Browse content similar to 09/03/2016. Check below for episodes and series from the same categories and more!
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Extraordinary defiance in a Russian court. | :00:13. | :00:15. | |
We bring you the story of that Ukrainian pilot, | :00:16. | :00:18. | |
why she's on trial in Russia, and what it says about | :00:19. | :00:20. | |
the unfinished conflict between Russia and Ukraine. | :00:21. | :00:25. | |
Also tonight - Inside Mexico's ghastly kidnap industry. | :00:26. | :00:44. | |
Remember how we used to argue about parents, | :00:45. | :00:46. | |
Supposing for one reason or another, she prefers not | :00:47. | :00:59. | |
to discuss it with you, but to discuss it with a doctor? | :01:00. | :01:02. | |
And she's underage, and she's in great danger? | :01:03. | :01:04. | |
Would you expect him to consult you about it? | :01:05. | :01:07. | |
Well, something big has happened there. | :01:08. | :01:09. | |
We will get a lesson on the music of Sir George Martin | :01:10. | :01:19. | |
and just how big a difference he made to the Beatles. | :01:20. | :01:33. | |
With so much going on in the world, you might be forgiven | :01:34. | :01:38. | |
It is not over, but it is less intense than it was. | :01:39. | :01:43. | |
Rather than the continual fighting of 2014, it has settled | :01:44. | :01:46. | |
into a stalemate of sporadic skirmishes. | :01:47. | :01:50. | |
Ukraine functions as an almost complete country, | :01:51. | :01:52. | |
but a section in the east has hived itself off and is controlled | :01:53. | :01:55. | |
Crimea has been formally annexed by Russia. | :01:56. | :02:03. | |
Now right now the animosity between the two countries, | :02:04. | :02:05. | |
is playing out through one particular case, | :02:06. | :02:07. | |
a young Ukrainian pilot, Nadia Savchencko. | :02:08. | :02:12. | |
Captured in 2014 by separatist forces, she now finds herself | :02:13. | :02:15. | |
on trial in a small Russian town, for allegedly killing | :02:16. | :02:17. | |
The case was one already picked up by European and American | :02:18. | :02:28. | |
politicians, but it took a dramatic turn in court today. | :02:29. | :02:30. | |
Gabriel Gatehouse has the whole story. | :02:31. | :02:38. | |
This case contains flash photography. | :02:39. | :02:48. | |
This is a story about a forgotten war, a war which has been pushed out | :02:49. | :02:52. | |
of the headlines by other seemingly more pressing crises. | :02:53. | :02:54. | |
But it hasn't gone away, and now, all the festering tensions of this | :02:55. | :02:57. | |
frozen conflict have been focused on one woman. | :02:58. | :02:59. | |
Through the bars of her cage in a Russian courtroom, | :03:00. | :03:02. | |
Nadia Savchenko has become a rallying point | :03:03. | :03:05. | |
for Ukrainians who accuse Russia of invading their countries. | :03:06. | :03:10. | |
Today, the 34-year-old Ukrainian Air Force pilot | :03:11. | :03:13. | |
on the system that will soon pronounce its verdict on her. | :03:14. | :04:06. | |
On the 17th of June 2014, two Russian journalists | :04:07. | :04:09. | |
were killed when they came under mortar fire | :04:10. | :04:12. | |
during fighting between the Ukrainian military | :04:13. | :04:15. | |
Savchenko was captured by the separatists. | :04:16. | :04:22. | |
The case hinges on what time it took place. | :04:23. | :04:43. | |
She is accused of being a spotter on the ground, of directing | :04:44. | :04:46. | |
the mortar fire that killed the journalists. | :04:47. | :04:47. | |
Nadia Savchenko is Ukraine's most prominent female officer. | :04:48. | :05:19. | |
Here she is in a promotional film produced by | :05:20. | :05:22. | |
She says the separatists who captured her, handed her over | :05:23. | :05:28. | |
to Russian special forces, who then took her across the border. | :05:29. | :05:31. | |
The purpose of the operation, her lawyers say, was to portray | :05:32. | :05:34. | |
Moscow says Savchenko crossed into Russia | :05:35. | :06:02. | |
The government has reacted angrily to calls | :06:03. | :06:07. | |
for her release from senior US and EU officials. | :06:08. | :06:32. | |
In Kiev this afternoon, they gathered to protest | :06:33. | :06:36. | |
Here, Nadia Savchenko has become a national symbol of defiance. | :06:37. | :06:42. | |
Outside the courthouse in Russia, Savchenko's mother | :06:43. | :06:44. | |
