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Hello and welcome. It's been a wonderful week at the RHS Chelsea | :00:33. | :00:39. | |
Flower Show. There have been lots of incredible designs, plants and | :00:40. | :00:42. | |
flowers brought to you by the people who make up the elite of the | :00:43. | :00:47. | |
horticultural world. Chelsea, supported by M Investments, is | :00:48. | :00:50. | |
over for another year. We want to look at the highlights of what has | :00:51. | :00:55. | |
been a flower-filled week. It started last Monday as the gates | :00:56. | :00:59. | |
opened to a deluge of celebrities, the Royal Family and, of course, Her | :01:00. | :01:04. | |
Majesty the Queen. Amongst the razzmatazz, there were stunts | :01:05. | :01:07. | |
popping up all over the show trying to grab the headlines. | :01:08. | :01:19. | |
From gimmicks to a man famous for his quirky garden designs. This | :01:20. | :02:12. | |
year, Diarmuid Gavin returned to Chelsea with what must be his most | :02:13. | :02:19. | |
bonkers idea yet. Welcome. Thank you. Lovely to be here. Is it lovely | :02:20. | :02:24. | |
to be back? I think so. On a day like this, you are exhausted, you | :02:25. | :02:28. | |
are thinking of all the last little bits and pieces that have to be | :02:29. | :02:33. | |
done. On the other hand, the sun is shining. You're here. You are very | :02:34. | :02:39. | |
kind. Sit nice to be home. -- It is nice to be home. This is very | :02:40. | :02:45. | |
traditional British planting but it is not all that meets the eye? It is | :02:46. | :02:50. | |
not. It is an arts and crafts style garden. It has a folly. It is quite | :02:51. | :02:57. | |
playful. Everything is miniaturised. My client, Harrods, were definite | :02:58. | :03:00. | |
about what they wanted. They wanted to celebrate their heritage. How can | :03:01. | :03:06. | |
I do that, and embrace some elements of British culture and bring a bit | :03:07. | :03:14. | |
of me into it? You turned to... The illustrator, the cartoonist Heath | :03:15. | :03:17. | |
Robinson. He was the illustrator who was famous for coming up with really | :03:18. | :03:22. | |
complex designs for machines that did simple things? I took | :03:23. | :03:25. | |
inspiration from his madcap way of thinking and imagined the type of | :03:26. | :03:31. | |
garden that he may design. Explain. Once I had the idea for Heath | :03:32. | :03:35. | |
Robinson, I knew what this garden could be. I knew how it could | :03:36. | :03:41. | |
perform in a way and I knew how it could thrill me and hopefully | :03:42. | :03:47. | |
entertain people who came to see it. Perform... There is a box - there | :03:48. | :03:53. | |
are lots of them. My goodness! I have not seen this in action yet. We | :03:54. | :04:02. | |
have box balls that bob up-and-down to the tune of An English Country | :04:03. | :04:06. | |
Garden. That is quite complicated mechanics? There are small grounds | :04:07. | :04:11. | |
underneath the ground(!) Over here, do you see the clippers? Oh... There | :04:12. | :04:18. | |
are eight different synchronised movements that last 20 or 30 seconds | :04:19. | :04:26. | |
at a time. Just to delight, to entertain, to inspire, to get kids | :04:27. | :04:29. | |
interested. It is a bit bonkers. What are you going to say to the | :04:30. | :04:34. | |
people who come here and say, "Great fun, but it's a bit gimmicky." Is it | :04:35. | :04:46. | |
for the serious horticulturalist? It is to make people smile. I will go | :04:47. | :04:49. | |
away from here smiling. Can we keep it going for a bit longer? This is | :04:50. | :04:51. | |
fantastic! Well done! The wealth of talent and creativity | :04:52. | :04:59. | |
on display on Main Avenue won the admiration of both visitors and | :05:00. | :05:03. | |
judges alike. When it comes to the wow factor, these are some of the | :05:04. | :05:11. | |
