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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
What about that?! | 0:00:04 | 0:00:06 | |
With £200 each, | 0:00:06 | 0:00:08 | |
a classic car | 0:00:08 | 0:00:09 | |
and a goal, to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction | 0:00:13 | 0:00:15 | |
but it's no mean feat. | 0:00:15 | 0:00:17 | |
Feeling a little saw. | 0:00:17 | 0:00:18 | |
This is going to be an epic battle. | 0:00:18 | 0:00:20 | |
There'll be worthy winners | 0:00:20 | 0:00:21 | |
and valiant losers. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
-The honeymoon is over. -I'm sorry. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
MUSIC: Hoots Mon by Lord Rockingham's XI | 0:00:35 | 0:00:38 | |
It's approaching crunch time in the battle of Scot versus Scot, | 0:00:39 | 0:00:44 | |
with the female of the species just in front. | 0:00:44 | 0:00:46 | |
We're onto our fourth leg here and we're neck and neck! | 0:00:46 | 0:00:50 | |
There's a whisper between us. | 0:00:50 | 0:00:52 | |
Sadly, your tail is still in my face. | 0:00:52 | 0:00:54 | |
Anita Manning and Paul Laidlaw... | 0:00:56 | 0:00:57 | |
Auctioneers both, | 0:00:57 | 0:00:58 | |
and did we mention highly competitive? | 0:00:58 | 0:01:01 | |
Yes! | 0:01:01 | 0:01:02 | |
You've taken your fair share of a drubbing. | 0:01:02 | 0:01:04 | |
..have had a lot of fun in their Morris called Whooty, this week. | 0:01:04 | 0:01:08 | |
And this wee baby, she's really only happy about 40, isn't she? | 0:01:08 | 0:01:11 | |
What are you trying to tell me? Is it... | 0:01:11 | 0:01:14 | |
That's coded for, "Slow down, Laidlaw." | 0:01:14 | 0:01:17 | |
But it's all about glory for those two | 0:01:18 | 0:01:21 | |
and Paul's not used to being runner-up. | 0:01:21 | 0:01:23 | |
If it takes the whip, | 0:01:23 | 0:01:25 | |
I might have to use it! | 0:01:25 | 0:01:26 | |
Paul started out with £200 and so far he's won two auctions | 0:01:30 | 0:01:33 | |
and amassed £261.25. | 0:01:33 | 0:01:37 | |
While Anita, who also began with 200, | 0:01:38 | 0:01:41 | |
has that all important wee slither of a lead | 0:01:41 | 0:01:44 | |
with £286.90. | 0:01:44 | 0:01:46 | |
BUT there's still a long road to travel. | 0:01:46 | 0:01:50 | |
It might only be three inches on the map | 0:01:50 | 0:01:53 | |
but it's 300 miles in reality. | 0:01:53 | 0:01:56 | |
Our epic journey begins in Northumberland at Ford | 0:01:56 | 0:02:00 | |
and takes in an awful lot of eastern England before ending up | 0:02:00 | 0:02:03 | |
over 1,000 miles later at Stamford in Lincolnshire. | 0:02:03 | 0:02:08 | |
Today, were starting out in Lincolnshire at Navenby | 0:02:08 | 0:02:11 | |
and making for an auction in the Norfolk town of Diss. | 0:02:11 | 0:02:14 | |
We're seeing a good old bit of the country on this one, aren't we? | 0:02:14 | 0:02:17 | |
I think we've only got two more counties left. | 0:02:17 | 0:02:20 | |
Welcome to Navenby, | 0:02:20 | 0:02:22 | |
your latest battleground. | 0:02:22 | 0:02:24 | |
That was a lovely piece of parking. | 0:02:24 | 0:02:27 | |
I couldn't have got in there. | 0:02:27 | 0:02:30 | |
I'm trying to butter you up before we go in. | 0:02:30 | 0:02:33 | |
You go into that post office, get me a stamp, | 0:02:33 | 0:02:35 | |
I'll go into this antique shop. | 0:02:35 | 0:02:37 | |
They've started already. | 0:02:37 | 0:02:39 | |
OK, I think this is a bunnets off job. | 0:02:39 | 0:02:41 | |
Which might, in the circumstances, translate as gauntlet down. | 0:02:41 | 0:02:46 | |
On your metal, everyone, | 0:02:46 | 0:02:47 | |
because there's little margin for error in this struggle. | 0:02:47 | 0:02:50 | |
We're still very close together | 0:02:50 | 0:02:53 | |
and it takes only one good buy | 0:02:53 | 0:02:57 | |
for someone to surge ahead, | 0:02:57 | 0:02:59 | |
and Paul Laidlaw is a titan! | 0:02:59 | 0:03:02 | |
And doesn't he know it? | 0:03:05 | 0:03:07 | |
Have a look at this. | 0:03:07 | 0:03:09 | |
Two little chimps underneath a somewhat stylised tree. | 0:03:09 | 0:03:14 | |
There's just a touch of the Jugendstil about this. | 0:03:14 | 0:03:17 | |
It's a Germanic piece, I think, | 0:03:17 | 0:03:19 | |
Storer, cast-iron, | 0:03:19 | 0:03:22 | |
late 19th century. | 0:03:22 | 0:03:24 | |
I want to cut to the chase, I'm going to buy it. | 0:03:24 | 0:03:26 | |
I'm going to try and buy it and this may be a problem | 0:03:26 | 0:03:28 | |
because it's got a whopping price tag of £49. | 0:03:28 | 0:03:32 | |
Is this, erm...? | 0:03:32 | 0:03:33 | |
-It's mine. -This is yours, you own this? -Yeah. | 0:03:33 | 0:03:35 | |
Isn't it great to be in an antique centre talking to someone | 0:03:35 | 0:03:38 | |
that owns the thing?! | 0:03:38 | 0:03:39 | |
OK, Paul, your move. | 0:03:39 | 0:03:40 | |
If it's just a little cast iron funny dish, can it be £10 or £15? | 0:03:40 | 0:03:44 | |
-I can't go as low as that, I'm afraid. -OK. | 0:03:44 | 0:03:46 | |
-I could go 30. -Oh, my word. | 0:03:46 | 0:03:48 | |
Let's go through the motions and see where we end up, yeah? | 0:03:51 | 0:03:53 | |
-I'm going to say 20... -And I'll say 25. | 0:03:53 | 0:03:57 | |
-And I'll go... I don't know your name? -Stella. | 0:03:57 | 0:03:59 | |
Stella. Stella, | 0:03:59 | 0:04:02 | |
you were a star. | 0:04:02 | 0:04:04 | |
I haven't heard that before! | 0:04:04 | 0:04:06 | |
Wonderful, you've got a deal. | 0:04:06 | 0:04:07 | |
So, what is it with those chimps, Paul? | 0:04:07 | 0:04:10 | |
-At £25, I think I'm going to struggle. -Hmm. | 0:04:10 | 0:04:12 | |
Unless I'm right about this! | 0:04:12 | 0:04:15 | |
Two chimps under a tree, not any old tree, | 0:04:15 | 0:04:17 | |
the tree of knowledge. | 0:04:17 | 0:04:18 | |
Well, you know why it's the tree of knowledge, | 0:04:18 | 0:04:21 | |
because chimp number two is offering chimp number one an apple. | 0:04:21 | 0:04:24 | |
Chimp number one, | 0:04:24 | 0:04:25 | |
look at the face. | 0:04:25 | 0:04:27 | |
Mutton chop whiskers. | 0:04:27 | 0:04:29 | |
Is that Charles Darwin? | 0:04:29 | 0:04:31 | |
-I put it to you that that IS Charles Darwin... -Really? | 0:04:31 | 0:04:34 | |
..and this is mocking | 0:04:34 | 0:04:36 | |
Darwin's theory of evolution. | 0:04:36 | 0:04:38 | |
There was a great reaction to Darwin's theories | 0:04:38 | 0:04:41 | |
of evolution from the Christian fraternity, | 0:04:41 | 0:04:45 | |
it has to be said, because it undermined the Bible. | 0:04:45 | 0:04:48 | |
Now we've got more than just a silly little novelty dish with chimps, | 0:04:48 | 0:04:51 | |
have we not? We've tapped into an extremely exciting | 0:04:51 | 0:04:55 | |
period in the history of science and the development of human thought. | 0:04:55 | 0:05:00 | |
Now, you see why I love it? | 0:05:00 | 0:05:02 | |
Good theory, Paul. | 0:05:02 | 0:05:03 | |
Or might it just appeal to fans of cute chimps? | 0:05:03 | 0:05:06 | |
-Stella, £25. -Yeah. | 0:05:06 | 0:05:08 | |
I shall settle my debt to you. | 0:05:09 | 0:05:11 | |
There you go. | 0:05:11 | 0:05:13 | |
Anita, meanwhile, has also unearthed a curiosity. | 0:05:13 | 0:05:16 | |
Well, two actually. | 0:05:16 | 0:05:18 | |
It's a pair of bookends, | 0:05:18 | 0:05:19 | |
they are commemorative bookends. | 0:05:19 | 0:05:22 | |