When it comes, there will be little doubt about the verdict, | :06:45. | :07:08. | |
and the sentence is likely to be a lengthy one. | :07:09. | :07:12. | |
But this case is about much more than the fate of one woman now. | :07:13. | :07:17. | |
Nadia Savchenko has become the embodiment of a conflict | :07:18. | :07:20. | |
Joining me now in the studio is Marina Pesenti, | :07:21. | :07:29. | |
director of the Ukrainian Institute in London, and from Moscow - | :07:30. | :07:32. | |
Marina, I will start with you, because it is hard to overstate how | :07:33. | :07:49. | |
important the case is seen in Ukraine, and what high regard Nadia | :07:50. | :07:56. | |
Savchenko 's health? Absolutely. It is a very symbolic and high-profile | :07:57. | :08:02. | |
case in Ukraine. There is a mixture of feelings. On one hand, it is a | :08:03. | :08:10. | |
sense of admiration, of the courage and determination and fearlessness | :08:11. | :08:15. | |
she has displayed, being in a very difficult situation with all the | :08:16. | :08:21. | |
odds stacked against her. She managed to turn the tables. On the | :08:22. | :08:25. | |
other hand, there is a feeling of indignation. The fact that the | :08:26. | :08:29. | |
Russian Federation, apart from the fact it has annexed part of our | :08:30. | :08:34. | |
territory and unleashed a war in another part, it also kidnaps our | :08:35. | :08:38. | |
citizens and brings charges against them, on their territory on very | :08:39. | :08:46. | |
trumped up charges in fact. Was she known before she was captured? No, | :08:47. | :08:53. | |
she did not have a public profile. She was in Iraq, she had been | :08:54. | :08:57. | |
fighting, I think she was the only woman in the Ukrainian air force so | :08:58. | :09:04. | |
she was a notable character? Probably she was better known in the | :09:05. | :09:08. | |
military because she is a female pilot and she is from the | :09:09. | :09:13. | |
prestigious aviation school and she also fought in Iraq but previously, | :09:14. | :09:26. | |
she did not have a public profile. Catty -- Katya can you tell us what | :09:27. | :09:36. | |
the Russian perspective is? Two Russian journalists died in Ukraine | :09:37. | :09:40. | |
two years ago when they came under shelling while filming a report | :09:41. | :09:45. | |
about the plight of refugees, and interestingly enough, this case has | :09:46. | :09:50. | |
attracted a lot of attention in the Western media and among Western | :09:51. | :09:54. | |
politicians, but while there is widespread criticism of the trial | :09:55. | :09:57. | |
itself, there is very little condemnation of the killing of the | :09:58. | :10:02. | |
two Russian journalists in fact. Even the BBC headline article on | :10:03. | :10:11. | |
that... I just wanted to say that 95% of that article was devoted to | :10:12. | :10:14. | |
the trial and what Nadia Savchenko had to say in her final speech, | :10:15. | :10:19. | |
whereas there were just three lines about how those journalists actually | :10:20. | :10:23. | |
got killed, which was in broad daylight and they were on duty when | :10:24. | :10:28. | |
they came under shelling. Does it matter to you whether Nadia | :10:29. | :10:34. | |
Savchenko was involved in that, Marina, would you have any regrets | :10:35. | :10:39. | |
over the killing of the Russian journalists? I certainly have | :10:40. | :10:45. | |
regrets over the loss of any life but I find it paradoxical that | :10:46. | :10:49. | |
Russia thinks it is a completely legitimate course of action, where | :10:50. | :10:53. | |
it kidnaps a citizen of another country, and brings charges against | :10:54. | :10:56. | |
that citizen in its own country, and we talk about what has happened, if | :10:57. | :11:03. | |
we for a split-second imagine that the charges are fair, and that it is | :11:04. | :11:08. | |
a crime committed by one Ukrainian citizen against other Ukrainian | :11:09. | :11:11. | |
citizens, apart from Russian journalists there were some | :11:12. | :11:16. | |
civilians. Russia claims it does not conduct any warfare against Ukraine, | :11:17. | :11:20. | |
it stands for territorial integrity of Ukraine, and on the other hand, | :11:21. | :11:28. | |
it conducts a trial of Ukrainian citizens on its territory. I dead | :11:29. | :11:32. | |
want to go through the trial but I want to talk about relationships | :11:33. | :11:38. | |
between Ukraine and Russia. Katya, as far as you are concerned, is the | :11:39. | :11:49. | |
