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The nation's favourite antiques experts, one big challenge, | 0:00:02 | 0:00:05 | |
who will make the most profit buying and selling antiques as they drive around the jolly old UK? | 0:00:05 | 0:00:11 | |
-£6. -£5. -Done. | 0:00:11 | 0:00:14 | |
Is that the very best you can do? | 0:00:14 | 0:00:15 | |
At the end of their trip, they should have made some big money. | 0:00:15 | 0:00:18 | |
But it's not as easy as it sounds. | 0:00:18 | 0:00:21 | |
And only one will be crowned champion at the final auction in London. | 0:00:23 | 0:00:27 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:30 | |
We start today's road trip with antiques experts Anita Manning and David Barby. | 0:00:35 | 0:00:40 | |
Do I smell romance in the air? | 0:00:40 | 0:00:43 | |
Anita Manning is Scotland's first ever female auctioneer, living and working in Glasgow. | 0:00:43 | 0:00:48 | |
She has a passion for decorative arts and design. | 0:00:48 | 0:00:52 | |
That's lovely. It's functional, it beautiful and it's a good make. | 0:00:52 | 0:00:57 | |
David Barby qualified with the Society of Valuers and Auctioneers | 0:00:57 | 0:01:02 | |
at the very young age of 21, and is often referred to as "The Master" | 0:01:02 | 0:01:06 | |
for his depth and breadth of antique knowledge. | 0:01:06 | 0:01:09 | |
This is what we term as a sort of Arts and Crafts, or Vienna Secessionist influence. | 0:01:09 | 0:01:15 | |
Anita and David began their journey with £200 each, | 0:01:15 | 0:01:20 | |
and David has been surging ahead at auction so far. | 0:01:20 | 0:01:23 | |
-Yes! -Anita has been fighting her basic instinct, to let loose the purse strings. | 0:01:23 | 0:01:28 | |
I love that colour. | 0:01:28 | 0:01:30 | |
At our last auction, | 0:01:30 | 0:01:32 | |
Anita staged a great comeback from near bankruptcy. | 0:01:32 | 0:01:35 | |
But she's still a long way behind, with £197.18 to start today's show. | 0:01:35 | 0:01:41 | |
Calm and cool. Take your time, Anita. | 0:01:41 | 0:01:44 | |
Don't be Mrs Scattercash. | 0:01:44 | 0:01:47 | |
Look and try to get cheaply. | 0:01:47 | 0:01:49 | |
Front-runner David has been in his own little world so far, | 0:01:49 | 0:01:53 | |
looking for objects that he personally loves | 0:01:53 | 0:01:57 | |
with that certain je ne sais quoi. | 0:01:57 | 0:01:59 | |
That, to me, has "wow" factor. | 0:01:59 | 0:02:02 | |
David had a fantastic auction on yesterday's show | 0:02:02 | 0:02:05 | |
and throws himself back into the world with £369.96. | 0:02:05 | 0:02:11 | |
But I've got over £350 to spend. | 0:02:11 | 0:02:14 | |
I don't want to lose it. | 0:02:14 | 0:02:16 | |
No, course you don't. | 0:02:19 | 0:02:21 | |
This road trip travels from Aberdeen in northeast Scotland | 0:02:21 | 0:02:24 | |
to Leyburn in North Yorkshire. | 0:02:24 | 0:02:27 | |
Today, they're leaving Edinburgh and heading first to Glasgow | 0:02:27 | 0:02:31 | |
on their way to the next auction in Ayr. | 0:02:31 | 0:02:35 | |
# Just the two of us | 0:02:35 | 0:02:38 | |
# We can make it if we try | 0:02:38 | 0:02:41 | |
# Just the two of us... # | 0:02:41 | 0:02:42 | |
Striking, historic Glasgow | 0:02:42 | 0:02:44 | |
sits handsomely either side of the River Clyde. | 0:02:44 | 0:02:49 | |
The trade, industry and wealth brought to Glasgow | 0:02:49 | 0:02:51 | |
by this arterial river has also been | 0:02:51 | 0:02:53 | |
a stimulus for great revolutions in design. | 0:02:53 | 0:02:57 | |
And, of course, Glasgow is Anita Manning's home town. | 0:02:57 | 0:03:00 | |
She's a local girl, so she knows where to find the best antiques. | 0:03:00 | 0:03:04 | |
Lurking beneath a cabinet, Anita finds a collection of mystic stones. | 0:03:12 | 0:03:17 | |
Andrew, what have we got here? | 0:03:17 | 0:03:19 | |
Here, Anita, we've got four rather bruised and battered curling stones. | 0:03:19 | 0:03:24 | |
-Still functional? -Well, they could be, without too much effort, I think. | 0:03:24 | 0:03:28 | |
-But, we're missing one handle. -Right. OK. | 0:03:28 | 0:03:31 | |
Curling is thought to have originated in Scotland in the late Middle Ages, | 0:03:31 | 0:03:35 | |
and was played with flat-bottomed river boulders, | 0:03:35 | 0:03:38 | |
before these sculpted granite jokers came into use. | 0:03:38 | 0:03:42 | |
D'you know, these have probably been lying outside somebody's house? Do you think so? | 0:03:42 | 0:03:47 | |
-Oh, yes, people use them as garden ornaments and door stoppers. -Yes. | 0:03:47 | 0:03:50 | |
In the Victorian era, curling stones began to be thought of more ornamentally, | 0:03:50 | 0:03:56 | |
and decorative versions were manufactured as doorstops, | 0:03:56 | 0:03:59 | |
paperweights and inkwells amongst other things. | 0:03:59 | 0:04:01 | |
See, since they're in such rough nick... | 0:04:01 | 0:04:06 | |
-Go on... -She will! | 0:04:06 | 0:04:08 | |
Could you give me them for 20 quid? | 0:04:08 | 0:04:11 | |
-Go on. -I don't know. -It means they'll be... -20? -They'll be out of your life. | 0:04:11 | 0:04:15 | |
They'll be out of your life and you won't have to move them! | 0:04:15 | 0:04:19 | |
They can be £30. I'll make them £30. | 0:04:19 | 0:04:22 | |
30? Andrew, could you go 25? | 0:04:22 | 0:04:25 | |
You know this isn't like me. | 0:04:25 | 0:04:27 | |
Oh, I think it is(!) | 0:04:27 | 0:04:29 | |
-Why not? -Shall we go for it? | 0:04:29 | 0:04:30 | |
-We'll give it a go. -Andrew, it's a deal. | 0:04:30 | 0:04:33 | |
-It's always a pleasure. -They're awful heavy, Andrew. | 0:04:33 | 0:04:37 | |
Ach, I'll put them in the car for you. | 0:04:37 | 0:04:39 | |
So far, so good. | 0:04:40 | 0:04:43 | |
Anita is sticking with the game plan to buy cheaply. | 0:04:43 | 0:04:47 | |
And she's suggested David might visit a local Glasgow exhibition | 0:04:47 | 0:04:51 | |
at the Kelvingrove Museum that he might just love. | 0:04:51 | 0:04:53 | |
The late Charles Rennie Mackintosh | 0:04:53 | 0:04:56 | |
is an internationally renowned architect, | 0:04:56 | 0:04:58 | |
artist and designer from the world famous Glasgow School of Art. | 0:04:58 | 0:05:03 | |
David meets Alison Brown, curator and Mackintosh expert. | 0:05:03 | 0:05:07 | |
He's equally associated in place with the Art Nouveau and the Arts and Crafts movements. | 0:05:07 | 0:05:13 | |
He comes up through the middle. | 0:05:13 | 0:05:15 | |
He's the central icon of the Glasgow School of Art. | 0:05:15 | 0:05:19 | |
He studied there as an evening student, learning metalwork and enamel work. | 0:05:19 | 0:05:23 | |
It was the reassociations with the more traditional crafts and that of the country. | 0:05:23 | 0:05:30 | |
Mackintosh's style used these decorative paintings and patterns as well as strong, | 0:05:30 | 0:05:37 | |
straight outlines helping to define the Art Nouveau style that swept through Europe in the 1900s. | 0:05:37 | 0:05:43 | |
One of his most significant commissions | 0:05:43 | 0:05:46 | |
was to create entire interiors and table settings for a chain | 0:05:46 | 0:05:49 | |
of stylish Glasgow tea rooms. | 0:05:49 | 0:05:51 | |
The piece we're looking at here is part from the ladies' luncheon room of 1900 that Mackintosh designed. | 0:05:51 | 0:05:57 | |
We have a table setting here with medium height backed chairs and high up were these gesso panels. | 0:05:57 | 0:06:03 | |
They are absolutely stunning. | 0:06:03 | 0:06:06 | |
There's all sorts of hidden motifs in these. | 0:06:06 | 0:06:08 | |
They're very textured. | 0:06:08 | 0:06:10 | |
Typical Glasgow style motifs - hearts, roses, butterflies. | 0:06:10 | 0:06:15 | |
Mackintosh's style was very popular in Austria and Germany | 0:06:15 | 0:06:20 | |
particularly with fellow Art Nouveau artist and designer Gustav Klimt. | 0:06:20 | 0:06:25 | |
-Can I say thank you very much indeed. -Thank you. -I hope to come back. -I hope you do. -Thank you. | 0:06:25 | 0:06:30 | |
With all things Art Nouveau firmly in his heart, | 0:06:30 | 0:06:34 | |
David sets off to finally - and I mean finally - get on with his shopping. | 0:06:34 | 0:06:39 | |
