Episode 6 Later... with Jools Holland

This programme contains some strong language.

CHEERING AND APPLAUSE

Welcome to the show, and welcome to The Last Shadow Puppets.

# Hot procession

# Gloomy Conga of glum looking beauties

# Strolling through the opening scene

# Where do you want it?

# It's your decision, honey

# My planet or yours?

# Sectoral heterochromia

# Aviation in the evening

# I can feel it coming on

# Mama told me you should start as you mean to go wrong

# Or else you're never gonna get it right

# Senorita

# Well, you need not come coke-head close to me

# Cos I can hear you perfectly clear from here

# Aviation in the evening

# I can feel it coming on

# Mama told me you should start as you mean to go wrong

# Or else you're never gonna get it right

# Elementary Hallelujahs

# Annalise's dulcet tone

# Aviation in the evening

# I just can't leave it alone

# I reckon I just might have broke the ice

# The Colourama in your eyes

# It takes me on a moonlight drive

# It's the way you wing it

# While you're figuring it out... #

CHEERING AND APPLAUSE

Thank you, The Last Shadow Puppets!

The Last Shadow Puppets.

A joy to have them back in this studio, with Aviation.

A room filled with extraordinary and wonderful guests.

I am so pleased to say that in this corner,

from London, we welcome Nao.

CHEERING

An incredible mix from Mali and from France,

Ballake Sissoko and Vincent Segal!

CHEERING

From Los Angeles, California,

the amazing voice of Bonnie Raitt!

CHEERING

From Italy, the incredible legend that is Zucchero.

CHEERING

And now, from Amherst, Massachusetts,

we enjoy Dinosaur Jr.

CHEERING AND APPLAUSE

# Calling out, I'm deep in doubt

# I see you

# Calling out ends always with a song

# I could give you more than what I mean to

# I'll pretend, but I don't see you there

# But I wanna know

# I wanna go

# I'm all alone

# I wanna know

# The place, the friend, it all depends on being two

# Call him back, I'll get on track, I swear

# My box is overflowing when I see you

# The feeling's good and won't be there for long

# I wanna know

# I wanna roll

# I'm all alone

# I wanna go

# I know, yeah, I know it feels good

# I know it, I know it is, girl

# Can I show you a friendship is there?

# I know it, I know...

# I wanna know

# I wanna go

# I'm all alone

# I wanna go

# Calling out to make some plan to cling to

# Call and take it back with you nowhere

# Call your friends, it all depends on me, too

# Call him back I'll get on track I swear

# I wanna go

# I wanna know. #

CHEERING AND APPLAUSE

Thank you, Dinosaur Jr,

with sweetly named Tiny.

So, now, if you've got ten Grammys and you've got a wonderful voice

and you've always made great records,

you're the sort of person we'd like to have in this room.

We're lucky and fortunate because we have Bonnie Raitt!

CHEERING AND APPLAUSE

# Time

# Time ain't never healed a wound

# Can't think of anything that gets

# Any better because it's old

# Change

# Change would probably do me good

# Wouldn't probably hurt a thing

# Anyway, that's what I'm told

# Would have run, but I couldn't run

# Would have flown, but I couldn't fly

# Would have headed right back into town

# Would have lied, but I couldn't lie

# But I knew

# Stop

# Stop and take a better look

# There ain't no telling what you'll find

# In the corner of a darkened room

# Things

# Things that either one time fell

# Or blew down from a windowsill

# Or never got up by the broom

# I would have run, but I couldn't run

# Would have flown, but I couldn't fly

# Would have headed right back into town

# Would have lied, but I couldn't lie

# But I knew

# No two ways about it

# It's a doggone shame

# Baby, it's a doggone shame

# Would have run, but I couldn't run

# Would have flown, but I couldn't fly

# I would have headed right back into town

# Would have lied, but I couldn't lie

# Cos I knew

# I knew

# I knew

# I knew. #

CHEERING AND APPLAUSE

Bonnie Raitt, from her new album Dig In Deep.

Bonnie Raitt.

CHEERING AND APPLAUSE

So, we have all sorts of legends in the room this evening.

One of the, I suppose, the greatest Italian stars that I know,

the fabulous, the wonderful Zucchero.

