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-It's the nation's favourite antiques experts... -What about that? | 0:00:02 | 0:00:05 | |
..with £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, | 0:00:13 | 0:00:15 | |
but it's no mean feat. | 0:00:15 | 0:00:17 | |
-Feeling a little SAW. -This is going to be an epic battle. | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:24 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-The honeymoon is over. -Sorry. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this show, we're on a brand-new road trip | 0:00:37 | 0:00:40 | |
with a newly minted pair of experts, Paul Laidlaw and Anita Manning. | 0:00:40 | 0:00:44 | |
-Oh, this is, I'll tell you, dream team, I'm telling you. -A dream team. | 0:00:44 | 0:00:47 | |
Paul is an astute auctioneer based in Carlisle | 0:00:50 | 0:00:53 | |
whose specialism in militaria means | 0:00:53 | 0:00:56 | |
he's always coming out fighting in this game. | 0:00:56 | 0:00:59 | |
-It's you and me, of course. -Oh, you! | 0:00:59 | 0:01:01 | |
But I'm the advance party of an invasion. | 0:01:01 | 0:01:04 | |
No, you are not. | 0:01:04 | 0:01:05 | |
While Glasgow girl Anita Manning balances a wide antique knowledge | 0:01:05 | 0:01:09 | |
against her love of a pretty trinket. | 0:01:09 | 0:01:12 | |
You're a canny Scot and I'm somewhere in the spectrum | 0:01:12 | 0:01:16 | |
between canny and flibbertigibbet. | 0:01:16 | 0:01:21 | |
Flibbertigibbet, eh? Oh, do try and keep your mind on the game. | 0:01:21 | 0:01:25 | |
Both of our experts start this journey with £200 to spend | 0:01:26 | 0:01:30 | |
and today they're driving a lovely 1957 Morris Minor 1000 Traveller. | 0:01:30 | 0:01:35 | |
The car was manufactured before seat belts were mandatory | 0:01:35 | 0:01:38 | |
and so it's legal to drive without them. | 0:01:38 | 0:01:40 | |
What do you think of the car? | 0:01:40 | 0:01:42 | |
-An old Morris 1000 estate. -This just seals the deal. | 0:01:42 | 0:01:45 | |
The challenge now, of course, is to see how big an object | 0:01:45 | 0:01:48 | |
I can get latched to that roof or sticking out of those doors. | 0:01:48 | 0:01:51 | |
And so it begins. | 0:01:51 | 0:01:53 | |
On this epic road trip they'll rock up more than 1,000 miles | 0:01:56 | 0:02:00 | |
from Ford in Northumberland, | 0:02:00 | 0:02:02 | |
traversing England's ancient shires | 0:02:02 | 0:02:04 | |
to end up in Stamford in Lincolnshire. | 0:02:04 | 0:02:07 | |
On this leg, they begin in Ford | 0:02:07 | 0:02:09 | |
aiming for auction in Leyburn, North Yorkshire. | 0:02:09 | 0:02:12 | |
I'm glad you're driving. | 0:02:12 | 0:02:15 | |
Look, I'm just following the road. Are we going in the right direction? | 0:02:15 | 0:02:18 | |
For once you are, yes. | 0:02:18 | 0:02:20 | |
Do you know this neck of the woods? | 0:02:20 | 0:02:22 | |
No, I've been here once or twice before. | 0:02:22 | 0:02:25 | |
I think it's absolutely beautiful. | 0:02:25 | 0:02:28 | |
It is indeed. | 0:02:28 | 0:02:30 | |
And they've arrived at their very first shop. | 0:02:30 | 0:02:33 | |
The Old Dairy in Ford. | 0:02:33 | 0:02:35 | |
Champagne bar, golly! | 0:02:35 | 0:02:37 | |
Oh, Paul, isn't this exciting? | 0:02:37 | 0:02:39 | |
It's our first one and we're here together. | 0:02:39 | 0:02:43 | |
-Yeah! -No fighting! -HE CHORTLES | 0:02:43 | 0:02:45 | |
Fighting? Holy... | 0:02:45 | 0:02:47 | |
Never mind fighting, champagne! | 0:02:47 | 0:02:50 | |
-Let's make straight for that! -Now we're rocking! | 0:02:50 | 0:02:53 | |
You'll do nothing of the sort, you two. | 0:02:53 | 0:02:55 | |
This is interesting. | 0:02:55 | 0:02:57 | |
It seems to be lots of different little sort of areas. | 0:02:57 | 0:03:03 | |
I'll go that way. | 0:03:03 | 0:03:05 | |
Well, I'll give that a go. | 0:03:05 | 0:03:07 | |
Time to find some items. | 0:03:07 | 0:03:09 | |
JOLLY MUSIC | 0:03:09 | 0:03:11 | |
See you later. | 0:03:11 | 0:03:12 | |
Cor, Anita's in a playful mood this morning. | 0:03:14 | 0:03:16 | |
But she's still mindful of the threat her canny rival poses. | 0:03:24 | 0:03:28 | |
There's Paul Laidlaw along there, | 0:03:28 | 0:03:31 | |
looking at all that military stuff. | 0:03:31 | 0:03:34 | |
You see that guy, you can't beat him on that type of thing. | 0:03:34 | 0:03:37 | |
He's probably finding some really fabulous jewels. | 0:03:37 | 0:03:43 | |
Our bonnie lassie has her eye on some jewels of her own. | 0:03:43 | 0:03:47 | |
As always, I'm drawn to jewellery | 0:03:48 | 0:03:52 | |
and, in that cabinet there, there are lots of bits and pieces | 0:03:52 | 0:03:56 | |
of quite stylish costume jewellery. | 0:03:56 | 0:03:59 | |
I think I might have a go at some of the cufflinks in there. | 0:03:59 | 0:04:03 | |
Best ask dealer Lynne for a look in the cabinet, then, Anita. | 0:04:03 | 0:04:08 | |
I think these are quite good fun. | 0:04:09 | 0:04:12 | |
-Sausage dogs. -Sausage dogs, that's right. | 0:04:12 | 0:04:15 | |
It's one set of cufflinks in the shape of dachshunds | 0:04:15 | 0:04:18 | |
and another two pairs fashioned of rolled gold, | 0:04:18 | 0:04:22 | |
a thin layer of gold bonded to a base metal. | 0:04:22 | 0:04:24 | |
They're all fairly modern, combined ticket price on them is £20. | 0:04:24 | 0:04:28 | |
I think they're quite fun. If these came to me, | 0:04:30 | 0:04:33 | |
-I would put them in as a wee lot. -Yes. | 0:04:33 | 0:04:36 | |
Would I be able to buy that wee group in the region of, say... | 0:04:36 | 0:04:42 | |
I'll tell you what I would estimate them. | 0:04:43 | 0:04:45 | |
I would estimate them 8 to 12. | 0:04:45 | 0:04:49 | |
-For the lot? -For the lot. | 0:04:49 | 0:04:50 | |
Would you be able to come to, say, | 0:04:50 | 0:04:54 | |
my top estimate of 12? | 0:04:54 | 0:04:56 | |
Could we go to 12 on that? | 0:04:56 | 0:04:58 | |
-Well, seeing it's you, Anita... -Aw! | 0:04:58 | 0:05:02 | |
-Listen, us girls are doing our best to smarten up... -I know, yes. | 0:05:02 | 0:05:06 | |
..the male gender. | 0:05:06 | 0:05:07 | |
It's a noble cause, Anita. | 0:05:09 | 0:05:11 | |
And she's found her first lot for auction for a very smart £12. | 0:05:11 | 0:05:14 | |
Now, Paul's elsewhere in the shop | 0:05:19 | 0:05:21 | |
and scouring the stock in his usual thorough fashion. | 0:05:21 | 0:05:24 | |
I would not be able to sleep tonight if I missed anything. | 0:05:24 | 0:05:26 | |
We can rely on you to treat this game | 0:05:26 | 0:05:28 | |
with the gravity it deserves, Paul. Good show. | 0:05:28 | 0:05:32 | |
Soon enough, his meticulous approach has yielded results. | 0:05:36 | 0:05:41 | |
And a steroviewer. | 0:05:41 | 0:05:43 | |
It's a 20th-century brass stereoviewer or stereoscope | 0:05:43 | 0:05:48 | |
used for viewing images that appear through the viewer to be 3D. | 0:05:48 | 0:05:52 | |
And along with them are a collection of copper printing blocks, | 0:05:53 | 0:05:56 | |
