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The nation's favourite antiques experts. One big challenge. | 0:00:02 | 0:00:05 | |
Who will make the most profit buying and selling antiques, as they drive around the jolly old UK? | 0:00:05 | 0:00:11 | |
-£6. -£5. -Done. | 0:00:11 | 0:00:14 | |
Is that your very best you can do? | 0:00:14 | 0:00:15 | |
At the end of their trip, they should have made some big money, | 0:00:15 | 0:00:19 | |
but it's not as easy as it sounds. | 0:00:19 | 0:00:21 | |
Only one will be crowned champion at the final auction in London. | 0:00:23 | 0:00:27 | |
This is the Antiques Road Trip. | 0:00:28 | 0:00:30 | |
This week, it's the turn of former PE teacher Philip Serrell, | 0:00:35 | 0:00:39 | |
now an established auctioneer and valuer in Worcester. | 0:00:39 | 0:00:42 | |
There's only one idiot in the world who is going to do a deal with you on that - and he has just walked in. | 0:00:42 | 0:00:48 | |
He's passionate about home-grown Worcester porcelain. | 0:00:48 | 0:00:51 | |
His strategy for the road trip? | 0:00:51 | 0:00:54 | |
The point is to buy something to sell on. | 0:00:54 | 0:00:56 | |
If you buy what you like, there is a fair chance other people will like it. | 0:00:56 | 0:01:00 | |
Philip's opponent is the baby in the team, Charles Hanson. | 0:01:00 | 0:01:03 | |
They call me Hawkeye Hanson, you see, so obviously it's trying to look here, there and everywhere. | 0:01:03 | 0:01:09 | |
He's an up-and-coming auctioneer from Derbyshire, with a penchant for history. What's his game plan? | 0:01:09 | 0:01:15 | |
It is very much buying for a commercial market, | 0:01:15 | 0:01:17 | |
knowing what sells well in sale rooms across the UK, | 0:01:17 | 0:01:20 | |
looking at things which we know will make a profit. | 0:01:20 | 0:01:22 | |
Their road trip is taking them from North Wales all the way to Devon. | 0:01:25 | 0:01:30 | |
In today's programme, they're taking the scenic route, from Llandudno | 0:01:30 | 0:01:34 | |
to auction in Birmingham, via the historic market town of Conwy. | 0:01:34 | 0:01:38 | |
En route, you pay a toll to help preserve the nature reserve. | 0:01:38 | 0:01:42 | |
-Hi. -£2.50, please. | 0:01:42 | 0:01:44 | |
Thank you very much, sir. | 0:01:44 | 0:01:46 | |
And the heritage coastline is well worth the money, with its stupendous limestone headland, | 0:01:47 | 0:01:53 | |
known as the Great Orme, which is Viking for "serpent". Rawgh! | 0:01:53 | 0:01:59 | |
Just a few miles further on, is the walled town of Conwy. | 0:01:59 | 0:02:04 | |
Its magnificent fortified castle was built in the 13th century | 0:02:04 | 0:02:08 | |
and continues to dominate this classic little medieval town. | 0:02:08 | 0:02:13 | |
Each expert is starting with £200. | 0:02:13 | 0:02:15 | |
Charles, eager to get going, has spotted his first shop, so Philip's heading off on his own. | 0:02:15 | 0:02:23 | |
This dealer specialises in Welsh clocks, but there are plenty of other goodies to catch the eye. | 0:02:23 | 0:02:29 | |
I love this wonderful big Staffordshire pottery, twin-handled loving cup. | 0:02:29 | 0:02:33 | |
-Yes. -It's a fabulous example, isn't it? -Yes, it is indeed. -And we've got two frogs in here, as well. -Yes. | 0:02:33 | 0:02:38 | |
The frogs at the bottom were a humorous Victorian device to suggest you'd had enough ale. | 0:02:38 | 0:02:44 | |
You were seeing things - and it was time to go home! Hic! | 0:02:44 | 0:02:47 | |
This must be 160 years old. | 0:02:47 | 0:02:50 | |
I would have thought so, yes. I would have said Victorian. | 0:02:50 | 0:02:53 | |
Yes, exactly. | 0:02:53 | 0:02:55 | |
Philip's popping back across the Conwy estuary to Deganwy, | 0:02:56 | 0:03:01 | |
where there's a shop that might just float his boat. | 0:03:01 | 0:03:04 | |
With his collection of traditional wooden toy yachts, known as pond yachts, | 0:03:04 | 0:03:10 | |
and plenty of other quirky nautical knick-knacks, | 0:03:10 | 0:03:12 | |
New Zealand-born Noel Jamieson is a man after Philip's heart. | 0:03:12 | 0:03:16 | |
-You have some great things in here. -Thank you. | 0:03:16 | 0:03:18 | |
I love pond yachts, I've always loved pond yachts. Tell me about this one. | 0:03:18 | 0:03:22 | |
It's probably 1930s, that one. | 0:03:22 | 0:03:25 | |
-How much is it? -I'm asking 600 for that. | 0:03:25 | 0:03:28 | |
Yeah, well, I can't say I blame you for that. | 0:03:28 | 0:03:31 | |