CHEERING AND APPLAUSE

-It's great to have you here.

-Thank you.

-It really is great.

And you've got this wonderful record which we will chat about

in a moment. But I'd like to know first of all

where did you grow up in Italy? Where were you?

I grew up between Bologna and Milan. It's called Reggio Emilia.

Close to, more than this area, but I live in Tuscany.

And when you were growing, what music did you hear?

-What was the things that inspired you?

-When I was young?

-Yes.

Otis Redding, Ray Charles, Aretha.

And also Puccini and Verdi.

-Yeah.

-Yeah.

-Good mix of things.

-Different.

But that's what I wonder, is there like, the pop... I suppose,

in Britain, now more than ever there is a popular culture of people,

young kids, they want to do something,

they might want to play football, or half of them want to be in music.

Was it the same when you were starting off in music?

Or was it different, the culture there, then?

I started playing football but it didn't work.

HE LAUGHS Yeah! Yeah, exactly.

I was going to be an astronaut but this has worked out much better.

We are going to go back down Memory Lane, here,

because we have a bit of you with Paul Young -

when the record was a huge hit here, and all over the world, actually -

I think on Top Of The Pops. There's a lot of dry ice going on here.

# I just sit

# And watch the ocean by myself

# Even do my own cooking

# You can laugh

# You're forgiven

# But I'm no longer frightened to be living

# Senza una donna

# No more pain and no sorrow

# Senza una donna

# I'll make it through tomorrow

# Senza una donna

# Giving me torture and bliss

# Without a woman

# Better like this. #

APPLAUSE

That was a massive hit.

And you've got the beautiful voice of Paul Young, your voice...

What is the story of that song?

My friend, Paul. We meet at the Olympic Studios in London.

He said, "Oh, I love this song.

"I was in Italy on holiday and I heard this song, Senza Una Donna.

"Do you mind if I do it on my album?"

I said, "Not at all, it is an honour for me.

"But why we don't try to do it together? I don't know."

Maybe we leave the first line of the chorus in Italian,

something like that,

without saying nothing to the record company.

Just for fun, and see how it works.

And then we did it,

and then the song start playing on radio and it was a success.

A huge world hit. Now, you've got this great new record, Black Cat,

and you've got a lot of collaborations,

both with producers and people.

What sort of people have you got on this record?

I have special guests, like...

..Elvis Costello, for example,

who did the lyrics for one of the songs,

and Bono for Streets Of Surrender,

that is another song on the album.

You're going to play that at the end of the show, aren't you,

-or later on in the show.

-Yeah.

-Tell us about that song.

-Yeah, I wrote this, I had this music

and I went to see Bono in Torino

when he was doing the concert with U2. And I ask him to...

if he would love to put some lyrics on, in English, of course,

because we did other songs together in the past.

And then I start the recording in Los Angeles

and I never heard... I didn't hear for one month from him.

And so I thought maybe he doesn't like the song.

So I start to do... I did lyrics in Italian by myself.

And...

But he called me up after the attack in Paris...

..and he was very, you know, very upset.

And he said, you know, I had the idea I want to write about this.

But I did already have the Italian lyrics,

but the funny thing is that both of us

without talking each other before,

we put the same word -

surrender, in English and arrendersi in Italian.

This is a combination, you know.

We're going to hear that later on in the show.

Also, people can see you at the Albert Hall.

You're going to be there in October.

-Yeah, the 20th and 21st.

-Which is great.

So thank you very much for joining us, Zucchero.

APPLAUSE We will enjoy more from him later.

But, if you are a regular viewer of the show,

thank you.

If you are, you will understand

that we try and mix up all sorts of fantastic music,

new music, old music, legends, and brand-new people.

Here is a fantastically new talented person from London.

We welcome Nao.

