Browse content similar to 20/03/2016. Check below for episodes and series from the same categories and more!
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Hello, and today on Songs Of Praise, | 0:00:03 | 0:00:05 | |
I'm about to join a very special pilgrimage | 0:00:05 | 0:00:08 | |
with the Archbishop of York, John Sentamu. | 0:00:08 | 0:00:11 | |
-Lovely to see you. -Nice to see you, John. | 0:00:11 | 0:00:13 | |
You've already been pounding the roads, haven't you? | 0:00:13 | 0:00:15 | |
For 76 days. And today, you're in Hull. So may I join you? | 0:00:15 | 0:00:18 | |
Yes, please, you're welcome. | 0:00:18 | 0:00:20 | |
The locals have turned out to support the Archbishop, | 0:00:20 | 0:00:22 | |
and he gets questioned by some straight-talking schoolchildren. | 0:00:22 | 0:00:26 | |
What's it like to be an Archbishop? | 0:00:26 | 0:00:28 | |
# Sail away, sail away, sail away... # | 0:00:31 | 0:00:34 | |
She was born in Donegal, she now lives in Dublin. | 0:00:34 | 0:00:38 | |
I'm in Ireland's capital city to meet up with | 0:00:38 | 0:00:40 | |
one of the world's bestselling artists, Enya. | 0:00:40 | 0:00:43 | |
JOHN: And she'll be giving us a special performance. | 0:00:43 | 0:00:47 | |
While Aled is looking ahead to our annual school choirs competition. | 0:00:49 | 0:00:53 | |
-Out of 10, how brilliant were you? -10! -10! | 0:00:53 | 0:00:57 | |
THEY ALL CHEER | 0:00:57 | 0:00:58 | |
And as well as all the walking, | 0:01:07 | 0:01:08 | |
we've got a great selection of hymns for you, | 0:01:08 | 0:01:11 | |
including one chosen by the Archbishop himself. | 0:01:11 | 0:01:14 | |
And as today marks the start of Holy Week, | 0:01:14 | 0:01:16 | |
we open, very fittingly, with a gospel song from Birmingham. | 0:01:16 | 0:01:20 | |
The Archbishop of York, John Sentamu, | 0:03:32 | 0:03:34 | |
one of the most senior leaders in the Church of England, | 0:03:34 | 0:03:37 | |
is spending six months out on the road. | 0:03:37 | 0:03:39 | |
He's on a pilgrimage to the Diocese of York, | 0:03:39 | 0:03:42 | |
an area of nearly 3,000 square miles. | 0:03:42 | 0:03:46 | |
The Archbishop will be visiting all 21 Deaneries in the Diocese. | 0:03:47 | 0:03:52 | |
He began last December in Whitby. | 0:03:52 | 0:03:54 | |
He'll end eventually in York, | 0:03:54 | 0:03:56 | |
and he's travelled through coast and dale | 0:03:56 | 0:03:58 | |
in all weathers to reach Hull. | 0:03:58 | 0:04:00 | |
It's quite an undertaking for the 66-year-old, | 0:04:02 | 0:04:04 | |
who's now over halfway into his 2,000 mile journey. | 0:04:04 | 0:04:08 | |
Well, you're better kitted out than I am. | 0:04:10 | 0:04:12 | |
Well, I've been walking for three months, so I should know! | 0:04:12 | 0:04:16 | |
I caught up with the Archbishop on the latest leg | 0:04:17 | 0:04:21 | |
of his pilgrimage through the streets of Hull. | 0:04:21 | 0:04:24 | |
You know, I can't help thinking that pilgrimage, to me, | 0:04:24 | 0:04:27 | |
in this context, is a bit of a strange word | 0:04:27 | 0:04:29 | |
because I think of a pilgrimage as going | 0:04:29 | 0:04:32 | |
on a journey to a holy place. | 0:04:32 | 0:04:34 | |
And you're walking around your Diocese. | 0:04:34 | 0:04:36 | |
Well, simply because Christians, by nature, are called pilgrims. | 0:04:36 | 0:04:40 | |
They are always journeying towards God. | 0:04:40 | 0:04:43 | |