mounted on wood, depicting a variety of scenes. | 0:05:56 | 0:06:00 | |
Now they're being sold at the moment individually. | 0:06:00 | 0:06:03 | |
£5 a pop. | 0:06:03 | 0:06:06 | |
At the right money, you know, if I could buy the lot, | 0:06:06 | 0:06:09 | |
I think you've got something there. | 0:06:09 | 0:06:11 | |
So...that has potential and he's searching on. | 0:06:11 | 0:06:16 | |
Ah, he's got his thinking face on. | 0:06:19 | 0:06:23 | |
This is old school, | 0:06:23 | 0:06:25 | |
but that's what I am, I'm afraid. | 0:06:25 | 0:06:28 | |
I adore Georgian glass | 0:06:28 | 0:06:31 | |
and I like wine-related antiques... | 0:06:31 | 0:06:35 | |
because I like my wine and my antiques. | 0:06:35 | 0:06:38 | |
What do we have here? It's a strange thing, is it not? | 0:06:38 | 0:06:42 | |
This is a wine-glass rinser. | 0:06:42 | 0:06:44 | |
-HE COPIES PAUL'S ACCENT: -A RINSER you say? It is indeed. | 0:06:44 | 0:06:48 | |
And late Georgian in origin. | 0:06:48 | 0:06:50 | |
And the fashion in Georgian England | 0:06:50 | 0:06:53 | |
was for renewal of the wineglass following each round of drinks. | 0:06:53 | 0:06:57 | |
And glasses were rinsed on the sideboard perhaps | 0:06:59 | 0:07:03 | |
in vessels like this. | 0:07:03 | 0:07:04 | |
Sounds bizarre, but it's true. | 0:07:05 | 0:07:08 | |
And more good news. | 0:07:08 | 0:07:09 | |
There's not one, | 0:07:09 | 0:07:12 | |
not even two... | 0:07:12 | 0:07:14 | |
there are four there. | 0:07:14 | 0:07:15 | |
Ticket price on all four is £70. | 0:07:15 | 0:07:17 | |
-Believe me, this is good stuff. -I believe you, Paul. | 0:07:18 | 0:07:22 | |
Best speak to dealer Keith. | 0:07:22 | 0:07:23 | |
See, I try to second-guess what might they have cost. | 0:07:23 | 0:07:27 | |
And they came in with a tray of glass or in a house clearance. | 0:07:27 | 0:07:30 | |
-I don't know. -That's how I rationalise a bid that appears mean. | 0:07:30 | 0:07:34 | |
Yes, you've got to sell them on and get something for them. | 0:07:34 | 0:07:37 | |
-£30 I'd need to pay... -That would be a discount, then. | 0:07:37 | 0:07:41 | |
All right, supposing I twisted your arm just a little bit | 0:07:41 | 0:07:45 | |
and said 35? | 0:07:45 | 0:07:47 | |
Can I look at something else and if I buy two or three lots could... | 0:07:47 | 0:07:51 | |
Maybe...maybe 35 but maybe, is there still hope of 30 | 0:07:51 | 0:07:54 | |
if I buy some more material? | 0:07:54 | 0:07:56 | |
-Yes. -Let me show you something else, then. | 0:07:56 | 0:07:59 | |
Paul's going to try to throw the stereoscope | 0:07:59 | 0:08:01 | |
and print blocks into the deal. | 0:08:01 | 0:08:03 | |
There's got to be a deal to be done with that! | 0:08:03 | 0:08:05 | |
So what could he offer for the print blocks and scope? | 0:08:05 | 0:08:09 | |
Because the blocks are priced individually, | 0:08:09 | 0:08:11 | |
the ticket price comes to a hefty £110. | 0:08:11 | 0:08:14 | |
But what if he takes the lot, eh? | 0:08:14 | 0:08:17 | |
Rather than playing the start low and come high, | 0:08:17 | 0:08:20 | |
I'll try and pitch in at where I want them to be. | 0:08:20 | 0:08:23 | |
And it's horribly consistent... | 0:08:25 | 0:08:27 | |
30 quid. | 0:08:29 | 0:08:30 | |
Let's say 40 and it's yours. | 0:08:30 | 0:08:32 | |
I'd like to meet you in the middle with that, | 0:08:32 | 0:08:35 | |
but pay £30 for the rinsers. | 0:08:35 | 0:08:37 | |
So 35 and 30. | 0:08:37 | 0:08:40 | |
It's a deal. | 0:08:40 | 0:08:42 | |
So thanks to Keith, he's got two tremendous deals | 0:08:42 | 0:08:44 | |
on the glass rinsers | 0:08:44 | 0:08:46 | |
and the job lot of print block and stereoscope, | 0:08:46 | 0:08:49 | |
spending £65 all in. | 0:08:49 | 0:08:51 | |
Tremendous and you are still smiling! | 0:08:51 | 0:08:53 | |
-Magic. -Yes. | 0:08:53 | 0:08:54 | |
Lead on. | 0:08:54 | 0:08:56 | |
Now, his archrival Anita's still here, as well, | 0:08:57 | 0:09:00 | |
and no less determined to hunt down a bargain. | 0:09:00 | 0:09:04 | |
With that aim in mind, dealer Lynne is taking Anita | 0:09:04 | 0:09:07 | |
down to an area where they store salvaged items, | 0:09:07 | 0:09:10 | |
stopping on the way at a fig tree. | 0:09:10 | 0:09:12 | |
How bucolic! | 0:09:12 | 0:09:14 | |
-You've got some figs on them. -Here's one, here. | 0:09:15 | 0:09:19 | |
Oh, wow! Oh! | 0:09:19 | 0:09:21 | |
-Can I eat that? -Yes, you can. | 0:09:23 | 0:09:25 | |
Oh, do come on. | 0:09:25 | 0:09:27 | |
Whether there's anything in here... | 0:09:28 | 0:09:31 | |
There's a pair...a set of bellows. | 0:09:31 | 0:09:34 | |
-Useful, as well. -Have you used them? | 0:09:34 | 0:09:37 | |
I have used them. Just for blowing up the fire. | 0:09:37 | 0:09:40 | |
-Can I have a wee look at them? -Yes, I'll get them for you. | 0:09:40 | 0:09:43 | |
I will put my fig in my pocket. | 0:09:43 | 0:09:45 | |
Put them on the floor. | 0:09:47 | 0:09:49 | |
See whether they work. | 0:09:49 | 0:09:50 | |
Yeah, perfect working order. | 0:09:55 | 0:09:58 | |
Do that again. | 0:09:59 | 0:10:00 | |
It's a set of bellows or an air pump, | 0:10:00 | 0:10:03 | |
probably dating from the early 20th century. | 0:10:03 | 0:10:06 | |
I think it's for pumping up car tyres. | 0:10:06 | 0:10:09 | |
It's certainly not for pumping up tyres! | 0:10:09 | 0:10:12 | |
Would you take a tenner for it? For a laugh? | 0:10:12 | 0:10:14 | |
I'll take a tenner for a laugh. | 0:10:14 | 0:10:16 | |
-It's a deal. -Get rid of it! | 0:10:16 | 0:10:18 | |
She's bagged two lots for £22 here. | 0:10:18 | 0:10:21 | |
Hopefully, they'll put the wind up Paul, ha! | 0:10:21 | 0:10:24 | |
Two down. | 0:10:24 | 0:10:25 | |
Meanwhile Paul's still in another part of the shop | 0:10:28 | 0:10:30 | |
and has made a new friend. | 0:10:30 | 0:10:32 | |
Money spider. | 0:10:32 | 0:10:34 | |
Omen. | 0:10:34 | 0:10:36 | |
Let's hope so. | 0:10:36 | 0:10:38 | |
And he's soon found something worth making some noise about. | 0:10:38 | 0:10:42 | |
How cool is that? | 0:10:42 | 0:10:44 | |
Here's an example of a brand | 0:10:44 | 0:10:47 | |
that has become synonymous | 0:10:47 | 0:10:50 | |
with what it does. | 0:10:50 | 0:10:53 | |
This loud-hailer | 0:10:53 | 0:10:56 | |
was made by Tannoy, you know, | 0:10:56 | 0:10:58 | |
Tannoy were manufacturers of loudspeakers and PA equipment | 0:10:58 | 0:11:01 | |
and so on and here we have an electronic loud-hailer. | 0:11:01 | 0:11:05 | |
IT SQUEAKS | 0:11:05 | 0:11:06 | |
-Holy... -Careful! | 0:11:06 | 0:11:09 | |
Volume control trick. | 0:11:09 | 0:11:11 | |
IT SQUEAKS EVEN LOUDER | 0:11:11 | 0:11:13 | |
Jimi Hendrix has entered the building! | 0:11:13 | 0:11:14 | |
Good grief! | 0:11:14 | 0:11:16 | |
I love it. | 0:11:16 | 0:11:17 | |
Jolly good. Ticket price is £40. | 0:11:17 | 0:11:19 | |
I wonder where Keith is... | 0:11:20 | 0:11:23 | |
There's one way to find out. | 0:11:23 | 0:11:26 | |
LOUD-HAILER WORKS: I say, Keith! Keith! | 0:11:26 | 0:11:29 | |
