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|---|---|---|---|
On Panorama tonight... | 0:00:01 | 0:00:02 | |
Hang on. Look up, look up. | 0:00:02 | 0:00:04 | |
We go undercover to show how big fashion brands are profiting | 0:00:04 | 0:00:08 | |
from refugees and their children. | 0:00:08 | 0:00:10 | |
We find Syrian teenagers making clothes for one of Britain's | 0:00:16 | 0:00:19 | |
most treasured retailers. | 0:00:19 | 0:00:21 | |
That's Marks and Spencer. | 0:00:22 | 0:00:24 | |
That's an iconic British brand. | 0:00:24 | 0:00:27 | |
We discover how our clothes get made in child labour sweatshops. | 0:00:29 | 0:00:33 | |
Brands need to understand that they are responsible for the | 0:00:33 | 0:00:36 | |
conditions that the clothes are made in and it's not enough to say, | 0:00:36 | 0:00:40 | |
"We didn't know about this." | 0:00:40 | 0:00:42 | |
THEY SPEAK IN OWN LANGUAGE | 0:00:42 | 0:00:45 | |
And we meet the kids who to have to sew to survive. | 0:00:45 | 0:00:49 | |
Fast fashion has changed the way our clothes are made. | 0:01:19 | 0:01:22 | |
The big brands want to get the latest styles to the shops | 0:01:25 | 0:01:28 | |
as quickly as possible. | 0:01:28 | 0:01:30 | |
It means clothes have to be made closer to home - | 0:01:33 | 0:01:36 | |
and one country in particular is picking up a lot of business. | 0:01:36 | 0:01:41 | |
I'm feeling pretty pleased with myself because I've managed | 0:01:44 | 0:01:47 | |
to find a few bargains. | 0:01:47 | 0:01:49 | |
And these items here, well, | 0:01:49 | 0:01:51 | |
they all have one thing in common - | 0:01:51 | 0:01:54 | |
they've all been made in Turkey. | 0:01:54 | 0:01:56 | |
Turkey is on the edge of Europe, | 0:02:00 | 0:02:02 | |
so you might expect workers making your clothes | 0:02:02 | 0:02:05 | |
would be treated fairly. | 0:02:05 | 0:02:07 | |
But that's not always the case. | 0:02:07 | 0:02:10 | |
Problems for workers in Turkey are not new. | 0:02:10 | 0:02:13 | |
Some estimates put it at 60% of the workforce in Turkey being | 0:02:13 | 0:02:16 | |
unregistered, which obviously leads to exploitation, | 0:02:16 | 0:02:19 | |
because those workers don't have legal protections. | 0:02:19 | 0:02:22 | |
That has been a long-standing issue and this manifested itself often in | 0:02:22 | 0:02:26 | |
exploitation of female workers and, historically, also in child labour. | 0:02:26 | 0:02:30 | |
And now there's a new source of cheap labour in Turkey. | 0:02:35 | 0:02:39 | |
Refugees who have fled from neighbouring Syria. | 0:02:40 | 0:02:43 | |
We won't let them into Europe. | 0:02:45 | 0:02:47 | |
Now, almost three million Syrians are living in Turkey. | 0:02:47 | 0:02:51 | |
Hardly any have the right to work, so thousands work illegally | 0:02:52 | 0:02:57 | |
in the clothing industry, where they're often exploited. | 0:02:57 | 0:03:00 | |
We've spoken to dozens of Syrian refugees working here | 0:03:02 | 0:03:05 | |
and, without exception, they speak a pitiful wages and | 0:03:05 | 0:03:09 | |
terrible working conditions. | 0:03:09 | 0:03:11 | |
The thing is, they know they're being ripped off, | 0:03:11 | 0:03:14 | |
but they know they can do nothing about it. | 0:03:14 | 0:03:16 | |
Amina and her family fled Syria when their neighbourhood was bombed. | 0:03:24 | 0:03:29 | |
Her husband found work in the textile industry, | 0:03:29 | 0:03:33 | |
