42:43

and they want him out of the way so they can put his uncle on.

0:42:430:42:48

It's quite possible. His father used to sell onions.

0:42:480:42:51

We don't know anything about his family background.

0:42:510:42:54

We don't know what his father did

0:42:540:42:55

when he got off his bike at Boulogne.

0:42:550:42:57

Probably went straight up to the chateau, put the crown on,

0:42:570:43:00

ran the flag up, Grand Duke of Burgundy! You never know.

0:43:000:43:02

What do you mean, Duke of Burgundy? They all come from Brixton.

0:43:020:43:06

He might have been exiled.

0:43:060:43:08

I give up. I give up. I don't want to talk to him any more.

0:43:100:43:12

Keep him out of my sight.

0:43:120:43:15

Well, that's 8-3. One retired hurt.

0:43:150:43:17

This room's getting me down. I want some fresh air.

0:43:170:43:20

I'm suffocating in here.

0:43:200:43:23

Lovely view, isn't it, London at midnight?

0:43:290:43:31

I'd sooner see it over my farm. How much longer are we going to be?

0:43:310:43:33

Hard to tell. Rate things are going, it could be weeks. Weeks?!

0:43:330:43:36

But I've got to be on my farm tomorrow.

0:43:360:43:38

There we are, deadlock, isn't it, 9-3?

0:43:380:43:40

Your lead. How much longer do you think we'll be?

0:43:400:43:43

Oh, 9-3, could take months. I knew a case in Mexico took three years.

0:43:430:43:46

Three years?! That's impossible. No, straight up.

0:43:460:43:50

Went through three revolutions and nine changes of government.

0:43:500:43:53

Two of the jury went bonkers with claustrophobia, three died of

0:43:530:43:56

old age, and four were divorced by their wives for desertion.

0:43:560:44:00

You married? Yes, I am. Hmm, then I hope she's patient.

0:44:000:44:03

Three years is a long time, isn't it? Your lead.

0:44:030:44:06

Who's looking after the farm while you're away, then?

0:44:080:44:11

My wife.

0:44:110:44:13

Oh, country girl? No, she's a Londoner.

0:44:130:44:15

Oh, a Londoner, eh?

0:44:150:44:17

Don't suppose she knows much about farms, then? No, she doesn't. Hmm.

0:44:170:44:21

I expect it'll be a right mess when you get back.

0:44:210:44:25

Dead chickens all over the place.

0:44:250:44:29

Cattle lying on their backs with their legs sticking up in the air.

0:44:290:44:31

LAUGHTER

0:44:310:44:34

How long you been married, then? A week. Week, eh?

0:44:340:44:37

I wouldn't worry about it.

0:44:370:44:39

If she loves you, you know,

0:44:390:44:41

three years ain't so long for a hot-blooded young bride of 21.

0:44:410:44:44

Your lead.

0:44:440:44:46

Londoner, eh?

0:44:460:44:48

I suspect she's probably ploughed up the cornfields

0:44:480:44:50

and put the pigs out to graze. Complete chaos, financial ruin.

0:44:500:44:55

Still, I must admire you. You stick to your principles.

0:44:550:44:58

You're a brave man.

0:44:580:45:00

You could be out there in ten minutes

0:45:000:45:01

if everybody said not guilty, but you stick to your principles.

0:45:010:45:05

Highly commendable.

0:45:050:45:07

Ruined, but not dishonoured.

0:45:070:45:11

Good luck to you.

0:45:140:45:16

Poor devil.

0:45:160:45:19

I've changed my mind. Yes, so have I. There's not enough evidence.

0:45:190:45:22

Not guilty. Well done. 7-5. Anybody else wavering?

0:45:220:45:25

You won't get the rest of us. We're determined as you are.

0:45:250:45:28

All right, then, we shall just stay here and sit it out.

0:45:300:45:34

# Oh, it's a long, long time from May to September

0:45:390:45:44

# Bom-bom-bom-bom, la-de-de-dum. #

0:45:440:45:47

CLOCK TICKS

0:45:480:45:52

I can't stand it any longer! This room is driving me mad!

0:46:110:46:15

Let me out! Let me out!

0:46:150:46:17

I want to go home! Let me out! Please, let me out!

0:46:170:46:20

HE SOBS

0:46:230:46:27

I want to go home to my mother!

0:46:270:46:29

Six-all, I think.

0:46:310:46:33

LAUGHTER

0:46:330:46:36

I think they're beginning to crack. Have another go.

0:46:380:46:41

Yes, I think that's a good idea.

0:46:410:46:42

Ladies and gentlemen, the score is now six-all.

0:46:420:46:46

I shall not go through the facts of this case again, safe to

0:46:460:46:48

suggest to you there is some element of doubt in this boy's guilt.

0:46:480:46:52

As Shakespeare said in The Merchant of Vienna...

0:46:520:46:57

when Portion accused Shylock Holmes of pinching a pound of meat...

0:46:570:47:00

.."The quality of mercy is not strained.

0:47:030:47:08

"It droppeth as the gentle rain from Heaven

0:47:090:47:13

"upon the place beneath.

0:47:130:47:16

"It is twice blest. Twice blest. The sign of..." No!

0:47:160:47:19

"Blesseth him that gives and him that takes."

0:47:230:47:26

Take the case of doubting Thomas, who was sent to Coventry

0:47:260:47:28

for looking through a keyhole at Lady Godiva.

0:47:280:47:32

Can anybody prove he was looking at her?

0:47:320:47:34

Can anybody prove it was he who shouted out, "Get your hair cut?"

0:47:340:47:39

Of course not. This is sheer supposition.

0:47:390:47:42

Does Magna Carta mean nothing to you?

0:47:430:47:46

Did she die in vain?!

0:47:470:47:49

LAUGHTER

0:47:490:47:52

Brave Hungarian peasant girl

0:47:550:47:57

who forced King John to sign the pledge at Runnymede

0:47:570:48:00

and closed the boozers at half past ten!

0:48:000:48:03

Is all this to be forgotten?

0:48:050:48:07

My friends, it is not John Harrison Peabody who is on trail here today,

0:48:070:48:10

but the fair name of British justice, and I ask you to send that

0:48:100:48:14

poor boy back to the loving arms of his poor white-haired old mother

0:48:140:48:17

a free man.

0:48:170:48:18

I thank you.

0:48:180:48:21

All right, then, hands up all those who say not guilty.

0:48:220:48:26

Right, 10-2, we're leading. Just these two to go.

0:48:260:48:29

Come on, who do you think you are? The man is innocent.

0:48:290:48:31

Obviously, obviously. Oh, very well, I can't stand it any more.

0:48:310:48:35

All right, all right, have it your own way.

0:48:350:48:38

Let the criminal go free. I don't care.

0:48:380:48:41

Let him loose so that he can rob other people's shops,

0:48:410:48:43

other people's houses.

0:48:430:48:45

Your house, maybe. I don't mind. Not guilty, then? Oh, anything you like.

0:48:450:48:48

That's 11-1. Here, Curly, what about you?

0:48:480:48:50

Oh, do what you like. I don't care. There you are.

0:48:500:48:53

A unanimous verdict of not guilty. We can all go home.

0:48:530:48:56

What's the matter now?

0:48:580:49:01

I've just been thinking about what he said

0:49:030:49:06

about letting him loose to rob people's shops

0:49:060:49:09

and other people's houses.

0:49:090:49:11

I couldn't have that on my conscience.

0:49:110:49:13

I'll have to change my mind. Guilty!

0:49:130:49:15

LAUGHTER

0:49:150:49:18

What a good boy you are.

0:49:180:49:20

11-1, we're off again.

0:49:200:49:21

No, no, let's go back to guilty. That's all right with me.

0:49:210:49:24

I'll go along with that. Guilty. Now, who says guilty?

0:49:240:49:26

ALL: Yes!

0:49:260:49:28

There you are, we all agree guilty. Now it's over, we can all go.

0:49:280:49:32

Wait a minute.

0:49:320:49:34

The caper isn't up yet. Not guilty.

