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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
What about that? | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction but it's no mean feat. | 0:00:13 | 0:00:17 | |
Feeling a little SAW. | 0:00:17 | 0:00:18 | |
This is going to be an epic battle. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:22 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-The honeymoon is over. -I'm sorry. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:31 | |
Yeah. | 0:00:34 | 0:00:35 | |
On this road trip, we're on the very last leg of our journey | 0:00:37 | 0:00:40 | |
with auctioneers and awfully good pals Paul Laidlaw and Anita Manning. | 0:00:40 | 0:00:44 | |
-Oh, Paul, it's been such a great time with you. -It's been a giggle. | 0:00:44 | 0:00:48 | |
Anita's a glorious Glasgow girl with an eye for finery | 0:00:48 | 0:00:51 | |
and a talent for turning a profit. | 0:00:51 | 0:00:54 | |
I've just laughed all the way to the bank. | 0:00:54 | 0:00:57 | |
Ever the professionals, you and I. | 0:00:57 | 0:00:59 | |
While Paul's a gimlet-eyed Carlisle chappy, | 0:00:59 | 0:01:03 | |
whose vast knowledge and passion for militaria marks him as one of the trip's toughest contenders. | 0:01:03 | 0:01:09 | |
We can't be too unhappy with the items that we bought, | 0:01:09 | 0:01:12 | |
-we fell in love with all these things. -Yeah. | 0:01:12 | 0:01:15 | |
We made a couple of bob on them. | 0:01:15 | 0:01:17 | |
So far in this trip, they've each won two legs... | 0:01:17 | 0:01:21 | |
-Are you happy? -I am happy. | 0:01:21 | 0:01:24 | |
..meaning that this final auction could be anyone's. | 0:01:26 | 0:01:29 | |
They both started with £200. | 0:01:29 | 0:01:31 | |
Paul's now traded up to a healthy budget of £344.99 | 0:01:31 | 0:01:36 | |
while Anita's still a hair ahead of him holding £389.20 cash - | 0:01:36 | 0:01:42 | |
that's less than £50 in it and everything to play for. | 0:01:42 | 0:01:47 | |
I think we've acquitted ourselves well enough, have we not? | 0:01:47 | 0:01:51 | |
Today, they're driving a delightful little | 0:01:51 | 0:01:53 | |
1957 Morris Minor 1000 Traveller. | 0:01:53 | 0:01:55 | |
The car was manufactured before seat belts were mandatory | 0:01:55 | 0:01:58 | |
so it's legal to drive without. | 0:01:58 | 0:01:59 | |
We've got one more batch of shops to do. | 0:02:02 | 0:02:05 | |
Indeed you have. On this grand road trip, they've clocked up | 0:02:06 | 0:02:10 | |
more than 1,000 miles from Ford in Northumberland | 0:02:10 | 0:02:13 | |
criss-crossing England's ancient shires | 0:02:13 | 0:02:15 | |
to end in Stamford in Lincolnshire. | 0:02:15 | 0:02:18 | |
On this final leg, they'll begin in Norwich - | 0:02:18 | 0:02:21 | |
indeed, aiming for auction at Stamford. | 0:02:21 | 0:02:24 | |
And look, the sun's coming out, Paul. | 0:02:24 | 0:02:27 | |
How lovely. | 0:02:27 | 0:02:28 | |
They're just arriving in Norwich, a city with a proud | 0:02:28 | 0:02:31 | |
and ancient history - as their first stop of the morning attests. | 0:02:31 | 0:02:36 | |
St Andrew's and Blackfriar's Hall is thought to be | 0:02:36 | 0:02:39 | |
the most complete surviving medieval friary complex in England. | 0:02:39 | 0:02:42 | |
Nowadays, it's an event venue | 0:02:42 | 0:02:44 | |
and today host to Norwich Antiques Market. | 0:02:44 | 0:02:48 | |
-Paul, this looks fabulous. -What a venue, eh? | 0:02:48 | 0:02:51 | |
-We're going to have fun. -You reckon? | 0:02:51 | 0:02:53 | |
-But who's going to have the most fun? -I'll race you. | 0:02:53 | 0:02:56 | |
I can't wait to find out. | 0:02:56 | 0:02:58 | |
This is a busy, regular antiques fair | 0:02:58 | 0:03:00 | |
which attracts more than 100 dealers. | 0:03:00 | 0:03:03 | |
-Paul, this is a busy old place. -It's mobbed. | 0:03:03 | 0:03:06 | |
Yeah, we're going to have to fight for bargains. | 0:03:06 | 0:03:09 | |
-You go that way, I'll go this way. -Good luck! | 0:03:09 | 0:03:11 | |
And they're off. | 0:03:11 | 0:03:12 | |
Paul is really in his element this morning. | 0:03:21 | 0:03:23 | |
Welcome to my geek world. | 0:03:23 | 0:03:25 | |
I'm glad you're enjoying yourself. | 0:03:27 | 0:03:29 | |
Looks like he's found something. | 0:03:34 | 0:03:35 | |
May I see the watch chain, please? | 0:03:35 | 0:03:38 | |
Ah, look at that. That is massive and it looks really substantial. | 0:03:38 | 0:03:43 | |
It looks like you could kill somebody with it in all honesty. | 0:03:43 | 0:03:46 | |
But you won't, will you? | 0:03:46 | 0:03:49 | |
It's a Victorian silver chain for a fob watch. | 0:03:49 | 0:03:53 | |
He's also found another Victorian gentleman's item - | 0:03:53 | 0:03:55 | |
an ornate, white metal buckle for a shoe or belt. | 0:03:55 | 0:03:59 | |
So, watch chain and buckle - can I squeeze you any more? | 0:04:03 | 0:04:08 | |
It's more than I want to pay. | 0:04:08 | 0:04:09 | |
You're going to try and squeeze a bit, Paul. | 0:04:09 | 0:04:12 | |
-£48, how's that? -Oh, small steps, small steps. | 0:04:12 | 0:04:15 | |
-I want to shake your hand... -Yeah? | 0:04:15 | 0:04:17 | |
..but it wants to be 40 quid, I'm afraid. | 0:04:17 | 0:04:20 | |
Make it 45 and that's it. | 0:04:20 | 0:04:25 | |
-You're a good man. -Cheers. -Deal's done, thank you. -Bye-bye. | 0:04:25 | 0:04:27 | |
I'll give you some money. | 0:04:27 | 0:04:29 | |
Have we got money? | 0:04:29 | 0:04:31 | |
Yes, you have. There it is. | 0:04:31 | 0:04:34 | |
Meanwhile, true to form, | 0:04:34 | 0:04:35 | |
Anita's glad-handing her way through the crowds. | 0:04:35 | 0:04:39 | |
-Nice to see you. -How lovely to meet you. -Everything looks so lovely. | 0:04:39 | 0:04:44 | |
Ah, thank you very much, thank you. | 0:04:44 | 0:04:46 | |
If you've quite finished greeting your public, Anita. | 0:04:46 | 0:04:50 | |
Oh, what's she spotted? | 0:04:50 | 0:04:51 | |
This is a lovely thing, is this silver? | 0:04:51 | 0:04:53 | |
I think it's Italian, continental. | 0:04:53 | 0:04:55 | |
-Is that expensive? -It's 120. | 0:04:59 | 0:05:01 | |
-Uh-huh. Not dear, is it? -Not really, it's not, no. | 0:05:01 | 0:05:05 | |
What's the very best that dealer John could do? | 0:05:05 | 0:05:07 | |
-It's not 95... -105. -105. | 0:05:07 | 0:05:11 | |
-Could you do 100 on it? For an immediate sale. -Yes. | 0:05:14 | 0:05:18 | |
-Right, OK, that's lovely. Thank you very much. -OK, that's great. | 0:05:18 | 0:05:21 | |
Well, she's spent big on her first lot - | 0:05:21 | 0:05:24 | |
bravely done when one buy can make or break this game - | 0:05:24 | 0:05:27 | |
and she's rummaging on through this fair's many stalls. | 0:05:27 | 0:05:30 | |
Meanwhile, Paul's like a proverbial child in the sweetshop in here | 0:05:30 | 0:05:34 | |
and he's soon spied something else he likes. | 0:05:34 | 0:05:37 | |
In this tiny little strip-sealed bag is a compass. | 0:05:37 | 0:05:42 | |
-You see that? -Only just. | 0:05:42 | 0:05:44 | |
North, clearly - that-a-way. | 0:05:44 | 0:05:48 | |
Home. | 0:05:48 | 0:05:49 | |
