Blind Auditions 5 The Voice UK


Blind Auditions 5

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Sitting here for 2016,

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we have Ricky Wilson, Paloma Faith,

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Boy George and will.i.am.

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And back there, who knows?

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Because these are the blind auditions.

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CHEERING AND APPLAUSE

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-Tonight....

-Paloma's losing faith.

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-Oh!

-Oh, no.

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Paloma has been very selective of who she turns for.

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Ah! I made a mistake.

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-Wait a second!

-LAUGHTER

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Everyone's like, "What are you doing?

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-"What are you doing?"

-Paloma! Go!

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-I don't really know.

-What?

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I'm sort of second-guessing myself.

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I really thought you were going to go, Paloma.

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I'm really sorry. I feel sick.

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I'm an idiot. Oh!

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I don't know what is going through your head.

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I don't know what's stopping me.

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I think I'm a bit delirious.

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Ah!

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I should probably start pressing the button a bit.

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Oh, no, what am I going to do?

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'OK, here goes - from Essex, it's Vivica Jade.'

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VIVICA JADE: I've got to kill this.

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I've got to smash it. I need a chair turn.

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-How many singers do you have now?

-Oh, I've got a lot.

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No, what do you have on your team?

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Seven, I think.

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Have we got the same?

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Yeah, yeah.

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I really, really hope that the coaches are like,

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"Wow, where did that come from?"

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That is the aim - to shock the coaches.

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How many have you got?

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Seven.

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I think six.

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I've got, yeah, five places left.

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I've got a lot riding on this performance.

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Look at you, Jasmine. Beautiful.

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-BABY SQUEALS

-Aw...

-Aw...

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-I think she's taken after her mum.

-I know.

-She's got a pair of lungs.

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I am a really, really, really new mamma.

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It's a 24-hour job. It is demanding,

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but I wouldn't change it for the world.

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'When I auditioned for The Voice,

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'I was actually 8½ months pregnant.'

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People might think, "That girl's crazy,"

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but you can't knock back any opportunity in this industry.

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I've been in two girl groups that had a little bit of success.

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We opened up for the Pussycat Dolls. We was on tour with Ed Sheeran.

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We ended up going on a JLS tour. It was amazing.

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I loved those times and I just want to get back into that zone now.

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This is my opportunity as a solo artist.

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So, I really, really want this to work.

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MUSIC: Gravity by DJ Fresh feat Ella Eyre

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# All hands on the trigger

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# All eyes on the gun

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# They don't believe that we're... # CHEERING AND APPLAUSE

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# Strong enough to hold on

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# Cos I'm the only one who gets you... #

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AUDIENCE CLAPS ALONG # The only one to figure you out

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# You're a place that I can go to

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# A face I couldn't live without

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# And nobody sees what we do

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# Don't need anybody else around

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# And no matter what they told us

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# Even gravity can't hold us down

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# Whoa-oh-oh-oh Whoa-oh-oh-oh

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# Even gravity can't hold us down

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# Whoa-oh-oh-oh Whoa-oh-oh-oh

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# Even gravity can't hold us... #

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SHE RAPS: # Not even gravity can hold me

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# From getting my crown I'm a majesty, would-be princess

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# Your vanity is my triviality

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# Under the crown We revolt in anarchy

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# Losing control And we're losing sanity, abnormality

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# Ageless vanity Want to have a go?

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# Then step up, challenge me

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# Back to basics Tied to bases

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# Got one heart so you're trying to win it

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# Let's dream I'm trying to chase it

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# In the air I can almost taste it

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# It tastes good Finally the girl came good

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# I have the answer but I stay hood

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# Hearts break as long as they should

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SHE SINGS: # No matter what they told us

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# Gravity can't hold us down

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# Whoa-oh-oh-oh-oh. #

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CHEERING AND APPLAUSE

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-SCREAMING AND CHEERING

-Yes, yes, yes, yes, yes!

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Thank you.

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-That was dope. That was super dope.

-Thank you.

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-What's your name?

-My name's Vivica Jade.

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I'm 27. I'm a new mummy.

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My baby girl is three and half weeks old.

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Aw...

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VIVICA CHUCKLES

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CHEERING AND APPLAUSE

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Where's the baby?

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-The baby is backstage.

-Wow.

-Baby Jasmine, she's backstage.

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I hope she's cheering for me.

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-JASMINE SQUEAKS

-See? She said hi, look.

-Yeah.

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Your baby's backstage, three weeks old?

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-That's... Man, awesome.

-She's three weeks now.

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-Can we give her a round of applause for that?

-Thank you very much.

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-CHEERING AND APPLAUSE

-After just giving birth,

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you thought, "Oh, I'll wait to go on The Voice till

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-"I've just had a baby."

-You know, some people might think...

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Some people might think I'm crazy for doing this.

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- No, I think it's amazing. - No, no, you have to be crazy...

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You have to be crazy.

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..cos, if you're going to make it, there is no off switch.

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It's always flipped to on and you always keep coming back for more,

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and even when it's punishing, right,

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you just dust yourself off and you forget about that.

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Instantly, you're onto the next thing,

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and I can tell you're like that,

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-and it's great you're here.

-CHEERING AND APPLAUSE

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-Thank you.

-What do you do in terms of performance, now, you know?

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I've been in two girl groups.

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I've always wanted to be able to showcase

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what I can do as a solo artist,

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because I never got to showcase that as a quarter of a group.

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Now is my time to show what I can do.

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-That's amazing.

-CHEERING AND APPLAUSE

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The reason why I didn't hit the button was not

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because it wasn't brilliant - because it is brilliant.

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I want to go for people that are brilliant and that I can help...

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-OK.

-..and when I saw who turned for you, I thought,

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"They'll be able to help you more than I would."

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So, I definitely listened and thought, "Wow, she's amazing,"

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but I just don't want to waste your time...

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-I really...

-..and by the sounds of it, it's a good job that I didn't,

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cos you've had that probably done a few times.

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I really appreciate that. I really, really appreciate it.

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-Thank you.

-I'm so proud of you, and you're on the show,

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-so go for it.

-Thank you very much. Thank you.

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-CHEERING AND APPLAUSE

-Oh, isn't that nice of her?

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Well, I consider myself to be the comeback king, you know?

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I understand, you know, what you're talking about,

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but going with what's safe or what's predictable is

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not necessarily the smart idea.

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You've tasted a little bit of that.

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You don't want people around you who are agreeing with you.

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You know, my manager doesn't tell me what I want to hear -

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that's why he's my manager - so you've got to be smart.

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So, think out of the box, or find your own box.

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Create your own box.

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He's totally right.

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Sometimes that's all you need, is somebody that can see what...

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No matter what genre you're in, they see your potential.

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You'd better choose properly,

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cos you could be put in a box and stuck in the box,

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and then you're calling Jack to get out the box,

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cos Jack was in the box, cos it's a jack-in-the-box.

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Obviously, it's very hard to compete on a level with these megastars,

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but, then, I think my experience doesn't really matter

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in taking you forward, cos what really matters is your experience,

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and that's what feeds your emotion,

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and that's what fed that performance,

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and it was the performance that made me turn.

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I just have to go with my heart and my gut and that's why I turned,

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so I don't really mind the fact that I'm not the obvious choice.

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-That's what makes the world of music, doesn't it?

-True.

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CHEERING AND APPLAUSE

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-Big decisions.

-Big decisions.

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Big decisions.

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Big, big decisions.

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CHEERING, WHISTLING AND APPLAUSE Erm...

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-Go on, Jadey!

-Go for Will.

-Go for Will.

-Don't be scared.

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OK, I've made my decision.

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I would love to go with...

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..Will.

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CHEERING AND APPLAUSE

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-Thank you.

-Thanks.

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Thank you very much.

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Thanks.

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No way, I understand and I really appreciate it.

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-Incredible.

-Thank you very much.

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-No problem. You don't have to thank me.

-Thank you.

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CHEERING AND APPLAUSE

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I should have turned for her.

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You should have done.

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I don't know what's... what's going through your head.

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SCREAMING

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To be honest with you, I wouldn't have known

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what to do with her, but I liked her spirit.

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Personally, I thought, she already knows what she wants to do.

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Now I've heard her attitude and the way she is,

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I'm like, "Oh, I love it."

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-See you later, guys.

-See you. Thank you.

-Bye-bye. Bye-bye.

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Rate the performances, then challenge other fans, too.

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Now.

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'Hot-stepping up next is Marvin the Jazz Man.

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'He's Marvin. He's a Jazz Man. The clue's in the name.'

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The name "Marvin the Jazz Man" came around

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when I started playing in my jazz band.

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We were called the Barbershop Boys.

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My teacher said, "Marvin, you're a jazz man,"

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and I kind of liked that.

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Everyone was listening to dubstep, rap and hip-hop.

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People would say, "Oh, jazz. Ugh, that's old-fashioned."

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-Marvin.

-How's it going, man?

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-Lovely to meet you.

-Big name!

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So, in your performance today, Marv, any tricks up your sleeve?

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-Anything different you're going to be doing?

-I have one...

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-OK, go on.

-..which is tap-dancing.

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-Are you serious?

-Yeah!

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-OK, so this is a little improvised shuffle, here, so...

-OK.

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..here goes.

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The tap-dancing - it's become part of my everyday life.

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Whoo!

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I've got happy feet now. They just have a mind of their own.

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Whoa-ho! Hoo-hoo!

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I got a bit too carried away there.

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I am 19 years old.

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I have the voice of, like, a 60-year-old.

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There's very few young, male baritone singers

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who sing this type of music, and I want to, you know,

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step in and bring something different.