-I'm looking for a bargain, Keith, just between you and me, OK. -Yes. | 0:11:29 | 0:11:33 | |
That's amazing. I shouldn't say that, but that is amazing. | 0:11:33 | 0:11:37 | |
It's a bit of fun, isn't it? And useful, very practical. | 0:11:37 | 0:11:39 | |
It's up at 40. | 0:11:39 | 0:11:41 | |
I don't think it's expensive. | 0:11:41 | 0:11:43 | |
But, for you, | 0:11:43 | 0:11:45 | |
I'll come down to 30. | 0:11:45 | 0:11:47 | |
-Let me just make you a bid. -Go on. | 0:11:47 | 0:11:49 | |
20 quid. | 0:11:49 | 0:11:51 | |
-It's a bit of frivolity. -All right. | 0:11:51 | 0:11:54 | |
-Deal? Three things. -Yes. Good. | 0:11:54 | 0:11:56 | |
-Good business. -Nice to see you. -Wonderful. | 0:11:56 | 0:11:58 | |
Marvellous, another buy meaning he has already got three lots | 0:11:58 | 0:12:01 | |
at a total cost of £85. | 0:12:01 | 0:12:02 | |
Anita, bargain! | 0:12:05 | 0:12:07 | |
And it's mine! | 0:12:07 | 0:12:09 | |
We might need to confiscate that! | 0:12:09 | 0:12:11 | |
Time for them both to head onwards. | 0:12:13 | 0:12:15 | |
You made short work of that, did you not? | 0:12:15 | 0:12:17 | |
Oh, yes, faster than the speed of light. | 0:12:17 | 0:12:20 | |
I got a fig as a wee present. | 0:12:20 | 0:12:22 | |
THEY LAUGH | 0:12:22 | 0:12:23 | |
I'll share it with you. | 0:12:25 | 0:12:27 | |
-I can't wait. -Let's go! -You know how to treat a guy. | 0:12:27 | 0:12:30 | |
Well, that's lunch sorted. | 0:12:32 | 0:12:34 | |
They're driving towards the town of Rothbury in Northumberland, | 0:12:36 | 0:12:41 | |
where Anita's jumping out to spend the afternoon at Cragside house, | 0:12:41 | 0:12:46 | |
a rather grand pile. | 0:12:46 | 0:12:48 | |
-Bye-bye. -See you later. | 0:12:48 | 0:12:49 | |
Cragside is a Victorian country house on which work began in 1863. | 0:12:49 | 0:12:54 | |
Although it might look traditional on the outside, | 0:12:54 | 0:12:57 | |
inside its genius owner, the pioneering inventor - | 0:12:57 | 0:13:01 | |
engineer and industrialist William Armstrong - | 0:13:01 | 0:13:04 | |
equipped it with startling innovations | 0:13:04 | 0:13:07 | |
that made it perhaps the most modern house in the world at that time. | 0:13:07 | 0:13:11 | |
-Anita's meeting the curator of the house, Andrew Sawyer. -Hello. | 0:13:11 | 0:13:15 | |
-Hi. -I'm Anita. | 0:13:15 | 0:13:17 | |
I am so happy to be here. Will you show me round? | 0:13:17 | 0:13:20 | |
Very much so. Come along in. | 0:13:20 | 0:13:23 | |
Newcastle-born Armstrong was one of the leading engineers | 0:13:23 | 0:13:26 | |
and industrialists of his age. | 0:13:26 | 0:13:29 | |
At its height, his factory on the Tyne employed over 25,000 men. | 0:13:29 | 0:13:33 | |
Amongst other things, Armstrong invented the hydraulic, | 0:13:33 | 0:13:37 | |
that is to say water-powered, crane | 0:13:37 | 0:13:40 | |
and it was this interest in water power that drew him to create | 0:13:40 | 0:13:43 | |
the amazing interiors here at Cragside. | 0:13:43 | 0:13:46 | |
He brought water power here in all sorts of forms. | 0:13:46 | 0:13:50 | |
The house had hot and cold running water | 0:13:50 | 0:13:53 | |
because he had an enclosed boiler system, | 0:13:53 | 0:13:55 | |
which meant he could heat water. | 0:13:55 | 0:13:57 | |
He had the whole house centrally heated, | 0:13:57 | 0:14:00 | |
underfloor heating, but also radiators, | 0:14:00 | 0:14:04 | |
en-suite baths, great Turkish bath suites... | 0:14:04 | 0:14:08 | |
He had a sauna and a great water douche | 0:14:08 | 0:14:11 | |
which was like a big shower and a plunge bath. | 0:14:11 | 0:14:14 | |
But that's not the only use water power was put to here at Cragside. | 0:14:14 | 0:14:19 | |
We're famous for being the first house in the world | 0:14:19 | 0:14:23 | |
to be lit by hydroelectricity. | 0:14:23 | 0:14:25 | |
And that was in the 1880s. | 0:14:25 | 0:14:27 | |
That was in the 1880s. | 0:14:27 | 0:14:29 | |
Hydroelectricity is a very simple principle. | 0:14:29 | 0:14:32 | |
It is quite literally, | 0:14:32 | 0:14:33 | |
it's a miracle of turning water into electrical light. | 0:14:33 | 0:14:36 | |
And you do that by harnessing all the water, gathering it around. | 0:14:36 | 0:14:40 | |
He gathered it into lakes which were actually the fuel tanks, | 0:14:40 | 0:14:44 | |
if you like, and that water, coming down the pipe at height, | 0:14:44 | 0:14:48 | |
comes under pressure | 0:14:48 | 0:14:50 | |
and it drives a turbine | 0:14:50 | 0:14:51 | |
which then is connected by a shaft to an electric generator. | 0:14:51 | 0:14:55 | |
-Was he the first to do that? -He was the first to do that | 0:14:55 | 0:14:58 | |
and it had a bearing on the rest of the world from that time onwards, | 0:14:58 | 0:15:02 | |
even the people who created the famous Niagara Falls hydrosystem | 0:15:02 | 0:15:07 | |
came to Cragside to see what Lord Armstrong did. | 0:15:07 | 0:15:09 | |
To study and to see what he had done. | 0:15:09 | 0:15:12 | |
The house is a testament to Armstrong's forward thinking, | 0:15:12 | 0:15:16 | |
and still contains the first light bulb | 0:15:16 | 0:15:18 | |
powered by his ground-breaking hydroelectricity. | 0:15:18 | 0:15:22 | |
And here we have the very lamps | 0:15:22 | 0:15:25 | |
that were lit for the first time | 0:15:25 | 0:15:28 | |
in the autumn of 1880. | 0:15:28 | 0:15:30 | |
And it's a wonderful glow. | 0:15:30 | 0:15:32 | |
People must have flocked here to see these, | 0:15:32 | 0:15:35 | |
what really must have been miracles. | 0:15:35 | 0:15:38 | |
It was known as the Palace Of The Modern Magician | 0:15:38 | 0:15:41 | |
because of all these wonders | 0:15:41 | 0:15:44 | |
and they came from all over the world. | 0:15:44 | 0:15:46 | |
They entertained all sorts of people | 0:15:46 | 0:15:48 | |
and, of course, with these business interests, | 0:15:48 | 0:15:51 | |
people came from far and wide. | 0:15:51 | 0:15:54 | |
And of course the great time was in 1884 | 0:15:54 | 0:15:57 | |
when they had the Prince and Princess of Wales to stay | 0:15:57 | 0:16:02 | |
for a three-day visit here at Cragside, | 0:16:02 | 0:16:04 | |
which was quite extraordinary. | 0:16:04 | 0:16:06 | |
On a tour of north-east England, | 0:16:08 | 0:16:10 | |
the future King Edward VII and Queen Alexandra | 0:16:10 | 0:16:13 | |
stayed in this very room on their visit. | 0:16:13 | 0:16:16 | |
They came to experience the Cragside experience, | 0:16:16 | 0:16:19 | |
which was just pure luxury | 0:16:19 | 0:16:22 | |
and a very modern house for the time. | 0:16:22 | 0:16:25 | |
-And even radiators. -Oh! | 0:16:25 | 0:16:27 | |
Armstrong's designs for the house anticipated many of the ways | 0:16:27 | 0:16:31 | |
domestic interiors would change in the coming century. | 0:16:31 | 0:16:34 | |
Well, this plumbed-in wash-hand stands, | 0:16:34 | 0:16:37 | |
-next door there's an en-suite bath, as well. -Right. | 0:16:37 | 0:16:41 | |
So it's all en-suite plumbing, | 0:16:41 | 0:16:43 | |