The tiny compass is a World War II item, probably issued to RAF airmen. | 0:05:49 | 0:05:55 | |
This is escape and evasion equipment. | 0:05:55 | 0:05:59 | |
If we end up bailing out, shot down over enemy territory, captured - | 0:05:59 | 0:06:04 | |
we've got something that we could maybe conceal, | 0:06:04 | 0:06:07 | |
we've got a little tool that might just get us back to Blighty safely. | 0:06:07 | 0:06:13 | |
Good story, yeah? I love this stuff. | 0:06:13 | 0:06:15 | |
It really taps into Paul's love of militaria. | 0:06:15 | 0:06:18 | |
Ticket price is £20 - | 0:06:18 | 0:06:20 | |
best have a word with the friendly dealer, I reckon. | 0:06:20 | 0:06:23 | |
-How are you doing? -Very well, thank you, sir. | 0:06:23 | 0:06:25 | |
Can you work wonders on that or not? | 0:06:25 | 0:06:28 | |
16? | 0:06:28 | 0:06:30 | |
I'm going to offer you a tenner expecting you not to take it | 0:06:30 | 0:06:33 | |
but hoping that 16 is not going to be where we end up. | 0:06:33 | 0:06:35 | |
Give me 12 quid, real 12 quid. | 0:06:35 | 0:06:38 | |
-14 and we've got a deal. -OK, good man. | 0:06:38 | 0:06:40 | |
Another deal struck at £14. | 0:06:40 | 0:06:43 | |
Now he's got the scent of wartime items in his nostrils. | 0:06:43 | 0:06:47 | |
Here we have an ashtray. Now, I'm not generally drawn to ashtrays. | 0:06:47 | 0:06:51 | |
However, very - I'm familiar with this piece - | 0:06:51 | 0:06:54 | |
very nicely decorated here. | 0:06:54 | 0:06:56 | |
It's another Second World War piece, | 0:06:56 | 0:06:59 | |
commemorating the units of the Allied Tactical Air Force. | 0:06:59 | 0:07:02 | |
And it's a commemorative piece, | 0:07:02 | 0:07:05 | |
bearing the insignia of the various units. | 0:07:05 | 0:07:08 | |
There's an RAF roundel in there, for example, American Air Force | 0:07:08 | 0:07:11 | |
insignia - the units that made up the Tactical Air Force. | 0:07:11 | 0:07:14 | |
If you own an RAF escape compass | 0:07:14 | 0:07:18 | |
and you're trying to sex it up with something else | 0:07:18 | 0:07:20 | |
to stick into auction, then it might be of interest to you as well. | 0:07:20 | 0:07:22 | |
Indeed it might. | 0:07:22 | 0:07:24 | |
Paul's keen to add it to his compass to build a job lot, | 0:07:24 | 0:07:27 | |
so dealer Owen can expect a visit. | 0:07:27 | 0:07:30 | |
-Hello there, how're you doing? This is yours, is it? -It is. | 0:07:30 | 0:07:32 | |
-Yeah. -All right. -But I'm hoping to God | 0:07:32 | 0:07:35 | |
you can do something on that price. | 0:07:35 | 0:07:37 | |
I'll do a very special price of a tenner. | 0:07:37 | 0:07:39 | |
Oh, good, you're a good man. And at a tenner, you've got a deal. | 0:07:39 | 0:07:45 | |
-Thank you very much. -Easy-peasy. | 0:07:45 | 0:07:47 | |
Another item bagged and he's also remembered another aviation-related | 0:07:47 | 0:07:51 | |
trinket he saw earlier that he might add to the lot. Back to the | 0:07:51 | 0:07:55 | |
same dealer from which he bought the chain and buckle he goes. | 0:07:55 | 0:07:59 | |
-I'm back. -Back again. -You're an antiques magnet for me. | 0:07:59 | 0:08:04 | |
-You had sweetheart brooches, an RAF one. -Yep. | 0:08:04 | 0:08:08 | |
-There you go. -There we go. | 0:08:08 | 0:08:09 | |
It's a little sweetheart brooch that would have been worn for luck | 0:08:09 | 0:08:12 | |
by the lady friend of an RAF pilot during the Second World War. | 0:08:12 | 0:08:17 | |
-Not expensive, I would hope? -Nope, five pound. | 0:08:17 | 0:08:20 | |
I'll take it, good man. | 0:08:20 | 0:08:22 | |
He takes the sweetheart brooch for £5, giving him three items | 0:08:22 | 0:08:25 | |
in a job lot of World War II-related Air Force objects - | 0:08:25 | 0:08:29 | |
as well as his watch chain and buckle in a separate lot. | 0:08:29 | 0:08:33 | |
He's spent £74 so far - wow. | 0:08:33 | 0:08:39 | |
Now, what's Anita been up to? | 0:08:40 | 0:08:42 | |
Hello, tell me a bit about these, these are fabulous. | 0:08:42 | 0:08:46 | |
She's happened upon some necklaces dating from the 1920s. | 0:08:46 | 0:08:50 | |
But what I like about it is the age and the style. | 0:08:50 | 0:08:55 | |
We don't have precious jewels but what we have is a bit of style | 0:08:55 | 0:08:58 | |
and I was wondering if I maybe got a wee group together... | 0:08:58 | 0:09:01 | |
-Yeah, no worries. -..you could give me a deal on that? | 0:09:01 | 0:09:03 | |
Yeah, yeah, no worries. | 0:09:03 | 0:09:05 | |
She's assembled a group of three of the costume jewellery necklaces | 0:09:05 | 0:09:09 | |
but what will she offer dealer Mark? | 0:09:09 | 0:09:11 | |
In auction I'd be putting them in at... | 0:09:11 | 0:09:14 | |
that group at 15-20, 15-25. | 0:09:14 | 0:09:19 | |
-Yeah. -That's what I would be putting them in at. | 0:09:19 | 0:09:22 | |
Could I be buying these in that region? | 0:09:22 | 0:09:25 | |
-16 the lot. -16 the lot? | 0:09:25 | 0:09:28 | |
-That's good, thank you very much. -OK, cool. | 0:09:28 | 0:09:30 | |
That's fine, that's OK. Good luck. | 0:09:30 | 0:09:32 | |
Spiffing - a generous deal from Mark means she's bagged | 0:09:32 | 0:09:35 | |
the jazz-age baubles as well and spent £116 so far. | 0:09:35 | 0:09:40 | |
Now, after his epic buying spree this morning Paul's hopped | 0:09:42 | 0:09:45 | |
back in the car and is motoring towards the environs of | 0:09:45 | 0:09:49 | |
the Norfolk village of Forncett St Peter. | 0:09:49 | 0:09:52 | |
He's heading for the Norfolk Tank Museum, | 0:09:52 | 0:09:55 | |
an independent museum that showcases the incredible collection | 0:09:55 | 0:09:57 | |
amassed by a man who might be even more heavily into military history | 0:09:57 | 0:10:02 | |
than Paul - crikey. Now that takes some doing. | 0:10:02 | 0:10:06 | |
Who on Earth has a collection of tanks, I ask you? | 0:10:06 | 0:10:11 | |
Why, owner Stephen MacHaye does, Paul. | 0:10:11 | 0:10:14 | |
-Is it Stephen? -Yes, it is. -Good to see you. | 0:10:14 | 0:10:17 | |
Tanks were first widely used on the battlefield in World War I | 0:10:17 | 0:10:21 | |
and armoured fighting vehicles like these - | 0:10:21 | 0:10:23 | |
designed for the harsh rigours of frontline combat - | 0:10:23 | 0:10:27 | |
were instrumental in changing the nature of warfare | 0:10:27 | 0:10:29 | |
throughout the 20th century. | 0:10:29 | 0:10:32 | |
Stephen's extraordinary personal collection of tanks, | 0:10:32 | 0:10:34 | |
armoured vehicles and heavy artillery is on display here, | 0:10:34 | 0:10:37 | |
at his home - a farm that's been in his family since the 1950s. | 0:10:37 | 0:10:42 | |
Wow. How many do you have? | 0:10:42 | 0:10:44 | |
There's about 20 on site now, going from full, main battle tank | 0:10:44 | 0:10:48 | |
down to small armoured cars. | 0:10:48 | 0:10:50 | |
Wow. | 0:10:50 | 0:10:51 | |
Stephen's built up his collection by restoring retired tanks | 0:10:51 | 0:10:55 | |
to working order by himself. | 0:10:55 | 0:10:57 | |
You're an engineer, clearly - cos you say you restore these. | 0:10:57 | 0:11:00 | |
No, I'm all self-taught. | 0:11:00 | 0:11:02 | |