doing 13-hour shifts. | 0:03:33 | 0:03:34 | |
He dropped dead at work last year. | 0:03:36 | 0:03:39 | |
-Your husband died working, collapsed over his machine? -Hmm. | 0:03:42 | 0:03:46 | |
-TRANSLATION: -Certainly. This is how he died. | 0:03:48 | 0:03:51 | |
While he was working, he fell on the machine. | 0:03:51 | 0:03:53 | |
Do you remember when you found out that he was dead? | 0:03:53 | 0:03:56 | |
I didn't know what was happening to me. | 0:03:58 | 0:04:01 | |
I came running. I couldn't speak. | 0:04:01 | 0:04:03 | |
The factory paid £180 in compensation. | 0:04:12 | 0:04:16 | |
Now Amina says she has no choice but to send her three | 0:04:18 | 0:04:21 | |
oldest children out to work. | 0:04:21 | 0:04:23 | |
-TRANSLATION: -Education is very important, | 0:04:25 | 0:04:28 | |
but human beings must eat so they can live. | 0:04:28 | 0:04:30 | |
They are forced to work, whether they like it or not. | 0:04:30 | 0:04:33 | |
It's a choice between life and death. | 0:04:33 | 0:04:37 | |
To find out what conditions are really like, we're going undercover. | 0:04:42 | 0:04:46 | |
It's more risky than usual. | 0:04:49 | 0:04:51 | |
Secret filming is illegal here | 0:04:51 | 0:04:53 | |
and Turkey has a reputation for jailing journalists. | 0:04:53 | 0:04:57 | |
'We're posing as the owners of a new fashion business.' | 0:05:00 | 0:05:02 | |
Thank you very much. I think... | 0:05:02 | 0:05:04 | |
'The owner of this factory, where denim is processed, | 0:05:04 | 0:05:08 | |
'says they work with all the big brands.' | 0:05:08 | 0:05:11 | |
Mango. | 0:05:12 | 0:05:13 | |
Oh, this one's Mango. | 0:05:13 | 0:05:15 | |
Ah, these are nice, actually. | 0:05:15 | 0:05:17 | |
Today, they are distressing jeans for Mango and Zara. | 0:05:17 | 0:05:20 | |
You can see the flames, as they burn holes in the denim with lasers. | 0:05:33 | 0:05:37 | |
Workers also spray hazardous chemicals to bleach the jeans. | 0:05:39 | 0:05:43 | |
They do this for 12 hours a day, | 0:05:45 | 0:05:48 | |
but most don't even have a basic facemask. | 0:05:48 | 0:05:51 | |
At least three of the workers are Syrian refugees. | 0:05:53 | 0:05:57 | |
The factory later told us that it was not employing refugees. | 0:05:59 | 0:06:04 | |
Mango says the factory was working as | 0:06:05 | 0:06:08 | |
a subcontractor "without Mango's knowledge". | 0:06:08 | 0:06:11 | |
It inspected and said that there were... | 0:06:12 | 0:06:15 | |
It didn't find any Syrian workers. | 0:06:18 | 0:06:21 | |
Zara's parent company, Inditex, | 0:06:21 | 0:06:24 | |
says its factory inspections are a... | 0:06:24 | 0:06:26 | |
It had already found "significant non-compliance" | 0:06:31 | 0:06:34 | |
in an audit in June. | 0:06:34 | 0:06:36 | |
It gave the factory until December to... | 0:06:37 | 0:06:41 | |
It's just before 8am. | 0:06:50 | 0:06:52 | |
I'm watching a street corner in the suburbs of Istanbul. | 0:06:52 | 0:06:56 | |
Syrian refugees come here to get hired. | 0:06:56 | 0:06:59 | |
So, you can see there, just across the street, | 0:07:00 | 0:07:03 | |
who we think is the middleman, selecting his crew for today's work. | 0:07:03 | 0:07:09 | |
Those who are picked, known as daily workers, are bussed to a factory. | 0:07:09 | 0:07:14 | |
We've got a contact among the Syrian refugees on board. | 0:07:15 | 0:07:19 | |
-TRANSLATION: -Always there are Syrians there. | 0:07:22 | 0:07:25 | |