-the wardrobes are all fitted, fitted into the walls. -Fitted wardrobes? | 0:16:43 | 0:16:49 | |
Absolutely. You know we take them for granted nowadays. | 0:16:49 | 0:16:52 | |
So you had every modern aid that you still have today, | 0:16:52 | 0:16:57 | |
but they had in the early 1880s. | 0:16:57 | 0:16:59 | |
And, of course, it would have been a great triumph | 0:17:00 | 0:17:05 | |
for Armstrong to have royalty coming to his house. | 0:17:05 | 0:17:09 | |
It was a great, great time for the Armstrong. | 0:17:09 | 0:17:12 | |
It's time for Anita to be on her way. | 0:17:12 | 0:17:15 | |
I just feel so invigorated by this visit. | 0:17:15 | 0:17:20 | |
It has been absolutely wonderful. | 0:17:20 | 0:17:22 | |
Thank you very, very much. | 0:17:22 | 0:17:24 | |
It has been a great pleasure. | 0:17:24 | 0:17:25 | |
Meanwhile, Paul is driving towards the village of Powburn, | 0:17:29 | 0:17:34 | |
still in majestic Northumberland. | 0:17:34 | 0:17:36 | |
He's heading for Hedgeley Antique Centre, | 0:17:38 | 0:17:40 | |
where he's meeting dealer Helen. | 0:17:40 | 0:17:42 | |
-Hello, there. -Hello. | 0:17:42 | 0:17:44 | |
-How are you doing? I'm Paul. -I'm Helen. | 0:17:44 | 0:17:45 | |
Helen, it is good to see you. | 0:17:45 | 0:17:47 | |
Browse away. | 0:17:47 | 0:17:49 | |
And Paul's reflecting on the competition this afternoon. | 0:17:57 | 0:18:00 | |
It's all good fun, this, but, er... | 0:18:00 | 0:18:02 | |
..it's also deadly serious. | 0:18:03 | 0:18:05 | |
Because, here's Anita and I setting off on our journey | 0:18:06 | 0:18:09 | |
and, believe it, | 0:18:09 | 0:18:12 | |
we may get on like a house on fire, | 0:18:12 | 0:18:13 | |
but neither of us wants to come second in this little race. | 0:18:13 | 0:18:17 | |
And Anita, I mean, she is red-hot. | 0:18:17 | 0:18:20 | |
If there are rabbits to be pulled out of hats, treasures to be found, | 0:18:20 | 0:18:24 | |
Anita will be on it. | 0:18:24 | 0:18:26 | |
So, will Paul find something in here with which to best his opponent? | 0:18:26 | 0:18:31 | |
Well... | 0:18:31 | 0:18:32 | |
Look at this... | 0:18:33 | 0:18:34 | |
A black leather waist belt | 0:18:36 | 0:18:38 | |
with a locket clasp, | 0:18:38 | 0:18:41 | |
bearing a crown. | 0:18:42 | 0:18:43 | |
A fouled anchor, an anchor wrapped in its own cords, | 0:18:43 | 0:18:47 | |
within a laurel wreath. | 0:18:47 | 0:18:50 | |
That is an Edwardian or early George V, | 0:18:50 | 0:18:54 | |
so early 20th century Royal Naval officer's full dress belt. | 0:18:54 | 0:19:00 | |
Militaria specialist Paul is certainly keen. | 0:19:01 | 0:19:04 | |
Price on that... | 0:19:05 | 0:19:06 | |
Yours for £6. | 0:19:08 | 0:19:09 | |
Value in any auction house should be £20-£40, £30-£50. | 0:19:10 | 0:19:14 | |
That is, undeniably, a good buy. | 0:19:15 | 0:19:19 | |
There are some price tags one just doesn't haggle over. | 0:19:19 | 0:19:23 | |
I'll go and settle the bill. | 0:19:24 | 0:19:25 | |
That is a great find. | 0:19:25 | 0:19:27 | |
I found it. And there's no need to confer or make a call or whatever, | 0:19:28 | 0:19:34 | |
-because I ain't haggling on that price tag. -Very good. | 0:19:34 | 0:19:37 | |
-That is a bargain. -Very glad you found something. | 0:19:37 | 0:19:39 | |
-And I will get your change for you. -Tremendous. See you in a mo. -Right. | 0:19:39 | 0:19:42 | |
I'll be the one with the big smile on my face. | 0:19:42 | 0:19:45 | |
He gets the naval dress belt for £6. | 0:19:45 | 0:19:48 | |
And that's the very chipper end of their very first day. | 0:19:48 | 0:19:52 | |
Night-night! | 0:19:52 | 0:19:53 | |
The next morning finds this pugnacious pair back in the car | 0:19:59 | 0:20:03 | |
and hungry for more bargains. | 0:20:03 | 0:20:05 | |
Here we go, then... Seconds out, round two. | 0:20:05 | 0:20:08 | |
Don't you think it's exciting, Paul, at the beginning of every day, | 0:20:10 | 0:20:14 | |
we're travelling into the unknown here? | 0:20:14 | 0:20:17 | |
We've got a couple of bob in our pocket. | 0:20:17 | 0:20:19 | |
And we've got all these weird | 0:20:20 | 0:20:22 | |
and wonderful, marvellous things to look at. | 0:20:22 | 0:20:25 | |
So far, Paul's spent £91 on four lots. | 0:20:26 | 0:20:28 | |
The stereoviewer and printing plates. | 0:20:29 | 0:20:32 | |
The Georgian glass rinsers. | 0:20:32 | 0:20:34 | |
The loud-hailer. | 0:20:34 | 0:20:36 | |
And the Edwardian Royal Navy belt. | 0:20:36 | 0:20:38 | |
But Anita's only spent a paltry £22 on two lots. | 0:20:40 | 0:20:43 | |
The cufflinks. | 0:20:44 | 0:20:46 | |
And the bellows. | 0:20:46 | 0:20:47 | |
So, she's got some catching up to do. | 0:20:47 | 0:20:49 | |
This morning, Anita is heading to the town of Yarm in North Yorkshire | 0:20:52 | 0:20:55 | |
and for her first shop of the day, Rudby House Antiques And Interiors, | 0:20:55 | 0:21:00 | |
where she's meeting dealer Sandy. | 0:21:00 | 0:21:02 | |
-Morning! -Good morning. | 0:21:04 | 0:21:06 | |
I'm Anita. | 0:21:06 | 0:21:08 | |
Oh, pleased to meet you. | 0:21:08 | 0:21:10 | |
-Oh, it's like Aladdin's cave in here. -I know it is. | 0:21:10 | 0:21:12 | |
It is. | 0:21:12 | 0:21:13 | |
You never can resist a hat, Anita, can you? | 0:21:23 | 0:21:26 | |
There's a very inviting statement here. | 0:21:27 | 0:21:31 | |
A very inviting poster. | 0:21:31 | 0:21:33 | |
"Lots of items reduced upstairs." | 0:21:34 | 0:21:36 | |
Oh, yes. Yes. | 0:21:36 | 0:21:38 | |
And so, upstairs she goes... | 0:21:38 | 0:21:40 | |
This is quite interesting. | 0:21:42 | 0:21:44 | |
This... Sandy says that this is the bargain basement. | 0:21:44 | 0:21:49 | |
Bargain first floor, actually. | 0:21:49 | 0:21:51 | |
So, I would really like to get a deal. | 0:21:51 | 0:21:54 | |
Now, this chair has been reduced three times. | 0:21:55 | 0:21:59 | |
Which might mean Sandy's keen to get rid of it. | 0:21:59 | 0:22:01 | |
Ticket price now is £55. | 0:22:01 | 0:22:03 | |
It's got that sort of 20th century modernist look. | 0:22:05 | 0:22:11 | |
Erm... | 0:22:11 | 0:22:12 | |
The chrome, white leather... It's kind of cool. | 0:22:12 | 0:22:16 | |
Time to enquire of Sandy. | 0:22:16 | 0:22:18 | |
I kind of fancied this chair here. | 0:22:18 | 0:22:23 | |
Right. | 0:22:23 | 0:22:24 | |
Could it be knocked down? | 0:22:24 | 0:22:27 | |
It's really a bargain, battered-down basement price | 0:22:27 | 0:22:32 | |
that I'm looking for. | 0:22:32 | 0:22:33 | |
Just spit it out, Anita! | 0:22:33 | 0:22:37 | |
What do you want to pay? | 0:22:37 | 0:22:38 | |
I like you, Sandy. | 0:22:38 | 0:22:40 | |
I want to pay between £15 and £20 for it. | 0:22:40 | 0:22:43 | |
Oh...! | 0:22:43 | 0:22:44 | |
15 and 20? | 0:22:44 | 0:22:46 | |
Anita, you should be wearing a mask and riding a horse! | 0:22:46 | 0:22:49 | |
How about 25? | 0:22:50 | 0:22:52 | |
And that's a bargain. | 0:22:52 | 0:22:54 | |
How about 22? Let's... 22 and... | 0:22:54 | 0:22:57 | |
-22. -Right! | 0:22:57 | 0:22:58 | |
You're a great woman. | 0:22:58 | 0:23:00 | |