Meanwhile, Anita is on a roll and has found a pair of decorative Edwardian uplighters. | 0:06:39 | 0:06:45 | |
That way. | 0:06:45 | 0:06:47 | |
That's UP lighters, Anita! | 0:06:47 | 0:06:50 | |
What do you do there? | 0:06:51 | 0:06:52 | |
-You hook that into these. -Right. -Like that there. | 0:06:52 | 0:06:57 | |
So, that looks to me as if it would be the type of thing that might be in a public building. | 0:06:57 | 0:07:04 | |
Is that a dear thing? Don't tell me! | 0:07:04 | 0:07:08 | |
I probably can't afford it. | 0:07:08 | 0:07:09 | |
150 for the pair. | 0:07:09 | 0:07:12 | |
Anita? | 0:07:14 | 0:07:15 | |
150, the pair, did you get that? | 0:07:15 | 0:07:18 | |
-They're really nice, aren't they? -Yeah, I like them. -Could you sell them for 50 quid? | 0:07:18 | 0:07:23 | |
I'll sell them for 75... for the two. | 0:07:23 | 0:07:28 | |
Anita? We're on 75 now. | 0:07:28 | 0:07:32 | |
Got that? Anita? Oi! | 0:07:32 | 0:07:34 | |
-60 quid, Kate? -Fine. A deal. -That's a deal. That's absolutely great. | 0:07:34 | 0:07:41 | |
I just think they're absolutely wonderful. | 0:07:41 | 0:07:44 | |
I've just done it. I've done what I said I shouldn't - make an impulse buy. | 0:07:44 | 0:07:48 | |
I couldn't resist these things. They're absolutely lovely. | 0:07:48 | 0:07:51 | |
Yeah, Anita is breaking her own rules already. | 0:07:51 | 0:07:56 | |
But at least she's started buying. | 0:07:56 | 0:07:58 | |
David Barby has only just made his way to this wonderful antiques warehouse. | 0:08:01 | 0:08:05 | |
He's about to walk in there any time...now. | 0:08:05 | 0:08:09 | |
# They call me the seeker... # | 0:08:09 | 0:08:11 | |
And now he's here, time for some tactical play. | 0:08:13 | 0:08:17 | |
David calls ahead to the auction house in Ayr for some inside info. | 0:08:17 | 0:08:21 | |
Naughty. | 0:08:21 | 0:08:23 | |
What's going to sell best in your sale room? | 0:08:23 | 0:08:25 | |
Thank you very much for your advice. I think I shall look for good quality ceramics. | 0:08:25 | 0:08:30 | |
This is what we term as a sort of Arts and Crafts. | 0:08:30 | 0:08:33 | |
Very much in the sort of Mackintosh design here. | 0:08:33 | 0:08:37 | |
Art Nouveau is definitely catching David's eye now. | 0:08:37 | 0:08:41 | |
This is very much in the Art Nouveau style. | 0:08:41 | 0:08:46 | |
I love the concept of this female form, these flowing robes. | 0:08:46 | 0:08:50 | |
This is the new look, the comfort for women. | 0:08:50 | 0:08:53 | |
They weren't heavily corseted. | 0:08:53 | 0:08:55 | |
But at £145? If this had been cheaper I'd have said, "Wow, let's go for it." | 0:08:55 | 0:09:03 | |
But it doesn't have that for me at this price. | 0:09:03 | 0:09:06 | |
I've got over £350 to spend. | 0:09:06 | 0:09:10 | |
I don't want to lose it. | 0:09:10 | 0:09:12 | |
There's the rub. | 0:09:12 | 0:09:13 | |
I really, really like this. | 0:09:16 | 0:09:17 | |
It's a Gray's pottery table lamp. | 0:09:17 | 0:09:20 | |
What's so nice about Gray's, it's a contemporary of Clarice Cliff. | 0:09:20 | 0:09:24 | |
It's all hand-painted, lustre detail. | 0:09:24 | 0:09:27 | |
Albert Edward Gray | 0:09:27 | 0:09:29 | |
began making hand-painted decorative ceramics in the early 1900s | 0:09:29 | 0:09:33 | |
and employed the prolific British designer Susie Cooper | 0:09:33 | 0:09:37 | |
from 1923 to 1929. She produced a vast array of their popular designs, | 0:09:37 | 0:09:42 | |
including this little gem. | 0:09:42 | 0:09:46 | |
That, to me, has wow factor. | 0:09:46 | 0:09:48 | |
The price is £145. | 0:09:48 | 0:09:51 | |
For me, I'd want it half. | 0:09:51 | 0:09:53 | |
At the back of my mind, I've suspicions that Anita is probably doing better than I am. | 0:09:53 | 0:09:59 | |
She's already bought three items and I haven't bought anything! | 0:09:59 | 0:10:02 | |
I've reached that panic situation. | 0:10:02 | 0:10:04 | |
Well, it's never too early to start panicking, I suppose. | 0:10:04 | 0:10:08 | |
Let's see if Jean can help you. | 0:10:08 | 0:10:10 | |
-Hello. Well, I think we could come down a little there. Shall we make it... -Just a little? | 0:10:10 | 0:10:16 | |
Um, a little. 120? | 0:10:16 | 0:10:19 | |
Would you come down to about 80? | 0:10:19 | 0:10:22 | |
-It's just a wee bit too low. -OK. | 0:10:24 | 0:10:27 | |
Jean's just not budging. | 0:10:27 | 0:10:29 | |
So David tries a new and ever so slightly cheeky tactic. | 0:10:29 | 0:10:34 | |
If I can't get the price I want from THE WIFE, I'll phone her husband. | 0:10:34 | 0:10:38 | |
Would you take £80 for it? ..£80. | 0:10:38 | 0:10:43 | |
OK. That's absolutely super. Do you want to confirm this with Jean? | 0:10:45 | 0:10:49 | |
All right, OK. | 0:10:49 | 0:10:52 | |
Your husband says £60! | 0:10:52 | 0:10:54 | |
No, no, no! Only joking. Only joking! | 0:10:54 | 0:10:57 | |
Having broken new ground in the field of price negotiation, David shuffles off to find the local girl. | 0:10:58 | 0:11:06 | |
The shutters are falling on the antiques emporiums of Glasgow and the day is drawing to an end. | 0:11:06 | 0:11:11 | |
I'm telling you absolutely nothing because I know if I give you | 0:11:11 | 0:11:16 | |
any information you'll use it as part of your strategic plan. | 0:11:16 | 0:11:21 | |
How on earth do you make that out? You must have bought something. | 0:11:21 | 0:11:24 | |
-Yeah. -There you are, you said, "Yes!" | 0:11:24 | 0:11:27 | |
You've lost the game! You've lost the game! | 0:11:29 | 0:11:32 | |
A new day dawns and it's straight to work for Anita and David | 0:11:35 | 0:11:38 | |
with perhaps a little pleasant scenery on the way. | 0:11:38 | 0:11:42 | |
The road trip moves on. | 0:11:42 | 0:11:44 | |
Leaving Glasgow behind, | 0:11:45 | 0:11:47 | |
Anita and David head first to Kilbarchan | 0:11:47 | 0:11:51 | |
on the road to Ayr. | 0:11:51 | 0:11:53 | |
Kilbarchan is a town of classic duos. | 0:11:53 | 0:11:56 | |
It has exactly two churches, two pubs and two antique shops | 0:11:56 | 0:11:59 | |
and, now, a dynamic duo of a bargain-hungry road trippers. | 0:11:59 | 0:12:04 | |
Where do we go, have you been here before? | 0:12:05 | 0:12:08 | |
I haven't visited the shops but there are two dealers here and I think they sell very good quality. | 0:12:08 | 0:12:13 | |
-I don't believe a word you say. -And neither should you! -Best of luck. | 0:12:13 | 0:12:18 | |
So far, Anita has spent £85 on two items - | 0:12:18 | 0:12:22 | |
the granite curling stones and the Edwardian uplighters. | 0:12:22 | 0:12:26 | |
She has £103.17 left rattling around in her purse. | 0:12:26 | 0:12:31 | |
Whilst cavalier David has shamelessly spent £80 on one item - the pretty Gray's pottery lamp. | 0:12:31 | 0:12:38 | |
David has £289.96 still tucked away in his lovely salmon-pink pocket. | 0:12:38 | 0:12:46 | |
# They call me the seeker. # | 0:12:46 | 0:12:47 | |
So David gets straight to work and finds a stunning wall plaque known as a charger. | 0:12:47 | 0:12:54 | |
This is a lovely piece of Art Nouveau repousse work. | 0:12:56 | 0:12:59 | |
Repousse means the design has been knocked out from the back. | 0:12:59 | 0:13:03 | |
Thinking in terms of Mackintosh and the Art Nouveau movement it's all coming through here. | 0:13:03 | 0:13:08 | |
This gives me the wow factor. | 0:13:08 | 0:13:10 | |
Yes, it's lovely, David. | 0:13:10 | 0:13:12 | |
But it's £300! | 0:13:12 | 0:13:15 | |
Am I going to make a profit on that at auction? | 0:13:15 | 0:13:18 | |
Don't think so. | 0:13:19 | 0:13:21 | |
Anita is very, very well known on this leg of the road trip | 0:13:21 | 0:13:26 | |
as a local Glasgow auctioneer. But will this earn her some favour and good quality knock-downed bargains? | 0:13:26 | 0:13:32 | |
Billy! All these years and I've never been in your shop. | 0:13:35 | 0:13:39 | |
It looks absolutely wonderful. | 0:13:39 | 0:13:42 | |
Anything that you've had lying about for years? | 0:13:46 | 0:13:49 | |
Yes, there is some stuff. | 0:13:49 | 0:13:51 | |
Is there any wee sort of back cupboard or something like that? | 0:13:51 | 0:13:57 | |
Not really. | 0:13:57 | 0:13:58 | |
Anita wants to delve in ALL the cupboards. | 0:13:58 | 0:14:02 | |