They're made of a metal, | 0:05:22 | 0:05:24 | |
sounds like tin. | 0:05:24 | 0:05:26 | |
And they are a souvenir for the formal opening | 0:05:26 | 0:05:30 | |
of the Stevens, | 0:05:30 | 0:05:33 | |
which is the world's greatest hotel. | 0:05:33 | 0:05:36 | |
Well, that's what these bookends are telling us anyway. | 0:05:36 | 0:05:39 | |
And this hotel is in Chicago, | 0:05:39 | 0:05:43 | |
and it's dated 2 May 1927. | 0:05:43 | 0:05:48 | |
Quite a place it is, too. | 0:05:48 | 0:05:49 | |
Although, it's not called that any more. | 0:05:49 | 0:05:51 | |
The Stevens was once the largest hotel in the world, | 0:05:51 | 0:05:55 | |
as I'm sure Al Capone could have told you. | 0:05:55 | 0:05:57 | |
The shape of them takes us to the Art Deco period, | 0:05:57 | 0:06:01 | |
but we have these figures here, | 0:06:01 | 0:06:02 | |
two little children with a big fish. | 0:06:02 | 0:06:07 | |
I don't know what that's about. | 0:06:07 | 0:06:09 | |
The ticket price is £18. | 0:06:09 | 0:06:11 | |
Time to consult Dean. | 0:06:11 | 0:06:13 | |
We're selling in Norfolk, not in Chicago. | 0:06:13 | 0:06:15 | |
-Oh, right. -Yeah, not even Norfolk, Virginia either. | 0:06:15 | 0:06:19 | |
Could they be bought for 10? | 0:06:19 | 0:06:21 | |
I can certainly give them a ring. I mean, the best I can do, | 0:06:21 | 0:06:24 | |
I can take 10% off which will make it 16. | 0:06:24 | 0:06:26 | |
-Uh-huh. -I'll go and give them a bell now. -OK, thank you. | 0:06:26 | 0:06:30 | |
While Dean makes a call, Paul's come up with something similar. | 0:06:30 | 0:06:33 | |
It's a Victorian presentation tankard. | 0:06:33 | 0:06:35 | |
Now, we see presentation tankards all over the place, yeah? | 0:06:35 | 0:06:38 | |
Every golf club hands them out like sweeties and so on, | 0:06:38 | 0:06:42 | |
and they're generally dull as dishwater. | 0:06:42 | 0:06:44 | |
However, show me a tankard | 0:06:44 | 0:06:47 | |
presented in 1870 | 0:06:47 | 0:06:49 | |
by the Hythe School of Musketry... | 0:06:49 | 0:06:51 | |
This is the British army's training establishment | 0:06:51 | 0:06:54 | |
for excellence in sharpshooting, musketry, yeah? | 0:06:54 | 0:06:58 | |
..and you've got my attention. | 0:06:58 | 0:07:00 | |
Very pleasingly engraved, curlicues all over the place, | 0:07:00 | 0:07:03 | |
cracking little imperial crown, there. | 0:07:03 | 0:07:06 | |
It paints a picture of these chaps in their scarlet frocks | 0:07:06 | 0:07:09 | |
and their Enfield rifles | 0:07:09 | 0:07:11 | |
shooting away at Hythe in 1870. | 0:07:11 | 0:07:14 | |
That's quite a vision. | 0:07:14 | 0:07:15 | |
There are a few blemishes though. | 0:07:15 | 0:07:17 | |
-It's got a big hole in the bottom. -Whoops. | 0:07:17 | 0:07:19 | |
And it is £68. | 0:07:19 | 0:07:23 | |
This is an issue. | 0:07:23 | 0:07:24 | |
Quite. What about those bookends, then? | 0:07:24 | 0:07:27 | |
We haven't got hold of him, but I've been told that we can do them at 12. | 0:07:27 | 0:07:32 | |
Do them at 12? Put it there. | 0:07:32 | 0:07:34 | |
That's lovely, thank you very much. | 0:07:34 | 0:07:36 | |
I'll put them on the counter for you, then. | 0:07:36 | 0:07:39 | |
That was an offer she couldn't refuse! | 0:07:39 | 0:07:41 | |
Will Paul get his tankard? | 0:07:41 | 0:07:43 | |
I wondered what your very best price would be? | 0:07:43 | 0:07:47 | |
And Paul Laidlaw says to tell you it's got no bottom. | 0:07:47 | 0:07:50 | |
Seems the lowest the dealer can go is £55. | 0:07:50 | 0:07:53 | |
Paul doesn't seem too crestfallen though. | 0:07:53 | 0:07:55 | |
I've not bought any silver this road trip. | 0:07:55 | 0:07:58 | |
Base values for silver are lean at the moment, but... | 0:07:58 | 0:08:02 | |
there's a few wee bits in there that are pretty | 0:08:02 | 0:08:04 | |
and seem to be fairly priced. | 0:08:04 | 0:08:06 | |
Tankard? What tankard? | 0:08:06 | 0:08:07 | |
You've got a perpetual calendar. | 0:08:07 | 0:08:09 | |
Silver framed, it's actually cast, | 0:08:09 | 0:08:12 | |
so there's some substance to that, | 0:08:12 | 0:08:14 | |
it's not stamped out of relatively thin plate. | 0:08:14 | 0:08:16 | |
And it carries this series of printed little cards, | 0:08:16 | 0:08:21 | |
and we should have 30 days in there. | 0:08:21 | 0:08:25 | |
-Is this yours, Dean? -It is mine, yeah. | 0:08:25 | 0:08:27 | |
The wee perpetual calendar, is it all there? | 0:08:27 | 0:08:29 | |
-It's all there, yes. -Seriously? | 0:08:29 | 0:08:31 | |
The cards, they're kind of turned upside down and turn them | 0:08:31 | 0:08:33 | |
back to front. There's like four on each card. | 0:08:33 | 0:08:35 | |
-I get you. Clever, clever, clever. -Yeah. | 0:08:35 | 0:08:38 | |
The ticket price is £28, | 0:08:38 | 0:08:40 | |
but there's more. | 0:08:40 | 0:08:42 | |
Picture frame, that could be a little French piece, | 0:08:42 | 0:08:45 | |
imported by the London Silver trade | 0:08:45 | 0:08:48 | |
and, by law, re-assayed. | 0:08:48 | 0:08:51 | |
The frame itself is a little ribbon tied laurel bezel, | 0:08:51 | 0:08:55 | |
but it's being supported by a little Cupid, | 0:08:55 | 0:08:57 | |
nicely executed, bow in hand. | 0:08:57 | 0:09:00 | |
So, herein we would place surely a little miniature | 0:09:00 | 0:09:04 | |
portrait of a loved one, a sweetheart. | 0:09:04 | 0:09:07 | |
-I'm going all gooey! -Oh, Lordy! | 0:09:07 | 0:09:10 | |
Oh, it's not French. It's German. | 0:09:10 | 0:09:12 | |
I think that's an Augsburg pine cone mark, | 0:09:12 | 0:09:15 | |
-could be wrong. -Unlikely, Paul. | 0:09:15 | 0:09:18 | |
That one's also £28. | 0:09:18 | 0:09:19 | |
This pillbox is a bit pricier, however. | 0:09:19 | 0:09:22 | |
There's no dings, dents, warps, | 0:09:22 | 0:09:25 | |
deformations, | 0:09:25 | 0:09:27 | |
gilt interior. | 0:09:27 | 0:09:28 | |
£98 though. | 0:09:28 | 0:09:30 | |
It's all right. It's not the most exciting...it's not | 0:09:30 | 0:09:32 | |
a standout piece. | 0:09:32 | 0:09:34 | |
Rule of the three, eh? | 0:09:34 | 0:09:35 | |
What can Dean do on them? | 0:09:35 | 0:09:37 | |
100, for the three. | 0:09:37 | 0:09:39 | |
20, 20 and 60 is probably where you'd put it, wouldn't you? | 0:09:39 | 0:09:42 | |
-Yeah, 20... -That is the one that's hardest work. | 0:09:42 | 0:09:46 | |
I'd like to give you 30 for that, | 0:09:46 | 0:09:49 | |
I kid you not. | 0:09:49 | 0:09:50 | |
Making it 70 for the three. | 0:09:50 | 0:09:53 | |
I can do it 80 for the three. | 0:09:53 | 0:09:55 | |
-That's 40 for the box, 20 for each of the others. -40, 20 and 20. | 0:09:55 | 0:09:58 | |
That's got him seriously pondering. | 0:09:58 | 0:10:00 | |
The wee devil on that side's going, "Buy them all!" | 0:10:00 | 0:10:03 | |
The devil on that side's saying, "You crazy fool!" | 0:10:03 | 0:10:06 | |
-I'll take the lot. -Thank you. -"In for a penny," as he said, yeah? | 0:10:06 | 0:10:10 | |
He who dares wins and all of the above. You're a good man. | 0:10:10 | 0:10:13 | |
£80 plus £25 for the dish, | 0:10:13 | 0:10:16 | |
not a bad morning's work. | 0:10:16 | 0:10:18 | |
Over to you, Anita. | 0:10:18 | 0:10:20 | |
This is rather a nice wee thing. | 0:10:20 | 0:10:23 | |
It's a little mahogany rack. | 0:10:23 | 0:10:25 | |
Now, I don't know, what...would you put a photograph in there, | 0:10:27 | 0:10:29 | |