war between the two countries over? Well, before I get to explain that, | :11:50. | :11:55. | |
I would like to reply to Marina. I just wonder whether Marina is as | :11:56. | :11:58. | |
critical of United States that considers it perfectly normal to | :11:59. | :12:02. | |
capture foreign citizens like they did with two Russian citizens whom | :12:03. | :12:11. | |
the US considers criminals and just those two guys were captured on | :12:12. | :12:16. | |
foreign soil while in Thailand and Africa and extradited to the US. | :12:17. | :12:20. | |
There were put on trial in the US and one was imprisoned just because | :12:21. | :12:26. | |
they are both Russian citizens, and the US did that despite Russia's | :12:27. | :12:31. | |
objection. That, as far as the procedure is concerned, when you say | :12:32. | :12:37. | |
it is totally unlawful for Nadia Savchenko to go on trial in Russia. | :12:38. | :12:42. | |
As for the war between Russia and Ukraine, I would say that it is | :12:43. | :12:46. | |
incorrect from the start to say there was a war between Russia and | :12:47. | :12:51. | |
Ukraine, because it was a war between two groups of the Ukrainian | :12:52. | :12:56. | |
society, those who supported the Ukrainian government and who were | :12:57. | :12:59. | |
fighting against them. So you cannot say it was a war between Russia and | :13:00. | :13:03. | |
Ukraine. Russia has repeatedly stated there is no war between | :13:04. | :13:08. | |
Russia and Ukraine to be stopped. It was a civil war. It is currently no | :13:09. | :13:14. | |
longer there, we hope, because the ceasefire is largely holding as both | :13:15. | :13:20. | |
the warring sides... We will not have time... We can recognise it. We | :13:21. | :13:26. | |
will not have time to pick up on all those points because Russia did an | :13:27. | :13:30. | |
excellent territory. Where DCD status of this now? Is it over and | :13:31. | :13:37. | |
it will stay like this in definitely? -- Wade UCB status? Do | :13:38. | :13:44. | |
is far from over. There were reports from the Ministry of Defence | :13:45. | :13:49. | |
reporting clashes and an exchange of fire, and shooting, from the rebels' | :13:50. | :13:53. | |
side. And also there was a report a few years ago that even though the | :13:54. | :13:59. | |
artillery fire had diminished, there have been cases of rocket propelled | :14:00. | :14:06. | |
grenades launched. In terms of military activity, it is still | :14:07. | :14:09. | |
ongoing and one has to remember that this is a hybrid war which has a lot | :14:10. | :14:16. | |
of elements to it, security forces operations and this is ongoing. I | :14:17. | :14:22. | |
wish we could continue this discussion but we do have to move | :14:23. | :14:23. | |
on. Thank you. The big referendum argument today | :14:24. | :14:26. | |
has concerned the Queen - is she an "outer", as the Sun | :14:27. | :14:28. | |
newspaper suggests. I think that's one of those issues | :14:29. | :14:30. | |
they call There will have to be some argument | :14:31. | :14:34. | |
about the EU itself at some point before the referendum, | :14:35. | :14:40. | |
but while we wait for that, don't focus on Her Majesty - | :14:41. | :14:42. | |
who is relatively untypical Look instead at the views | :14:43. | :14:44. | |
of ordinary voters. Outside London, Secunder Kermani | :14:45. | :14:48. | |
went to Rochdale to do just that. There is no Eurostar are riding at | :14:49. | :15:05. | |
this station, and that is perhaps the first sign that the membership | :15:06. | :15:10. | |
of this model railway club just outside Rochdale are not massive | :15:11. | :15:15. | |
fans of the EU. Is it the images of thousands of refugees streaming | :15:16. | :15:18. | |
across the continent that is Lee's -- leading them to vote to leave? | :15:19. | :15:25. | |
Yes, because it could be us next. I do not want to happen. When David | :15:26. | :15:31. | |
Cameron says we do not have to take quotas of refugees... I do not | :15:32. | :15:35. | |
believe it. I think we will. I think we will be forced to. We are ruled | :15:36. | :15:39. | |
by Brussels and what Brussels say we have to do. The scenes on the Greek | :15:40. | :15:45. | |
borders melding with existing grievances about previous waves of | :15:46. | :15:50. | |
immigration, from Eastern Europe, from Pakistan, and with a perception | :15:51. | :15:54. | |
