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The nation's favourite antiques experts, | 0:00:01 | 0:00:04 | |
one big challenge - | 0:00:04 | 0:00:06 | |
who will make the most profit buying and selling antiques | 0:00:06 | 0:00:09 | |
as they drive around the jolly old UK? | 0:00:09 | 0:00:11 | |
-Six pounds. -Five pounds. -Done! | 0:00:11 | 0:00:14 | |
Is that your very best you can do? | 0:00:14 | 0:00:15 | |
At the end of their trip they should have made some big money. | 0:00:15 | 0:00:18 | |
Yes! | 0:00:18 | 0:00:19 | |
But it's not as easy as it sounds. | 0:00:19 | 0:00:21 | |
And only one will be crowned champion | 0:00:23 | 0:00:25 | |
at the final auction in London. | 0:00:25 | 0:00:27 | |
This is the Antiques Road Trip. | 0:00:27 | 0:00:30 | |
Kicking off the competition | 0:00:36 | 0:00:38 | |
are antiques experts David Barby and Anita Manning and lucky them! | 0:00:38 | 0:00:42 | |
They're driving the back roads in a 50-year-old Austin Healey. | 0:00:42 | 0:00:46 | |
David's a freelance auctioneer and valuer | 0:00:46 | 0:00:50 | |
and has specialist knowledge of porcelain. | 0:00:50 | 0:00:52 | |
You can tell by the weight, | 0:00:52 | 0:00:54 | |
the glaze and the finish on the bottom, | 0:00:54 | 0:00:58 | |
that this is a copy. | 0:00:58 | 0:01:01 | |
Competing against him is Anita Manning. | 0:01:01 | 0:01:03 | |
Anita was Scotland's first ever female auctioneer and has run | 0:01:03 | 0:01:07 | |
one of the country's most successful auction houses for over 20 years. | 0:01:07 | 0:01:11 | |
I like these a lot but there's damage | 0:01:12 | 0:01:15 | |
and keep away from anything with damage. | 0:01:15 | 0:01:19 | |
Och aye! | 0:01:19 | 0:01:20 | |
Each expert has a budget of £200 to buy some killer antiques | 0:01:20 | 0:01:23 | |
to sell at auction at the end of each leg. | 0:01:23 | 0:01:26 | |
Whatever money they have after each leg | 0:01:26 | 0:01:29 | |
will be their budget for the next leg and so on | 0:01:29 | 0:01:31 | |
until they reach the end of their road trip. | 0:01:31 | 0:01:34 | |
By then they should have a lot more than £200, | 0:01:34 | 0:01:37 | |
but buying and selling antiques is a fickle old business. | 0:01:37 | 0:01:40 | |
I can carve your cows or sell your furniture, whichever suits you! | 0:01:42 | 0:01:45 | |
This week, Anita and David's road trip will take them | 0:01:48 | 0:01:52 | |
from the north-east of Scotland | 0:01:52 | 0:01:53 | |
to Leyburn in North Yorkshire. | 0:01:53 | 0:01:55 | |
The first leg of the competition starts in Aberdeen | 0:01:56 | 0:01:59 | |
and our experts are making their way to auction in St Andrews. | 0:01:59 | 0:02:03 | |
The Granite City. Aberdeen started off as a fishing settlement | 0:02:05 | 0:02:09 | |
but thrives on other riches of the seas today. | 0:02:09 | 0:02:12 | |
The North Sea oil and gas industries fuelled | 0:02:12 | 0:02:15 | |
its regeneration in the 1970s, | 0:02:15 | 0:02:17 | |
making Aberdeen Scotland's third largest city. | 0:02:17 | 0:02:20 | |
Ah, isn't this fabulous? | 0:02:20 | 0:02:22 | |
-So where are these antique shops? -Well, let's have a look here. | 0:02:24 | 0:02:28 | |
-We have our A To Z. -Anita... | 0:02:28 | 0:02:31 | |
-Good luck, darling. -Best of luck. Should I have said that? | 0:02:31 | 0:02:34 | |
SHE LAUGHS | 0:02:34 | 0:02:35 | |
See you later. | 0:02:35 | 0:02:37 | |
Our two experts have agreed a game plan to shop separately. | 0:02:37 | 0:02:40 | |
Anita's got another more ticklish tactic up her velvet sleeve. | 0:02:40 | 0:02:45 | |
David loves porcelain. | 0:02:45 | 0:02:47 | |
I would like to buy a piece | 0:02:47 | 0:02:50 | |
just to annoy David Barby. | 0:02:50 | 0:02:53 | |
I really want to see what's available on the market. | 0:02:53 | 0:02:56 | |
That's going to be my plan of action. | 0:02:56 | 0:02:58 | |
Meet one or two dealers, see if they can advise me what to buy, | 0:02:58 | 0:03:02 | |
and we'll go from there. | 0:03:02 | 0:03:04 | |
Anita can't resist a bit of sparkle | 0:03:04 | 0:03:06 | |
and makes straight for the jewellery. | 0:03:06 | 0:03:09 | |
They say that diamonds are a girl's best friend | 0:03:09 | 0:03:13 | |
but I favour this lovely Scottish jewellery. | 0:03:13 | 0:03:18 | |
We have this selection of polished stones here | 0:03:18 | 0:03:21 | |
and we have the carnelians. | 0:03:21 | 0:03:23 | |
We have this nice banded agate here, where we have the black | 0:03:23 | 0:03:27 | |
and this lovely beige colouring and nice stripe there. | 0:03:27 | 0:03:32 | |
I would say that this bracelet is probably late Victorian, | 0:03:32 | 0:03:35 | |
early Edwardian, around about the 1900s. | 0:03:35 | 0:03:38 | |
-Yes, circa 1900. -1900s. | 0:03:38 | 0:03:41 | |
I think it's very appealing. The price on it is £95. | 0:03:41 | 0:03:46 | |
-I can do a bit on it for you. -Can you? That would be great. | 0:03:46 | 0:03:49 | |
-Just a little bit. -Just a little bit. What could you take off? | 0:03:49 | 0:03:53 | |
-I can do it for 85 for you. -85. | 0:03:53 | 0:03:55 | |
Interesting tactic. | 0:03:55 | 0:03:57 | |
Anita is prepared to blow nearly half her budget | 0:03:57 | 0:04:00 | |
in the first hour of shopping. | 0:04:00 | 0:04:01 | |
-I think we'll have that. -Fantastic. | 0:04:01 | 0:04:04 | |
Oh, Anita, remember this is a competition | 0:04:04 | 0:04:06 | |
and you're meant to make a profit at the auction. | 0:04:06 | 0:04:10 | |
David's been busy too. | 0:04:10 | 0:04:12 | |
That brown paper parcel suggests he's bought something. | 0:04:12 | 0:04:15 | |
We'll find out what it is later. | 0:04:15 | 0:04:17 | |
Well, Mrs Beeton's Book Of Household Management - new edition. | 0:04:17 | 0:04:21 | |
This is quite good. | 0:04:21 | 0:04:23 | |
This dates from the beginning of the 20th century, 1906, | 0:04:23 | 0:04:27 | |
but it's a wonderful publication | 0:04:27 | 0:04:30 | |
and this was the Bible of chefs. | 0:04:30 | 0:04:32 | |
And the recipes are still used today. | 0:04:34 | 0:04:36 | |
But it's the illustrations all the way through, | 0:04:38 | 0:04:40 | |
of how things were presented on the Edwardian tables of the day, | 0:04:40 | 0:04:45 | |
late Victorian and Edwardian tables, like Dover sole and crab. | 0:04:45 | 0:04:49 | |
Isabella Beeton's famous book was first published in 1861 | 0:04:49 | 0:04:54 | |
when she was just 24. | 0:04:54 | 0:04:56 | |
It contained over 900 recipes but amazingly, | 0:04:56 | 0:04:59 | |
Mrs Beeton herself couldn't cook! | 0:04:59 | 0:05:01 | |
Her masterstroke was to compile | 0:05:01 | 0:05:03 | |
a collection of recipes in one fat volume. | 0:05:03 | 0:05:07 | |
I like that immensely. I'm just going to check on the price. Hello. | 0:05:07 | 0:05:10 | |
-Hello. -This wonderful book of Mrs Beeton. | 0:05:10 | 0:05:13 | |
It's a rather late edition, 1906. | 0:05:13 | 0:05:15 | |
What sort of price is this? | 0:05:15 | 0:05:18 | |
(Just check.) | 0:05:18 | 0:05:20 | |
I'm asking £40 for it | 0:05:20 | 0:05:22 | |
but I could do a little bit off that. | 0:05:22 | 0:05:24 | |
It's such a late edition. | 0:05:24 | 0:05:26 | |
What's the very best? | 0:05:28 | 0:05:29 | |
I could do it for 32. | 0:05:30 | 0:05:32 | |
BUSINESS OWNER LAUGHS | 0:05:33 | 0:05:35 | |
Is that your very best? | 0:05:35 | 0:05:37 | |
I think it's got to be tucked more towards... | 0:05:37 | 0:05:40 | |
-..25. -Really? -Yeah. | 0:05:40 | 0:05:43 | |
If you give me £26 I'd make a proud profit. | 0:05:45 | 0:05:48 | |
-At £26 I'll have it. -Very good. -Thank you very much. | 0:05:48 | 0:05:52 | |
Gosh, what have I done? | 0:05:52 | 0:05:53 | |
Bled this poor man dry? | 0:05:53 | 0:05:55 | |
That was an impulsive buy. | 0:05:55 | 0:05:58 | |
I was going to look at silver and jewellery and porcelain | 0:05:58 | 0:06:01 | |
and ended up with a book on cookery because I like cooking. | 0:06:01 | 0:06:04 | |
And hard bargaining! That's what this competition is all about. | 0:06:04 | 0:06:09 | |
So, the shopping is well underway | 0:06:09 | 0:06:12 | |
and they haven't even left Aberdeen yet. | 0:06:12 | 0:06:14 | |
Time to hit the road. | 0:06:14 | 0:06:16 | |
BLEEP. | 0:06:17 | 0:06:18 | |
Not literally, David. | 0:06:20 | 0:06:21 | |
And you'd better get a move on. The weather's closing in. | 0:06:21 | 0:06:25 | |
Where's the little catch down now? SHE LAUGHS | 0:06:25 | 0:06:28 | |
-David! -What? -Help me! | 0:06:28 | 0:06:30 | |
It's like The Generation Game. | 0:06:30 | 0:06:33 | |
Son and mother. | 0:06:33 | 0:06:34 | |
Done something wrong. | 0:06:36 | 0:06:37 | |