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HE EXHALES

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# Sing, sing, sing, sing

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# Everybody starts to sing

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# La-dee-da, ho-ho-ho

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# Now you're singing with a swing

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# When the music goes around

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# Everybody goes to town

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# But here's one thing you should know

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# Ho-ho, baby Ho-ho-ho

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# Sing, sing, sing, sing

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# Everybody starts to sing

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# La-dee-da Ho-ho-ho

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# Now you're singin' with a swing... #

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# Ooh

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# Doo-doo-buh-buh-buh

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# Buh-doo-doo-doo Buh-doo-buh-buh-buh-buh-doo... #

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Whoo! Not bad for a thick guy, huh?

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# Come on Buh-buh-buh-buh-buh

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# Doo-boo-doo Buh-buh-ba-dee

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# When the music goes around Everybody goes to town

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# But there's one thing you should know

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# Ho-ho, baby Ho-ho-ho

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# Sing, sing, sing, sing

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# Everybody starts to sing

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# La-dee-da and a ho-ho

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# Now you're singin' with a swing

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# Hidey-hidey-hidey-ho. #

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Thank you.

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CHEERING, WHISTLING AND APPLAUSE Whoo.

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Thank you very much.

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Thank you very much.

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-Oh, you look amazing!

-Hello!

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Hello, my name is Marvin the Jazz Man.

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I'm 19 years old and I'm from London.

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19?

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19.

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Were you tap-dancing?

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-Yes, I was.

-And can I see?

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CHEERING AND APPLAUSE

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OK, where does this love of this style of music

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and the dancing come from?

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See, I was watching Blue Peter back in Year One,

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and they were showing Riverdance. "Oh, look at that! That's so cool."

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So I was like... AUDIENCE LAUGHS

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But I never got the hang of it, so I showed it to my class,

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and they all said, "You're a great tap-dancer."

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You know, these feet have a mind of their own.

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They just tap when I'm doing the dishes or cooking something.

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They just like, you know...

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I can't stop it, you know?

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APPLAUSE

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-It is thoroughly entertaining.

-No worries.

-Yeah.

-And erm...

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You know, you should definitely carry on doing this thing.

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-I mean, you're great.

-Thank you very much.

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-You're so great.

-Thank you very much.

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APPLAUSE Thank you.

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So, Marv, when I was 19, we had a crew,

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and our whole thing was to dress like old men.

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We went to second-hand stores and got old suits.

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We used to go jazz hunting,

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-go to second-hand stores and get records...

-Yeah.

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..and just get, like, Cab Calloway.

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I love Cab Calloway.

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It's refreshing to see your generation, you know,

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appreciating jazz standards.

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Now I feel like a dummy for not pushing the button,

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so you could continue to be

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-on the show.

-No, don't worry about it. Don't worry.

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I really think you should carry on and I think you're inspiring.

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-Of course.

-I feel actually overjoyed to stand here and look at you.

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CHEERING AND APPLAUSE

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-Really, well done.

-Thank you very much. Thank you.

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What a nice guy. What a sweet guy.

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Hard-hitting, Jazz Man.

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-Ricky, lovely to meet you. Thank you so much.

-Mate...

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-I'll never forget this day.

-Right.

-Thank you very much. Thank you.

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CHEERING AND APPLAUSE Thank you.

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Thank you.

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He's so sweet.

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-Thank you, Marvin.

-Listen, man, great to meet you, yeah?

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-Lovely.

-Congratulations, man. I hope I see you again soon.

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Maybe if the coaches were faced the right way,

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the game might have been changed a little bit,

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but at the end of the day, it is what it is.

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Getting this far in any competition is a blessing,

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so, you know, I'm really grateful for that.

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HE SIGHS

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HE CHUCKLES

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I'm disappointed I didn't turn for him.

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I feel that I've become a little bit stale

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and sort of second-guessing beyond anything,

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so I should probably start pressing the button a bit.

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'Paloma's getting shaky. Can our next act restore her faith?'

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I'm Chloe Castro. I'm 19 and I'm from Durham.

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I used to not have a lot of confidence.

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I was just a bedroom singer, but I thought one day,

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"I've got to go out and perform in public."

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Money is really tight. I don't have a lot of it.

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I'm hoping singing will take me to that place where

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I don't need to worry about money any more.

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Singing in the streets,

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and singing on a massive stage, like this, today -

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they're both at complete different ends of the spectrum.

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I don't quite know how I'm going to beat my nerves.

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I'm wearing my nan's skirt.

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She's here to watch me perform in it, which means quite a lot to her,

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and I'm treating this skirt as a good-luck charm, definitely, yeah.

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And the coaches will be listening to every single thing I do.

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I'm very, very nervous, but I have nothing to lose.

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MUSIC: From Eden by Hozier

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# Babe

0:15:510:15:54

# There's something tragic about you

0:15:540:15:57

# Something so magic about you

0:15:580:16:03

# Don't you agree?

0:16:030:16:05

# No tired sighs

0:16:080:16:10

# No rolling eyes

0:16:100:16:11

# No irony... #

0:16:110:16:13

Good singer.

0:16:130:16:14

# No "who cares"

0:16:140:16:16

# No vacant stares

0:16:160:16:18

# No time for me

0:16:180:16:20

# Honey, you're familiar

0:16:210:16:24

# Like my mirror years ago

0:16:240:16:29

# Idealism sits in prison

0:16:290:16:32

# Chivalry fell on its sword

0:16:320:16:37

# Ba-a-a-aby

0:16:380:16:41

# There's something wretched about this

0:16:410:16:45

# Something so precious about this

0:16:450:16:49

# Where to begin...? #

0:16:490:16:52

CHEERING, WHISTLING AND APPLAUSE

0:16:520:16:54

# Ba-a-a-be

0:16:540:16:57

# Oh-oh-oh

0:16:570:16:58

# Honey, you're familiar

0:16:580:17:02

# Like my mirror years ago

0:17:020:17:06

# I slithered here from Eden

0:17:060:17:10

# Just to hide outside your door. #

0:17:100:17:16

APPLAUSE

0:17:180:17:19

Thank you so much.

0:17:190:17:21

Thank you.

0:17:300:17:31

I'm Chloe... I'm Chloe Castro, I'm 19 and I'm from Durham.

0:17:310:17:36

Wow, you are a real beautiful contradiction -

0:17:360:17:39

-I mean, I wasn't expecting you to look like you do.

-No?!

0:17:390:17:42

You look so sweet, and then you sing so - whoar!

0:17:420:17:45

-Yeah!

-Wow, what a voice.

-Thank you so much.

0:17:450:17:47

Is not a surprise to me that Ricky turned.

0:17:470:17:50

You have a very... Like, an old soul.

0:17:500:17:53

Like you've been singing for aeons. Your aura is very, like, ancient.

0:17:530:17:59

-And your skirt's great, as well.

-Thank you, it's my nan's.

0:17:590:18:03

From the '70s?

0:18:030:18:04

-Yeah, yeah.

-Awesome.

-She gave it to me when I was 17,

0:18:040:18:07

and she bought it when she was 17.

0:18:070:18:08

-Amazing. Amazing.

-AUDIENCE: Aww!

0:18:080:18:10

APPLAUSE

0:18:100:18:11

I feel like I should have turned, and I'm really sorry that I didn't.

0:18:110:18:14

-It's OK.

-Everyone was looking at me and they were just like,

0:18:140:18:17

"What you doing, what are you doing?"

0:18:170:18:19

And, um...I don't really know, like, what I'm doing.

0:18:190:18:22

LAUGHTER

0:18:220:18:23

That's all right, it's fine.

0:18:230:18:25

Half the time, I don't,

0:18:250:18:26

but there's definitely no shadow of a doubt that you're a great singer

0:18:260:18:30

and I'm really happy that somebody here has got some sense.

0:18:300:18:34

APPLAUSE Thank you so much.

0:18:340:18:35

I can't believe it!

0:18:350:18:37

Thank you so much.

0:18:370:18:39

What you did was magical, and I really appreciate it.

0:18:420:18:45

-PALOMA:

-You've got a really lovely speaking voice, as well.

0:18:450:18:48

Thank you! As have you!

0:18:480:18:50

-No, mine's ridiculous.

-I love it... I love it when you chat!

0:18:500:18:53

I'm stuck with it.

0:18:530:18:55

Getting Chloe, and being the only one to turn for her,

0:18:550:18:58

I honestly didn't expect that.

0:18:580:19:00

ALL CHEER

0:19:000:19:02

Did no-one else hear that? Amazing!

0:19:050:19:07

-Amazing, yeah.

-She was!

0:19:070:19:08

Sometimes, a one-turn is as important as a four-turn,

0:19:080:19:11

because it's something that you saw that no-one else saw -

0:19:110:19:15

it's like a secret.

0:19:150:19:16

-I wasn't going to let that go.

-She was really good.

0:19:160:19:19

I... I mean, I just thought you were going to go. I thought...

0:19:190:19:21

You never know what this show is going to throw at you, you know?

0:19:210:19:24

You said it, George - and next up

0:19:270:19:29

an act who is used to dealing with the completely unpredictable.

0:19:290:19:33

MIKE: I've been riding horses since I was three years old.

0:19:330:19:37

Working so close with such powerful animals

0:19:370:19:40

can be quite daunting at times.

0:19:400:19:42

I have to have complete trust in the horse,

0:19:440:19:46

because my job can be incredibly dangerous.

0:19:460:19:49

My name is Mike Collin, I'm 30 years old

0:19:500:19:52

and I'm a professional stunt rider.

0:19:520:19:55

MUSIC: Indiana Jones Theme

0:19:550:19:56

I'm not really a 9 to 5 office kind of guy.

0:19:560:20:00

I'm a bit of an adrenaline junkie.

0:20:000:20:01

Hitting the floor at about 30mph is such a good feeling.