or would you keep letters, or whatever? | 0:10:29 | 0:10:32 | |
But I don't think it's a made up thing, | 0:10:32 | 0:10:35 | |
I think it's a thing that has been manufactured. | 0:10:35 | 0:10:38 | |
And we have this border of inlaid, | 0:10:38 | 0:10:44 | |
it's like a boxwood | 0:10:44 | 0:10:46 | |
over the mahogany and I think that's a nice wee thing. | 0:10:46 | 0:10:51 | |
It's priced at £29 and if I can get a wee bit off that | 0:10:51 | 0:10:55 | |
I think I would be happy. | 0:10:55 | 0:10:57 | |
-Dean? I picked this up. -Beautiful. | 0:10:57 | 0:11:00 | |
And I thought it was a nice wee thing. What's the death on that? | 0:11:00 | 0:11:03 | |
I can go and find out for you. The lady is here whose it is. | 0:11:03 | 0:11:06 | |
Oh, right, yeah. Could you ask her if maybe it could be bought for 20? | 0:11:06 | 0:11:11 | |
-I'll have a word with her for you. -OK, thank you very much. | 0:11:11 | 0:11:14 | |
Thank you. When I looked at all of these jewellery cabinets, I thought, | 0:11:14 | 0:11:18 | |
"I'm going to buy jewellery here," I love jewellery. | 0:11:18 | 0:11:22 | |
-And I haven't. -Maybe next time. | 0:11:22 | 0:11:24 | |
Anita, I've spoken to the owner and that's fine. | 0:11:24 | 0:11:26 | |
That's great, I'm happy, I'm happy. | 0:11:26 | 0:11:29 | |
-I'll put it with your bookends. -Yeah. | 0:11:29 | 0:11:32 | |
Another crafty buy, | 0:11:32 | 0:11:33 | |
just £32 spent. | 0:11:33 | 0:11:36 | |
That's 30 and 32. | 0:11:36 | 0:11:39 | |
That's fantastic, thank you very much. | 0:11:39 | 0:11:41 | |
-It's been an absolute pleasure. -Oh, great. | 0:11:41 | 0:11:44 | |
They're both on top form, this morning. | 0:11:44 | 0:11:46 | |
Meanwhile, Paul's gone on ahead, | 0:11:49 | 0:11:52 | |
making his way south from Navenby to Woolsthorpe to visit | 0:11:52 | 0:11:56 | |
the home of one of the | 0:11:56 | 0:11:57 | |
greatest scientists of all time. | 0:11:57 | 0:12:00 | |
Picked the right time of year, too. | 0:12:00 | 0:12:02 | |
Yes, he's here at Woolsthorpe Manor to learn about the early | 0:12:02 | 0:12:06 | |
years of Sir Isaac Newton. | 0:12:06 | 0:12:08 | |
-Is it Margaret? -It is. Welcome, Paul. | 0:12:08 | 0:12:11 | |
So, was Newton actually born at the Manor? | 0:12:11 | 0:12:13 | |
He was, yes, in 1642. | 0:12:13 | 0:12:16 | |
He spent his childhood here and evidence on the wall, | 0:12:16 | 0:12:20 | |
we think, of some of his graffiti. | 0:12:20 | 0:12:23 | |
Paper was very scarce in those days | 0:12:23 | 0:12:25 | |
but he'd got stuff teaming through his brain and he had to record it. | 0:12:25 | 0:12:30 | |
-Yeah, so what is this, Margaret? Is it a cathedral? -It's a church. | 0:12:30 | 0:12:34 | |
Newton was fascinated by spires and all things that pointed heavenwards. | 0:12:34 | 0:12:38 | |
Were these lost and rediscovered? | 0:12:38 | 0:12:40 | |
They were, yes. They were discovered completely by accident in about 1947 | 0:12:40 | 0:12:45 | |
when the tenants of the house then | 0:12:45 | 0:12:48 | |
were doing a spot of decorating. | 0:12:48 | 0:12:50 | |
-Oh, my word. -And we've got about nine examples of graffiti. | 0:12:50 | 0:12:56 | |
That could have been a wee boy, "Oh, that's a windmill," | 0:12:56 | 0:13:00 | |
but there is a strict geometry, | 0:13:00 | 0:13:02 | |
I think, there. | 0:13:02 | 0:13:04 | |
Knowing the man, that really gets you thinking, doesn't it? | 0:13:04 | 0:13:07 | |
Yes, interesting. Yes, it is, yes. | 0:13:07 | 0:13:10 | |
Newton's mother was keen to make young Isaac into a farmer | 0:13:10 | 0:13:13 | |
so that he could one day run things round here. | 0:13:13 | 0:13:16 | |
But, thankfully, a schoolmaster persuaded her to let him | 0:13:16 | 0:13:20 | |
continue his education and Newton went to Cambridge in 1661. | 0:13:20 | 0:13:24 | |
A few years later, however, he came back home to avoid the great plague. | 0:13:24 | 0:13:29 | |
And it was here that he spent 18 months doing his most | 0:13:29 | 0:13:33 | |
important scientific thinking. | 0:13:33 | 0:13:35 | |
And he actually said to one of his early biographers, | 0:13:35 | 0:13:38 | |
"I was in the prime of my age for invention". | 0:13:38 | 0:13:41 | |
So, now, this is his bedchamber | 0:13:41 | 0:13:44 | |
but also his study and laboratory? | 0:13:44 | 0:13:47 | |
He formulated his law of gravitation during this time. | 0:13:47 | 0:13:51 | |
He also worked out his three laws of motion | 0:13:51 | 0:13:54 | |
and he split white light. | 0:13:54 | 0:13:56 | |
So, he wasn't idle by any means. | 0:13:56 | 0:14:00 | |
Certainly not. Although Newton's great work, the Principia, | 0:14:00 | 0:14:03 | |
wouldn't be published for another 20 years, | 0:14:03 | 0:14:06 | |
many of his most influential ideas | 0:14:06 | 0:14:08 | |
had their origin during his Woolsthorpe annus mirabilis. | 0:14:08 | 0:14:12 | |
Is that not the classic sketch of his splitting | 0:14:12 | 0:14:16 | |
-of white light into the spectrum? -It is, and... | 0:14:16 | 0:14:19 | |
So, that's the kind of thing that we're talking about, in this room? | 0:14:19 | 0:14:23 | |
Yes, and it happened here. | 0:14:23 | 0:14:25 | |
Over here. | 0:14:25 | 0:14:26 | |
In his work about it, he said the image travelled 22 feet. | 0:14:26 | 0:14:32 | |
We got very excited one day when we had another film crew, | 0:14:32 | 0:14:36 | |
would you believe, and they said, | 0:14:36 | 0:14:37 | |
"Well, do you know what this area measures?" | 0:14:37 | 0:14:40 | |
And we went, "Do you know, we've never tried it," | 0:14:40 | 0:14:43 | |
but we did | 0:14:43 | 0:14:44 | |
and from that wall to that window | 0:14:44 | 0:14:49 | |
-is 22 feet. -Oh, please. | 0:14:49 | 0:14:51 | |
So, it's here it happened. | 0:14:51 | 0:14:53 | |
Blackened room, a little peephole in the shutter, | 0:14:53 | 0:14:56 | |
a beam of white light comes in, | 0:14:56 | 0:14:58 | |
and science at that point thinks white light is pure, heavenly, | 0:14:58 | 0:15:04 | |
but he splits the light using a prism | 0:15:04 | 0:15:08 | |
and casts a rainbow on that wall, | 0:15:08 | 0:15:11 | |
-not any wall, that wall. Oh, my word. -Yes. | 0:15:11 | 0:15:15 | |
Yes, not only did our understanding of light originate | 0:15:15 | 0:15:19 | |
in this room, tempting some to try to find it for themselves... | 0:15:19 | 0:15:23 | |
I can't really believe I'm doing this. | 0:15:23 | 0:15:25 | |
..but out in the garden, with the help of an apple, | 0:15:25 | 0:15:27 | |
Newton was hit with his now famous laws of gravity. | 0:15:27 | 0:15:30 | |
-Stephen. -Paul, lovely to see you. | 0:15:30 | 0:15:32 | |
Good to see you. | 0:15:32 | 0:15:33 | |
So, are you going to tell me this is it? | 0:15:33 | 0:15:35 | |
After 350 years of careful preservation and loving attention... | 0:15:35 | 0:15:40 | |
-And it is THE tree? -There's pretty good historical evidence. | 0:15:40 | 0:15:43 | |
We know the tree blew down in a storm, the way it fell | 0:15:43 | 0:15:46 | |
and sketches that have been taken over the years that identify | 0:15:46 | 0:15:49 | |
this as the tree that Newton described. | 0:15:49 | 0:15:51 | |
Although the fruit is still falling in the very spot where Newton | 0:15:51 | 0:15:55 | |
began his enquiries, there is one popular misconception | 0:15:55 | 0:15:58 | |