-Oh, there we are! -Yeah, yeah. | 0:06:39 | 0:06:42 | |
Ooh, it's great having a man about the house. | 0:06:42 | 0:06:45 | |
With the roof finally up, David and Anita head west of Aberdeen. | 0:06:51 | 0:06:56 | |
David's steering them towards the village of Dinnet, | 0:06:56 | 0:06:59 | |
where he's heard there's a dealer worth visiting. | 0:06:59 | 0:07:01 | |
-Next stop, David? -Well, this is my little outing, Anita. | 0:07:01 | 0:07:08 | |
David's getting out here with difficulty while Anita heads to the next village. | 0:07:08 | 0:07:12 | |
There we are. It's all yours, darling. | 0:07:12 | 0:07:15 | |
They're really off the beaten track here. | 0:07:15 | 0:07:18 | |
Dealer Dave Hendry is a compulsive collector | 0:07:18 | 0:07:21 | |
and it's a treasure trove inside. | 0:07:21 | 0:07:23 | |
What a fantastic collection! | 0:07:24 | 0:07:27 | |
-Do you think? -It's so eclectic, isn't it? | 0:07:27 | 0:07:31 | |
You've got something of everything here. I love your Happy Hours clock. | 0:07:31 | 0:07:34 | |
-Probably around 1900. -I would have thought about that. | 0:07:34 | 0:07:37 | |
The internal movements have been restored and everything. | 0:07:37 | 0:07:41 | |
-So it works. -What's the price? | 0:07:41 | 0:07:44 | |
-What does it say on it? -£1.50! | 0:07:44 | 0:07:47 | |
-God, that's cheap! -I'll have it. | 0:07:47 | 0:07:49 | |
Nice try, David, but no-one's falling for that. | 0:07:51 | 0:07:54 | |
-How much? -It says 150... -Oh, sugars! | 0:07:54 | 0:07:56 | |
That's far too much money. | 0:07:56 | 0:07:58 | |
Now, I would have said that a special today's price - 40. | 0:07:58 | 0:08:02 | |
DAVID SIGHS | 0:08:02 | 0:08:04 | |
-I think he likes you. -He does actually. He's smiling. | 0:08:04 | 0:08:07 | |
I am charmed by it, I must confess. | 0:08:07 | 0:08:09 | |
Let's look what else you've got. | 0:08:09 | 0:08:11 | |
It's clear that Dave has some unique stock, | 0:08:11 | 0:08:14 | |
but then Dave's quite a unique guy. | 0:08:14 | 0:08:16 | |
He brought a lot of his stuff over from France | 0:08:16 | 0:08:19 | |
where he used to live in a hut in the woods. | 0:08:19 | 0:08:23 | |
-It's a total shambles up here. -Goodness me. | 0:08:23 | 0:08:26 | |
-So who comes up here? -Well, nobody really. | 0:08:26 | 0:08:29 | |
-It's just a storeroom. -A storeroom? -I'm not very organised. | 0:08:29 | 0:08:32 | |
I buy something, I take it up, I find a space, I dump it down. | 0:08:32 | 0:08:35 | |
Then that goes in front of something and that goes in front of something. | 0:08:35 | 0:08:39 | |
-And then I forget all about it. -And discover it years later. | 0:08:39 | 0:08:42 | |
Years and years later. I say, "Oh my God!" | 0:08:42 | 0:08:45 | |
That's the frame department. | 0:08:45 | 0:08:47 | |
-Isn't that interesting? -Now that, I bought in auction in Elgin. | 0:08:48 | 0:08:52 | |
In actual fact, that's what's on the reverse. | 0:08:52 | 0:08:55 | |
I'll show you what's on the other side. | 0:08:55 | 0:08:57 | |
When the auctioneer held it up, he held it like that. | 0:08:57 | 0:09:00 | |
Then he moved round like that and that was behind it. | 0:09:00 | 0:09:03 | |
What a wonderful story. | 0:09:04 | 0:09:07 | |
I think it's Glasgow school. | 0:09:07 | 0:09:09 | |
But it's not just paintings. | 0:09:09 | 0:09:11 | |
Dave's attic is home to pretty much everything | 0:09:11 | 0:09:14 | |
from porcelain to pendulums. | 0:09:14 | 0:09:15 | |
Oh, look at that pendulum! | 0:09:15 | 0:09:17 | |
-Isn't it fabulous? -Isn't that absolutely unbelievably fabulous? | 0:09:17 | 0:09:22 | |
Mother-of-pearl. Boxwood. | 0:09:22 | 0:09:24 | |
Cant believe this. What was the motivation? | 0:09:24 | 0:09:27 | |
To sell or to make a profit? | 0:09:27 | 0:09:29 | |
-I'm just an impulsive buyer. -You're rather like me actually. | 0:09:29 | 0:09:32 | |
I like pictures, I like paintings. | 0:09:32 | 0:09:35 | |
Something comes up, I've just got to have it. | 0:09:35 | 0:09:38 | |
David, what's that up there? | 0:09:38 | 0:09:41 | |
That's my girlfriend! | 0:09:41 | 0:09:43 | |
Would you like to have a more intimate...? | 0:09:43 | 0:09:45 | |
Could I? I'd like to have a feel of the metal. | 0:09:45 | 0:09:48 | |
There you are. | 0:09:48 | 0:09:50 | |
Now, why I wanted to have a feel of the metal | 0:09:51 | 0:09:54 | |
was because of the nature of spelter. | 0:09:54 | 0:09:57 | |
It was one of these cheap man's bronze type figures. | 0:09:57 | 0:10:01 | |
You could feel all the bumps and the blemishes, | 0:10:01 | 0:10:05 | |
but this is very smooth. | 0:10:05 | 0:10:06 | |
-It is. -Very, very smooth. | 0:10:06 | 0:10:09 | |
It's got an extra polish on the backside, hasn't it? | 0:10:10 | 0:10:13 | |
It's very strange, isn't it? | 0:10:13 | 0:10:16 | |
What I like about this is that it's the epitome of Art Deco. | 0:10:16 | 0:10:21 | |
Er, this almost nubile figure. | 0:10:21 | 0:10:24 | |
Very much in the manner of the later Nazi movement, | 0:10:24 | 0:10:29 | |
which was joy through health. | 0:10:29 | 0:10:30 | |
And we have this very iconic female figure | 0:10:30 | 0:10:36 | |
that you would find in Hollywood | 0:10:36 | 0:10:38 | |
and, in fact, right across the art world, | 0:10:38 | 0:10:42 | |
where the female figure was glorified in all its nudity. | 0:10:42 | 0:10:46 | |
This one might have held up a huge circular glass panel | 0:10:46 | 0:10:51 | |
with a light behind it. | 0:10:51 | 0:10:53 | |
But that fitment has gone. Where did it come from? | 0:10:53 | 0:10:56 | |
I just don't remember. I think I brought that back from France. | 0:10:56 | 0:11:00 | |
-You brought it back from France? -I bought that in Brittany, yeah. | 0:11:00 | 0:11:04 | |
-I think it's probably German-French origin. -Quite possibly, yeah. | 0:11:04 | 0:11:09 | |
-How much is this? -Er... | 0:11:09 | 0:11:12 | |
I could let you have it for about £80. | 0:11:13 | 0:11:17 | |
I would normally ask for a lot more. | 0:11:19 | 0:11:21 | |
-But it hasn't got its fitment at the top. -I know it hasn't. | 0:11:21 | 0:11:24 | |
-That does make a world of difference. -I know, yeah. | 0:11:24 | 0:11:26 | |
It makes a world of difference. Is that your very best you can do? | 0:11:26 | 0:11:31 | |
-Well... -She's crying for a new home. Heavens. | 0:11:31 | 0:11:34 | |
-Has she fallen in love with you? -Yeah. | 0:11:34 | 0:11:36 | |
Well, 65. | 0:11:36 | 0:11:38 | |
-50. -Hm. | 0:11:38 | 0:11:41 | |
-50. -55.99. | 0:11:43 | 0:11:45 | |
We'll go for 52.50. | 0:11:45 | 0:11:48 | |
Done. | 0:11:48 | 0:11:50 | |
What have I done? | 0:11:52 | 0:11:54 | |
An incomplete object. | 0:11:55 | 0:11:56 | |
You were right to bargain hard, David. It's risky buying an incomplete or damaged object. | 0:11:56 | 0:12:03 | |
Hi! | 0:12:03 | 0:12:05 | |
Hi. | 0:12:05 | 0:12:07 | |
Oh! | 0:12:08 | 0:12:10 | |
-David, you haven't bought more stuff? -I have! | 0:12:10 | 0:12:13 | |
-You're a shopaholic. -Absolutely. | 0:12:13 | 0:12:15 | |
HE ROARS WITH LAUGHTER | 0:12:15 | 0:12:17 | |
-Come on, let's go. -Let's go, then. -I'll let you go up to 20 mph. | 0:12:17 | 0:12:20 | |
Come on! Come on! | 0:12:20 | 0:12:23 | |
But David's not the only one who's been buying things. | 0:12:23 | 0:12:26 | |
Anita has also made another purchase | 0:12:26 | 0:12:28 | |
but they won't be showing each other what they've bought | 0:12:28 | 0:12:31 | |
until they've finished all their shopping. | 0:12:31 | 0:12:34 | |
It's a beautiful, sunny morning in Angus | 0:12:36 | 0:12:38 | |
as our two experts set off from Edzell and head south-west to Perth. | 0:12:38 | 0:12:44 | |
They'll finish up in St Andrews for the auction | 0:12:44 | 0:12:46 | |
at the end of this particular leg. Anita still has | 0:12:46 | 0:12:50 | |
£95 left from her £200 starting budget, | 0:12:50 | 0:12:53 | |
while David's got £107.50. | 0:12:53 | 0:12:56 | |
Anita's great passion is Scottish glassware. | 0:12:59 | 0:13:04 | |
She especially loves Monart glass, which was made here in Perth, | 0:13:04 | 0:13:08 | |
and the museum has a fantastic collection. | 0:13:08 | 0:13:11 | |
This is what I wanted to see. | 0:13:11 | 0:13:14 | |
What a display. | 0:13:14 | 0:13:16 | |
The colour! I love Monart. | 0:13:16 | 0:13:20 | |
Ironically, this iconic Scottish glassware | 0:13:20 | 0:13:25 | |
was made by a flamboyant Spaniard - Salvador Ysart and his family. | 0:13:25 | 0:13:29 | |
They worked in Scotland between 1924 and 1961. | 0:13:29 | 0:13:34 | |
The finest pieces are highly collectable, fetching up to £4,000. | 0:13:34 | 0:13:39 | |