0:20:010:20:05

I get a thrill and a buzz about what I do.

0:20:050:20:08

One of my favourite tricks is,

0:20:080:20:10

you pop up, stand on the saddle, and then you stand up.

0:20:100:20:13

When I first started doing that, that felt amazing.

0:20:130:20:16

I'm a performer at heart, I always have been.

0:20:160:20:19

And also taking to the stage, another act with a tough day job...

0:20:190:20:22

MUSIC: Eye Of The Tiger by Survivor

0:20:220:20:24

..but she wouldn't have it any other way.

0:20:270:20:30

Are you ready, then, Gemma?

0:20:300:20:31

SHE GRUNTS

0:20:330:20:34

I'm Gemma Magnusson, I'm 32

0:20:360:20:38

and I'm one of the strongest women in the world.

0:20:380:20:40

EMMA SQUEALS

0:20:400:20:42

-Yeah, yeah...

-Whoo!

0:20:420:20:44

You did that just like it was a walk in the park!

0:20:440:20:46

Nice quads.

0:20:460:20:48

# Pump it... #

0:20:480:20:50

I started training when I was 19.

0:20:500:20:52

Within a year, I'd won my first Britain's Strongest Woman title.

0:20:520:20:55

I have retained my title four times, came second in the world twice.

0:20:550:20:59

I've broken eight world records. Everything else is history.

0:20:590:21:03

EMMA: But before Gemma gets her chance,

0:21:070:21:09

it's over to our stunt rider.

0:21:090:21:11

MIKE: I've always sang, and I've always loved performing.

0:21:110:21:16

That's why I'm here today. I can't be a stunt rider forever.

0:21:160:21:20

I don't want to be getting 20 years down the line and thinking,

0:21:200:21:22

"Why didn't I go for it?"

0:21:220:21:24

ALL CHEER

0:21:240:21:26

Come on, Mike!

0:21:270:21:28

I hope I'm good enough.

0:21:300:21:31

# My house in Budapest

0:21:460:21:48

# My hidden treasure chest

0:21:480:21:51

# Golden grand piano

0:21:510:21:52

# My beautiful Castillo

0:21:520:21:54

# You, ooh

0:21:540:21:55

# You, ooh

0:21:550:21:57

# I'd leave it all

0:21:570:22:00

# My acres of a land

0:22:020:22:04

# I have achieved

0:22:040:22:06

# It may be hard for you to stop and believe

0:22:060:22:08

# But for you, ooh

0:22:080:22:10

# You, ooh

0:22:100:22:12

# I'd leave it all

0:22:120:22:14

# Give me one good reason

0:22:160:22:18

# Why I should never make a change

0:22:180:22:21

# And baby if you hold me

0:22:230:22:25

# Then all of this will go away

0:22:250:22:28

# My friends and family

0:22:320:22:33

# They don't understand

0:22:330:22:35

# They fear they'd lose so much

0:22:350:22:37

# If you take my hand

0:22:370:22:38

# But for you, ooh... #

0:22:380:22:41

HE HITS HIGH NOTE

0:22:410:22:43

# I'd lose it all

0:22:430:22:45

# Give me one good reason

0:22:460:22:48

# Why I should never make a change

0:22:480:22:52

# And baby if you hold me

0:22:540:22:56

# Then all of this will go away. #

0:22:560:23:07

APPLAUSE

0:23:070:23:09

-Hey!

-Hi!

0:23:150:23:18

-How are you?

-I'm good. My name is Mike and I'm from York,

0:23:180:23:21

and I'm a professional stunt rider. APPLAUSE

0:23:210:23:24

Have we seen you in loads of big films?

0:23:240:23:26

-Yeah, yeah...

-Which ones?

0:23:260:23:28

I did Warhorse, I've done Merlin, Jamaica Inn...

0:23:280:23:31

APPLAUSE

0:23:310:23:33

Is it true that horses, like stunt horses, there is a password,

0:23:330:23:37

and you say it, and they kind of like pretend to die?

0:23:370:23:40

LAUGHTER

0:23:400:23:42

They do act, the horses - they fall over and go, "I'm dead!"

0:23:420:23:45

Yeah, they go, "Oh, my God!"

0:23:450:23:47

LAUGHTER

0:23:470:23:48

"Oh, the humanity!"

0:23:480:23:51

APPLAUSE

0:23:510:23:52

I mean, obviously, it's a great song choice - I love that song.

0:23:520:23:55

I think you went, kind of, a bit wild with it,

0:23:550:23:58

it was kind of like, "Ooh, where are you going with it?"

0:23:580:24:00

There is a good voice there,

0:24:000:24:01

but I think what you did with that song...

0:24:010:24:03

-You always run the risk of it, don't you, really?

-Exactly.

0:24:030:24:06

-In that respect, it didn't really work. Sorry to say that.

-No worries.

0:24:060:24:09

That's the thing, isn't it?

0:24:090:24:11

You know, I tried. APPLAUSE

0:24:110:24:13

You've got to get back on that horse.

0:24:130:24:15

LAUGHTER

0:24:150:24:17

Thank you.

0:24:170:24:18

Well done. There's always more than one chance.

0:24:180:24:21

Thank you very much.

0:24:210:24:23

So, it's no turns for Mike.

0:24:230:24:26

Will Gemma have the vocal strength to push some buttons?

0:24:260:24:30

I love being strong,

0:24:300:24:32

and I love everything that comes with that -

0:24:320:24:34

but no deadlift or squat or log lift

0:24:340:24:36

will ever give you a rush like singing.

0:24:360:24:39

I really am passionate about it,

0:24:390:24:41

and I didn't realise how passionate I was until I came on The Voice.

0:24:410:24:45

# The higher you build your barriers

0:24:590:25:04

# The taller I become

0:25:040:25:08

# The farther you take my rights away

0:25:100:25:15

# The faster I will run

0:25:150:25:19

# You can deny me

0:25:220:25:25

# You can decide to turn your face away

0:25:250:25:31

# No matter, cos there's

0:25:310:25:33

# Something inside so strong

0:25:330:25:39

# Brothers and sisters

0:25:390:25:41

# Just look 'em in the eyes and say

0:25:410:25:44

# I'm gonna do it anyway

0:25:440:25:47

# I'm gonna do it anyway

0:25:470:25:53

# Something inside so strong

0:25:530:25:58

# And I know that I can make it... #

0:25:580:26:01

Come on, turn round!

0:26:010:26:02

# Something inside so strong. #

0:26:020:26:08

APPLAUSE

0:26:080:26:10

Well done, Gemma!

0:26:170:26:18

- Well, hello! - Hello!

0:26:200:26:22

-Hi.

-You know, before we stopped, George was going, "It's Cher,"

0:26:220:26:26

and I was like, "Cher's not going to audition for The Voice UK."

0:26:260:26:30

You don't know - you've got a real Cher...

0:26:300:26:33

-You must have been told that, right?

-A few times.

0:26:330:26:37

Tell us your name and where you come from.

0:26:370:26:40

My name's Gemma, I'm 32, I'm from Thirsk and I'm a strength coach.

0:26:400:26:44

-A strength coach?

-Yeah.

0:26:440:26:46

I used to compete in the World's Strongest Woman competition, so...

0:26:460:26:49

APPLAUSE

0:26:490:26:51

So, it's almost like your theme song, right?

0:26:510:26:54

-Yeah, kind of, yeah.

-Something Inside So Strong.

0:26:540:26:56

-Do you ever...?

-So, you could, like, beat me and Ricky up.

0:26:560:26:59

Um... I'm very non-violent, but I could lift you up.

0:26:590:27:04

LAUGHTER

0:27:040:27:05

APPLAUSE

0:27:050:27:07

I could lift Ricky up, come on, anybody could...

0:27:070:27:09

Will, do you want me to lift you up, as well?

0:27:090:27:11

# Lift him up...! #

0:27:110:27:13

CROWD CHEERS

0:27:130:27:14

She's going to have to take them all.

0:27:140:27:16

-What do I do?

-There are rules, OK?

0:27:190:27:21

OK.

0:27:210:27:22

You've got to put your arms around me...

0:27:220:27:23

-Like this.

-# Put your arms around me. #

0:27:230:27:25

# Must be love! #

0:27:250:27:26

That's another Labi Siffre song, innit?

0:27:260:27:28

One, two, three...

0:27:280:27:29

ALL CHEER

0:27:290:27:31

That was amazing!

0:27:330:27:35

This is my kind of lady.

0:27:350:27:37

-PALOMA:

-Can I just quickly have a go, just to test?

0:27:380:27:41

-Can I just see if I can lift you?

-Can you put her up like that...?

0:27:410:27:44

-Up in the air.

-Right...

0:27:440:27:45

One, two...

0:27:450:27:46

Paloma, you'll break something.

0:27:460:27:48

LAUGHTER

0:27:480:27:50

ALL CHEER

0:27:500:27:52

-That was great.

-No, but that was... That just shows how strong she is.

0:27:520:27:56

-Well done.

-Paloma...

0:27:560:27:58

LAUGHTER

0:27:580:28:00

# What doesn't kill you makes you stronger... #

0:28:000:28:03

Like Cinderella...

0:28:050:28:07

So nice to meet you. Inspiring. Thank you.

0:28:070:28:11

Come on, coaches, what's with the no-spins?

0:28:160:28:18

Maybe 19-year-old Kagan can turn things around.

0:28:180:28:21

Hopefully, this will be a big start for me.

0:28:220:28:25

My heart is going to be racing, my legs will be shaking.

0:28:260:28:30

I've just got to get up there, grab the microphone and just sing.