And what I am trying to let the Diocese, | 0:04:43 | 0:04:46 | |
that it should also go on a journey towards God, towards one another. | 0:04:46 | 0:04:52 | |
I also happen to think that every place is holy because God made it. | 0:04:52 | 0:04:56 | |
The pilgrimage has generated quite a buzz amongst the locals. | 0:04:58 | 0:05:03 | |
Come on, wave! Come on, John, you have to as well. Hello! | 0:05:03 | 0:05:06 | |
-Hi. -Are you all right? What's her name? -This is Emily. | 0:05:07 | 0:05:11 | |
-Emily! You are lovely. -Yeah. | 0:05:11 | 0:05:14 | |
Good, I'm glad you know you are lovely! | 0:05:14 | 0:05:17 | |
Here are some bookmarks, one is for you, hello? | 0:05:17 | 0:05:20 | |
And one is for Mum. | 0:05:20 | 0:05:22 | |
-Thank you. -OK? | 0:05:22 | 0:05:23 | |
-Have a good day, bye-bye. -Bye-bye. -Take care. | 0:05:23 | 0:05:27 | |
-Whoo! -THEY ALL LAUGH | 0:05:27 | 0:05:29 | |
As well as chance encounters, | 0:05:29 | 0:05:31 | |
Archbishop Sentamu has some scheduled shops, | 0:05:31 | 0:05:34 | |
visiting a range of community projects to offer his support. | 0:05:34 | 0:05:38 | |
His next calling point is the local Methodist church, | 0:05:39 | 0:05:42 | |
and the Open Doors project, | 0:05:42 | 0:05:45 | |
which provides practical help to asylum seekers. | 0:05:45 | 0:05:48 | |
Why is it important to you to visit a centre like this? | 0:05:48 | 0:05:53 | |
We are bidded in Scripture | 0:05:53 | 0:05:55 | |
to always look after the stranger within your gaze. | 0:05:55 | 0:06:00 | |
Hence the words of Open Door, that strangers, | 0:06:00 | 0:06:02 | |
we should look after them, care for them, | 0:06:02 | 0:06:05 | |
and I believe that the Church should be in places | 0:06:05 | 0:06:08 | |
where no-one really wants to go. | 0:06:08 | 0:06:10 | |
This is a subject close to the Archbishop's heart, | 0:06:13 | 0:06:15 | |
as he came to Britain in 1974 | 0:06:15 | 0:06:18 | |
seeking asylum from Idi Amin's Uganda. | 0:06:18 | 0:06:21 | |
Hello, Bashir. Come on, give us a hug, come on. | 0:06:21 | 0:06:23 | |
-You're all right? -Yes, thank you. | 0:06:23 | 0:06:26 | |
'Having the Church authority | 0:06:26 | 0:06:28 | |
'and Church leadership is a great honour for us.' | 0:06:28 | 0:06:31 | |
And this project is very important to me, | 0:06:31 | 0:06:34 | |
because being a Christian, it gives me opportunity | 0:06:34 | 0:06:38 | |
to put my faith into practice. | 0:06:38 | 0:06:40 | |
To feed those who are hungry and help those who are in need. | 0:06:40 | 0:06:44 | |
The centre also offers advice and basic English language classes. | 0:06:46 | 0:06:50 | |
It's a fairly crude assessment, that I say, | 0:06:51 | 0:06:54 | |
how much English do you know? | 0:06:54 | 0:06:56 | |
And if people go... | 0:06:56 | 0:06:58 | |
That's the first group. | 0:06:58 | 0:07:00 | |
This is the second group, and their English is a lot better. | 0:07:00 | 0:07:02 | |
So we explore slightly different subjects. | 0:07:02 | 0:07:06 | |
THEY SING IN THEIR OWN LANGUAGE | 0:07:07 | 0:07:09 | |
Later in the programme, | 0:07:09 | 0:07:11 | |
Archbishop Sentamu demonstrates his musical skills | 0:07:11 | 0:07:14 | |
and he goes back to school. | 0:07:14 | 0:07:16 | |
Well, now here's a hymn that the Archbishop has chosen himself, | 0:07:16 | 0:07:19 | |
and it's being sung here in Yorkshire. | 0:07:19 | 0:07:22 | |