And David has turned up something from his rummaging. | 0:14:02 | 0:14:05 | |
Possibly a ladle, but where's it from? | 0:14:05 | 0:14:07 | |
The metal itself, I think, would be silver. | 0:14:07 | 0:14:09 | |
I think this is probably Scandinavian. | 0:14:09 | 0:14:12 | |
I think it's been made up about 1900 or so or just after. | 0:14:12 | 0:14:16 | |
The handle, I'd say, would be more of a Scottish ladle. | 0:14:16 | 0:14:20 | |
One would think probably of that connection with Scandinavia and the north of Scotland | 0:14:20 | 0:14:25 | |
and you have this sort of trading between the two. | 0:14:25 | 0:14:28 | |
-Absolutely. -You might have had a marriage somewhere along the line | 0:14:28 | 0:14:31 | |
from Denmark or Finland or Norway come over to Scotland. | 0:14:31 | 0:14:36 | |
And where are you going with this, David? | 0:14:36 | 0:14:39 | |
The whole thing has got a story to tell. | 0:14:39 | 0:14:42 | |
I'm going to commit myself and have that. | 0:14:42 | 0:14:44 | |
You have £68 on this. Would you take 50? | 0:14:44 | 0:14:47 | |
Yes, I'd do that as a special for you. | 0:14:47 | 0:14:49 | |
-Thank you very much indeed. -Thank you. | 0:14:49 | 0:14:51 | |
Now, Anita is taking her bargain search to the next level. | 0:14:51 | 0:14:56 | |
Enough of this chitchat, I've got to get down to business. | 0:14:56 | 0:15:01 | |
I always like a nice piece of porcelain. | 0:15:01 | 0:15:03 | |
-I think that's a lovely bit of Losol ware. -A nice piece of Losol ware, yes. | 0:15:03 | 0:15:09 | |
-Is that a good seller? -That's a good seller. Yes. | 0:15:09 | 0:15:12 | |
Losol ware is a range of pretty ceramics made by Staffordshire potters Keeling and Co | 0:15:12 | 0:15:18 | |
from 1912 until the company's eventual closure in 1936. | 0:15:18 | 0:15:24 | |
That can be £25. | 0:15:24 | 0:15:26 | |
In this game, Billy, you wouldn't believe but every pound counts. | 0:15:26 | 0:15:29 | |
Could you sell that to me for...£20? | 0:15:29 | 0:15:33 | |
-OK. -Will you do that? Is that a deal? -Yes. It's a deal. OK. | 0:15:33 | 0:15:37 | |
That's wonderful. Thanks very much. You're a darling. | 0:15:37 | 0:15:40 | |
That's lovely. It's functional, it's beautiful and it's a good make. | 0:15:40 | 0:15:45 | |
Anita is happy with all of her items but how does she fancy David's chances? | 0:15:45 | 0:15:51 | |
We have to wait until the next auction to see what happens. | 0:15:51 | 0:15:54 | |
I hope he spends lots of money on one item and it bombs. | 0:15:54 | 0:15:57 | |
Oh, no, that's terrible. | 0:15:57 | 0:15:59 | |
Do you know what it's like when you have such a fixation in your head that you want... | 0:16:02 | 0:16:09 | |
to buy something | 0:16:09 | 0:16:10 | |
and you only think of one thing. It's this. | 0:16:10 | 0:16:13 | |
This is such an extraordinary piece. If I can negotiate... | 0:16:13 | 0:16:17 | |
The actual price asking is £300. | 0:16:17 | 0:16:20 | |
I think I can get it for around about 260. | 0:16:20 | 0:16:24 | |
But here's the rub. | 0:16:24 | 0:16:26 | |
I've only got £233 so I'll negotiate. | 0:16:26 | 0:16:30 | |
That's a big, big item, David. Are you sure you want to risk so much? | 0:16:30 | 0:16:36 | |
I have a problem. | 0:16:36 | 0:16:37 | |
I have exactly £233 left | 0:16:37 | 0:16:44 | |
after buying the other object. | 0:16:44 | 0:16:46 | |
That's all I've got. | 0:16:49 | 0:16:51 | |
Unfortunately, it's £260. To be honest, I think it's a very fair price. | 0:16:51 | 0:16:56 | |
I can't do anything with it. I only have £233 to spend. | 0:16:56 | 0:17:00 | |
I can't help you with that one, unfortunately. | 0:17:00 | 0:17:04 | |
It's a shame but there you go. | 0:17:04 | 0:17:06 | |
You won't take 233? | 0:17:06 | 0:17:08 | |
Go on, you smiled well. | 0:17:10 | 0:17:12 | |
Have I really?! That was almost a scowl. | 0:17:12 | 0:17:15 | |
Thank you very much indeed. Thank you. | 0:17:15 | 0:17:18 | |
Wow, there's a man who's willing to take a gamble. Good on him. | 0:17:18 | 0:17:21 | |
Could Anita be getting her wish for a dangerous item? | 0:17:21 | 0:17:24 | |
The objects I've bought today intrigue ME. | 0:17:24 | 0:17:28 | |
The plaque, if there's somebody there that likes Art Nouveau it could do exceedingly well. | 0:17:28 | 0:17:34 | |
It's time for our experts to finally let each other know what they've been up to. | 0:17:34 | 0:17:40 | |
-David, enjoying a nice cup of tea. -I am indeed. | 0:17:40 | 0:17:43 | |
-Your things arrived ahead of you. -Oh, yes. | 0:17:43 | 0:17:47 | |
Are you ready for this? | 0:17:47 | 0:17:48 | |
Close your eyes. | 0:17:48 | 0:17:50 | |
That is absolutely stunning! | 0:17:50 | 0:17:54 | |
I love those. | 0:17:54 | 0:17:56 | |
Well, for the four stones, three handles, £25. | 0:17:56 | 0:17:59 | |
You've done it again. | 0:17:59 | 0:18:02 | |
If you were going to ask me the price I would have said about 50 or £60 each. | 0:18:02 | 0:18:05 | |
That's absolutely beautiful. | 0:18:05 | 0:18:09 | |
I think this top section here is typically northern Scottish. | 0:18:09 | 0:18:14 | |
This, however, I think is possibly of continental origin. | 0:18:14 | 0:18:20 | |
Was this article found on a shipwreck on the north coast of Scotland? | 0:18:20 | 0:18:24 | |
I think you're going into the realms of fantasy now, darling. | 0:18:24 | 0:18:27 | |
Was it a marriage between someone from Scandinavia and Scotland? | 0:18:27 | 0:18:30 | |
Could be. How much? | 0:18:30 | 0:18:32 | |
A lot. | 0:18:32 | 0:18:34 | |
-£50. -David, I don't think that's a lot for that. -Do you not? | 0:18:34 | 0:18:38 | |
-I really don't. Second item. -Losol ware. | 0:18:38 | 0:18:41 | |
I like it. It's lovely and fresh. It's in good condition. It's functional. | 0:18:41 | 0:18:45 | |
Do you like it? | 0:18:45 | 0:18:47 | |
Yes. I think it's slightly old-fashioned. | 0:18:47 | 0:18:49 | |
Yes, uh-huh, but I think it will still appeal to people. £20. | 0:18:49 | 0:18:54 | |
That is very, very good. | 0:18:54 | 0:18:56 | |
-Gray's pottery, David. -Yes. | 0:18:56 | 0:18:59 | |
-Designed by...? -Susie Cooper. -Yes. | 0:18:59 | 0:19:01 | |
I think that's absolutely lovely. | 0:19:01 | 0:19:04 | |
-It's jazzy. -I love Gray's. A bit wild for your taste, I might have thought. | 0:19:04 | 0:19:08 | |
No, I like the '20s. | 0:19:08 | 0:19:09 | |
-Price? -I paid £80 for it. | 0:19:09 | 0:19:13 | |
I think it's absolutely lovely. | 0:19:13 | 0:19:16 | |
Oh. | 0:19:16 | 0:19:18 | |
-I have a pair of them. -How much did you pay? -£60 for the pair. -You've gone with your head | 0:19:19 | 0:19:24 | |
-in buying these objects and not necessarily your heart. -Yeah. -You're a very practical woman. | 0:19:24 | 0:19:29 | |
Close your eyes. | 0:19:29 | 0:19:31 | |
-Hurry up, David. -Open them. | 0:19:31 | 0:19:34 | |
Oh, David. That's wonderful. | 0:19:34 | 0:19:36 | |
-My love is for...Art Nouveau. -Arts and Crafts. -Arts and Crafts. | 0:19:36 | 0:19:40 | |
It cost me £233. | 0:19:40 | 0:19:45 | |
With all the pieces I've bought, I wanted to buy quality. | 0:19:45 | 0:19:48 | |
And I think you may get a surprise with that. | 0:19:48 | 0:19:51 | |
I hope so. | 0:19:51 | 0:19:53 | |
Well, OK. But what do you really think? | 0:19:53 | 0:19:56 | |
The light fittings, I didn't like. | 0:19:56 | 0:19:59 | |
Susie Cooper. Nice lamp base but it hasn't got that "wow" factor. | 0:19:59 | 0:20:05 | |
I'd have thought with the money she had, she could have splashed out on something more exciting. | 0:20:05 | 0:20:09 | |
I feel that David is such a gentleman | 0:20:09 | 0:20:13 | |
that he would wish me to do well as well. | 0:20:13 | 0:20:16 | |
Well, I wouldn't be too sure! Remember, this is a competition. | 0:20:16 | 0:20:20 | |
Back on the road, it has been a very scenic journey from Edinburgh. | 0:20:20 | 0:20:24 | |
They have shopped around Anita's home turf of Glasgow | 0:20:24 | 0:20:28 | |
and on to lovely Kilbarchan. | 0:20:28 | 0:20:30 | |
Anita and David finally arrive in Ayr for a decisive auction day. | 0:20:30 | 0:20:36 | |
Ayr has a fascinating past, visited by historical celebrities | 0:20:36 | 0:20:41 | |