The only problem I have got, my pockets don't stretch that far. | 0:03:31 | 0:03:34 | |
I quite like this mirror here. | 0:03:34 | 0:03:36 | |
It's got a real seaside feel that one, isn't it? | 0:03:36 | 0:03:39 | |
It's like me, mate, it's seen better days. | 0:03:39 | 0:03:42 | |
It's a bit tired, isn't it? And how much is that? | 0:03:42 | 0:03:46 | |
25 would be a nice price for that. | 0:03:46 | 0:03:48 | |
-Is that for you or for me? -Ah, OK. | 0:03:48 | 0:03:51 | |
You've got such an eclectic mix of things, haven't you? | 0:03:51 | 0:03:54 | |
Is this all your taste? | 0:03:54 | 0:03:56 | |
I suppose it is, really. I only buy what I like. | 0:03:56 | 0:03:59 | |
Finding it is like half the job, selling it is the other half. | 0:03:59 | 0:04:01 | |
So, yeah, if someone likes what I like, all the better. | 0:04:01 | 0:04:05 | |
I love your pond yachts, but they're a bit rich for my pocket. Have you got any others? | 0:04:05 | 0:04:10 | |
-I have got a few that need a bit of work on, mind. -Oh, go on, then. | 0:04:10 | 0:04:14 | |
What do you think of that one? | 0:04:16 | 0:04:18 | |
What's nice about this one is it has its age on. | 0:04:18 | 0:04:21 | |
They are the original sails, and you can see it was used by a boy or something like that. | 0:04:21 | 0:04:27 | |
What's that on the bottom? HRR? | 0:04:27 | 0:04:29 | |
-Is that the owner? -That would be the owner's initials, no doubt. | 0:04:29 | 0:04:32 | |
15, 6, of the 11. | 0:04:32 | 0:04:34 | |
The rudder's fallen off. You can do a bit of work with that sail, fitting it properly again. | 0:04:34 | 0:04:40 | |
Not a lot of work, and it's a nice thing. | 0:04:40 | 0:04:42 | |
How much is that one? | 0:04:42 | 0:04:43 | |
I think that's worth 50. | 0:04:45 | 0:04:48 | |
While our ancient mariner ponders over a toy yacht called Doris, | 0:04:48 | 0:04:52 | |
Charles is bounding around town, keen to spend some cash. | 0:04:52 | 0:04:57 | |
-A Davenport. -A Davenport. Named after a certain Captain Davenport. | 0:04:59 | 0:05:04 | |
This is a small desk with a sloping hinged top that lifts up to reveal a storage space and drawers. | 0:05:04 | 0:05:09 | |
But here, it's in disguise. | 0:05:09 | 0:05:13 | |
-Can I say something ? -Yes. -It's not a Davenport. -Is it not? Oh no, it's a desk, it's a wash stand. | 0:05:13 | 0:05:17 | |
-Isn't that unusual? -Yes, it is, I've never seen one before. | 0:05:17 | 0:05:21 | |
Do you know what that was made for? | 0:05:21 | 0:05:24 | |
-No, tell me. -It was made for boats. | 0:05:24 | 0:05:26 | |
-Was it, really? -Yes. Very unusual, isn't it? -Isn't it. | 0:05:26 | 0:05:30 | |
Nine people out of ten think it's a Davenport, because it looks... | 0:05:30 | 0:05:33 | |
You would think the top would lift and you'd have your pen divisions in there. But it is completely vacant. | 0:05:33 | 0:05:38 | |
-They used to put the water in there. -Isn't it interesting? Is that something native to...? | 0:05:38 | 0:05:42 | |
Well, to be perfectly frank with you, I've been dabbling in this business for 40 years, | 0:05:42 | 0:05:46 | |
-and that's the first one that I've ever seen. -Me, too. | 0:05:46 | 0:05:49 | |
Interesting, isn't it? | 0:05:49 | 0:05:51 | |
I'm going to be realistic, I think in the current auction market today, | 0:05:51 | 0:05:55 | |
if that came into my auction rooms in the Midlands and I valued it, | 0:05:55 | 0:06:00 | |
I'd perhaps suggest to a client its market worth on a really good day could be up to £100. | 0:06:00 | 0:06:05 | |
But my guide price might be between 50 and 100. | 0:06:05 | 0:06:09 | |
Be honest with me, I will make you an offer of... | 0:06:09 | 0:06:13 | |
-..£60. -Sold! -Really? Really? Thanks, Ken. | 0:06:15 | 0:06:20 | |
-I'll take it! -60 quid! Should turn in a nice little profit on that. | 0:06:20 | 0:06:24 | |
Meanwhile, Philip's reflecting on his seafaring collectibles. | 0:06:24 | 0:06:28 | |
What I'm thinking of doing is perhaps if I could buy the both of these off you. | 0:06:28 | 0:06:33 | |
I think they might make a nice little lot in the sale. | 0:06:35 | 0:06:37 | |
How much was the mirror, again? | 0:06:37 | 0:06:39 | |
-25. -And the little pond yacht? | 0:06:39 | 0:06:41 | |
I'd like 50 for that. | 0:06:41 | 0:06:43 | |
-So, for the two, it's £75. -Yes, that's right. | 0:06:43 | 0:06:48 | |
I think that's too much. | 0:06:50 | 0:06:51 | |
If I'm buying mean, I think that's worth £30 and I think this is worth a tenner. | 0:06:51 | 0:06:57 | |