0:28:300:28:34

# You look so dumb right now

0:28:540:29:00

# Standin' outside my house

0:29:000:29:04

# Tryin' to apologise

0:29:040:29:07

# You're so ugly when you cry

0:29:070:29:11

# Just cut it out

0:29:110:29:16

# Don't tell me you're sorry cos you're not

0:29:160:29:20

# And baby when I know you're only sorry you got caught

0:29:200:29:26

# But you put on quite a show

0:29:260:29:30

# Really had me going

0:29:300:29:33

# Go on and take a bow

0:29:330:29:38

# And the award for the best liar goes to you

0:29:380:29:48

# For making me believe that you could be faithful to me

0:29:480:29:57

# Let's just hear your speech

0:29:570:30:00

# And you put on quite a show

0:30:000:30:05

# Really had me going

0:30:050:30:07

# That was quite a show

0:30:070:30:10

# Really entertaining

0:30:100:30:13

# But it's over now

0:30:130:30:18

# Go on and take a bow. #

0:30:180:30:25

APPLAUSE

0:30:250:30:28

Yes!

0:30:280:30:29

-Thank you.

-Cheers, mate.

0:30:410:30:43

Oh, that was the most nerve-racking 60 seconds of my life!

0:30:450:30:49

-What's your name?

-My name is Kagan, I'm from London.

0:30:490:30:52

ALL CHEER

0:30:520:30:54

-How old are you?

-19.

-19?

-Yeah.

0:30:540:30:57

That's dope, man. Welcome to The Voice.

0:30:570:30:59

You're on Team Ricky.

0:30:590:31:01

Kagan, the reason I turned is cos... So many brilliant singers,

0:31:030:31:08

and everyone can sing, and everyone is brilliant in their own way.

0:31:080:31:13

What I've been missing is the personalities,

0:31:130:31:16

-and when you sing, your personality comes through.

-Thank you.

0:31:160:31:19

That's the reason I turned, and I loved it.

0:31:190:31:22

APPLAUSE

0:31:220:31:24

-Did you like it?

-Yeah, there's raw talent there.

0:31:240:31:27

I'm glad Ricky turned for you.

0:31:270:31:28

-You were good, it was nice.

-Thank you.

-Nice.

0:31:280:31:30

I loved it - I loved it.

0:31:300:31:32

Anyway, welcome to Team Ricky!

0:31:320:31:34

That was really great, really great.

0:31:360:31:38

-PALOMA:

-Well done. Really good.

0:31:380:31:41

ALL CHEER

0:31:410:31:44

Well done, Kagan!

0:31:440:31:46

-PALOMA:

-Have you ever had it where...

0:31:460:31:47

once you've filled up, and then you hear loads that you love...?

0:31:470:31:50

-RICKY:

-Yeah, totally, but you just don't worry about it.

0:31:500:31:53

Up next, hoping for some luck of the Irish, it's Cian Ducrot.

0:31:570:32:01

My mum, she taught me music from a young age.

0:32:010:32:04

When I started songwriting and teaching myself piano and guitar,

0:32:040:32:07

she just always supported me equally

0:32:070:32:10

with my pop music as my classical music.

0:32:100:32:13

I recently moved over to Wells from Cork,

0:32:130:32:15

and I got a scholarship to go to a specialised musician school.

0:32:150:32:19

I thought it was important to move away

0:32:190:32:22

to further my career as a singer.

0:32:220:32:24

I hope that this move, and coming to England,

0:32:240:32:27

is going to be the right thing.

0:32:270:32:28

# Ooh, ooh, ooh

0:32:400:32:43

# You and I go hard at each other

0:32:430:32:47

# Like we're going to war

0:32:470:32:49

# You and I get rough we keep throwing things

0:32:490:32:53

# And slamming the door

0:32:530:32:55

# You and I get so damn dysfunctional

0:32:550:32:58

# We start keeping score

0:32:580:32:59

# You and I get sick

0:32:590:33:02

# Oh, I know that we can't do this no more

0:33:020:33:05

# But, baby, there you go again

0:33:050:33:07

# There you go again making me love you

0:33:070:33:10

# And now I feel stupid

0:33:110:33:13

# Feel stupid crawling back to you

0:33:130:33:16

# So I cross my heart and I hope to die

0:33:160:33:21

# That I will only stay with you one more night

0:33:210:33:26

# When I know I said it... #

0:33:260:33:27

Come on!

0:33:270:33:28

# ..a million times, yeah

0:33:280:33:31

# But I'll only stay with you one more night

0:33:310:33:35

# Oh, baby give me one more night. #

0:33:350:33:39

APPLAUSE

0:33:390:33:41

Oh, jeez. Oh, my God.

0:33:440:33:47

-Hey, man.

-Hello.

0:33:520:33:54

Hello!

0:33:540:33:55

I'm Cian. I'm 18 and I'm from Cork, Ireland.

0:33:550:33:59

-I'm sorry that I didn't turn.

-It's all right!

0:33:590:34:02

It's just that I thought that it wasn't really my domain.

0:34:020:34:04

-You obviously perform a lot.

-Yeah.

0:34:040:34:06

I can tell, because you felt like a seasoned performer, even at 18.

0:34:060:34:10

-PALOMA:

-Obviously, you're really young, you're just starting,

0:34:100:34:13

and everything.

0:34:130:34:14

The people, in my view, who make it in music

0:34:140:34:16

are the ones who have to work a little bit harder at the beginning.

0:34:160:34:20

-Yeah.

-Like, you've got to be quite resilient - and you won't be,

0:34:200:34:23

unless you've experienced playing to a room of people

0:34:230:34:27

who aren't interested, for a start - and a few rejections.

0:34:270:34:30

And it sounds like this is the thing you want to do with your life,

0:34:300:34:34

-so I would just keep doing it.

-Yeah.

0:34:340:34:36

APPLAUSE

0:34:360:34:38

-It felt as if you were pushing.

-OK.

0:34:380:34:41

It seemed like you were straining, and... I couldn't see it,

0:34:410:34:45

-but it looked as if your veins in your neck were about to rip out.

-OK!

0:34:450:34:49

-LAUGHTER

-It just sounded like that.

0:34:490:34:51

Can I hear you play, just you and the guitar, one semitone lower?

0:34:510:34:55

Yeah, put the mic in there... I was about to say the same thing.

0:34:550:34:58

I bet you, what are about to play right now,

0:34:580:35:00

it'll be ten times better than what you just sung right there,

0:35:000:35:03

and then we all will regret that we didn't turn for it.

0:35:030:35:05

All right!

0:35:050:35:06

# When the rain is blowing in your face

0:35:080:35:12

# And the whole world is on your case... #

0:35:150:35:20

APPLAUSE

0:35:200:35:21

# I could offer you a warm embrace

0:35:210:35:27

# To make you feel my love

0:35:280:35:33

# I know you haven't made your mind up yet

0:35:360:35:41

# But I would never do you wrong

0:35:430:35:47

# I've known it from the moment that we met

0:35:500:35:55

# There's no doubt in my mind where you belong... #

0:35:550:36:00

APPLAUSE

0:36:020:36:03

-Thank you.

-Argh!

0:36:110:36:13

Whoo!

0:36:150:36:17

See, we turned an awkward moment into a beautiful moment.

0:36:220:36:25

-Well done, that was so nice.

-We wish you'd done that.

0:36:250:36:28

-I would have turned, for sure.

-Oh, thank you.

0:36:280:36:30

-Sometimes, simpler is better.

-Yeah.

0:36:300:36:32

ALL CHEER

0:36:320:36:34

That was beautiful!

0:36:360:36:37

That was so beautiful. Oh, my God.

0:36:370:36:40

-I got quite emotional.

-Yeah!

0:36:400:36:42

It was vulnerable, it was really vulnerable.

0:36:420:36:45

Good call, Will.

0:36:450:36:47

That was good.

0:36:470:36:48

As your team gets more full, you start to lose perspective -

0:36:540:36:59

questioning whether you're right, you're wrong.

0:36:590:37:02

I'm definitely making mistakes.

0:37:020:37:04

I feel like I've let people down that really deserve it,

0:37:040:37:08

and that's quite hard.

0:37:080:37:10

I guess I'm doubting myself, because I'm not sure

0:37:110:37:14

if they're something amazing coming, and I might miss it -

0:37:140:37:17

you know, being a little bit hasty pushing that button.

0:37:170:37:20

Sometimes it feels like you just miss the opportunity.

0:37:200:37:23

You've heard so many things, and you've loved most of them.

0:37:250:37:28

You start thinking to yourself, "What am I even looking for?"

0:37:280:37:31

Mistakes WILL be made.

0:37:310:37:33

It's happened to people in relationships.

0:37:350:37:37

People that thought they were waiting for Mr or Mrs Right,

0:37:370:37:40

and Mr or Mrs Right was right there in the living room the whole time,

0:37:400:37:43

because they were waiting for something else -

0:37:430:37:45

and the same thing applies to picking a singer, and overthinking.

0:37:450:37:50

Not even seeing the beauty that is right there in front of you.

0:37:500:37:53

# If I lose myself I lose it all... #

0:37:530:37:57

So, the coaches are starting to doubt themselves -

0:37:570:38:01

but can our next act restore their confidence?

0:38:010:38:04

'I'm Tobias Robertson.

0:38:040:38:06

'I'm 22,'

0:38:060:38:08

and I'm a professional musician.

0:38:080:38:10

Music does run in my family, especially in a particular person.

0:38:100:38:16

My great auntie was Cilla Black -

0:38:160:38:19

obviously very famous for her music career.

0:38:190:38:22

# Anyone who had a heart... #

0:38:220:38:25

These are actually some pictures of...

0:38:250:38:28

- Of Cilla! - ..of Cilla's wedding.

0:38:280:38:30

-Now, that's me.

-That's my mum!

-I was a bridesmaid.

0:38:300:38:33

- She was, yeah. - Really?