from William Wallace to Oliver Cromwell | 0:20:41 | 0:20:43 | |
to world-famous and universally loved | 0:20:43 | 0:20:45 | |
Scots poet Robert Burns who was born just down the road in Alloway. | 0:20:45 | 0:20:49 | |
OK, David, the auction is up here. | 0:20:49 | 0:20:52 | |
Let's go! | 0:20:52 | 0:20:53 | |
Callan's auction house first opened its doors in 1933, | 0:20:54 | 0:20:59 | |
selling furniture and furnishings. | 0:20:59 | 0:21:01 | |
Profits from its first ever sale amounted to £22 5s 9d | 0:21:01 | 0:21:05 | |
and David and Anita could do with a bit more than that. | 0:21:05 | 0:21:08 | |
David. | 0:21:08 | 0:21:10 | |
Best of luck. | 0:21:10 | 0:21:12 | |
Michael Callan, a descendant of the original Thomas R Callan, | 0:21:13 | 0:21:17 | |
now runs the auctions here. | 0:21:17 | 0:21:19 | |
He has a few thoughts. | 0:21:19 | 0:21:21 | |
The one item that got all the attention yesterday was the Arts and Crafts charger. | 0:21:21 | 0:21:24 | |
Unfortunately, it hasn't got the maker's mark on it but I expect that to do really well, 120 or 150. | 0:21:24 | 0:21:29 | |
On a good day, up to £200. | 0:21:29 | 0:21:32 | |
Oh, dear! David paid £233 for it and he's got to pay commission on the sale. | 0:21:32 | 0:21:38 | |
What about Anita's curling stones? | 0:21:38 | 0:21:40 | |
They are very highly decorative for in and about homes. People use them as doorstops | 0:21:40 | 0:21:44 | |
on the steps for decorative items so I think they will do well. | 0:21:44 | 0:21:48 | |
Probably 10 or £15 for each stone. I think David | 0:21:48 | 0:21:52 | |
will just edge it if we can get a good price for that charger. | 0:21:52 | 0:21:56 | |
Starting this leg with £197.18, | 0:21:56 | 0:22:00 | |
Anita has cautiously spent just £105. | 0:22:00 | 0:22:04 | |
David started with £369.96 and blew the budget. | 0:22:04 | 0:22:09 | |
He spent the lot. | 0:22:09 | 0:22:11 | |
Thank you. | 0:22:11 | 0:22:12 | |
Hands moisten, eyes widen, stomachs rumble and buttocks clench... | 0:22:12 | 0:22:18 | |
probably! The auction is about to begin. | 0:22:18 | 0:22:21 | |
Oh, the anticipation! | 0:22:21 | 0:22:24 | |
First up, the auction house has split Anita's curling stones | 0:22:24 | 0:22:27 | |
into two lots of two stones each. | 0:22:27 | 0:22:29 | |
Will someone get swept away by the first pair? | 0:22:29 | 0:22:33 | |
22. 24. 26. 28. 30. 32. 34. | 0:22:33 | 0:22:38 | |
36. 38. 40. 42... | 0:22:38 | 0:22:42 | |
All finished then at £42? | 0:22:42 | 0:22:46 | |
Yes! Not a bad start. | 0:22:46 | 0:22:49 | |
That is good. | 0:22:49 | 0:22:50 | |
And it's only half the item. | 0:22:50 | 0:22:53 | |
Now the other set. Will someone else see their ornamental potential? | 0:22:53 | 0:22:57 | |
20, I'm bid. At 20. 22. 24. 26. 28. 30. | 0:22:57 | 0:23:03 | |
At 30. All finished then at £30? | 0:23:03 | 0:23:08 | |
A good profit from a wisely-purchased item. | 0:23:08 | 0:23:12 | |
Next up, David's first item. | 0:23:12 | 0:23:14 | |
It's that peculiar hybrid ladle. | 0:23:14 | 0:23:19 | |
£40 the punch ladle. £40? | 0:23:19 | 0:23:21 | |
£40? | 0:23:22 | 0:23:23 | |
£20? | 0:23:23 | 0:23:25 | |
-I want to put my hand up! -At 20. | 0:23:25 | 0:23:27 | |
22. 24. 26. 28. | 0:23:27 | 0:23:31 | |
At 28. Any advance? | 0:23:31 | 0:23:32 | |
Oh, God! | 0:23:32 | 0:23:35 | |
32. | 0:23:35 | 0:23:36 | |
34. 36. All finished then at £36. | 0:23:36 | 0:23:42 | |
That's terrible. | 0:23:42 | 0:23:44 | |
That is terrible! | 0:23:44 | 0:23:46 | |
Not a great start for Mr Barby. | 0:23:46 | 0:23:49 | |
Anita got a perfect deal | 0:23:49 | 0:23:51 | |
on this beautiful jardiniere. | 0:23:51 | 0:23:53 | |
Will her good luck continue today? | 0:23:53 | 0:23:55 | |
40. | 0:23:55 | 0:23:56 | |
-45. 50. -Oh... | 0:23:56 | 0:24:01 | |
At 50. 55. | 0:24:01 | 0:24:02 | |
-60. 65. -(Yes! Yes!) -70. | 0:24:02 | 0:24:06 | |
75. 80. | 0:24:06 | 0:24:08 | |
(Well I never!) | 0:24:08 | 0:24:10 | |
All finished then at £85. | 0:24:10 | 0:24:12 | |
-Goodness me! -Excellent! | 0:24:12 | 0:24:14 | |
An amazing result for Anita. | 0:24:14 | 0:24:16 | |
Quadruple money and she is staging another fight back. | 0:24:16 | 0:24:20 | |
David saw this Susie Cooper painted lamp | 0:24:20 | 0:24:23 | |
and fell in love with it. | 0:24:23 | 0:24:25 | |
He worked hard, very hard, to get the price he wanted. | 0:24:25 | 0:24:29 | |
-£60? £40... -DAVID: BLEEP! -for this Susie Cooper table lamp? | 0:24:29 | 0:24:34 | |
Language, David! | 0:24:34 | 0:24:35 | |
I can't believe it. | 0:24:36 | 0:24:38 | |
20, I'm bid. At 20. 25. 30... | 0:24:38 | 0:24:41 | |
45. | 0:24:41 | 0:24:42 | |
45. 50. 55. 60. Any advance on 60? | 0:24:42 | 0:24:48 | |
Sell it then at £60. | 0:24:48 | 0:24:51 | |
That's a total wipe-out, isn't it?! | 0:24:51 | 0:24:54 | |
Oh, David. Some lucky bidder just got a great deal | 0:24:54 | 0:24:57 | |
on that lovely lamp. | 0:24:57 | 0:25:00 | |
This is mine. | 0:25:00 | 0:25:01 | |
A lovely pair... The upturners, | 0:25:01 | 0:25:05 | |
the ceiling bowls. | 0:25:05 | 0:25:06 | |
Come on, uplighters! Light up Anita's day! | 0:25:06 | 0:25:09 | |
60. 65. 70. 75. 80. 85. | 0:25:09 | 0:25:14 | |
90. 95. | 0:25:14 | 0:25:17 | |
100, new bidder. 105. 110. 115. 120. | 0:25:17 | 0:25:21 | |
125. 130. 135. | 0:25:21 | 0:25:24 | |
Selling then at £135. | 0:25:24 | 0:25:30 | |
-Yeah! -Anita, you know your stuff. You know your stuff. | 0:25:30 | 0:25:34 | |
Unbelievable! From way behind, | 0:25:34 | 0:25:36 | |
Anita Manning has just bolted into the lead. | 0:25:36 | 0:25:40 | |
Lot 17, then. The Arts and Crafts wall plaque. | 0:25:42 | 0:25:44 | |
It's devastating. | 0:25:44 | 0:25:46 | |
No pressure here, David. Well, actually, quite a lot of pressure. | 0:25:46 | 0:25:49 | |
You really, really need | 0:25:49 | 0:25:52 | |
to turn a large profit on this one. | 0:25:52 | 0:25:55 | |
£100. | 0:25:55 | 0:25:56 | |
50? 50 I am bid. | 0:25:56 | 0:25:59 | |
At 50. 55. 60. 65. 70. | 0:25:59 | 0:26:02 | |
75. 80. 85. 90. | 0:26:02 | 0:26:05 | |
95. 100. | 0:26:05 | 0:26:09 | |
-At £100. A small price at £100. -Oh, dear. | 0:26:09 | 0:26:13 | |
-All finished then at £100? -Oh, dear! | 0:26:13 | 0:26:16 | |
Oh, that was cheap. | 0:26:16 | 0:26:19 | |
I hope he spends lots of money on one item and then bombs! Oh! | 0:26:19 | 0:26:23 | |
Oh, dear! Oh, dear! Oh, dear, David! Oh, dear! Oh, dear! | 0:26:26 | 0:26:32 | |
It's devastating. | 0:26:32 | 0:26:34 | |
Absolutely devastating. | 0:26:34 | 0:26:36 | |
New bid at 70. | 0:26:36 | 0:26:38 | |
All done for today. All bar the shouting and we have | 0:26:38 | 0:26:42 | |
a new reigning road trip champion, a new angel of the auction. | 0:26:42 | 0:26:46 | |
Anita Manning has finally completed her comeback | 0:26:46 | 0:26:49 | |
and pushed David into second place with a complete reversal of fortune. | 0:26:49 | 0:26:53 | |
Thank you, darling, but hard luck. You know what it's like. | 0:26:53 | 0:26:57 | |
You're up, you're down and every buy is a potential snakes and ladders. | 0:26:57 | 0:27:04 | |
A potential loss. | 0:27:04 | 0:27:06 | |
Anita started today's show with £197.18 | 0:27:06 | 0:27:10 | |
and made a fine profit, after commission, of £136.63 | 0:27:10 | 0:27:16 | |
and now she has a massive £333.81 to take forward. | 0:27:16 | 0:27:22 | |
46. 48. 50... | 0:27:23 | 0:27:26 | |
David began with £369.96, | 0:27:26 | 0:27:31 | |
spent the lot and made a tragic loss, after commission, of £200.81. | 0:27:31 | 0:27:38 | |
David limps away with just £169.15. | 0:27:38 | 0:27:43 | |
Oh, never mind, David. Don't worry. | 0:27:45 | 0:27:47 | |
-You will bounce back. -Oh! | 0:27:47 | 0:27:49 | |
-But it is sore, isn't it? -Sore, yes. | 0:27:49 | 0:27:52 | |
-I've been there. -I know how you feel. | 0:27:52 | 0:27:54 | |
Forward to the borders, David. | 0:27:57 | 0:28:00 | |
# Just the two of us We can make it if we try | 0:28:00 | 0:28:05 | |
# Just the two of us... # | 0:28:05 | 0:28:07 | |
It won't be long before Anita and David break for the borders | 0:28:07 | 0:28:11 | |
with all the pressure on David to stage his comeback. | 0:28:11 | 0:28:15 | |