Because this, it's been totally unloved, I've got to rebuild it, put some polish into it. | 0:06:57 | 0:07:03 | |
I think the mirror you could live with, but I think that I'm looking at £30 and £10. | 0:07:03 | 0:07:07 | |
What was my price? | 0:07:07 | 0:07:08 | |
It was 50 and 25. 75 against 40. | 0:07:08 | 0:07:12 | |
You're almost... | 0:07:12 | 0:07:15 | |
Halfway would be... | 0:07:15 | 0:07:17 | |
circa 60. | 0:07:17 | 0:07:18 | |
Yeah, my maths ain't that good, Noel. I mean, for me, | 0:07:18 | 0:07:23 | |
halfway between 40 and 75, is 45. | 0:07:23 | 0:07:27 | |
I was never that good at maths, it's been a failing all my life. Go on, £45 and I'll have the two. | 0:07:27 | 0:07:33 | |
If you make it 50, we've got a deal. | 0:07:33 | 0:07:36 | |
You're a hard man, Noel, you're a hard, hard man. I'm a poor innocent. | 0:07:37 | 0:07:42 | |
I'm a generous man, to be honest. | 0:07:42 | 0:07:44 | |
-Go on. -Done. -Knew you could, matey. Thank you. | 0:07:44 | 0:07:46 | |
But Philip's not leaving quite yet. | 0:07:46 | 0:07:48 | |
He wants that mirror ship-shape before he takes it to auction. | 0:07:48 | 0:07:52 | |
Come on, make yourself useful. You start buffing up the other side. | 0:07:52 | 0:07:56 | |
Dear me, stood there doing nothing. | 0:07:56 | 0:07:58 | |
-This is what they elbow grease, isn't it? -Yeah. | 0:08:01 | 0:08:05 | |
I think that's what they call taking liberties, me! | 0:08:05 | 0:08:07 | |
If I don't make any money, I'll come back and see you. | 0:08:07 | 0:08:10 | |
Back to Conwy to pick up Charles. | 0:08:13 | 0:08:16 | |
HORN BEEPS Come on, Charlie! | 0:08:16 | 0:08:18 | |
-Good morning. -How are you, Charles, all right? -Enjoying it? It's hard work, though, isn't it? | 0:08:18 | 0:08:22 | |
-Yeah, it is. -And the strong arm of the law appears from nowhere | 0:08:22 | 0:08:27 | |
-Hi. -Can you move your vehicle, please? | 0:08:27 | 0:08:29 | |
Yes. Do you want me to pull out after you or before you? | 0:08:29 | 0:08:31 | |
That'll teach Philip about dodgy parking. | 0:08:31 | 0:08:34 | |
Struggling with the seatbelt, hold on a sec. | 0:08:34 | 0:08:37 | |
Toodle-loo. | 0:08:37 | 0:08:40 | |
Quick getaway required, and an escape from the cloudy weather. | 0:08:40 | 0:08:44 | |
Off along the coast to Penmaenmawr, or Pen, for short. | 0:08:44 | 0:08:49 | |
They say it was William Gladstone's favourite holiday spot, | 0:08:49 | 0:08:53 | |
and it's where the man who claims to have the biggest antiques stock in North Wales has his shop. | 0:08:53 | 0:08:59 | |
Mick King's been a dealer for 40 years. | 0:08:59 | 0:09:02 | |
His showroom is over three floors, so there's room for both experts to browse. | 0:09:02 | 0:09:08 | |
Well, I'm quite pleased. I'm in the basement already, without Philip, | 0:09:08 | 0:09:11 | |
which obviously means I'm here to discover, he's up there, and the eyes are drawn everywhere. | 0:09:11 | 0:09:17 | |
And they call me Hawkeye Hanson, you see, so obviously it's trying to just look here, there and everywhere | 0:09:17 | 0:09:22 | |
to really find something, just something to really beat Phil Serrell. That's my plan. | 0:09:22 | 0:09:28 | |
To look hard and see what I find. | 0:09:28 | 0:09:32 | |
You come into a shop like this and Mick has got it really set up nicely. | 0:09:32 | 0:09:35 | |
That looks like a piece of shabby chic. | 0:09:35 | 0:09:39 | |
Problem is, you go and put that in a saleroom, | 0:09:39 | 0:09:42 | |
and it just looks like a piece of shabby. | 0:09:42 | 0:09:45 | |
From a single shabby stool, to three seats for the price of one. | 0:09:45 | 0:09:50 | |
-Those are interesting. -Aren't they? -I think it's out of a theatre. | 0:09:50 | 0:09:53 | |
-Aren't they wonderful? -They are beautiful. -They must be, what, 1900? | 0:09:53 | 0:09:57 | |
1900, Edwardian, that's what I think. | 0:09:57 | 0:09:59 | |
Aren't they wonderful? They have these wonderful tableau concave backs. Each numbered. | 0:09:59 | 0:10:05 | |
-They're fantastic, aren't they? -They are. -How much? -110. | 0:10:05 | 0:10:09 | |
I quite like them, but high risk. | 0:10:09 | 0:10:12 | |
Now Philip's found a shabby old saddle. | 0:10:12 | 0:10:16 | |
I like that. | 0:10:16 | 0:10:18 | |
It's come off a work horse or a work donkey, who'd have been down the pits. | 0:10:18 | 0:10:24 | |
And the harness would have gone through there. | 0:10:24 | 0:10:27 | |
Who's going to buy that? | 0:10:27 | 0:10:29 | |
Good Lord, I don't know. | 0:10:29 | 0:10:32 | |