0:49:340:49:36

But he IS guilty. We all agree he's guilty.

0:49:360:49:39

Your friend says he's guilty! I don't care what he says.

0:49:390:49:41

I've got another five days' work here. Not guilty.

0:49:410:49:44

We can not go through this again. No, no, no, no!

0:49:440:49:46

I'll tell you what I'll do.

0:49:460:49:48

If everybody chips in 30 bob

0:49:480:49:49

to compensate for me loss of earnings,

0:49:490:49:52

I'll come in with you lot.

0:49:520:49:53

Gentlemen, gentlemen,

0:49:570:49:59

we have reached a unanimous verdict.

0:49:590:50:02

British justice has triumphed again.

0:50:020:50:04

Court will rise.

0:50:240:50:25

Carry on. Who speaks as your foreman?

0:50:290:50:31

I'm the foreman.

0:50:310:50:32

Have you agreed on your verdict? We have.

0:50:320:50:34

How finds you the prisoner? Guilty or not guilty?

0:50:340:50:36

Guilty. 12-0.

0:50:360:50:38

LAUGHTER

0:50:380:50:40

And that is the verdict of you all? It is.

0:50:400:50:43

I will pass sentence after the recess.

0:50:430:50:45

Court is adjourned.

0:50:450:50:47

Just one moment.

0:50:470:50:48

Mr Foreman, the ring, if you please.

0:50:490:50:51

Oh, yes, certainly, M'lord.

0:50:510:50:54

It's gone.

0:50:540:50:56

But I had it on my finger.

0:50:560:50:57

I shook hands with everybody.

0:50:570:51:00

I had it on my finger, but it's disappeared.

0:51:000:51:02

Where could it have gone to? It can't have flown away.

0:51:020:51:04

The ring has disappeared? This is a very serious affair.

0:51:040:51:07

This ring was exceedingly valuable.

0:51:070:51:10

Is the police inspector in court?

0:51:100:51:11

Court will rise.

0:51:280:51:29

Carry on, Mr Farnsworth.

0:51:310:51:32

Put up the accused.

0:51:320:51:34

You are charged with conspiring

0:51:450:51:46

to steal a diamond ring, valued at ?20,000.

0:51:460:51:50

How do you plead? I'm the foreman. Guilty.

0:51:500:51:53

A prison sentence would be shorter than this trial.

0:51:530:51:55

I want to get back to my pigs.

0:51:550:51:56

What about my wife? It's not my fault.

0:51:560:51:58

Who has the ring? Who's got it?

0:51:580:52:01

THEY SHOUT OVER EACH OTHER

0:52:010:52:04

A lot of comedians...

0:52:510:52:53

are very dark people, unfortunately.

0:52:530:52:58

I don't know... You know,

0:52:580:52:59

I'm not in the business of making people laugh, except in private.

0:52:590:53:03

To do it as a business,

0:53:030:53:05

it is obviously...

0:53:050:53:07

You know, it's a hard task.

0:53:070:53:08

It can do you in.

0:53:080:53:10

Especially Tony. Yeah.

0:53:100:53:11

Right...

0:53:140:53:15

let's sort out the chaff from the corn and see how many of you...

0:53:150:53:19

can stay up with me for the next three nights

0:53:190:53:22

and make it out the other side.

0:53:220:53:24

Of course, TV does keep you up late

0:53:240:53:26

for those night owl shows.

0:53:260:53:28

# When the night falls

0:53:380:53:41

# When the night falls

0:53:450:53:47

# I've told you many times before

0:53:490:53:53

# If you deceive me I'll want you no more

0:53:530:53:56

# People thought that I was foolin' round

0:53:560:53:59

# But I've got both my feet on the ground

0:53:590:54:02

# I don't regret the things I've done

0:54:020:54:06

# Although I miss your lovin'

0:54:060:54:08

# When the night falls

0:54:080:54:11

# When the night falls. #

0:54:110:54:14

Spending a lot of your life

0:54:590:55:02

as a nocturnal creature,

0:55:020:55:04

you get a certain affinity for...

0:55:040:55:07

nightingales and owls,

0:55:070:55:09

and little furry things you can't quite describe, you know?

0:55:090:55:14

Badgers and...you know.

0:55:170:55:20

# When the night falls

0:55:200:55:22

# When the night falls. #

0:55:220:55:24

The fox is, yeah... I mean...

0:55:260:55:28

He's a smart guy, you know.

0:55:290:55:31

Why flash yourself when you don't need to?

0:55:330:55:35

Guys that work at night have always intrigued me.

0:55:390:55:42

"What are you doing up at this time of day?"

0:55:430:55:45

HE GRUNTS: "Working."

0:55:450:55:46

# Tell Automatic Slim

0:55:510:55:55

# To tell razor-totin' Jim

0:55:550:55:58

# To tell butcher knife-totin' Annie

0:55:580:56:01

# To tell fast-talking Fanny

0:56:010:56:05

# We gonna pitch a ball

0:56:050:56:08

# Down to that union hall

0:56:080:56:11

# We gonna romp and tromp till midnight

0:56:110:56:15

# We gonna fuss and fight till daylight

0:56:150:56:17

# We gonna pitch a wang dang doodle all night long

0:56:170:56:22

# All night long

0:56:240:56:28

# All night long

0:56:280:56:31

# All night long

0:56:310:56:34

# All night long

0:56:340:56:37

# We gonna pitch a wang dang doodle all night long

0:56:370:56:42

# Tell kudu-crawlin' Red

0:56:430:56:47

# Tell Abyssinian Ned

0:56:470:56:50

# Tell ol' Pistol Pete

0:56:500:56:53

# He'll tell everybody he meets

0:56:530:56:56

# Tonight, we need no rest

0:56:560:56:59

# We gonna really throw a mess

0:56:590:57:02

# We gonna knock down all the windows

0:57:020:57:06

# We gonna kick down all the doors

0:57:060:57:09

# We gonna pitch a wang dang doodle all night long

0:57:090:57:14

# All night long

0:57:160:57:19

# All night long

0:57:190:57:22

# All night long

0:57:220:57:25

# All night long

0:57:250:57:27

# We gonna pitch a wang dang doodle all night long

0:57:270:57:32

# Tell Fats and Washboard Sam

0:57:340:57:37

# That everybody gonna jam

0:57:370:57:41

# Tell Shaky and Boxcar Joe

0:57:410:57:43

# We got sawdust on the floor

0:57:430:57:46

# Tell Peg and Caroline Dye

0:57:460:57:50

# We gonna have a heck of a time

0:57:500:57:52

# And when the fish scent fills the air

0:57:520:57:56

# There'll be snuff juice everywhere

0:57:560:57:58

# We gonna pitch a wang dang doodle all night long

0:57:580:58:03

# All night long

0:58:060:58:09

# All night long

0:58:090:58:12

# All night long

0:58:120:58:15

# All night long

0:58:150:58:17

# We gonna pitch a wang dang doodle all night long. #

0:58:170:58:22

MUSIC: Child Of The Moon by The Rolling Stones

0:58:350:58:39

Night-time has a certain effect on us.

0:58:490:58:51

It's kind of, like, er,

0:58:510:58:53

I suppose, the moon or something, you know?

0:58:530:58:56

It affects us.

0:58:560:58:57

# The sun glows

0:58:570:59:00

# At the end of the highway

0:59:000:59:05

It changes your water.

0:59:070:59:09

Lunatic, lunar.

0:59:090:59:11

I mean, yes, madness.

0:59:110:59:13

# Child of the moon

0:59:130:59:17

# Rub your rainy eyes

0:59:170:59:21

# Oh, child of the moon

0:59:210:59:26

# Give me a wide-awake crescent-shaped smile

0:59:260:59:33

# She shivers

0:59:420:59:45

# By the light, she is hidden

0:59:450:59:52

# She flickers

0:59:520:59:55

# Like a lamp lady vision

0:59:551:00:01

# Child of the moon

1:00:011:00:06

# Rub your rainy eyes

1:00:061:00:11

# Child of the moon

1:00:111:00:15

# Give me a wide-awake crescent-shaped smile. #

1:00:151:00:21

Spike, the errant genius.