The only way Anita's going to get her mitts on them | 0:13:39 | 0:13:42 | |
is with protective gloves under the watchful eye of curator Sandra Martin. | 0:13:42 | 0:13:47 | |
Do you have a favourite? | 0:13:47 | 0:13:50 | |
I think I'm particularly fond | 0:13:50 | 0:13:52 | |
of the piece that's directly in front of me | 0:13:52 | 0:13:55 | |
just because there's quite a nice story that goes with that. | 0:13:55 | 0:13:58 | |
There are some silver flecks on the top of the piece here | 0:13:58 | 0:14:02 | |
and these are actually from a local Woolworths store. | 0:14:02 | 0:14:05 | |
It was only available around Christmas time | 0:14:05 | 0:14:07 | |
so I think that's a lovely story. | 0:14:07 | 0:14:09 | |
My favourite is this one here. | 0:14:09 | 0:14:14 | |
In this one I see the fire and the colour of Spain | 0:14:14 | 0:14:19 | |
into the wonderful green of Scotland. | 0:14:19 | 0:14:22 | |
That is telling me the story of Monart. | 0:14:22 | 0:14:27 | |
Yes, absolutely. | 0:14:27 | 0:14:28 | |
While Anita is indulging her passions, | 0:14:29 | 0:14:32 | |
David is heading for an antiques centre in the village of Rait. | 0:14:32 | 0:14:37 | |
With eight shops, he's confident he's going to bag himself a bargain. | 0:14:37 | 0:14:41 | |
Remember, David, you've got £107.50 to spend. | 0:14:41 | 0:14:46 | |
What a great place! What sort of price is this? | 0:14:46 | 0:14:50 | |
That is £785, which is great value for money. | 0:14:50 | 0:14:55 | |
-1,200. -1,200? That's very good. | 0:14:56 | 0:15:00 | |
Come on, focus on your buyer. What would they really want? | 0:15:00 | 0:15:03 | |
This is a must-have, except probably it's a little bit too big! | 0:15:03 | 0:15:08 | |
Anita's been inspired by the Monart collection | 0:15:12 | 0:15:15 | |
and has gone in search of a piece she can afford. | 0:15:15 | 0:15:19 | |
This looks promising! | 0:15:19 | 0:15:20 | |
Could I see this little one, please? | 0:15:20 | 0:15:22 | |
It just is so typically Monart, | 0:15:24 | 0:15:27 | |
with the gold flecks. | 0:15:27 | 0:15:29 | |
And if we turn it over, we see this typical base of Monart, | 0:15:29 | 0:15:33 | |
where we have the polished rim and the polished pontil there. | 0:15:33 | 0:15:38 | |
I think it's quite a sweet little pin dish. | 0:15:38 | 0:15:40 | |
-It's a beautiful colour. -Yes. How much, Helen? -£30 for that piece. | 0:15:40 | 0:15:46 | |
That's not bad! | 0:15:46 | 0:15:47 | |
I mean, £30 for a piece of quality Scottish glass. | 0:15:47 | 0:15:52 | |
A piece of Monart. | 0:15:52 | 0:15:53 | |
-I think I'll have that. -Good, sold to the lady. | 0:15:53 | 0:15:56 | |
-I've still got a wee bit of money left. -Right. | 0:15:56 | 0:15:59 | |
Could I have a look at the pink one, please? | 0:15:59 | 0:16:02 | |
Ah, lovely. Now, let's have a look here. | 0:16:02 | 0:16:05 | |
It's Strathearn glass, which is, I suppose, the grandchild of Monart. | 0:16:05 | 0:16:10 | |
This piece is pre-Second World War and this is post-60s. | 0:16:10 | 0:16:15 | |
Again, I love it with these whirls and swirls | 0:16:15 | 0:16:18 | |
and little flashes of red and orange. | 0:16:18 | 0:16:21 | |
Dare I ask how much? | 0:16:22 | 0:16:25 | |
Well, that piece is £50. | 0:16:25 | 0:16:27 | |
£50. I can still do it! I'm going to have that as well. | 0:16:27 | 0:16:31 | |
I'll have both of them. | 0:16:31 | 0:16:33 | |
Well, you can afford them, Anita, | 0:16:33 | 0:16:35 | |
but I'm not sure there's a profit in them and THAT'S the name of this game. | 0:16:35 | 0:16:39 | |
Now, how's David getting on? | 0:16:41 | 0:16:43 | |
That light-blue glass, purple to blue, | 0:16:43 | 0:16:45 | |
-that's Monart glass. -Monart, Perth. Yes. | 0:16:45 | 0:16:48 | |
-Could I have a look at that, please? -Pleasure. -Thank you. | 0:16:48 | 0:16:51 | |
Monart glass, eh, David? | 0:16:51 | 0:16:53 | |
Oh, it's beautiful. | 0:16:53 | 0:16:55 | |
I love the subtle change from blue into purple. | 0:16:57 | 0:17:00 | |
It's very nice. | 0:17:00 | 0:17:02 | |
-The pinks and oranges tend to be more popular. -That's right. | 0:17:02 | 0:17:05 | |
The vibrant colours. | 0:17:05 | 0:17:07 | |
This isn't so common, not so popular, but... | 0:17:07 | 0:17:12 | |
-Hence your price of £40. -That's right. | 0:17:12 | 0:17:15 | |
What I like is this inclusion here of these almost featherlike swirls. | 0:17:15 | 0:17:19 | |
That's right. If you get the light behind it, | 0:17:19 | 0:17:21 | |
it comes through beautifully. | 0:17:21 | 0:17:24 | |
That is exquisite. So what's the date of this? About 1948? | 0:17:24 | 0:17:27 | |
Yes. Late '40s, 1950. | 0:17:27 | 0:17:30 | |
What would be your best price on it? | 0:17:30 | 0:17:32 | |
I'm not going to pay £40 for it. | 0:17:33 | 0:17:36 | |
35. | 0:17:38 | 0:17:39 | |
I'm going to say 30. | 0:17:42 | 0:17:44 | |
Crisp new notes that you've made today? | 0:17:47 | 0:17:49 | |
-Absolutely. -Go on, then. We'll have a deal. | 0:17:49 | 0:17:52 | |
Thank you very much indeed. | 0:17:52 | 0:17:54 | |
Let me settle up. | 0:17:54 | 0:17:57 | |
Cor, that's how to negotiate a bargain, David. | 0:17:57 | 0:18:00 | |
It's the end of the day. Anita's spent out, | 0:18:00 | 0:18:03 | |
and David doesn't want to spend any more. | 0:18:03 | 0:18:06 | |
So they're meeting up to show each other their purchases. | 0:18:06 | 0:18:09 | |
Hello. It's Christmas time again! | 0:18:09 | 0:18:12 | |
Now what have you got? | 0:18:12 | 0:18:14 | |
First item is a bracelet. | 0:18:14 | 0:18:18 | |
We have the carnelian in the centre. | 0:18:18 | 0:18:22 | |
-We have these polished moss agate. -Yes. | 0:18:22 | 0:18:26 | |
And we have some striped agate here. | 0:18:26 | 0:18:30 | |
And these stones were found in the Highlands, round about here, | 0:18:30 | 0:18:33 | |
sent down to Edinburgh, polished and then mounted in silver. | 0:18:33 | 0:18:38 | |
-This type of thin is popular just now. -Yup. | 0:18:38 | 0:18:41 | |
-And how much did you pay for that? -£85. | 0:18:41 | 0:18:44 | |
-Oh, that's very reasonable. -Yeah. | 0:18:44 | 0:18:46 | |
Are you sure? | 0:18:46 | 0:18:48 | |
Let's see your first item. | 0:18:48 | 0:18:49 | |
First item that I happened to find was a little engraving. | 0:18:49 | 0:18:54 | |
Of? | 0:18:55 | 0:18:57 | |
St Andrews. | 0:18:57 | 0:18:59 | |
Ah, David's brown paper package, eh? | 0:18:59 | 0:19:01 | |
It contains an item cleverly bought | 0:19:01 | 0:19:03 | |
with the auction location in mind - St Andrews. | 0:19:03 | 0:19:06 | |
-How much? -£40. | 0:19:06 | 0:19:08 | |
David, I don't think that's bad at all. Well done! | 0:19:08 | 0:19:11 | |
Anita also bought a Copenhagen vase. | 0:19:11 | 0:19:14 | |
Scandinavian, 20th-century design. | 0:19:14 | 0:19:18 | |
High glaze, well hallmarked, with this rather pretty iris pattern. | 0:19:18 | 0:19:24 | |
-How much was this? -£20. -Oh! | 0:19:24 | 0:19:27 | |
I can't match it! | 0:19:28 | 0:19:30 | |
What will Anita think of David's antique cookery book? | 0:19:30 | 0:19:33 | |
It is a social history of culinary art. | 0:19:33 | 0:19:39 | |
Because there we have Mrs Beeton's Book Of Household Management | 0:19:39 | 0:19:43 | |
and this is the new edition, 1906. | 0:19:43 | 0:19:47 | |
-No home should be without one, David! -This is true. | 0:19:47 | 0:19:51 | |
Tell me how much you paid for it. | 0:19:51 | 0:19:53 | |
-I paid £26 for this. -Uh-huh. | 0:19:53 | 0:19:55 | |
Let's see your next piece. | 0:19:55 | 0:19:57 | |
Right, there we have a piece of Art Deco. I find this quite exciting. | 0:19:57 | 0:20:02 | |
The point is it was an electric light fitment at one stage. | 0:20:02 | 0:20:06 | |
Complete, I think it would be £150-£200. | 0:20:06 | 0:20:09 | |
He sold me this for £52.50. | 0:20:09 | 0:20:11 | |
I love the Art Deco period. It's where style met glamour. | 0:20:11 | 0:20:16 | |
-And, David... -What? -Sex always sells. | 0:20:16 | 0:20:19 | |
Oh, do you think she looks sexy? | 0:20:19 | 0:20:22 | |
-Your third item? -This morning, David, | 0:20:22 | 0:20:25 | |
I visited the Perth Museum with their exhibition of... | 0:20:25 | 0:20:29 | |
-BOTH: -Monart glass. | 0:20:29 | 0:20:32 | |
And I was so inspired | 0:20:32 | 0:20:34 | |
that I've found this little pin dish. | 0:20:34 | 0:20:39 | |
Oh, that is so sweet. | 0:20:39 | 0:20:42 | |
Typical of Monart with the gold aventurine, | 0:20:42 | 0:20:45 | |
the beautiful polished base. | 0:20:45 | 0:20:46 | |
It's such a sweet little thing and it's in the typical Monart green. | 0:20:46 | 0:20:52 | |
£30. What a buy, David! | 0:20:52 | 0:20:55 | |
Absolute bargain. | 0:20:55 | 0:20:57 | |