Now, we have a rare interview with an artist | 0:10:03 | 0:10:05 | |
whose voice is instantly recognisable. | 0:10:05 | 0:10:08 | |
Claire McCollum has been to meet her. | 0:10:08 | 0:10:10 | |
# Sail away, sail away, sail away... # | 0:10:12 | 0:10:15 | |
Enya has sold over 80 million albums. | 0:10:16 | 0:10:19 | |
She cites her own musical influences | 0:10:19 | 0:10:22 | |
as classical, Irish and church music. | 0:10:22 | 0:10:25 | |
So it's very fitting that she's going to perform for us today | 0:10:25 | 0:10:28 | |
in the beautiful and historic chapel here at All Hallows College. | 0:10:28 | 0:10:32 | |
This college dates back to 1842, | 0:10:32 | 0:10:35 | |
when a seminary was founded to train priests for missionary work. | 0:10:35 | 0:10:39 | |
I was delighted to be able to have a chat with Enya | 0:10:39 | 0:10:42 | |
about her music, life and faith. | 0:10:42 | 0:10:45 | |
# Who can say where the road goes? | 0:10:45 | 0:10:49 | |
# Where the day flows? | 0:10:49 | 0:10:53 | |
# Only time... # | 0:10:53 | 0:10:55 | |
Enya doesn't live her life in the glare of publicity. | 0:10:56 | 0:10:59 | |
You're a very private person yourself, | 0:10:59 | 0:11:01 | |
but what is it, do you think, about your music | 0:11:01 | 0:11:03 | |
that connects with so many people right around the world? | 0:11:03 | 0:11:06 | |
It's a good question, because from the first album, Watermark, | 0:11:06 | 0:11:10 | |
to me, all the songs were very diverse. | 0:11:10 | 0:11:13 | |
I was singing in Gaelic, I was singing in Latin. | 0:11:13 | 0:11:17 | |
Orinoco Flow is what everybody heard firstly, | 0:11:17 | 0:11:20 | |
but when they bought the album, it was very different. | 0:11:20 | 0:11:24 | |
# Let me sail, let me sail | 0:11:24 | 0:11:26 | |
# Let the Orinoco flow | 0:11:26 | 0:11:28 | |
# Let me reach, let me beach... # | 0:11:28 | 0:11:31 | |
'What I felt for the listener | 0:11:31 | 0:11:33 | |
'is that they seemed to enjoy the songs first,' | 0:11:33 | 0:11:36 | |
and then they seemed to interpret their own emotions with the song. | 0:11:36 | 0:11:41 | |
And then the song became their song. | 0:11:41 | 0:11:44 | |
What does that mean to you, knowing that your music | 0:11:44 | 0:11:47 | |
has such a wonderful effect on so many people | 0:11:47 | 0:11:49 | |
in times of maybe trouble, | 0:11:49 | 0:11:51 | |
or things that they're going through, that just help them? | 0:11:51 | 0:11:54 | |
To me, when I write a melody, firstly, | 0:11:54 | 0:11:58 | |
it's something emotionally that I feel strong about. | 0:11:58 | 0:12:03 | |
And I want to capture this moment in a melody. | 0:12:03 | 0:12:06 | |
And for me, it's very personal then. | 0:12:06 | 0:12:09 | |
# What a day, what a day To take to... # | 0:12:09 | 0:12:13 | |
'You know, I've heard people have gotten married to the music, | 0:12:13 | 0:12:17 | |
'people who are meditating listen to the music. | 0:12:17 | 0:12:20 | |
'And I feel that that is so wonderful.' | 0:12:20 | 0:12:23 | |
That is really an extra bonus | 0:12:23 | 0:12:26 | |
to sort of working on something that is very important to me. | 0:12:26 | 0:12:30 | |
You come from one of the most beautiful places in the world. | 0:12:30 | 0:12:34 | |
Do you think you draw on | 0:12:34 | 0:12:35 | |
your experiences in Donegal in your music? | 0:12:35 | 0:12:37 | |