David casts a glance at some saucy items. | 0:28:15 | 0:28:18 | |
It has a phallic head which was always a symbol for good luck. | 0:28:18 | 0:28:23 | |
Anita casts a leisurely line. | 0:28:23 | 0:28:26 | |
I'm totally exhausted, David. | 0:28:26 | 0:28:29 | |
It has been non-stop. | 0:28:29 | 0:28:31 | |
Ha-ha! Hang on to your flies, Anita. | 0:28:31 | 0:28:33 | |
There's no let-up for the experts. | 0:28:33 | 0:28:35 | |
The heat will soon be back on to find out | 0:28:35 | 0:28:38 | |
who will come out top at the next auction. | 0:28:38 | 0:28:41 | |
Let's have a quick reminder. | 0:28:41 | 0:28:43 | |
We're on the road with antiques experts Anita Manning and David Barby. | 0:28:43 | 0:28:48 | |
Anita Manning is an auctioneer | 0:28:48 | 0:28:50 | |
who loves that tingly feeling from finding something rare. | 0:28:50 | 0:28:54 | |
And she knows where to look. | 0:28:54 | 0:28:56 | |
What have you got under the counter, Margaret? | 0:28:56 | 0:28:59 | |
David Barby was an antiques child prodigy. | 0:28:59 | 0:29:03 | |
His early career took him from Rugby to London and eventually Leamington Spa. | 0:29:03 | 0:29:08 | |
He's a man who says it like it is. | 0:29:08 | 0:29:11 | |
My name's David Barby. | 0:29:11 | 0:29:13 | |
-Pleased to meet you. -Hello. I've come to buy something from you. | 0:29:13 | 0:29:17 | |
Anita and David began their journey with £200 each. | 0:29:17 | 0:29:21 | |
They've both been heading in different directions with their tactics. | 0:29:21 | 0:29:25 | |
Anita's been fighting back from near bankruptcy | 0:29:25 | 0:29:28 | |
-and trying to buying cheap. -That's lovely. | 0:29:28 | 0:29:31 | |
So far today, it's all going well, | 0:29:31 | 0:29:36 | |
and she's way up on her original £200 | 0:29:36 | 0:29:38 | |
with a marvellous £333.81 to start the next leg. | 0:29:38 | 0:29:43 | |
Dashing, daring David has been throwing his money around | 0:29:43 | 0:29:47 | |
on big risky items. | 0:29:47 | 0:29:49 | |
Guess what? | 0:29:49 | 0:29:51 | |
BLEEP. | 0:29:51 | 0:29:53 | |
David had a shockingly bad auction and lost all his previous profits. | 0:29:53 | 0:29:58 | |
From his original £200 he has just £169.15 to start this leg. | 0:29:58 | 0:30:05 | |
I've learned my lesson. | 0:30:05 | 0:30:07 | |
You do not put fine art pieces into a household sale. | 0:30:07 | 0:30:12 | |
The market's not there. | 0:30:12 | 0:30:14 | |
This week's road trip travels from Aberdeen in northeast Scotland | 0:30:15 | 0:30:19 | |
to Leyburn in North Yorkshire. | 0:30:19 | 0:30:21 | |
Today, they're leaving Ayr and heading across the Scottish Borders | 0:30:21 | 0:30:26 | |
en route to their first English auction in Carlisle. | 0:30:26 | 0:30:29 | |
Browse around. See if there's anything. Go canny! | 0:30:29 | 0:30:34 | |
I will do! I've learnt my lesson. | 0:30:34 | 0:30:36 | |
Because he's so far behind, | 0:30:37 | 0:30:40 | |
David gets to have first dibs in the first shop of the day. | 0:30:40 | 0:30:44 | |
This is a possibility. | 0:30:44 | 0:30:46 | |
It's Moorcroft and it's a table lamp. | 0:30:46 | 0:30:49 | |
It's stamped Moorcroft. It's a fairly late one | 0:30:49 | 0:30:51 | |
so it's Walter Moorcroft, not William Moorcroft. | 0:30:51 | 0:30:54 | |
He was the son who took over the business after the war in 1945. | 0:30:54 | 0:30:58 | |
The connoisseur will go for early Moorcroft, | 0:30:59 | 0:31:02 | |
late 19th, early 20th century. Bearing in mind | 0:31:02 | 0:31:06 | |
I lost heavily on the last table lamp that I bought, | 0:31:06 | 0:31:09 | |
this has got to be at a very reasonable price. | 0:31:09 | 0:31:11 | |
I noticed the Moorcroft table lamp. That's a fairly late one. What sort of price is that? | 0:31:11 | 0:31:17 | |
-That one's £225. -Oh! | 0:31:17 | 0:31:20 | |
Well, there goes that idea! Now it's Anita's turn. | 0:31:21 | 0:31:25 | |
Don't be too long - I'm starving! | 0:31:25 | 0:31:27 | |
-Five minutes, promise. -Are you sure? | 0:31:27 | 0:31:29 | |
-100%. -I'll give you a starter for ten. Come on! | 0:31:29 | 0:31:33 | |
One... | 0:31:33 | 0:31:35 | |
-Best of luck. I'll count you out now. -I won't be long. | 0:31:38 | 0:31:41 | |
One, two, three... | 0:31:41 | 0:31:45 | |
Four, five, six... | 0:31:45 | 0:31:49 | |
Actually, just take your time, Anita. David can wait! | 0:31:49 | 0:31:53 | |
-These are Mauchline boxes. -They are. | 0:31:57 | 0:32:00 | |
I love Mauchline ware and I love these lovely hand-painted boxes. | 0:32:00 | 0:32:05 | |
Mauchline is a pretty town in Ayrshire. | 0:32:05 | 0:32:08 | |
Two local men, William and Andrew Smith, | 0:32:08 | 0:32:11 | |
set up a snuff-box-making factory in around 1825. | 0:32:11 | 0:32:16 | |
They made a considerable name for themselves with boxes, | 0:32:16 | 0:32:19 | |
both plain and decorated. | 0:32:19 | 0:32:21 | |
We had a very pleasant surprise | 0:32:21 | 0:32:24 | |
when we opened that box ourselves. | 0:32:24 | 0:32:26 | |
-His mother... -Helen Burns, sister of Jean Armour Burns. | 0:32:26 | 0:32:33 | |
-Bonnie Jean. -Bonnie Jean, wife of the poet. | 0:32:33 | 0:32:37 | |
So this box was painted by Robert Burns's nephew. | 0:32:37 | 0:32:41 | |
The letter appears to be written to the author's uncle, | 0:32:41 | 0:32:44 | |
the world famous Scots poet, Robert Burns. | 0:32:44 | 0:32:47 | |
I suppose this will be quite expensive. | 0:32:47 | 0:32:51 | |
We were about to put a price tag on it. It's a very good example of the period and that type of box. | 0:32:51 | 0:32:56 | |
-But the note adds another special dimension. -That's right. | 0:32:56 | 0:33:00 | |
So potentially the box is worth a small fortune. | 0:33:00 | 0:33:03 | |
Better put it back and not keep David waiting unnecessarily. | 0:33:03 | 0:33:07 | |
He's got no patience, that boy! | 0:33:08 | 0:33:11 | |
Anita moves on to a larger Victorian stationery box | 0:33:11 | 0:33:15 | |
but someone's done an interesting patchwork job on it. | 0:33:15 | 0:33:18 | |
This is not original here. | 0:33:18 | 0:33:20 | |
Someone has put this on at a later date. | 0:33:20 | 0:33:23 | |
And...I think that's curtain tape! | 0:33:23 | 0:33:27 | |
They've put a bit of a billiard table or card table there as well! | 0:33:27 | 0:33:32 | |
-It's not a fine item. It's never been a fine item! -No. | 0:33:33 | 0:33:36 | |
Would you sell this to me for £10? | 0:33:36 | 0:33:39 | |
-25. -It's still a wee bit steep. -Too steep. | 0:33:39 | 0:33:42 | |
Can you improve on your £10? | 0:33:42 | 0:33:44 | |
-At the end of the day. -£12. -Dearie me! -I know. | 0:33:44 | 0:33:50 | |
On a good day, if it reaches 15 it will be very happy. And so will I! | 0:33:50 | 0:33:57 | |
-We'll do a deal. -For 12? -One less thing. We'll do it for 12. | 0:33:59 | 0:34:02 | |
Thank you very much. That's wonderful. | 0:34:02 | 0:34:04 | |
-£12 and thank you so much. -Thanks very much. | 0:34:04 | 0:34:07 | |
The new super-confident Anita is staying on course | 0:34:07 | 0:34:11 | |
and making the wee canny deals she needs. | 0:34:11 | 0:34:14 | |
Be careful, you've got valuable cargo on board! | 0:34:14 | 0:34:17 | |
GEARS GRATE | 0:34:17 | 0:34:19 | |
I think it needs to go into reverse. | 0:34:19 | 0:34:21 | |
It's back on the road. What a nightmare! | 0:34:26 | 0:34:29 | |
Continuing across the Borders, | 0:34:29 | 0:34:31 | |
the Road Trip heads for Innerleithen in pretty Peeblesshire. | 0:34:31 | 0:34:35 | |
-OK? -OK. I'm looking forward to this. -Oh, my. Best of luck! | 0:34:36 | 0:34:41 | |
As David races off to find something to revive his fortunes, | 0:34:41 | 0:34:45 | |
Anita is taking a trip to a doll's house | 0:34:45 | 0:34:49 | |
disguised as an antique shop! | 0:34:49 | 0:34:52 | |
-These dolls are absolutely wonderful. -This is Jean. | 0:34:53 | 0:34:57 | |
Is that the original dress? | 0:34:57 | 0:35:00 | |
It's not. It's a dress I smocked when I was a child. | 0:35:00 | 0:35:03 | |
With another little friend. | 0:35:03 | 0:35:06 | |
-What date is she, Margaret? -About 1953. | 0:35:06 | 0:35:11 | |
-So that started your passion for dolls? -Yes, it did. | 0:35:11 | 0:35:15 | |