of general decline. I have already more or less made my mind up but the | :15:55. | :15:58. | |
refugee crisis has galvanised me even more to thinking out. If you go | :15:59. | :16:03. | |
to the doctors are the surgeries, you are outnumbered. The NHS cannot | :16:04. | :16:11. | |
cope, they say. One of the reasons is because there are a lot of people | :16:12. | :16:16. | |
who have never put a high -- halfpenny into the running of | :16:17. | :16:21. | |
England through taxes, taking a share of the money from the NHS. | :16:22. | :16:30. | |
At this church they are listening to a lunchtime rendition of classical | :16:31. | :16:35. | |
European composers. According to pollsters, the Northwest is almost | :16:36. | :16:38. | |
evenly split between those in favour and those against remaining in the | :16:39. | :16:42. | |
union. The refugee crisis is not always the main concern. It is | :16:43. | :16:47. | |
something which is a product of this moment in time. I do not think it | :16:48. | :16:53. | |
should necessarily colour are how the European Union is. It will come | :16:54. | :16:58. | |
and go. We need to have compassion, we need to have humanity about it, | :16:59. | :17:02. | |
but I don't think that will necessarily sway our thoughts of how | :17:03. | :17:07. | |
we will vote on the European Union. When we voted to go into it, it was | :17:08. | :17:12. | |
the common market. It was not the European Union. That is what we | :17:13. | :17:17. | |
voted for. A common market of goods, not political interference and | :17:18. | :17:25. | |
involvement, which it has become. Rochdale is a strongly Labour seat | :17:26. | :17:28. | |
but in last year's election Ukip came second. The town has more | :17:29. | :17:34. | |
asylum seekers per capita than almost anywhere else in the country. | :17:35. | :17:39. | |
Many here have welcomed them. But there is also resentment, and not | :17:40. | :17:47. | |
just from white Britons. This local Labour councillor is in favour of | :17:48. | :17:51. | |
remaining in Europe but he knows the yes campaign cannot take votes from | :17:52. | :17:54. | |
the sizeable Pakistani community in Rochdale for granted. British Asians | :17:55. | :18:01. | |
have mixed views on it. A few people think we should take the refugees. | :18:02. | :18:05. | |
On the other side there are a lot of issues within the Asian community. | :18:06. | :18:10. | |
They think these refugees and asylum seekers are coming into this country | :18:11. | :18:13. | |
and making a problem for them. People who think this is the burden | :18:14. | :18:23. | |
coming into the economy and the people... We should leave the EU and | :18:24. | :18:27. | |
that will resolve the problem. I do not think it will resolve the | :18:28. | :18:33. | |
problem. We should educate them. His family have owned this | :18:34. | :18:38. | |
cash-and-carry for 60 years. EU red tape is a bigger issue than refugees | :18:39. | :18:42. | |
and migration for him. But he does have concerns about how many have | :18:43. | :18:46. | |
been settled here. We're getting too many. It is a big burden on the | :18:47. | :18:50. | |
taxpayer and British jobs and the economy. What is the solution to | :18:51. | :18:59. | |
that? Is it leaving the EU? Leaving the EU will put us in isolation. I | :19:00. | :19:05. | |
think it is best to stay within the EU, where David Cameron speech to | :19:06. | :19:08. | |
the rest of the nations and get more power, and we trade with them on our | :19:09. | :19:15. | |
terms, and our conditions. The refugee crisis may heighten debates | :19:16. | :19:18. | |
about whether to remain in the EU. But it will not decide them. | :19:19. | :19:21. | |
No, savour this graph because it is not often that you see | :19:22. | :19:28. | |
one move so persuasively in the right direction. | :19:29. | :19:30. | |
It goes back to 1969, and you can see that in the last | :19:31. | :19:35. | |
15 years, the line has basically fallen dramatically. | :19:36. | :19:39. | |
Well it is the rate of teenage pregnancies in England and Wales. | :19:40. | :19:43. | |
The number per thousand women aged 15 to 17. | :19:44. | :19:46. | |
The latest figure published this morning, | :19:47. | :19:48. | |
Something has gone right, although we still have a higher rate | :19:49. | :19:55. | |
of teenage pregnancy than similar countries in Western Europe. | :19:56. | :19:59. | |