that Stephen can clear up. | 0:15:58 | 0:16:00 | |
So, it didn't hit him on the head? | 0:16:00 | 0:16:01 | |
Newton never said that the apple actually hit him on the head, | 0:16:01 | 0:16:04 | |
but he told his biographers that | 0:16:04 | 0:16:07 | |
in 1665, as a young man, here at Woolsthorpe | 0:16:07 | 0:16:11 | |
he saw an apple fall from that tree | 0:16:11 | 0:16:13 | |
as he sat in the garden in contemplative mood. | 0:16:13 | 0:16:16 | |
Stephen, one last favour to ask. | 0:16:16 | 0:16:19 | |
-Going to give me that apple? -Absolute pleasure, Paul. | 0:16:19 | 0:16:22 | |
-And it's off that tree? -It's from Newton's tree, it's Newton's apple. | 0:16:22 | 0:16:26 | |
I'm going to take that home and blow some young kid's mind. | 0:16:26 | 0:16:29 | |
Now, where's Anita gravitated to? | 0:16:29 | 0:16:32 | |
Taking our route north and east towards Sleaford, | 0:16:34 | 0:16:38 | |
the fabulous birthplace of Jennifer Saunders | 0:16:38 | 0:16:41 | |
and also Eric Thompson of Magic Roundabout fame. | 0:16:41 | 0:16:44 | |
-Oh. -Oh, this is so beautiful. | 0:16:46 | 0:16:48 | |
-How are you? -I'm Anita. -Javed. | 0:16:48 | 0:16:51 | |
Javed, it's lovely to be here. | 0:16:51 | 0:16:53 | |
Yeah, I think you'll enjoy it here, Anita. | 0:16:53 | 0:16:55 | |
Maybe acquire that jewellery you were thinking of? | 0:16:55 | 0:16:58 | |
I must look at your favourite one. | 0:16:58 | 0:17:01 | |
Is it a reasonable price? | 0:17:01 | 0:17:02 | |
-£200 is very reasonable. -Ahh... | 0:17:02 | 0:17:05 | |
That's too much money. | 0:17:05 | 0:17:06 | |
Well, it was worth a try. Anything else? | 0:17:07 | 0:17:09 | |
-Peridot. -Peridot, yeah. -1910. | 0:17:12 | 0:17:15 | |
That's a particularly beautiful one. | 0:17:15 | 0:17:18 | |
-It's lovely. -In original box. | 0:17:18 | 0:17:20 | |
In original box. | 0:17:20 | 0:17:21 | |
I think that might be too expensive for me as well. | 0:17:21 | 0:17:25 | |
£700. | 0:17:25 | 0:17:26 | |
Blimey! | 0:17:26 | 0:17:28 | |
I don't even want to look at it! | 0:17:28 | 0:17:30 | |
Let's be sensible, shall we? | 0:17:30 | 0:17:32 | |
-I rather like these Agate Brooches. -Yes. | 0:17:32 | 0:17:37 | |
Favourite sort of items of Queen Victoria and they collected all | 0:17:37 | 0:17:41 | |
these lovely polished Agate's from the beaches of Bonny Scotland. | 0:17:41 | 0:17:45 | |
No ticket price, apparently though. | 0:17:45 | 0:17:47 | |
-These are quite pretty little pieces. -Yes. | 0:17:47 | 0:17:50 | |
We've got a sterling silver one with, | 0:17:50 | 0:17:52 | |
-I would say that was Amethyst glass rather than an Amethyst. -Mm-hm. | 0:17:52 | 0:17:56 | |
My auction estimate on that would be | 0:17:56 | 0:17:59 | |
-25 to 35. -Mm-hm. | 0:17:59 | 0:18:01 | |
Would I be able to buy these for... | 0:18:01 | 0:18:03 | |
in that region? | 0:18:03 | 0:18:06 | |
-Each, or both together? -Both together. | 0:18:06 | 0:18:09 | |
If you just give me a little bit more, I'll go ahead with it. | 0:18:09 | 0:18:13 | |
Erm, what sort of...? | 0:18:13 | 0:18:15 | |
35? | 0:18:15 | 0:18:17 | |
-Could you do them for 30? -Yeah, OK. | 0:18:17 | 0:18:19 | |
-You do them for 30? -I knew that you were going to say that. | 0:18:19 | 0:18:22 | |
OK, thank you very much. That's great, that's a deal. | 0:18:22 | 0:18:25 | |
Off to a flying start. | 0:18:25 | 0:18:27 | |
The pendant that Javed showed me was priced at 700, | 0:18:27 | 0:18:32 | |
which is not dear because it was the Rolls-Royce of pendants. | 0:18:32 | 0:18:37 | |
I was looking at a cheaper example, really. | 0:18:37 | 0:18:41 | |
It's of the same period, but it's not in gold, | 0:18:41 | 0:18:46 | |
just a gilt finish on it. | 0:18:46 | 0:18:48 | |
But it does have the look of it. | 0:18:48 | 0:18:51 | |
Although not quite an old banger at £50. | 0:18:51 | 0:18:55 | |
-See, that's quite pretty as well, isn't it? -Very nice. | 0:18:55 | 0:18:57 | |
You know, I like these lovely Edwardian pendants. | 0:18:57 | 0:18:59 | |
-These type of pendants are coming back into fashion... -Exactly. | 0:18:59 | 0:19:03 | |
..and they're doing a bit better. | 0:19:03 | 0:19:05 | |
I'd like to be able to buy that for 30 though. | 0:19:05 | 0:19:08 | |
I think £40, that would be my... | 0:19:08 | 0:19:11 | |
-Would that be your bottom on that? -Yes. | 0:19:11 | 0:19:14 | |
Could you go to, say, 36? | 0:19:14 | 0:19:18 | |
40's good. | 0:19:18 | 0:19:19 | |
I know 40's good. | 0:19:19 | 0:19:22 | |
Is there any chance of taking even another little bit off of it? | 0:19:22 | 0:19:27 | |
-38. -38. | 0:19:27 | 0:19:28 | |
-Shall we go for that? -Yes. | 0:19:28 | 0:19:30 | |
That's wonderful, Javed. | 0:19:30 | 0:19:32 | |
That's wonderful, thank you so much. | 0:19:32 | 0:19:34 | |
She's certainly bought jewellery now, for some keen prices, too. | 0:19:34 | 0:19:38 | |
-30, 40, 60, 80. -Thank you very much. -That's you. | 0:19:38 | 0:19:41 | |
And now I have to pay you back £12. | 0:19:41 | 0:19:45 | |
Is that the till?! | 0:19:46 | 0:19:48 | |
That's where I keep my change. | 0:19:48 | 0:19:51 | |
Gives "stocking up" a completely new meaning. | 0:19:51 | 0:19:53 | |
Now time to find Paul. On the Minor road again. | 0:19:56 | 0:20:00 | |
It's raining, I don't know where I am. | 0:20:00 | 0:20:03 | |
Don't worry, you're with me! You are in safe hands, Laidlaw. | 0:20:04 | 0:20:08 | |
Night, night, then. | 0:20:08 | 0:20:10 | |
Sure enough, next morning we're heading south. | 0:20:12 | 0:20:15 | |
We're a long way from home, us two northerners. | 0:20:15 | 0:20:18 | |
-Yeah, you've no tried to pay with any Scottish money, have you? -No! | 0:20:18 | 0:20:22 | |
I had somebody look at a fiver, | 0:20:22 | 0:20:23 | |
he said, "I thought that was foreign currency." | 0:20:23 | 0:20:25 | |
I said, "It very nearly was." | 0:20:25 | 0:20:27 | |
Their cash was good yesterday, for sure. | 0:20:27 | 0:20:30 | |
Anita parting with £100 for some bookends. | 0:20:30 | 0:20:32 | |
Various items of jewellery - some Scottish - and a frame. | 0:20:33 | 0:20:38 | |
Put a picture of my boyfriend in there. Or one of my boyfriends. | 0:20:38 | 0:20:41 | |
One of your boyfriends, yeah. | 0:20:41 | 0:20:42 | |
Leaving her just over £186 available for today. | 0:20:42 | 0:20:47 | |
While Paul picked up three little silver items, | 0:20:47 | 0:20:50 | |
and a cast-iron dish, with a possible Darwinian theme. | 0:20:50 | 0:20:54 | |
Two chimps under a tree. | 0:20:54 | 0:20:57 | |
That lot cost £105, | 0:20:57 | 0:20:58 | |
which means he has a little bit more from the £150 to spend. | 0:20:58 | 0:21:03 | |
You want that item that'll just tip the whole thing, | 0:21:03 | 0:21:06 | |
and you can blow a kiss to me as you surge ahead. | 0:21:06 | 0:21:11 | |
I won't even be able to see you in the rear view mirror. | 0:21:11 | 0:21:14 | |
Later, they'll be heading for a Norfolk auction | 0:21:14 | 0:21:17 | |
at Diss, but our first stop is in the | 0:21:17 | 0:21:19 | |
Northamptonshire town of Oundle. | 0:21:19 | 0:21:22 | |
-Good luck, Paul! -See you later. | 0:21:23 | 0:21:25 | |
Where it's said, at the age of 21, | 0:21:27 | 0:21:29 | |
Billy Bragg wrote A New England. | 0:21:29 | 0:21:31 | |
-How you doing? I'm Paul. -I'm Vicky, nice to meet you. | 0:21:33 | 0:21:36 | |