Very much so. Very much so. | 0:12:37 | 0:12:40 | |
Any time I go home, I can see where the inspirations are | 0:12:40 | 0:12:44 | |
for some of the songs, has carried through the years with me. | 0:12:44 | 0:12:47 | |
At four years of age, going into the choir in the church, | 0:12:47 | 0:12:53 | |
and that's a big influence to me, Gregorian chant, | 0:12:53 | 0:12:57 | |
singing in Latin, singing in Gaelic. | 0:12:57 | 0:12:59 | |
# Hallelujah | 0:12:59 | 0:13:01 | |
# Halle, halle, hallelujah... # | 0:13:01 | 0:13:04 | |
I'm not aware at the moment, you know, when I go to the studio, | 0:13:04 | 0:13:08 | |
what will evolve musically. | 0:13:08 | 0:13:10 | |
But definitely the inspirations of Donegal are there. | 0:13:10 | 0:13:14 | |
And you talk about church music being a huge influence as well, | 0:13:14 | 0:13:17 | |
how important is faith in your life? | 0:13:17 | 0:13:19 | |
It's something to me, I feel a very spiritual person. | 0:13:19 | 0:13:23 | |
And I feel very comfortable to go to a church. | 0:13:23 | 0:13:28 | |
It's very therapeutic to sit there, light a candle, and pray. | 0:13:28 | 0:13:33 | |
It's a moment where you think of other people, | 0:13:33 | 0:13:36 | |
and I feel that that's something that will stay with me. | 0:13:36 | 0:13:39 | |
You're going to perform for us today, which is very special. | 0:13:39 | 0:13:42 | |
Tell us about the song you're going to sing. | 0:13:42 | 0:13:44 | |
It's taking a moment on, really the influence of your parent, | 0:13:44 | 0:13:49 | |
as such, when you lose a parent. | 0:13:49 | 0:13:51 | |
It's more sort of celebration of the moment rather than | 0:13:51 | 0:13:54 | |
the loss of the parent, because they were there to guide you. | 0:13:54 | 0:13:58 | |
Their hopes are there for you, they held you high, | 0:13:58 | 0:14:01 | |
they wanted the best for you, and this is what the song is about. | 0:14:01 | 0:14:05 | |
# A thousand dreams you gave to me | 0:14:09 | 0:14:17 | |
# You held me high | 0:14:17 | 0:14:21 | |
# You held me high | 0:14:21 | 0:14:25 | |
# And all those years you guided me | 0:14:25 | 0:14:33 | |
# So I could find my way | 0:14:33 | 0:14:39 | |
# So, let me give this dream to you | 0:14:42 | 0:14:49 | |
# Upon another shore | 0:14:49 | 0:14:55 | |
# So, let me give this dream to you | 0:14:57 | 0:15:05 | |
# Each night and evermore | 0:15:05 | 0:15:12 | |
# Yet only time keeps us apart | 0:15:14 | 0:15:21 | |
# You held me high | 0:15:21 | 0:15:25 | |
# You held me high | 0:15:25 | 0:15:29 | |
# You're in the shadows of my heart | 0:15:29 | 0:15:37 | |
# So I can find my way | 0:15:37 | 0:15:43 | |
# Mmmm-mmm-mmm | 0:15:45 | 0:15:49 | |
# Mmmm-mmmmmm | 0:15:49 | 0:15:52 | |
# You held me high | 0:15:52 | 0:15:56 | |
# You held me high | 0:15:56 | 0:16:00 | |
# Mmmm-mmm-mmm | 0:16:00 | 0:16:05 | |
# Mmmm-mmmmmm | 0:16:05 | 0:16:09 | |
# Mmmmm-mmmm | 0:16:09 | 0:16:13 | |
# Mmmm | 0:16:13 | 0:16:16 | |
# So, let me give this dream to you | 0:16:16 | 0:16:24 | |
# Upon another shore | 0:16:24 | 0:16:31 | |
# So, let me give this dream to you | 0:16:31 | 0:16:40 | |
# Each night and evermore | 0:16:40 | 0:16:47 | |
# A thousand dreams you gave to me | 0:16:49 | 0:16:56 | |
# You held me high | 0:16:56 | 0:17:00 | |
# You held me high | 0:17:00 | 0:17:04 | |
# And all those years you guided me | 0:17:04 | 0:17:12 | |
# So I could find my way | 0:17:12 | 0:17:18 | |
# So I could find my way. # | 0:17:20 | 0:17:27 | |
Coming up, Aled goes behind the scenes | 0:17:37 | 0:17:39 | |