1:00:231:00:26

# The wind blows

1:00:291:00:33

# Rain into my face

1:00:331:00:39

# The sun glows

1:00:391:00:42

# At the end of the highway... #

1:00:421:00:48

Yeah, he was crazy.

1:00:481:00:50

He's probably pissed all the others off, but at the same time,

1:00:521:00:56

there was flashes of genius and brilliance in there that...

1:00:561:01:00

maybe you can only do if you're nuts, you know.

1:01:001:01:04

There's nothing wrong with being nuts...

1:01:061:01:08

as long as you don't kill somebody.

1:01:081:01:11

Good evening.

1:01:141:01:16

I was watching the television this evening and I thought,

1:01:161:01:21

"There's nothing like a good laugh."

1:01:211:01:23

Take two.

1:01:251:01:28

Good evening.

1:01:281:01:29

I was watching the television this evening and I thought,

1:01:291:01:33

"There's nothing like a good laugh."

1:01:331:01:36

Take three.

1:01:371:01:38

I was watching the television this evening and I thought,

1:01:391:01:44

"There's nothing like a good laugh."

1:01:441:01:46

Take four.

1:01:481:01:49

I was watching...

1:01:491:01:51

the television this evening

1:01:511:01:53

and I thought,

1:01:531:01:55

"There's nothing like a good laugh."

1:01:551:01:58

Oh, ... religion!

1:01:581:02:00

Hi, everybody.

1:02:111:02:12

This show is called...

1:02:121:02:14

MEN HUM What? What's it called?

1:02:141:02:16

HE RAMBLES

1:02:161:02:17

Agh!

1:02:171:02:19

You've got to stop doing that.

1:02:261:02:28

You've got to stop that habit.

1:02:281:02:30

Ready to go in. Right.

1:02:301:02:32

Right. OK, Spike. Ready?

1:02:321:02:33

Yes?

1:02:431:02:44

Good morning, madam. Morning.

1:02:471:02:49

Morning, madam. Morning.

1:02:491:02:52

I am...

1:02:561:02:59

I'm Herbert Screckle,

1:02:591:03:01

a salesman.

1:03:011:03:03

Er, me and my fellow directors

1:03:031:03:06

would like to know if...

1:03:061:03:09

you are getting sufficient sympathy and understanding in your life?

1:03:091:03:13

Not much. Why?

1:03:131:03:15

Do you mind if we come in, madam?

1:03:151:03:16

No. Ta.

1:03:161:03:18

Supposing you had been out for a hard day's shopping. Tired out.

1:03:181:03:23

You get on the Tube.

1:03:231:03:25

Does anybody...? Does anybody get up for you?

1:03:251:03:28

No fear, not these days! You'd have to drop bleeding dead!

1:03:281:03:32

There's no need for you to drop bleeding dead, madam.

1:03:321:03:36

Me and my company have invented something for ladies

1:03:361:03:39

that guarantees to get the maximum sympathy and understanding.

1:03:391:03:42

What is it, divorce?

1:03:421:03:44

No. No, madam.

1:03:461:03:48

It is not a divorce. Tom...

1:03:481:03:51

Ow! Christ!

1:03:511:03:53

This is the Mark I

1:03:551:03:58

plastic, inflatable sympathy hump.

1:03:581:04:01

Say you are on a crowded Tube...

1:04:011:04:03

"I'm on a crowded Tube." You're on a crowded Tube.

1:04:031:04:06

You want to sit down, but no-one is getting up for you.

1:04:061:04:09

Beforehand, you have taken the precaution

1:04:091:04:12

of placing this bladder up your back, so...

1:04:121:04:15

Now, then...

1:04:151:04:17

all you have to do is to inflate it.

1:04:171:04:19

They are infallible, madam.

1:04:291:04:31

They're tried out by 20 of our humpy-back inspectors...

1:04:311:04:35

..on the modern Edgware line.

1:04:361:04:38

Well, it looks real, but I don't fancy it.

1:04:381:04:40

No, of course you do not fancy it, madam.

1:04:401:04:43

Of course you do not.

1:04:431:04:44

This is the Quasimodo model...

1:04:441:04:46

..for men and boys. No...

1:04:481:04:50

For the lady, we have something more delicate, eh, Tom?

1:04:501:04:54

Ow! Will you pardon me, madam? Would you open your jacket, please?

1:04:541:04:58

Now, then. Once again, just imagine you are on a crowded Tube

1:04:581:05:02

and you want to get a seat.

1:05:021:05:06

Then all you have to do is to inflate this.

1:05:061:05:09

Twins?!

1:05:141:05:15

Triplets. There.

1:05:161:05:18

It is the infallible

1:05:181:05:20

false pregnancy hump, madam.

1:05:201:05:22

Now, then, if, on the other hand...

1:05:221:05:24

Oh, hello, John. Dear, oh, dear!

1:05:241:05:27

Have you had a bad day? I had to stand all the way on the Tube.

1:05:271:05:31

GIGGLING

1:05:381:05:40

Er, that is the end of that bit.

1:05:421:05:44

Now, all stand for the national anthem.

1:05:461:05:49

CASH REGISTER RINGS

1:05:491:05:51

IN DEEP VOICE: # God save our gracious Queen

1:05:531:05:58

# Long live our noble Queen

1:05:581:06:02

# God save our Queen. #

1:06:021:06:06

What a wonderful tune that is.

1:06:061:06:08

Lovely tune. My wife and I often sing it of an evening, you know?

1:06:081:06:11

I say to her, "Molly, shall we go down to the lounge

1:06:111:06:14

"and sing God Save The Queen?" She says, "Yes, John."

1:06:141:06:17

And we go down and sing it.

1:06:171:06:18

We often invite Ted and his mother to come over and sing it with us.

1:06:181:06:21

It really is a lovely tune.

1:06:211:06:22

# God save our... #

1:06:221:06:25

I can't understand why it isn't in the charts, you know.

1:06:251:06:28

But seriously, folks, is it, in fact,

1:06:281:06:31

like a dead palm tree?

1:06:311:06:32

Out of date.

1:06:321:06:34

HE CHUCKLES

1:06:381:06:41

Well, I think I got the best out of that joke.

1:06:441:06:47

Get the best out of this one, sailor. Whoopee!

1:06:471:06:51

Erm...

1:06:511:06:52

That was John Wells in a censored excerpt from the Mountbatten story.

1:06:551:06:59

To find out whether people

1:07:011:07:03

actually did stand for the national anthem,

1:07:031:07:05

we tried this simple experiment.

1:07:051:07:07

Example one. Kew Gardens.

1:07:071:07:09

GOD SAVE THE QUEEN PLAYS

1:07:111:07:15

MUSIC SWELLS

1:07:271:07:30

And number two, The Mall.

1:07:571:07:59

GOD SAVE THE QUEEN PLAYS

1:07:591:08:02

But then, suddenly, it's the Queen. GOD SAVE THE QUEEN PLAYS

1:08:111:08:15

Number four, a sewers.

1:08:191:08:21

GOD SAVE THE QUEEN PLAYS

1:08:251:08:27

CLANG Ow!

1:08:271:08:29

Finally...

1:08:291:08:32

GOD SAVE THE QUEEN PLAYS

1:08:321:08:34

MUSIC SWELLS

1:08:441:08:47

(Screwdrivers? Screwdrivers?)

1:08:561:08:59

Well, there you see, there are those people who just won't!

1:09:051:09:09

But most people generally do stand for the national anthem.

1:09:091:09:12

What we can't understand is why they stand for Harold Wilson,

1:09:121:09:15

Edward Heath

1:09:151:09:17

and Mrs Enid Stone.

1:09:171:09:19

I'm Enid Stone and I'm 62.

1:09:191:09:22

62, isn't that wonderful, ladies and gentlemen?