But I look down and lo and behold... | 0:20:57 | 0:21:00 | |
..I found another piece of Scottish glass. | 0:21:01 | 0:21:04 | |
-I paid £50 for it. -Right. | 0:21:04 | 0:21:06 | |
-I couldn't resist it. -You buy what you love. | 0:21:06 | 0:21:10 | |
-So you want to see my fourth object? -Yes. | 0:21:10 | 0:21:14 | |
Well, I had to buy this. I fell in love with it. | 0:21:14 | 0:21:17 | |
Just as much as you like Monart glass, so do I. | 0:21:17 | 0:21:20 | |
Oh, David, that's absolutely beautiful. | 0:21:20 | 0:21:24 | |
And it's bigger than mine! | 0:21:24 | 0:21:26 | |
DAVID LAUGHS | 0:21:26 | 0:21:28 | |
How much did you pay for this? | 0:21:28 | 0:21:30 | |
-Tell me how much I should have paid for it. -I think that piece is worth £180. | 0:21:30 | 0:21:34 | |
-How much did you pay? -30. -£30? -Yes. | 0:21:35 | 0:21:39 | |
Did they know it was Monart? | 0:21:41 | 0:21:44 | |
Jealous, Anita? | 0:21:44 | 0:21:45 | |
Our steely antique hunters | 0:21:49 | 0:21:51 | |
have put their shopping behind them. | 0:21:51 | 0:21:53 | |
It's auction day in St Andrews, the home of golf. | 0:21:53 | 0:21:56 | |
St Andrews has been a magnet for hunter-gatherers for 8,000 years, | 0:21:57 | 0:22:02 | |
and today they still come in every shape and form. | 0:22:02 | 0:22:05 | |
Well, David, here we are. | 0:22:06 | 0:22:08 | |
-I've got my fingers crossed and everything else. -Let's go. | 0:22:08 | 0:22:11 | |
MacGregor's holds a general auction every two weeks, | 0:22:11 | 0:22:14 | |
selling anything from porcelain to vacuum cleaners. | 0:22:14 | 0:22:18 | |
As for Anita and David's items, | 0:22:18 | 0:22:21 | |
auctioneer Ian Urie has some bad news. | 0:22:21 | 0:22:24 | |
The biggest disappointment is going to be | 0:22:24 | 0:22:26 | |
what you probably thought was the best, | 0:22:26 | 0:22:29 | |
-which is the blue and purple Monart glass vase. -Yes? | 0:22:29 | 0:22:32 | |
Which I'm afraid is damaged. | 0:22:32 | 0:22:34 | |
-Damaged? In what context? -At one time it's been bruised and cracked. | 0:22:34 | 0:22:39 | |
-So it's going to affect the price a great deal. -Cracked? | 0:22:39 | 0:22:42 | |
Is there a crack in it. | 0:22:42 | 0:22:44 | |
Unspotted by David when he bought the vase, | 0:22:44 | 0:22:47 | |
the hairline crack could be a disaster at the auction, | 0:22:47 | 0:22:50 | |
so David wants proof. | 0:22:50 | 0:22:52 | |
-Is that it? -That's a crack, yes. | 0:22:52 | 0:22:54 | |
-Hardly noticeable. -Very tiny, uh-huh. -Very, very tiny. | 0:22:54 | 0:22:59 | |
If this was perfect, what sort of price would it be? 180? | 0:22:59 | 0:23:04 | |
No, you might have got a little bit more for that. | 0:23:04 | 0:23:06 | |
-Probably over 300 if it had a proper label. -300? | 0:23:06 | 0:23:08 | |
So what do you think it's going to go for? | 0:23:08 | 0:23:11 | |
£30 may be pushing it a little bit. | 0:23:11 | 0:23:13 | |
Crikey, Moses. The tiny crack could shatter its value. | 0:23:13 | 0:23:16 | |
It's enough to bring a grown man or doll, like Barby, to tears. | 0:23:16 | 0:23:19 | |
The auction's about to begin, there's no going back. | 0:23:20 | 0:23:23 | |
Anita's expensive bracelet is up first. | 0:23:23 | 0:23:25 | |
The bidding is with me at £8. | 0:23:27 | 0:23:30 | |
Nine, 10. 11, 12. | 0:23:30 | 0:23:33 | |
13, 14. | 0:23:33 | 0:23:34 | |
Och, that's a low start. | 0:23:34 | 0:23:36 | |
It looks like Anita could be in trouble here. | 0:23:36 | 0:23:39 | |
34, 36, | 0:23:39 | 0:23:41 | |
38. 42. | 0:23:41 | 0:23:44 | |
Any advance on £42? | 0:23:44 | 0:23:47 | |
-Oh, that's disappointing. -How much have you lost? | 0:23:47 | 0:23:51 | |
-I've lost £43. -£43. | 0:23:51 | 0:23:54 | |
Well, it's early days, Anita. | 0:23:54 | 0:23:57 | |
Next it's David's Mrs Beeton's book. | 0:23:57 | 0:24:00 | |
And the bid is with me at £18. | 0:24:00 | 0:24:04 | |
18, 19, 20. 22, 24, 28, | 0:24:05 | 0:24:10 | |
30. | 0:24:10 | 0:24:12 | |
36, 38. | 0:24:12 | 0:24:14 | |
Any advance on £38? | 0:24:14 | 0:24:18 | |
-That's a £10 profit. -Well done, well done. | 0:24:20 | 0:24:23 | |
Actually, David, it's £12 profit. Just as well one of us is counting. | 0:24:23 | 0:24:28 | |
Next, it's Anita's Copenhagen vase. | 0:24:28 | 0:24:31 | |
The bid is with me at £6. Any advance on £6? | 0:24:32 | 0:24:37 | |
Seven, eight, | 0:24:37 | 0:24:38 | |
nine, 10. | 0:24:38 | 0:24:41 | |
Any advance on £10? | 0:24:41 | 0:24:44 | |
Bad luck. What she needs now is a winner. | 0:24:47 | 0:24:50 | |
But it's her Strathearn glass bowl next | 0:24:50 | 0:24:53 | |
and she's not hopeful of a profit. | 0:24:53 | 0:24:54 | |
And this is the one that I thought I'd go down on. | 0:24:54 | 0:24:58 | |
And the bid is with me at £12. | 0:24:58 | 0:25:00 | |
12! | 0:25:00 | 0:25:02 | |
13. 14. | 0:25:02 | 0:25:03 | |
Any advance on £14? | 0:25:03 | 0:25:06 | |
God! | 0:25:08 | 0:25:10 | |
Anita! How much did you pay for that? | 0:25:10 | 0:25:13 | |
50! | 0:25:13 | 0:25:14 | |
THEY LAUGH | 0:25:14 | 0:25:16 | |
I think I'm better on the other side of the rostrum. | 0:25:16 | 0:25:19 | |
Well, maybe. | 0:25:19 | 0:25:20 | |
She's now pinning everything on her little green pin dish. | 0:25:20 | 0:25:23 | |
But before that, | 0:25:23 | 0:25:25 | |
it's David's incomplete Art Deco figurine. | 0:25:25 | 0:25:27 | |
And the bid is with me at £48. | 0:25:27 | 0:25:31 | |
You've started well. | 0:25:31 | 0:25:33 | |
-54. 56. -You're doing well! -70. | 0:25:33 | 0:25:36 | |
That's a bit more like it. | 0:25:36 | 0:25:38 | |
98. 100. | 0:25:38 | 0:25:40 | |
-Yes! -105. 110. | 0:25:40 | 0:25:43 | |
115. | 0:25:43 | 0:25:44 | |
Any advance on £115? | 0:25:44 | 0:25:48 | |
I'm not greedy but oh! | 0:25:48 | 0:25:50 | |
-That's good. -You really are the master. | 0:25:50 | 0:25:53 | |
Well, I don't know about that. | 0:25:53 | 0:25:54 | |
Next, it's David's cracked Monart vase. | 0:25:54 | 0:25:57 | |
This could be his downfall. | 0:25:57 | 0:26:00 | |
Any advance on £24? | 0:26:00 | 0:26:03 | |
26. | 0:26:03 | 0:26:05 | |
30. 32. | 0:26:05 | 0:26:07 | |
34. 36. | 0:26:07 | 0:26:09 | |
60. 62. | 0:26:09 | 0:26:11 | |
Any advance on £62? | 0:26:12 | 0:26:16 | |
Oh, David! | 0:26:17 | 0:26:20 | |
-That was good! -Lady Luck is smiling on you today! | 0:26:20 | 0:26:24 | |
She certainly is. | 0:26:24 | 0:26:26 | |
But it only takes one good or bad buy for everything to change, | 0:26:26 | 0:26:29 | |
so will Anita's Monart pin dish rescue her fortunes? | 0:26:29 | 0:26:33 | |
Mere pound for it. Pound I'm bid. Two. Three. | 0:26:34 | 0:26:38 | |
Four. Five. | 0:26:38 | 0:26:40 | |
Six. Seven. | 0:26:40 | 0:26:42 | |
Eight. Nine. | 0:26:42 | 0:26:43 | |
Ten. 11. 12. | 0:26:43 | 0:26:46 | |
13. | 0:26:46 | 0:26:47 | |
Any advance on £13? | 0:26:47 | 0:26:50 | |
That's very cheap. | 0:26:54 | 0:26:56 | |
-That's very cheap, David. -£13. | 0:26:56 | 0:26:58 | |
Their first auction has been a disaster for Anita. | 0:26:58 | 0:27:01 | |
Four losses in a row. | 0:27:01 | 0:27:03 | |
David's picture of St Andrews, | 0:27:03 | 0:27:05 | |
bought with this sale in mind, is their last lot. | 0:27:05 | 0:27:09 | |
And the bid is with me at £24. 26. | 0:27:11 | 0:27:15 | |
Any advance on 26? 28... | 0:27:15 | 0:27:18 | |
Could this be David's first loss? | 0:27:18 | 0:27:20 | |
28. 30. | 0:27:20 | 0:27:23 | |
32, 34, | 0:27:23 | 0:27:26 | |
36, 38. | 0:27:26 | 0:27:28 | |
Any advance on £38? | 0:27:28 | 0:27:32 | |
One more go! | 0:27:32 | 0:27:33 | |
I've lost £2! | 0:27:33 | 0:27:36 | |
Oh, my heart bleeds for you(!) | 0:27:36 | 0:27:38 | |
Well, the only thing that I can say | 0:27:40 | 0:27:42 | |
is I'll be paying less commission than you! | 0:27:42 | 0:27:45 | |
That's something. So David goes straight into the lead. | 0:27:45 | 0:27:48 | |
David started with a budget of £200. | 0:27:48 | 0:27:52 | |
After he's paid the auctioneer's commission, | 0:27:52 | 0:27:54 | |
he's made a profit of £60.83. | 0:27:54 | 0:27:57 | |
So David has a new total of £260.83 for the next leg. | 0:27:57 | 0:28:02 | |
Anita, meanwhile, has made the most frightful bog of it. | 0:28:05 | 0:28:09 | |
From her £200, | 0:28:09 | 0:28:10 | |
she's now down to a paltry £80.37 to spend on the next leg. | 0:28:10 | 0:28:16 | |
I'm a bit disappointed, David, but I'm very pleased for you. | 0:28:20 | 0:28:23 | |
That's very nice. | 0:28:23 | 0:28:25 | |
I would like us both to have made some profit, quite honestly. | 0:28:25 | 0:28:28 | |
Next time, David, next time! | 0:28:28 | 0:28:30 | |