Sometimes as many as 20 people, according to the work required. | 0:07:25 | 0:07:29 | |
We follow the bus to see where they work. | 0:07:33 | 0:07:35 | |
The workforce is just jumping out there now. | 0:07:40 | 0:07:43 | |
It's a factory used by some of the world's biggest brands. | 0:07:45 | 0:07:49 | |
After their shift, | 0:07:54 | 0:07:55 | |
the workers are dropped back to the same neighbourhood. | 0:07:55 | 0:07:57 | |
They are paid in cash, without any payslips. | 0:08:02 | 0:08:05 | |
When I meet up with our contact, | 0:08:13 | 0:08:14 | |
I'm hoping he'll have proof of what clothes he is making. | 0:08:14 | 0:08:18 | |
Can I see the labels? | 0:08:20 | 0:08:22 | |
-TRANSLATION: -I don't remember the names exactly, | 0:08:24 | 0:08:26 | |
as I don't know English, but I have the labels with me. | 0:08:26 | 0:08:29 | |
That's Marks & Spencer. | 0:08:33 | 0:08:36 | |
That's an iconic British brand. | 0:08:36 | 0:08:39 | |
One of the most famous in British retailing. | 0:08:39 | 0:08:45 | |
This brand, Marks & Spencer, | 0:08:45 | 0:08:48 | |
they are committed to producing | 0:08:48 | 0:08:52 | |
clothes only under the very best terms for workers. | 0:08:52 | 0:08:55 | |
Machines have all the rights. | 0:08:58 | 0:09:00 | |
If one breaks, they'll fix it straight away, | 0:09:00 | 0:09:03 | |
because they benefit from the machine. | 0:09:03 | 0:09:07 | |
But if anything happens to a Syrian, | 0:09:07 | 0:09:09 | |
they'll throw him away like a piece of cloth. | 0:09:09 | 0:09:12 | |
Our investigation is starting to get somewhere. | 0:09:15 | 0:09:18 | |
But the following night, this happens. | 0:09:19 | 0:09:22 | |
Elements of the Turkish army try to overthrow the government. | 0:09:29 | 0:09:34 | |
We film from the roof of our apartment. | 0:09:34 | 0:09:36 | |
GUNFIRE | 0:09:38 | 0:09:39 | |
-That's shots. -That's shots. | 0:09:39 | 0:09:41 | |
SHOUTING | 0:09:42 | 0:09:44 | |
The coup collapses the next day... | 0:09:45 | 0:09:47 | |
GUNFIRE | 0:09:47 | 0:09:49 | |
..and the government later declares a state of emergency. | 0:09:49 | 0:09:52 | |
Thousands of people have been arrested. | 0:09:56 | 0:09:58 | |
There are huge pro-government rallies every night. | 0:10:00 | 0:10:03 | |
We're stopped by the police four times in four days. | 0:10:06 | 0:10:09 | |
We're worried they'll find our secret cameras. | 0:10:11 | 0:10:14 | |
Our night-time journeys back into the centre of Istanbul | 0:10:16 | 0:10:19 | |
have become a little edgy. | 0:10:19 | 0:10:22 | |
A few nights ago, we were pulled over by the police | 0:10:22 | 0:10:24 | |
and given the third degree. | 0:10:24 | 0:10:26 | |
They wanted to see everyone's documentation and they even | 0:10:26 | 0:10:28 | |
went so far as to start taking photographs of the van. | 0:10:28 | 0:10:32 | |
Vitally, though, | 0:10:32 | 0:10:34 | |
what they didn't do is they didn't poke through our equipment. | 0:10:34 | 0:10:38 | |
Marks & Spencer has not found a single Syrian refugee | 0:10:45 | 0:10:49 | |
working on its clothes. | 0:10:49 | 0:10:51 | |
But we found seven in our one factory. | 0:10:57 | 0:11:00 | |
-My name is Darragh. -My name is Jarragh. -Darragh. | 0:11:01 | 0:11:04 | |
-Diarragh. -Dar-ragh. -Darragh. -Hey, I love it! | 0:11:04 | 0:11:08 | |
Some of them are teenagers and the youngest is just 15. | 0:11:09 | 0:11:13 | |
You're 15? | 0:11:13 | 0:11:15 | |