gardens that really made a mark. The garden designed by Cleve West was | :05:12. | :05:18. | |
inspired by a child spent on Exmoor. You enter it via a cobbled path, | :05:19. | :05:31. | |
flanked by dogrose and quaking grass. It gives a nod to nature, but | :05:32. | :05:37. | |
the heart of the garden is quite contemporary. There is a pool fed by | :05:38. | :05:44. | |
a babbling mountain stream. If you have ever been to Exmoor, you will | :05:45. | :05:48. | |
know it is a rocky place and there are quite a few bolders here. There | :05:49. | :05:57. | |
is also scree, outcrops and walling made of stacked stone. This then for | :05:58. | :06:04. | |
Cleve is a trip down memory lane, packaged up for Chelsea in a | :06:05. | :06:16. | |
palisade of weathered timber. The Telegraph Garden is inspired by the | :06:17. | :06:19. | |
designer's travels. You notice the hard landscaping. There is a lot of | :06:20. | :06:24. | |
limestone in the garden, sometimes very rough and fractured, boulders | :06:25. | :06:30. | |
and smaller stones tumbling down into the walk. On this walkway, | :06:31. | :06:42. | |
geometric, sharp edges. These fins have a bronze finish, and they are a | :06:43. | :06:49. | |
backdrop to some of the planting. Coming forward, lower-growing | :06:50. | :06:58. | |
Mediterranean-style plants. And the pink poppies there. It is a very | :06:59. | :07:03. | |
powerful design that encourages you to reflect on the ever-changing | :07:04. | :07:06. | |
aspects of our landscape. Support for the Husqvarna Garden is | :07:07. | :07:29. | |
created by Charlie Arbone. It's a design Charlie says he would like | :07:30. | :07:34. | |
for himself, a counter-balance to a hectic professional lifestyle and | :07:35. | :07:38. | |
this green oasis of lawn at the centre is so calming and grounded. | :07:39. | :07:46. | |
At the same time, the design has levity, thanks to these hornbeam | :07:47. | :07:50. | |
hedges. Of course, the cottage garden | :07:51. | :07:57. | |
planting. There's an exotic in there that we can't grow in our borders, | :07:58. | :08:04. | |
lupins, too. In summary, this is a global garden, created by a classy | :08:05. | :08:11. | |
global gardener. The Chelsea Barracks Garden is quite unusual for | :08:12. | :08:16. | |
a Chelsea design. It is centred by a huge lawn. If you are a gardener | :08:17. | :08:21. | |
that likes to be busy pruning and weeding, you will know grass is a | :08:22. | :08:26. | |
good surface to pile your horizons because it is easy to clear up. That | :08:27. | :08:32. | |
makes this garden very practical. Its primary purpose is to provide a | :08:33. | :08:36. | |
space for people to come together and spend time and there are three | :08:37. | :08:40. | |
bespoke benches that tie and lock the whole garden together and a huge | :08:41. | :08:46. | |
wall of water that turns into a Serpentine reel that runs through | :08:47. | :08:53. | |
the garden. The planting is a rich cottage garden mix, with ferns, | :08:54. | :09:02. | |
roses, and there are evergreens to provide interest in winter. No | :09:03. | :09:05. | |
matter what time of year you spent in this garden, there would be | :09:06. | :09:12. | |
something to look at. Much of the attention was lavished | :09:13. | :09:16. | |
on the gardens, but let's not forget the real stars out there on Main | :09:17. | :09:19. | |
Avenue, the plants and their flowers. | :09:20. | :09:23. | |
Carol went to select her pick of the bunch. | :09:24. | :09:27. | |
Plants are a hugely important element in every garden design. | :09:28. | :09:31. | |
Every garden designer has their own way and their own ideas about using | :09:32. | :09:40. | |
plants. In Hugo Bugg's garden there are spots of brilliant colour here | :09:41. | :09:46. | |
and there, none more brilliant than this bright-red poppy. It's | :09:47. | :09:48. | |
brilliant. On the Garden of Mindful Living you | :09:49. | :10:05. | |