Anita and Margaret are happily drifting back into their childhoods! | 0:35:15 | 0:35:20 | |
Whilst David takes a mature peek at some grown-up antiques. | 0:35:21 | 0:35:26 | |
This is a little model of an immortal. | 0:35:26 | 0:35:30 | |
It has a phallic head | 0:35:30 | 0:35:32 | |
which was always a symbol for good luck. | 0:35:32 | 0:35:35 | |
-There's something to sell at auction for a profit. The belt. -What? | 0:35:36 | 0:35:40 | |
A school belt. | 0:35:40 | 0:35:41 | |
Remember these? | 0:35:42 | 0:35:44 | |
-Oh! -Sore, eh? | 0:35:44 | 0:35:46 | |
Christopher Columbus! | 0:35:46 | 0:35:49 | |
Whilst David's punishing search continues, | 0:35:49 | 0:35:52 | |
Anita's enjoying some more innocent pastimes. | 0:35:52 | 0:35:57 | |
This is great fun! | 0:35:58 | 0:36:00 | |
Oh, dear! | 0:36:02 | 0:36:04 | |
Is he able to be bought for 20? | 0:36:09 | 0:36:12 | |
Um... | 0:36:13 | 0:36:14 | |
I think he would have to be 30. | 0:36:14 | 0:36:16 | |
I mean, I absolutely adore him. | 0:36:16 | 0:36:20 | |
I absolutely adore him. The only thing that worries me about him | 0:36:20 | 0:36:25 | |
-is that there's no maker's name. -No. | 0:36:25 | 0:36:27 | |
What if we split it half way? 25. | 0:36:27 | 0:36:31 | |
It's a deal. Thank you so much, Margaret. | 0:36:31 | 0:36:34 | |
I absolutely love him. He's such a cheery little chap. | 0:36:34 | 0:36:38 | |
Talking of cheery little chaps... | 0:36:38 | 0:36:41 | |
This is a 19th-century blotter. | 0:36:41 | 0:36:46 | |
It's very ornate. | 0:36:47 | 0:36:49 | |
These little desk requisites are quite collectable. | 0:36:49 | 0:36:54 | |
What's the very best you can do on that, sir? | 0:36:54 | 0:36:56 | |
Your very best. 20 quid. | 0:36:56 | 0:37:00 | |
-I'll do 15. -15. | 0:37:01 | 0:37:03 | |
Would you take ten for it, please? | 0:37:03 | 0:37:06 | |
-Yes, seeing as it's a special day. -Yes? | 0:37:07 | 0:37:10 | |
-Right. Can I put that on one side with you? -Sure. | 0:37:10 | 0:37:13 | |
I'd like to have a look round. Thank you. | 0:37:13 | 0:37:15 | |
The all-new David Barby is being very cautious with his money | 0:37:16 | 0:37:21 | |
and got a good deal for that. | 0:37:21 | 0:37:22 | |
Back down the road, something sparkly has caught Anita's eye. | 0:37:22 | 0:37:26 | |
It's a decanter and tray | 0:37:26 | 0:37:29 | |
and it's silver overlaid. | 0:37:29 | 0:37:32 | |
In 1883, John H Scharling from New Jersey | 0:37:32 | 0:37:35 | |
patented a technique for overlaying silver on glass | 0:37:35 | 0:37:39 | |
without the underside tarnishing and going dark. | 0:37:39 | 0:37:41 | |
Companies on the American east coast produced popular ranges | 0:37:41 | 0:37:46 | |
with silver foliage and fruit patterns. | 0:37:46 | 0:37:48 | |
-Got these lovely big strawberries. -And cherries. | 0:37:49 | 0:37:53 | |
And I think there's plums on there as well. | 0:37:53 | 0:37:55 | |
Anita's already agreed a purchase on the cheery wind-up rabbit. | 0:37:55 | 0:38:00 | |
-We're on 25 at that. -All right. | 0:38:00 | 0:38:03 | |
What about £50 for the two of them? | 0:38:03 | 0:38:06 | |
-OK. -Shall we go for that? | 0:38:06 | 0:38:09 | |
-That's a double deal. -It's a double deal. -It deserves another shake! | 0:38:09 | 0:38:13 | |
-Thank you. -A twice deal. | 0:38:13 | 0:38:15 | |
Anita's brimming with confidence | 0:38:15 | 0:38:16 | |
and certainly leading the charge on this leg of the road trip. | 0:38:16 | 0:38:20 | |
Can David find a killer item to tip the balance in his favour? | 0:38:20 | 0:38:25 | |
Here we have a set of rather interesting early 20th-century scales, | 0:38:25 | 0:38:30 | |
possibly used for weighing tobacco. | 0:38:30 | 0:38:33 | |
So they weigh a dram of baccy, or something? | 0:38:33 | 0:38:37 | |
Would it be a dram of snuff? | 0:38:37 | 0:38:39 | |
-I think possibly it's snuff. -I think snuff, too. | 0:38:39 | 0:38:42 | |
-I'll do it for 30. -For 30. £30 it is. -We'll have that. | 0:38:42 | 0:38:47 | |
I think this is quirky enough for people to use in a kitchen | 0:38:47 | 0:38:51 | |
as a decorative item. | 0:38:51 | 0:38:53 | |
30. | 0:38:53 | 0:38:54 | |
And 40 for the blotter. Thank you very much. | 0:38:54 | 0:38:57 | |
-Bye! -Bye! -Thank you. | 0:38:57 | 0:38:59 | |
So that's it for this day's antique hunting. | 0:38:59 | 0:39:03 | |
The shops are closing and the sky is darkening. | 0:39:03 | 0:39:06 | |
Rise and shine! It's back on the road and back on the hunt for killer antiques. | 0:39:07 | 0:39:13 | |
David and Anita's first English auction awaits them down the road in Carlisle. | 0:39:13 | 0:39:19 | |
David has so far spent just £40 on the silver ink blotter | 0:39:19 | 0:39:24 | |
and the snuff scales. | 0:39:24 | 0:39:25 | |
With £129.15 left to focus on something profitable. | 0:39:25 | 0:39:31 | |
Anita has confidently spent £62 on three items. | 0:39:31 | 0:39:36 | |
The leather stationery box, the wind-up rabbit and the glass decanter set, | 0:39:36 | 0:39:40 | |
with £271.81 left to spend. | 0:39:40 | 0:39:44 | |
However, Anita's been on such a roll | 0:39:44 | 0:39:47 | |
that she's decided not to buy anything more before auction day. | 0:39:47 | 0:39:50 | |
So she gets dropped off in pretty Peeblesshire | 0:39:50 | 0:39:54 | |
for a little bit of "me time" instead. | 0:39:54 | 0:39:57 | |
Well, Anita, we're here. Have a marvellous time. I know you will. | 0:39:57 | 0:40:00 | |
-I'm envious. -I'm really looking forward to going in here and having a look at everything. | 0:40:00 | 0:40:06 | |
-Bye-bye, darling. Have fun. -Bye-bye. | 0:40:06 | 0:40:09 | |
Our lady of leisure is visiting Traquair House | 0:40:09 | 0:40:13 | |
for a look into the life of her favourite historical figure, | 0:40:13 | 0:40:17 | |
Mary, Queen of Scots. | 0:40:17 | 0:40:19 | |
Anita meets Catherine, the 21st laird of Traquair. | 0:40:19 | 0:40:23 | |
It's her family home, which also opens to the public. | 0:40:23 | 0:40:27 | |
-They take you over, these houses! -Yes. -They're all-consuming! | 0:40:27 | 0:40:31 | |
-So you went away for ten years. -Yes, then I came back because my father died in 1990 | 0:40:31 | 0:40:38 | |
and I'm the only child, so I came back. | 0:40:38 | 0:40:41 | |
Traquair House has been a royal hunting lodge | 0:40:44 | 0:40:47 | |
for over 900 years. | 0:40:47 | 0:40:49 | |
Mary, Queen of Scots visited many times with her young son, James, | 0:40:49 | 0:40:52 | |
who became James VI of Scotland and James I of England. | 0:40:52 | 0:40:57 | |
-Is this Mary, Queen of Scots' bed? -It is, yes. | 0:40:57 | 0:41:00 | |
This is where she stayed when she slept here in 1566. | 0:41:00 | 0:41:05 | |
She was on a hunting expedition. | 0:41:05 | 0:41:07 | |
She came with her husband, Darnley. | 0:41:07 | 0:41:10 | |
-And this crib? -This was where James was rocked when she came. | 0:41:10 | 0:41:14 | |
She'd just had him. He'd have been a few months old when they came. | 0:41:14 | 0:41:17 | |
Her life must have been dreadful. | 0:41:17 | 0:41:20 | |
But you still have a wonderful romantic feeling about Mary, Queen of Scots. | 0:41:20 | 0:41:24 | |
Mary lived in dangerous times | 0:41:24 | 0:41:27 | |
as Britain was going through the reformation | 0:41:27 | 0:41:30 | |
and religious persecution was rife. | 0:41:30 | 0:41:32 | |
Even a century later, the Traquair family were cautiously practising their faith. | 0:41:32 | 0:41:37 | |
They had to worship in secret so they had a priest, or family chaplain. | 0:41:37 | 0:41:42 | |
So he would live here. | 0:41:42 | 0:41:44 | |
And for a lot of that period he was living in fear of a raid or search | 0:41:44 | 0:41:50 | |
so he needed to have a quick route of escape. | 0:41:50 | 0:41:53 | |
They built in these bookshelves here | 0:41:53 | 0:41:55 | |
and then behind the bookshelves you open the door. | 0:41:55 | 0:42:00 | |
-I see! He was able to escape. -He escaped through there. | 0:42:00 | 0:42:04 | |
This joins on to the original staircase of the tower. | 0:42:04 | 0:42:07 | |
Originally the River Tweed flowed at the back of the house | 0:42:07 | 0:42:11 | |
so you were onto a boat and off down the river. | 0:42:11 | 0:42:14 | |