So, Anita's got the chair for a knock-down £22. | 0:23:00 | 0:23:03 | |
But she isn't finished in here. Oh, no. | 0:23:03 | 0:23:05 | |
You see the wee garnet and seed pearl brooch there? | 0:23:06 | 0:23:09 | |
See that one there? | 0:23:09 | 0:23:11 | |
I'll let you have a look at it and then I will erm... | 0:23:12 | 0:23:15 | |
..give you my spyglass. | 0:23:16 | 0:23:18 | |
It's an Edwardian yellow metal brooch, | 0:23:18 | 0:23:20 | |
set with gems and small seed pearls. | 0:23:20 | 0:23:22 | |
Do you have a wee box for that? | 0:23:23 | 0:23:25 | |
Yes. And I can do you for it for 28. | 0:23:25 | 0:23:27 | |
And I'll find you a box. | 0:23:28 | 0:23:30 | |
Could you bring it down a bit more? | 0:23:30 | 0:23:32 | |
Well, if I say a price, that will be it. | 0:23:32 | 0:23:35 | |
I won't be able to haggle any more. | 0:23:35 | 0:23:37 | |
24, because I want you to buy it. | 0:23:37 | 0:23:39 | |
Well, I don't want you to struggle. | 0:23:39 | 0:23:41 | |
Let's go for 24. There we are. | 0:23:41 | 0:23:43 | |
-That's smashing. -Cheers. | 0:23:43 | 0:23:44 | |
Two items. | 0:23:44 | 0:23:46 | |
Very efficiently done, girls. | 0:23:46 | 0:23:48 | |
Anita has spent £46 in total in that shop. | 0:23:48 | 0:23:51 | |
So, she's still got £132 in her pocket. | 0:23:51 | 0:23:53 | |
Now, Paul's motored on to the town of Hartlepool in County Durham. | 0:24:02 | 0:24:06 | |
A place with a proud seafaring history. | 0:24:06 | 0:24:09 | |
Paul's going to visit a grand old lady today, HMS Trincomalee, | 0:24:12 | 0:24:16 | |
the oldest British warship still afloat. | 0:24:16 | 0:24:20 | |
This should be of interest to such a fan of military and naval history. | 0:24:20 | 0:24:24 | |
He's meeting Commander Paul Sutermeister, | 0:24:25 | 0:24:28 | |
a retired Royal Naval officer, | 0:24:28 | 0:24:29 | |
who now sits on the board of Trincomalee's trust. | 0:24:29 | 0:24:33 | |
-Good morning, Commodore. -Good morning. | 0:24:33 | 0:24:35 | |
And welcome to HMS Trincomalee. | 0:24:35 | 0:24:36 | |
Thank you very much. What a joy to be here on a day like this. | 0:24:36 | 0:24:41 | |
Launched in 1817, | 0:24:42 | 0:24:45 | |
HMS Trincomalee was built in the immediate aftermath of the Napoleonic wars | 0:24:45 | 0:24:50 | |
and today, looks much as she did in those glory days of the British Navy. | 0:24:50 | 0:24:54 | |
So she's coming up for 200 years old. | 0:24:54 | 0:24:58 | |
Are there many afloat like her? | 0:24:58 | 0:24:59 | |
No. | 0:24:59 | 0:25:00 | |
She is the oldest British warship afloat | 0:25:00 | 0:25:03 | |
and she is the second-oldest warship afloat in the world. | 0:25:03 | 0:25:06 | |
Oh, my word! | 0:25:06 | 0:25:07 | |
And she is a class of ship | 0:25:08 | 0:25:10 | |
that fought in the iconic battle of Trafalgar. | 0:25:10 | 0:25:13 | |
I am looking at a vessel, a sister... | 0:25:13 | 0:25:17 | |
essentially a sister ship of which took part in Trafalgar. | 0:25:17 | 0:25:20 | |
It was around at Trafalgar. | 0:25:20 | 0:25:22 | |
Oh, my word! That is astonishing. | 0:25:22 | 0:25:25 | |
Well, I've got to ask. May I go on board? | 0:25:25 | 0:25:27 | |
-Please do. -Oh-ho...! | 0:25:27 | 0:25:29 | |
So, we are...? | 0:25:35 | 0:25:36 | |
We're in the captain's cabin. | 0:25:36 | 0:25:38 | |
For 25 years, after Trincomalee was built, | 0:25:38 | 0:25:41 | |
she was held as part of the British Navy's reserve fleet. | 0:25:41 | 0:25:44 | |
Held in reserve as insurance against future conflict. | 0:25:44 | 0:25:47 | |
But, in 1847, she was called to active service | 0:25:47 | 0:25:51 | |
and this marked the beginning of her heyday on the waves. | 0:25:51 | 0:25:54 | |
The decision was that she would be brought out of reserve | 0:25:56 | 0:26:00 | |
and sent over to the Americas station | 0:26:00 | 0:26:02 | |
and she did a four-year cruise, based on Halifax, Nova Scotia. | 0:26:02 | 0:26:07 | |
But covered down as far as Brazil | 0:26:07 | 0:26:10 | |
and spent quite a lot of time in the Caribbean. | 0:26:10 | 0:26:13 | |
What's she doing? | 0:26:13 | 0:26:15 | |
She's not just on a pleasure cruise. | 0:26:15 | 0:26:18 | |
Very involved in the slave interdiction. | 0:26:18 | 0:26:22 | |
Oh, my word! Right! | 0:26:22 | 0:26:23 | |
Among other duties, the ship served in the campaign | 0:26:24 | 0:26:27 | |
to prevent the illegal transportation of slaves | 0:26:27 | 0:26:30 | |
following the abolition of slavery in the British Empire. | 0:26:30 | 0:26:34 | |
She was then out of action for another two years | 0:26:34 | 0:26:37 | |
and then she was sent over to the Pacific station | 0:26:37 | 0:26:40 | |
to be based on Vancouver or Valparaiso. | 0:26:40 | 0:26:43 | |
And she did a stint for five years over there. | 0:26:44 | 0:26:47 | |
Commodore Sutermeister has a document which casts some light | 0:26:47 | 0:26:51 | |
on day-to-day life aboard the ship when she was in service. | 0:26:51 | 0:26:54 | |
What we've also got is a midshipman's journal. | 0:26:54 | 0:26:56 | |
And if I can show you the journal. | 0:26:56 | 0:26:59 | |
I have to put gloves on because it is delicate. | 0:26:59 | 0:27:02 | |
A midshipman is a cadet in training to be an officer. | 0:27:03 | 0:27:06 | |
The midshipmen were required to keep records | 0:27:06 | 0:27:09 | |
of what they had done on board. | 0:27:09 | 0:27:12 | |
It's beautifully presented. Copperplate. | 0:27:13 | 0:27:15 | |
Copperplate. | 0:27:15 | 0:27:17 | |
And you will see he talks about the setting of the sails. | 0:27:17 | 0:27:21 | |
In the journal, the young midshipman also describes | 0:27:21 | 0:27:24 | |
the actions to be taken if a man went overboard. | 0:27:24 | 0:27:27 | |
The fastest way, the main thing that would happen if a man went overboard, | 0:27:27 | 0:27:30 | |
-was a boat would be put over the side while the ship manoeuvred round to get him. -I see. Yeah. | 0:27:30 | 0:27:34 | |
There's no reverse on these vessels. | 0:27:34 | 0:27:36 | |
There's no reverse on these vessels! | 0:27:36 | 0:27:38 | |
"A man overboard. | 0:27:38 | 0:27:40 | |
"The watch or hands will immediately go to their respective stations | 0:27:40 | 0:27:44 | |
"for putting the ship about | 0:27:44 | 0:27:46 | |
"and hauling the mainsail up at the same time." | 0:27:46 | 0:27:49 | |
It's fascinating! | 0:27:49 | 0:27:51 | |
Up on deck, the ship's arsenal can be seen. | 0:27:52 | 0:27:55 | |
After her career in the Royal Navy, | 0:27:57 | 0:27:59 | |
Trincomalee served in various incarnations | 0:27:59 | 0:28:02 | |
as a training vessel for over 100 years. | 0:28:02 | 0:28:04 | |
Only finally retiring in the late 1980s, | 0:28:04 | 0:28:07 | |
when funds were raised to restore her to her former glory. | 0:28:07 | 0:28:12 | |
A project that cost almost £10 million. | 0:28:12 | 0:28:14 | |
It took about ten years' work on her. | 0:28:18 | 0:28:21 | |
I see. | 0:28:21 | 0:28:22 | |
And she is now in the state that she was. | 0:28:22 | 0:28:26 | |