CHEERING AND APPLAUSE

# You're a holiday

# A glass of ocean slipping down...my throat

# Then landed on my hopes I'm dreaming

# Off the maps no hidden grids I'm fleeing

# I worship you like holy days

# Lying on my back Seeing clouds and rays

# Drinking lime and bitter from my lemonade

# White horses, merry time won't do

# Do you remember the holiday

# Slipped away, time and place

# I definitely remember

# Lying on my back and seeing clouds and rays

# We're dreaming

# We're feeling too

# Forever we're young

# Pages unsung

# Ooh

# I feel that you remember

# Dreaming of a past that couldn't last

# And now we're changing, refraining

# I think it is the

# Know that it's the

# I think it is the bad, bad blood

# I think it is the

# Know that it's the

# I think it is the bad, bad blood

# Do you remember the riding The passion

# The falling over Tripping on ice

# Sharing advice, taking it twice

# But let us not forget the

# Silent day, stripped away, time and place

# Oh, you choose not to remember

# Fly away, counting days I'm hiding

# From you, you, you

# I think it is the

# Know that it's the

# I think it is the bad, bad blood

# I think it is the

# Know that it's the

# I think it is the bad, bad blood

# I choose

# For the rain not to fall Exposing the sun on you

# I lose

# Don't tell me I'm cuckoo, I know

# And it's mad, we were close Oh, whoa...

# I choose

# My head's now afloat

# But my heart's drowning Cos of you, you, you, you, you

# I lose

# Don't tell me I'm cuckoo

# Coo-coo-coo-coo-coo-coo-ooh-ooh

# I think it is the

# Know that it's the

# I think it is the bad, bad blood

# I think it is the

# Know that it's the

# I think it is the bad, bad blood

# I think it is the

# Tell me, know that it's the

# I know that you're thinking it's the bad, bad blood

# I'm thinking it's the

# Know that it's the

# I think it is the bad, bad... #

CHEERING AND APPLAUSE

Beautiful voice. Beautiful feel, beautiful band. Thank you, Nao!

CHEERING

Bad Blood from her album For All We Know.

And now, we welcome Zucchero!

# Ti ricordo sai

# Amore mio di campagna

# Sole in questa terra di nebbia

# E gente di bocca buona

# Quanto ti vorrei

# Dentro le giovani estati

# Anche adesso

# Ora che il piu bello di noi due

# Gia volato via e non ritorna piu

# Ma si vedi vedi

# Come s'incendia la notte

# Come anche un ricordo

# Brucia l'anima

# Che si arrende

# Ma si bevi bevi

# Bevimi sono la pioggia

# Pioggia che passa e rimane

# Dentro l'anima

# Che si arrende

# Oh, che si arrende

# Per te, si arrende

# Ti rimpiango sai

# Anche se un solo saluto

# E qualcosa che resta

# In questa festa di malinconia

# Quanto ti vorrei

# Dentro le futili estati

# Anche adesso

# Ora che il meglio di noi due

# E gia volato via

# E non ritorna piu

# Ma si vedi vedi

# Come s'incendia la notte

# Come anche un ricordo

# Brucia l'anima

# Che si arrende

# Ma si bevi bevi

# Bevimi sono la pioggia

# Pioggia che passa e rimane

# Dentro l'anima

# Che si arrende

# Che...

# ..si arrende

# Ma si vedi vedi

# Come s'incendia la notte

# Come anche un ricordo

# Brucia l'anima

# Che si arrende

# Ma si vivi vivi

# Ci bestemmia la notte

# Siamo vivi ma si

# Forse di un'idea

# Che si arrende

# Oh, che si arrende

# Sai...

# Ci si arrende. #

CHEERING AND APPLAUSE

The wonderful Zucchero,

with Ci Si Arrende,

meaning "surrender".

From his album, Black Cat.

Now, we welcome The Last Shadow Puppets.