0:38:330:38:35

Yeah. I was 10.

0:38:350:38:37

It was so exciting - on that day, I remember coming out of the church

0:38:370:38:41

and seeing a cameraman up a lamppost,

0:38:410:38:43

and then going home to my grandmother's,

0:38:430:38:45

because we weren't allowed to stay very late,

0:38:450:38:47

and then seeing myself on telly. It was surreal!

0:38:470:38:50

What's incredible is that you have that musical gene -

0:38:500:38:53

you have THAT musical gene inside you.

0:38:530:38:56

- Yeah, somewhere! - Somewhere!

0:38:560:38:59

TOBIAS: I'm actually feeling a little bit terrified.

0:39:000:39:02

It's always just amazing, just to have, in the back of my mind,

0:39:020:39:05

that someone in my family, someone I share blood with,

0:39:050:39:08

went on to achieve such great things.

0:39:080:39:10

To get a chair to turn today would mean a hell of a lot to me.

0:39:100:39:16

I owe it to myself.

0:39:160:39:18

-How many have you got now?

-Seven.

0:39:210:39:23

-How many have you got?

-Seven.

0:39:230:39:24

-We haven't paced ourselves, have we, really? It's really hard.

-Slow down!

0:39:240:39:29

Yeah, I'm going to, now.

0:39:290:39:32

# You've got a friend in me... # APPLAUSE

0:39:420:39:46

# You've got a friend in me

0:39:460:39:49

# When the road looks rough ahead

0:39:490:39:53

# And you're miles and miles from your nice warm bed

0:39:530:39:58

# You just remember what your old pal said

0:39:580:40:02

# Cos you've got a friend in me

0:40:020:40:05

# You've got a friend in me

0:40:070:40:10

# Some other folks might be a little bit smarter than I am

0:40:110:40:16

# Bigger and stronger, too

0:40:160:40:18

# Maybe

0:40:180:40:20

# But none of them will ever love you

0:40:200:40:24

# The way I do

0:40:240:40:26

# It's me and you, boy

0:40:260:40:28

# And as the years go by

0:40:280:40:32

# Our friendship will never die

0:40:320:40:36

# You're gonna see it's our destiny

0:40:360:40:41

# You've got a friend in me

0:40:420:40:46

# You got a friend in me

0:40:460:40:51

# Oh, you got a friend...

0:40:510:40:59

# In me, yeah. #

0:40:590:41:09

APPLAUSE

0:41:090:41:12

Yeah, yeah, yeah!

0:41:150:41:17

Hello!

0:41:180:41:19

You've got a friend in me, my friend. What's your name?

0:41:230:41:26

-My name is Tobias Robertson.

-Great name.

-Thank you very much.

0:41:260:41:29

Halfway there, with a name like that.

0:41:290:41:31

-HE LAUGHS

-Where are you from?

0:41:310:41:32

Newport, South Wales.

0:41:320:41:34

-CROWD CHEERS

-Newport, South Wales!

0:41:340:41:37

-South Wales, home of singing.

-Yeah, pretty much. Yeah, yeah.

0:41:370:41:40

Who are you here with today?

0:41:400:41:42

Just my mum - she's the only one who could make it up.

0:41:420:41:45

APPLAUSE

0:41:460:41:49

I think you made a few more fans today - hopefully.

0:41:490:41:51

-I do!

-I hope so.

0:41:510:41:52

APPLAUSE Thank you.

0:41:520:41:54

Thank you, thank you.

0:41:540:41:55

-Do you write your own songs?

-I do. Yeah.

0:41:550:41:58

What style of music do you write?

0:41:580:42:00

Folky...bluesy...souly... You know.

0:42:000:42:05

-That's cooly.

-LAUGHTER

0:42:050:42:07

Yeah, so I'm so happy George turned for you.

0:42:070:42:10

Yeah, and try not to turn as much, but, unfortunately, you know,

0:42:100:42:14

to me, you're a real singer,

0:42:140:42:16

and I was wondering if anyone else was going to turn.

0:42:160:42:19

-They didn't, so you got me.

-Excellent!

-Yeah!

0:42:190:42:22

ALL CHEER

0:42:220:42:24

How are you doing, Tobias?

0:42:250:42:27

It's great. It's great.

0:42:270:42:29

-PALOMA:

-Well done, mate. You look lucky.

-Thank you.

0:42:290:42:32

- You just look lucky, doesn't he? - He does.

0:42:320:42:34

Well done, well done! Ooh!

0:42:450:42:49

-Don't cry!

-I won't cry, I'm not going to cry!

0:42:490:42:51

# Close your eyes Give me your hand, darlin'

0:42:530:42:58

# Do you feel my heart beating?

0:42:580:43:01

# Do you understand? #

0:43:010:43:03

LAUGHTER

0:43:030:43:05

-YELLS:

-# Do you feel the same?! #

0:43:050:43:09

LAUGHTER

0:43:090:43:10

Next, the rock-and-roll heartland... of Whitby.

0:43:150:43:20

Fish and chips...surf and sand...

0:43:200:43:22

and now these two.

0:43:220:43:24

'Wett N Wilde.'

0:43:240:43:26

-We've lived in Whitby for 15 years.

-We love it,

0:43:260:43:30

and I can't see me living anywhere else.

0:43:300:43:32

Only in an old folks' home.

0:43:320:43:34

Oh, my God.

0:43:350:43:37

Come on, then, Rory - let's face the elements, eh?

0:43:400:43:43

Brrr! It's freezing.

0:43:430:43:45

I'm Wett - with two Ts,

0:43:450:43:46

and he's Wilde...

0:43:460:43:48

but, if necessary, I can get wild. SHE CHUCKLES

0:43:480:43:50

How's that? Is that not good?

0:43:500:43:52

Rory and I have been singing together now for 25 years.

0:43:520:43:56

We're comfortable together, we're confident together,

0:43:560:43:59

and I'm a very patient person.

0:43:590:44:02

# I would be nothing without you-ou! #

0:44:020:44:05

HE LAUGHS

0:44:050:44:07

Pfft.

0:44:070:44:08

# It takes two, baby... #

0:44:080:44:11

People always mistake Pam and I for being a couple -

0:44:110:44:14

including my wife!

0:44:140:44:15

It's an easy mistake to make,

0:44:160:44:18

because we just have this easy camaraderie between us -

0:44:180:44:21

but life is quite short,

0:44:210:44:22

why shouldn't you spend time with your best mate?

0:44:220:44:24

Our biggest fan is my mum, I would say.

0:44:260:44:29

She's going on to 91 now, and she was a singer. She's lovely.

0:44:290:44:33

So, Joyce, how much of a fan of Wett N Wilde are you?

0:44:330:44:36

Number one.

0:44:360:44:37

-Oh, number one fan of Wett N Wilde, yeah?

-Yeah, number one.

0:44:370:44:40

They're very good singers, which we don't get these days -

0:44:400:44:42

they're all shouters.

0:44:420:44:44

But they can sing properly, not "Whurrr!" You know?

0:44:440:44:46

I think you should have been their manager, Joyce.

0:44:460:44:48

Yeah, you should have been.

0:44:480:44:50

Well, I would've asked for a lot of money, but...

0:44:500:44:52

LAUGHTER

0:44:520:44:53

In our mature years,

0:44:560:44:57

we think, "Let's try and prove that it's never too late."

0:44:570:45:01

It's nothing to do with how old you are.

0:45:020:45:04

It's all a matter of how good you are.

0:45:040:45:06

We're still good.

0:45:080:45:09

CHEERING

0:45:110:45:13

Come on, love!

0:45:130:45:15

# Who knows what tomorrow brings?

0:45:220:45:27

# In a world few hearts survive

0:45:290:45:35

# The road is long

0:45:360:45:41

# There are mountains in our way... #

0:45:420:45:48

If they don't turn round, I'll be cross.

0:45:480:45:50

-BOTH:

-# But we climb a step every day, yeah

0:45:500:45:55

# Love lifts us up where we belong

0:45:570:46:01

# Far from the world below

0:46:030:46:07

# Up where the clear winds blow

0:46:070:46:11

# Time goes by

0:46:110:46:14

# No time to cry

0:46:140:46:17

# Life's you and I

0:46:170:46:20

# Alive today

0:46:200:46:23

# Baby, baby

0:46:230:46:25

# Love lifts us up where we belong

0:46:250:46:29

# Where the eagles cry

0:46:300:46:34

# On a mountain high

0:46:340:46:38

# Love lifts us up where we belong

0:46:380:46:43

# Yeah. #

0:46:430:46:51

CHEERING AND APPLAUSE

0:46:510:46:54

-PALOMA:

-Oh, hello! Aren't you gorgeous?

0:47:050:47:09

What are your names?

0:47:090:47:11

We're Pamela and Rory. We are soul mates, baby.

0:47:110:47:14

Soul mates.

0:47:140:47:15

CHEERING AND APPLAUSE

0:47:170:47:19

Are you soul mates in the sense that you are a couple?

0:47:190:47:22

-No, we're not, no.

-Couple of idiots, really.

0:47:220:47:25

LAUGHTER AND APPLAUSE

0:47:250:47:27

Do you do this performing together a lot?

0:47:270:47:30

-Yeah, quite a few years.

-In what situations?

0:47:300:47:32

We worked together a lot in Spain,

0:47:320:47:33

and now we work in hotels in this country.

0:47:330:47:36

And do you have a big repertoire?

0:47:360:47:39

Oh, yes. It's here.

0:47:390:47:41

LAUGHTER

0:47:410:47:43

You're entertainers!

0:47:430:47:46

-Yes, we do.

-How long have you been working together?

0:47:460:47:49

-25 years.

-About 25.

-Wow, congratulations.