It is good to see you, Vicky. Great to be here. | 0:21:36 | 0:21:38 | |
-What a pretty little town this is! -Isn't it cute? | 0:21:38 | 0:21:41 | |
Cute shop too, Vicky. | 0:21:41 | 0:21:43 | |
Proper antiques. | 0:21:43 | 0:21:45 | |
That clock's ticking away - it's like Mr Pipkin's shop. | 0:21:45 | 0:21:48 | |
You'll be too young to remember that. | 0:21:48 | 0:21:50 | |
Paul's good start yesterday means he can afford to be choosey here. | 0:21:50 | 0:21:54 | |
I had lots of monkeys yesterday. | 0:21:54 | 0:21:56 | |
I'll no buy some more, but they're good fun, those. | 0:21:56 | 0:21:59 | |
-They're quite menacing little chaps those, aren't they? -They are. | 0:21:59 | 0:22:03 | |
They're monkeys. That still leaves quite a lot. | 0:22:03 | 0:22:06 | |
-May I see the sweetheart brooch there, please? -Of course. | 0:22:06 | 0:22:11 | |
I'm getting old, my poor eyes aren't what they were, I'll tell you. | 0:22:11 | 0:22:14 | |
I'll be reading books like that... | 0:22:14 | 0:22:18 | |
-It's the Seal of Gibraltar. -Is that what it is? | 0:22:18 | 0:22:21 | |
And it's 1916, but other than that... | 0:22:21 | 0:22:24 | |
-Those are the arms of Gibraltar. -Yep. | 0:22:24 | 0:22:28 | |
Also a good place to find monkeys, by the way. | 0:22:28 | 0:22:30 | |
Simply a little touristy souvenir - of no mean quality. | 0:22:30 | 0:22:35 | |
I mean, that is really lovely work. | 0:22:35 | 0:22:37 | |
Whether it was sent home by somebody serving in Gibraltar... | 0:22:37 | 0:22:40 | |
That's what it is, isn't it? Without a shadow of a doubt. | 0:22:40 | 0:22:42 | |
-What have you got on there, out of interest? -Um, £30 on that. | 0:22:42 | 0:22:46 | |
Cutting to the chase, is there slack in the price of that? | 0:22:46 | 0:22:49 | |
Uh, I could do it for 25? | 0:22:49 | 0:22:53 | |
Let's hold that thought. Thank you! | 0:22:53 | 0:22:56 | |
-You're welcome. -Here, we're off and running, are we not? | 0:22:56 | 0:22:59 | |
We certainly are. And those could be useful. | 0:22:59 | 0:23:02 | |
I'm really toying with the idea of trying period specs, | 0:23:02 | 0:23:05 | |
because I fear - as I've suggested - I need new specs. | 0:23:05 | 0:23:09 | |
And I'm seeing all these hipsters and so on with, you know, | 0:23:09 | 0:23:11 | |
old horn-rimmed specs, looking like Dr Crippen, and I'm quite envious. | 0:23:11 | 0:23:15 | |
Not of the Crippen look, | 0:23:15 | 0:23:17 | |
but I've got such a massive bonce, my problem is, | 0:23:17 | 0:23:20 | |
they look like tiny, little... | 0:23:20 | 0:23:22 | |
-That's not going to work, is it? I'm going to go cross-eyed. -Scary. | 0:23:22 | 0:23:25 | |
So, vintage specs are out too. I'm not sure he needs them though. | 0:23:25 | 0:23:30 | |
-That looks like Arab script on that, doesn't it? -It is. -Is it? -Yes. | 0:23:30 | 0:23:34 | |
How interesting. | 0:23:35 | 0:23:37 | |
Ah, it's a marching compass. | 0:23:37 | 0:23:39 | |
The rose is all described in Islamic characters. | 0:23:39 | 0:23:43 | |
That'll no be dear, surely? 50... | 0:23:43 | 0:23:45 | |
-Do you want me to make you an offer? -You can try. | 0:23:45 | 0:23:48 | |
I'll take a cheeky little punt at 20 quid | 0:23:48 | 0:23:50 | |
to relieve you of an Islamic compass. | 0:23:50 | 0:23:53 | |
Shall we go half, and go 25? | 0:23:53 | 0:23:56 | |
-No... -THEY LAUGH | 0:23:56 | 0:23:59 | |
That compass, I think, was manufactured in Germany. | 0:23:59 | 0:24:04 | |
Because I've seen very close variations on this format | 0:24:04 | 0:24:08 | |
issued to the Wehrmacht, and German military forces. | 0:24:08 | 0:24:12 | |
An ally of the Germans in the Great War | 0:24:12 | 0:24:15 | |
was the Ottomans - modern Turkey. | 0:24:15 | 0:24:18 | |
There's just a possibility that this is Ottoman Turkish army issue. | 0:24:18 | 0:24:24 | |
A fairly big assumption, Paul. | 0:24:24 | 0:24:26 | |
There's a lot of wishful thinking in here. | 0:24:26 | 0:24:28 | |
It is smothered in wishful thinking. | 0:24:28 | 0:24:32 | |
If I'm unlucky, it's just a compass made for sale to North Africa, | 0:24:32 | 0:24:37 | |
or Turkey, or wherever. | 0:24:37 | 0:24:39 | |
And I suspect that's a niche market. | 0:24:39 | 0:24:41 | |
THEY LAUGH | 0:24:41 | 0:24:43 | |
-Can we do a deal? -I can do a deal at 22. | 0:24:43 | 0:24:48 | |
You're quite right, you can. | 0:24:48 | 0:24:50 | |
Loving your work, Vicky, that's grand. | 0:24:50 | 0:24:52 | |
Only you could come into a classy antique shop | 0:24:52 | 0:24:55 | |
and turn up some obscure militaria, Paul. | 0:24:55 | 0:24:58 | |
That's for you. | 0:24:58 | 0:24:59 | |
-Thank you very much. -Vicky, what a pleasure. Lovely to see you. | 0:24:59 | 0:25:02 | |
-Very nice to meet you. -Likewise. Thank you! | 0:25:02 | 0:25:05 | |
But while Paul's been enjoying Oundle... | 0:25:05 | 0:25:07 | |
..Anita's motored on. | 0:25:10 | 0:25:12 | |
Making her way | 0:25:12 | 0:25:13 | |
to Cambridgeshire, | 0:25:13 | 0:25:14 | |
and Helpston. | 0:25:14 | 0:25:16 | |
The birthplace of one of Britain's greatest, | 0:25:16 | 0:25:18 | |
and yet most neglected, poets. | 0:25:18 | 0:25:21 | |
-Hi, I'm Anita. -Hi, I'm David. Welcome to John Clare Cottage. | 0:25:21 | 0:25:26 | |
John Clare was born into a farm-labouring family in 1793. | 0:25:26 | 0:25:31 | |
At that time, this little cottage was shared by five households. | 0:25:31 | 0:25:35 | |
During his schooldays - | 0:25:35 | 0:25:36 | |
often interrupted by the need to help his parents scratch a living - | 0:25:36 | 0:25:39 | |
the young man fell in love with the beautiful countryside | 0:25:39 | 0:25:42 | |
around his village. | 0:25:42 | 0:25:43 | |
A friend of his showed him James Thomson - a Scottish poet - | 0:25:43 | 0:25:46 | |
a book called The Seasons. | 0:25:46 | 0:25:48 | |
And he had to have a copy, so he walks to Stamford, buys a copy... | 0:25:48 | 0:25:51 | |
-How old was he? -He is 13. | 0:25:51 | 0:25:54 | |
The story goes that he's walking back from Stamford, | 0:25:54 | 0:25:57 | |
he jumps over the wall at Burghley, which is just along the road. | 0:25:57 | 0:26:01 | |
Reads it from cover to cover, and here he sees | 0:26:01 | 0:26:04 | |
a vehicle by which he can express the joy that the wildlife gives him. | 0:26:04 | 0:26:07 | |
And he writes his first poem, The Morning Walk. | 0:26:07 | 0:26:11 | |
Clare's understanding of nature extended far beyond | 0:26:11 | 0:26:14 | |
that of other romantic poets, like Wordsworth or Blake. | 0:26:14 | 0:26:18 | |
He writes about the countryside from first-hand knowledge. | 0:26:18 | 0:26:22 | |
If he describes you a bird's nest, it's a specific bird's nest, | 0:26:22 | 0:26:25 | |
a sky lark, a bluetit. | 0:26:25 | 0:26:27 | |
He's writing about the countryside from living on it. | 0:26:27 | 0:26:31 | |
But the landscape was changing fast. | 0:26:31 | 0:26:33 | |
The Inclosure Acts of the early 19th century meant landowners | 0:26:33 | 0:26:37 | |
were able to fence in what had once been common land. | 0:26:37 | 0:26:41 | |
Around Helpston, trees were felled and streams diverted, | 0:26:41 | 0:26:44 | |
as the landscape became commercialised. | 0:26:44 | 0:26:47 | |
-Did that mean he couldn't wander as a free person? -Oh, very much so. | 0:26:48 | 0:26:53 | |