You should still be at school. | 0:11:15 | 0:11:17 | |
-TRANSLATION: -Yes, I would love to be at school. | 0:11:17 | 0:11:19 | |
If you don't work, you have no money. | 0:11:20 | 0:11:23 | |
Simple as that. | 0:11:23 | 0:11:24 | |
In Turkey, if you don't work, you don't eat. | 0:11:25 | 0:11:28 | |
This 15-year-old boy has been working more than 12 hours | 0:11:34 | 0:11:38 | |
a day, ironing M&S clothes before they're shipped to the UK. | 0:11:38 | 0:11:42 | |
Some of the workers are paid a basic wage of little more | 0:11:44 | 0:11:48 | |
than a pound an hour. | 0:11:48 | 0:11:50 | |
That's well under the Turkish legal minimum. | 0:11:50 | 0:11:54 | |
All of this is a complete breach of M&S's own code of conduct. | 0:11:54 | 0:11:59 | |
-Thank you. Thank you very much. -My pleasure. | 0:11:59 | 0:12:02 | |
-Shukran. -Shukrand? -Shukran. -Shukran. | 0:12:02 | 0:12:05 | |
In Arabic? Thank you. | 0:12:05 | 0:12:06 | |
Marks & Spencer said our findings were "extremely serious" | 0:12:08 | 0:12:12 | |
and "unacceptable to M&S". | 0:12:12 | 0:12:15 | |
It's "offering permanent legal employment" to any | 0:12:15 | 0:12:19 | |
Syrian daily workers. | 0:12:19 | 0:12:21 | |
M&S says... | 0:12:21 | 0:12:23 | |
All the companies in this programme say suppliers have | 0:12:29 | 0:12:32 | |
to meet their standards, | 0:12:32 | 0:12:35 | |
and they conduct unannounced inspections to guarantee this. | 0:12:35 | 0:12:38 | |
But our M&S workers tell us these audits don't work. | 0:12:38 | 0:12:42 | |
When the auditors arrive, | 0:12:42 | 0:12:44 | |
they are hidden out of sight. | 0:12:44 | 0:12:46 | |
-TRANSLATION: -When the auditors come, the bosses know. | 0:12:50 | 0:12:52 | |
When there is an inspection, they take us out to the street. | 0:12:52 | 0:12:55 | |
-TRANSLATION: -If they saw us, it would make problems for the company. | 0:12:57 | 0:13:01 | |
Has that happened actually at this plant where you're | 0:13:01 | 0:13:03 | |
working right now? | 0:13:03 | 0:13:04 | |
Three times. We hid in the street from ten till six. | 0:13:04 | 0:13:09 | |
Isn't that right? | 0:13:09 | 0:13:10 | |
Yeah, ten till six. | 0:13:10 | 0:13:12 | |
This practice of cheating the auditors is hardly a secret. | 0:13:23 | 0:13:27 | |
We learned of it after a matter of days. | 0:13:27 | 0:13:30 | |
And if we know, you would think the brands should, too. | 0:13:30 | 0:13:33 | |
The auditing process and auditing industry that's grown up has failed. | 0:13:36 | 0:13:41 | |
A lot of brands will acknowledge this, | 0:13:41 | 0:13:43 | |
that they know that the model is not working and it's not enabling | 0:13:43 | 0:13:47 | |
them to detect serious abuse. | 0:13:47 | 0:13:48 | |
Even the Ethical Trading Initiative, which works with brands, | 0:13:51 | 0:13:54 | |
has it doubts. | 0:13:54 | 0:13:56 | |
Is the auditing process fit for purpose? | 0:13:56 | 0:13:58 | |
The audits work very well in certain circumstances, | 0:13:58 | 0:14:01 | |
but you need to complement audits | 0:14:01 | 0:14:03 | |
with collaboration, with investigation, | 0:14:03 | 0:14:06 | |
working with trade unions - which is what ETI is all about - | 0:14:06 | 0:14:09 | |
and making sure you have a better understanding | 0:14:09 | 0:14:11 | |
of what's actually happening than audits alone will provide. | 0:14:11 | 0:14:15 | |
There are thousands of Syrian children working across the city. | 0:14:19 | 0:14:24 | |