of this year's School Choir Of The Year competition. | 0:17:39 | 0:17:42 | |
But first, at the start of Holy Week, | 0:17:43 | 0:17:45 | |
our next hymn tells the story of Palm Sunday. | 0:17:45 | 0:17:48 | |
It's one of the most exciting weekends | 0:20:06 | 0:20:08 | |
in the Songs Of Praise calendar, we look forward to it all year. | 0:20:08 | 0:20:10 | |
Welcome to Sheffield, we're at the City Hall | 0:20:10 | 0:20:13 | |
and when the choirs arrived this morning, let me tell you, | 0:20:13 | 0:20:15 | |
excitement was sky-high, they hadn't even stepped onto stage yet. | 0:20:15 | 0:20:19 | |
The day is the culmination of months of hard work | 0:20:20 | 0:20:23 | |
and preparation for the choirs. | 0:20:23 | 0:20:25 | |
They've been rehearsing their pieces at school | 0:20:25 | 0:20:27 | |
whenever they've had a moment. | 0:20:27 | 0:20:30 | |
Here in Sheffield, the choirs have a busy day with a tight schedule | 0:20:30 | 0:20:33 | |
of rehearsals before the competition starts. | 0:20:33 | 0:20:36 | |
But there's still plenty of time to get to know the other choirs | 0:20:36 | 0:20:39 | |
as they all relax together in the holding room. | 0:20:39 | 0:20:42 | |
Hello! | 0:20:42 | 0:20:43 | |
Wow, there's tonnes of them. Come on! | 0:20:43 | 0:20:45 | |
Hi! Have you been on stage yet? | 0:20:45 | 0:20:47 | |
-ALL: -Yes. -How did it go? | 0:20:47 | 0:20:49 | |
-ALL: -Good! | 0:20:49 | 0:20:50 | |
-Out of ten, how brilliant were you? ALL: -Ten! | 0:20:50 | 0:20:52 | |
Ten. | 0:20:52 | 0:20:53 | |
-Are you nervous? -Yes! -No! -Yes! | 0:20:53 | 0:20:57 | |
Yes, says this one. No, says that one. | 0:20:57 | 0:20:59 | |
The judges tasked with the really tough job of choosing | 0:21:01 | 0:21:04 | |
the winners this year are Katherine Jenkins... | 0:21:04 | 0:21:07 | |
I think the standard is going to be incredibly high. | 0:21:07 | 0:21:09 | |
I think that we've got a great tradition in the UK | 0:21:09 | 0:21:11 | |
for choral singing and I think that actually these children are going to | 0:21:11 | 0:21:18 | |
probably blow our socks off in terms of what they can actually produce. | 0:21:18 | 0:21:22 | |
..choral expert Ken Burton... | 0:21:22 | 0:21:24 | |
Over the last couple of decades, | 0:21:24 | 0:21:26 | |
I've been involved in choral competitions | 0:21:26 | 0:21:27 | |
and I've just seen how choirs have grown | 0:21:27 | 0:21:30 | |
and they've become a lot more ambitious. | 0:21:30 | 0:21:32 | |
So I'm really looking forward to seeing what the choirs | 0:21:32 | 0:21:35 | |
are going to pull out of the hat this time. | 0:21:35 | 0:21:37 | |
..and our very own Connie Fisher. | 0:21:37 | 0:21:39 | |
-Hiya! -How are you? -I'm all right, how are you? | 0:21:39 | 0:21:41 | |
Gosh, you judges get a nice dressing room, don't you? | 0:21:41 | 0:21:44 | |
-Make-up on you. -Make-up... | 0:21:44 | 0:21:45 | |
Firstly, as a judge, why do you need six pairs of shoes? | 0:21:45 | 0:21:47 | |
You can never have too many pairs of shoes. | 0:21:47 | 0:21:49 | |
-I suppose not. Are you looking forward to this? -I am. | 0:21:49 | 0:21:52 | |
-First time. -First time, yes, I feel, you know, honoured actually | 0:21:52 | 0:21:55 | |