of the Teenage Pregnancy Knowledge Exchange, and led | :20:00. | :20:05. | |
the Government strategy for tackling teenage pregnancy. | :20:06. | :20:14. | |
Allison, what has driven the graph down? First of all, it is a | :20:15. | :20:21. | |
fantastic celebration of the work of someone a people involved in the | :20:22. | :20:26. | |
strategy over 15 years. It was the first comprehensive strategy a | :20:27. | :20:31. | |
government had ever had in England, which involved education, health, | :20:32. | :20:35. | |
charities as well. It was a 10-year strategy with the commitment to give | :20:36. | :20:39. | |
young people choices. It was not a strategy which sat on the shelf. It | :20:40. | :20:45. | |
was delivered to councils. It is basically giving them contraception. | :20:46. | :20:50. | |
No. Choices around good sex education, so they could make | :20:51. | :20:53. | |
choices about whether they had sex. If they do have sex, where they | :20:54. | :20:58. | |
could go for contraception, making it easy to look after their sexual | :20:59. | :21:04. | |
health. Basically, Tony Blair comes to power in 1997 and within a year | :21:05. | :21:08. | |
and they announce this. You are effectively saying this is the | :21:09. | :21:13. | |
delayed reaction to what they get? Yes, but with all complex issues it | :21:14. | :21:17. | |
takes a long time to have an impact. The strategy for the first few years | :21:18. | :21:22. | |
was bedding in. The rate was coming down very slowly. We did image | :21:23. | :21:27. | |
strategy review in 2005 and we found that some areas were bringing their | :21:28. | :21:30. | |
rates down really well. And others were not making an impact. We | :21:31. | :21:37. | |
compared the two. The areas making the impact were delivering what they | :21:38. | :21:40. | |
have to deliver. It was a light bulb moment. Some of those areas said | :21:41. | :21:43. | |
there was nothing they could do about it. The counterpoint to the | :21:44. | :21:51. | |
claim was the Tony Blair government, they have come down everywhere, even | :21:52. | :21:58. | |
Denmark. That is already interesting point. European countries brought | :21:59. | :22:01. | |
their rates down steadily since the 1970s and that carried on. In other | :22:02. | :22:07. | |
in the speaking countries around the world, the graph does show a similar | :22:08. | :22:10. | |
pattern but they have all been trying to do the similar -- similar | :22:11. | :22:17. | |
things. It is an international programme about improving sex | :22:18. | :22:20. | |
education, making contraception easier. The World Health | :22:21. | :22:22. | |
Organisation are introducing that around the world. It is not one | :22:23. | :22:27. | |
thing that is common to the technology has changed, how many | :22:28. | :22:32. | |
young people are taking the morning after pill? The morning after pill, | :22:33. | :22:37. | |
it is a bit of a misnomer, you can take it three to five days after | :22:38. | :22:41. | |
unprotected sex, it is difficult to get the numbers. It is one part of | :22:42. | :22:45. | |
the jigsaw. It is not the overall solution. It is a woody good | :22:46. | :22:49. | |
stepping stone into more effective contraception, and of course it is a | :22:50. | :22:53. | |
very good emergency measure. But that on its own will not have | :22:54. | :22:56. | |
brought down rates. It is a jigsaw of different pieces. The debate over | :22:57. | :23:01. | |
whether children under 16 should be able to get contraception without | :23:02. | :23:05. | |
their parents knowing or consenting, that is happening? That was resolved | :23:06. | :23:13. | |
in 1985 after a long legal case. Anyone under 16 can get confidential | :23:14. | :23:18. | |
advice from a doctor or macro nurse. They are encouraged to talk to their | :23:19. | :23:24. | |
parents. That is an effective thing. But if they can't are, it is better | :23:25. | :23:27. | |
they can talk to a doctor or nurse for advice. Thank you. | :23:28. | :23:28. | |
Mexico has a well known problem with drug gangs | :23:29. | :23:31. | |
But it also has a less talked about problem with another kind | :23:32. | :23:35. | |
It's reached a worrying level, and lest you think that it's only | :23:36. | :23:40. | |
a concern for the families of rich industrialists, it no longer is. | :23:41. | :23:43. | |
Vladamir Hernandez went to Mexico City for the Our World | :23:44. | :23:49. | |