Here we go. | 0:14:24 | 0:14:26 | |
We visit 22 factories in Istanbul. | 0:14:30 | 0:14:33 | |
And there are kids in most of them. | 0:14:36 | 0:14:39 | |
These children look no more than seven or eight years old. | 0:14:56 | 0:15:00 | |
They're making boxer shorts for the Turkish market. | 0:15:00 | 0:15:04 | |
And in another cramped basement sweatshop, | 0:15:11 | 0:15:14 | |
we find these kids working on jumpers. | 0:15:14 | 0:15:18 | |
Before I came here, I thought it was going to be difficult to | 0:15:22 | 0:15:25 | |
find children at work making clothes. | 0:15:25 | 0:15:29 | |
That just tells you how naive I was. They're everywhere, | 0:15:29 | 0:15:33 | |
in particular, in workshops, | 0:15:33 | 0:15:36 | |
basement workshops like the one behind me, | 0:15:36 | 0:15:39 | |
and they're all across the city. | 0:15:39 | 0:15:41 | |
WOMAN SPEAKS OWN LANGUAGE | 0:15:48 | 0:15:51 | |
It's 7am, and 13-year-olds Oday and Rasha have to get up. | 0:15:55 | 0:16:00 | |
Their mum struggles to wake them each morning. | 0:16:06 | 0:16:10 | |
They're exhausted from working 60-hour weeks. | 0:16:10 | 0:16:12 | |
They're from a small village outside Aleppo. | 0:16:29 | 0:16:32 | |
It's where they grew up and went to school. | 0:16:32 | 0:16:36 | |
But this morning, Oday has to look for a new job... | 0:16:36 | 0:16:39 | |
..while Rasha is heading off for another shift. | 0:16:41 | 0:16:44 | |
They earn about 70p an hour, | 0:16:56 | 0:16:59 | |
and their family relies on their wages to survive. | 0:16:59 | 0:17:03 | |
Oday spends the morning looking for work. | 0:17:27 | 0:17:31 | |
When I catch up with him later, | 0:17:31 | 0:17:33 | |
he's struggling to put a brave face on bad news. | 0:17:33 | 0:17:37 | |
What will you do now? | 0:17:46 | 0:17:48 | |
You have no work, what will you do now? | 0:17:48 | 0:17:50 | |
You are a brave man, doing your best for your family. | 0:18:05 | 0:18:08 | |
So how do children end up making our clothes? | 0:18:28 | 0:18:32 | |
We want to show how it happens by looking at a single factory. | 0:18:33 | 0:18:38 | |
Hazar Tekstil works for many leading brands. | 0:18:38 | 0:18:41 | |
Its website names Next and the online giant ASOS. | 0:18:42 | 0:18:47 | |
The factory tells us most of its work comes from these two companies. | 0:18:48 | 0:18:53 | |
We ask to see a recent order they have worked on. | 0:19:00 | 0:19:03 | |
And they bring us a set of Next pyjamas with a distinctive pattern. | 0:19:07 | 0:19:12 | |
Next later told us that it stopped using Hazar in December. | 0:19:15 | 0:19:19 | |
It says the pyjamas were made by another supplier, | 0:19:19 | 0:19:22 | |
but that Hazar may have been asked to make a sample. | 0:19:22 | 0:19:26 | |
The supply chain is complicated. | 0:19:30 | 0:19:33 | |
Hazar doesn't actually make most of its orders. | 0:19:33 | 0:19:36 | |
It uses subcontractors. | 0:19:36 | 0:19:38 | |
So we don't believe, in this factory here, | 0:19:39 | 0:19:42 | |
you'll find any Syrian refugees or Syrian children working. | 0:19:42 | 0:19:46 | |
But we know that when you visit the subcontractors, you'll find | 0:19:46 | 0:19:50 | |
the Syrian refugees, and you may very well find Syrian children. | 0:19:50 | 0:19:55 | |
And for us to find out who and where the subcontractors are, | 0:19:56 | 0:19:59 | |
we have to follow those vans. | 0:19:59 | 0:20:02 | |