1:09:221:09:25

She's 62. Great big hand for Enid Stone,

1:09:251:09:28

who's 62 and scratching on the... APPLAUSE DROWNS HIM OUT

1:09:281:09:30

But what of those expatriates

1:09:351:09:36

who are beyond the earshot of God Save The Queen?

1:09:361:09:39

There they lie, in the corner of some foreign suit

1:09:391:09:41

that is forever ignorant.

1:09:411:09:43

We carried out a national anthem survey with Lord Louis Mountbatten

1:09:431:09:46

who had taken time off from filming Ben Hur with a cast of sailors.

1:09:461:09:48

Hello, sailor!

1:09:481:09:51

HE LAUGHS

1:09:511:09:52

Using GPO national anthem detectors,

1:09:541:09:57

we discovered that all people living in these areas - here,

1:09:571:10:01

there and there -

1:10:011:10:03

were totally without GSTQ -

1:10:031:10:06

God Save The Queen.

1:10:061:10:08

Yes, we at the Foreign and Commonwealth Office

1:10:081:10:10

decided to invent a pill

1:10:101:10:12

which would make you hear the national anthem in your mind.

1:10:121:10:16

It's wonderful. Very good.

1:10:321:10:34

I heard every...every note.

1:10:341:10:35

# God save... #

1:10:351:10:37

HE CLUCKS

1:10:371:10:39

HOWLING

1:10:391:10:40

WOOFING

1:10:401:10:42

Of course, these national anthem pills

1:10:421:10:45

have got very, very nasty side effects.

1:10:451:10:47

But there are other, far worse problems.

1:10:471:10:50

Let us visit the National Anthem Addiction Centre at Sandringham.

1:10:501:10:54

Here, we see many sufferings the advanced thralls

1:10:591:11:02

and acute agonies of national anthem mania.

1:11:021:11:05

PATIENTS CHATTER

1:11:051:11:08

God save the queen. The queen!

1:11:081:11:10

The Queen, God bless her! The Queen, God bless her!

1:11:101:11:12

Queen! Queen! QUEEN! Queen! Queen!

1:11:121:11:16

God save the queen, god bless her. The Queen! The Queen! The Queen.

1:11:161:11:19

The queen, God bless her! The queen, god bless her!

1:11:191:11:22

PATIENTS BABBLE

1:11:221:11:24

These are the withdrawal symptoms of compulsive patriotism,

1:11:241:11:27

even though these people have not heard

1:11:271:11:30

the national anthem for three weeks.

1:11:301:11:32

Fortunately, the GPO has came up with a dial-an-anthem service.

1:11:321:11:35

LA MARSEILLAISE BLARES

1:11:391:11:43

Operator, I've got a wrong anthem. Hello?

1:11:431:11:46

Let that give comfort to those who scoff at The Patriot,

1:11:461:11:49

the well-known restaurant which serves brown Windsor soup

1:11:491:11:51

in the shape of the Duke of Edinburgh.

1:11:511:11:54

This week saw the start of the South London Unorthodox,

1:11:541:11:58

Amateur Athletics Association sport week.

1:11:581:12:00

Here, we see competitors from the Bromley Operatic Society

1:12:001:12:04

in the 100 metres singing relay.

1:12:041:12:07

THEY SING SCALES

1:12:071:12:09

On your marks...

1:12:091:12:10

GUNSHOT

1:12:101:12:11

JERUSALEM: # And did those feet

1:12:111:12:13

FASCINATING RHYTHM: # Fascinating rhythm, you've got me on the run

1:12:131:12:16

# In ancient time # Fascinating rhythm

1:12:161:12:18

# What a mess you're making The neighbours want to know

1:12:181:12:20

# Walk upon England's mountains green?

1:12:201:12:21

# Why am I shaking like a flivver?

1:12:211:12:23

# Each morning I get up with the sun

1:12:231:12:24

# And was the holy Lamb of God

1:12:241:12:25

# To find at night no work has been done.

1:12:251:12:28

# On England's pleasant pastures seen?

1:12:281:12:30

THEY CONTINUE TO SING

1:12:301:12:33

# And did the Countenance Divine

1:12:371:12:38

# Won't you take a day off?

1:12:381:12:39

# Decide to run along

1:12:391:12:40

# Somewhere far away off and make it snappy

1:12:401:12:42

# Shine forth upon our clouded hills?

1:12:421:12:44

# Oh, how I long to be the girl I used to be

1:12:441:12:47

# What a mess you're making

1:12:571:12:58

# The neighbours want to know why

1:12:581:13:00

# I'm always shaking

1:13:001:13:01

THE OTHER SINGS JERUSALEM

1:13:011:13:02

# Fascinating rhythm

1:13:021:13:05

# Oh, won't you stop picking on ME! #

1:13:051:13:08

Today sees the finale

1:13:081:13:09

of the annual grandmother-hurling contest at Beachy Head.

1:13:091:13:12

The grandmothers and contestants

1:13:121:13:14

are just warming up for the final throws.

1:13:141:13:17

So, over to Ivor Pulcock.

1:13:171:13:18

Hello, it's a great day for the grandmother-hurling finals

1:13:181:13:23

here at Beachy Head. In the last three eliminations,

1:13:231:13:25

over 100 grandmothers were successfully thrown out to sea,

1:13:251:13:29

out of which, only two returned back in the penalty time

1:13:291:13:33

of one-and-a-half minutes.

1:13:331:13:35

Let's go over to last year's champion hurler and grandmother.

1:13:351:13:39

Hello, this is Mr John Squonk, and his grandmother, Mrs Ethel Squonk.

1:13:411:13:45

Good morning. Could you tell us, how old are you?

1:13:451:13:48

Five-feet-three.

1:13:481:13:51

And what made you offer yourself for this hurling contest?

1:13:511:13:54

Well, I am a widow

1:13:541:13:56

and my husband died,

1:13:561:13:59

my cat died, but...

1:13:591:14:01

I didn't.

1:14:011:14:03

So, my gardener came and did this.

1:14:031:14:06

Yes, my word. We come down here in the good weather,

1:14:061:14:09

I give her several good hurls off the cliff on the weekend.

1:14:091:14:12

We have some great fun and the money comes in handy.

1:14:121:14:14

Hello, this is Mr Arthur Grainger and his 80-year-old grandmother.

1:14:141:14:19

Major. Major... I think... Grandmother and teacher.

1:14:191:14:23

And 91. 91? 91.

1:14:231:14:25

Well, well, well, goodness me, 91 years of age. 91.

1:14:251:14:29

And the coroner said she was dead, but...

1:14:291:14:33

I got a second opinion,

1:14:331:14:36

mine,

1:14:361:14:38

and she was in a...

1:14:381:14:40

She looked all right, so I put her...

1:14:401:14:42

She's 91, you see, and they go that way in the end.

1:14:421:14:46

Major... They can't help it. When you say, "They go that way..."

1:14:461:14:50

91. Because she's 91? Yeah, and a major... Yourself?

1:14:501:14:54

You are...? A major.

1:14:541:14:56

HE MUMBLES

1:14:561:14:58

Could you tell us this? Why are you...?

1:14:581:15:01

HE MUMBLES I beg your pardon?

1:15:011:15:03

The wind blows rough. What I wanted to know, Major...

1:15:031:15:06

Put a ramp on her, Derek! Yes... Put a ramp on her! Yes.

1:15:061:15:10

Major? Oh, we haven't got any blocks for the wheel.

1:15:101:15:13

I'm telling him that you're 91.

1:15:131:15:15

I'd like to... 91. Why are you using apparatus?

1:15:151:15:19

Well, she's got, er... She's got these, er...

1:15:191:15:22

weak ankles, you see, and, er,

1:15:221:15:24

she's had them more than a week, actually. Two weeks.

1:15:241:15:27

I suppose the straps will go round...

1:15:271:15:29

The particular straps... The scrabsons on the blink.

1:15:291:15:31

Because of the scrabsons on the blink? ..A scrabson on the blink.

1:15:311:15:34

We've got these hairy socks and I don't like the hand-held one.