Yep, just a love of history, love of engineering and just tinkering. | 0:11:02 | 0:11:09 | |
Wow. Well I always say about antiques and the things that I love | 0:11:09 | 0:11:13 | |
-that they transport you... -Yes, absolutely. | 0:11:13 | 0:11:16 | |
..but your toys actually do transport! | 0:11:16 | 0:11:18 | |
They certainly do. | 0:11:18 | 0:11:20 | |
And then what do you do with them, drive round the garden or what? | 0:11:20 | 0:11:23 | |
Have done in the past, took 'em to shopping, Tesco's. | 0:11:23 | 0:11:26 | |
PAUL LAUGHS Parking might be easy - | 0:11:26 | 0:11:28 | |
well, difficult or easy depending how brutal you're prepared to be. | 0:11:28 | 0:11:31 | |
Easy. | 0:11:31 | 0:11:34 | |
Stephen's private collection opened as a museum for the general public | 0:11:34 | 0:11:38 | |
a few years ago but Stephen's love of tanks and heavy artillery | 0:11:38 | 0:11:42 | |
was originally sparked by hearing tales | 0:11:42 | 0:11:44 | |
of his grandfather's wartime service - not in the Second World War, but the First. | 0:11:44 | 0:11:48 | |
Then when the tanks appeared on the battlefield, | 0:11:50 | 0:11:52 | |
he must have had a love of engineering like myself, | 0:11:52 | 0:11:55 | |
he saw these massive beasts coming across the battlefield | 0:11:55 | 0:11:58 | |
and thought, "That's where I want to go." | 0:11:58 | 0:12:00 | |
Ended up driving the First World War tanks. | 0:12:00 | 0:12:02 | |
This love of tanks has certainly passed down the generations. | 0:12:02 | 0:12:06 | |
-What's the first one you bought? -First tank was this one. -This is it? | 0:12:06 | 0:12:10 | |
Yes, it is, yes. | 0:12:10 | 0:12:11 | |
Yeah, bought this 20-odd years ago, not in this condition. | 0:12:11 | 0:12:16 | |
Spent 18 months, lovingly restored it, | 0:12:16 | 0:12:19 | |
now the pride of a prized collection. | 0:12:19 | 0:12:21 | |
It's a Saladin Armoured Scout Car which was owned by the British Army. | 0:12:21 | 0:12:26 | |
The Saladin was widely used around the globe | 0:12:26 | 0:12:28 | |
and manufactured from 1958 until the late 1970s. | 0:12:28 | 0:12:33 | |
This is one of the very earliest produced. | 0:12:33 | 0:12:36 | |
-British Army, 1959 this particular vehicle was built. -Right. | 0:12:36 | 0:12:40 | |
Served up until the early '80s. | 0:12:40 | 0:12:43 | |
It saw service in many of the British Army's areas of operation. | 0:12:43 | 0:12:47 | |
-She's been to Aden, she's been to Cyprus... -Yeah. | 0:12:47 | 0:12:49 | |
..done the Middle East tour, she's done Northern Ireland... | 0:12:49 | 0:12:52 | |
-Fantastic vehicle. -Yeah. | 0:12:52 | 0:12:53 | |
They're just fascinating, there's nothing out there built like them. | 0:12:53 | 0:12:58 | |
Stephen's collection also extends to heavy artillery. | 0:12:59 | 0:13:02 | |
Oh, absolutely, yeah. German artillery pieces, Second World War. | 0:13:02 | 0:13:05 | |
-You're kidding - seriously? -Yeah, yeah. -Show me some artillery. | 0:13:05 | 0:13:09 | |
Paul's luck really is in today. | 0:13:09 | 0:13:11 | |
Stephen - what, aside from the obvious, is that? | 0:13:11 | 0:13:16 | |
It's a German FH 15 150mm Howitzer. | 0:13:16 | 0:13:20 | |
The Howitzer's an artillery piece | 0:13:20 | 0:13:22 | |
-designed for lobbing shells at the enemy. -OK. And a towable piece, | 0:13:22 | 0:13:27 | |
-a manoeuvrable piece from battlefield to battlefield. -Yes, yeah. | 0:13:27 | 0:13:30 | |
This example dates from the period just before the Second World War. | 0:13:30 | 0:13:34 | |
They were actually produced around about 1934, | 0:13:34 | 0:13:37 | |
-when Hitler first come to power. -Right. | 0:13:37 | 0:13:39 | |
And he was trying to disguise what he was producing | 0:13:39 | 0:13:41 | |
by making them look like First World War artillery pieces. | 0:13:41 | 0:13:45 | |
Agreements forged at the end of the First World War | 0:13:45 | 0:13:48 | |
prohibited Germany from rebuilding its national arms | 0:13:48 | 0:13:51 | |
so the Fuhrer had these new guns designed this way | 0:13:51 | 0:13:55 | |
so that they could be disguised as existing weaponry. | 0:13:55 | 0:13:58 | |
They were pressed into service when war broke out. | 0:13:58 | 0:14:00 | |
These particular guns were actually on the Eastern Front, | 0:14:00 | 0:14:03 | |
fighting against Russia, captured by the Russians | 0:14:03 | 0:14:05 | |
and then used against the Germans for the rest of the war. | 0:14:05 | 0:14:08 | |
My word, so where did this turn up? | 0:14:08 | 0:14:10 | |
It came over from Russia in the mid-'80s. | 0:14:10 | 0:14:13 | |
-Oh, so it stayed in Russia... -Yep. | 0:14:13 | 0:14:15 | |
-..till someone brought it back? -Yep. | 0:14:15 | 0:14:18 | |
Astonishing. | 0:14:18 | 0:14:19 | |
It's a real piece of military history | 0:14:19 | 0:14:21 | |
but Stephen's got one last surprise for Paul | 0:14:21 | 0:14:24 | |
and I think he's going to be delighted. | 0:14:24 | 0:14:27 | |
There's somebody in there. | 0:14:27 | 0:14:29 | |
I know, this is Richard. He's going to give us a ride around in the vehicle. | 0:14:29 | 0:14:32 | |
They're going for a spin in the Saladin. | 0:14:32 | 0:14:35 | |
Wa-hey. Whoa - it's a big drop in there. | 0:14:35 | 0:14:38 | |
-RICHARD: -It is. Are you OK to climb in? | 0:14:38 | 0:14:39 | |
Yeah, I'll give it a go. | 0:14:39 | 0:14:42 | |
Right then. Richard. | 0:14:42 | 0:14:45 | |
-It does feel a bit good, doesn't it? -Oh, yeah. | 0:14:50 | 0:14:53 | |
-It's just got to be done. -I think it has. | 0:14:53 | 0:14:55 | |
I've never seen him so delighted. | 0:14:58 | 0:14:59 | |
How big a telescope have you got? | 0:14:59 | 0:15:01 | |
-It's Manning I'm looking for. -Sorry? | 0:15:01 | 0:15:03 | |
Somewhere in the region of Norwich, I'm looking for Anita Manning. | 0:15:03 | 0:15:07 | |
-Yes. -We're - how powerful's the gun sight on this? | 0:15:07 | 0:15:11 | |
Onwards! | 0:15:11 | 0:15:12 | |
I can see you're going to be in there for a while. | 0:15:12 | 0:15:16 | |
We'll leave you to it. | 0:15:16 | 0:15:17 | |
Meanwhile, Anita's still back in Norwich and well out of range - | 0:15:19 | 0:15:22 | |
thankfully. | 0:15:22 | 0:15:24 | |
She's heading for Treasure Chest Antiques | 0:15:24 | 0:15:26 | |
where dealer Pasquale is ready to greet her. | 0:15:26 | 0:15:29 | |
-Hello. -Hello, I'm Anita. -How are you? Pleased to meet you, Anita. | 0:15:31 | 0:15:34 | |
-Oh, it's absolutely... -Welcome to the Treasure Chest. | 0:15:34 | 0:15:38 | |
Anita's up to her old tricks. | 0:15:38 | 0:15:40 | |
I've already bought some jewellery | 0:15:40 | 0:15:42 | |
and I shouldn't really be poring over the jewellery cabinets | 0:15:42 | 0:15:45 | |
but I can't help it. | 0:15:45 | 0:15:46 | |
I've still got quite a lot of money to spend but I'm going to | 0:15:46 | 0:15:50 | |
have a good look, take my time and just go with the flow. | 0:15:50 | 0:15:56 | |
Groovy, Anita. | 0:15:56 | 0:15:57 | |
SHE ROARS | 0:16:01 | 0:16:03 | |
It never takes her long. | 0:16:05 | 0:16:07 | |
-Pasquale? -Yes. | 0:16:07 | 0:16:10 | |