But that's the truck just ahead of us there now. | 0:20:10 | 0:20:13 | |
Istanbul isn't the easiest place to follow a vehicle. | 0:20:16 | 0:20:19 | |
It's bloody difficult trying to follow this truck in this traffic. | 0:20:25 | 0:20:29 | |
Should I go down that way? I'll go that way. | 0:20:37 | 0:20:40 | |
It's not that way, we can see that way. | 0:20:43 | 0:20:46 | |
No, I think we missed it. We lost it. | 0:20:51 | 0:20:53 | |
OK, eyes peeled. See it? I see it, yes, I see it. | 0:20:57 | 0:21:01 | |
OK, back on its tail now. | 0:21:01 | 0:21:05 | |
Thought we'd lost it there for a while. | 0:21:05 | 0:21:08 | |
We follow Hazar's vans over several days to find | 0:21:12 | 0:21:15 | |
its network of subcontractors. | 0:21:15 | 0:21:17 | |
One of the vans takes us to this workshop. | 0:21:21 | 0:21:24 | |
We ask to see something they've been working on. | 0:21:29 | 0:21:32 | |
These are lovely, this is very good quality, it's... | 0:21:36 | 0:21:39 | |
'The label says Next. It's the same pyjamas we were shown at Hazar.' | 0:21:39 | 0:21:44 | |
Are they stitching this from the cut pieces? | 0:21:45 | 0:21:49 | |
Next later told us that both factories may have been | 0:21:58 | 0:22:01 | |
overselling when they claimed to work for Next. | 0:22:01 | 0:22:05 | |
It also said that... | 0:22:05 | 0:22:07 | |
..and that they do not indicate that production | 0:22:10 | 0:22:12 | |
took place in the factory. | 0:22:12 | 0:22:15 | |
The factory owner then tells us they are also making ASOS clothes. | 0:22:15 | 0:22:20 | |
On the factory floor, we find Turkish children working. | 0:22:32 | 0:22:36 | |
This girl is 14. | 0:22:39 | 0:22:41 | |
And this girl is just ten years old. | 0:22:44 | 0:22:47 | |
The factory later tells us the children were only here | 0:22:50 | 0:22:54 | |
because they were being looked after by relatives in the school holidays. | 0:22:54 | 0:22:58 | |
But our secret filming shows they were working. | 0:22:58 | 0:23:02 | |
And there are Syrian refugees working here too. | 0:23:02 | 0:23:05 | |
Syria? | 0:23:09 | 0:23:11 | |
Syria? | 0:23:11 | 0:23:12 | |
Ah. | 0:23:15 | 0:23:16 | |
The factory says they are not exploited. | 0:23:16 | 0:23:19 | |
And both the factory owner and Hazar now deny making clothes for Next. | 0:23:20 | 0:23:25 | |
ASOS told us it didn't know its clothes were being made here, | 0:23:27 | 0:23:31 | |
as it's... | 0:23:31 | 0:23:32 | |
It says it has since inspected and found five Syrian adults | 0:23:36 | 0:23:40 | |
working illegally, but... | 0:23:40 | 0:23:42 | |
Worker exploitation of any kind, particularly child labour... | 0:23:45 | 0:23:48 | |
But critics say retailers ARE at fault. | 0:23:54 | 0:23:57 | |
Their demand for cheaper production leads to corners being cut. | 0:23:57 | 0:24:02 | |
For every product, there's a price below which it's impossible | 0:24:03 | 0:24:07 | |
to produce that product in a safe and responsible fashion. | 0:24:07 | 0:24:11 | |
Right now the prices that factories are getting for their products | 0:24:11 | 0:24:14 | |
across the garment industry are below that threshold in many cases. | 0:24:14 | 0:24:18 | |
The retailers all deny this, | 0:24:19 | 0:24:21 | |
but the Ethical Trading Initiative recognises there is a problem. | 0:24:21 | 0:24:26 | |
This is a sector which has serious problems around margins | 0:24:26 | 0:24:29 | |