The pressure's on if Anita is to turn her fortunes around. | 0:28:30 | 0:28:34 | |
I'm thinking bargain basement price, perhaps. | 0:28:34 | 0:28:38 | |
And David's lead is under threat. | 0:28:38 | 0:28:41 | |
Last call at 70. | 0:28:41 | 0:28:43 | |
Oh! | 0:28:43 | 0:28:45 | |
It's not long before they'll be back on the road again | 0:28:45 | 0:28:47 | |
to sniff out a few antiques | 0:28:47 | 0:28:49 | |
that will hopefully make them a decent profit. | 0:28:49 | 0:28:51 | |
And will Anita be able to muster a fight back? We're about to find out. | 0:28:51 | 0:28:55 | |
Now for a quick reminder of where we are. | 0:28:55 | 0:28:58 | |
Former Warwickshire chorister David Barby is a buyer, seller, | 0:28:58 | 0:29:01 | |
collector and valuer. He's been weighing up the challenge. | 0:29:01 | 0:29:05 | |
The difficulty in buying antiques at the moment | 0:29:05 | 0:29:07 | |
is trying to judge what's going to be in fashion. | 0:29:07 | 0:29:11 | |
Natural born seller Anita Manning wields her auctioneer's hammer in Glasgow. | 0:29:11 | 0:29:14 | |
She's got to toughen up. | 0:29:14 | 0:29:16 | |
Bargaining is not in my nature. | 0:29:16 | 0:29:19 | |
I'm an auctioneer and I see everything as beautiful | 0:29:19 | 0:29:23 | |
and like it to be the best price possible, | 0:29:23 | 0:29:25 | |
so I've got to keep the price down. | 0:29:25 | 0:29:27 | |
Not good for the hair, though! | 0:29:27 | 0:29:28 | |
The next leg of their journey sees them travelling | 0:29:28 | 0:29:31 | |
from Aberdeen in north-east Scotland | 0:29:31 | 0:29:33 | |
to Leyburn in North Yorkshire. | 0:29:33 | 0:29:35 | |
Today, they're leaving St Andrews | 0:29:35 | 0:29:37 | |
and heading for their next auction, in Edinburgh. | 0:29:37 | 0:29:39 | |
Anstruther is their first stop. | 0:29:39 | 0:29:42 | |
After a cracking start, David's £200 fund has swollen, | 0:29:43 | 0:29:48 | |
giving him £260.83 to spend today. | 0:29:48 | 0:29:51 | |
But Anita had a disastrous first auction. | 0:29:51 | 0:29:55 | |
What did you pay for that? | 0:29:55 | 0:29:57 | |
She's now only got £80.37 to play with. | 0:29:57 | 0:30:02 | |
The only way is up, Anita! | 0:30:02 | 0:30:04 | |
David and Anita are driving through some of Fife's | 0:30:05 | 0:30:08 | |
most tantalising coastal towns, | 0:30:08 | 0:30:11 | |
hoping to find a magical crock of gold somewhere over the rainbow. | 0:30:11 | 0:30:14 | |
Or possibly in an antiques shop. Maybe in Anstruther? | 0:30:16 | 0:30:19 | |
I love that first glimpse of the sea. | 0:30:23 | 0:30:25 | |
It reminds me of when I was a child. | 0:30:25 | 0:30:27 | |
You were going away your holidays and you saw the sea there. | 0:30:27 | 0:30:31 | |
It was fabulous. | 0:30:31 | 0:30:32 | |
Anstruther is one of the best fishing ports in Scotland, | 0:30:32 | 0:30:35 | |
and fish curing remains important, | 0:30:35 | 0:30:37 | |
along with rope, sail and oilskin factories. | 0:30:37 | 0:30:40 | |
Now, Anita, what are we going to do, | 0:30:40 | 0:30:42 | |
bearing in mind the auction yesterday? | 0:30:42 | 0:30:45 | |
Yeah, that was pretty bad news for me, David. | 0:30:45 | 0:30:49 | |
-I mean, I brought really pretty things. -Hmm. | 0:30:49 | 0:30:52 | |
And you bought, um... | 0:30:52 | 0:30:54 | |
You CAN say it. | 0:30:54 | 0:30:56 | |
An unrare book, a lamp that was incomplete and a broken vase. | 0:30:56 | 0:31:03 | |
And you made £100 profit and I made £100 loss! | 0:31:03 | 0:31:08 | |
-So how much have you got to spend now? -£80. -£80! | 0:31:08 | 0:31:10 | |
-I've got £260.83, and I'm so worried what I'm going to do with the 83p. -Oh, I know! | 0:31:13 | 0:31:19 | |
My heart bleeds for you. | 0:31:21 | 0:31:22 | |
David heads off in search of some regional craftwork. | 0:31:22 | 0:31:26 | |
And Anita? Well, she needs to toughen up and stop being so nice. | 0:31:26 | 0:31:30 | |
Well, I've got to be very, very careful today, very careful. | 0:31:32 | 0:31:36 | |
I've only got £80 left. | 0:31:36 | 0:31:38 | |
Two pieces of advice to myself - number one, be cautious, Anita. | 0:31:38 | 0:31:43 | |
The other thing, don't let your heart rule your head. | 0:31:43 | 0:31:47 | |
A wee bit canny. | 0:31:47 | 0:31:49 | |
First up for the underdog, a trip to an Anstruther Aladdin's cave. | 0:31:50 | 0:31:55 | |
Anita must be hoping for a bit of magic. | 0:31:55 | 0:31:59 | |
You know, I was curious, how did the name Jean Genie come about? | 0:31:59 | 0:32:03 | |
Right. Well, when I took the shop on, I wasn't sure what to call it, | 0:32:03 | 0:32:07 | |
but I knew I wanted on the windows "for all things old and new", | 0:32:07 | 0:32:11 | |
so, I thought, "I'm Jean, my granny was Jeannie, so she's the old." | 0:32:11 | 0:32:14 | |
I thought, "I'll have my name and my granny's name, Jeannie." | 0:32:14 | 0:32:17 | |
Just roughly the same time, David Bowie came out with the record Jean Genie. | 0:32:17 | 0:32:21 | |
-So you knew it must have been right? -It had to be that, yes. | 0:32:21 | 0:32:25 | |
It's one of those shops you've just got to really root around in. | 0:32:25 | 0:32:29 | |
What I'm looking for, Jeannie, is something with a rock bottom price, | 0:32:29 | 0:32:34 | |
because I haven't got a lot of money to spend. | 0:32:34 | 0:32:37 | |
It's a wee vesta box. Oh, it's a tape measure. | 0:32:37 | 0:32:40 | |
And you wind the tail. | 0:32:40 | 0:32:42 | |
-The tail winds it in. -Oh, that's very, very good. | 0:32:42 | 0:32:45 | |
Yeah, it's just a novelty. | 0:32:45 | 0:32:47 | |
The thing is, in today's market, people are looking for... | 0:32:47 | 0:32:51 | |
It's a wee, odd and unusual thing, isn't it? | 0:32:51 | 0:32:53 | |
But at £30, I think it's too pricey for you, Anita. | 0:32:53 | 0:32:58 | |
Jeannie, could I have a wee look at that watch there? | 0:32:58 | 0:33:01 | |
It's got a wee look about it. It's never been a fine thing, | 0:33:01 | 0:33:05 | |
but it's got a wee look, you know? | 0:33:05 | 0:33:07 | |
I quite like that type of thing and I like that period. | 0:33:07 | 0:33:10 | |
I think it's got style. | 0:33:10 | 0:33:12 | |
The diamantes are good, but I like the green, round here. | 0:33:12 | 0:33:17 | |
It's got a nice kind of '50s stuff | 0:33:17 | 0:33:19 | |
and that's becoming a wee bit more popular now. | 0:33:19 | 0:33:21 | |
It's collectable. | 0:33:21 | 0:33:24 | |
-It has got one diamante missing. -Yes. | 0:33:24 | 0:33:26 | |
My other problem is the price, | 0:33:27 | 0:33:31 | |
and it's the type of thing that I could buy | 0:33:31 | 0:33:34 | |
if it was totally and absolutely... | 0:33:34 | 0:33:38 | |
-..rock bottom. -What would you offer? | 0:33:40 | 0:33:44 | |
-I mean, it's really... -10? No? | 0:33:46 | 0:33:50 | |
If there's a possibility of it at a couple of pounds? | 0:33:53 | 0:33:57 | |
-But I don't want you to be unhappy. -No, that's all right, no. | 0:33:57 | 0:34:01 | |
I don't want you to be unhappy. I really don't. | 0:34:01 | 0:34:04 | |
Blimey, that is tough negotiating, Anita! | 0:34:04 | 0:34:07 | |
It's what I can offer because I've got to try and sell it again. | 0:34:07 | 0:34:11 | |
What do you think you'd get for it? | 0:34:11 | 0:34:14 | |
-I'm hoping I would get maybe about 10, 12 for it. -Right. | 0:34:14 | 0:34:19 | |
-And I'm a long, long way behind. -Would you go five? | 0:34:19 | 0:34:23 | |
If it was in good condition. | 0:34:23 | 0:34:25 | |
It's chrome, it's not silver or white metal, | 0:34:25 | 0:34:28 | |
-so we know it's not a precious thing. -No. | 0:34:28 | 0:34:30 | |
But we know that it's got a bit of style about it. | 0:34:30 | 0:34:34 | |
Is it doable, Jeannie? If it's not, say no. | 0:34:34 | 0:34:39 | |
Yes, I'll let you have it for two. | 0:34:39 | 0:34:41 | |
I don't believe it! | 0:34:41 | 0:34:43 | |
Well, Anita did very well there. | 0:34:43 | 0:34:45 | |
In fact she couldn't have got that watch any cheaper without... | 0:34:45 | 0:34:48 | |
Well, nicking it! | 0:34:48 | 0:34:51 | |
Meanwhile, David's in no hurry to spend his dosh. | 0:34:52 | 0:34:54 | |
Being a fan of porcelain figures, he's taken a detour | 0:34:56 | 0:34:59 | |
to the village of Ceres | 0:34:59 | 0:35:00 | |
to meet respected artisan Griselda Hill. | 0:35:00 | 0:35:05 | |
Griselda has revived a traditional craft | 0:35:08 | 0:35:11 | |
that was started locally in Fife in 1882. | 0:35:11 | 0:35:15 | |
-What a fabulous shop! David Barby. -Very pleased to meet you. | 0:35:17 | 0:35:21 | |
-Griselda Hill. -What's it like being a living legend? | 0:35:21 | 0:35:24 | |
Well, I don't think I'm quite a living legend! | 0:35:24 | 0:35:26 | |