Keep out signs came up, fences came up - and it really hurt him. | 0:26:53 | 0:26:57 | |
And it hurt a lot of people, because all of a sudden they've | 0:26:57 | 0:27:00 | |
no longer got access to common land for fuel, or to graze their cows. | 0:27:00 | 0:27:04 | |
And it gave him a great inspiration for some of the anger in his poems. | 0:27:04 | 0:27:08 | |
Clare's first collection was published in 1820, and with his work | 0:27:08 | 0:27:12 | |
briefly outselling Keats, the poet made a journey to the capital. | 0:27:12 | 0:27:16 | |
So, he was celebrated in London, and accepted by the literary circle? | 0:27:16 | 0:27:23 | |
He met people like Charles Lamb, William Hazlitt - and it's while he | 0:27:23 | 0:27:26 | |
was down there he got the title of the Northamptonshire Peasant Poet. | 0:27:26 | 0:27:29 | |
This is a reprint that we have. | 0:27:29 | 0:27:31 | |
And this is one of the first poems that he wrote? | 0:27:31 | 0:27:33 | |
-This is one of his early poems. -Can I recite? -Yes. | 0:27:33 | 0:27:36 | |
This is called Helpston. | 0:27:36 | 0:27:39 | |
'Hail, humble Helpston | 0:27:39 | 0:27:42 | |
'Where thy valleys spread, and thy mean village lifts its lowly head | 0:27:42 | 0:27:46 | |
'Unknown to grandeur, and unknown to fame... ' | 0:27:46 | 0:27:50 | |
Back at home, Clare, now with a family of his own to support, | 0:27:51 | 0:27:54 | |
was torn between two very different worlds. | 0:27:54 | 0:27:57 | |
A published poet, who still worked the land. | 0:27:57 | 0:28:01 | |
Fame came at a cost | 0:28:01 | 0:28:03 | |
because people didn't believe | 0:28:03 | 0:28:05 | |
that such poems came from such a lowly person. | 0:28:05 | 0:28:09 | |
And they'd come and view him, to see whether it really was the case. | 0:28:09 | 0:28:14 | |
Almost like a freak show. | 0:28:14 | 0:28:16 | |
Soon, his health began to suffer, | 0:28:16 | 0:28:18 | |
and Clare endured long bouts of mental illness. | 0:28:18 | 0:28:22 | |
But he continued to write, | 0:28:22 | 0:28:23 | |
until ending his days, at the age of 70, in an asylum. | 0:28:23 | 0:28:28 | |
John Clare, we don't see his name along with | 0:28:28 | 0:28:31 | |
the other great poets of that time. | 0:28:31 | 0:28:34 | |
Unfortunately, Clare is not part of an education curriculum. | 0:28:34 | 0:28:37 | |
He's still very relevant. A number of years ago, | 0:28:37 | 0:28:40 | |
they were going to start selling off the forests, the woodlands. | 0:28:40 | 0:28:43 | |
And an MP started quoting Clare | 0:28:43 | 0:28:45 | |
when they were debating that in the House of Commons. | 0:28:45 | 0:28:48 | |
So his poetry is still relevant today. | 0:28:48 | 0:28:50 | |
Now, what about that Paul Laidlaw? | 0:28:54 | 0:28:57 | |
Never adverse to an antiques shop, | 0:28:57 | 0:29:00 | |
he's made his way through | 0:29:00 | 0:29:01 | |
the Lincolnshire Fens to Long Sutton, | 0:29:01 | 0:29:04 | |
where, in the 18th century, | 0:29:04 | 0:29:06 | |
highwayman Dick Turpin hid for a short while, | 0:29:06 | 0:29:09 | |
under the alias of Mr John Palmer. | 0:29:09 | 0:29:12 | |
Beats muzak any day. | 0:29:14 | 0:29:17 | |
I'm still hungry to spend money. | 0:29:17 | 0:29:19 | |
Bear with me. | 0:29:21 | 0:29:23 | |
This is a huge establishment, and Paul being Paul, | 0:29:23 | 0:29:26 | |
there's a long and rigorous search taking place. | 0:29:26 | 0:29:29 | |
Firefighting material isn't something I am any authority on. | 0:29:30 | 0:29:34 | |
However, instantaneously recognisable as an early | 0:29:34 | 0:29:38 | |
20th century firefighter's helmet. Continental. | 0:29:38 | 0:29:42 | |
British never wore anything quite like this. | 0:29:42 | 0:29:45 | |
C, Z, H, J... | 0:29:45 | 0:29:47 | |
Sounds Czech, then. | 0:29:47 | 0:29:49 | |
And it's got a label, and it tells us, BRNO. | 0:29:49 | 0:29:51 | |
Now is that pronounced "broon"? That's in Czechoslovakia. | 0:29:51 | 0:29:56 | |
Thought so. | 0:29:56 | 0:29:57 | |
Now in the Czech Republic. South of Prague, don't you know? | 0:29:57 | 0:30:00 | |
An inter-war Czech firefighter's helmet. | 0:30:00 | 0:30:03 | |
Find me another one of those, I dare you. | 0:30:05 | 0:30:07 | |
The ticket price is £75. | 0:30:07 | 0:30:10 | |
Do I love it? Does it set my passions alight? | 0:30:10 | 0:30:13 | |
No, it does not. | 0:30:13 | 0:30:15 | |
But it shows you what you can find, | 0:30:15 | 0:30:17 | |
perched atop a standard lamp, in a place like this. | 0:30:17 | 0:30:20 | |
The search goes on. | 0:30:20 | 0:30:21 | |
As Anita manoeuvres the Morris | 0:30:23 | 0:30:25 | |
towards the Cambridgeshire Fens, and Wisbech. | 0:30:25 | 0:30:29 | |
The town is on the river Nene, | 0:30:29 | 0:30:31 | |
with some very nice Georgian architecture. | 0:30:31 | 0:30:34 | |
And some winding staircases. | 0:30:36 | 0:30:38 | |
I think that this is a primitive washing machine. | 0:30:38 | 0:30:41 | |
And you stick this in your tub, and you rotate it like that. | 0:30:41 | 0:30:47 | |
And I think you'd have to rotate it | 0:30:47 | 0:30:49 | |
for a long, long time to get your clothes clean. | 0:30:49 | 0:30:52 | |
Yes, it's called a washing dolly. | 0:30:52 | 0:30:54 | |
Oh, we've seen some mysteries today. | 0:30:54 | 0:30:55 | |
And that's one of the joys of our industry - | 0:30:55 | 0:30:58 | |
you're continually thinking, "What's that for?" | 0:30:58 | 0:31:02 | |
Meanwhile, in Long Sutton, | 0:31:02 | 0:31:04 | |
Paul's found something we could all do with. | 0:31:04 | 0:31:07 | |
Rather stylish tea for one. | 0:31:07 | 0:31:09 | |
You're getting - teapot, cream, sugar pot, teacup, saucer. | 0:31:09 | 0:31:16 | |
And what does that cry out? Yeah, that's Art Deco. | 0:31:16 | 0:31:20 | |
The geometry is what it's all about. | 0:31:20 | 0:31:22 | |
The reason I really like it is a £10 price tag. Can you believe that? | 0:31:22 | 0:31:27 | |
No. What's the catch? | 0:31:27 | 0:31:29 | |
This is very well modelled. | 0:31:29 | 0:31:32 | |
The gilding, on the other hand, is awful. | 0:31:32 | 0:31:35 | |
You can see the brushstrokes, it's clumsy, it does not follow the lines | 0:31:35 | 0:31:40 | |
of the modelling - I don't think that's how it left the factory. | 0:31:40 | 0:31:44 | |
Someone went at that with gold paint. | 0:31:44 | 0:31:46 | |
Now we ask ourselves, "Why would you do that?" | 0:31:46 | 0:31:48 | |
Well, you would do it to cover up a crack, would you not? | 0:31:48 | 0:31:51 | |
And there we have it - cream jug cracked. | 0:31:51 | 0:31:54 | |
What a crying shame. | 0:31:54 | 0:31:57 | |
Ugh! Foiled again. | 0:31:57 | 0:31:59 | |
Back in Wisbech, Anita's on the scent. | 0:31:59 | 0:32:01 | |
This is a rather sweet thing. | 0:32:01 | 0:32:03 | |
It's a bit of a girlie thing, but, well, what's wrong with that? | 0:32:03 | 0:32:08 | |
It's a little green glass perfume bottle. | 0:32:08 | 0:32:12 | |
And the perfume is lavender, | 0:32:12 | 0:32:15 | |
and it's made by the Crown Perfumery Company in London. | 0:32:15 | 0:32:21 | |
Oft! | 0:32:24 | 0:32:25 | |
Oh, dear. Wrong pong? | 0:32:25 | 0:32:28 | |
That is definitely not lavender. | 0:32:28 | 0:32:30 | |
So this is quite a nice wee thing. | 0:32:30 | 0:32:32 | |
We have the bottle, I like the green glass. | 0:32:32 | 0:32:34 | |