1:15:341:15:38

And you prefer the traditional meth...? No, I like the hurl method.

1:15:381:15:44

Hurl out to sea.

1:15:441:15:46

She's left me money in the will and there's the cottage. I see.

1:15:461:15:49

And, er... And this is...? I'm telling you... Yes.

1:15:491:15:52

I see. So, I think we're ready...

1:15:521:15:54

BELL CLANGS That sounds... She's 91 and ready.

1:15:541:15:57

Right, you are. I think we're ready for the first...

1:15:571:16:00

I mean...for the first hurl.

1:16:001:16:03

The major is just making sure that the straps are...

1:16:031:16:05

Get your fingers in your ears, Granny.

1:16:051:16:07

I'll put my fingers in my ears. And clench your teeth so they don't pop.

1:16:071:16:11

She's clenching her teeth now... See the rocks?

1:16:111:16:14

Flatten out! He has instructed her...

1:16:141:16:18

He's instructed her now to flatten out over the rocks when...

1:16:181:16:22

as she's about to go. Now...

1:16:221:16:24

Ready, dear? I'm ready.

1:16:241:16:26

I think he's ready now. Looking at his watch, he's...

1:16:291:16:33

SHE SCREAMS

1:16:331:16:36

Oh, Major, that really was quite wonderful.

1:16:361:16:39

I'd like to congratulate you.

1:16:391:16:41

It was really a wonderful hurl. A wonderful hurl. Good for her!

1:16:411:16:45

And now, John Squonk OBE with his traditional freestyle hurl.

1:16:451:16:49

Don't worry, darling, the rocks will break your fault. All right, love.

1:16:491:16:52

He's ready now.

1:16:521:16:53

He wheels her out once, twice...

1:16:531:16:55

He's building up into a powerful loop, into ever-increasing circles.

1:16:551:16:58

And it's... WOMAN SCREAMS

1:16:581:17:00

That was a beauty! It certainly could be a close thing.

1:17:021:17:05

UPBEAT PIANO TUNE

1:17:071:17:09

# Yesterday, all my troubles seemed so far away

1:17:131:17:17

# Now it looks as though they're here to stay

1:17:171:17:20

# Oh, I believe in yesterday

1:17:201:17:23

# Suddenly...

1:17:251:17:26

# Suddenly, I'm just half the man I used...

1:17:261:17:31

# There's a shadow hanging over me

1:17:311:17:34

# Oh, yesterday came suddenly

1:17:341:17:37

# Why she had to go I don't know

1:17:371:17:39

# She wouldn't say

1:17:391:17:41

# I said something wrong Now I think of yesterday... #

1:17:431:17:48

Agh!

1:17:481:17:49

PIANO STOPS ABRUPTLY

1:17:491:17:51

# Yesterday HE PLAYS TWO NOTES

1:17:531:17:56

# All my troubles seemed so far...

1:17:591:18:01

# Far away

1:18:021:18:04

# Now I need a place to...

1:18:041:18:07

# Hide away

1:18:071:18:08

# Oh, I believe...

1:18:081:18:10

# In yester... Agh! Agh!

1:18:151:18:17

# Yester... Agh!

1:18:201:18:22

# I bel... Agh! #

1:18:251:18:27

What you are seeing, at this very moment,

1:18:341:18:36

is the smallest police station in the world,

1:18:361:18:39

and I am but a voice-over.

1:18:391:18:42

Oh, no, it isn't.

1:18:431:18:44

This is the smallest police station in the world.

1:18:441:18:46

Yes, it will hold three fully grown policemen,

1:18:461:18:50

or eight large constables.

1:18:501:18:52

Lies! That man is lying!

1:18:521:18:55

I'm not, I'm standing on my head.

1:18:551:18:56

Groans! Groans!

1:18:591:19:00

No, this is the smallest police station in the world.

1:19:001:19:05

And I should know.

1:19:051:19:07

Let us put an end to these rumours.

1:19:071:19:10

This is definitely the smallest police station in the world.

1:19:101:19:14

I am about to incarcerate a criminal in it.

1:19:151:19:19

HE SPEAKS GIBBERISH

1:19:191:19:21

Elementary, my dear Watson.

1:19:261:19:28

Brilliant.

1:19:281:19:29

I see there's only a skeleton service running tonight. Brilliant.

1:19:321:19:36

OK, you dirty rat!

1:19:361:19:38

Hands together! Kneel down!

1:19:381:19:41

Now listen, blue eyes.

1:19:411:19:43

HE SPEAKS LATIN

1:19:431:19:46

Amen.

1:19:461:19:48

HE WAILS

1:19:481:19:50

This man is laying on his back, cutting his throat,

1:19:501:19:53

groaning and overacting.

1:19:531:19:55

He's wearing a greasy bowler. Brilliantine!

1:19:551:19:57

But, God, he's been...

1:20:001:20:03

ordained!

1:20:031:20:05

MUSIC: Toccata and Fugue in D Minor by JS Bach

1:20:051:20:09

Ordained? But who do you suspect?

1:20:091:20:11

It looks like a typical 6?-inch collar,

1:20:111:20:13

Archbishop of Canterbury job to me.

1:20:131:20:15

I'm Jewish! There, there. Now, you're...

1:20:151:20:19

Christian.

1:20:191:20:21

Oh, my...

1:20:211:20:22

We must get him to the de-ordination hospital as soon as possible.

1:20:221:20:26

And lo, he came to the mountain and fell down...

1:20:331:20:37

Oy!

1:20:381:20:41

And so it came to pass that they all spake out...

1:20:411:20:46

Oy!

1:20:461:20:47

One more time!

1:20:471:20:49

And all tribes...

1:20:491:20:52

Oy! He doesn't know when he's beaten.

1:20:521:20:54

Are you the Jewish mother?

1:20:551:20:58

Well, no, actually I'm a Catholic, but I'll do anything for money.

1:20:581:21:01

This is the worst case of ordination I've seen

1:21:021:21:05

since Pope Pius did the Archbishop of Canterbury job.

1:21:051:21:08

Remember Harley Street.

1:21:081:21:10

Ha!

1:21:101:21:12

Good God!

1:21:121:21:14

HE GROANS

1:21:141:21:16

It's taken!

1:21:191:21:20

MUSIC: Toccata and Fugue in D Minor by JS Bach

1:21:201:21:25

Abie! Abie!

1:21:251:21:28

My name's Dick.

1:21:281:21:30

Dick! Dick! Anything for money.

1:21:301:21:33

WHISTLE BLOWS

1:21:331:21:35

Sherlock Holmes?

1:21:351:21:37

Listen to me, sergeant.

1:21:371:21:38

I must warn you that anything you say that is funnier than me,

1:21:401:21:44

will be cut out in the edited repeats.

1:21:441:21:47

Here is a newsflash. It's been reported that

1:21:471:21:49

the Archbishop of Canterbury is holding out in Lewisham.

1:21:491:21:53

Exactly what he is holding out, the police will not say.

1:21:531:21:57

It's also reported that he's holding an atheist hostage.

1:21:571:22:00

And here is another flash.

1:22:001:22:02

Archbishop of Canterbury, we know you're in there

1:22:041:22:07

and we know we're out here.

1:22:071:22:09

Throw out your crosiers or we'll send in the Jesuits.

1:22:091:22:12

Get back, copper, I've got Margaret Thatcher prisoner.

1:22:131:22:17

One step nearer, and she gets ordained.

1:22:171:22:20

You fiend out of hell!

1:22:211:22:23

One step nearer, and I'll kill myself.

1:22:231:22:26

This is an opportunity not to be missed.

1:22:261:22:28

SHE SCREAMS

1:22:291:22:30

Mrs Thatcher, darling, are you all right?

1:22:331:22:35

Speak to me, Mrs Thatcher.

1:22:371:22:38

Speak to me! Can you hear me?

1:22:381:22:40

She's deaf!

1:22:411:22:43

KEITH LAUGHS

1:22:431:22:45

APPLAUSE

1:23:051:23:09

Mr and Mrs Aaagh. Ah.