-I'm going to see if Mick will take a tenner for that or a fiver. -Oh, dear. | 0:10:32 | 0:10:36 | |
Is Philip is about to saddle himself with a non-runner at the auction? | 0:10:36 | 0:10:39 | |
And what's Charles thinking about those theatre seats? | 0:10:39 | 0:10:42 | |
-Mick, you've got this old bit of a saddle here. -Yep. | 0:10:42 | 0:10:45 | |
It was priced up at 15 quid. I reckon that's been here forever and a day. How long have you had that in stock? | 0:10:45 | 0:10:50 | |
Probably only about... | 0:10:50 | 0:10:53 | |
-Ten years? -No. Five, we've had that. | 0:10:53 | 0:10:56 | |
You've had it about five years. | 0:10:56 | 0:10:58 | |
There's only one idiot in the world going to do a deal with you on that, and he has just walked in. | 0:10:58 | 0:11:03 | |
-Has he? -Moi. | 0:11:03 | 0:11:05 | |
-Right, OK. -If you give me a tenner, I'll take it away. | 0:11:05 | 0:11:08 | |
Hold your hand out. | 0:11:08 | 0:11:10 | |
-One price, one price. -Go on. | 0:11:10 | 0:11:13 | |
-£7. -£5. | 0:11:13 | 0:11:15 | |
-One price. £6. -£5. | 0:11:15 | 0:11:18 | |
-Done. -You're a gentleman. -Right. | 0:11:18 | 0:11:20 | |
It's a deal. Charles, however, is stalling. | 0:11:20 | 0:11:24 | |
I'm quite upbeat. I think these theatre stalls or the three chairs, have a certain spark about them. | 0:11:24 | 0:11:31 | |
OK? A certain magic. | 0:11:31 | 0:11:33 | |
Reliving those old theatrical days from the early 20th century, and there is something which | 0:11:33 | 0:11:39 | |
I could just see making £150-£200 and really doing very well. | 0:11:39 | 0:11:44 | |
At the same time, they could falter. | 0:11:44 | 0:11:47 | |
They could fall off the stage and I could be into a serious depression. | 0:11:47 | 0:11:53 | |
-But they've got me thinking -You'd better think fast, Charles. Philip's caught the scent. | 0:11:53 | 0:11:57 | |
This is my patch, OK. I'm looking up here now. | 0:11:57 | 0:12:00 | |
No, it's my patch. | 0:12:00 | 0:12:02 | |
Oh, Charles, do behave. This is the trouble when you deal with children. | 0:12:02 | 0:12:07 | |
-Ho-ho! -Those blooming cinema seats are something else, aren't they, Charlie? | 0:12:07 | 0:12:11 | |
-Ah! -I like them. I think they're fantastic. | 0:12:11 | 0:12:14 | |
How much are they, Mick? | 0:12:14 | 0:12:16 | |
-Um. -I'm keeping those to myself, OK? | 0:12:16 | 0:12:17 | |
-OK. -Keep those under reserve, Mick. | 0:12:17 | 0:12:20 | |
Ah, so Charles has made up his mind! | 0:12:20 | 0:12:23 | |
I can see a bidding war starting off here. | 0:12:23 | 0:12:25 | |
I really rate them. I think they're really quirky, interesting, and have a really good quality. | 0:12:25 | 0:12:31 | |
Right, Charlie, I'm not going to get involved with your negotiation, | 0:12:31 | 0:12:34 | |
-but I shall do the honourable thing and retire. -Thank you, Philip. | 0:12:34 | 0:12:37 | |
So, Philip doesn't see the deal being done. | 0:12:37 | 0:12:40 | |
And anyway, how on earth is Charles going to get those seats in the back of the Jag? | 0:12:40 | 0:12:45 | |
-Phil? -ENGINE REVS | 0:12:45 | 0:12:48 | |
Charles hops back into the driving seat, giving nothing away | 0:12:48 | 0:12:51 | |
about whether he's bought the theatre seats or not. | 0:12:51 | 0:12:54 | |
Cunning monkey. | 0:12:54 | 0:12:56 | |
-Oh, it's stunning, isn't it? -Yeah, it'll do. | 0:12:56 | 0:12:58 | |
They're heading for Llanrwst, hoping to squeeze in some last-minute antique hunting. | 0:12:58 | 0:13:04 | |
It's getting late, and they'll be lucky to fit any more buying in. | 0:13:04 | 0:13:07 | |
What time is it? Half past seven? | 0:13:07 | 0:13:09 | |
Yeah, shop's shut. | 0:13:09 | 0:13:11 | |
Surely not, there's more down here, isn't there? | 0:13:11 | 0:13:14 | |
Antique shops. Look here. | 0:13:14 | 0:13:15 | |
-I'm sure it's open, Phil. -Charlie, it's shut. | 0:13:15 | 0:13:18 | |
What are the Welsh working hours? | 0:13:18 | 0:13:20 | |
Same as the English working hours, Charlie, and that is shut. | 0:13:20 | 0:13:23 | |
S-H-U-T. Shut. | 0:13:23 | 0:13:26 | |
Ah, well... | 0:13:26 | 0:13:27 | |
Night is falling in beautiful Snowdonia, and our happy, hungry, | 0:13:27 | 0:13:33 | |
hopeful hunters head for dinner after a busy day's shopping. | 0:13:33 | 0:13:37 | |
-I hope they're still serving food. -Shall I just pull in? -Absolutely right, Charles. | 0:13:39 | 0:13:44 | |
Well, it's been a good, fun day, I've enjoyed it. Thank you so much. | 0:13:44 | 0:13:47 | |