series, to investigate the cause and the consequence. | :23:50. | :24:04. | |
This is the call every family in Mexico dreads receiving - | :24:05. | :24:08. | |
Very few countries have such a high kidnap rate as Mexico. | :24:09. | :24:17. | |
And it is a crime that is not only affecting the wealthy, | :24:18. | :24:23. | |
but anyone in society walking down these streets - | :24:24. | :24:25. | |
anyone - can be a quick fix of cash for the kidnappers. | :24:26. | :24:28. | |
According to the authorities, 1500 people were kidnapped | :24:29. | :24:33. | |
But the National Institute of Statistics estimates at least | :24:34. | :24:38. | |
100,000 people are taken, and only a tiny fraction of cases | :24:39. | :24:42. | |
One victim, Roberto, was working as a blacksmith fixing | :24:43. | :24:50. | |
iron bars to a window in rural Mexico, when he was taken. | :24:51. | :24:56. | |
There was a boy, about 14, he was just a kid. | :24:57. | :25:02. | |
Another young guy, he had a pistol, a gun, and he pointed it at me. | :25:03. | :25:08. | |
They kicked me in the face and the ribs. | :25:09. | :25:16. | |
Roberto was released after a few hours, but the kidnappers then | :25:17. | :25:21. | |
took his family, who were later freed by the police. | :25:22. | :25:24. | |
His case is typical, according to private negotiator Max | :25:25. | :25:26. | |
He says the police haven't done enough. | :25:27. | :26:10. | |
The police say they are winning the battle against kidnappers. | :26:11. | :26:18. | |
And they are keen to publicise the success of raids like this | :26:19. | :26:21. | |
But this is just a small part of their role. | :26:22. | :26:28. | |
They work with families behind closed doors to try | :26:29. | :26:30. | |
and persuade the kidnappers to release their captives. | :26:31. | :26:33. | |
Alejandro, not his real name, is a police negotiator who has | :26:34. | :26:40. | |
agreed to play me recordings of a kidnapper made | :26:41. | :26:42. | |
The man who was kidnapped is a bus driver. | :26:43. | :27:00. | |
And when the kidnappers are ready to make a deal, | :27:01. | :27:02. | |
The negotiator's team eventually managed to free the bus driver. | :27:03. | :27:57. | |
But what is causing this wave of apparently random | :27:58. | :28:00. | |
To find out, I have arranged to meet a man who claims he is a kidnapper. | :28:01. | :28:11. | |
When I finally do meet him, I am surprised to find he does not | :28:12. | :28:15. | |
There are lots of different ways of kidnapping someone. | :28:16. | :28:21. | |
Generally I stare at the victim, let them see my eyes. | :28:22. | :28:26. | |
They start crying and I say, "Calm down, bro, we are going to do | :28:27. | :28:29. | |
I'm interested in the money, that's all." | :28:30. | :28:37. | |
Do you ever think about the relatives of the victim | :28:38. | :28:41. | |
But it is very rare we do something to someone who does not deserve it. | :28:42. | :28:57. | |
I don't start fights, but if one happens I make | :28:58. | :29:00. | |
I will stab you in the stomach, or bite your face, or just remove | :29:01. | :29:04. | |
something from you, maybe cut your throat with a knife | :29:05. | :29:07. | |
and mess with your windpipe a little bit. | :29:08. | :29:12. | |
With drugs you have clients and it is continuous. | :29:13. | :29:24. | |
You can make anything up to $2 million. | :29:25. | :29:30. | |
So it is hard to give up. | :29:31. | :29:38. | |
No, I don't have any regrets about the people I have killed. | :29:39. | :29:44. | |
But the truth is I've already BLEEP my life, | :29:45. | :29:46. | |
I can't verify what he said, but I am shaken by meeting him. | :29:47. | :30:08. | |
I don't think I have ever heard anyone talk about death, | :30:09. | :30:12. | |
torture, violence with such ease, with such coldness. | :30:13. | :30:22. | |
It's frightening because he's just like an ordinary young man talking | :30:23. | :30:27. | |
Knowing he was going to die soon, probably. | :30:28. | :30:43. | |
The police reunite dozens of families with their | :30:44. | :30:53. | |
Official police statistics show the number of kidnappings have | :30:54. | :31:00. | |
But the scars from kidnapping take a long time to heal. | :31:01. | :31:13. | |
Roberto, the blacksmith, has been traumatised by the attack. | :31:14. | :31:17. | |
He still doesn't know why he was targeted. | :31:18. | :31:22. | |
Do you think you will ever stop being afraid? | :31:23. | :31:31. | |