This is her original configuration? | 0:28:26 | 0:28:27 | |
This is her original configuration. | 0:28:27 | 0:28:29 | |
Paul would sail away in her if he could. | 0:28:29 | 0:28:32 | |
But he's got shopping to do. | 0:28:32 | 0:28:33 | |
Thank you very much. This has been... | 0:28:33 | 0:28:36 | |
This has been pretty special. | 0:28:36 | 0:28:38 | |
Well, it's been super to have you on board. | 0:28:38 | 0:28:40 | |
Now Anita's driving on to the town of Barnard Castle in County Durham, | 0:28:45 | 0:28:50 | |
where she's still got some shopping to do. | 0:28:50 | 0:28:53 | |
She's heading for Robson's Antiques, | 0:28:56 | 0:28:58 | |
where dealer Dale awaits. | 0:28:58 | 0:29:00 | |
-Hello. -Hello. | 0:29:01 | 0:29:03 | |
-I'm Anita. -Hello, Anita. | 0:29:05 | 0:29:06 | |
She's on the hunt. | 0:29:10 | 0:29:12 | |
But her tactics today are being influenced | 0:29:16 | 0:29:19 | |
by the esteem in which she holds her rival. | 0:29:19 | 0:29:22 | |
I'm going canny just now | 0:29:22 | 0:29:23 | |
because Paul's a hard man to beat. | 0:29:23 | 0:29:26 | |
And I think... | 0:29:28 | 0:29:29 | |
I mean, he's such a charmer. | 0:29:29 | 0:29:31 | |
And he's so easy-going... | 0:29:31 | 0:29:32 | |
..that you wonder, below all that, | 0:29:33 | 0:29:35 | |
is he very competitive? | 0:29:35 | 0:29:37 | |
Because he wins a lot. | 0:29:37 | 0:29:39 | |
But I'm keeping my eye on him, anyway. | 0:29:39 | 0:29:41 | |
And that's quite a pleasure. | 0:29:41 | 0:29:43 | |
I say...! | 0:29:43 | 0:29:44 | |
And speaking of which, | 0:29:44 | 0:29:45 | |
she's noticed an attractive something | 0:29:45 | 0:29:48 | |
that might make a canny buy. | 0:29:48 | 0:29:49 | |
So, there's something that I noticed earlier on | 0:29:50 | 0:29:52 | |
that I would like you to have a wee look at. | 0:29:52 | 0:29:55 | |
Since the auction house they're selling in is in a rural area, | 0:29:55 | 0:29:58 | |
Anita is considering a countryside theme. | 0:29:58 | 0:30:01 | |
I'm thinking about what would appeal to folk in the country. | 0:30:01 | 0:30:05 | |
Uh-huh. | 0:30:05 | 0:30:06 | |
Still something that is quite nice. | 0:30:06 | 0:30:08 | |
Sort of country pursuits? | 0:30:08 | 0:30:09 | |
That's right. Country pursuits. | 0:30:09 | 0:30:11 | |
That's the word. | 0:30:11 | 0:30:12 | |
And this little box here... | 0:30:12 | 0:30:14 | |
I mean, I know it's not a big deal, it's just a white metal box, | 0:30:14 | 0:30:17 | |
a little embossed one. | 0:30:17 | 0:30:19 | |
But we've got these wee scenes of hunting here. | 0:30:19 | 0:30:22 | |
It's a little trinket box | 0:30:22 | 0:30:24 | |
that a lady would put on her dressing table. | 0:30:24 | 0:30:26 | |
-And we've got a boat... -Yeah. | 0:30:26 | 0:30:28 | |
..for the river. | 0:30:28 | 0:30:31 | |
And we've got a wee country cottage. | 0:30:33 | 0:30:34 | |
So, I don't think that it's enormously old. | 0:30:34 | 0:30:37 | |
No, no, it's probably 1930s. Yeah. Yeah. | 0:30:38 | 0:30:40 | |
1930s, uh-huh. | 0:30:40 | 0:30:42 | |
So, it's not over the hill. | 0:30:42 | 0:30:44 | |
What could Dale do on it? | 0:30:44 | 0:30:46 | |
Is there a chance of movement on that box? | 0:30:46 | 0:30:49 | |
I would be looking, because of what it is, | 0:30:50 | 0:30:53 | |
to get it for a reasonable price | 0:30:53 | 0:30:56 | |
that has a chance of level-pegging even at auction. | 0:30:56 | 0:30:59 | |
Yeah. Yeah. | 0:30:59 | 0:31:01 | |
Sort of 12 to 15? | 0:31:01 | 0:31:02 | |
Can I be buying it anywhere near? | 0:31:02 | 0:31:05 | |
I'd probably like 15. | 0:31:05 | 0:31:07 | |
But you can have it for 12. Have it for £12. | 0:31:07 | 0:31:09 | |
That's great. | 0:31:09 | 0:31:10 | |
-I think I might have a wee chance. -Yeah. I think so. | 0:31:10 | 0:31:13 | |
Paul Laidlaw, watch it! | 0:31:13 | 0:31:15 | |
So, she's still only spent a modest £80. | 0:31:17 | 0:31:19 | |
She's buying cautiously and spreading her bets. | 0:31:19 | 0:31:22 | |
Who's the canny Scot now, Anita? | 0:31:22 | 0:31:25 | |
Now, Paul's caught up to Anita in the town of Barnard Castle | 0:31:27 | 0:31:30 | |
and is about to stroll off into his own last shop, | 0:31:30 | 0:31:34 | |
Mission Hall Antiques Centre, | 0:31:34 | 0:31:36 | |
where he's meeting dealer Lorraine. | 0:31:36 | 0:31:38 | |
-Hello. -I'm Paul. -How do you do? I'm Lorraine. | 0:31:38 | 0:31:40 | |
And he's off... | 0:31:40 | 0:31:41 | |
Right. Right. Right. Right. Right. Here we go... | 0:31:42 | 0:31:45 | |
-See if we can do this tout de suite. -Mais, oui! | 0:31:45 | 0:31:47 | |
And Paul's thoughts are also on his opponent this afternoon. | 0:31:47 | 0:31:51 | |
I've not taken my foot off the gas here, I ain't slacking. | 0:31:51 | 0:31:54 | |
Because, for all I know, | 0:31:54 | 0:31:55 | |
Anita Manning by now has got four or five killer purchases under her belt. | 0:31:55 | 0:31:59 | |
As ever, he's scouring the cabinets for likely finds. | 0:32:00 | 0:32:03 | |
Oh...! | 0:32:04 | 0:32:05 | |
Careful, Paul. Honestly! | 0:32:05 | 0:32:07 | |
God...! | 0:32:07 | 0:32:08 | |
That seems to be undamaged, thankfully. | 0:32:09 | 0:32:12 | |
And he's soon spotted something that appeals to his love of boys' toys. | 0:32:12 | 0:32:15 | |
I quite like that. | 0:32:17 | 0:32:19 | |
Judging by the holes in the top, it appears to be a pepperette. | 0:32:20 | 0:32:23 | |
And that's what it's described as here. | 0:32:23 | 0:32:25 | |
"A posh pepper pot," it says. | 0:32:25 | 0:32:27 | |
However, it's modelled as | 0:32:27 | 0:32:30 | |
a cartridge case for a shotgun or a rifle. | 0:32:30 | 0:32:34 | |
A novelty for the gentleman interested in field sports, | 0:32:34 | 0:32:41 | |
to carry a little salt to put on his quail's egg or whatever at lunchtime. | 0:32:41 | 0:32:45 | |
Ticket price is £28. | 0:32:46 | 0:32:48 | |
I like it. It's novel. | 0:32:48 | 0:32:49 | |
And it taps into a good market. | 0:32:49 | 0:32:51 | |
Novelty small items like that and field-sports related tend to do well. | 0:32:51 | 0:32:56 | |
Like a shot, he's off to speak to Lorraine. What could she do? | 0:32:58 | 0:33:01 | |
The best we could do really is about 24. | 0:33:01 | 0:33:04 | |
Urgh... | 0:33:04 | 0:33:05 | |
Oh... | 0:33:05 | 0:33:06 | |
What were you thinking? | 0:33:06 | 0:33:07 | |
I thought at least you would round it to the 20, to be honest with you. | 0:33:08 | 0:33:12 | |
-And I thought, at least, you were going to say that, as well. -Great! | 0:33:12 | 0:33:15 | |
-No surprise then. -Er... | 0:33:15 | 0:33:17 | |
-Yeah. -Can we do it? -Yeah. | 0:33:17 | 0:33:18 | |
That would be the def, though, 20 quid. | 0:33:18 | 0:33:20 | |
I think that's pretty fair. I think that's a reasonable discount. | 0:33:20 | 0:33:23 | |
I think it's a fair price. | 0:33:23 | 0:33:24 | |
And I think it's a really interesting little thing. | 0:33:24 | 0:33:26 | |
So, on that basis, I'll give you some money and shake your hand. | 0:33:26 | 0:33:29 | |