0:47:490:47:52

We must be the oldest entertainers on the show.

0:47:540:47:57

How old are you?

0:47:570:47:58

-68.

-We've had older.

0:47:580:48:00

75, almost.

0:48:000:48:02

- Well, I think we're about... - We've had older.

0:48:020:48:05

-PALOMA:

-I think we've had older.

0:48:050:48:07

I didn't think anybody was older than me.

0:48:070:48:10

You were very entertaining.

0:48:100:48:11

I had no idea what I was going to see when I turned around,

0:48:110:48:14

but I could tell that there was experience there.

0:48:140:48:16

You know, you've obviously done this a lot

0:48:160:48:18

and you know how to connect with people.

0:48:180:48:20

You know, it's very entertaining.

0:48:200:48:22

This is the part of the show where...

0:48:250:48:27

I don't like this part where there's obviously

0:48:270:48:30

seasoned professionals, super, uber pros.

0:48:300:48:34

You sound magnificent together.

0:48:340:48:37

Who am I to tell all of your wonderful contribution

0:48:370:48:41

to the world of music and the people that you make smile

0:48:410:48:44

and escape from their daily lives...

0:48:440:48:46

You know, my opinion is nothing to what you guys do to people.

0:48:460:48:50

Thank you so much.

0:48:500:48:51

I have to say, I'm loving the coats.

0:48:550:48:58

MUSIC: I Got You Babe by Sonny and Cher

0:48:580:49:00

CHEERING AND APPLAUSE

0:49:000:49:02

CHEERING

0:49:090:49:11

So what did you think of the performance?

0:49:140:49:16

Very good, but not long enough.

0:49:160:49:18

They both looked amazing.

0:49:200:49:21

Yeah, they were great. Almost country.

0:49:210:49:24

Amazing. It was kind of hard to fault it, you know? It's tough.

0:49:260:49:30

It's really tough.

0:49:300:49:32

My name is Dylan Thomas. I'm 18 and I'm from Glasgow.

0:49:360:49:40

I'm named after Bob Dylan.

0:49:400:49:41

Aye, he's my biggest inspiration. He's cool.

0:49:410:49:44

My two middle names are Paul and John.

0:49:440:49:47

They were because of The Beatles.

0:49:470:49:50

So, aye, I've got quite a musical name.

0:49:500:49:52

I think it was just foretold that I was going to be a rock star.

0:49:520:49:56

People say, "Do you not like music nowadays?"

0:49:560:50:00

But I do like music nowadays -

0:50:000:50:01

it just doesn't compare to Bob Dylan, Beatles and stuff.

0:50:010:50:05

It just doesn't.

0:50:050:50:06

I'm auditioning to see how far I can go

0:50:090:50:12

and just make it a good experience.

0:50:120:50:15

When I walk on to the stage, I think I'll be more excited,

0:50:150:50:17

like, to be playing in front of that many people and the coaches.

0:50:170:50:21

# Once upon a time you dressed so fine

0:50:510:50:53

# You threw the bums a dime in your prime

0:50:530:50:57

# Didn't you?

0:50:570:50:59

# People'd call, say, Beware, doll, you're bound to fall

0:51:010:51:04

# You thought they were all

0:51:040:51:06

# Kiddin' you

0:51:060:51:08

# You used to laugh about

0:51:110:51:15

# Everybody that was hangin' out

0:51:160:51:21

# Now you don't talk so loud

0:51:210:51:24

# Now you don't seem so proud

0:51:260:51:30

# About having to be scrounging

0:51:300:51:33

# For your next meal

0:51:330:51:38

# Well, how does it feel

0:51:380:51:40

# To be on your own

0:51:430:51:45

# With no direction home

0:51:470:51:50

# Like a complete unknown

0:51:520:51:55

# Like a rolling stone?

0:51:570:52:00

# Like a rolling stone

0:52:030:52:05

# Like a rolling stone

0:52:070:52:12

# Like a rolling stone. #

0:52:120:52:15

CHEERING AND APPLAUSE

0:52:210:52:23

I really thought you were going to go for that one.

0:52:300:52:33

Oh, no!

0:52:360:52:38

How are yous doing?

0:52:380:52:39

I made a mistake!

0:52:390:52:41

It's all right.

0:52:420:52:43

I'm really sorry.

0:52:430:52:44

-It's fine.

-How old are you?

-18.

0:52:440:52:46

I feel sick.

0:52:460:52:48

I'm sorry. Can we ask you about yourself?

0:52:490:52:52

Eh, I'm 18, my name is Dylan Thomas. I'm a busker in Glasgow.

0:52:520:52:57

-You're a busker.

-Aye.

0:52:570:52:59

You're brilliant.

0:52:590:53:00

-Cheers.

-I've got prickly feelings in my head, cos I'm an idiot.

0:53:000:53:05

-I'm so sorry.

-It's all right.

0:53:050:53:07

I'm such an idiot.

0:53:070:53:08

I've been talking about it - it was a brilliant song choice,

0:53:080:53:11

like, I love all that stuff, like, the Jake Bugg, Arctic Monkeys,

0:53:110:53:15

all them bands.

0:53:150:53:17

I was saying today that I want to find somebody in that world.

0:53:170:53:21

You know, the reality is, you know, all of us here

0:53:210:53:24

have faced similar obstacles.

0:53:240:53:26

You know, it's part of your growth as a performer.

0:53:260:53:29

You know, if you're really going to do this,

0:53:290:53:31

you're not always going to get your own way,

0:53:310:53:33

it's not always going to go the way you want it to,

0:53:330:53:35

but if you've got it in your bones...

0:53:350:53:37

-You look like a rock star.

-I think you've got it in your bones.

0:53:370:53:40

Yeah, I think you've got it.

0:53:400:53:41

-Cheers, thanks.

-You're welcome.

-I'll just come and say hi.

0:53:410:53:45

APPLAUSE

0:53:450:53:47

MUSIC: Don't Look Back In Anger by Oasis

0:53:470:53:49

-I'm so sorry.

-That was so good. It was brilliant.

0:53:520:53:54

I'm so gutted.

0:54:020:54:04

# But don't look back in anger

0:54:040:54:07

# Don't look back in anger... #

0:54:070:54:10

I'm so annoyed with myself.

0:54:100:54:12

# I heard you say... #

0:54:140:54:15

He's like proper. He was so good.

0:54:150:54:19

I'm gutted I didn't turn for him.

0:54:190:54:21

I thought he was really special.

0:54:210:54:22

I probably should have just gone with my gut.

0:54:220:54:25

Now my team is over half full,

0:54:340:54:36

I'm finding it really difficult to know when to press my button.

0:54:360:54:41

Oh, no!

0:54:410:54:43

Today, I feel like I missed two,

0:54:430:54:45

possibly three really good candidates.

0:54:450:54:48

I made a mistake!

0:54:480:54:49

-ECHOING:

-I made a mistake!

0:54:490:54:51

Normally I'm, like, an instinctive person.

0:54:510:54:54

Then I start thinking, "Am I right? Am I wrong? Have I made mistakes?"

0:54:540:54:58

Oh, no.

0:54:580:54:59

What am I going to do?

0:54:590:55:01

-ECHOING:

-What am I going to do?

0:55:010:55:02

I'm really dreading getting to the end and hearing someone

0:55:020:55:05

mind-blowingly incredible and not having space for them.

0:55:050:55:09

I'm really sorry.

0:55:090:55:11

So me and my gut have had a terrible relationship today.

0:55:110:55:15

I think I'm, like, going a bit into my head,

0:55:180:55:20

so I need to get back to my gut.

0:55:200:55:22

Paloma, just don't go all French on us

0:55:230:55:26

just because you've got a French outfit on.

0:55:260:55:28

-FRENCH ACCENT:

-Oh, I don't know what I think.

0:55:280:55:30

Our next act is well used to smashing it -

0:55:350:55:38

19-year-old labourer Bradley Waterman.

0:55:380:55:40

My dad does work me hard, like any other boss.

0:55:410:55:44

Right, get on with it, then,

0:55:440:55:45

cos we've got to get this done by tonight.

0:55:450:55:47

You know, they've always got you running round, doing bits and bobs.

0:55:470:55:51

I do enjoy my job, and I get to spend time with my dad, as well,

0:55:510:55:55

so that's good.

0:55:550:55:56

Miss the old Baby Elvis quiff up there?

0:55:560:55:58

Baby Elvis.

0:55:580:56:01

My dad is always taking the mick out of me and calling me Elvis.

0:56:010:56:04

Come on, Baby Elvis, get your back into it.

0:56:040:56:06

I personally don't see why people call me Baby Elvis.

0:56:060:56:11

-IMITATING ELVIS:

-Uh-huh.

0:56:110:56:13

HE LAUGHS

0:56:130:56:15

I'm very proud of Brad.

0:56:150:56:16

If he's successful on The Voice, obviously we'll miss him at work,

0:56:160:56:19

but life goes on.

0:56:190:56:21

# I'm all shook up. #

0:56:210:56:22

# I see you

0:56:310:56:35

# Driving round town

0:56:350:56:37

# With a girl I love

0:56:370:56:40

# I'm like

0:56:400:56:41

# Forget you

0:56:410:56:45

# I said I'm sorry

0:56:480:56:50

# I can't afford a Ferrari

0:56:500:56:52

# But that don't mean I can't get you there

0:56:530:56:55

# I guess he's an Xbox

0:56:560:56:59

# And I'm more Atari

0:56:590:57:00

# But the way you play your game ain't fair

0:57:010:57:05

# I pity the fool

0:57:050:57:08

# Who falls in love with you

0:57:080:57:11

# Cos she's a gold digger

0:57:110:57:13

# I just thought you should know

0:57:130:57:14

# Ooh

0:57:140:57:17

# Falls in love with you

0:57:170:57:19

# Ooh-ooh-ooh

0:57:190:57:22

# I see you driving round town

0:57:220:57:25

# With the girl I love

0:57:250:57:27

# And I'm like

0:57:270:57:28

# Forget you

0:57:280:57:31

# I guess the change in my pocket wasn't enough

0:57:310:57:36

# Forget you

0:57:360:57:38

# And forget her, too

0:57:380:57:40

# I said if I was richer

0:57:400:57:42

# I'd still be with you

0:57:420:57:44

# Yeah

0:57:440:57:45

# Now ain't that some sh! #

0:57:450:57:49

-Paloma! Go!