1:23:121:23:15

Come in...

1:23:151:23:16

Now, then...

1:23:291:23:30

which one of you two is Mr and Mrs Aaagh?

1:23:301:23:33

We are.

1:23:331:23:35

Do you want this privately?

1:23:371:23:39

Or on the National Health?

1:23:391:23:41

National 'Ealth.

1:23:411:23:42

Now, then, what appears to be the trouble?

1:23:541:23:57

It's me husband.

1:23:571:23:59

HUSBAND QUACKS

1:23:591:24:01

Husband?

1:24:041:24:05

You want a solicitor, not a doctor.

1:24:051:24:08

No, me husband is ill, seriously.

1:24:081:24:11

Suddenly, he can't talk proper, like.

1:24:111:24:13

HE QUACKS

1:24:131:24:15

Has he ever talked proper, like? Oh, yes...

1:24:191:24:22

HE QUACKS

1:24:221:24:23

But recently, he's become very difficult to live with.

1:24:251:24:29

Do you find him trying? Aye.

1:24:291:24:32

Last night, I found him trying with Mrs Soper on the back step.

1:24:321:24:36

That's not an illness. Aye, he soon had one, though,

1:24:361:24:39

I fetched him one on the back of his nut with a coal shovel.

1:24:391:24:43

HE QUACKS

1:24:431:24:44

She screams and I belted him on the back of his nut again.

1:24:441:24:47

HE QUACKS

1:24:471:24:48

I said, "Bert, will you stop doing it while I'm trying to talk to her?"

1:24:481:24:52

It were that last blow that done something to his voice. What?

1:24:541:24:58

You tell him, Bert.

1:24:581:25:00

VOICE BEEPS LIKE A SYNTHESISER

1:25:011:25:05

Good heavens, the which of like I never have I not seen,

1:25:101:25:14

which in my whole career, etc...

1:25:141:25:15

Say, "The quick brown fox jumped over the lazy cow."

1:25:151:25:19

VOICE BEEPS LIKE A SYNTHESISER

1:25:191:25:21

Does he know Little Jack Horner?

1:25:231:25:25

If he lives in Deptford, yes.

1:25:251:25:27

No, I mean the nursery rhyme.

1:25:281:25:30

VOICE BEEPS LIKE A SYNTHESISER

1:25:301:25:33

Ladies and gentlemen, there is no known cure for this disease,

1:25:461:25:50

therefore there can be no known ending to this sketch.

1:25:501:25:53

HE QUACKS

1:25:531:25:55

AUDIENCE APPLAUDS

1:26:111:26:13

Here's a way of breaking eggs

1:26:251:26:27

without dirtying your hands.

1:26:271:26:29

Right?

1:26:291:26:31

And here's a way of losing weight rapidly.

1:26:311:26:33

Another thing - stains. Now, here's a way of saving money

1:26:361:26:39

on stains by not buying washing powder.

1:26:391:26:42

Now, food bills - here's a way of cutting down on family food bills.

1:26:471:26:51

THEY SCREAM

1:26:521:26:54

Steady now, steady now, now...

1:27:001:27:02

Take all your clothes off, stand in front of a mirror naked...

1:27:021:27:05

WOMAN IN AUDIENCE SHRIEKS

1:27:051:27:07

..and when you've stopped screaming...see if you can do this,

1:27:081:27:12

watch this, watch the monitor.

1:27:121:27:14

You fool, camera two!

1:27:201:27:22

You've given away the secret of a year.

1:27:221:27:24

It's all they do give away at the BBC.

1:27:241:27:26

HE SNIFFS

1:27:261:27:27

Get the Odour Eaters, the Odour Eaters!

1:27:271:27:29

SWING MUSIC PLAYS

1:27:291:27:33

# In a little town where life goes on

1:27:371:27:40

# There's a most fantastic fellow

1:27:401:27:43

# He's the leader of the village choir

1:27:431:27:45

# And his voice is warm and mellow

1:27:451:27:47

# He drives a fruit cart around the street

1:27:471:27:50

# And everybody knows it

1:27:501:27:52

# He doesn't sing or rave about his fruit

1:27:521:27:55

# He simply blows it... #

1:27:551:27:57

HE BLOWS A TUNEFUL RASPBERRY

1:28:001:28:03

# Doing it all day long... #

1:28:031:28:05

HE BLOWS A TUNEFUL RASPBERRY

1:28:051:28:08

# It's better than any song

1:28:081:28:10

# Though it isn't very pretty

1:28:101:28:12

# You've got to admit it's cute

1:28:121:28:14

# So all together let it go... #

1:28:141:28:17

HE BLOWS A TUNEFUL RASPBERRY

1:28:171:28:19

# Eat more fruit... #

1:28:191:28:20

THEY ALL BLOW RASPBERRIES

1:28:201:28:22

# It's certainly come to stay... #

1:28:221:28:25

HE BLOWS A TUNEFUL RASPBERRY

1:28:251:28:26

# You can hear him say

1:28:261:28:29

# Hey, fruit's in season

1:28:291:28:31

# Plenty of berries, apples, plums and the old raspberries... #

1:28:311:28:34

HE BLOWS A TUNEFUL RASPBERRY

1:28:341:28:36

# Let's eat the best today

1:28:361:28:38

# Every Friday night when work is done

1:28:441:28:47

# He never wastes a minute

1:28:471:28:49

# To the village hall he hurries round

1:28:491:28:52

# Where he sings just like a linnet

1:28:521:28:54

# To hear him blow a melody

1:28:541:28:57

# It's great, you can't deny it

1:28:571:28:59

# And if you've nothing else to do

1:28:591:29:02

# I'd like you all to try it... #

1:29:021:29:04

HE BLOWS A TUNEFUL RASPBERRY

1:29:071:29:09

# Get ready and do it now... #

1:29:091:29:12

HE BLOWS A TUNEFUL RASPBERRY

1:29:121:29:14

# It's easy when you know how

1:29:141:29:17

# Though it isn't very pretty

1:29:171:29:19

# You've got to admit it's cute

1:29:191:29:21

# So all together let it go... #

1:29:211:29:24

HE BLOWS A TUNEFUL RASPBERRY

1:29:241:29:25

# Eat more fruit

1:29:251:29:27

HE BLOWS A TUNEFUL RASPBERRY

1:29:271:29:29

# It's certainly come to stay... #

1:29:291:29:31

HE BLOWS A TUNEFUL RASPBERRY

1:29:311:29:33

# It's a treat to hear him say

1:29:331:29:35

# Hey, do, te, la, so, fa, me, ray, do... #

1:29:351:29:39

HE BLOWS A TUNEFUL RASPBERRY

1:29:391:29:41

# Everything is fresh today... #

1:29:421:29:45

HE BLOWS A TUNEFUL RASPBERRY

1:30:061:30:08

# It's certainly come to stay

1:30:081:30:11

HE BLOWS A TUNEFUL RASPBERRY

1:30:111:30:12

# It's a treat to hear him say

1:30:121:30:14

# Hey, fruit's in season

1:30:141:30:17

# Plenty there, apples, plums and the old raspberries... #

1:30:171:30:20

HE BLOWS A TUNEFUL RASPBERRY

1:30:201:30:22

# Everything is fresh today... #

1:30:221:30:25

HE BLOWS A TUNEFUL RASPBERRY

1:30:251:30:29

APPLAUSE

1:30:311:30:32

# Land of hope and glory

1:30:321:30:38

# Mother of the free

1:30:381:30:43

# God, who made thee mighty

1:30:451:30:50

# Make thee mightier yet

1:30:501:30:55

# Wider still and wider

1:30:551:31:00

# May the power... #

1:31:001:31:04

HE SPLUTTERS

1:31:041:31:05

# The song played forever

1:31:051:31:10

# Make thee mightier yet

1:31:101:31:15

# God, who made thee mighty

1:31:151:31:21

# Make thee mightier yet. #

1:31:211:31:25

You've talked about TV, but what about this world now?

1:31:271:31:29

The whole internet, computer world? I know nothing.