-What can I do, Anita? -I love this little cabinet. | 0:16:10 | 0:16:12 | |
Oh, you like this one, do you, yes? | 0:16:12 | 0:16:13 | |
-Well I love the things in it. -Oh. | 0:16:13 | 0:16:15 | |
-Yeah. -I'll get the key for you. | 0:16:15 | 0:16:16 | |
I know this is a bit obvious | 0:16:16 | 0:16:17 | |
but guess the thing that I like in there. | 0:16:17 | 0:16:20 | |
-How did you know? -That one? -Yeah, that's such a sweet wee thing. | 0:16:22 | 0:16:25 | |
I know your taste. | 0:16:25 | 0:16:27 | |
It's a child's sporran, | 0:16:27 | 0:16:28 | |
a traditional part of Scottish Highland dress. | 0:16:28 | 0:16:31 | |
It's probably made of cowhide and has a ticket price of £55. | 0:16:31 | 0:16:34 | |
It's the thing that he would wear on his kilt to keep his, er, | 0:16:34 | 0:16:38 | |
thruppence and sixpence in. | 0:16:38 | 0:16:39 | |
-Sixpences, yes? -Yeah, and it's a nice wee thing. | 0:16:39 | 0:16:43 | |
-Quite nice condition, too. -I think that's quite sweet. | 0:16:43 | 0:16:45 | |
I don't think it's a Victorian one. | 0:16:45 | 0:16:48 | |
-Right. -I think that it's later. -Later, yes. -Yeah, a wee bit later. | 0:16:48 | 0:16:52 | |
But it's still quite nice. | 0:16:53 | 0:16:55 | |
Dealer Sally owns it and will be summonsed. | 0:16:55 | 0:16:58 | |
Sally? | 0:16:58 | 0:17:00 | |
Oh, hi, Sally. | 0:17:00 | 0:17:01 | |
Selling it in auction and looking to buy it for round about... | 0:17:01 | 0:17:06 | |
£20-25. Are we - | 0:17:07 | 0:17:10 | |
is it possible to, to be... | 0:17:10 | 0:17:13 | |
-Yeah, I think we could do that. -We could do that? | 0:17:14 | 0:17:17 | |
We can have a deal on that. 25? | 0:17:17 | 0:17:19 | |
-Ah, let's go for it, let's go for it. -Yeah. | 0:17:19 | 0:17:22 | |
-Thank you very much, that's smashing. -Thank you. | 0:17:22 | 0:17:24 | |
I reckon you're on a winner there. | 0:17:24 | 0:17:26 | |
A better-than-half-price deal, thanks to Sally - | 0:17:26 | 0:17:29 | |
but Anita's magpie eyes soon alight on another trinket | 0:17:29 | 0:17:33 | |
with just a little bit of Caledonian flavour, | 0:17:33 | 0:17:36 | |
this one belonging to dealer Jules. | 0:17:36 | 0:17:38 | |
-Excuse me. Oh, hi. -Hello, I'm Anita. -Hi, Anita. | 0:17:38 | 0:17:42 | |
The thing that took my eye was this little brooch here | 0:17:42 | 0:17:46 | |
and it's a wee golfing bag and of course I come from Scotland | 0:17:46 | 0:17:52 | |
and Scotland is the home of golf. | 0:17:52 | 0:17:55 | |
Ticket price on the golfing-themed brooch is £65. | 0:17:55 | 0:17:58 | |
-I'm not sure of the age of it, Jules, but I do like it. -OK. | 0:17:58 | 0:18:02 | |
-I'd like to have a go at it... -Mm-hmm. | 0:18:02 | 0:18:05 | |
..but I don't want to take a chance on it at a very big price. | 0:18:05 | 0:18:09 | |
Is there a rock-bottom price that you could... | 0:18:09 | 0:18:13 | |
I tell you what. | 0:18:15 | 0:18:16 | |
Being as it's you, I will let you have it for what I paid for it - | 0:18:16 | 0:18:20 | |
how's that? | 0:18:20 | 0:18:21 | |
It depends on what you paid for it! | 0:18:21 | 0:18:23 | |
-SCOTTISH ACCENT: 30. -Oh, 30. | 0:18:23 | 0:18:25 | |
£30, yes. | 0:18:25 | 0:18:28 | |
Have you been practising that? | 0:18:28 | 0:18:30 | |
You've gone a bit Scottish, Jules. It's catching. | 0:18:30 | 0:18:33 | |
OK, let's go at it for £30, thank you very much. | 0:18:33 | 0:18:35 | |
That's lovely, it's a pleasure. Thank you. | 0:18:35 | 0:18:38 | |
Deal done and she's bagged another two items for a total of £55. | 0:18:38 | 0:18:42 | |
And with that they've reached the end | 0:18:42 | 0:18:44 | |
of an incredibly industrious first day so, nighty-night. | 0:18:44 | 0:18:48 | |
The morning greets them, as is traditional, | 0:18:51 | 0:18:53 | |
back in the car and bounding onwards towards more bargains. | 0:18:53 | 0:18:57 | |
The skies are a wee bit grey but there is - | 0:18:57 | 0:19:00 | |
-we're happy, we've got a couple of quid to spend. -Yeah. | 0:19:00 | 0:19:04 | |
So far Paul's bought the silver fob watch chain | 0:19:04 | 0:19:08 | |
and Victorian white metal buckle | 0:19:08 | 0:19:10 | |
and the job lot of Air Force items. | 0:19:10 | 0:19:12 | |
He's spent £74, leaving him £270.99 for the day ahead. | 0:19:12 | 0:19:18 | |
While Anita's picked up the continental silver bowl, | 0:19:20 | 0:19:23 | |
the three 1920s necklaces, | 0:19:23 | 0:19:25 | |
the brooch on a golfing theme | 0:19:25 | 0:19:28 | |
and the child's sporran. | 0:19:28 | 0:19:30 | |
She's spent £171, leaving her £218.20 in her purse this morning. | 0:19:30 | 0:19:37 | |
Hey, this is it. This is our last shopping day. | 0:19:37 | 0:19:39 | |
-This is our last shopping day. -Oof. | 0:19:39 | 0:19:42 | |
It is indeed. | 0:19:42 | 0:19:43 | |
They're still in Norwich this morning | 0:19:43 | 0:19:45 | |
and Anita's dropping Paul off. | 0:19:45 | 0:19:47 | |
-Well. -Good luck, darling. -Enjoy yourself. -Yeah. | 0:19:47 | 0:19:52 | |
And... I don't know when I'll see you! Look after yourself. | 0:19:52 | 0:19:57 | |
He's heading off into Looses Emporium | 0:19:57 | 0:20:00 | |
where he's promised a jolly good morning's browse. | 0:20:00 | 0:20:04 | |
Afore long, he's come across a very sizeable item | 0:20:13 | 0:20:17 | |
he'd like to discuss with dealer, Vince. | 0:20:17 | 0:20:19 | |
Just utterly charming if you've got the right room to pack that in. | 0:20:19 | 0:20:24 | |
-Fantastic. -It is rather amazing, isn't it? | 0:20:24 | 0:20:27 | |
It's a travelling trunk, bound in cowskin with brass studs | 0:20:27 | 0:20:31 | |
and containing two oak stands that it would sit on. | 0:20:31 | 0:20:35 | |
-Oh, I see. -Sits on them. -Yeah, yeah. | 0:20:35 | 0:20:37 | |
-Just raised off the ground. -Not unattractive, really. | 0:20:38 | 0:20:42 | |
Ticket price is £120. | 0:20:42 | 0:20:44 | |
But it's a long way off for me. | 0:20:44 | 0:20:47 | |
Well, it depends how long is a long, long way. | 0:20:47 | 0:20:49 | |
I'll tell you what, if you want it here and now, | 0:20:49 | 0:20:51 | |
80 quid. | 0:20:51 | 0:20:53 | |
It' a good price. You must be tempted, Paul. | 0:20:53 | 0:20:55 | |
Age wise, I would date this | 0:20:55 | 0:20:58 | |
to the first half of the 19th century. | 0:20:58 | 0:21:01 | |
That's 150-200 years old. | 0:21:01 | 0:21:04 | |
Ta-dah! Quite good, yeah. | 0:21:04 | 0:21:07 | |
Sounds like you're talking yourself round. | 0:21:07 | 0:21:09 | |
-I'm back. -You're back? | 0:21:09 | 0:21:11 | |
-The...travelling trunk. -Yes. | 0:21:11 | 0:21:14 | |
-Got a deal? -£80. Really happy with that. | 0:21:14 | 0:21:17 | |
-Thank you. -He strikes that deal at £80. | 0:21:17 | 0:21:20 | |
A bold buy when he and Anita are vying so closely for victory. | 0:21:20 | 0:21:24 | |
Let's hope it pays off. | 0:21:24 | 0:21:26 | |
Now, Paul's trunk may have some venerable age to it, | 0:21:28 | 0:21:31 | |
but today Anita is going to see some objects | 0:21:31 | 0:21:33 | |
which are a little older than that. | 0:21:33 | 0:21:35 | |
She's heading for Norwich Castle Museum where she is going to explore | 0:21:35 | 0:21:38 | |