Anita certainly enjoyed her escape from today's antique shopping. | 0:42:14 | 0:42:19 | |
Meanwhile on the road, desperate David heads eastwards | 0:42:20 | 0:42:24 | |
through the Borders to Coldstream in Berwickshire. | 0:42:24 | 0:42:27 | |
Anita's just wallowing in sheer pleasure. She's having a whale of a time. | 0:42:28 | 0:42:33 | |
I'm struggling! | 0:42:33 | 0:42:35 | |
Coldstream is right on the border of the Borders | 0:42:35 | 0:42:38 | |
and the site of the famous bridge into England. | 0:42:38 | 0:42:42 | |
In 1787, | 0:42:42 | 0:42:43 | |
the bridge became the inaugural crossing point | 0:42:43 | 0:42:46 | |
for the first visit to England by universally-adored Scots poet, Robert Burns. | 0:42:46 | 0:42:51 | |
Whereas, the universally-adored David Barby | 0:42:51 | 0:42:55 | |
still has massive losses to claw back from yesterday's show | 0:42:55 | 0:42:59 | |
and needs to find a knee-wobbling bargain today. | 0:42:59 | 0:43:02 | |
'Well, I'm full of great expectations.' | 0:43:02 | 0:43:05 | |
So nice. So expensive! | 0:43:06 | 0:43:10 | |
This is a nice little beaker. | 0:43:10 | 0:43:12 | |
Engraved. And that's its protective cover. | 0:43:12 | 0:43:16 | |
That's £35. | 0:43:17 | 0:43:19 | |
But that's what it would sell for at auction. | 0:43:19 | 0:43:22 | |
That's £180. | 0:43:22 | 0:43:25 | |
Isn't that lovely? | 0:43:25 | 0:43:27 | |
It's all too expensive, David. | 0:43:27 | 0:43:30 | |
What next? | 0:43:30 | 0:43:32 | |
Is there anything on your premises that you can sell me | 0:43:32 | 0:43:36 | |
that I can guarantee to make a profit? | 0:43:36 | 0:43:38 | |
-They're menu... -Menu stands. | 0:43:38 | 0:43:40 | |
-£60. Is that the best you can do? -Afraid so. | 0:43:40 | 0:43:43 | |
Is that really the very best you can do? | 0:43:43 | 0:43:47 | |
-58, and that's it. -50. | 0:43:47 | 0:43:49 | |
No! | 0:43:49 | 0:43:50 | |
No, 58. | 0:43:50 | 0:43:53 | |
58. | 0:43:57 | 0:43:58 | |
-Not 50? -No. Sorry. | 0:43:58 | 0:44:01 | |
The famous Barby pleading stare just hasn't worked in Coldstream. | 0:44:01 | 0:44:07 | |
Time for a new town. Or maybe a new country! | 0:44:07 | 0:44:10 | |
The Road Trip races towards Wooler, in Northumberland. | 0:44:11 | 0:44:16 | |
Across the Scottish/English border, David is still desperate for a bargain to save his fortunes. | 0:44:16 | 0:44:22 | |
Fingers crossed that I'll find something here. | 0:44:23 | 0:44:27 | |
But I haven't come across an antique shop yet. | 0:44:27 | 0:44:30 | |
So that's a bit disconcerting! | 0:44:30 | 0:44:33 | |
Now, that's what I call taking it easy! | 0:44:41 | 0:44:45 | |
But there's still a bargain antique that needs to be caught. | 0:44:47 | 0:44:51 | |
Right, David? | 0:44:51 | 0:44:53 | |
Excuse me, sir. Is there an antique shop here? | 0:44:53 | 0:44:57 | |
That's good. I've found an antique shop. | 0:44:58 | 0:45:02 | |
I'm limited with money. | 0:45:02 | 0:45:05 | |
I've got to buy something which is going up for auction. | 0:45:05 | 0:45:08 | |
I've got to guarantee to make a profit. | 0:45:08 | 0:45:10 | |
Have a look round. Have a look at the back of the shop. You may find something. | 0:45:10 | 0:45:15 | |
Lead on, Macduff! | 0:45:15 | 0:45:17 | |
Gosh! There's treasures everywhere! | 0:45:18 | 0:45:20 | |
-An old church lectern. -Yes. I like this shaped carving here. | 0:45:24 | 0:45:28 | |
Gothic tracery. | 0:45:28 | 0:45:30 | |
-Gothic. -Yes. It's pitch pine. | 0:45:30 | 0:45:33 | |
-I think that's quite startling. -Mmm. | 0:45:33 | 0:45:36 | |
What date do you put on it? About 1880? 1890? | 0:45:36 | 0:45:39 | |
Yes. | 0:45:39 | 0:45:40 | |
Double-sided church lecterns were thought to have been originally used | 0:45:40 | 0:45:46 | |
for displaying the Old and New Testaments simultaneously. | 0:45:46 | 0:45:50 | |
The reason I look at that is because I've been into posh restaurants. | 0:45:50 | 0:45:54 | |
-Yes, and they use them... -They use it as a sort of menu holder. | 0:45:54 | 0:45:58 | |
-I've seen that. -Or bookings. | 0:45:58 | 0:46:00 | |
What's the very best you can do on that? | 0:46:00 | 0:46:02 | |
Because of the damage, I could probably do that for 75. | 0:46:02 | 0:46:06 | |
Could you do it much less than 75? | 0:46:06 | 0:46:07 | |
Could you do it at 40? | 0:46:07 | 0:46:09 | |
-Phew... -£40. | 0:46:09 | 0:46:11 | |
MAN LAUGHS | 0:46:11 | 0:46:13 | |
-40 quid. -40 quid. Done! It's done. | 0:46:13 | 0:46:16 | |
It's done! Ah! | 0:46:16 | 0:46:17 | |
God, I've never bought anything so quickly! | 0:46:17 | 0:46:20 | |
David knows a great antique when he sees one. | 0:46:20 | 0:46:25 | |
This could turn the big profit he desperately needs. | 0:46:25 | 0:46:28 | |
Thoroughly relaxed and refreshed, | 0:46:29 | 0:46:33 | |
Anita has arrived early for that special time on the Road Trip. | 0:46:33 | 0:46:37 | |
Our two experts finally get to reveal their secrets to one another. | 0:46:37 | 0:46:42 | |
Ah, what a day I've had! | 0:46:43 | 0:46:45 | |
Oh, David! | 0:46:45 | 0:46:46 | |
First item. I love writing boxes, David. | 0:46:46 | 0:46:50 | |
I thought this one was quite sweet. | 0:46:50 | 0:46:53 | |
-There is a little restoration work done on it. -That's restoration. | 0:46:53 | 0:46:57 | |
-But the inside's been tidied up. -Lovely. | 0:46:57 | 0:47:00 | |
-How much? -£12. | 0:47:00 | 0:47:01 | |
Oh, Anita! | 0:47:01 | 0:47:03 | |
That is so cheap. | 0:47:03 | 0:47:05 | |
This is a little blotter. | 0:47:05 | 0:47:08 | |
It's continental. All this revived Rococo work. | 0:47:08 | 0:47:12 | |
-What do you think? -I think that's absolutely lovely. | 0:47:12 | 0:47:15 | |
-I paid a lot of money for that. -How much? | 0:47:15 | 0:47:17 | |
£10! | 0:47:17 | 0:47:19 | |
-Have you learned a wee trick or two from me? -I have, I have! | 0:47:20 | 0:47:23 | |
-Oh, isn't that sweet? Do you wind it up? -Yes, it's clockwork. | 0:47:26 | 0:47:30 | |
-That is brilliant. What did you pay for that? -25. -25! | 0:47:34 | 0:47:38 | |
Hurry up, David! Hurry up! | 0:47:39 | 0:47:41 | |
-This is a snuff scale. -It's in remarkably good condition. -Isn't it just? | 0:47:41 | 0:47:46 | |
-How much, David? -Well, he was asking £70. | 0:47:46 | 0:47:50 | |
-And he didn't give you anything off? -£30, I got it for. | 0:47:50 | 0:47:53 | |
Och, that's great! You're teasing me! | 0:47:53 | 0:47:56 | |
It's a little tray and decanter. | 0:47:57 | 0:48:01 | |
It's overlaid silver and it's marked sterling. | 0:48:02 | 0:48:06 | |
-So this is American? -Uh-huh. | 0:48:06 | 0:48:09 | |
-How much was it? -£25. -You've done so unbelievably well! | 0:48:09 | 0:48:14 | |
-I want to give up and go home! -No! -Yes, I do! | 0:48:14 | 0:48:18 | |
-Show me your third item. -OK. It's outside, actually. | 0:48:18 | 0:48:21 | |
I ought to say, "Close your eyes." | 0:48:21 | 0:48:24 | |
-Have you got your eyes closed? -Yep. | 0:48:24 | 0:48:26 | |
Not yet. Not yet. | 0:48:28 | 0:48:30 | |
Open your eyes. | 0:48:30 | 0:48:32 | |
(Ooh, that's lovely!) | 0:48:32 | 0:48:34 | |
It's Gothic revival. | 0:48:34 | 0:48:36 | |
It's in pine and mixed wood. | 0:48:36 | 0:48:38 | |
-I love this. I love it. -Really? -Uh-huh. | 0:48:38 | 0:48:41 | |
I can see it in a restaurant, a hotel... | 0:48:41 | 0:48:45 | |
-That's a most unusual item. -You told me to buy something cookie! | 0:48:45 | 0:48:49 | |
I would estimate it somewhere between 150 and £200. | 0:48:49 | 0:48:54 | |
What did you pay for it? | 0:48:54 | 0:48:56 | |
40! | 0:48:56 | 0:48:57 | |
Well done! Well done! | 0:48:58 | 0:49:01 | |
All right, that's enough! | 0:49:01 | 0:49:02 | |
Now, tell us what you really think! | 0:49:02 | 0:49:05 | |
I think the lectern for £40! | 0:49:06 | 0:49:09 | |
That was absolutely fabulous! | 0:49:09 | 0:49:12 | |
I thought the writing box she bought, I saw at Sunnyside. | 0:49:12 | 0:49:16 | |
I rejected it, because it was so over-restored. | 0:49:16 | 0:49:22 | |
But she got it for £12! | 0:49:22 | 0:49:24 | |
He's given himself a wee shake, | 0:49:24 | 0:49:26 | |
price-wise. | 0:49:26 | 0:49:28 | |
And I think he'll do very well. | 0:49:28 | 0:49:30 | |