I like the fact that we have the original label intact, | 0:32:34 | 0:32:40 | |
and it has a lot of charm. | 0:32:40 | 0:32:43 | |
Ticket price £22. And what's that beside it? | 0:32:43 | 0:32:47 | |
There's another little piece of silver here, | 0:32:47 | 0:32:49 | |
it's sterling silver, and if we look at the base, | 0:32:49 | 0:32:53 | |
we can see it has a title. | 0:32:53 | 0:32:56 | |
La Pierre. | 0:32:56 | 0:32:58 | |
It has a bit of charm. I think it's too big to be an eggcup, | 0:32:58 | 0:33:02 | |
unless it's an extra-large eggcup. | 0:33:02 | 0:33:04 | |
Duck egg, eh? That's marked up at £20. Time for a word with Richard. | 0:33:06 | 0:33:10 | |
I picked up these two little things, and I thought that they were quite | 0:33:10 | 0:33:15 | |
a feminine thing, but I was wondering if you could give me | 0:33:15 | 0:33:19 | |
a drop-dead deal on both of them? | 0:33:19 | 0:33:23 | |
Well, as you probably already know, | 0:33:27 | 0:33:28 | |
the price reflects they're not in perfect condition. | 0:33:28 | 0:33:31 | |
They're not dear. | 0:33:31 | 0:33:32 | |
To you, a special deal - £15 the two. | 0:33:32 | 0:33:36 | |
Richard, put it there. | 0:33:36 | 0:33:38 | |
Thank you very much. | 0:33:38 | 0:33:40 | |
From £42 down to £15. Yes, that's definitely what she was after. | 0:33:40 | 0:33:44 | |
Thank you very much, Richard. | 0:33:44 | 0:33:46 | |
I'll take my treasures and depart. | 0:33:46 | 0:33:48 | |
So, with our shopping complete, let's have a look at their buys. | 0:33:52 | 0:33:56 | |
Paul, having spent a canny £127 on a perpetual desk calendar, | 0:33:56 | 0:34:01 | |
a dish, | 0:34:01 | 0:34:03 | |
a photo frame, | 0:34:03 | 0:34:04 | |
a compass, | 0:34:04 | 0:34:05 | |
and a pillbox. | 0:34:05 | 0:34:07 | |
While Anita parted with an even cannier £115 for | 0:34:07 | 0:34:10 | |
a perfume bottle | 0:34:10 | 0:34:12 | |
and a silver cup, | 0:34:12 | 0:34:14 | |
plus some bookends, | 0:34:14 | 0:34:15 | |
a wooden frame, | 0:34:15 | 0:34:17 | |
a pendant, | 0:34:17 | 0:34:18 | |
and two Scottish brooches. | 0:34:18 | 0:34:20 | |
So, what did they make of all that? | 0:34:20 | 0:34:22 | |
Glass toiletry jar with the silver top, and the little silver cup. | 0:34:22 | 0:34:26 | |
Well, I don't know how she did it. That's just genius. | 0:34:26 | 0:34:29 | |
Those three little silver pieces are just divine. | 0:34:29 | 0:34:33 | |
And I can see them in a lovely little silver collector's bijouterie cabinet. | 0:34:33 | 0:34:38 | |
I not only need to win the auction, I need to win it well, | 0:34:38 | 0:34:41 | |
because I've got to overtake her. | 0:34:41 | 0:34:43 | |
Well, I don't HAVE to. | 0:34:43 | 0:34:45 | |
But I'd really like to. | 0:34:45 | 0:34:47 | |
After setting off from Navenby, | 0:34:47 | 0:34:48 | |
in Lincolnshire, our experts are now | 0:34:48 | 0:34:51 | |
heading for a Norfolk auction at Diss. | 0:34:51 | 0:34:53 | |
It's lovely being in East Anglia. | 0:34:53 | 0:34:56 | |
I love the flatness of it. | 0:34:56 | 0:34:57 | |
-I love the big, big, big skies. -Yeah. | 0:34:57 | 0:35:01 | |
-Well, we're not used to that, being northerners. -No. | 0:35:01 | 0:35:05 | |
We're not used to this weather either, to be honest with you. | 0:35:05 | 0:35:08 | |
It's market day in Diss too. Busy, busy! | 0:35:08 | 0:35:12 | |
Ah, this is so exciting! | 0:35:12 | 0:35:14 | |
Oh, lovely, isn't it? | 0:35:14 | 0:35:15 | |
Are you going to make up that 20 quid? | 0:35:15 | 0:35:17 | |
-If there's a god in heaven. -Let's go! | 0:35:17 | 0:35:20 | |
Our auction director, Elizabeth Talbot, | 0:35:20 | 0:35:22 | |
thinks Anita's Chicago hotel souvenirs might do very well. | 0:35:22 | 0:35:26 | |
The Stevens bookends, I like these very much. | 0:35:26 | 0:35:28 | |
It's a very posh place to stay. | 0:35:28 | 0:35:30 | |
But it also has a lot of scandal in its history - | 0:35:30 | 0:35:32 | |
there were some murders, there was some suicides and a robbery. | 0:35:32 | 0:35:36 | |
I have high hopes for these. | 0:35:36 | 0:35:37 | |
The Darwinian dish - it's a simple little piece which is quirky and fun, | 0:35:37 | 0:35:40 | |
but I don't think this is going to make a lot of money. | 0:35:40 | 0:35:43 | |
Mixed reviews then, with the scandalous bookends to start us off. | 0:35:44 | 0:35:48 | |
I heard a couple of American accents outside. | 0:35:48 | 0:35:51 | |
So maybe there's a couple that have | 0:35:51 | 0:35:53 | |
-flown over from Chicago to buy these. -That's what it'll be. | 0:35:53 | 0:35:56 | |
Yeah, that's what it'll be(!) | 0:35:56 | 0:35:58 | |
I start here at £22. | 0:35:58 | 0:35:59 | |
-Yes! -Tenner already. -£22, I have. | 0:35:59 | 0:36:02 | |
Where's 25? 28. | 0:36:02 | 0:36:04 | |
30, 2. | 0:36:04 | 0:36:06 | |
35, 38. | 0:36:06 | 0:36:08 | |
Oh, go on. | 0:36:08 | 0:36:09 | |
Ha-ha, yeah, go on! | 0:36:09 | 0:36:11 | |
I think they've made enough profit. | 0:36:11 | 0:36:13 | |
Ah, don't give me that. 38, I have. | 0:36:13 | 0:36:15 | |
40, new bidder. 42. | 0:36:15 | 0:36:17 | |
45, 48. | 0:36:17 | 0:36:19 | |
Where's 50? | 0:36:19 | 0:36:21 | |
50, new bidder. 55, I have. | 0:36:21 | 0:36:22 | |
Oh, there's a lot of competition. | 0:36:22 | 0:36:24 | |
Right, at 60, I'm out. | 0:36:24 | 0:36:25 | |
At £60 bid, surely worth more? | 0:36:25 | 0:36:28 | |
65. | 0:36:28 | 0:36:29 | |
70. At £70, all done? | 0:36:29 | 0:36:32 | |
Yes. | 0:36:33 | 0:36:34 | |
Well, those attracted appropriately high-rise profits. | 0:36:34 | 0:36:38 | |
-I'm happy with that. -Och, do you reckon? | 0:36:38 | 0:36:40 | |
Now for Paul's monkey business. Will they buy into his theory though? | 0:36:40 | 0:36:44 | |
I start here at £10. | 0:36:44 | 0:36:47 | |
At £10 bid, where's 12? | 0:36:47 | 0:36:48 | |
12, the lady, 15, I have. | 0:36:48 | 0:36:51 | |
18 bid, 20 got. | 0:36:51 | 0:36:53 | |
22 now, the lady standing at 22. | 0:36:53 | 0:36:55 | |
25, the gentleman. | 0:36:55 | 0:36:56 | |
28. 30. 2. | 0:36:56 | 0:36:59 | |
35. Are you sure? | 0:36:59 | 0:37:01 | |
At 35 now, looking for 8. | 0:37:01 | 0:37:04 | |
38, the lady. 40, the gentleman. | 0:37:04 | 0:37:07 | |
Are you sure? | 0:37:07 | 0:37:08 | |
Are you sure you're sure? 40's the gentleman. | 0:37:08 | 0:37:11 | |
Any advance on 40? | 0:37:11 | 0:37:14 | |
-Well, that's all right. A wee bit. -Not bad, not bad at all. | 0:37:14 | 0:37:17 | |
Pretty good, really. | 0:37:17 | 0:37:18 | |
Next, it's Anita's mahogany frame. | 0:37:19 | 0:37:22 | |
£20. Little frame there at £20, surely? | 0:37:22 | 0:37:25 | |
Ah, come on. | 0:37:25 | 0:37:26 | |
10, I'll take. | 0:37:26 | 0:37:28 | |
10, the lady bid, thank you. 10, I have. | 0:37:28 | 0:37:30 | |
12, is gallery. 15. | 0:37:30 | 0:37:32 | |
18. What a pretty little frame for £18. Where's 20? | 0:37:32 | 0:37:36 | |
Bid, new bidder. 22. | 0:37:36 | 0:37:38 | |
25. | 0:37:38 | 0:37:39 | |
28. | 0:37:39 | 0:37:41 | |
28, looking for 30. | 0:37:41 | 0:37:43 | |
A frame there for 28. All done? | 0:37:43 | 0:37:46 | |
Oh, well. | 0:37:46 | 0:37:47 | |
More profits, Anita. | 0:37:47 | 0:37:49 | |
Closely followed by the first of Paul's little silver collection. | 0:37:49 | 0:37:52 | |
It shows us the soft side of Paul Laidlaw. I've got you blushing again. | 0:37:52 | 0:37:57 | |
It's marshmallow in here. | 0:37:57 | 0:37:58 | |