Not while there are crimes like this. | :31:32. | :31:35. | |
What makes me sad is that one of them was just a child. | :31:36. | :31:42. | |
He could have been at school, preparing to be a good person. | :31:43. | :31:45. | |
You can watch the Our World documentary Kidnapped In Mexico | :31:46. | :32:00. | |
on Saturday and Sunday on the News Channel at 21:30. | :32:01. | :32:06. | |
You can also follow the negotiation of a true kidnap story in real time | :32:07. | :32:13. | |
We woke to the news this morning of the death of Sir George Martin, | :32:14. | :32:19. | |
Paul McCartney called him a "second father", and he was the first | :32:20. | :32:24. | |
music producer to blend a classical training with rock and roll | :32:25. | :32:27. | |
We'll get a demonstration of what a difference he made | :32:28. | :32:33. | |
to certain songs, but first Stephen Smith has this medley | :32:34. | :32:36. | |
My main role would be telling them what to do with it. | :32:37. | :32:45. | |
This needs to be two and a quarter minutes long. | :32:46. | :32:49. | |
OK, we'll time the chorus, see how many choruses you need. | :32:50. | :32:52. | |
They were all thinking in terms of singles. | :32:53. | :32:54. | |
George Martin says have you got anything you would like to do. | :32:55. | :32:57. | |
I said, we have a song called Please, Please Me. | :32:58. | :32:59. | |
This is one that John had just written. | :33:00. | :33:05. | |
Get this bloody little mic out of the way. | :33:06. | :33:08. | |
# Last night I said these words to my girl | :33:09. | :33:35. | |
# Come on, come on, come on, come on | :33:36. | :33:40. | |
# Please, please me, like I please you.#. | :33:41. | :33:47. | |
At the end of that session I was able to say, you have | :33:48. | :33:50. | |
When I first met them none of them could play the piano very well | :33:51. | :33:57. | |
In order to communicate with them, I found when | :33:58. | :34:01. | |
I went over to the piano and said a chord and played it on the piano, | :34:02. | :34:05. | |
bunch of notes and white keys, it wouldn't mean a thing to them. | :34:06. | :34:10. | |
I thought, if I can play the chord on the guitar, | :34:11. | :34:14. | |
they will see my fingers and the shapes | :34:15. | :34:16. | |
At the same time they bought a piano and started to learn | :34:17. | :34:25. | |
They overtook me and got to play the piano better | :34:26. | :34:28. | |
# Baby's good to me you know she's happy as can be | :34:29. | :34:32. | |
George had done little or no rock and roll when we met him and we had | :34:33. | :34:38. | |
never been in the studio so we had a lot of learning to do. | :34:39. | :34:41. | |
He had a very great musical knowledge and background. | :34:42. | :34:43. | |
Amazing really how creative we could be in those circumstances. | :34:44. | :35:25. | |
and you would just remind us about halfway through the three-hour | :35:26. | :35:29. | |
period, well, there's just about enough on that one, | :35:30. | :35:32. | |
And so you learned to be brilliant, he said, modestly, in 1.5 hours. | :35:33. | :35:38. | |
They were finding new frontiers all the time. | :35:39. | :35:40. | |
I guess their success gave them confidence to do things | :35:41. | :35:43. | |
# Working is all very fine # But love can show you a better time. | :35:44. | :35:53. | |
# Baby you can drive my car, # Yes I'm gonna to be a star # baby, | :35:54. | :36:00. | |
# baby, you can drive my car, and baby, I love you...#. | :36:01. | :36:08. | |
Their ideas now were becoming more potent in the studio | :36:09. | :36:19. | |
and they would start telling me what they wanted | :36:20. | :36:21. | |
and they would start pressing me for more ideas. | :36:22. | :36:23. | |
He would come up with things like have you heard an oboe? | :36:24. | :36:26. | |
If you think about it, George had to deal | :36:27. | :36:36. | |
with all kinds of stuff with the Beatles. | :36:37. | :36:39. | |
John Lennon coming to him saying he wanted to hear the sound | :36:40. | :36:42. | |
I mean, how would you get the sound of | :36:43. | :36:45. | |
He was the least dictatorial person you could ever | :36:46. | :37:03. | |
come across in a recording studio and I think his methodology | :37:04. | :37:06. | |
was to allow the artist explore everything that | :37:07. | :37:08. | |
was possible to explore so we could all see that what we had | :37:09. | :37:11. | |
I do live each day as if I went to see tomorrow, | :37:12. | :37:18. | |