Thank you. Great. | 0:33:29 | 0:33:31 | |
A pleasure. Thank you very much. | 0:33:31 | 0:33:33 | |
With that last well-aimed purchase, he's bought up as well. | 0:33:35 | 0:33:38 | |
Bravo. | 0:33:38 | 0:33:39 | |
So, it's time to reveal their hauls. | 0:33:43 | 0:33:44 | |
Anita bought the cufflinks, | 0:33:45 | 0:33:47 | |
the bellows, | 0:33:47 | 0:33:49 | |
the modernist chair, | 0:33:49 | 0:33:51 | |
the Edwardian brooch | 0:33:51 | 0:33:52 | |
and the embossed trinket box. | 0:33:52 | 0:33:54 | |
She spent £80 exactly. | 0:33:54 | 0:33:56 | |
While Paul bought the stereoviewer and printing plates, | 0:33:58 | 0:34:01 | |
the Georgian glass rinsers, | 0:34:01 | 0:34:03 | |
the loud-hailer, | 0:34:03 | 0:34:05 | |
the Edwardian Royal Naval belt | 0:34:05 | 0:34:07 | |
and the novelty pepperette. | 0:34:07 | 0:34:09 | |
He splashed out £111 on that lot. | 0:34:09 | 0:34:12 | |
But what do they think of each other's buys? | 0:34:16 | 0:34:18 | |
Cufflinks? Makes a little bag. The ones with the pooches on it. | 0:34:18 | 0:34:21 | |
They're going to appeal. Could be looking at a little profit. | 0:34:21 | 0:34:24 | |
Nothing great, but it's all money. | 0:34:24 | 0:34:26 | |
Then there's the chair. | 0:34:26 | 0:34:27 | |
Well, the chair, I suspect, | 0:34:27 | 0:34:29 | |
was pretty expensive not so very long ago. | 0:34:29 | 0:34:31 | |
That's really hitty-missy. | 0:34:31 | 0:34:33 | |
So, I just don't know. I do not know. | 0:34:33 | 0:34:35 | |
And Anita? | 0:34:36 | 0:34:37 | |
Well, Paul has obviously made a wonderful buy on this belt. | 0:34:37 | 0:34:42 | |
And it's £6! | 0:34:42 | 0:34:44 | |
He's got to make a profit. | 0:34:44 | 0:34:46 | |
The pepperette at £20, | 0:34:46 | 0:34:49 | |
well, it's just a wee item and I think he may have a profit | 0:34:49 | 0:34:53 | |
but I don't think he'll have a big profit on it. | 0:34:53 | 0:34:55 | |
I could be wrong. | 0:34:55 | 0:34:57 | |
So, the whole shebang is up for grabs. | 0:34:57 | 0:34:59 | |
On this road trip, they began in Ford in Northumberland | 0:35:00 | 0:35:03 | |
and are aiming for auction in Leyburn, | 0:35:03 | 0:35:05 | |
a bustling North Yorkshire market town. | 0:35:05 | 0:35:08 | |
Final stop is Tennants Auctioneers. | 0:35:09 | 0:35:11 | |
-Tennants. Yeah. -Right to the door. | 0:35:14 | 0:35:16 | |
Paul, our first auction. | 0:35:16 | 0:35:19 | |
On you come! | 0:35:19 | 0:35:20 | |
This is it. | 0:35:22 | 0:35:23 | |
-Oh...! -Come on, Laidlaw! | 0:35:23 | 0:35:25 | |
Presiding over today's saleroom will be auctioneer Jeremy Patterson. | 0:35:25 | 0:35:29 | |
Before first gavel strike, though, | 0:35:29 | 0:35:31 | |
what does he think of Paul and Anita's lots? | 0:35:31 | 0:35:33 | |
The thing that certainly stands out, | 0:35:33 | 0:35:35 | |
which I think probably are one of the higher-value sort of lots, | 0:35:35 | 0:35:38 | |
I think the chrome-leather chair. | 0:35:38 | 0:35:41 | |
Pretty stylish for today's market. | 0:35:41 | 0:35:43 | |
Again, something which is a bit different. | 0:35:43 | 0:35:46 | |
The pepperette, in the form of the shotgun case. | 0:35:46 | 0:35:49 | |
Quirky. | 0:35:49 | 0:35:50 | |
There's a chance that might, you know, do quite well. | 0:35:50 | 0:35:53 | |
All very interesting. | 0:35:53 | 0:35:55 | |
The auction is about to begin. | 0:35:56 | 0:35:58 | |
I've worn my, er... | 0:35:58 | 0:35:59 | |
..doggy socks. | 0:36:01 | 0:36:02 | |
To bring me luck. | 0:36:04 | 0:36:05 | |
And let's hope they do, as Anita's cufflinks, one pair with pooches, | 0:36:06 | 0:36:10 | |
kick this game off. | 0:36:10 | 0:36:11 | |
£20 for the cufflinks, please. Put them in. | 0:36:11 | 0:36:14 | |
Bit quirky those. £10 bid? | 0:36:14 | 0:36:15 | |
£10 I'm bid on those cufflinks. | 0:36:15 | 0:36:17 | |
Very good, yeah. | 0:36:17 | 0:36:18 | |
15 I am bid. | 0:36:18 | 0:36:19 | |
20 against you. 25 in the room. | 0:36:19 | 0:36:22 | |
-Yes! -You're flying. | 0:36:22 | 0:36:24 | |
30, sir? No? Any more bidders? | 0:36:24 | 0:36:26 | |
It's the dachs that did it. | 0:36:26 | 0:36:27 | |
It is good. | 0:36:27 | 0:36:29 | |
Last time. 25 will take it. | 0:36:29 | 0:36:31 | |
Hot dog, hey? A decisive first victory for Anita. | 0:36:31 | 0:36:34 | |
She's doubling her money. | 0:36:35 | 0:36:37 | |
It's Paul's job lot of stereoscope and printing blocks now. | 0:36:38 | 0:36:42 | |
£10 I am bid. | 0:36:42 | 0:36:44 | |
15. 20. Five. | 0:36:44 | 0:36:45 | |
Oh, we're away. Good. | 0:36:45 | 0:36:46 | |
Yes. | 0:36:46 | 0:36:47 | |
35 I am bid at the back. For the last time, shall I sell it? | 0:36:47 | 0:36:51 | |
The bid's at the back. Any advance? 35 will take this one. | 0:36:51 | 0:36:54 | |
It breaks even. It could be worse. | 0:36:55 | 0:36:56 | |
35. | 0:36:58 | 0:36:59 | |
Shame that didn't move any further forward. | 0:36:59 | 0:37:02 | |
Now it's Anita's little white metal trinket box | 0:37:03 | 0:37:05 | |
with countryside theme. | 0:37:05 | 0:37:07 | |
£10 I am bid on that. £10 starts me. | 0:37:07 | 0:37:09 | |
15. 20. | 0:37:09 | 0:37:10 | |
Oh, good, good. | 0:37:10 | 0:37:11 | |
Give me one more, sir. | 0:37:11 | 0:37:13 | |
£20 I am bid for the box. Any more bidders on that? | 0:37:13 | 0:37:15 | |
Front row will take this. | 0:37:15 | 0:37:17 | |
25? One more, sir? 25. | 0:37:17 | 0:37:18 | |
Oh, yes! | 0:37:18 | 0:37:19 | |
-It's going to be 30. -Yes. | 0:37:19 | 0:37:20 | |
The bid's standing. It's you, madam. Can't tempt you with another bid? | 0:37:20 | 0:37:23 | |
Shakes her head. Bid's at the back. | 0:37:23 | 0:37:25 | |
25 will take this one. | 0:37:25 | 0:37:27 | |
Yes! | 0:37:27 | 0:37:28 | |
You are on fire, Anita Manning. | 0:37:28 | 0:37:30 | |
She is. Another win to her. | 0:37:31 | 0:37:32 | |
Just stick to the 10s and 12s. You're going to be doubling your money. | 0:37:33 | 0:37:36 | |
Do not spend 200 next time round, OK? | 0:37:36 | 0:37:39 | |
A chance for Paul to shine now | 0:37:40 | 0:37:42 | |
as his four Georgian cut glass rinsers go under the hammer. | 0:37:42 | 0:37:45 | |
£30 to start me. £30? | 0:37:45 | 0:37:47 | |
Surely? £10 I am bid to start. | 0:37:47 | 0:37:49 | |
20. 20. | 0:37:49 | 0:37:51 | |
Any more bidders on those? 30. 30 standing. | 0:37:51 | 0:37:53 | |
Good. Good. Good. Good. | 0:37:53 | 0:37:54 | |
40. | 0:37:54 | 0:37:55 | |
No? £40 I've taken on the right. It's a room bid at the moment. | 0:37:55 | 0:37:58 | |
I could do with more than that. | 0:37:58 | 0:38:00 | |
For the last time. Gentleman's bid. | 0:38:00 | 0:38:02 | |
All finished at £40. | 0:38:02 | 0:38:03 | |
It's a small step. It's a small step. | 0:38:04 | 0:38:06 | |
It's a profit. | 0:38:06 | 0:38:07 | |
It's a profit indeed. | 0:38:08 | 0:38:10 | |
134... | 0:38:10 | 0:38:12 | |
Anita's brooch, inset with gems and seed pearls, is up next. | 0:38:12 | 0:38:16 | |
£50 for it? | 0:38:16 | 0:38:17 | |
£20 in the room. | 0:38:17 | 0:38:18 | |