1:31:291:31:32

All I can tell you, it is going to screw us up.

1:31:321:31:35

FOX CRIES

1:31:371:31:39

The attention span, sort of thing, is going to be...

1:31:471:31:51

I think they're already noticing that kids are losing that...

1:31:511:31:55

FOX CRIES

1:31:591:32:01

I mean, I like a book, you know, I like the smell of 'em, you know,

1:32:031:32:07

I like the paper. I come from a way back, you know, so...

1:32:071:32:11

To possess something and have something meant having...

1:32:111:32:15

having it in your hand, you know, whether it was a record, a book.

1:32:151:32:19

And you put it on a shelf, you knew where it was.

1:32:191:32:22

I'm just a little antsy about thinking it's just somewhere

1:32:221:32:25

in the airwaves...

1:32:251:32:26

And I just do that and I hear it once.

1:32:261:32:29

"Oh, great..." I want to look at it.

1:32:291:32:32

I want to touch it, I want to feel it and I want to smell it.

1:32:321:32:36

And you're not going to get a lot of that out of a phone.

1:32:361:32:40

Probably... You'll find a resurgence of desire for books in a few years.

1:32:401:32:48

You're going through a technological revolution right now.

1:32:481:32:52

And everybody's fallen for it like suckers.

1:32:521:32:56

And...they'll get over it, you know...

1:32:561:32:59

When the electricity runs out.

1:32:591:33:01

MUSIC: Fire by The Crazy World Of Arthur Brown

1:33:011:33:03

# I am the God of hell fire And I bring you

1:33:031:33:05

# Fire

1:33:051:33:07

# I'll take you to burn

1:33:071:33:09

# Fire

1:33:111:33:12

# I'll take you to learn

1:33:141:33:15

# I'll see you burn

1:33:181:33:20

# You've fought hard and you've saved and earned

1:33:241:33:29

# But all of it's going to burn

1:33:291:33:32

# And your mind, your tiny mind

1:33:321:33:34

# You know you've really been so blind

1:33:341:33:36

# Now's your time, burn your mind You're falling far too far behind

1:33:361:33:39

# Oh, no

1:33:391:33:41

# Oh, no

1:33:411:33:43

# Oh, no

1:33:431:33:44

# You're gonna burn!

1:33:451:33:47

# Fire

1:33:501:33:52

# To destroy all you've done

1:33:521:33:54

# Fire

1:33:571:33:58

# To end all you've become

1:33:591:34:01

# I'll feel you burn

1:34:031:34:06

# You've been living like a little girl

1:34:101:34:15

# In the middle of your little world

1:34:151:34:19

# And your mind, your tiny mind, you know you've really been so blind

1:34:211:34:25

# Now's your time, burn your mind You're falling far too far behind

1:34:251:34:30

# Ooooooooh

1:34:301:34:35

# Fire

1:34:351:34:36

# I'll take you to burn

1:34:381:34:40

# Fire

1:34:421:34:43

# I'll take you to learn

1:34:441:34:47

# You're gonna burn

1:34:501:34:52

# You're gonna burn

1:34:531:34:55

# You're gonna burn

1:34:571:34:58

# Burn, burn, burn, burn

1:34:581:35:02

# Burn, burn, burn, burn

1:35:021:35:04

# Burn, burn, burn, burn

1:35:041:35:07

# Ahhhh, ha-ha-ha...

1:35:071:35:12

# Fire

1:35:171:35:19

# I'll take you to burn

1:35:201:35:22

# Fire

1:35:241:35:25

# I'll take you to learn

1:35:271:35:29

# Fire

1:35:311:35:32

# I'll take to burn

1:35:331:35:35

# Fire

1:35:381:35:39

# Fire... #

1:35:411:35:44

I don't want to be that connected to everybody,

1:35:441:35:46

which is why I don't have a phone or a computer.

1:35:461:35:49

Mind you, I have people that do, but...

1:35:491:35:52

But surely there's some good things about the internet?

1:35:521:35:55

Isn't it a good way of absorbing information?

1:35:551:35:57

Yeah, but how much can you absorb - what are you,

1:35:571:35:59

a piece of blotting paper, or what, Julien?

1:35:591:36:01

HE CHUCKLES

1:36:011:36:03

Things that people used to keep to themselves

1:36:031:36:06

and work out and figure out themselves,

1:36:061:36:08

are now sort of done online,

1:36:081:36:10

which is sort of second-hand living, to me.

1:36:101:36:13

Bloody...thing...won't work...

1:36:141:36:17

ANNOUNCER: Here's an announcement about reception conditions...

1:36:191:36:22

INTERFERENCE

1:36:281:36:31

The weird fascination with gossip. I don't have time for it, man.

1:36:341:36:39

They'll tell you, any of those Apples and Verizons -

1:36:391:36:44

"Where's the money in this? Gossip."

1:36:441:36:46

10% business, 90% yap, yap.

1:36:461:36:49

It's like going to dinner when people, you know...

1:36:491:36:52

You sit around a table and everybody's going like this.

1:36:521:36:56

You think, "What's the point of sitting around a table with yous?"

1:36:561:37:00

And I see it as almost like an addiction now,

1:37:001:37:03

that nobody's gonna get out of.

1:37:031:37:05

Me, I can cure myself.

1:37:051:37:07

Of whatever I'm hooked on.

1:37:071:37:09

But I don't think the world will be able to cure itself of the computer.

1:37:091:37:14

I hope you'll get over it, you know.

1:37:141:37:17

It ain't as hard as cold turkey.

1:37:171:37:19

And then all I've got to do is just squeeze until the bird's full.

1:37:201:37:26

INTERFERENCE

1:37:261:37:27

A blast of static.

1:37:271:37:30

It's up to you, guys, if you want to talk to each other that much but...

1:37:301:37:34

don't call me. I got no number.

1:37:341:37:37

MUSIC: Shake For Me by Howlin' Wolf

1:37:381:37:44

# Sure look good, you don't mean a thing

1:37:441:37:50

# Sure look good

1:37:531:37:55

# You don't mean a thing

1:37:551:37:58

# I got a crazy woman

1:38:001:38:03

# Shake like a willow tree

1:38:031:38:06

# Well, shake it, baby

1:38:081:38:10

# Shake it for me

1:38:121:38:13

# Oh, shake it, baby

1:38:161:38:19

# Shake it for me

1:38:191:38:22

# I got a crazy woman

1:38:251:38:28

# Sweet as she can be

1:38:281:38:30

# You'd better wait

1:38:331:38:36

# You got back too late

1:38:361:38:38

# Oh, you went away and left

1:38:411:38:44

# You done got back too late

1:38:441:38:47

# Now I got me another woman

1:38:491:38:52

# Shake like Jell-O

1:38:521:38:55

# Well...

1:38:571:38:58

# She's my baby

1:39:221:39:25

# You know she's fine

1:39:251:39:27

# Oh, she's my baby woman

1:39:291:39:32

# You know she's fine, you know

1:39:321:39:35

# Every time she shake

1:39:381:39:40

# Her flesh shake like jelly

1:39:401:39:43

# Well, shake

1:39:451:39:47

# Shake, shake

1:39:491:39:50

# Oh

1:39:531:39:55

# The way you shake it for me

1:39:561:39:59

# I got a crazy woman

1:40:021:40:04

# Shake like jelly on a plate. #

1:40:041:40:07

This is Ron Wood. And Keith Richards.

1:41:021:41:05

And, er...

1:41:051:41:06

we're watching MTV in stereo

1:41:061:41:10

and you'll never look at TV the same way again. Start it again.

1:41:101:41:14

THEY LAUGH

1:41:141:41:16

"Never look at music."

1:41:161:41:17

This is Keith Richards. This is Ron Wood.

1:41:181:41:21

We're watching MTV...

1:41:211:41:22

BOTH: ..in stereo!

1:41:221:41:24

And we'll never look at music the same way again.

1:41:241:41:29

DIRECTOR: Perfect.

1:41:291:41:30

Trust a pro.