# I just sort of always feel sick without you, baby

# I ain't got anything to lick without you, baby

# Nothing really sticks without you, baby

# Ain't I fallen in love

# It's just the pits without you, baby

# It's really just the pits without you, baby

# It's like everyone's a dick without you, baby

# Ain't I fallen in love

# And all my pals will tell me

# Is that...I'm crazy

# You bet I'm loopy, all right

# And I just don't recognise this fool

# That you have made me

# Whoa, I ain't seen him for a while

# And as your shrinking figure blows a kiss

# I catch and smash it on my lips

# Darling, I can't seem to quit

# Completely falling to bits

# I really might be losing it

# The idea that

# You existed

# All along's ridiculous

# I don't know what to say

# Baby, we ought to...

# Fuck

# Seven years of bad luck out the powder room mirror

# Could I have made it any clearer

# Now, it's love like a tongue in a nostril

# Love like an ache in the jaw

# You're the first day of spring

# With a septum piercing

# Little Miss Sweet Dreams

# Tennessee. #

CHEERING AND APPLAUSE

# There's a sword

# At the tip of my tongue

# That shows no mercy

# On the latest one

# I was wrong

# With all my might

# I took you out

# In one last round tonight

# Now there's no more shouting

# No more tears

# Just the fatal words

# Ringing in our ears

# And in the silence

# It's crystal clear

# There's no undoing

# What has happened here

# We've come undone

# We've come undone

# Battle waged

# Nothing won

# What have I done?

# The blood has run

# Some things can't be undone

# We hurt the ones

# We love the most

# A thousand memories

# Go up in smoke

# And in the morning

# When ashes fall

# Oh, there'll be no need for any words at all

# We've come undone

# Come undone

# Battle waged

# Nothing won

# What have I done?

# The blood has run

# Some things can't be undone

# There's no joy in victory

# When it comes at your defeat

# Whoa, we've come undone

# Lord, what have I done?

# Some things can't be

# Undone. #

APPLAUSE

The exquisite voice of Bonnie Raitt.

Before that, Last Shadow Puppets.

Very nice.

And now we're going to... No, I'm not going that way,

because I've got something I need to explain to them first, then.

So we'll go this way, thank you very much.

Yes, because we're going to now go in to Contrast Corner.

Maybe you're saying to yourselves, "What is this Contrast Corner?"

It's where we have two pieces of music contrasting one another.

First of all, we're going to be enjoying

the marvellous, heavily amplified trio

which we saw at the beginning of the show.

And this will be followed by a dazzling display

from two musicians who have mixed West African music

and almost Baroque chamber music.

A giddy mix, I think you'll agree.

So let's start off now with Dinosaur Jr.

# I will sit around after

# Pretty sure you said the way

# I have more to give you

# And I hope more than a day

# I can't let myself

# Trying to pull together

# Trying to find the road ahead

# Piece it all together

# And let the others disappear

# But I can't take myself

# Are you with me?

# Are you with me when I'm gone?

# Are you with me?

# Are you with me? Come along

# I got more to say

# I got more to do

# Are you with me?

# Are you with me when I'm gone?

# Who knows what you're asking

# Everybody's in the way

# I can't go without her

# And I hope more than a day

# I can't bring myself

# Are you with me?

# Are you with me when I'm gone?

# Are you with me?

# Are you with me on and on?

# I got more to say

# I got more to prove you wrong

# Are you with me?

# Are you with me when I'm gone? #

APPLAUSE AND CHEERING

APPLAUSE AND CHEERING

Delightful sound. Ballake Sissoko and Vincent Segal.

CHEERING

Super Etoile, from their album Musique De Nuit.

Now, let's move to this corner, and meet the wonderful Bonnie Raitt!

Hello. Hi, sweetheart.

-So good to see you.

-Lovely to see you.

Sounding better than ever.

-And congratulations on Dig In Deep.

-Thank you.

Lovely, lovely new record. And you've written...

You seem to have written more on this record

than you have on records in the past.

-Have you got a new surge of writing in you?

-I do.

I've got some co-writers,

George in my band sent me some tracks that I love

and I just had some grooves that I wanted to add to my show,

-play a little bit more piano, give you a run for your money.

-Thank you.

I liked that in there.

And you've also got a rather interesting couple of covers.

What drew you to those songs?

Well, the Los Lobos song - I love that band,

we're both from LA and we live under the scourge of earthquakes

and I thought it was a particularly clever lyric and...

can I say bad-ass on this show?

Yes, you can say bad-ass.

Yes, well, particularly great opportunity to play some guitar.

Double guitar. And just a hellacious groove,

which is why, I understand, you're going to be sitting in with us.

-Well, it's a boogie - you're a boogie-ist as well.

-Yes, I am.

And then INXS - my God, I love those guys.

It's one of the sexiest songs, Need You Tonight -

slide over here, baby.