He's pitching it right. | 0:38:18 | 0:38:19 | |
30. 40. | 0:38:19 | 0:38:21 | |
50. 60. | 0:38:21 | 0:38:22 | |
70. | 0:38:22 | 0:38:24 | |
In the front row at £70 I am bid on this. Pretty little brooch. | 0:38:24 | 0:38:26 | |
Any more bidders on this? Last time. The lady's bid in the front row. | 0:38:26 | 0:38:30 | |
Shall I let this go? Any more bidders? All finished at 70? | 0:38:30 | 0:38:33 | |
Crumbs! Anita's tactic of spending cautiously really is paying off. | 0:38:34 | 0:38:37 | |
Chin up, Paul. | 0:38:40 | 0:38:41 | |
Don't burst into floods of tears, darling. | 0:38:41 | 0:38:44 | |
You are going to soar with at least two of these items. | 0:38:44 | 0:38:48 | |
Might Paul's novelty pepperette be the shot in the arm he needs? | 0:38:49 | 0:38:53 | |
At 20. 30. 40. | 0:38:53 | 0:38:54 | |
Yes! | 0:38:54 | 0:38:56 | |
£40 I am bid at the back. Any advance on 40? | 0:38:56 | 0:38:57 | |
Give me 50, madam. Any advance on this? For the last time. | 0:38:57 | 0:39:00 | |
The bid's there. Shall I sell this? All finished at £40? | 0:39:00 | 0:39:03 | |
Last time. | 0:39:03 | 0:39:04 | |
-You doubled your money. -It's all right. It's all right. | 0:39:05 | 0:39:08 | |
-You doubled your money. -I'm still in the game. | 0:39:08 | 0:39:10 | |
Yep, that buy was right on target. | 0:39:11 | 0:39:13 | |
Well spotted once again, Mr Laidlaw. | 0:39:14 | 0:39:17 | |
You really have a... | 0:39:17 | 0:39:19 | |
It takes one to know one, Anita. | 0:39:19 | 0:39:21 | |
I think this has become a mutual admiration society. | 0:39:22 | 0:39:25 | |
You're making me feel rather ill. | 0:39:27 | 0:39:28 | |
But now it's Paul's vintage loud-hailer. | 0:39:30 | 0:39:32 | |
Will this give him something to shout about? | 0:39:32 | 0:39:35 | |
£20 for it? | 0:39:35 | 0:39:36 | |
£10 I am bid only. | 0:39:36 | 0:39:37 | |
That's good. You've got a start. | 0:39:37 | 0:39:40 | |
Your husband will hear with this, yeah. | 0:39:40 | 0:39:41 | |
£10. | 0:39:41 | 0:39:43 | |
Give me 15. 15 I am bid. | 0:39:43 | 0:39:45 | |
One more, sir? | 0:39:45 | 0:39:46 | |
No. 15 against you. Give me 20 anywhere? | 0:39:46 | 0:39:48 | |
Oh, go on. | 0:39:48 | 0:39:49 | |
For the last time. | 0:39:49 | 0:39:51 | |
Commission bid on this. Give me 20. It's a commission bid on this. | 0:39:51 | 0:39:54 | |
For the last time, 15 will take this one. | 0:39:54 | 0:39:56 | |
I went down. | 0:39:57 | 0:39:58 | |
I went down. | 0:39:58 | 0:40:00 | |
But it's only a small loss, eh? | 0:40:03 | 0:40:04 | |
I had a look at it, Paul. | 0:40:05 | 0:40:07 | |
And you didn't buy it. You had sense! | 0:40:07 | 0:40:09 | |
I'm glad I didn't buy it! | 0:40:09 | 0:40:11 | |
Next, Anita's set of bellows. | 0:40:12 | 0:40:14 | |
The bellows. Here they come. Here they come. | 0:40:15 | 0:40:17 | |
£10 I am bid to start. £10 only. What a shame. | 0:40:17 | 0:40:20 | |
At least you didn't start any lower. | 0:40:20 | 0:40:22 | |
Got to be sold, this. I'll take 15. Anywhere? Maiden bid on these. | 0:40:22 | 0:40:25 | |
All finished on commission this one. First and last at £10. | 0:40:25 | 0:40:28 | |
Sold at 10. Thank you. | 0:40:28 | 0:40:30 | |
You know my thoughts on that? | 0:40:30 | 0:40:32 | |
-What? -Phew...! | 0:40:32 | 0:40:34 | |
Phew, indeed. | 0:40:35 | 0:40:36 | |
If your electricity is cut off, | 0:40:37 | 0:40:40 | |
you could have used it as a hairdryer. | 0:40:40 | 0:40:42 | |
You could use it as a hairdryer, yes. | 0:40:43 | 0:40:44 | |
As we approach the finish line, | 0:40:47 | 0:40:48 | |
it's Paul's Edwardian naval officer's belt. | 0:40:48 | 0:40:52 | |
Can it seal victory? | 0:40:52 | 0:40:54 | |
£20. Commission bid on this. | 0:40:54 | 0:40:56 | |
-Commission. Commission. Commission. -Take five on it. | 0:40:56 | 0:40:58 | |
I'll sell at the first bid. 25 at the back. 30 anywhere? | 0:40:58 | 0:41:01 | |
Takes my bids out. It's at the back. | 0:41:01 | 0:41:02 | |
It's going to be cheap. | 0:41:02 | 0:41:04 | |
It's going to go cheap. | 0:41:04 | 0:41:06 | |
And advance? Last time at 25. | 0:41:06 | 0:41:07 | |
-That's a profit. -A substantial profit. | 0:41:08 | 0:41:11 | |
And it's Anita's last lot next. | 0:41:11 | 0:41:13 | |
So you've got the butterflies in the tummy? | 0:41:14 | 0:41:17 | |
Yeah, I've got those. Yeah. | 0:41:17 | 0:41:18 | |
What's the collective term for a flock of butterflies? | 0:41:18 | 0:41:22 | |
That's what I've got. | 0:41:23 | 0:41:24 | |
A butter flock. | 0:41:24 | 0:41:26 | |
So, butter flocks with us. | 0:41:26 | 0:41:28 | |
It's Anita's chair in the modernist style. She haggled hard to get it. | 0:41:30 | 0:41:34 | |
Was it worth the effort? | 0:41:34 | 0:41:36 | |
It's a stylish piece of furniture, isn't it? | 0:41:36 | 0:41:38 | |
Two commission bids on this. Start at £50. | 0:41:38 | 0:41:40 | |
A bit of interest in this. 50 on the leather and chrome chair. | 0:41:40 | 0:41:43 | |
At 50. 60. | 0:41:43 | 0:41:44 | |
70. 80. 90. | 0:41:44 | 0:41:46 | |
What?! | 0:41:46 | 0:41:47 | |
-What's going on? -Commission bid on this. Give me 100, sir. | 0:41:47 | 0:41:50 | |
90 the loser for one bid. The lady is going to take it. | 0:41:50 | 0:41:52 | |
Then, all finished at 90. Thank you. | 0:41:52 | 0:41:54 | |
-Anita Manning... -You can knock me down with a feather. | 0:41:54 | 0:41:57 | |
If I had a hat, I'd take it off to you now. | 0:41:57 | 0:41:59 | |
Well, I didn't expect that. | 0:42:00 | 0:42:02 | |
A last-minute flyer, that even shocks Anita, | 0:42:02 | 0:42:06 | |
makes her the uncontested winner. | 0:42:06 | 0:42:08 | |
Confound you! Confound you, Manning! | 0:42:09 | 0:42:12 | |
-Oh, dear... -The honeymoon is over. -I'm sorry! | 0:42:13 | 0:42:15 | |
-I want a divorce! -I'm sorry, Paul! I'm sorry! | 0:42:15 | 0:42:18 | |
-Come on, Anita. -Let's go. Let's go. | 0:42:19 | 0:42:21 | |
Paul started with £200. | 0:42:25 | 0:42:26 | |
After auction costs, | 0:42:26 | 0:42:28 | |
he made a profit of £16.10 | 0:42:28 | 0:42:30 | |
and finishes with £216.10. | 0:42:30 | 0:42:33 | |
Anita also began with £200. | 0:42:35 | 0:42:38 | |
After costs, she made a terrific profit of £100.40 | 0:42:38 | 0:42:42 | |
and so ends this leg in front with £300.40. | 0:42:42 | 0:42:46 | |
-Thank you, darling. -You are welcome. | 0:42:47 | 0:42:49 | |
Well, I say you're welcome... | 0:42:49 | 0:42:51 | |
That was so exciting. | 0:42:51 | 0:42:53 | |
-And full of so many surprises. -Indeed, yeah. | 0:42:53 | 0:42:56 | |
I've got to say, well done, Anita. | 0:42:56 | 0:42:58 | |
But they're still friends, really. | 0:43:00 | 0:43:02 | |
Onwards to adventure! | 0:43:04 | 0:43:06 | |
On the next Antiques Road Trip... | 0:43:09 | 0:43:11 | |
Anita means business. | 0:43:11 | 0:43:13 | |
I'd like you to back right off! | 0:43:13 | 0:43:15 | |
What on earth...? | 0:43:16 | 0:43:17 | |
And Paul's bringing out the big guns. | 0:43:17 | 0:43:20 | |
I'm really seriously tempted to. | 0:43:20 | 0:43:22 |