are lulled into this restful state by this close-textured, | :10:06. | :10:11. | |
close-coloured planting. This has purple flowers but Paul's taken the | :10:12. | :10:17. | |
flowers off here because he wants this colour combination to be | :10:18. | :10:24. | |
unsullied by anything else. Here in the background, this beautiful Dutch | :10:25. | :10:34. | |
Chocolate picks up those colours and the crowning glory is this iris, | :10:35. | :10:39. | |
Kent Pride. It is very, very subtle and it sets | :10:40. | :10:47. | |
the scene for the whole, beautiful planting. | :10:48. | :10:52. | |
Sometimes it pays to be bold with colours. In Rosy Hardy's garden she | :10:53. | :11:03. | |
has chosen three primary colours. Rather than mixing and mingling them | :11:04. | :11:08. | |
together, she's made the most of them being completely separate. They | :11:09. | :11:12. | |
are all planted in blocks, surrounded by this grey and green. | :11:13. | :11:18. | |
They work very effectively. They draw your attention and they are | :11:19. | :11:20. | |
easy to accept. In A Modern Apothecary Garden there | :11:21. | :11:43. | |
is a mixture of plants. One plant that stands out ones own is | :11:44. | :11:50. | |
Angellica. It makes the most superb one-off plant. It is such a | :11:51. | :11:53. | |
straightforward plant to grow, you can grow it from seed and it won't | :11:54. | :11:59. | |
flower until its third year. After it's flowered, it will set seed and | :12:00. | :12:03. | |
then it will die, but by then, you will have all those seeds to start | :12:04. | :12:05. | |
all over again. The RHS Chelsea Flower Show was the | :12:06. | :12:19. | |
hottest ticket in town with a host of famous faces eager to see and be | :12:20. | :12:28. | |
seen. I love the Englishness of Chelsea, I | :12:29. | :12:32. | |
love the fact that you can come here and sort of revel in all the | :12:33. | :12:39. | |
eccentricity of being English. The fact that you can sort of start | :12:40. | :12:43. | |
talking about the flowers to a complete stranger, I love that. The | :12:44. | :12:49. | |
pavilion is fantastic. I take lots of photographs, great inspiration | :12:50. | :12:54. | |
for printed textiles for me, lovely colours. Just lots of energy. Dame | :12:55. | :12:59. | |
Judi Dench, lovely to see you here. Are you a regular? I'm not at all. | :13:00. | :13:07. | |
This is probably the second... The second or third time I have ever | :13:08. | :13:10. | |
been. What has inspired you today? You have been walking around here | :13:11. | :13:19. | |
for hours. It is just people's imagination and you see something, | :13:20. | :13:22. | |
you think, oh that is wonderful, that is what I must do. Or you see | :13:23. | :13:30. | |
something, you know, you get... Your mind gets bombarded. I just love a | :13:31. | :13:35. | |
wild flower meadow, that is what I am trying to create at home. So I | :13:36. | :13:39. | |
want some tips on that. Although it sounds easy, it is not an easy thing | :13:40. | :13:44. | |
to do. There are some amazing vegetable displays that are in the | :13:45. | :13:48. | |
main pavilion that blow my mind. I didn't realise I could get that | :13:49. | :13:52. | |
excited about potatoes, but I can. It is great. I'm aspasmodic | :13:53. | :14:01. | |
gardener. I get full of enthusiasm and then I forget and I go out there | :14:02. | :14:05. | |
four months later and it is all dead! I had a rabbit in the garden, | :14:06. | :14:09. | |
bless him, and he didn't help with the foliage situation. He's gone now | :14:10. | :14:19. | |
to the great warren in the sky. I'm determined this year I'm going to | :14:20. | :14:24. | |
have some colour that isn't just busy lizzies. We love our gardens. | :14:25. | :14:28. | |
There is something heartfelt about turning up here. | :14:29. | :14:37. | |
I came with my wife, and we changed our minds about seven times about | :14:38. | :14:45. | |