Finally, it's auction day. | 0:49:32 | 0:49:34 | |
Our two experts complete this leg of the trip from Ayr. | 0:49:34 | 0:49:38 | |
They've whizzed around the Scottish borders | 0:49:38 | 0:49:41 | |
before crossing into England and on to Carlisle. | 0:49:41 | 0:49:44 | |
Carlisle is an historic town, all right. | 0:49:44 | 0:49:47 | |
Originally a staging post for the Roman army to defend Hadrian's Wall, | 0:49:47 | 0:49:52 | |
it has been variously part of England and Scotland throughout its existence. | 0:49:52 | 0:49:56 | |
Who it belongs to now depends on who you ask, | 0:49:56 | 0:49:59 | |
but technically, it's in the north of England. | 0:49:59 | 0:50:03 | |
Good auction house. Good auctioneer. | 0:50:03 | 0:50:05 | |
I'm full of expectancy. | 0:50:05 | 0:50:08 | |
Auctioneer Paul Laidlaw has his own thoughts to add to the proceedings. | 0:50:08 | 0:50:13 | |
The lectern worries me. It's a difficult one to call. | 0:50:13 | 0:50:16 | |
If you love it, where would you see another? So buy it. Pay what you have to pay. | 0:50:16 | 0:50:22 | |
But how many people are looking for a Gothic lectern? I don't know. | 0:50:22 | 0:50:26 | |
If the lectern crashes and burns, Anita's stolen it. | 0:50:26 | 0:50:30 | |
Starting this leg with £333.81, | 0:50:31 | 0:50:33 | |
Anita has wisely spent a mere £62. | 0:50:33 | 0:50:38 | |
David started with £169.15, and with a complete reversal of his former tactic, | 0:50:38 | 0:50:46 | |
spent just £80. | 0:50:46 | 0:50:48 | |
-I caught some fish. -I know you did. You keep telling me. | 0:50:48 | 0:50:52 | |
Christopher Columbus! | 0:50:52 | 0:50:54 | |
Shh! Conversations are hurriedly cut short, mobile phones switched to silent, | 0:50:54 | 0:50:59 | |
and if anyone's not been to the little room, then it's too late now! | 0:50:59 | 0:51:04 | |
The auction is about to begin. | 0:51:04 | 0:51:06 | |
You never know what's going to happen until the hammer falls. | 0:51:07 | 0:51:11 | |
-Perfectly true. -That's what draws people to the auction. | 0:51:11 | 0:51:15 | |
First up, Anita's leather stationery box. | 0:51:15 | 0:51:19 | |
It's been heavily restored, possibly too much. The buyers will decide. | 0:51:19 | 0:51:24 | |
£10 for a start. At £10 bid. | 0:51:24 | 0:51:26 | |
£10 I'm bid. £10. Nice little lot, this. 15. | 0:51:26 | 0:51:29 | |
20. Five. 25. This is good value, | 0:51:29 | 0:51:32 | |
let me assure you. | 0:51:32 | 0:51:33 | |
Sure you're done? It's below my expectations. Selling at £25. | 0:51:33 | 0:51:38 | |
-Yes! -That is very good. -That will do me. That will do me. | 0:51:39 | 0:51:43 | |
An excellent start. | 0:51:43 | 0:51:45 | |
Clearly, someone likes the ingenious restoration work. | 0:51:45 | 0:51:48 | |
Now, David's first item. A blotter for a tenner. | 0:51:50 | 0:51:54 | |
Let's hope it makes a bit more than that. | 0:51:54 | 0:51:56 | |
David has a lot of ground to make up at this auction. | 0:51:56 | 0:52:00 | |
Lovely little Rococo-style silver-topped desk blotter. | 0:52:00 | 0:52:04 | |
-He's so astute. -£10 for a start, the silver blotter. | 0:52:04 | 0:52:07 | |
£10 I'm bid. | 0:52:07 | 0:52:09 | |
12. 15. 18. 20. | 0:52:09 | 0:52:12 | |
22. Good value here. | 0:52:12 | 0:52:13 | |
-It is. -The Rococo silver desk blotter. 25. | 0:52:13 | 0:52:16 | |
-25. 28. -Can we knock 30? -30. | 0:52:16 | 0:52:20 | |
He's teetering. Quite sure you're all done? Another? 32. | 0:52:20 | 0:52:24 | |
-Paul? He was out once. -Go on! Go! | 0:52:24 | 0:52:27 | |
All done now at £32. | 0:52:27 | 0:52:30 | |
552. | 0:52:30 | 0:52:32 | |
-Yes! -The hammer's down. -Well done! | 0:52:32 | 0:52:34 | |
Excellent. David's new cautious approach to buying is working. So far! | 0:52:35 | 0:52:40 | |
Next, Anita's rather lovely decanter and tray set. | 0:52:42 | 0:52:46 | |
She got a good deal. Now, can she make a good profit? | 0:52:46 | 0:52:50 | |
£10 bid. £10. 12. 15. | 0:52:50 | 0:52:52 | |
18. 20. 22. | 0:52:52 | 0:52:53 | |
Lovely little decanter. 25. | 0:52:53 | 0:52:55 | |
Selling now at 25. 28. | 0:52:55 | 0:52:59 | |
30. Selling. Last time, sir. £30. | 0:52:59 | 0:53:02 | |
Thank you, madam. | 0:53:02 | 0:53:04 | |
-You haven't lost anything. -It might have gone further. | 0:53:04 | 0:53:07 | |
Not bad. Not great, but not bad. | 0:53:07 | 0:53:11 | |
Now, David's fate hangs in the balance. | 0:53:11 | 0:53:14 | |
Will the scales do him justice? | 0:53:14 | 0:53:17 | |
A scarce set of scales. | 0:53:17 | 0:53:19 | |
-Can they see them? -Tobacconists. | 0:53:19 | 0:53:22 | |
£10. 15. | 0:53:22 | 0:53:23 | |
20. Five. | 0:53:23 | 0:53:26 | |
30. I'll take two, remember. | 0:53:26 | 0:53:29 | |
32. 35. | 0:53:30 | 0:53:33 | |
-It's worth more. -At £35. | 0:53:33 | 0:53:36 | |
Oh, dear. After commission, all chance of a profit has been snuffed out. | 0:53:38 | 0:53:43 | |
# Pa-rum-pah-pah-pum! # Can this little bunny | 0:53:43 | 0:53:47 | |
drum up a bit of auction glory for Anita? | 0:53:47 | 0:53:51 | |
-Lot 550A. -Yes, come on, my little darling! | 0:53:51 | 0:53:55 | |
10. 12. 15. 18. | 0:53:55 | 0:53:58 | |
18. Are we all done? 20. | 0:53:58 | 0:54:00 | |
22. 25. | 0:54:00 | 0:54:02 | |
25 here. It goes now at £25. | 0:54:02 | 0:54:07 | |
I loved that wee thing, as well. | 0:54:08 | 0:54:10 | |
I think I was carried away with it! | 0:54:10 | 0:54:14 | |
Oh, dear. The drumming's stopped | 0:54:14 | 0:54:17 | |
and after commission, it's a loss on the bunny. | 0:54:17 | 0:54:20 | |
Now, it's all down to the lectern. | 0:54:20 | 0:54:22 | |
David's hoping that his killer item will propel him back into the lead. | 0:54:22 | 0:54:28 | |
-How is that lectern going to do? -Don't get me excited. | 0:54:28 | 0:54:32 | |
-Don't get me excited. -Are you nervous? | 0:54:32 | 0:54:34 | |
Yes! | 0:54:34 | 0:54:35 | |
Well, what think you of this? | 0:54:35 | 0:54:37 | |
-Love it. -What a handsome specimen. | 0:54:37 | 0:54:40 | |
At £20 to start. £20 the lectern. | 0:54:40 | 0:54:43 | |
25. 30. Five. | 0:54:43 | 0:54:45 | |
40. Five. | 0:54:45 | 0:54:47 | |
-50. -Come on! -52. | 0:54:47 | 0:54:49 | |
55. Sounds cheap to me. 55. | 0:54:49 | 0:54:52 | |
-It is cheap. -55. 55. | 0:54:52 | 0:54:54 | |
55. Last chance and selling | 0:54:54 | 0:54:56 | |
at £55. | 0:54:56 | 0:54:59 | |
HE SIGHS DEEPLY | 0:54:59 | 0:55:01 | |
-You made a profit. -£15! | 0:55:01 | 0:55:03 | |
Well... | 0:55:03 | 0:55:05 | |
Don't cry! | 0:55:05 | 0:55:06 | |
A minor profit there, but not the silver bullet that David needed. | 0:55:06 | 0:55:11 | |
I don't think we should be too unhappy about that. | 0:55:11 | 0:55:14 | |
-At least we did not make a loss! -Yeah. | 0:55:14 | 0:55:18 | |
That's it, folks, for this auction at least. | 0:55:18 | 0:55:22 | |
Despite new tactics and best efforts, | 0:55:22 | 0:55:24 | |
Anita has kept her solid lead over poor old David. | 0:55:24 | 0:55:28 | |
But there's one more leg to the journey to go, | 0:55:28 | 0:55:31 | |
so it ain't all over yet! | 0:55:31 | 0:55:33 | |
Anita started this leg with £333.81. | 0:55:33 | 0:55:37 | |
She made a hilarious profit after commission of £4.20! | 0:55:37 | 0:55:42 | |
She now has £338 and a wee penny to take forward. | 0:55:42 | 0:55:48 | |
David began with £169.15 | 0:55:52 | 0:55:55 | |
and made a minor profit, after commission, of £20.96. | 0:55:55 | 0:55:59 | |
Dave fights on | 0:55:59 | 0:56:01 | |
with £190.10. | 0:56:01 | 0:56:03 | |
-Will you stand there and back me round? -Don't move quickly. | 0:56:07 | 0:56:10 | |
I don't like going backwards. | 0:56:10 | 0:56:12 | |
Hard! | 0:56:12 | 0:56:14 | |
-OK! -Come on! | 0:56:14 | 0:56:16 | |
In the next episode, | 0:56:17 | 0:56:18 | |
it's Anita and David's last journey together. | 0:56:18 | 0:56:22 | |
Anita gets down to business. | 0:56:22 | 0:56:24 | |
If I can maybe make you a wee offer? | 0:56:24 | 0:56:29 | |
David gets down the market. | 0:56:29 | 0:56:31 | |
-You're a hard man! -Don't say that! My wife says that. | 0:56:31 | 0:56:34 | |
And they both get on down the road to Yorkshire. | 0:56:34 | 0:56:38 | |
Subtitles by Red Bee Media Ltd | 0:56:58 | 0:57:01 |