You're so well-known with the Wemyss fraternity. | 0:35:26 | 0:35:28 | |
The world-famous Wemyss Ware was invented by a local pottery owner, | 0:35:28 | 0:35:33 | |
Robert Heron, together with Karel Nekola, | 0:35:33 | 0:35:36 | |
a gifted designer from the former Czechoslovakia. | 0:35:36 | 0:35:39 | |
The pottery in Kirkcaldy closed in 1957, | 0:35:39 | 0:35:43 | |
but Griselda bought the copyright for the designs, | 0:35:43 | 0:35:46 | |
prized for their free-flowing | 0:35:46 | 0:35:48 | |
and naturalistic hand-painted techniques. | 0:35:48 | 0:35:52 | |
Do you feel yourself as a revivalist or continuing a pottery tradition? | 0:35:53 | 0:36:00 | |
We certainly revived the pottery, | 0:36:00 | 0:36:02 | |
but I certainly feel that I'm allowed to do my own designs | 0:36:02 | 0:36:06 | |
within the umbrella of the Wemyss tradition. | 0:36:06 | 0:36:09 | |
I think these are lovely. When did you start putting... | 0:36:09 | 0:36:12 | |
-Are they glass eyes on the cats? -Yes, yes. -Where did you get those from? | 0:36:12 | 0:36:16 | |
-From a special company or something? -Well, yes, | 0:36:16 | 0:36:18 | |
-a taxidermist, who we get some from. -Is it?! | 0:36:18 | 0:36:21 | |
-Can we go and see how the potting is done? -Of course you can, yes. | 0:36:21 | 0:36:24 | |
-Gosh, that's quite wet, isn't it? -Yes. -It really is. | 0:36:30 | 0:36:34 | |
-And it's very heavy. -Yes, it is. | 0:36:34 | 0:36:36 | |
Well, that would be left to dry. | 0:36:36 | 0:36:38 | |
This is what it looks like once it's been fired. That's bisqueware. | 0:36:38 | 0:36:42 | |
Yes, and it's so much lighter | 0:36:42 | 0:36:45 | |
-because it's had all the moisture... -That's right. | 0:36:45 | 0:36:47 | |
Here we've got the painting room. | 0:36:47 | 0:36:49 | |
This is where everything gets painted, | 0:36:49 | 0:36:51 | |
then it goes back to get fired in the kiln. | 0:36:51 | 0:36:53 | |
This is where it gets its identity for Wemyss, doesn't it? | 0:36:53 | 0:36:56 | |
It certainly does. This is very classic Wemyss. | 0:36:56 | 0:36:59 | |
The cabbage rose pattern | 0:36:59 | 0:37:01 | |
has a unique, three-dimensional effect, | 0:37:01 | 0:37:03 | |
and it takes the artist more than two years' training | 0:37:03 | 0:37:07 | |
to master the skill. | 0:37:07 | 0:37:09 | |
If an original pair of Wemyss cats came up for sale, | 0:37:09 | 0:37:13 | |
let's say this height, we would be talking, what, £2,500, £3,000? | 0:37:13 | 0:37:17 | |
-Yes. Per cat. -They're as expensive as that, are they? -Yes. | 0:37:17 | 0:37:21 | |
-What sort of price are yours? -Well, this one is £180. | 0:37:21 | 0:37:25 | |
-That's a great differential, isn't it? -Yes, it's a bargain! | 0:37:26 | 0:37:29 | |
Has David got the Wemyss bug now? | 0:37:29 | 0:37:31 | |
He's leading the contest by a mile, but Anita might have just bought | 0:37:31 | 0:37:35 | |
a nice little earner. | 0:37:35 | 0:37:37 | |
Following her quick getaway from Jean Genie, | 0:37:37 | 0:37:41 | |
Anita is continuing her search for good investments | 0:37:41 | 0:37:43 | |
and aiming to part with as little money as possible. | 0:37:43 | 0:37:48 | |
Make yourself at home, you could be here for hours. | 0:37:49 | 0:37:52 | |
We have everything apart from space in here. | 0:37:52 | 0:37:55 | |
That's the only thing that's at a premium. | 0:37:55 | 0:37:57 | |
Anita has found something. | 0:37:57 | 0:38:00 | |
It's a typical Victorian oil on canvas Highland landscape | 0:38:00 | 0:38:05 | |
with a little loch here. | 0:38:05 | 0:38:07 | |
There's a signature here, David Watts. Condition isn't good. | 0:38:07 | 0:38:12 | |
There's no date, | 0:38:12 | 0:38:14 | |
but I would put it late 19th, early 20th century. | 0:38:14 | 0:38:18 | |
Hm, interesting. We'll keep that in mind. | 0:38:19 | 0:38:24 | |
And there's a second canvas. | 0:38:24 | 0:38:27 | |
Same artist, David Watts. | 0:38:27 | 0:38:29 | |
That type of picture, not as popular as it was before, | 0:38:31 | 0:38:35 | |
a wee bit of damage on the canvas, unframed, | 0:38:35 | 0:38:39 | |
that's what I'm thinking. Bargain basement price, perhaps? | 0:38:39 | 0:38:43 | |
-Perhaps. -Can I be absolutely straightforward? -You can indeed. | 0:38:43 | 0:38:47 | |
I wouldn't expect you to be any other way. | 0:38:47 | 0:38:49 | |
-You can throw me out of the shop if you wish. -He might! | 0:38:49 | 0:38:53 | |
Could I pay £15 for both? | 0:38:53 | 0:38:57 | |
You can pay £20 for both. | 0:38:57 | 0:38:59 | |
Can you pull it down to, say, 16? | 0:38:59 | 0:39:02 | |
You're a hard woman, Anita Manning! | 0:39:02 | 0:39:04 | |
I'm not, I'm a wee softy! | 0:39:04 | 0:39:07 | |
You can have them both for £16. | 0:39:07 | 0:39:09 | |
-Oh, that is wonderful. -You're welcome. | 0:39:09 | 0:39:11 | |
I hope that I make a couple of bob out of these pictures. | 0:39:11 | 0:39:15 | |
-If I do, I'll come back and buy you a cup of coffee, or a wee half. -That's a date. | 0:39:15 | 0:39:19 | |
Ooh, steady on, Anita! | 0:39:19 | 0:39:22 | |
But then, desperate times call for desperate measures. | 0:39:22 | 0:39:26 | |
And Anita's certainly fighting back with gusto. | 0:39:26 | 0:39:29 | |
David's now moved on to the pretty seaside town of Pittenweem. | 0:39:30 | 0:39:35 | |
What will he find in his first antique shop of the day? | 0:39:35 | 0:39:39 | |
The difficulty in buying antiques at the moment is trying to judge | 0:39:41 | 0:39:45 | |
what's going to be in fashion, and those items that are completely | 0:39:45 | 0:39:50 | |
out of fashion, but might come back, you can never tell. | 0:39:50 | 0:39:53 | |
This is quite interesting. | 0:39:54 | 0:39:56 | |
Because this is Scottish vernacular furniture in miniature. | 0:39:56 | 0:40:02 | |
This is a child's doll's cradle. | 0:40:02 | 0:40:05 | |
And what is so nice is the 19th-century decoration, | 0:40:05 | 0:40:09 | |
which is this scumble work. | 0:40:09 | 0:40:12 | |
Scumble work is a decorative painting technique | 0:40:12 | 0:40:14 | |
to make wooden items look more interesting. | 0:40:14 | 0:40:17 | |
It's often used on pine, which some people find a bit boring. | 0:40:17 | 0:40:22 | |
Oh, dear, poor little thing! | 0:40:22 | 0:40:25 | |
We only have the upper section of the doll. | 0:40:25 | 0:40:28 | |
That's why we have these heavy quilts in front of it. | 0:40:28 | 0:40:31 | |
But I like the cradle. | 0:40:32 | 0:40:33 | |
Bit old to be playing with dolls, aren't you, David? | 0:40:33 | 0:40:37 | |
-Right. -She's a funny baby! -Isn't she just? Yes. | 0:40:37 | 0:40:41 | |
They're called cradle dolls. | 0:40:41 | 0:40:43 | |
Because you never see the lower section. So how much is the cradle? | 0:40:43 | 0:40:47 | |
The cradle as such would be... | 0:40:47 | 0:40:51 | |
..90. | 0:40:51 | 0:40:52 | |
HE GASPS | 0:40:52 | 0:40:54 | |
-How much did you think? Much less? -Oh, much less, yes. | 0:40:54 | 0:40:58 | |
-Dare I throw a figure at you? -Mm-hmm. -30. | 0:40:59 | 0:41:03 | |
-No. No, no way. -Compromise, 35. | 0:41:03 | 0:41:07 | |
OK. And would you like this? | 0:41:09 | 0:41:12 | |
Oh, how kind of you. | 0:41:12 | 0:41:14 | |
Oh, you must have that inside. | 0:41:14 | 0:41:16 | |
What a cosy deal! | 0:41:16 | 0:41:18 | |
Does she sit nicely inside? | 0:41:18 | 0:41:20 | |
-There you are. -Thank you very much indeed. That is so kind of you. | 0:41:22 | 0:41:25 | |
Well, that was a charming lady. | 0:41:29 | 0:41:32 | |
I almost feel guilty because this was such a very good buy. | 0:41:32 | 0:41:37 | |
Almost, David, but not quite, eh? | 0:41:37 | 0:41:39 | |
A busy day's hunting draws to an end, and it's time to relax. | 0:41:41 | 0:41:45 | |
-David, it's so nice to see you being mummy! -Ha-ha! | 0:41:45 | 0:41:50 | |
I've been everything else today. So how did you get on? | 0:41:50 | 0:41:53 | |
-I had a wonderful day. -And did you buy? That's the important thing. | 0:41:53 | 0:41:57 | |
Yes, I bought some modest items. | 0:41:57 | 0:42:00 | |
Really? With due respect, Anita, | 0:42:00 | 0:42:03 | |
you couldn't afford to buy anything else, could you? | 0:42:03 | 0:42:06 | |
Oh, you besom! | 0:42:06 | 0:42:08 | |
Ooh! So what will another day | 0:42:08 | 0:42:11 | |
hold in store for our two intrepid experts? | 0:42:11 | 0:42:14 | |
Will David's comfortable lead ease him to the finish line first? | 0:42:14 | 0:42:17 | |
Or will the underdog have her day? | 0:42:17 | 0:42:20 | |
Another beautiful day | 0:42:22 | 0:42:24 | |
and frontrunner David is still looking confident. | 0:42:24 | 0:42:27 | |