1:41:301:41:31

The music video thing...

1:41:311:41:33

Let's face it, Julien, 30-odd years ago,

1:41:331:41:36

that's what we did together, right?

1:41:361:41:38

I don't think anybody saw that coming,

1:41:381:41:40

that you would, like, hook visuals to sound.

1:41:401:41:45

You make a record and they say, "And now, the video..."

1:41:451:41:49

The musicians and the guys that have made the record... OK...

1:41:491:41:54

And then they go and talk to a director...

1:41:541:41:57

who has his own vision of what this piece of music's about

1:41:571:42:04

and you're kind of like, "Mm, maybe, you know, why not?"

1:42:041:42:08

But at the same time, that's interesting, you know...

1:42:081:42:12

Sometimes... A guy's written a song

1:42:121:42:15

and the director has taken it totally the other way and...

1:42:151:42:19

you say, "What the hell's going on here?"

1:42:191:42:22

And then, of course, there's all of that over-the-top stuff,

1:42:221:42:25

just trying to excite the eyes and the song goes bye-bye.

1:42:251:42:29

Our eyeballs will go for anything, they're the whores of our senses.

1:42:321:42:36

The ears are a little more discriminating.

1:42:361:42:39

But the eyes... Just show it to them and they'll go for it.

1:42:391:42:43

And sometimes it can counter...react to what you're trying to play.

1:42:481:42:52

Hey, when it works, it really works.

1:42:521:42:55

There was some great videos made and we made a couple of good'uns.

1:42:551:42:58

DISTANT GUNSHOTS

1:43:031:43:07

MACHINE GUNFIRE

1:43:141:43:15

MUSIC: Undercover Of The Night by The Rolling Stones

1:43:151:43:19

# Heard the screams of Centre 42

1:43:411:43:43

# Loud enough to bust your brains out

1:43:441:43:47

# The opposition's tongue is cut in two

1:43:491:43:53

# Keep off the street cos you're in danger

1:43:531:43:55

# 100,000 disparus

1:43:571:44:01

# Lost in the jails in South America

1:44:011:44:03

# Cuddle up, baby

1:44:041:44:07

# Cuddle up tight

1:44:071:44:09

# Cuddle up, baby

1:44:091:44:11

# Keep it all out of sight

1:44:111:44:13

# Undercover

1:44:131:44:15

# Keep it all out of sight

1:44:151:44:16

# Undercover of the night

1:44:161:44:19

# The sex police are out there on the streets

1:44:281:44:32

# Make sure the pass laws are not broken

1:44:321:44:35

# The race militia has got itchy fingers

1:44:361:44:40

# All the way from New York back to Africa

1:44:401:44:44

# Cuddle up, baby

1:44:441:44:46

# Keep it all out of sight

1:44:461:44:48

# Cuddle up, baby

1:44:481:44:50

# Keep it all out of sight

1:44:501:44:52

# Cuddle up, baby

1:44:521:44:54

# Keep it all out of sight

1:44:541:44:56

# Undercover

1:44:561:44:58

# Undercover

1:44:581:45:00

# Undercover

1:45:001:45:02

# Keep it all out of sight

1:45:021:45:04

# Undercover of the night

1:45:041:45:07

# All the young men they've been rounded up

1:45:161:45:20

# And sent to camps back in the jungle

1:45:201:45:22

# And people whisper People double-talk

1:45:231:45:27

# And once-proud fathers act so humble

1:45:281:45:31

# All the young girls They have got the blues

1:45:311:45:35

# They're heading on back to Centre 42

1:45:351:45:38

# Keep it undercover

1:45:381:45:41

# Keep it all out of sight

1:45:411:45:42

# Keep it undercover

1:45:421:45:45

# Keep it all out of sight #

1:45:451:45:47

# Undercover

1:45:471:45:49

# Keep it all out of sight

1:45:491:45:51

# Undercover

1:45:511:45:53

# Keep it all out of sight

1:45:571:45:59

# Undercover of the night

1:45:591:46:02

# Down in the bars The girls are painted blue

1:46:491:46:53

# Done up in lace, done up in rubber

1:46:531:46:57

# The johns are jerky little GI Joes

1:46:571:47:01

# On R from Cuba and Russia

1:47:011:47:04

# The smell of sex, the smell of suicide

1:47:051:47:08

# All these dream things I can't keep inside

1:47:101:47:13

# Undercover

1:47:131:47:15

# Keep it all out of sight

1:47:151:47:17

# Undercover of the night

1:47:171:47:20

# Undercover of the night

1:47:291:47:31

# Undercover of the night

1:47:331:47:35

# Doo-doo-doo, doo-doo-doo-doo Doo-doo, doo-doo-doo

1:47:371:47:40

# Ow

1:47:401:47:41

# Doo-doo-doo, doo-doo-doo-doo Doo-doo, doo-doo-doo

1:47:411:47:44

# Ow

1:47:441:47:45

# Doo-doo-doo, doo-doo-doo-doo Doo-doo, doo-doo-doo

1:47:451:47:48

# Ow

1:47:481:47:49

# Doo-doo-doo, doo-doo-doo-doo Doo-doo, doo-doo-doo

1:47:491:47:52

# Undercover, undercover

1:47:521:47:55

# Undercover of the night. #

1:47:551:47:58

When we made that video,

1:48:021:48:04

I remember you taking me for a ride around Paris

1:48:041:48:06

in your mothballed Ferrari, you had then.

1:48:061:48:08

I don't believe I did it...

1:48:081:48:10

THEY LAUGH

1:48:101:48:12

ENGINE ROARS

1:48:121:48:15

TYRES SQUEAL

1:48:281:48:30

TYRES SQUEAL

1:49:121:49:14

TYRES SQUEAL

1:50:251:50:29

TYRES SQUEAL

1:52:431:52:46

TYRES SQUEAL

1:54:591:55:01

TYRES SQUEAL

1:55:441:55:47

DISTANT BELLS TOLL

1:56:051:56:08

Don't try that at home, folks.

1:56:121:56:14

What about when you wrote your book? Was there any sense

1:56:171:56:20

that you want to cover anything up or...?

1:56:201:56:22

You should see the blue pages, baby...

1:56:221:56:25

THEY LAUGH

1:56:251:56:27

The real book ended up on the editing room floor.

1:56:271:56:31

HE LAUGHS

1:56:311:56:34

You couldn't prove some of the things I said,

1:56:351:56:38

although I know they were true...

1:56:381:56:39

Yeah. ..especially about Scotland Yard.

1:56:391:56:42

FOX CRIES

1:56:461:56:48

Doing the book was like reliving your life twice,

1:56:511:56:54

and it actually took me a year or two after the book came out

1:56:541:56:58

to sort of...get out of that head...you know...

1:56:581:57:03

Because, yeah, it affected me more than I had imagined.

1:57:031:57:07

Remembering everything and dragging things out of the attic -

1:57:071:57:10

"I wish I'd forgotten that." Most people don't have to do that.

1:57:101:57:14

HE CHUCKLES

1:57:141:57:16

Some people would block it out, yeah...

1:57:161:57:18

I don't think you can ever forget, do you?

1:57:181:57:21

You just, like, rub it out.

1:57:211:57:23

Oblivion to the things you wanna forget, right?

1:57:231:57:27

And all the nice bits, you remember and...

1:57:271:57:29

When you've actually got to put it down on a page -

1:57:291:57:34

it was a piece of work for me...

1:57:341:57:36

And thank God for James Fox for being able to articulate

1:57:361:57:41

the stuff that was coming out, and....

1:57:411:57:43

You know, I love it dearly. I'm glad I did it

1:57:431:57:46

but it was a...

1:57:461:57:49

Yeah...it was a process.

1:57:491:57:50

One really poetic phrase used in the book is,

1:57:521:57:55

"The past is like a broken mirror." I love that.

1:57:551:57:58

Well, have you looked at yours?

1:57:581:58:00

THEY LAUGH

1:58:001:58:03

You'll know exactly what it means! RAT SQUEAKS

1:58:031:58:05

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