and pushing the race to the bottom across various different countries. | 0:24:29 | 0:24:34 | |
Is there a simple answer when there are | 0:24:34 | 0:24:36 | |
so many brands sourcing from so many suppliers? No. | 0:24:36 | 0:24:39 | |
Is there a recognition there's a problem and some effort | 0:24:39 | 0:24:42 | |
to try and change that? Yes. | 0:24:42 | 0:24:44 | |
By following their delivery trucks, | 0:24:48 | 0:24:50 | |
we've uncovered a second subcontractor used by Hazar. | 0:24:50 | 0:24:54 | |
We're keeping watch outside. | 0:24:54 | 0:24:57 | |
Hang on, look up, look up. | 0:24:58 | 0:24:59 | |
We see a child loading up another of Hazar's delivery vans. | 0:25:01 | 0:25:05 | |
He's obviously working. | 0:25:18 | 0:25:20 | |
But we need to get inside to find out what's actually going on. | 0:25:28 | 0:25:32 | |
Immediately, we spot something interesting. | 0:25:36 | 0:25:39 | |
A Hazar label on a jacket. | 0:25:41 | 0:25:43 | |
And if you take a look at the label, | 0:25:44 | 0:25:47 | |
this item is being made for ASOS. | 0:25:47 | 0:25:49 | |
The owner isn't keen on us visiting the factory floor. | 0:25:52 | 0:25:57 | |
And this may be why. | 0:25:57 | 0:25:59 | |
The first worker we see is the boy we witnessed loading the Hazar van. | 0:26:02 | 0:26:06 | |
ASOS says it has never found a child worker | 0:26:08 | 0:26:11 | |
in its approved factories in Turkey. | 0:26:11 | 0:26:15 | |
But there are Syrian children here. | 0:26:18 | 0:26:20 | |
We are identifying them because ASOS has offered | 0:26:28 | 0:26:31 | |
to financially support any child workers | 0:26:31 | 0:26:34 | |
so they can return to school. | 0:26:34 | 0:26:36 | |
ASOS says this is not an approved factory, | 0:26:40 | 0:26:43 | |
but it accepts its clothes were made here. | 0:26:43 | 0:26:47 | |
When it inspected, it found three Syrian children under 16, | 0:26:52 | 0:26:56 | |
but we think there are more. | 0:26:56 | 0:26:59 | |
ASOS says it will also pay all the adult refugees it found and... | 0:26:59 | 0:27:02 | |
The company says it is doing this... | 0:27:07 | 0:27:09 | |
The main factory, Hazar... | 0:27:14 | 0:27:16 | |
The retailers all say exploitation is unacceptable | 0:27:26 | 0:27:29 | |
and the situation in Turkey is complex. | 0:27:29 | 0:27:33 | |
But our investigation shows that the brands don't always know | 0:27:34 | 0:27:38 | |
how or where their clothes are being made. | 0:27:38 | 0:27:42 | |
Are there bad practices in the industry? Absolutely. | 0:27:42 | 0:27:45 | |
Is there a need for change? Absolutely. | 0:27:45 | 0:27:46 | |
There are many criticisms which are justified of the industry, | 0:27:46 | 0:27:49 | |
but I think there needs to be a recognition that some are | 0:27:49 | 0:27:52 | |
trying to change those dynamics. | 0:27:52 | 0:27:54 | |
Brands need to understand that they are responsible | 0:27:55 | 0:27:58 | |
and it's not enough to say, | 0:27:58 | 0:28:00 | |
"We didn't know about this, it's not our fault." | 0:28:00 | 0:28:03 | |
They have a responsibility to monitor and understand where | 0:28:03 | 0:28:06 | |
their clothes are being made | 0:28:06 | 0:28:08 | |
and what conditions they're being made in. | 0:28:08 | 0:28:10 | |
In Turkey, too many brands simply don't know who is | 0:28:12 | 0:28:16 | |
making their clothes, and until they do, Syrian refugees and children | 0:28:16 | 0:28:22 | |
will continue to be exploited. | 0:28:22 | 0:28:25 |