their extraordinary collection of ancient Egyptian treasures, | 0:21:38 | 0:21:43 | |
some more than 4,000 years old | 0:21:43 | 0:21:45 | |
and still yielding their secrets today. | 0:21:45 | 0:21:47 | |
She's meeting curator of the Egyptian gallery, Faye Kalloniatis. | 0:21:49 | 0:21:53 | |
-Hi, I'm Anita. -Hello, lovely to meet you. | 0:21:55 | 0:21:57 | |
I'm so excited to be at Norwich Castle. | 0:21:57 | 0:21:59 | |
Well, I'm excited to have you here, so welcome to the castle. | 0:21:59 | 0:22:02 | |
Norwich might not be the place you would expect to find | 0:22:02 | 0:22:05 | |
the treasures of the Nile, but the museum here at Norwich Castle | 0:22:05 | 0:22:09 | |
holds an enviable collection of ancient Egyptian artefacts | 0:22:09 | 0:22:13 | |
from funerary objects to the remains of the Egyptians themselves. | 0:22:13 | 0:22:17 | |
The backbone of the collection is here thanks to the efforts | 0:22:17 | 0:22:20 | |
of Victorian travellers who amassed Egyptian objects | 0:22:20 | 0:22:23 | |
and later donated them to the museum. | 0:22:23 | 0:22:25 | |
They show how 19th-century Britain was gripped by a fascination | 0:22:25 | 0:22:29 | |
with ancient Egypt, | 0:22:29 | 0:22:30 | |
even going so far as to stage public unwrappings of mummies. | 0:22:30 | 0:22:34 | |
This phenomenon became known as Egyptomania. | 0:22:34 | 0:22:38 | |
And "mania" is a really good word to describe it | 0:22:38 | 0:22:41 | |
because people just love the thought of Egypt. | 0:22:41 | 0:22:45 | |
It was something that was exotic, it was unknown, | 0:22:45 | 0:22:48 | |
and one of the outcomes of that | 0:22:48 | 0:22:50 | |
was that there were people who travelled to Egypt. | 0:22:50 | 0:22:53 | |
If you travelled in Egypt, | 0:22:53 | 0:22:54 | |
generally that meant you had a deep pocket, | 0:22:54 | 0:22:57 | |
which meant that you would buy artefacts. | 0:22:57 | 0:23:00 | |
They brought artefacts and then just brought them back here to Britain. | 0:23:00 | 0:23:04 | |
So there would be little collections built-up throughout the country? | 0:23:04 | 0:23:09 | |
One of these wealthy collectors was Jeremiah Colman, | 0:23:09 | 0:23:13 | |
head of the prominent Norfolk family that owned Colman's Mustard. | 0:23:13 | 0:23:17 | |
Fay's taking Anita to learn a bit more about Colman | 0:23:17 | 0:23:20 | |
and the extraordinary objects he gifted to the museum. | 0:23:20 | 0:23:23 | |
Jeremiah Colman travel to Egypt because his son Alan | 0:23:23 | 0:23:27 | |
had consumption and had been advised to go there for the arid climate. | 0:23:27 | 0:23:31 | |
Jeremiah, together with his daughters, went to Egypt | 0:23:31 | 0:23:34 | |
in order to be with their son and eventually they got to Luxor | 0:23:34 | 0:23:38 | |
and it was at that time that all the objects which Jeremiah bought | 0:23:38 | 0:23:42 | |
were bought, there in Luxor. | 0:23:42 | 0:23:44 | |
Sadly, Alan died of consumption in Egypt, | 0:23:44 | 0:23:47 | |
but while in the country, | 0:23:47 | 0:23:49 | |
his father Jeremiah amassed a large number of ancient artefacts. | 0:23:49 | 0:23:52 | |
The whole collection, their Egypt collection, | 0:23:52 | 0:23:56 | |
was bought within a very short period of time. | 0:23:56 | 0:24:00 | |
Absolutely. There were over 250 objects | 0:24:00 | 0:24:03 | |
and they bought them within a week. | 0:24:03 | 0:24:05 | |
He did have the whole collection catalogued and you can see it here. | 0:24:05 | 0:24:09 | |
He had this specially bound leather book | 0:24:09 | 0:24:12 | |
and it's a catalogue of all of the objects that he bought in Egypt. | 0:24:12 | 0:24:16 | |
And you can see here, it says "Curios from Egypt." | 0:24:16 | 0:24:19 | |
So here, all the objects have been numbered | 0:24:19 | 0:24:22 | |
and the very first object is the ancient Egyptian granary | 0:24:22 | 0:24:27 | |
and in fact we have this ancient Egyptian granary | 0:24:27 | 0:24:30 | |
and here it is here. | 0:24:30 | 0:24:32 | |
It's what's called a model granary, | 0:24:32 | 0:24:34 | |
but what it meant by that is that it was made specifically | 0:24:34 | 0:24:37 | |
to be buried with the dead. | 0:24:37 | 0:24:39 | |
Extraordinarily, the model granary is around 4,000 years old. | 0:24:39 | 0:24:43 | |
According to Egyptian religious law, | 0:24:43 | 0:24:45 | |
burying it with the dead would allow the deceased | 0:24:45 | 0:24:48 | |
plentiful access to grain in the afterlife. | 0:24:48 | 0:24:51 | |
It meant that you had a grain...you had a store of grain | 0:24:51 | 0:24:54 | |
and grain of course was for bread, | 0:24:54 | 0:24:56 | |
but even more importantly for beer. | 0:24:56 | 0:24:59 | |
And I see that there's some wonderful painting, | 0:24:59 | 0:25:02 | |
original painting. | 0:25:02 | 0:25:03 | |
So here is the tomb owner relaxing. | 0:25:03 | 0:25:06 | |
That's him in his afterlife. | 0:25:06 | 0:25:08 | |
-This is a wonderful piece. -It is. | 0:25:08 | 0:25:10 | |
And in fact it's a very rare piece | 0:25:10 | 0:25:12 | |
because normally these models were made out of wood. | 0:25:12 | 0:25:16 | |
Colman's collection includes something even more extraordinary. | 0:25:16 | 0:25:21 | |
This one is about 3,500 years old. | 0:25:21 | 0:25:25 | |
Tell me about this thing. | 0:25:25 | 0:25:26 | |
Well, the other thing that Jeremiah collected | 0:25:26 | 0:25:30 | |
was a shoe box with, er, | 0:25:30 | 0:25:35 | |
crumpled linen inside it. | 0:25:35 | 0:25:37 | |
And it wasn't until a few years ago that we had this conserved | 0:25:37 | 0:25:41 | |
and in conserving it, it's opened up to this. | 0:25:41 | 0:25:44 | |
And it's turned out to be a rare Egyptian shroud. | 0:25:44 | 0:25:48 | |
It is only one of about 30 known worldwide, | 0:25:49 | 0:25:55 | |
so it is a very rare piece indeed. | 0:25:55 | 0:25:57 | |
And we have all these hieroglyphs here. | 0:25:57 | 0:25:59 | |
I can see a wee scarab beetle there. | 0:25:59 | 0:26:02 | |
They were just verses or spells | 0:26:02 | 0:26:04 | |
which came from the Book Of The Dead. | 0:26:04 | 0:26:06 | |
The Book Of The Dead was a series of prayers, incantations, | 0:26:06 | 0:26:11 | |
instructions and so on in order to help the deceased. | 0:26:11 | 0:26:15 | |
It was really kind of a passport, if you like, to the afterlife. | 0:26:15 | 0:26:20 | |
This truly is a priceless item. | 0:26:20 | 0:26:22 | |
It is interesting that these things should be housed | 0:26:22 | 0:26:25 | |
in this museum in Norfolk. | 0:26:25 | 0:26:28 | |
We're very lucky that 19th-century travellers made these travels | 0:26:28 | 0:26:33 | |
and bought these objects and then finally, also, | 0:26:33 | 0:26:36 | |
donated them to museums. | 0:26:36 | 0:26:38 | |
Indeed we are. | 0:26:38 | 0:26:39 | |
Faye, it has been an absolutely fascinating journey back to | 0:26:39 | 0:26:43 | |
Egypt with you. | 0:26:43 | 0:26:45 | |
-Thank you very, very much. -It's been a pleasure. Thank you. | 0:26:45 | 0:26:48 | |