to be sat in the chair. I feel quite, you know... | 0:21:55 | 0:21:58 | |
-I'm sat next to Katherine Jenkins. -Yeah? -I'm really nervous. | 0:21:58 | 0:22:00 | |
-And Ken Burton as well. -I know. They're going to out-glam me! | 0:22:00 | 0:22:03 | |
Not possible. | 0:22:03 | 0:22:04 | |
-It's quite a nerve-racking thing though, isn't it? -It is. | 0:22:04 | 0:22:07 | |
It's the responsibility because all throughout the year, | 0:22:07 | 0:22:09 | |
they're putting so much effort into singing one song to impress us | 0:22:09 | 0:22:12 | |
and you think, "Well, I'm not really worthy", | 0:22:12 | 0:22:14 | |
but actually I grew up in a choir and I know what it's like. | 0:22:14 | 0:22:17 | |
And you're no stranger to competitions. | 0:22:17 | 0:22:19 | |
Well, yeah, I feel their nerves. | 0:22:19 | 0:22:21 | |
I know what it's like to go out there thinking, | 0:22:21 | 0:22:24 | |
"I really want to win this", and so, yeah, I'm really feeling for them. | 0:22:24 | 0:22:27 | |
I tell you what, it's gearing up to be a fabulous competition | 0:22:29 | 0:22:32 | |
with all these guys. | 0:22:32 | 0:22:33 | |
It all starts on April 3rd, keep watching, you'd be mad to miss it. | 0:22:33 | 0:22:38 | |
Until then, here are the Junior Winners from 2013. | 0:22:38 | 0:22:44 | |
# Joshua fought the battle of Jericho | 0:22:44 | 0:22:46 | |
-# Jericho -Joshua | 0:22:46 | 0:22:48 | |
-# Jericho -Joshua fought the battle | 0:22:48 | 0:22:49 | |
# Joshua fought the battle of Jericho | 0:22:49 | 0:22:51 | |
-# As the walls came a-tumbling down -In the morning | 0:22:51 | 0:22:54 | |
# Joshua fought the battle of Jericho | 0:22:54 | 0:22:57 | |
-# Jericho -Joshua | 0:22:57 | 0:22:58 | |
-# Jericho -Joshua fought the battle | 0:22:58 | 0:23:00 | |
# Joshua fought the battle of Jericho | 0:23:00 | 0:23:02 | |
# As the walls came a-tumbling down | 0:23:02 | 0:23:05 | |
# You may talk about your kings of Gideon | 0:23:05 | 0:23:08 | |
# You may talk about your men of Saul | 0:23:08 | 0:23:11 | |
# But there's none like good old Joshua | 0:23:11 | 0:23:14 | |
# At the battle of Jericho | 0:23:14 | 0:23:16 | |
# I'm singing | 0:23:16 | 0:23:17 | |
# Joshua fought the battle of Jericho | 0:23:17 | 0:23:20 | |
-# Jericho -Joshua | 0:23:20 | 0:23:21 | |
-# Jericho -Joshua fought the battle | 0:23:21 | 0:23:22 | |
# Joshua fought the battle of Jericho | 0:23:22 | 0:23:25 | |
-# As the walls came a-tumbling down -In the morning | 0:23:25 | 0:23:28 | |
# Joshua fought the battle of Jericho | 0:23:28 | 0:23:31 | |
-# Jericho -Joshua | 0:23:31 | 0:23:32 | |
-# Jericho -Joshua fought the battle | 0:23:32 | 0:23:34 | |
# Joshua fought the battle of Jericho | 0:23:34 | 0:23:36 | |
# As the walls came a-tumbling down | 0:23:36 | 0:23:38 | |
# Then up to the walls of Jericho | 0:23:38 | 0:23:41 | |
# They marched with spear in hand | 0:23:41 | 0:23:44 | |
# Now blow your trumpets, Joshua cried | 0:23:44 | 0:23:47 | |
# For the battle is in my hand | 0:23:47 | 0:23:49 | |
# I'm singing | 0:23:49 | 0:23:51 | |
# Joshua fought the battle of Jericho | 0:23:51 | 0:23:53 | |
-# Jericho -Joshua | 0:23:53 | 0:23:54 | |
-# Jericho -Joshua fought the battle | 0:23:54 | 0:23:56 | |
# Joshua fought the battle of Jericho | 0:23:56 | 0:23:58 | |
-# As the walls came a-tumbling down -In the morning | 0:23:58 | 0:24:01 | |