There we go, engine's off. That's our day complete. | 0:13:47 | 0:13:51 | |
Up bright and early in Betwys-y-Coed. | 0:13:54 | 0:13:57 | |
They're on the road again, returning to Llanrwst and the shops they missed before. | 0:13:57 | 0:14:02 | |
Charles has already bought two items and has just £50 left. | 0:14:02 | 0:14:06 | |
Super-cautious Philip's only bought one object, and still has £150. | 0:14:06 | 0:14:11 | |
Not wasting any time, he's hitting the first shop. | 0:14:11 | 0:14:14 | |
Llanrwst, the gateway to Snowdonia, is top tourism territory. | 0:14:18 | 0:14:24 | |
Its ancient roots as a market town go back to the 14th century. | 0:14:24 | 0:14:29 | |
Our experts enjoy a browse in some local antique shops and eventually, | 0:14:29 | 0:14:33 | |
Philip emerges, keeping his latest purchase to himself... | 0:14:33 | 0:14:37 | |
for now. | 0:14:37 | 0:14:39 | |
The boys press on to Llangollen in Denbighshire, | 0:14:45 | 0:14:48 | |
where the local canal crosses the River Dee valley in spectacular fashion, | 0:14:48 | 0:14:54 | |
via the longest and highest aqueduct in Britain. | 0:14:54 | 0:14:57 | |
Charles is keen to spend the rest of his cash, while Philip is on the trail of a moving love story. | 0:14:59 | 0:15:04 | |
-Right here. Right, right, right, Charlie. Lord's sake! -Sorry, Philip. | 0:15:04 | 0:15:08 | |
In 1780, Lady Eleanor Butler and Sarah Ponsonby triggered a scandal | 0:15:08 | 0:15:14 | |
when they eloped from Ireland and set up home together in this house, Plas Newydd. | 0:15:14 | 0:15:19 | |
The Ladies of Llangollen, as they became known, caused a sensation, | 0:15:19 | 0:15:24 | |
not only because of their love affair | 0:15:24 | 0:15:26 | |
but for the way they redesigned a modest cottage into this extraordinary gothic retreat. | 0:15:26 | 0:15:33 | |
The house is looked after by Jane Horovitch. | 0:15:33 | 0:15:37 | |
-What can you tell me about that? -This is a lovely piece, probably the most important in the house. | 0:15:37 | 0:15:41 | |
Why were they famous? | 0:15:41 | 0:15:42 | |
They had met when Eleanor was 29 and she was asked to help at a boarding school | 0:15:42 | 0:15:48 | |
and teach a 13-year-old girl called Sarah Ponsonby, who had been tragically orphaned. | 0:15:48 | 0:15:54 | |
And that was the forging of a friendship and destiny for the two of them. | 0:15:54 | 0:15:58 | |
I would say, the reason they ran away was because they had very serious reasons to run away. | 0:15:58 | 0:16:05 | |
It wasn't just that they met and then they did this thing. | 0:16:05 | 0:16:08 | |
Eleanor was going to be incarcerated in a convent for the rest of her life, | 0:16:08 | 0:16:13 | |
and Sarah was being pestered by her guardian, | 0:16:13 | 0:16:16 | |
and the situation in Ireland was extremely fraught and dangerous for them both. | 0:16:16 | 0:16:22 | |
There are certain things in your life that you do. | 0:16:22 | 0:16:26 | |
You see that, it makes the hairs on the back of your neck stand up. | 0:16:26 | 0:16:28 | |
They were inseparable for over 50 years, until Eleanor, the older lady, died. | 0:16:28 | 0:16:35 | |
While Philip revels in an 18th-Century scandal, | 0:16:35 | 0:16:37 | |
-Charles is determined to splash his remaining £50. -This is nice. -Isn't it nice? Yes, yes. | 0:16:37 | 0:16:45 | |
And this flicks over and you can mix your colours on it. | 0:16:45 | 0:16:48 | |
Oh, I love that. | 0:16:48 | 0:16:50 | |
I could almost take that with me and paint a view. | 0:16:51 | 0:16:54 | |
Normally, I wouldn't buy it, but I just think it's so curious to a collector, | 0:16:54 | 0:16:59 | |
and it is fairly complete. But I've got £40 on me. | 0:16:59 | 0:17:03 | |
I'm not sure dealer Marie Evans is falling for Charles' sob story. | 0:17:03 | 0:17:08 | |
£45. I'm sure you can manage £45. | 0:17:08 | 0:17:12 | |
-Would you do 40? -No, 45. | 0:17:12 | 0:17:16 | |
I've come down a lot. | 0:17:16 | 0:17:18 | |
Would you meet me halfway at £42? | 0:17:18 | 0:17:20 | |
I can offer you £42.50. | 0:17:20 | 0:17:23 | |
42. | 0:17:27 | 0:17:29 | |
-Really? -Go on. | 0:17:29 | 0:17:31 | |
-Do you know what, Marie? -You've got a gift. | 0:17:32 | 0:17:35 | |
-Your shop is called... -Passers By. | 0:17:35 | 0:17:37 | |
Passers By, and I've passed by and I've been rewarded with a lovely object. | 0:17:37 | 0:17:41 | |
So thank you very much for that. | 0:17:41 | 0:17:44 | |
No more time for shopping. The experts have had their items delivered to a hotel in Llangollen | 0:17:48 | 0:17:53 | |