what the ideal garden would be. The imagination is extraordinary. I love | :14:46. | :14:50. | |
all its forms. It is a great place for innovation and for people to let | :14:51. | :14:54. | |
their imaginations run away. It is my first time here. My screen | :14:55. | :14:59. | |
husband is here every year, so this year I have got one up on him. | :15:00. | :15:04. | |
Marlene, for once, get one over on him. I have no ability, but I enjoy | :15:05. | :15:13. | |
more and more each year sitting in the garden and visiting other | :15:14. | :15:19. | |
people's Gardens. I am turning into that person who will drive a long | :15:20. | :15:22. | |
way to look at The National Trust garden. Her Majesty The Queen | :15:23. | :15:31. | |
arriving here at the Chelsea Flower Show. This is her 51st visit. She | :15:32. | :15:36. | |
has been coming here since before she was clean. First captured on | :15:37. | :15:42. | |
film in 1947, and she is about to pass through the arch here on the | :15:43. | :15:45. | |
Chelsea embankment, the first time in the history of the flower show | :15:46. | :15:48. | |
that it has been bedecked with flowers. It has been done in honour | :15:49. | :15:56. | |
of her 90th birthday. The Queen is about to be presented with the | :15:57. | :16:02. | |
bouquet. It was made by this six-year-old, a keen gardener who | :16:03. | :16:06. | |
grows roses and flowers in her grandmother's garden. The Queen is | :16:07. | :16:13. | |
now talking to David Austen, the famous grower of roses. He is also | :16:14. | :16:18. | |
90 years old. Like the Queen, he is still working. What did she say | :16:19. | :16:25. | |
about your beautiful roses? She seemed to like them, I thought. Very | :16:26. | :16:33. | |
much so. How did it go to have her here at your exhibit? It was a great | :16:34. | :16:41. | |
honour. Jo Thompson, showing the Duke and Duchess of Cambridge around | :16:42. | :16:47. | |
her garden, along with Prince Harry, who is of course, something of a | :16:48. | :16:52. | |
veteran here at Chelsea. He was here last year with his own garden. This | :16:53. | :16:56. | |
is the first time that the Duke and Duchess have visited the Chelsea | :16:57. | :17:05. | |
flower show. There is also a flower that has been named after their | :17:06. | :17:10. | |
daughter, Charlotte. Here they are in your garden, admiring your lawn. | :17:11. | :17:15. | |
It is a moment that is priceless, a wonderful moment that I will | :17:16. | :17:24. | |
remember forever. This, I'm sure, will be a very memorable part of the | :17:25. | :17:28. | |
Queen's visit to the Chelsea Flower Show today. She is about to see this | :17:29. | :17:33. | |
field of poppies, more than 300,000 that have been knitted by people all | :17:34. | :17:37. | |
over the world to one of those who have died in conflict over the past | :17:38. | :17:42. | |
century. Look at you both, you have tears in your eyes. It is a huge | :17:43. | :17:48. | |
moment. She was a bit surprised at what it was and how it came about, | :17:49. | :17:52. | |
and that 50,000 people were involved in putting it together. It is an | :17:53. | :17:56. | |
amazing feeling, and she appreciated our work. With Her Majesty's visit | :17:57. | :18:04. | |
the talk of the show, Carol Klein picked out the plants in the Great | :18:05. | :18:07. | |
Pavilion that really worth it for a queen. -- really were fit for a | :18:08. | :18:17. | |
queen. Everyone is dressed to the nines, | :18:18. | :18:21. | |
trying to stand out from the crowd, and I'm not talking about people. | :18:22. | :18:27. | |
I'm talking about the plants. I want to find those subjects who are truly | :18:28. | :18:29. | |
worthy of regal attention. On parade today, the two ladies in | :18:30. | :18:47. | |
waiting to a noble family. The family name simply trips off the | :18:48. | :18:58. | |
tongue. The first is this one, on the Hoyland plant stand. They are | :18:59. | :19:01. | |