because that is the way to look at it. | :37:19. | :37:20. | |
What the hell am I doing wasting time talking | :37:21. | :37:22. | |
That compilation was curated by Steve Smith. | :37:23. | :37:34. | |
Now to properly understand what George Martin did, | :37:35. | :37:36. | |
how he took tunes and turned them into Beatles tracks, | :37:37. | :37:38. | |
we need a demonstration, so I'm joined | :37:39. | :37:40. | |
at the grand piano by Tom Donald, from | :37:41. | :37:42. | |
the London Contemporary School of Piano, | :37:43. | :37:44. | |
who's going to show us the inner workings of George Martin. | :37:45. | :37:48. | |
I think a lot of us like me have never understood what the producer | :37:49. | :37:55. | |
does or adds. Give us an example of what George Martin does to take a | :37:56. | :38:05. | |
vanilla track and add to it? If you take a song like Eleanor Rigby, you | :38:06. | :38:12. | |
would imagine the demo sounding like this, and he gets it and transcribes | :38:13. | :38:21. | |
it for a string quartet. These sounds, you would expect to hear in | :38:22. | :38:28. | |
Bach, not pop music. So it makes an enormous difference. You mentioned | :38:29. | :38:32. | |
string quartets because his thing was his classical background and he | :38:33. | :38:38. | |
blended with rock and roll. He blended it together. Not only older | :38:39. | :38:44. | |
classical music by Bach, if you look at a day in the life, the last track | :38:45. | :38:50. | |
from Sergeant Pepper, if you listen to the beginning of the track, it | :38:51. | :38:55. | |
sounds like a standard Beatles song, until he brings in Stockhausen | :38:56. | :39:03. | |
influence. That is an Avent guard German composer. Very uncommercial, | :39:04. | :39:10. | |
you could say. It brings this element, it is almost impossible to | :39:11. | :39:16. | |
do on a piano, but he brings it to an orchestral arrangement, it is | :39:17. | :39:22. | |
quite remarkable how he brings those two polar opposites together. It is | :39:23. | :39:26. | |
interesting listening to the archive, you think of the Beatles as | :39:27. | :39:31. | |
being a rock 'n' roll band, but later they are not just rock 'n' | :39:32. | :39:36. | |
roll. There is so much more to the Beatles than rock 'n' roll. That is | :39:37. | :39:42. | |
down to George Martin. You get a song like the Long and Winding Road. | :39:43. | :39:51. | |
Then he makes this orchestration that has horns in it, is grass | :39:52. | :40:05. | |
oriented. -- brass. There are beautiful lush harmonies. There is | :40:06. | :40:09. | |
something very British about it, it you could almost hear in Elgar, fawn | :40:10. | :40:15. | |
Williams, Gustav Holst. It is not obvious but it is definitely there | :40:16. | :40:21. | |
-- Ralph born Williams. He did bring other instruments in as well so it | :40:22. | :40:28. | |
was orchestral? And an odd choice of instruments sometimes. You get a | :40:29. | :40:35. | |
song like Fool On The Hill with a lovely melody. But he decides to | :40:36. | :40:46. | |
bring in a base Karen at -- clarinet. Most people don't even | :40:47. | :40:50. | |
know what a bass clarinet looks like. His accent of the clarinet on | :40:51. | :40:57. | |
the first and third beat of the bar, which is buried not pop music. It is | :40:58. | :41:06. | |
very classical. Most people clapped to pop songs on the second and | :41:07. | :41:11. | |
fourth heat of the bar, it is like you are at panto clapping along to | :41:12. | :41:15. | |
songs with the kids or something. Everything that you say, and what he | :41:16. | :41:22. | |
was saying, you must say of the five, perhaps this is sacrilege, | :41:23. | :41:27. | |
that he is the most musically accomplished? It is unimaginable | :41:28. | :41:30. | |
what the Beatles would have sounded like without George Martin. Is he | :41:31. | :41:36. | |
known in classical circles? Do you consider yourself a classical | :41:37. | :41:41. | |
pianist? I have a strong classical background but I'm really fascinated | :41:42. | :41:47. | |
by musicians who can cross the boundaries so effortlessly. What I | :41:48. | :41:49. | |
have said today, almost sounds like it is ridiculous. The way he | :41:50. | :41:53. | |
integrated it with their songs just worked so beautifully and it is part | :41:54. | :41:58. | |
of that legend. Thank you so much for demonstrating. You are welcome. | :41:59. | :42:03. |