Now, Paul's still on the hunt for bargains in Norwich Lanes. | 0:26:51 | 0:26:54 | |
He's heading into St Gregory's Antiques And Collectables, | 0:26:54 | 0:26:57 | |
a large antique centre attractively housed | 0:26:57 | 0:27:00 | |
within a 14th century former church. | 0:27:00 | 0:27:03 | |
Paul's nose for military items is twitching once again. | 0:27:10 | 0:27:13 | |
Well, you can imagine | 0:27:14 | 0:27:16 | |
how many sets of spurs there are in the world. | 0:27:18 | 0:27:21 | |
These are 1918-dated | 0:27:21 | 0:27:25 | |
and British cavalry issue. | 0:27:25 | 0:27:29 | |
That's evocative, is it not? | 0:27:29 | 0:27:32 | |
It is indeed. | 0:27:32 | 0:27:33 | |
A set of British Army cavalry spurs | 0:27:33 | 0:27:35 | |
dating from the First World War. And Paul's quite taken with them. | 0:27:35 | 0:27:39 | |
On the ticket is £28. | 0:27:39 | 0:27:41 | |
Dealer Graham is on hand today | 0:27:41 | 0:27:43 | |
and will call the person who owns spurs for their best price. | 0:27:43 | 0:27:47 | |
Giddy-up! | 0:27:47 | 0:27:48 | |
-20 is going to be the best. -20 is it? 20 it is then. -Magic. | 0:27:48 | 0:27:52 | |
Thank you very much. | 0:27:52 | 0:27:53 | |
Another deal clinched. And he's wandering on. | 0:27:53 | 0:27:56 | |
Meanwhile, Anita's in the car and heading to the town of Wymondham. | 0:27:59 | 0:28:03 | |
Wymondham is a historic Norfolk market town of note | 0:28:03 | 0:28:06 | |
as its handsome 17th-century market cross shows. | 0:28:06 | 0:28:10 | |
Anita's strolling off into the aptly named Market Cross Antiques, | 0:28:11 | 0:28:15 | |
where dealer David's ready to greet her. | 0:28:15 | 0:28:17 | |
-I'm Anita. -David. | 0:28:17 | 0:28:20 | |
-Oh, what a lovely shop! -Thank you. | 0:28:20 | 0:28:22 | |
It's like walking into another world. | 0:28:22 | 0:28:25 | |
Better scour this new world for bargains then, Anita. | 0:28:25 | 0:28:28 | |
Ah, she's onto something already. | 0:28:31 | 0:28:34 | |
Quite an interesting wee lot that I've found tucked under | 0:28:34 | 0:28:37 | |
this piece of furniture. | 0:28:37 | 0:28:41 | |
It's a quantity of music rolls. | 0:28:41 | 0:28:44 | |
Now these would have been used for a piano. | 0:28:46 | 0:28:48 | |
The late 19th and early 20th century, | 0:28:50 | 0:28:53 | |
you didn't have television, you didn't have a radio | 0:28:53 | 0:28:57 | |
and people got together in their sitting rooms | 0:28:57 | 0:29:00 | |
with their old joanna. | 0:29:00 | 0:29:02 | |
The rolls would play in a Pianola or self-playing piano. | 0:29:02 | 0:29:06 | |
There's no ticket price on them. | 0:29:06 | 0:29:08 | |
But they would put on these rolls, | 0:29:08 | 0:29:10 | |
wind it up and the piano would play a tune by itself. | 0:29:12 | 0:29:16 | |
I think that's a wee find. | 0:29:16 | 0:29:18 | |
That is one potential buy. | 0:29:18 | 0:29:21 | |
And elsewhere... | 0:29:21 | 0:29:22 | |
I quite like this wee cabinet. It's a sweet little thing. | 0:29:22 | 0:29:26 | |
It's made of pine, so it's not a fine piece of furniture, | 0:29:26 | 0:29:29 | |
but what I like about it is, as well as a simplicity of the design, | 0:29:29 | 0:29:35 | |
it's decorated with these straps of copper | 0:29:35 | 0:29:39 | |
which are in the Art Nouveau style. | 0:29:39 | 0:29:42 | |
Always a fan of anything in the sinuous Art Nouveau style, | 0:29:42 | 0:29:45 | |
Anita's keen on that and the Pianola rolls. | 0:29:45 | 0:29:49 | |
Time to buttonhole dealer David. | 0:29:49 | 0:29:51 | |
David, it's so hard to make a choice in here. | 0:29:51 | 0:29:54 | |
It's hard to make a choice. | 0:29:54 | 0:29:56 | |
I've seen a couple of things that I like. | 0:29:56 | 0:29:58 | |
What could David do on the Pianola rolls? | 0:29:58 | 0:30:01 | |
How does £15 sound for the whole lot? | 0:30:01 | 0:30:04 | |
For the whole lot? I'm happy with that, that's great. | 0:30:04 | 0:30:07 | |
What's the best you can do on the cabinet? | 0:30:07 | 0:30:09 | |
Absolute best? Well, if we said 18. | 0:30:09 | 0:30:11 | |
Can you go to 15 on that? | 0:30:11 | 0:30:14 | |
-15? -Yeah, go on. -All right! | 0:30:16 | 0:30:18 | |
That's a deal on both of them. Thank you very much, David. | 0:30:18 | 0:30:20 | |
You're welcome. | 0:30:20 | 0:30:21 | |
£30 total for the lot. Smashing! | 0:30:21 | 0:30:24 | |
Now, Paul has moved on to the town of Watton | 0:30:25 | 0:30:28 | |
where he's heading for one last shop. | 0:30:28 | 0:30:31 | |
RetroRecyclers and dealer Barney. | 0:30:31 | 0:30:34 | |
-You look like a welcoming party. -Hello, Paul. | 0:30:34 | 0:30:36 | |
-How you doing. Is it Barney? -Barney, yes. | 0:30:36 | 0:30:38 | |
-Good to see you. Is there treasure in here for me? -Lots of it. | 0:30:38 | 0:30:42 | |
There certainly is in this vast antique centre. | 0:30:42 | 0:30:45 | |
Paul's combing over the stock in his usual thorough fashion. | 0:30:45 | 0:30:49 | |
And his diligence looks to pay off. | 0:30:49 | 0:30:52 | |
OK, good! | 0:30:52 | 0:30:54 | |
Not trying overly hard to sell this. | 0:30:55 | 0:30:58 | |
I've always been interested in antique and vintage technology | 0:30:58 | 0:31:02 | |
and domestic bygones. | 0:31:02 | 0:31:04 | |
What you reckon that is? | 0:31:04 | 0:31:06 | |
That is the forerunner... | 0:31:06 | 0:31:08 | |
..of your electric vacuum cleaner. | 0:31:10 | 0:31:13 | |
This is, um, just a whopping great syringe, | 0:31:13 | 0:31:16 | |
to be honest with you. | 0:31:16 | 0:31:18 | |
This is Reeves Pneumatic Broom. | 0:31:18 | 0:31:21 | |
The Reeves Vacuum Cleaner Co made it. | 0:31:21 | 0:31:23 | |
They were based Victoria street, London. | 0:31:23 | 0:31:26 | |
And the patent was granted for this technology | 0:31:26 | 0:31:29 | |
July 29, 1913. 1913! | 0:31:29 | 0:31:33 | |
Although a patent was issued for the first electric vacuum cleaner | 0:31:33 | 0:31:37 | |
in the USA in 1908, | 0:31:37 | 0:31:40 | |
these costly machines didn't pass into common usage here | 0:31:40 | 0:31:43 | |
until later decades. | 0:31:43 | 0:31:44 | |
Ticket price on the pneumatic broom is £25. | 0:31:44 | 0:31:47 | |
This price is really, really reasonable. | 0:31:47 | 0:31:51 | |
But I do consider it only a starting point because, | 0:31:51 | 0:31:54 | |
frankly, it was buried next to the skirting board, underneath a shelf! | 0:31:54 | 0:31:57 | |
I think we go in and make an offer. | 0:31:57 | 0:31:59 | |
It will be the only one in the sale room. | 0:32:00 | 0:32:02 | |
Of that, we can be sure. | 0:32:02 | 0:32:04 | |
Oh, you've found something then, have you? | 0:32:04 | 0:32:06 | |
Would you believe it? | 0:32:06 | 0:32:08 | |
-But what could Barney do on the price? -What about 18? | 0:32:08 | 0:32:11 | |
It's going in the right direction. What about a tenner? | 0:32:11 | 0:32:14 | |
How about 15? | 0:32:14 | 0:32:16 | |
-Do it 12? -OK, I'll do it for 12. | 0:32:16 | 0:32:18 | |
12 it is. You're a good man, Barney. | 0:32:18 | 0:32:21 | |
A staccato haggle and Paul's cleaned up on his last lot. | 0:32:21 | 0:32:24 | |
Ha-ha. | 0:32:24 | 0:32:26 | |
And so, they're all brought up. | 0:32:26 | 0:32:28 | |