It has a different take, when you do it, though, it's a different angle.

Great angle.

One of the things I've always thought

is you're one of the few people in music

that's always stuck to what they want to do.

You've never been bossed around by record companies,

you've always done what you wanted to do.

-Has that been a harder path, do you think?

-Well, I...

I mean, you have to talk to the record companies,

but, you know, when I started out, the FM radio,

you could do whatever you want,

Little Feat and Allen Toussaint and so many other people

were just allowed to play whatever they wanted.

And it wasn't about making money or having hit singles,

so I think I've just stuck to it, as have many, many other people.

And thank goodness for the Americana format,

because it's let a lot of us not have to be categorised

as country, blues or rock,

and I think I was pretty eclectic.

Some people would say pick a style and go with it,

and I have too wide a berth, and I know that's why I love YOUR music.

You mentioned Allen Toussaint and, of course, you worked with him.

You were his friend and a fan, like me, of him.

What was the thing...?

Sadly we lost Allen Toussaint at the end of last year -

what was the things that were great about him, do you think?

Well, he was... There was really no-one like him. He was so seminal.

Whether it was Mother-In-Law or Sitting In My Ya Ya -

-some of the greatest records of my childhood.

-Working In A Coal Mine.

Working In A Coal Mine.

He was an elegant, soulful, just so-classy guy.

A wonderful person,

and without a bent-up neurotic bone in his body,

and he played music that had just great soul and rhythm to it

and just was always, for me, would be the flavour of New Orleans.

And gone too soon, but what a legacy he's left.

And you cover... Could you give us - there's a beautiful bit of a song,

there's a song that you covered of his a long time ago,

What Do You Want The Boy To Do? Would you give us a bit of that now?

Yes, and I'll sing it as Allen wrote it -

What Do You Want The Girl To Do?

Because I'm singing it to whatever guy needs to hear this.

OK, that would be a nice...

# So you think the girl is crazy

# She eats up your lies like they're good for her

# Apple pie

# She don't even cry

# She's not a fool

# She's just trying to do what her heart says to

# To love you

# As you take to the wind

# As she breaks down within

# She waits for you patiently

# Hoping that one day you'll see

# That all she really wants to be

# Is yours and yours alone eternally

# What do you want the girl to do?

# Don't you see you're breaking the child in two?

# What do you want the girl to do?

# All she really wants is you

# What do you want the girl to do? #

CHEERING AND APPLAUSE

-Oh, what a lovely version.

-He would be happy to hear that.

Thank you, thank you.

The wonderful Bonnie Raitt. And we paid tribute to Allen Toussaint.

Bonnie Raitt. More from her later on.

But now a dazzling showbiz success story.

This next artist was last here, in exactly this position,

singing backup vocals with Kwabs.

Now she's here on her own. We welcome Nao.

# Losing it to waterfalls

# Rip and tidy years ago

# Buried under rivers of a doubt I didn't notice

# Cos maybe

# We longed for the magical

# Carpet that belonged to those

# Beautiful, mystical, illusion

# Not the broken

# Feels like pretty doesn't know me

# Only shows up when I'm lonely

# Through the tears of imperfection

# The mirror knows

# Could you like someone that's hoping

# They grow out of their own skin

# For a time?

# If I was your

# Girlfriend

# Could you love for two?

# If I was your

# Girlfriend

# Could you fool me too?

# To make us

# Fly?

# To make us

# Fly?

# Don't be scared to shed a little broken

# Oh, baby, yeah

# Your masculine's a number to be opened

# But the day, the day you know

# When I'm your lady

# You'll know how beautiful and mystical you are

# If I was your

# Girlfriend

# Would you love for two?

# If I was your

# Girlfriend

# Would you pull me through?

# To make us

# Fly?

# To make us

# Fly?

# If I was your

# Girlfriend

# Would you love for two?

# If I was your girlfriend

# Would you pull me though

# To make us

# Fly?

# To make us fly?

# To make us

# Fly?

# To make us fly?

# Ooh. #

APPLAUSE AND CHEERING

Thank you, Nao! Girlfriend. What a lovely feel they've all got there.