renowned for these beautiful plants. These are flowers that were beloved | :19:02. | :19:08. | |
by the Queen Mother. I suppose, although we have become familiar | :19:09. | :19:12. | |
with them in our gardens, they still retain this exalted status, a very | :19:13. | :19:20. | |
special plant. No wonder. Waiting in the wings are these debutants, | :19:21. | :19:29. | |
wearing their best party frocks. Their iridescent petals sparkle and | :19:30. | :19:35. | |
they hold their elegant head height. It is their first time here, and you | :19:36. | :19:40. | |
not expecting to see them, because essentially they are autumn | :19:41. | :19:45. | |
flowering bulbs but somehow, Hoyland plants have managed to conjure them | :19:46. | :19:51. | |
into bloom for their very first royal performance. | :19:52. | :19:58. | |
Talk about Regiment, pomp and circumstance - take a look at these | :19:59. | :20:09. | |
vegetables. This really is Trooping the Colour. Is this a pyramid, a | :20:10. | :20:18. | |
pillar or a pinnacle of purple pondered peas? | :20:19. | :20:31. | |
-- podded. Long before you see the beautiful colours of these | :20:32. | :20:37. | |
hyacinths, you can detect their fragrance wafting around the Great | :20:38. | :20:41. | |
Pavilion. They truly are the princesses of perfume. For me, this | :20:42. | :20:50. | |
is the ultimate Royal gala performance, the like of which we've | :20:51. | :20:55. | |
never seen before. It's composed of the Crown jewels of the floral | :20:56. | :21:01. | |
world. It makes me feel like a queen. | :21:02. | :21:12. | |
With nearly 13 hours of BBC coverage, here is a round-up of our | :21:13. | :21:18. | |
other highlights. Gardening is rock 'n' roll, and it's | :21:19. | :21:43. | |
good for the soul. Yes! From exhibits on a small scale to | :21:44. | :22:08. | |
eight garden designer with huge ambition, this year Matthew Wilson | :22:09. | :22:11. | |
returned to Chelsea, and look what he brought with him - a part of York | :22:12. | :22:15. | |
Minster. This year, I am doing a garden for | :22:16. | :22:28. | |
the whole of the county, and the attraction for me is that it's a | :22:29. | :22:34. | |
landscape that I absolutely adore. I never get bored with it, and I think | :22:35. | :22:40. | |
you can't because it is so diverse, from big scale epic stuff right the | :22:41. | :22:46. | |
way down to really intimate and cosseting landscapes. It has | :22:47. | :22:49. | |
everything, really. You can't stick this landscape into a 22 metre by 12 | :22:50. | :22:55. | |
metre plot in Chelsea, but you can be inspired by the elements, the | :22:56. | :23:00. | |
water, the Stones the plants, the trees, and try to get something | :23:01. | :23:09. | |
ruggedness into a garden. -- something of that ruggedness. It is | :23:10. | :23:13. | |
not just about the landscape gardens of Yorkshire that have inspired the | :23:14. | :23:19. | |
Chelsea garden, it's this - the great East window at York Minster, | :23:20. | :23:22. | |
the largest expanse of medieval glass in Britain. What I find | :23:23. | :23:30. | |
incredible and inspiring about it is the way that the glass and the light | :23:31. | :23:34. | |
interact, the way it changes through the course of the day. In the same | :23:35. | :23:39. | |
way, actually, that like changes a garden through the course of a day. | :23:40. | :23:51. | |
-- that light changes a garden. The light is the arch of the window laid | :23:52. | :23:56. | |
on its side. I have exploded the elements and reconfigured them in a | :23:57. | :24:01. | |
different way. The planting has been the biggest challenge, and I have | :24:02. | :24:05. | |
tried to think, how can I get the landscape of the gardens of | :24:06. | :24:09. | |
Yorkshire across in the planting? I have taken the size and shape of the | :24:10. | :24:14. | |
windows, laid them on to the ground with a stone edge and then into | :24:15. | :24:20. | |