Paul bought the fob watch chain and white metal buckle, | 0:32:28 | 0:32:31 | |
the job lot of Air Force items, | 0:32:31 | 0:32:34 | |
the cowskin trunk, | 0:32:34 | 0:32:36 | |
the cavalry spurs and the pneumatic broom. | 0:32:36 | 0:32:39 | |
He spent £186 exactly. | 0:32:39 | 0:32:43 | |
Anita picked up the Continental Silver bowl, | 0:32:43 | 0:32:45 | |
the three 1920s necklaces, | 0:32:45 | 0:32:47 | |
which she's putting in a job lot with the golfing brooch, | 0:32:47 | 0:32:50 | |
then the child's sporran, | 0:32:50 | 0:32:52 | |
the Pianola rolls | 0:32:52 | 0:32:54 | |
and the Art Nouveau cabinet. | 0:32:54 | 0:32:56 | |
She spent £201 on the nose. | 0:32:56 | 0:32:58 | |
Now that they're all spent up, | 0:33:00 | 0:33:02 | |
what do they make of each other's buys? | 0:33:02 | 0:33:04 | |
Oh, this is it. | 0:33:04 | 0:33:06 | |
I'm up against Anita's final offering. | 0:33:06 | 0:33:09 | |
Sporran's a sweetie, | 0:33:09 | 0:33:10 | |
um, not a lot of money, only £25 paid. | 0:33:10 | 0:33:13 | |
There's a little cabinet | 0:33:13 | 0:33:15 | |
and the Pianola rolls. | 0:33:15 | 0:33:17 | |
Well, frankly, at the money, how can she go wrong? | 0:33:17 | 0:33:21 | |
Seriously, I needn't comment on the object, | 0:33:21 | 0:33:23 | |
because she paid nothing for them! | 0:33:23 | 0:33:25 | |
Hats off, good purchases. | 0:33:25 | 0:33:27 | |
So, I think she's in safe territory, | 0:33:27 | 0:33:29 | |
she's going to be difficult to beat. | 0:33:29 | 0:33:31 | |
And Anita? | 0:33:31 | 0:33:32 | |
Paul has been very canny | 0:33:32 | 0:33:34 | |
in buying that little Royal Air Force group. | 0:33:34 | 0:33:38 | |
I like the ceramic, | 0:33:38 | 0:33:39 | |
I like the colour in it | 0:33:39 | 0:33:41 | |
and, of course, I love sweetheart brooches. | 0:33:41 | 0:33:43 | |
I love that big calfskin trunk, isn't that gorgeous? | 0:33:43 | 0:33:46 | |
It's blond and it's beautiful. | 0:33:46 | 0:33:49 | |
I can see that doing over £100. | 0:33:49 | 0:33:51 | |
Dash it! Let the battle commence! | 0:33:51 | 0:33:54 | |
Indeed. | 0:33:54 | 0:33:56 | |
On this last leg of their road trip, they began in Norwich | 0:33:56 | 0:33:59 | |
and are now nearly at auction in Stamford, Lincolnshire. | 0:33:59 | 0:34:02 | |
Its storeyed streets make an ideal place for their final showdown, | 0:34:02 | 0:34:07 | |
taking place at Batemans Auctions. | 0:34:07 | 0:34:10 | |
This is it. The last... | 0:34:10 | 0:34:12 | |
-The last auction. -That is the finishing post. -Oh! Not quite yet. | 0:34:12 | 0:34:18 | |
Auctioneer David Michael Palmer rules the rostrum today. | 0:34:18 | 0:34:21 | |
But before the off, what does he make of our pair's lots? | 0:34:21 | 0:34:25 | |
The lot with the ashtray and I absolutely love the ashtray, | 0:34:25 | 0:34:27 | |
nice and bright, very much of the period. | 0:34:27 | 0:34:30 | |
The child's sporran is fun. | 0:34:30 | 0:34:31 | |
I mean it looks like a load of gerbils that have been killed | 0:34:31 | 0:34:34 | |
and put on a chain. | 0:34:34 | 0:34:35 | |
No gerbils have been harmed in the making of that sporran. | 0:34:35 | 0:34:39 | |
Let the auction commence! | 0:34:39 | 0:34:41 | |
First up, Anita's embossed bowl of Continental Silver. | 0:34:43 | 0:34:47 | |
Goes on at £20. | 0:34:47 | 0:34:48 | |
The main bid at 20. 22, at 22, 25, 28. | 0:34:48 | 0:34:51 | |
At 28, 30, 32. That side at 32, 35, 38, at 38, 40. | 0:34:51 | 0:34:55 | |
At 40, goes then at 40 and I sell then at £40. | 0:34:56 | 0:35:00 | |
-The bid is here at... 45. -Yes! | 0:35:00 | 0:35:02 | |
At 50, 55 on the net, 60 in the room, | 0:35:02 | 0:35:05 | |
65, 70, 75 on the net. | 0:35:05 | 0:35:07 | |
80, back in the room at 80 now, in the room at 80. | 0:35:09 | 0:35:12 | |
Goes at 80, no-one else at 80... | 0:35:12 | 0:35:15 | |
I think I got away lightly. | 0:35:15 | 0:35:18 | |
Some good work from our auctioneer | 0:35:18 | 0:35:20 | |
means it doesn't lose too badly. | 0:35:20 | 0:35:23 | |
But Paul's definitely catching up. | 0:35:23 | 0:35:25 | |
-Oh, I don't know if I can take this. -This could be... | 0:35:25 | 0:35:28 | |
Now it's Paul's silver fob watch chain | 0:35:28 | 0:35:31 | |
along with the Victorian white metal buckle. | 0:35:31 | 0:35:33 | |
£20 then? Come in at 20. | 0:35:33 | 0:35:36 | |
OK, a tenner? | 0:35:36 | 0:35:38 | |
10, 10, 12, 15, 18, | 0:35:38 | 0:35:41 | |
20, 22, 25, 28, | 0:35:41 | 0:35:44 | |
-30? 30, 32, 35, 38... -Just keep moving... | 0:35:44 | 0:35:47 | |
38 here, doorway at 38. | 0:35:47 | 0:35:49 | |
I sell with you at £38, no-one else at 38? | 0:35:49 | 0:35:54 | |
That last-minute rally means the loss isn't too stinging. | 0:35:54 | 0:35:58 | |
-Bad luck there, darling. -C'est la vie. | 0:35:58 | 0:36:01 | |
It's Anita's job lot of 20s necklaces | 0:36:01 | 0:36:04 | |
and golf-themed brooch next. | 0:36:04 | 0:36:06 | |
£10 for the beads and the brooches, | 0:36:06 | 0:36:08 | |
5 I'm bid, down here at 5, | 0:36:08 | 0:36:10 | |
with the lady at 5, I'll take 6 as the next bid. | 0:36:10 | 0:36:14 | |
Nope? Are you bidding 6? | 0:36:14 | 0:36:15 | |
6 on there, 7, 8, 9, | 0:36:15 | 0:36:17 | |
10, 12, on the stairs at 12, | 0:36:17 | 0:36:19 | |
stick with it, madam. | 0:36:19 | 0:36:20 | |
15, go 15! At 12, with the gentleman at 12, | 0:36:20 | 0:36:23 | |
each of these items was hand selected. | 0:36:23 | 0:36:26 | |
By me! | 0:36:26 | 0:36:28 | |
At 15, I sell standing at £15. You're both on here. | 0:36:28 | 0:36:31 | |
Standing then at 15, new money at £15. | 0:36:31 | 0:36:36 | |
-182. -He...he... -He tried it. -He flogged it. | 0:36:36 | 0:36:40 | |
Our auctioneer is putting the hours in indeed. | 0:36:42 | 0:36:44 | |
Hard luck, Anita. | 0:36:44 | 0:36:46 | |
Anita Manning, where's this going? | 0:36:46 | 0:36:48 | |
Selling on the net at £6. | 0:36:48 | 0:36:50 | |
Don't speak too soon. | 0:36:50 | 0:36:52 | |
This game could still be anyone's. | 0:36:52 | 0:36:54 | |
Can Paul's job lot of Air Force items see him flying high? | 0:36:54 | 0:36:58 | |
20 quid? | 0:36:58 | 0:37:00 | |
Anyone 20? 10 then? | 0:37:00 | 0:37:02 | |
£10 for this little lot. | 0:37:02 | 0:37:04 | |
10 I'm bid here. 10, 12, at 12 now, goes at 12. | 0:37:04 | 0:37:07 | |
-15, 18, against it at 18... -That's it. | 0:37:07 | 0:37:10 | |
20, the net at 20. | 0:37:10 | 0:37:12 | |
At 22, underbidder, have another go, 25, | 0:37:12 | 0:37:15 | |
is that it, all done? | 0:37:15 | 0:37:16 | |
At 25 I sell the net, then, at 25. | 0:37:16 | 0:37:20 | |
Sadly, it's not a flyer. | 0:37:20 | 0:37:22 | |
But there's still everything to play for. | 0:37:22 | 0:37:26 | |
Today's auctioneer liked Anita's little child's sporran. | 0:37:26 | 0:37:28 | |
Will the crowd? | 0:37:28 | 0:37:30 | |
The sporran, 20 quid. Anyone 20? | 0:37:30 | 0:37:32 | |
-Yes, go on! -It's got to be worth 20. | 0:37:32 | 0:37:34 | |
22, 25, it's with the net at 25. | 0:37:34 | 0:37:37 | |
Anyone else in the room? | 0:37:37 | 0:37:38 | |