# Joshua fought the battle of Jericho | 0:24:01 | 0:24:04 | |
-# Jericho -Joshua | 0:24:04 | 0:24:06 | |
-# Jericho -Joshua fought the battle | 0:24:06 | 0:24:07 | |
# Joshua fought the battle of Jericho | 0:24:07 | 0:24:09 | |
# As the walls came a-tumbling down | 0:24:09 | 0:24:12 | |
# Joshua | 0:24:12 | 0:24:14 | |
# Fought the battle of Jericho | 0:24:14 | 0:24:15 | |
# Joshua | 0:24:15 | 0:24:16 | |
# Fought the battle of Jericho | 0:24:16 | 0:24:18 | |
# Joshua | 0:24:18 | 0:24:19 | |
# Fought the battle of Jericho | 0:24:19 | 0:24:21 | |
# The walls came tumbling down | 0:24:21 | 0:24:24 | |
# Joshua fought the battle of Jericho | 0:24:24 | 0:24:26 | |
# And the walls came a-tumbling down. # | 0:24:26 | 0:24:29 | |
Today, we've been accompanying the Archbishop of York, | 0:24:34 | 0:24:37 | |
John Sentamu, | 0:24:37 | 0:24:38 | |
on his six-month pilgrimage around the Dioceses of York. | 0:24:38 | 0:24:42 | |
THEY SING | 0:24:44 | 0:24:46 | |
He's at the Open Doors project in Hull | 0:24:46 | 0:24:49 | |
where he's livening things up by joining the centre's music session. | 0:24:49 | 0:24:53 | |
Cecil came here from Sierra Leone ten years ago | 0:25:00 | 0:25:04 | |
and he's now a volunteer. | 0:25:04 | 0:25:06 | |
The very first day I stepped my feet into Hull, I mean, | 0:25:06 | 0:25:10 | |
I was lost in terms of direction but when I got here, | 0:25:10 | 0:25:13 | |
I was received with open hands | 0:25:13 | 0:25:16 | |
and I was shown the way | 0:25:16 | 0:25:18 | |
and I thought, you know, it's a place to be | 0:25:18 | 0:25:21 | |
and I decided to give my time, my everything, | 0:25:21 | 0:25:25 | |
as a volunteer and give every support. | 0:25:25 | 0:25:27 | |
Most of us have received much and we need to freely give | 0:25:27 | 0:25:32 | |
and put back more than actually what we take out | 0:25:32 | 0:25:34 | |
so I'm very glad that you are following that particular rule. | 0:25:34 | 0:25:37 | |
-Thank you. -OK? -Yes, I am, I am proud of it as well | 0:25:37 | 0:25:41 | |
and I'm following your footsteps. Maybe one day I'll be where you are. | 0:25:41 | 0:25:44 | |
THEY LAUGH | 0:25:44 | 0:25:46 | |
The pilgrimage continues as the Archbishop turns his attention | 0:25:48 | 0:25:51 | |
to the future generation and the children at Thoresby Primary School. | 0:25:51 | 0:25:55 | |
Welcome to Thoresby and you are now part of Team Thoresby. | 0:25:55 | 0:26:00 | |
-Am I? -How about that? -But I haven't got the uniform. | 0:26:00 | 0:26:03 | |
But he does change into something more befitting | 0:26:03 | 0:26:06 | |
as he takes questions from the children. | 0:26:06 | 0:26:09 | |
What is your really important job? | 0:26:09 | 0:26:13 | |
You know, I don't believe I'm doing a job. | 0:26:13 | 0:26:15 | |
I believe I have been called by God, first of all, to know him, | 0:26:15 | 0:26:20 | |
secondly, to love him, | 0:26:20 | 0:26:23 | |
and then to tell other people about him | 0:26:23 | 0:26:26 | |
and then to serve the poor in the world. | 0:26:26 | 0:26:28 | |
That's what I see. | 0:26:28 | 0:26:30 | |
Why do you work at churches? | 0:26:30 | 0:26:33 | |
-When I turn up to church, I'm going to a party. -Oh. | 0:26:33 | 0:26:37 | |
A very big celebration of joy, of hope. | 0:26:37 | 0:26:40 | |
'Young people have a way of simplicity, | 0:26:40 | 0:26:44 | |
'they tell it like it is but the energy and the drive,' | 0:26:44 | 0:26:48 | |