those I have planted plants that represent the colours of the stained | :24:21. | :24:24. | |
glass in planting. That's the plan, anyway. I have gone for plants that | :24:25. | :24:29. | |
hopefully have quite a lot of character in them. So rather than | :24:30. | :24:33. | |
things that are pristine, they are a bit more gnarly and craggy and a bit | :24:34. | :24:35. | |
more Yorkshire. Capturing something on this scale is | :24:36. | :24:51. | |
obviously a massive challenge for a Chelsea garden, where you are | :24:52. | :24:55. | |
scaling everything down. At the same time, you have to give it that sense | :24:56. | :24:59. | |
of something big and impressive that people will look at and go wow. We | :25:00. | :25:05. | |
are making a more done evocation of the great East window in the form of | :25:06. | :25:16. | |
a glass panel that the York Lasers' Trust are making. It will be | :25:17. | :25:19. | |
something quite unlike what people have seen before at Chelsea. -- York | :25:20. | :25:33. | |
Glazers' Trust. I have spent a lot of time -- people have spent a lot | :25:34. | :25:37. | |
of time and energy and effort helping me to make this happen, so I | :25:38. | :25:42. | |
am definitely nervous about it. It is a big thing, isn't it? It is a | :25:43. | :25:54. | |
big thing. Well, Matthew's incredible hard work really paid off | :25:55. | :25:59. | |
later in the week. The show gardens have certainly been one of the big | :26:00. | :26:03. | |
highlights at Chelsea this week, and you have been voting in your | :26:04. | :26:08. | |
thousands for the garden that you want to win this, the BBC RHS | :26:09. | :26:13. | |
People's Choice award. We are about to reveal the winner. They are | :26:14. | :26:21. | |
talking to Jenny about trees right now. Let's go and surprise them. It | :26:22. | :26:33. | |
was a bit rude, but it has some foliage... Matthew Wilson, could I | :26:34. | :26:39. | |
interrupt? You might. Because you have been chosen as the People's | :26:40. | :26:46. | |
Choice. CHEERING | :26:47. | :26:59. | |
Well done, man. Well done. Congratulations. I wasn't expecting | :27:00. | :27:06. | |
that. I was just about to talk about the oak tree as well. That's | :27:07. | :27:12. | |
fantastic, absolutely fantastic and I mean, it's been a real labour of | :27:13. | :27:15. | |
love, this garden, and there have been a lot of people involved in | :27:16. | :27:20. | |
creating it. And I had a great sponsor, Welcome To Yorkshire, we | :27:21. | :27:29. | |
have had help from all around the County, and it's been brilliant. You | :27:30. | :27:36. | |
had Silver Gilt last year, what does it mean to have gold? It means a | :27:37. | :27:41. | |
huge amount, because it reinforces the fantastic feedback we've had. | :27:42. | :27:46. | |
People have been responding to the garden, the concept, and finding | :27:47. | :27:49. | |
beauty in the stained glass and in the planting. You know, one of the | :27:50. | :27:56. | |
high points yesterday was when someone came up to me and said, I'm | :27:57. | :28:00. | |
going to vote for your garden, and I'm from Lancashire! The people of | :28:01. | :28:06. | |
Yorkshire and Lancashire have been behind you. Congratulations. Thank | :28:07. | :28:16. | |
you very much. Sadly, that brings us to the end of what has once again | :28:17. | :28:21. | |
been a truly magical week here at the Chelsea Flower Show. We have had | :28:22. | :28:25. | |
an amazing time bringing you the very best the horticultural world | :28:26. | :28:30. | |
has to offer. The incredible people and plants have once again proved | :28:31. | :28:34. | |
why this event remains the most famous flower show of all. We will | :28:35. | :28:40. | |
be back with coverage of the RHS Hampton Court flower show. From all | :28:41. | :28:45. | |
of us, it's goodbye. See you next year when the Chelsea bandwagon | :28:46. | :28:49. | |
rolls back into town. Goodbye. Goodbye. | :28:50. | :28:56. |