He's bought one item and still has £225. | 0:42:27 | 0:42:31 | |
Meanwhile, the pressure's on Anita to claw her way back, | 0:42:31 | 0:42:34 | |
and she's done some hard bargaining. | 0:42:34 | 0:42:37 | |
She started with £80, she bought a couple of items | 0:42:37 | 0:42:39 | |
and she's still got £62. | 0:42:39 | 0:42:42 | |
But it's old moneybags in the driving seat today. | 0:42:42 | 0:42:46 | |
David and Anita leave Cupar and enter Stirlingshire. | 0:42:47 | 0:42:51 | |
David's heading for Auchterarder after dropping Anita in Callander, | 0:42:51 | 0:42:56 | |
which lies in the heart of the Trossachs. | 0:42:56 | 0:42:58 | |
Close by is Loch Katrine, which was the setting | 0:42:58 | 0:43:03 | |
for Sir Walter Scott's famous poem The Lady Of The Lake. | 0:43:03 | 0:43:07 | |
As David's got more money to spend than Anita, | 0:43:07 | 0:43:11 | |
he can afford to be more choosy. | 0:43:11 | 0:43:12 | |
He's seen a shop in Auchterarder which deserves closer inspection. | 0:43:12 | 0:43:18 | |
There's a barometer over there. Not fashionable, with that rounded top, | 0:43:18 | 0:43:21 | |
but it's a good period one. | 0:43:21 | 0:43:24 | |
What I like about it is the mother-of-pearl and the rosewood. | 0:43:24 | 0:43:27 | |
Hello, there. What's the best on that? | 0:43:27 | 0:43:31 | |
The best price on that would be £100, | 0:43:31 | 0:43:33 | |
-that's really the best I can do. -You can't tug it under? -No, I'm sorry. | 0:43:33 | 0:43:37 | |
Cor, that's a lot of money! It's certainly a gamble | 0:43:37 | 0:43:40 | |
if David's right about barometers being unfashionable. | 0:43:40 | 0:43:43 | |
Meanwhile, the recent past beckons Anita | 0:43:43 | 0:43:47 | |
in a retro emporium in Callander. | 0:43:47 | 0:43:49 | |
It may not be big on traditional antiques, | 0:43:53 | 0:43:56 | |
but it's great for quirky collectables to invest in. | 0:43:56 | 0:43:59 | |
Look at what you've got here. That's great! Can I have a wee look round? | 0:43:59 | 0:44:02 | |
Have a look round, yes. There's quite a selection. | 0:44:02 | 0:44:05 | |
Owner George Johnson has some fun arcade machines, | 0:44:05 | 0:44:09 | |
which can be very revealing. | 0:44:09 | 0:44:11 | |
Here's 10p. I thought we could test out what your personality is like. | 0:44:12 | 0:44:16 | |
-I mean, the machine never lies. -I'd love to know. -Well, there you go. | 0:44:16 | 0:44:20 | |
Place your 10p in the slot, pull the handle | 0:44:21 | 0:44:23 | |
and we'll find out what your true nature is. | 0:44:23 | 0:44:26 | |
We've got spendthrift or tight! | 0:44:26 | 0:44:28 | |
I'd rather be red hot! | 0:44:30 | 0:44:32 | |
Now, pull the handle. | 0:44:32 | 0:44:34 | |
Amorous. Come here! | 0:44:35 | 0:44:38 | |
Not sure if this kind of personality is going to get Anita very far in George's shop, eh? | 0:44:38 | 0:44:43 | |
My word, this is an extensive showroom, isn't it? | 0:44:44 | 0:44:47 | |
I love those glass panels. Those are superb. | 0:44:47 | 0:44:50 | |
They're very pretty, very good quality. | 0:44:50 | 0:44:53 | |
Absolutely. Have you got any other stained glass? | 0:44:53 | 0:44:56 | |
There's another panel round here with an armorial. | 0:44:56 | 0:44:59 | |
-It's a Scottish lion rampant on it. -I like that. | 0:44:59 | 0:45:02 | |
-What's the price of that? -That's £120. | 0:45:02 | 0:45:06 | |
120. I notice there's some damage here. | 0:45:06 | 0:45:08 | |
That, I think, is quite difficult to have restored. | 0:45:08 | 0:45:11 | |
These pieces are quite easily done, the clear glass. | 0:45:11 | 0:45:14 | |
This piece, we'd have to repaint, have a new piece made. | 0:45:14 | 0:45:17 | |
-What's the very best on it? -That piece I could do for £90. | 0:45:17 | 0:45:21 | |
For £90, I like that. I can see a profit margin in that. | 0:45:21 | 0:45:24 | |
What I was looking for here was the wow factor. | 0:45:24 | 0:45:30 | |
Something that I'd stand back and say, "Ah, that is superb!" | 0:45:30 | 0:45:35 | |
I've got it with the armorial device, I think that's very good. | 0:45:35 | 0:45:39 | |
The barometer, it doesn't necessarily have that wow factor, | 0:45:39 | 0:45:44 | |
but thinking in terms of Edinburgh, the type of housing there, | 0:45:44 | 0:45:48 | |
and it has that quality. | 0:45:48 | 0:45:51 | |
Very wise, David, thinking ahead to the type of buyers who might be at the Edinburgh auction. | 0:45:51 | 0:45:56 | |
-I'd love to buy that brooch. -It's a beautiful brooch. | 0:45:56 | 0:46:00 | |
-But that's way beyond the... -You might be surprised. | 0:46:00 | 0:46:04 | |
-£95. It's a 1920s costume piece. -Right. | 0:46:04 | 0:46:10 | |
I am so tempted! | 0:46:10 | 0:46:11 | |
I am so tempted, but what I have left is not a lot of money. | 0:46:11 | 0:46:15 | |
Well, you've got £62. | 0:46:15 | 0:46:17 | |
And I'm going to say something really daft to you. | 0:46:17 | 0:46:20 | |
-And you can throw me out of this shop if you want. -Go on. | 0:46:20 | 0:46:23 | |
I've got 20 quid to spend! | 0:46:27 | 0:46:29 | |
I'm sure I can find you something else for £20, | 0:46:33 | 0:46:36 | |
but it won't be that brooch. | 0:46:36 | 0:46:39 | |
Nice try, but George isn't falling for Anita's guile. | 0:46:39 | 0:46:42 | |
Meanwhile, it's all going swimmingly for David in Auchterarder. | 0:46:42 | 0:46:46 | |
I'd like the armorial window panel, at 90. | 0:46:46 | 0:46:52 | |
-All my worldly goods, I thee endow. -Thank you very much. | 0:46:52 | 0:46:55 | |
David's thrown caution to the wind. | 0:46:55 | 0:46:58 | |
Looks like the stained-glass window wasn't the only purchase here. | 0:46:58 | 0:47:02 | |
That shapely package looks rather familiar. | 0:47:02 | 0:47:05 | |
But where can Anita go to catch up? | 0:47:06 | 0:47:08 | |
Well, given her teeny budget, | 0:47:08 | 0:47:11 | |
she's drawn to an unexpected opportunity back in Callander. | 0:47:11 | 0:47:14 | |
Looks like a wee car booty up there. | 0:47:14 | 0:47:17 | |
Oh, I might be in a bit of luck here! Let's go and have a look. | 0:47:17 | 0:47:21 | |
The situation that I'm in, this is great news. | 0:47:21 | 0:47:25 | |
Well, you never know what's going to turn up. | 0:47:25 | 0:47:28 | |
People are clearing out the garage or clearing out... | 0:47:28 | 0:47:32 | |
Just things they no longer use, so you can occasionally find something | 0:47:32 | 0:47:37 | |
which is just a nice wee absolutely wonderful piece. | 0:47:37 | 0:47:43 | |
Looks like she's found something | 0:47:43 | 0:47:45 | |
from a mystery stallholder who likes his privacy. Don't you, John? | 0:47:45 | 0:47:48 | |
-How much are they? -£30. -£30? | 0:47:48 | 0:47:52 | |
-Would you take 20? -No. | 0:47:52 | 0:47:54 | |
I can get 24 in scrap. | 0:47:54 | 0:47:56 | |
Could you come down at all, John? | 0:47:56 | 0:47:59 | |
I'll give you a bargain. | 0:47:59 | 0:48:01 | |
-I'll give you them for £24, that's the scrap value. -24. | 0:48:01 | 0:48:04 | |
-Can't knock that back, can I? -It's a deal. | 0:48:04 | 0:48:08 | |
So you don't always need antique shops to find old treasures. | 0:48:08 | 0:48:12 | |
If those gold cufflinks turn out to be worth their weight in, well, gold, | 0:48:12 | 0:48:17 | |
then Anita's fortunes may be about to turn. | 0:48:17 | 0:48:20 | |
-Want a wee tune? -OUT OF TUNE STRUM | 0:48:20 | 0:48:22 | |
Lovely. Not! | 0:48:22 | 0:48:24 | |
The hills are alive with the sound of, well, not exactly music... | 0:48:25 | 0:48:29 | |
MOOING | 0:48:29 | 0:48:30 | |
..but David and Anita certainly found their rhythm today | 0:48:30 | 0:48:33 | |
and both came away with rather interesting and diverse items. | 0:48:33 | 0:48:37 | |
Now it's time to show and tell. | 0:48:37 | 0:48:39 | |
Oh-ho-ho! | 0:48:39 | 0:48:41 | |
-I really want to see what you've got. -I think this is super. | 0:48:41 | 0:48:44 | |
That's a sweet thing. | 0:48:44 | 0:48:46 | |
This is a little Scottish cradle, probably made in Fife, | 0:48:46 | 0:48:49 | |
and she's included in it. | 0:48:49 | 0:48:51 | |
And it's only the upper torso. | 0:48:51 | 0:48:54 | |
You big sissy! | 0:48:54 | 0:48:55 | |
THEY CHUCKLE | 0:48:55 | 0:48:58 | |
-Now what about yours? -I was thinking about the Edinburgh young girls, | 0:48:58 | 0:49:03 | |
-wearing 1950s vintage clothes. -Bling-bling! | 0:49:03 | 0:49:07 | |
Bling-bling. It's a diamante watch. | 0:49:07 | 0:49:09 | |
-How much did you pay for that? -£2. -Oh, that's ridiculous! | 0:49:09 | 0:49:14 | |
-That really is. There's a profit there. -I hope so, David. | 0:49:14 | 0:49:17 | |
Oh, there's a profit there. | 0:49:17 | 0:49:19 | |