Paul says to young Timothy, | 0:26:48 | 0:26:50 | |
"Let nobody despise your youth because you are young", | 0:26:50 | 0:26:52 | |
because you've got gifts and abilities | 0:26:52 | 0:26:55 | |
and all our children are young people, | 0:26:55 | 0:26:57 | |
each has a talent and a gift. | 0:26:57 | 0:27:00 | |
So when I come into the schools, I go away energised | 0:27:00 | 0:27:04 | |
full of hope, full of gladness and I think it's wonderful. | 0:27:04 | 0:27:08 | |
Out in the playground, the questions become a little more personal. | 0:27:08 | 0:27:12 | |
-Huh? -Cheese or ham? -Which one do you prefer? | 0:27:12 | 0:27:14 | |
-Cheese or ham? -At the moment, I'm, er.... | 0:27:14 | 0:27:18 | |
-It's cheese. -CHEERING | 0:27:18 | 0:27:20 | |
Why did you become the Archbishop of York? | 0:27:20 | 0:27:23 | |
I was asked by the Queen. | 0:27:23 | 0:27:25 | |
What's it like to be an Archbishop? | 0:27:25 | 0:27:27 | |
It's like any job with responsibility, | 0:27:27 | 0:27:31 | |
it's got wonderful things in it and difficult things in it. | 0:27:31 | 0:27:34 | |
And it's a really good job because you actually help the world. | 0:27:34 | 0:27:37 | |
-Yeah, yeah, exactly. -That's what I've always wanted to do. | 0:27:37 | 0:27:40 | |
-OK, maybe you'll end up being a bishop, huh? -Yeah. | 0:27:40 | 0:27:42 | |
-Are you going to be one of those? -I'd try. | 0:27:42 | 0:27:45 | |
Yeah, you'll try to. That's good news. | 0:27:45 | 0:27:47 | |
There you go. | 0:27:48 | 0:27:50 | |
He'll never forget that, a high-five from the Archbishop. | 0:27:50 | 0:27:52 | |
-Yeah, yeah, yeah. -THEY LAUGH | 0:27:52 | 0:27:54 | |
SCHOOL BELL RINGS | 0:27:54 | 0:27:58 | |
Well, that's the end of the school day | 0:27:58 | 0:28:00 | |
but it's certainly not the end of your pilgrimage, is it? | 0:28:00 | 0:28:02 | |
-No, it isn't. -What do you think you've learnt so far? | 0:28:02 | 0:28:05 | |
The beauty of Yorkshire, | 0:28:05 | 0:28:07 | |
the amazing people that I've been encountering | 0:28:07 | 0:28:11 | |
and the gospel of Jesus Christ is still very much alive. | 0:28:11 | 0:28:15 | |
And this, of course, is the start of Holy Week, | 0:28:15 | 0:28:18 | |
what does it really mean to you? | 0:28:18 | 0:28:20 | |
Well, Holy Week, of course, begins with Jesus' triumphal entry | 0:28:20 | 0:28:25 | |
into Jerusalem where the children gather | 0:28:25 | 0:28:27 | |
and they're singing and shouting, "Hosanna, hosanna!", | 0:28:27 | 0:28:30 | |
meaning, "Save us now, Lord". | 0:28:30 | 0:28:32 | |
And that triumphal entry, I'm afraid, on a Friday, | 0:28:32 | 0:28:36 | |
ends in his crucifixion. | 0:28:36 | 0:28:38 | |
Thank you for letting me join in your pilgrimage. | 0:31:07 | 0:31:09 | |
You've still got a long way to go, though, don't you? | 0:31:09 | 0:31:11 | |
Yes, a long way to go until the 22nd of May | 0:31:11 | 0:31:13 | |
-but it's been a pleasure walking with you. -Thank you. | 0:31:13 | 0:31:15 | |
Well, next week it's Easter Sunday and Pam Rhodes will be | 0:31:15 | 0:31:18 | |
going behind the scenes of the Poole Passion Play in Dorset | 0:31:18 | 0:31:22 | |
to discover how it's changed the lives of those taking part. | 0:31:22 | 0:31:26 | |
Until then, it is our closing hymn for Palm Sunday. | 0:31:26 | 0:31:29 | |
Goodbye and God bless. | 0:31:29 | 0:31:31 |