And I start at £28. | 0:37:58 | 0:38:01 | |
That's a charming piece at 28, don't sit on your hands at 28. | 0:38:01 | 0:38:04 | |
If we stop at 28, you'll let me know... | 0:38:04 | 0:38:06 | |
Yeah, we're away. | 0:38:06 | 0:38:07 | |
32 here. 35, 38. | 0:38:07 | 0:38:10 | |
Commission bids are in at 38, where's 40? | 0:38:10 | 0:38:12 | |
Are you all done? A last chance at £38. | 0:38:12 | 0:38:16 | |
-40, new bidder in the gallery. -Yes, yes, yes. | 0:38:16 | 0:38:18 | |
40 in the gallery. | 0:38:18 | 0:38:19 | |
God bless the gallery. | 0:38:19 | 0:38:21 | |
Anyone else can join in. At £40, all done? | 0:38:21 | 0:38:24 | |
-£40? -You've doubled your money. -Doubled my money. | 0:38:26 | 0:38:29 | |
Yes, much more of that and he'll be at your heels. | 0:38:29 | 0:38:32 | |
What can your perfume bottle and cup lot do? | 0:38:32 | 0:38:35 | |
If I get my money back, I'll be happy, I suppose. | 0:38:35 | 0:38:37 | |
I'll be happy, if you just get your money back. I'll be happy. | 0:38:37 | 0:38:40 | |
Now, now. | 0:38:40 | 0:38:41 | |
And I start here at just £18. £18? | 0:38:41 | 0:38:44 | |
-Did she say 80? -18. | 0:38:44 | 0:38:46 | |
Don't say that, I could faint. | 0:38:46 | 0:38:48 | |
I have 18, and 20. 22. | 0:38:48 | 0:38:51 | |
25, 28. | 0:38:51 | 0:38:53 | |
Where's 30? 30 bid, 32. | 0:38:53 | 0:38:55 | |
Oh, yes! Lovely! | 0:38:55 | 0:38:56 | |
-35, 38. -Yes! | 0:38:56 | 0:38:58 | |
Still with me at 38, commission interest shown at 38, where's 40? | 0:38:58 | 0:39:02 | |
40, the hand. 42. | 0:39:02 | 0:39:03 | |
Is there any advance on 42? | 0:39:03 | 0:39:05 | |
Just about tripled your money with that. | 0:39:07 | 0:39:09 | |
He said through gritted teeth. | 0:39:09 | 0:39:11 | |
Time for Paul's silver calendar. | 0:39:11 | 0:39:14 | |
And I start at £18. Very low start for 18, now where's 20? | 0:39:14 | 0:39:17 | |
-Beautiful little start. -Come on, come on, come on! | 0:39:17 | 0:39:19 | |
22. 25, 28. | 0:39:19 | 0:39:21 | |
30, by the fire. I'm out. | 0:39:21 | 0:39:22 | |
-32, new bidder. -Ah, we're away again. | 0:39:22 | 0:39:24 | |
35. 38. | 0:39:24 | 0:39:26 | |
40...2. | 0:39:26 | 0:39:28 | |
Where's the 5? | 0:39:28 | 0:39:29 | |
Any advance on £42? | 0:39:29 | 0:39:32 | |
-45, just in time. -45! -Oh, stunner. | 0:39:32 | 0:39:34 | |
48, well done. | 0:39:34 | 0:39:35 | |
50? 50 bid. | 0:39:35 | 0:39:37 | |
Are you sure, sir? | 0:39:37 | 0:39:38 | |
50's the nearer bid, at me at 50. Where's 5? | 0:39:38 | 0:39:41 | |
-55, well done. -Yes, yes! | 0:39:41 | 0:39:42 | |
You might say 60? | 0:39:42 | 0:39:44 | |
At 55, all done? | 0:39:44 | 0:39:46 | |
That's good. | 0:39:47 | 0:39:48 | |
That hot competition's really boosted Paul's profits. | 0:39:48 | 0:39:52 | |
Any Scottish brooch fans out there, I wonder? | 0:39:52 | 0:39:55 | |
I'm selling two Scottish brooches in Norfolk. | 0:39:55 | 0:39:58 | |
There'll be Scots here. There are Scots everywhere. | 0:39:58 | 0:40:01 | |
-Are there? -Everywhere. | 0:40:01 | 0:40:03 | |
And I start at £12. £12 bid, where's 15? | 0:40:03 | 0:40:07 | |
15, 18. 22. | 0:40:07 | 0:40:09 | |
25, 28, 32. | 0:40:09 | 0:40:11 | |
35, 38, 42. | 0:40:11 | 0:40:14 | |
With me at 42 now, looking for 5. | 0:40:14 | 0:40:16 | |
At the 42, that's two brooches, 45 is bid, I'm out. | 0:40:16 | 0:40:20 | |
45 is now the lady standing ahead of me, at 45. | 0:40:20 | 0:40:22 | |
All done at £45? | 0:40:22 | 0:40:25 | |
-Yes! -For my mother. | 0:40:26 | 0:40:27 | |
For your mum? Aw, that's lovely. | 0:40:27 | 0:40:30 | |
Everyone likes Scottish brooches, it seems. Profits, too. | 0:40:30 | 0:40:34 | |
Good saleroom. Good auctioneer. Lovely things. | 0:40:34 | 0:40:39 | |
Pair of chancers. | 0:40:39 | 0:40:41 | |
Now for Paul's silver pillbox. | 0:40:41 | 0:40:44 | |
Well, I have 40 on my sheet. | 0:40:44 | 0:40:45 | |
She's got 40 and she's going for it. | 0:40:45 | 0:40:47 | |
42, and now I'm out. | 0:40:47 | 0:40:48 | |
Surely worth more. | 0:40:48 | 0:40:49 | |
45 is in front. 48. | 0:40:49 | 0:40:51 | |
50. 5. 60. | 0:40:51 | 0:40:54 | |
Yes, yes. | 0:40:54 | 0:40:55 | |
70. Yes, 75 is now gallery. | 0:40:55 | 0:40:58 | |
Good, good, good. | 0:40:58 | 0:40:59 | |
80 bid. | 0:40:59 | 0:41:01 | |
Any advance? We'll sell... | 0:41:01 | 0:41:04 | |
-Yep. -Happy days! -That's what we wanted. -Bang on. | 0:41:04 | 0:41:06 | |
Great result, he's catching up again. | 0:41:06 | 0:41:10 | |
Can Anita's pendant get her out in front? | 0:41:10 | 0:41:12 | |
50 to start. | 0:41:12 | 0:41:14 | |
-Lovely. -Come on 50. | 0:41:14 | 0:41:15 | |
Come on, don't be shy. 50, thank you, sir. | 0:41:15 | 0:41:17 | |
50, I have, where's five? | 0:41:17 | 0:41:18 | |
55, gallery. | 0:41:18 | 0:41:19 | |
60, 5, 70, 5. | 0:41:19 | 0:41:21 | |
-Yes. -Oh, it's flying. | 0:41:21 | 0:41:23 | |
This is more like it, 80 downstairs, surely worth more. | 0:41:23 | 0:41:26 | |
-The lady's out. It's 80 to my right. It will sell. -Fantastic. | 0:41:26 | 0:41:30 | |
80 has that one, thank you. | 0:41:30 | 0:41:32 | |
The fight goes on. Anita's back on top. | 0:41:32 | 0:41:34 | |
It's all down to Paul's unusual bit of militaria. | 0:41:34 | 0:41:38 | |
-You need two mad collectors. -I always need two mad... | 0:41:38 | 0:41:41 | |
I live for mad collectors. | 0:41:41 | 0:41:43 | |
And I start at 25. | 0:41:43 | 0:41:45 | |
-Right, OK, good start. -I'm winning. | 0:41:45 | 0:41:47 | |
Surely worth more. 28, gallery. 30 bid. | 0:41:47 | 0:41:49 | |
32, 35. | 0:41:49 | 0:41:52 | |
-Yep. -You're away, darling. | 0:41:52 | 0:41:53 | |
Are you sure, sir? | 0:41:53 | 0:41:55 | |
40, I have. I'm now looking for 2. | 0:41:55 | 0:41:57 | |
On the compass at £40, I have 42 by the door, and I'm out. | 0:41:57 | 0:42:01 | |
42 is now in blue, where's 5? | 0:42:01 | 0:42:03 | |
-Oh, is there any competition? -On the floor, on the floor. | 0:42:03 | 0:42:06 | |
At 42? | 0:42:06 | 0:42:07 | |
-That's all right. -Doubled your money. | 0:42:08 | 0:42:10 | |
Yes, it's been a very good day, with profits on everything. | 0:42:10 | 0:42:13 | |
Because of our success, we deserve a nice, wee cup of tea. | 0:42:13 | 0:42:19 | |
A nice, wee cup of tea it is. | 0:42:19 | 0:42:21 | |
Quite right. And a garibaldi, eh? | 0:42:21 | 0:42:24 | |
Paul, who started out with... | 0:42:25 | 0:42:29 | |
made - after paying auction costs - a profit of £83.74. | 0:42:29 | 0:42:33 | |
Leaving him with... | 0:42:33 | 0:42:36 | |
to spend tomorrow. | 0:42:36 | 0:42:38 | |
While Anita began with... | 0:42:40 | 0:42:43 | |
And, after paying auction costs, made a profit of £102.30. | 0:42:43 | 0:42:50 | |
So, she's today's winner, with... | 0:42:50 | 0:42:55 | |
That's two auctions apiece, by the way. But you're still ahead of me! | 0:42:55 | 0:42:59 | |
Aye, but only a wee bit! And it's still all to play for! | 0:42:59 | 0:43:03 | |
It's going to be a bumpy ride! | 0:43:04 | 0:43:06 | |
On the next Antiques Road Trip... | 0:43:06 | 0:43:08 | |
It's their final leg, so Anita's getting scary. | 0:43:08 | 0:43:11 | |
Boo! | 0:43:11 | 0:43:13 | |
And Paul's on the offensive as well. | 0:43:13 | 0:43:15 | |
How big a telescope have you got? | 0:43:15 | 0:43:17 | |
It's Manning I'm looking for! | 0:43:17 | 0:43:19 |