to show and tell. | 0:17:53 | 0:17:55 | |
And Charles has cleverly disguised his big lumps of furniture as ghosts with sheets from the hotel! | 0:17:55 | 0:18:02 | |
-Shall I show you what I bought? -Please, Phil, I can't wait for this. | 0:18:02 | 0:18:05 | |
This is my cheapest purchase, Charlie. | 0:18:05 | 0:18:07 | |
It's a colliery saddle, a harness, for a work horse. | 0:18:10 | 0:18:13 | |
Yeah. What did you pay for it? | 0:18:13 | 0:18:15 | |
-£5. -Really? £5? -Yeah. | 0:18:15 | 0:18:19 | |
Come on, Charlie, let's have a look. | 0:18:19 | 0:18:20 | |
I'm really pleased with this. Ready? | 0:18:20 | 0:18:24 | |
Look at that, isn't that gorgeous? | 0:18:24 | 0:18:26 | |
-That is lovely, Charlie. -Look at it, we've got the original labels, the original water colour palette. | 0:18:26 | 0:18:32 | |
-How much was that? -Well. It cost me £42. | 0:18:32 | 0:18:36 | |
I think you could double your money on that. | 0:18:36 | 0:18:38 | |
Do you think so? I'm hoping, Phil, between £50 and £70. | 0:18:38 | 0:18:41 | |
-You're a cricketer, aren't you? -I am. | 0:18:41 | 0:18:44 | |
I bought this earlier today, Charlie. | 0:18:44 | 0:18:47 | |
There's some great, great names on here, look. | 0:18:47 | 0:18:50 | |
Ah. Philip's mystery item he picked up in Llanrwst. | 0:18:50 | 0:18:54 | |
It's a souvenir mini cricket bat, printed with signatures of the MCC touring team in 1958. | 0:18:54 | 0:19:01 | |
-Isn't that just a great little bat? -That's nice, Phil. | 0:19:01 | 0:19:03 | |
You'd have gone to Headingley, Edgbaston or Trent Bridge and bought that outside the grounds. | 0:19:03 | 0:19:08 | |
OK, Phil, if this went into auction, my auction guide price would be about £25. | 0:19:08 | 0:19:12 | |
-Get your cheque book out, Charlie. -How much did you pay for it? -I paid 12 quid for it. | 0:19:12 | 0:19:16 | |
Oh, no! Did you really? I was hoping you'd have paid more. | 0:19:16 | 0:19:18 | |
You know, it could make 15, but no less than that, | 0:19:18 | 0:19:21 | |
but it ought to certainly race away and make £25. | 0:19:21 | 0:19:24 | |
-Well, we are ever hopeful, Charlie. -Well... Do you remember yesterday, when we were in that room? | 0:19:24 | 0:19:30 | |
-Yeah. -Ready? -Yeah, I'm ready for this. -Ready? | 0:19:30 | 0:19:35 | |
-Look at that. -Lord above, Charlie. | 0:19:35 | 0:19:38 | |
Well, I just couldn't resist. I liked the quality. | 0:19:38 | 0:19:40 | |
It's the original studded tapestry, I think it's really quirky. | 0:19:40 | 0:19:45 | |
They cost me £90. | 0:19:45 | 0:19:47 | |
-I think, Charlie, at £19 that's really cheap. -No, £90, nine zero. -Oh, right. | 0:19:47 | 0:19:53 | |
-What do you think? -I think it's lovely, Charlie. | 0:19:53 | 0:19:57 | |
-I think your problem is finding two people who are going to want it. -Well, we'll see what happens. | 0:19:57 | 0:20:01 | |
-Let me show you. My next lot is two for one, Charlie. -OK. | 0:20:01 | 0:20:06 | |
I thought this was just a real bit of fun, and I love my seaside stuff. | 0:20:06 | 0:20:09 | |
It's nice. I like it. I think it's nicely warped. | 0:20:09 | 0:20:12 | |
-I beg your pardon? -Warped. | 0:20:12 | 0:20:14 | |
-What? This or me? -No! The frame! | 0:20:14 | 0:20:16 | |
Also, you can see the actual mirror plate has worn. | 0:20:16 | 0:20:19 | |
It's completely original, isn't it? This lovely coopering, as well. | 0:20:19 | 0:20:22 | |
-I like it. -I'm quite envious of that, it's a good object. -Are you? I'm flattered, Charlie. | 0:20:22 | 0:20:27 | |
I bought this with it. I bought this little pond yacht, Charlie. | 0:20:27 | 0:20:30 | |
-It looks an early one. I hope it's not. -1911. -Yeah, good. | 0:20:30 | 0:20:34 | |
-Right. And I bought the two for 50 quid. -Is that all they cost? -Yeah. What do you think they'll make? | 0:20:34 | 0:20:41 | |
-Well...£100? -Really? -Yeah. | 0:20:41 | 0:20:45 | |
Charles has kept his cheeky washstand till last. | 0:20:45 | 0:20:48 | |
Are you ready? Any ideas? | 0:20:48 | 0:20:49 | |
No idea at all, Charlie. | 0:20:49 | 0:20:51 | |
Look at that, Phil. Look at that. OK, first of all, you would say straightaway, "Charles, it's a..." | 0:20:51 | 0:20:57 | |
-Davenport. -Exactly, that's what I thought. I thought, OK, Davenport, | 0:20:57 | 0:21:02 | |
writing slope, mahogany, decorative. | 0:21:02 | 0:21:05 | |
But... | 0:21:05 | 0:21:06 | |
That's really nice. I like that a lot, Charlie. How much is that? | 0:21:06 | 0:21:10 | |