It's your sort of thing, sir! It really is your sort of thing. | 0:37:38 | 0:37:41 | |
At 25, I'm selling here on the net at 25. No-one else? | 0:37:41 | 0:37:44 | |
Done and finished then at 25. | 0:37:44 | 0:37:48 | |
Ah, well. | 0:37:48 | 0:37:49 | |
That's the best result of the day so far, isn't it? | 0:37:49 | 0:37:52 | |
We're keeping in to break even. | 0:37:53 | 0:37:55 | |
It breaks even indeed. | 0:37:55 | 0:37:57 | |
Now it is Paul's sizeable cowskin trunk. | 0:37:57 | 0:38:00 | |
Will a big item mean a big profit? | 0:38:00 | 0:38:02 | |
Come in at 50 quid. 50 I'm bid, | 0:38:02 | 0:38:04 | |
-50, 55, 60, 65... -It's running. -70, 75, 80... -It should. | 0:38:04 | 0:38:08 | |
85, at 85 now, down then at 85, | 0:38:08 | 0:38:10 | |
90, 95, 100 I've got. | 0:38:10 | 0:38:12 | |
-Hey, Paul, you're going... -110... | 0:38:12 | 0:38:15 | |
At £110 now. | 0:38:15 | 0:38:17 | |
Is that it? I sell at 110. | 0:38:17 | 0:38:20 | |
At £110, no-one else? | 0:38:20 | 0:38:22 | |
All done at 110. Net, nothing on you. | 0:38:22 | 0:38:27 | |
Excellent. A nice profit for Paul. | 0:38:27 | 0:38:30 | |
-How the hell did I get a profit? -Well done. -Take it. -Well done. | 0:38:30 | 0:38:34 | |
That was a good spend. | 0:38:34 | 0:38:36 | |
Anita's cabinet in the Art Nouveau style is up next. | 0:38:36 | 0:38:39 | |
10 I'm bid, 10, 12, 15, 18, 20, | 0:38:39 | 0:38:41 | |
down here at £20, seated at 20, | 0:38:41 | 0:38:43 | |
in the middle of the seats at 20, 22, 25, | 0:38:43 | 0:38:46 | |
in the room at 25 now. | 0:38:46 | 0:38:47 | |
At 25, 28, 30 off you. Oh, come on! | 0:38:47 | 0:38:50 | |
-30, the lady at 30, -Yes. His wife said yes. | 0:38:50 | 0:38:53 | |
Sold the lady at 30. Take 2 again, 32, 35. | 0:38:53 | 0:38:56 | |
35, 35, the lady at 35. | 0:38:56 | 0:38:58 | |
With the lady at 35, 38, 40, madam. | 0:38:58 | 0:39:01 | |
Yes. | 0:39:01 | 0:39:03 | |
40, at 40, back at 40, take the 5? No, you are out. | 0:39:03 | 0:39:06 | |
-At 40, do you want to bid against her, sir? -LAUGHTER | 0:39:06 | 0:39:10 | |
At 40, sell then at £40. | 0:39:10 | 0:39:12 | |
-Yes! -Well done. | 0:39:14 | 0:39:15 | |
Another healthy profit and this race is nearly neck and neck. | 0:39:15 | 0:39:19 | |
Now we're back on the boil, Anita Manning. | 0:39:19 | 0:39:22 | |
So can Paul's spurs...spur him to further success? | 0:39:22 | 0:39:28 | |
Anyone 10? 10 here. 10? | 0:39:28 | 0:39:31 | |
Is that it? At 10? Take 2? | 0:39:31 | 0:39:33 | |
12, 15, here at 15. | 0:39:33 | 0:39:36 | |
This side at £15. | 0:39:36 | 0:39:37 | |
All done at £15. | 0:39:37 | 0:39:40 | |
Goes at £15. | 0:39:40 | 0:39:42 | |
Oh! He's done really well there, no luck. | 0:39:42 | 0:39:47 | |
That's sore. | 0:39:47 | 0:39:49 | |
An unfortunate loss, but again a small one. | 0:39:49 | 0:39:53 | |
Now it's Anita's last lot. | 0:39:53 | 0:39:55 | |
Any self-playing piano enthusiasts out there? | 0:39:55 | 0:39:58 | |
Pound apiece. 17 quid, come in at £17? | 0:39:58 | 0:40:01 | |
Anyone 17? Tenner then? | 0:40:01 | 0:40:03 | |
£10? Has anyone got a Pianola at home? | 0:40:03 | 0:40:05 | |
Could you put your hand up, please, and identify yourself? | 0:40:05 | 0:40:08 | |
-And we'll take your bid. -That old trick. | 0:40:08 | 0:40:10 | |
Fiver then? | 0:40:10 | 0:40:12 | |
5 on the net, the net at 5. And I sell at £5. | 0:40:12 | 0:40:16 | |
Is that it at a fiver? 6 net. Who's at 6? | 0:40:16 | 0:40:18 | |
Sell then at 6. | 0:40:18 | 0:40:20 | |
Done then at 6, all done at 6. | 0:40:20 | 0:40:23 | |
-7, at 7 now. -£7! | 0:40:23 | 0:40:27 | |
At 8. I'm selling at 8 then. | 0:40:27 | 0:40:30 | |
Done at £8, no-one else? | 0:40:30 | 0:40:32 | |
All done at 8, goes at 8. | 0:40:32 | 0:40:35 | |
Oh, Anita Manning! | 0:40:35 | 0:40:37 | |
This is going to be pretty close. | 0:40:37 | 0:40:39 | |
We've sold 50 lots in five auctions. | 0:40:39 | 0:40:43 | |
There's nothing in it and it is hanging on Reeves Pneumatic Broom! | 0:40:43 | 0:40:47 | |
This is indeed the situation in which we find ourselves, Paul. | 0:40:50 | 0:40:53 | |
The bid's at 5, 5, 6, | 0:40:53 | 0:40:56 | |
is that it at 6? | 0:40:56 | 0:40:57 | |
All done at 6? | 0:40:57 | 0:40:59 | |
-Oh! -7, the net at 7, 8, at 8 now, | 0:40:59 | 0:41:02 | |
9, 10... | 0:41:02 | 0:41:04 | |
we're in at 10. At £10. | 0:41:04 | 0:41:06 | |
Cheap! It's cheap! | 0:41:06 | 0:41:08 | |
At 10... It is cheap, I agree, it's cheap. | 0:41:08 | 0:41:11 | |
This would make an ideal Christmas present for somebody. | 0:41:11 | 0:41:14 | |
-There could be... -If they want a divorce. -..power cuts! | 0:41:14 | 0:41:17 | |
Sell at a tenner. Finished and done at £10. No-one else? | 0:41:17 | 0:41:20 | |
All done at ten. Is that it? | 0:41:20 | 0:41:22 | |
Done and finished then at £10. | 0:41:22 | 0:41:25 | |
Hysteria all-round in the sale room, | 0:41:27 | 0:41:30 | |
but it's a photo finish to see who's won. | 0:41:30 | 0:41:32 | |
I think that's it. | 0:41:32 | 0:41:34 | |
£2 in it. | 0:41:34 | 0:41:35 | |
Anita Manning, this has been some trip. | 0:41:35 | 0:41:38 | |
I don't believe this. | 0:41:38 | 0:41:41 | |
I don't believe it. | 0:41:41 | 0:41:44 | |
Paul started this leg with £344.99. | 0:41:44 | 0:41:48 | |
After auction costs, | 0:41:48 | 0:41:49 | |
he made a loss of £23.64 | 0:41:49 | 0:41:51 | |
so ends this trip with £321.35. | 0:41:51 | 0:41:55 | |
While Anita began with £389.20. | 0:41:57 | 0:42:02 | |
After costs, she made a loss of £63.24. | 0:42:02 | 0:42:06 | |
So although she loses this battle, she still wins the war, | 0:42:06 | 0:42:09 | |
ending with £325.96 | 0:42:09 | 0:42:11 | |
and besting Paul by a mere £4.61. | 0:42:12 | 0:42:16 | |
Wow! All profits go to Children In Need. | 0:42:17 | 0:42:19 | |
That was the most exciting end. | 0:42:19 | 0:42:22 | |
It was fabulous. | 0:42:22 | 0:42:24 | |
What a wonderful end to the most sweet trip. | 0:42:24 | 0:42:27 | |
Thanks of the companionship and the journey. | 0:42:27 | 0:42:30 | |
MUSIC: It's Got To Be Perfect by Fairground Attraction | 0:42:30 | 0:42:32 | |
What a lovely pair you do make. | 0:42:32 | 0:42:34 | |
# To play silly games. # | 0:42:34 | 0:42:35 | |
This really has been a near-perfect partnership, | 0:42:35 | 0:42:38 | |
full of the fun, frolics and fancy goods the road trip can offer. | 0:42:38 | 0:42:41 | |
# I won't do that again. | 0:42:41 | 0:42:44 | |
# It's got to be | 0:42:44 | 0:42:49 | |
-# Perfect. # -They've compared notes... -Does my bum look big in this hat? | 0:42:49 | 0:42:53 | |
# It's got to be | 0:42:53 | 0:42:56 | |
-# Worth it... # -..shared jokes. | 0:42:56 | 0:42:58 | |
LOUDSPEAKER SQUEAKS Jimi Hendrix has entered the building. | 0:42:58 | 0:43:01 | |
# Too many people take second best... # | 0:43:01 | 0:43:03 | |
Yeah, perfect working order. | 0:43:03 | 0:43:05 | |
And really had a grand old time on the road. | 0:43:05 | 0:43:08 | |
# Yeah | 0:43:08 | 0:43:10 | |
# Perfect. # | 0:43:10 | 0:43:13 | |
Goodbye, you two. | 0:43:13 | 0:43:15 | |
Don't forget to write. | 0:43:15 | 0:43:17 |