-# Although there's pain in my chest

0:57:490:57:51

# I still wish you the best

0:57:510:57:54

-# With a forget you. #

-Go!

0:57:540:57:58

CHEERING AND APPLAUSE

0:57:580:58:01

SQUEALING AND CHEERING

0:58:060:58:09

-What's your name?

-I'm Brad. I'm 19 and I'm from Norwich.

0:58:200:58:24

I told you he was playing.

0:58:260:58:27

I was like, "I know he's playing the guitar."

0:58:270:58:29

-Yeah.

-I knew it.

-I try.

0:58:290:58:31

So that's a dope song that you picked. You sung it really awesome.

0:58:310:58:34

Thank you very much.

0:58:340:58:35

I didn't turn because I had a hunch that either Ricky or Paloma

0:58:350:58:40

was going to turn.

0:58:400:58:42

Every time I turn around, you know, and I turn against Ricky,

0:58:420:58:46

he always beats me.

0:58:460:58:48

AUDIENCE: Aw!

0:58:480:58:50

It does work, Ricky! You're right!

0:58:500:58:52

Oh, my gosh!

0:58:520:58:53

I just hit the Ricky trick, and it actually worked.

0:58:530:58:56

It's like the guitar and the checked shirt -

0:58:560:58:58

thank God you're not wearing a waistcoat, otherwise...

0:58:580:59:01

It was quite an androgynous sound.

0:59:040:59:06

Don't take this the wrong way - from me this is a compliment.

0:59:060:59:10

I wasn't sure whether you were male or female to start with, like,

0:59:100:59:13

"Is it a girl? Is it a boy?"

0:59:130:59:14

A very interesting voice, you know, it's worked for me.

0:59:140:59:18

Thank you.

0:59:180:59:19

APPLAUSE

0:59:190:59:22

I think...it's weird sometimes because you hit the button,

0:59:220:59:26

then you turn and you're like,

0:59:260:59:27

"Oh, no, what am I going to do?"

0:59:270:59:30

-It's true.

-I'm worried.

-No, I'm really glad. I loved the song.

0:59:360:59:41

The reason why I turned was because of that androgyny thing,

0:59:410:59:46

cos we kind of could hear you were playing guitar,

0:59:460:59:48

and I was like,

0:59:480:59:49

"Well, if it's a guy that sounds feminine playing a guitar,

0:59:490:59:54

"I love it.

0:59:540:59:55

"If it's a girl playing guitar, I love it,

0:59:550:59:57

"so I'm going to turn, because that's special."

0:59:571:00:00

I'm excited.

1:00:001:00:01

I love the song, I've sung it myself, I've sung it with him.

1:00:011:00:05

-Yeah, at the Brits.

-Yeah.

1:00:051:00:08

I like your taste and I think we're going to have a really fun time.

1:00:081:00:12

-Yeah, don't jump ahead of yourself.

-Oh, you've turned?!

1:00:151:00:19

You turned? That wasn't my pitch, then.

1:00:191:00:22

-RICKY:

-So, Brad, Brad.

1:00:221:00:25

-PALOMA:

-Wow, you play dirty.

1:00:251:00:28

-RICKY:

-You know it, girl...friend?

1:00:281:00:30

-PALOMA:

-That was, like, the last minute I would have ever left

1:00:301:00:32

it before I turned, and Ricky just goes that one step further.

1:00:321:00:35

-RICKY:

-So, yeah, Brad, it was excellent.

1:00:351:00:37

One thing we've got to work on is... I love everything you can do,

1:00:371:00:40

-it's just getting in between those neater.

-Yeah.

1:00:401:00:43

-That's the thing you need to work on.

-Yeah.

1:00:431:00:45

But I think you're incredible.

1:00:451:00:47

Thank you very much. I appreciate that.

1:00:471:00:50

CHEERING AND APPLAUSE Thank you.

1:00:501:00:53

So now we do a pitch?

1:00:531:00:54

We have to pitch against each other, and it's so hard

1:00:541:00:56

because we love each other so much.

1:00:561:00:58

-PALOMA:

-I feel like it's great that you play guitar and stuff,

1:00:581:01:02

but I would want to take it beyond that and for it to be, like,

1:01:021:01:06

more about where you can go creatively

1:01:061:01:08

-and working together on that.

-Yeah.

1:01:081:01:10

Yeah, Brad, the thing is, on this show,

1:01:101:01:12

there are some brilliant singers.

1:01:121:01:14

The reason I spun around for you

1:01:141:01:16

was because there is a massive amount of potential

1:01:161:01:19

in what we all heard.

1:01:191:01:20

I can see that leading to something fantastic.

1:01:201:01:23

I just think you're what I needed.

1:01:231:01:26

You're the injection I needed on my team. It felt right.

1:01:261:01:29

APPLAUSE

1:01:291:01:31

So now you have to decide.

1:01:341:01:36

Oh...

1:01:361:01:37

AUDIENCE SHOUTS ADVICE

1:01:371:01:40

MUSIC: I Predict A Riot by Kaiser Chiefs

1:01:401:01:42

Just so you know, we're good friends, so it's fine. Don't worry.

1:01:471:01:51

Well, I had something in my head from the word go.

1:01:511:01:54

AUDIENCE SHOUTS ADVICE

1:01:541:01:56

So I'm going to go with Paloma.

1:02:011:02:03

CHEERING AND APPLAUSE

1:02:031:02:04

MUSIC: Changing by Sigma ft. Paloma Faith

1:02:041:02:08

-Very nice to meet you.

-Thank you so much.

-Thank you.

1:02:081:02:12

-RICKY:

-Good choice, man.

-Thanks, buddy. I appreciate that.

1:02:121:02:15

-PALOMA:

-Thank you so much.

1:02:151:02:16

Looking forward to it.

1:02:161:02:20

I thought he was going to say you.

1:02:201:02:21

You're losing your touch!

1:02:211:02:23

Come on!

1:02:271:02:28

Baby Elvis!

1:02:311:02:32

Today, I thought I wasn't going to press my buzzer at all.

1:02:331:02:37

Then I heard Bradley Waterman and I was like,

1:02:371:02:41

"OK, I've got to turn for that."

1:02:411:02:43

So I'm pleased.

1:02:431:02:44

23-year-old Mari Marli is stacking her hopes

1:02:471:02:51

on one coach in particular.

1:02:511:02:52

Today I am singing one of will.i.am's songs.

1:02:521:02:56

There's a huge risk to singing one of the coaches' songs

1:02:561:02:59

because it's theirs, they know it better than anybody.

1:02:591:03:03

But I am going to bring my uber swags.

1:03:031:03:05

So, so much swags.

1:03:051:03:07

Bucket loads.

1:03:071:03:08

# Mmm

1:03:201:03:21

# Ba-dah-dee-do-ba-ba ow, ow, ow, ow, ow

1:03:211:03:25

# I love her, can't leave her

1:03:251:03:27

# For ever I'll always need her

1:03:271:03:29

# She lie, but I believe her

1:03:291:03:31

# Lovesick, I got that fever

1:03:311:03:32

# Love, love, stupid

1:03:321:03:34

# I, I know it

1:03:341:03:35

# Love stupid

1:03:351:03:36

# I know it

1:03:361:03:37

# I know cos I'm a fool in love

1:03:371:03:40

# My baby shot me down again

1:03:401:03:43

# Shot me down with a love and it went bang, bang

1:03:441:03:47

# Hey

1:03:471:03:48

# That girl's a killer from a gang

1:03:481:03:50

# Oh, yeah

1:03:501:03:51

# Shot me down with a love and it go bang, bang

1:03:511:03:55

# And oh, I love her so, that's why I gotta let her know

1:03:551:03:59

# That I'll be here for her to always love her down

1:03:591:04:03

# And maybe that's the truth and pluckin' chickens ain't no use

1:04:031:04:06

# I wanna be the one to see you in that gown

1:04:061:04:10

# Whoo!

1:04:101:04:11

# My baby makes me go down

1:04:111:04:15

# My baby makes me go bang, bang, bang

1:04:151:04:18

# Whoo! #

1:04:181:04:20

CHEERING AND APPLAUSE

1:04:201:04:23

-What's your name?

-My name is Mari Marli.

1:04:321:04:35

I am 23 years old from South West London.

1:04:351:04:38

-So, um... It was the wrong song for you.

-OK.

1:04:381:04:43

Honestly, cos I wrote that song for my limitations of singing.

1:04:431:04:47

That being said, I could hear how awesome you actually are.

1:04:471:04:53

It was all, like, a bit frantic for me.

1:04:551:04:58

And...I suppose I was, like, a little bit scared of, like,

1:04:581:05:02

who that was doing that.

1:05:021:05:06

Are you still afraid?

1:05:061:05:07

No, but now I'm like, "Oh, she's a little pussycat."

1:05:071:05:10

Thank you.

1:05:101:05:11

You did his song and he turned, so result.

1:05:111:05:14

-RICKY:

-The reason I didn't turn is because I started thinking,

1:05:161:05:19

"Did I like it enough to turn?"