Do you really? I'm a bit nervous, Phil, because, you know how this market is for furniture. | 0:21:10 | 0:21:14 | |
It cost me £60. | 0:21:14 | 0:21:16 | |
-I think you stole that, Charlie. -Do you really? | 0:21:16 | 0:21:18 | |
-I think if you have a good day out, Charlie, you could make yourself £90 profit on that. -Really? | 0:21:18 | 0:21:23 | |
Now, what do they really think? | 0:21:23 | 0:21:27 | |
His paint box? That will do well, profit. His washstand? | 0:21:27 | 0:21:30 | |
That will do well, profit. Where's he going to fall down? | 0:21:30 | 0:21:33 | |
Well, those cinema chairs. If they make what he thinks, he'll win. | 0:21:33 | 0:21:37 | |
-If they make what I think, he'll lose. -I think Philip has done well. | 0:21:37 | 0:21:41 | |
I think the mirror and the yacht are good objects. | 0:21:41 | 0:21:45 | |
But the other two objects will make a profit, but to me, they're quite tatty. So, small profit. | 0:21:45 | 0:21:50 | |
He'll see a decent return, | 0:21:50 | 0:21:53 | |
and we'll see what happens at the auction. | 0:21:53 | 0:21:55 | |
The shopping trip that started in North Wales is over. | 0:21:55 | 0:22:00 | |
It's auction day, and our two experts arrive in Birmingham. | 0:22:00 | 0:22:04 | |
Reputed to have more canals than Venice, | 0:22:06 | 0:22:09 | |
Birmingham was the powerhouse of the industrial revolution. | 0:22:09 | 0:22:13 | |
This workshop of the world was where gas lighting was invented. | 0:22:13 | 0:22:17 | |
For 50 years, Biddle And Webb have had an auction business here. | 0:22:20 | 0:22:23 | |
This is one of their monthly antiques and fine art sales. | 0:22:23 | 0:22:27 | |
Both our experts are fired up. | 0:22:27 | 0:22:29 | |
Me, being a competitor? I mean, it really doesn't matter whether I win or come second, really. | 0:22:29 | 0:22:34 | |
Not much(!) Of course I want to win, because that's what it's all about. | 0:22:34 | 0:22:38 | |
I am really wanting to win. | 0:22:38 | 0:22:40 | |
Obviously, I'm young, I'm the young pretender. Philip, wise old man. | 0:22:40 | 0:22:44 | |
But it's my day and I really want to do well, so I am really nervous, | 0:22:44 | 0:22:49 | |
but just hoping the right buyers are here to bid my stuff up. | 0:22:49 | 0:22:53 | |
It's the moment of truth. | 0:22:53 | 0:22:55 | |
Charles has blown all but £8 of his £200 kitty. | 0:22:55 | 0:23:00 | |
Philip has spent just £67. | 0:23:00 | 0:23:02 | |
Whose game plan will prove more successful? | 0:23:02 | 0:23:05 | |
Look at the state of you. | 0:23:05 | 0:23:07 | |
First up is Charles' artist's box. | 0:23:10 | 0:23:12 | |
He really likes this, but it's been put in the paintings category, | 0:23:12 | 0:23:16 | |
not with general collectibles. | 0:23:16 | 0:23:19 | |
Lot 40, late Victorian artist's paint set. | 0:23:21 | 0:23:24 | |
Dates about 1870, nearly complete. | 0:23:24 | 0:23:27 | |
-Correct. -Somebody start me at £50 for it? | 0:23:27 | 0:23:30 | |
It's got to be worth that, come on. Don't be shy. | 0:23:30 | 0:23:33 | |
£30, then. No movement at all, £30? | 0:23:33 | 0:23:35 | |
£30, there. Any more? Anybody else at £30? 35. | 0:23:35 | 0:23:39 | |
Come on, let's move it. | 0:23:39 | 0:23:41 | |
£35 against you, 40 now, £40. | 0:23:41 | 0:23:43 | |
At £40, it's going to be sold. | 0:23:43 | 0:23:45 | |
-Oh, come on. -£40 in the middle of the room, and we're all done at 40. | 0:23:45 | 0:23:50 | |
Uh-oh, these buyers are only interested in paintings. | 0:23:50 | 0:23:54 | |
I really thought it was going to make more than that. | 0:23:54 | 0:23:57 | |
Well, clearly, because that's why you bought it, Charlie. | 0:23:57 | 0:24:00 | |
I'm £2 down, plus commission. | 0:24:00 | 0:24:02 | |
Philip's put his nautical curios in one lot. | 0:24:02 | 0:24:07 | |
Rather nice Edwardian pond yacht, dated 1911, | 0:24:09 | 0:24:11 | |
with nautical-themed lifebelt-shaped mirror with rope edging. | 0:24:11 | 0:24:17 | |
Where can we start with this one? | 0:24:17 | 0:24:19 | |
Somebody start me at £100. 50, if you like. | 0:24:19 | 0:24:23 | |
Come on, let's not have so many blank faces. £50 bid. There at £50. | 0:24:23 | 0:24:26 | |
Anybody else at £50? At £50 only. Is that it? At £50. | 0:24:26 | 0:24:30 | |
£60, 70, any more? 80 bid, it's going to go. | 0:24:30 | 0:24:35 | |
At £80, it's going to be sold at £80. All done? £80. Any more? | 0:24:35 | 0:24:40 | |
Finished at 80? | 0:24:40 | 0:24:42 | |
A tidy £30 profit on the two of them. Well done. | 0:24:42 | 0:24:46 | |