Now, talking of people with a nice feel and some nice songs,

we welcome The Last Shadow Puppets!

# Tell him what you want

# And, baby, he can find you anything you need

# Tell me what you need

# Hey, hey-ey-ey

# Whoa whoa-whoa whoa

# Come on, miracle-aligner

# Go and get 'em, tiger

# Get down on your knees, yeah Get down on your knees again

# Oh oh-oh oh oh oh

# 50 feet tall

# And revved up too high

# All of our exchanges were by candlelight

# I just realised

# I walk through the walls and creep up behind

# Make sense of a maze that you were stuck outside

# Cover your eyes

# Often the humble kind

# But he can't deny

# He was born to blow your mind

# Or something along those lines

# Tonight

# Tell him what you want

# And, baby, he can find you

# Anything you need

# Tell him what you need

# Hey, hey-ey-ey

# Oh oh-oh oh oh oh

# Come on, miracle aligner

# Go and get 'em, tiger

# Get down on your knees

# Get down on your knees again

# Oh oh-oh oh oh oh

# So what's the wish?

# He'll make it come true

# As simple as the line out of a doo-wop tune

# He'll make the moves

# Often the humble kind

# But he can't deny

# He was born to blow your mind

# Or something along those lines

# Tonight

# Tell him want you want

# And, baby, he can find you

# Anything you need

# Tell him what you need

# Hey hey-ey-ey

# Oh oh-oh oh oh oh

# Come on, miracle aligner

# Go and get 'em, tiger

# Get down on your knees

# Get down on your knees again

# Oh oh-oh oh oh oh. #

APPLAUSE AND CHEERING

# Well, a wind runs through the valley

# Long and hard and wild

# It gets all up inside the trees

# And shakes the leaves all night

# Shakes up to the mountains

# Shakes up to the sky

# Shakes up to the moon above And then it starts to shine

# And, Lord, it makes me tremble

# And, Lord, it makes me tremble

# Shakin' and shakin' and shakes

# Shakin' and shakin' and shakes

# Shakin' and shakin' and shakes

# Oh, shakin' and shakin' and shakes

# Well, there's a fault runs through the valley

# Long as it is mean

# Starts to tear into the earth

# And gets all in between

# It shakes up through the mountains

# It shakes up to the sea

# Shakes up to the volcano And then it starts to scream

# And, Lord, it makes me tremble

# And, Lord, it makes me tremble

# It's shakin' and shakin' and shakes

# Shakin' and shakin' and shakes

# Shakin' and shakin' and shakes, yeah

# Shakin' and shakin' and shakes

# There's a woman in this valley

# She's sweet as she is rough

# And when she starts to dance that way

# She shakes the boys all up

# She shakes it through the mountains

# She shakes it through the night

# She shakes it like a hurricane

# She gives a blind man sight

# And Lord, it makes me tremble

# And, Lord, it makes them tremble

# She's shakin' and shakin' and shakes

# Shakin' and shakin' and shakes

# Shakin' and shakin' and shakes, come on

# Shake it, baby! Come on!

# Shake that thing, baby! #

APPLAUSE AND CHEERING

Shakin' And Shakin' And Shakes. Thank you, Bonnie Raitt.

APPLAUSE AND CHEERING What a superb band.

You can look at our website and see more

and discover more beautiful things.

We will be back on Tuesday at ten o'clock with

Biffy Clyro, Tame Impala, James Blake,

Moon Hooch, Michael Kiwanuka and loads, loads more.

But now we...

Have you got a bit of a groove about your person there?

DRUMS BEAT Oh, yeah, nice.

All right. So, are we feeling good? CHEERING

OTHER INSTRUMENTS JOIN

All right. Thank you, Bonnie Raitt. APPLAUSE AND CHEERING

Thank you, Ballake Sissoko and Vincent Segal.

APPLAUSE AND CHEERING

Thank you, the Last Shadow Puppets. APPLAUSE AND CHEERING

Thank you, Nao. APPLAUSE AND CHEERING

Thank you, you. And you.

Thank you, Dinosaur Jr. APPLAUSE AND CHEERING

Thank you, Zucchero. APPLAUSE AND CHEERING

I'll be seeing you.