Is that a piece of stained glass? | 0:49:19 | 0:49:21 | |
-It is indeed. Once I get it out. -Is it in good condition? | 0:49:21 | 0:49:24 | |
(No, it's not!) HE LAUGHS | 0:49:24 | 0:49:26 | |
So you've have bought a load of old broken junk again! | 0:49:26 | 0:49:29 | |
THEY LAUGH | 0:49:29 | 0:49:31 | |
So I think this is absolutely super. Look at the colour of the glass. | 0:49:31 | 0:49:34 | |
A little bit of damage here and there, but not excessively. | 0:49:34 | 0:49:37 | |
I bought two Scottish scenes, | 0:49:37 | 0:49:42 | |
a rather nice loch scene here, | 0:49:42 | 0:49:44 | |
with this silver birch, which is beautifully done, | 0:49:44 | 0:49:47 | |
and this sort of thundering sky, | 0:49:47 | 0:49:52 | |
with the loch and the hills in the background. | 0:49:52 | 0:49:56 | |
The artist is not a well-known artist. | 0:49:56 | 0:50:00 | |
-How much did you pay? -£16 for the two. | 0:50:00 | 0:50:03 | |
16? That's ridiculous. | 0:50:03 | 0:50:05 | |
You must have smiled! | 0:50:05 | 0:50:07 | |
I smile all the time, David. | 0:50:07 | 0:50:10 | |
We were walking along the street and we found a car boot sale. | 0:50:10 | 0:50:14 | |
And I managed to find a pair of nine carat gold cufflinks. | 0:50:14 | 0:50:19 | |
-They could be from the 1930s, 1940s. -Very good. | 0:50:19 | 0:50:24 | |
Price, what do you think on price? | 0:50:24 | 0:50:26 | |
-I would have thought you would pay about £40. -24. | 0:50:26 | 0:50:30 | |
That's very good. That's very good. | 0:50:30 | 0:50:32 | |
David's turn to reveal the barometer he couldn't resist. | 0:50:32 | 0:50:37 | |
That's a very nice barometer, David. | 0:50:37 | 0:50:40 | |
The whole thing reeks of quality. Round about, I suppose, 1835, 1840. | 0:50:40 | 0:50:45 | |
-It's an earlier one. How much did you pay for it? -£90. | 0:50:45 | 0:50:50 | |
Mm-hmm. | 0:50:50 | 0:50:51 | |
-I was looking for that wow factor. -Yes. It doesn't have that! | 0:50:52 | 0:50:56 | |
Don't hold back, Anita! | 0:50:56 | 0:51:00 | |
I think she was looking at it from the auctioneer's eye point. | 0:51:00 | 0:51:04 | |
The barometer... Barometers are out. | 0:51:04 | 0:51:07 | |
The watch, I thought, was dreadful. | 0:51:07 | 0:51:11 | |
At £2, I'd be surprised if the auction house | 0:51:11 | 0:51:14 | |
put it in as a separate lot. | 0:51:14 | 0:51:15 | |
He's bought some nice items, | 0:51:15 | 0:51:17 | |
I can't tell you if they're going to make a profit or not. | 0:51:17 | 0:51:21 | |
I hope they don't! That's not nice, is it? | 0:51:21 | 0:51:25 | |
So the gloves are off and only the auctioneer's hammer will decide who is today's champion. | 0:51:25 | 0:51:30 | |
Our two experts finally arrive in Edinburgh. | 0:51:32 | 0:51:35 | |
It's auction day. | 0:51:37 | 0:51:38 | |
Scotland's stunning capital, | 0:51:39 | 0:51:42 | |
a jewel set amongst majestic hills, | 0:51:42 | 0:51:45 | |
home to some of the most beautiful public buildings in the world, | 0:51:45 | 0:51:48 | |
and also, the Scottish Parliament. | 0:51:48 | 0:51:50 | |
Well, David, here we are. | 0:51:51 | 0:51:53 | |
-Are you looking forward to it? -Apprehensively. | 0:51:53 | 0:51:55 | |
-Let's go, David. -There we are. | 0:51:57 | 0:51:59 | |
THEY CHUCKLE OK, keep your fingers crossed. | 0:51:59 | 0:52:03 | |
The Ramsay Cornish auction house | 0:52:03 | 0:52:05 | |
has regular sales in arts, antiquities and furniture. | 0:52:05 | 0:52:08 | |
It also features antique toy sales and is popular with collectors. | 0:52:08 | 0:52:13 | |
David started this leg with £260 and he spent £215. | 0:52:13 | 0:52:17 | |
He's as nervous as a baby. | 0:52:17 | 0:52:21 | |
How much is the barometer going to make? | 0:52:21 | 0:52:23 | |
Traditionally, barometers have always done well, | 0:52:23 | 0:52:26 | |
but at the moment, the market for clocks and barometers is a bit flatter. | 0:52:26 | 0:52:29 | |
I would estimate at somewhere between £80 and £120 at auction. | 0:52:29 | 0:52:33 | |
Anita's only spent £42 of her £80, | 0:52:33 | 0:52:37 | |
but she can't afford to lose any more. | 0:52:37 | 0:52:39 | |
What about the pictures? David Watts. | 0:52:39 | 0:52:41 | |
They're really nice. As you know, he was an RSA. | 0:52:41 | 0:52:45 | |
I've got someone who is quite interested in these, so fingers crossed. | 0:52:45 | 0:52:48 | |
-Excellent. -We'll do quite well for you. | 0:52:48 | 0:52:50 | |
It's the moment of truth. Will Anita's hard bargaining pay off? | 0:52:51 | 0:52:56 | |
First lot is lot number one. And we have | 0:52:56 | 0:53:01 | |
a very nice 1950s diamante and white metal fob watch. | 0:53:01 | 0:53:04 | |
20 I'm bid. 20 I'm bid. 22, 24, 26, 28, 30. | 0:53:04 | 0:53:09 | |
32, 34. | 0:53:09 | 0:53:11 | |
£34, the nice diamante watch at £34. I'm only bid. | 0:53:11 | 0:53:16 | |
Last call and I'm selling it at £34, 34. | 0:53:16 | 0:53:20 | |
Carried at 34. | 0:53:20 | 0:53:22 | |
That was a good start. | 0:53:22 | 0:53:23 | |
Well done, Anita. Mind you, no sign | 0:53:23 | 0:53:26 | |
of any guilt at striking such a hard bargain for that watch. | 0:53:26 | 0:53:31 | |
Next, it's those car boot cufflinks that Anita | 0:53:31 | 0:53:34 | |
really did get from the back of a lorry! | 0:53:34 | 0:53:36 | |
20, I'm bid. | 0:53:36 | 0:53:38 | |
22, 24, 26, 28, | 0:53:38 | 0:53:42 | |
30, 32, 34, 36, 38. | 0:53:42 | 0:53:48 | |
Lady's bid, on my right, 40. | 0:53:48 | 0:53:50 | |
-Hey! -Still a bargain. 42. At £42, at 42. | 0:53:50 | 0:53:55 | |
-To 26, thank you. -Gosh, how much did they cost you? | 0:53:55 | 0:53:58 | |
Er, £24. | 0:53:58 | 0:54:00 | |
That is good! It's nice to see you smiling. | 0:54:00 | 0:54:04 | |
Now, will David's doll's cradle rock the saleroom? | 0:54:06 | 0:54:10 | |
50 for this, to start it off. 50 I'm bid. | 0:54:10 | 0:54:11 | |
For the doll's cradle etc, at £50. 55. | 0:54:11 | 0:54:14 | |
60, at £60. Nobody else going? At £60. At 60. | 0:54:14 | 0:54:20 | |
Not bad. | 0:54:20 | 0:54:21 | |
The pressure's on with David's unfashionable, | 0:54:24 | 0:54:27 | |
un-wow-factor barometer. | 0:54:27 | 0:54:30 | |
50, I'm bid. | 0:54:30 | 0:54:31 | |
55, 60, 65, 70. | 0:54:31 | 0:54:34 | |
At £70, at £70. For the barometer at £70. | 0:54:34 | 0:54:39 | |
Last call at 70. | 0:54:39 | 0:54:41 | |
Ouch! That's a bad loss. | 0:54:44 | 0:54:48 | |
It's giving Anita the chance to catch up. | 0:54:48 | 0:54:50 | |
Lot 50 is David Watts, a RSA, | 0:54:50 | 0:54:51 | |
showing here on the left-hand side. | 0:54:51 | 0:54:55 | |
50, I'm bid. 55, 60, five, | 0:54:56 | 0:54:59 | |
70, five, 80, five, 90, | 0:54:59 | 0:55:03 | |
five, 100, 110, | 0:55:03 | 0:55:06 | |
120. 120. | 0:55:06 | 0:55:09 | |
At £120, bidding on the left at 120. Last call. | 0:55:09 | 0:55:13 | |
You have it, 120. Thank you. | 0:55:13 | 0:55:17 | |
Anita sure knows her Scottish artists. | 0:55:17 | 0:55:20 | |
And that hard bargaining has really paid off. | 0:55:20 | 0:55:22 | |
Lot 51. A very nice stained-glass panel. 100, I'm bid. | 0:55:22 | 0:55:27 | |
£100, I'm bid. The stained-glass panel. 110, 120, 130, | 0:55:27 | 0:55:32 | |
140, 150, 160, 170, 180, 190, | 0:55:32 | 0:55:37 | |
200, 210, 220. | 0:55:37 | 0:55:41 | |
At £220, 230, 240, 250, | 0:55:41 | 0:55:45 | |
260, 270, at £270. | 0:55:45 | 0:55:48 | |
Seated at £270 for the lot. | 0:55:48 | 0:55:51 | |
Mr Scott, 270, thank you. | 0:55:51 | 0:55:53 | |
Congratulations! | 0:55:53 | 0:55:55 | |
David started today's programme well ahead on £260.83. | 0:55:58 | 0:56:04 | |
He spent £215, the gamble paid off, and after auction fees, | 0:56:04 | 0:56:08 | |
he now has a fantastic £369.96. | 0:56:08 | 0:56:11 | |
Anita started this leg of the road trip with £80.37. | 0:56:12 | 0:56:17 | |
She spent £42 and made a stonking profit of £154. | 0:56:17 | 0:56:22 | |
After paying commission, she's on a whopping £197.18. | 0:56:22 | 0:56:27 | |
Who would have thought it? The underdog is back in the game. | 0:56:27 | 0:56:30 | |
I think we should both congratulate each other. | 0:56:31 | 0:56:33 | |
Yes, why don't we celebrate? Come on. | 0:56:33 | 0:56:36 | |
In the next episode, the road trip takes David and Anita from Edinburgh | 0:56:36 | 0:56:41 | |
to Anita's home patch in Glasgow, where she plays even tougher. | 0:56:41 | 0:56:45 | |
Could you go 25? You know this isn't like me! | 0:56:45 | 0:56:49 | |
And David gets carried away on a charger. | 0:56:49 | 0:56:52 | |
But here's the rub. | 0:56:52 | 0:56:53 | |
I've only got £233, so I'll negotiate. | 0:56:53 | 0:56:58 | |
Subtitles by Red Bee Media Ltd | 0:57:18 | 0:57:21 |