Now Philip's betting on his souvenir miniature cricket bat. | 0:24:46 | 0:24:49 | |
Somebody start me at £30. 20? | 0:24:49 | 0:24:53 | |
£20 there, anybody else at 20? 25, 30, £30, 35, £35 bid, sir. | 0:24:55 | 0:25:02 | |
At 35, on the left. It's going to be sold at 35. | 0:25:02 | 0:25:07 | |
Now that's a cracking profit! | 0:25:07 | 0:25:09 | |
Next, the wash stand, that seemed a good buy at £60. | 0:25:09 | 0:25:13 | |
Late Victorian mahogany Davenport-shaped washstand, | 0:25:16 | 0:25:19 | |
circa 1885. | 0:25:19 | 0:25:20 | |
Hinged writing slope, revealing wash bowl. Somebody start me at £100. | 0:25:20 | 0:25:25 | |
50? | 0:25:25 | 0:25:26 | |
Come on, be brave, £50, somebody? | 0:25:26 | 0:25:29 | |
Gentleman there, 60 to lady here, | 0:25:29 | 0:25:33 | |
70, 80, 90. £90, gentleman there. | 0:25:33 | 0:25:37 | |
All done? New bidder at 100 in the middle there. £100, any more? | 0:25:37 | 0:25:42 | |
£100 all done. Seated bid. At 100. | 0:25:42 | 0:25:44 | |
That's good, Charlie. Well done, Charlie. | 0:25:46 | 0:25:48 | |
Last of the big spenders, Philip, only paid a fiver for the harness, | 0:25:48 | 0:25:52 | |
so he's got to be in for a profit. | 0:25:52 | 0:25:55 | |
And your next, lot 609, leather, wooden and copper... | 0:25:57 | 0:26:01 | |
Well, he can throw it away and I only lose a fiver. | 0:26:01 | 0:26:04 | |
Where can we start with that? £30? £20 bid there, thank you, any more? | 0:26:04 | 0:26:10 | |
It's in for a profit, isn't it? | 0:26:10 | 0:26:13 | |
Anybody else? 25, 30, any more? | 0:26:13 | 0:26:15 | |
At £30, all done? At £30, going to be sold at £30. | 0:26:15 | 0:26:20 | |
Impressive! | 0:26:21 | 0:26:23 | |
So it's all down to those wacky theatre seats, | 0:26:23 | 0:26:26 | |
which Philip may live to regret not buying. | 0:26:26 | 0:26:29 | |
And lot 670a, three joined cinema/theatre seats. | 0:26:31 | 0:26:36 | |
-Imagine the fun you could have with these. -Quite right. | 0:26:36 | 0:26:39 | |
£100 for them, come on. | 0:26:39 | 0:26:41 | |
They're worth £100. 80, if you like. Thank you, £80 there. | 0:26:41 | 0:26:44 | |
90 bid, 100, 110, 120, 130, | 0:26:44 | 0:26:48 | |
140, 150, 160, 170, 180, 190, 200, | 0:26:48 | 0:26:54 | |
200, back of the room. Anyone else? All finished at 200? | 0:26:54 | 0:26:58 | |
I am absolutely flabbergasted, Charlie. Well done, you. | 0:26:58 | 0:27:01 | |
I'm delighted. | 0:27:01 | 0:27:02 | |
I think I gambled, | 0:27:02 | 0:27:04 | |
and you're quite right, they could have flopped at £40, but as it was... | 0:27:04 | 0:27:09 | |
I'm staggered, and so are you. | 0:27:10 | 0:27:14 | |
That's put a smile on his face. | 0:27:14 | 0:27:16 | |
And he's still grinning! | 0:27:16 | 0:27:19 | |
I'm delighted. I went in there with this great gamble of my cinema chairs, | 0:27:19 | 0:27:24 | |
and Philip was pooh-poohing them, he was calling them filth and as it was, they made £200. I'm delighted. | 0:27:24 | 0:27:30 | |
Charlie's had a good day, good luck to him, but I think he's been fortunate with his chairs, | 0:27:30 | 0:27:35 | |
and on another day they might have lost him £50. | 0:27:35 | 0:27:37 | |
After paying the auction costs, Philip's got £249.65 to spend in the next leg. | 0:27:37 | 0:27:45 | |
Charles comes out with a respectable £281.53 for the next leg. | 0:27:46 | 0:27:51 | |
That'll keep grumpy old Philip on his toes. Change of strategy, Phil? | 0:27:52 | 0:27:57 | |
It's only the first stage of a long race, so we've only just got out of the blocks. | 0:27:57 | 0:28:01 | |
He's ahead on the first 20 yards, but the finishing tape's some distance away, | 0:28:01 | 0:28:05 | |
so I've just got to keep my fingers crossed and hope that I do well, really. | 0:28:05 | 0:28:08 | |
Obviously, Philip, he's lean and mean. He spent very little. | 0:28:08 | 0:28:11 | |
I was a gambler, I was the young pretender, and I won! | 0:28:11 | 0:28:14 | |
Well, Charlie, that worked out all right, didn't it? | 0:28:14 | 0:28:17 | |
-I'm delighted, Phil. -Come on, get in there. | 0:28:17 | 0:28:20 | |
Next time, Charles continues to spend big. | 0:28:20 | 0:28:23 | |
-But can he make it a winning streak? -We'd accept £180 on it. | 0:28:23 | 0:28:28 | |
-Not a penny less? -While Philip, ever cautious, spends little and still... | 0:28:28 | 0:28:32 | |
-Nobody wants it? -...hits trouble. -Sorry, chaps. | 0:28:32 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:54 | 0:28:57 |