1:05:191:05:21

As soon as I start thinking that, I know it's wrong,

1:05:211:05:23

cos I shouldn't be analysing that much,

1:05:231:05:26

but Will can make you the person you want to be.

1:05:261:05:29

Wahey.

1:05:291:05:31

Thank you so much, guys.

1:05:311:05:32

APPLAUSE

1:05:321:05:34

Well done.

1:05:381:05:40

Well done, lovely.

1:05:401:05:42

Yeah, I waited for it again,

1:05:421:05:44

because I knew they would have turned around and copied my steal-o.

1:05:441:05:49

It was the wrong song for her, but I heard the quality of her voice.

1:05:491:05:53

SQUEALING

1:05:531:05:56

I've never heard a cover of my song that's sort of worked, ever.

1:06:001:06:05

The thing is, because you're so trapped in the original,

1:06:051:06:08

it's jarring a little bit.

1:06:081:06:10

Last up, Londoner Vangelis, and, BOY, he's taking a risk.

1:06:151:06:21

I'm really nervous about the blind audition today,

1:06:211:06:23

especially because I'm doing one of Boy George's songs.

1:06:231:06:26

There is obviously a lot of pressure there to impress him.

1:06:261:06:29

I'm kind of thinking I want to change it last minute.

1:06:291:06:32

I mostly sing in my room, which is quite bad,

1:06:351:06:38

because I do need to perform a lot more in front of people.

1:06:381:06:41

If I'm relaxed, I can sing really well,

1:06:411:06:44

but if I'm not, it does not go the way I kind of want it to.

1:06:441:06:48

I think Boy George, he's a very honest character.

1:06:491:06:52

It just didn't strike me. Didn't hit me in the right place.

1:06:521:06:56

So if he doesn't like the song, I'm sure he'll tell me.

1:06:561:06:59

That's pretty scary.

1:07:001:07:02

# Give me time

1:07:261:07:29

# To realise my crime

1:07:291:07:33

# Let me love and steal

1:07:341:07:39

# I have danced

1:07:421:07:45

# Inside your eyes

1:07:451:07:51

# How can I be real?

1:07:511:07:55

# Do you really want to hurt me?

1:07:571:08:02

# Do you really want to make me cry?

1:08:031:08:08

# Precious kisses words that burn me

1:08:091:08:14

# Lovers never ask you why

1:08:161:08:19

# If it's love you want from me

1:08:211:08:27

# Then take it away

1:08:271:08:31

# Everything is not what you see

1:08:331:08:39

# It's over, over again

1:08:391:08:46

# Yeah

1:08:461:08:52

# Do you really want to make me cry? #

1:08:521:09:04

CHEERING AND APPLAUSE

1:09:041:09:06

My name is Vangelis. I'm 24 and I'm from London.

1:09:231:09:26

CHEERING

1:09:261:09:29

More, more. I mean, what's the story?

1:09:291:09:31

You know, do you sing professionally?

1:09:311:09:33

Is this the thing you've just started doing?

1:09:331:09:35

I work part-time in a frozen-food shop.

1:09:351:09:37

I'm not really used to coming on the big stage and performing.

1:09:391:09:42

Like, I normally just sing in my room.

1:09:421:09:45

It was quite a big thing for me to come on stage and perform to you.

1:09:451:09:48

CHEERING AND APPLAUSE

1:09:481:09:50

I'm really happy.

1:09:501:09:51

Brave.

1:09:531:09:54

I mean, I was kind of dreading somebody doing one of my songs,

1:09:541:09:57

because there's this weird pressure. Like, do you turn?

1:09:571:10:00

But it was actually very good.

1:10:001:10:02

Thank you.

1:10:021:10:03

You have this great vulnerability in your voice,

1:10:041:10:07

and that song suits that. I'll tell you a funny story -

1:10:071:10:09

when the record company wanted to put that out,

1:10:091:10:11

I was really against it, because for me it was really personal

1:10:111:10:14

and it was about a relationship.

1:10:141:10:16

I thought it was too slow.

1:10:161:10:18

I marched into the record company and said,

1:10:181:10:20

"If you put this out, my career is over."

1:10:201:10:21

Little did I know it was the beginning of my career,

1:10:211:10:24

because when you put songs out that are honest and true,

1:10:241:10:28

that's when you really connect with people.

1:10:281:10:31

That was the magic of that song. It taught me so much, that song.

1:10:311:10:36

I've never really heard anyone do any of my songs that well,

1:10:361:10:40

you know, until now.

1:10:401:10:42

Just to hear you sing that song like that was a gift, you know,

1:10:421:10:47

so thank you very much.

1:10:471:10:48

I really think with my experience

1:10:511:10:54

I would know exactly where to take you.

1:10:541:10:57

I think you're perfect for my team.

1:10:571:10:59

You have a really pure, beautiful voice.

1:10:591:11:02

I already have someone that I thought might be the winner,

1:11:021:11:05

but that may have just changed.

1:11:051:11:07

Thank you so much.

1:11:081:11:11

-Do you know what? Hats off.

-No.

1:11:111:11:15

I did the same thing.

1:11:151:11:18

-Metaphorically speaking.

-My hat, not yours.

1:11:181:11:20

-RICKY:

-The thing is, it was brilliant.

1:11:201:11:22

George touched on the vulnerability there,

1:11:221:11:24

but we've heard a lot of vulnerable singers,

1:11:241:11:26

but not with that level of control.

1:11:261:11:27

Vulnerability with control is something very difficult to sustain,

1:11:271:11:31

even just over 90 seconds, but over that 90 seconds,

1:11:311:11:34

you managed to make George rethink everything he's thought

1:11:341:11:38

about hearing someone do a cover.

1:11:381:11:40

The thing is...

1:11:401:11:41

..you love Culture Club.

1:11:431:11:45

The first LP I had was Colour By Numbers by Culture Club.

1:11:451:11:49

So, I'm in the same boat as you there, mate.

1:11:491:11:52

The thing is, this is pointless, but I'm not going to give up,

1:11:521:11:55

because there might be something in your mind that makes you want

1:11:551:11:58

to go with me.

1:11:581:11:59

I wouldn't want to discount that just because George turned first.

1:11:591:12:04

I thought it was really, really, really beautiful and touching.

1:12:041:12:09

There's always something really wonderful

1:12:091:12:11

when somebody takes a song and interprets it

1:12:111:12:14

in a completely different way that's creative and it suits them.

1:12:141:12:18

You know, a lot of people come on this show and they try

1:12:181:12:21

and be the person.

1:12:211:12:23

Of course, you couldn't do that in this situation, because he's here.

1:12:231:12:28

I think what you did with it was really special, so well done.

1:12:281:12:30

Thank you very much.

1:12:301:12:32

APPLAUSE

1:12:321:12:34

I want to add to what she said.

1:12:361:12:37

When someone gets up there and sings a song

1:12:371:12:40

and the singer has their back turned

1:12:401:12:42

and you have the freaking audacity to sing their song, that's brave,

1:12:421:12:47

because you're risking them not turning around

1:12:471:12:50

and then telling you what you did wrong. One.

1:12:501:12:53

Two - to have the guts to twist it up a bit

1:12:531:12:56

and then they not turn around and say, "Hey, you ruined my song."

1:12:561:13:00

That's what I thought was going to happen.

1:13:001:13:03

Then three - it's like, "Hey, you've been singing this song for years.

1:13:031:13:06

"Check this out." I saw his face.

1:13:061:13:09

At first he was like, "Oh, that's cute."

1:13:091:13:11

Then he was like, "Oh, wait a second."

1:13:111:13:13

Then he was like, "Boom."

1:13:131:13:15

And then you hit that freaking high falsetto,

1:13:151:13:17

and then everybody else turned around. He was like, "Yo."

1:13:171:13:20

Point is, you went over the barricade, under the barricade,

1:13:201:13:24

around the barricade and through the barricade all at the same time.

1:13:241:13:28

Thank you.

1:13:281:13:30

APPLAUSE

1:13:301:13:32

Who are you going to choose?

1:13:321:13:34

I honestly, genuinely, did not think anyone would turn.

1:13:361:13:39

Er...

1:13:421:13:44

AUDIENCE SHOUTS ADVICE

1:13:441:13:47

I'm going to go with Boy George.

1:13:521:13:54

CHEERING AND APPLAUSE

1:13:541:13:56

Yay!

1:13:561:13:58

Amazing.

1:14:001:14:01

Thank you so much.

1:14:011:14:04

-That was so beautiful.

-Thank you so much.

1:14:041:14:06

I look forward to hearing you again.

1:14:061:14:07

That was amazing.

1:14:071:14:09

That's a beautiful...

1:14:091:14:12

CHEERING AND APPLAUSE

1:14:121:14:15

-EXAGGERATED VOICE:

-# Do you really want make me cry? #

1:14:171:14:20

SHE SQUEALS

1:14:241:14:25

The fact that he said he hasn't sung much before,

1:14:281:14:31

he is an incredible person to find.

1:14:311:14:33

That's what you hope for.

1:14:331:14:35

Amazing voice.

1:14:351:14:36

Oh, my God. This is going to be a difficult competition!

1:14:371:14:40

Week five is over, and the coaches' teams are starting to top out.

1:14:431:14:47

George and Will are neck and neck on nine.

1:14:501:14:53

Ricky and Paloma are even on eight.

1:14:541:14:58

So what's in store next week?

1:14:581:15:00

Tell 'em, Will.

1:15:001:15:02

There's going to be rapping, beatboxing,

1:15:021:15:05

freakin' river dancing, rap and river dancing.

1:15:051:15:07

Yeah, yeah.

1:15:071:15:09

I was going with it, I was trying to make it work.

1:15:091:15:12

Sorry about that.

1:15:121:15:14

I tells you...

1:15:141:15:16

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