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-It's the nation's favourite antiques experts. -What about that? | 0:00:02 | 0:00:06 | |
With £200 each, a classic car, | 0:00:06 | 0:00:09 | |
and a goal - to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:17 | |
Feeling a little SAW. | 0:00:17 | 0:00:18 | |
This is going to be an epic battle. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:24 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-The honeymoon is over. -I'm sorry! -This is the Antiques Road Trip. | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:34 | |
On this Antiques Road Trip, it's wisdom versus youth, | 0:00:37 | 0:00:39 | |
with veteran Charlie Ross | 0:00:39 | 0:00:41 | |
and a brand-new star addition to the roster | 0:00:41 | 0:00:44 | |
in the shape of keen, young Natasha Raskin. | 0:00:44 | 0:00:47 | |
I cannot wait, Charlie. I cannot wait! We're so lucky, aren't we? | 0:00:47 | 0:00:50 | |
-We are very lucky. -We are so lucky. | 0:00:50 | 0:00:52 | |
Soak up this week. | 0:00:52 | 0:00:53 | |
It'll be one of the most memorable weeks of your life. | 0:00:53 | 0:00:56 | |
You can say that again. | 0:00:56 | 0:00:58 | |
This may be Natasha's very first Road Trip, | 0:00:58 | 0:01:01 | |
but this fresh-faced lass comes with an august pedigree | 0:01:01 | 0:01:05 | |
in fine art auctioneering for one of Glasgow's top auction houses. | 0:01:05 | 0:01:09 | |
-Paintings are what I deal with in Glasgow generally. -Paintings? | 0:01:09 | 0:01:12 | |
-And she's already a fan of the Trip. -I've seen you many a time, Charlie. | 0:01:12 | 0:01:15 | |
-Have you? -Oh, I know what I'm up against. | 0:01:15 | 0:01:18 | |
Her rival is Oxfordshire's Charlie Ross, a seasoned Road Trip old-timer | 0:01:18 | 0:01:23 | |
who knows this game like the back of his hand. | 0:01:23 | 0:01:25 | |
Let's get a pact going here from the outset. Let's both try and win. | 0:01:25 | 0:01:30 | |
And what do you normally do, Charlie? | 0:01:30 | 0:01:31 | |
Each of our experts begin this Road Trip with £200 to spend. | 0:01:33 | 0:01:37 | |
-£200 to spend. -I just said that. | 0:01:37 | 0:01:40 | |
-Wonderful shops to go to. -So I hear. | 0:01:40 | 0:01:42 | |
Today these two are driving a gleaming 1971 Triumph TR6. | 0:01:42 | 0:01:47 | |
-Beautiful. -Superb. The driver? | 0:01:47 | 0:01:50 | |
-Your handling is excellent. -Oh, my handling! | 0:01:50 | 0:01:52 | |
And it's not just the Road Trip young Natasha's new to. | 0:01:52 | 0:01:56 | |
It's also roads in general. | 0:01:56 | 0:01:58 | |
Now, are you looking forward to driving this car? | 0:01:58 | 0:02:01 | |
-I was hoping you wouldn't ask me that, Charlie. -Why's that? | 0:02:01 | 0:02:03 | |
-I've been driving for about two months. -How long?! | 0:02:03 | 0:02:06 | |
-Two months? -Two months. | 0:02:06 | 0:02:08 | |
-Two months, yes. -What? This should be interesting. | 0:02:08 | 0:02:12 | |
This week, Natasha and Charlie will journey from Falmouth | 0:02:13 | 0:02:17 | |
in Cornwall on an epic adventure of over 900 miles | 0:02:17 | 0:02:20 | |
to end up in Stansted Mountfitchet | 0:02:20 | 0:02:23 | |
in the county of Essex. | 0:02:23 | 0:02:24 | |
On today's show, | 0:02:24 | 0:02:26 | |
they're taking in all the glories of the coastal southwest | 0:02:26 | 0:02:28 | |
as they begin in Falmouth and end up at auction | 0:02:28 | 0:02:32 | |
in Ottery St Mary in Devon. | 0:02:32 | 0:02:34 | |
-Isn't it lovely here? -It is amazing. | 0:02:34 | 0:02:36 | |
Lovely undulations. | 0:02:36 | 0:02:38 | |
-Oh, the undulations. -Green vegetation. | 0:02:38 | 0:02:40 | |
Are you about to burst into poetry? | 0:02:40 | 0:02:42 | |
I wandered lonely as a cloud. | 0:02:42 | 0:02:45 | |
-Good morning, sir! -Good morning. | 0:02:45 | 0:02:49 | |
Gosh, you two are chipper today. | 0:02:49 | 0:02:51 | |
-Where are we going? -Falmouth! | 0:02:51 | 0:02:53 | |
Honestly, how many times? | 0:02:53 | 0:02:55 | |
-Falmouth. -Falmouth. | 0:02:55 | 0:02:56 | |
Thank you. They're pulling up at the harbour. | 0:02:56 | 0:03:00 | |
-Right. -OK. | 0:03:00 | 0:03:01 | |
-Your debut. -Charlie, can you come with me? | 0:03:01 | 0:03:04 | |
-Are you nervous? -I am nervous. | 0:03:04 | 0:03:06 | |
-Don't be nervous. -Can we do it together? | 0:03:06 | 0:03:08 | |
-No, we can't do it together, because I'm going to beat you. -Oh. | 0:03:08 | 0:03:11 | |
I don't even know how to get out! | 0:03:11 | 0:03:13 | |
-This is off to a good start then(!) -Allow me, madam. Hold on. | 0:03:13 | 0:03:18 | |
-Cor, blimey. -Who said chivalry is dead? | 0:03:18 | 0:03:21 | |
Oh, I don't know why you're laughing. I'll be driving you around soon. | 0:03:22 | 0:03:26 | |
Oh, look at this. Right, thank you so much. Thank you. | 0:03:26 | 0:03:29 | |
-Come on. -Here we go! | 0:03:29 | 0:03:31 | |
They're heading off to their first shops. | 0:03:31 | 0:03:33 | |
And our new start Natasha is hurrying off | 0:03:33 | 0:03:36 | |
into High Street Antiques. | 0:03:36 | 0:03:39 | |
Her very first shop. Golly, how exciting. She's meeting dealer Sue. | 0:03:39 | 0:03:43 | |
Hi, Sue. | 0:03:43 | 0:03:44 | |
-Hello! -Hi. Hello, I'm Natasha. | 0:03:44 | 0:03:46 | |
Nice to meet you, I'm Sue. | 0:03:46 | 0:03:48 | |
-I'm a bit nervous. -Well, let's hope you find something good. | 0:03:48 | 0:03:51 | |
Oh, where to start? Where to start? | 0:03:51 | 0:03:53 | |
She'll need nerves of steel | 0:03:53 | 0:03:55 | |
and a magpie's eye to find her first bargain. | 0:03:55 | 0:03:59 | |
Looks lethal. | 0:03:59 | 0:04:00 | |
Don't really know where to start. | 0:04:02 | 0:04:05 | |
Up a creek without a paddle. SHE LAUGHS | 0:04:06 | 0:04:09 | |
Don't speak too soon, Natasha. | 0:04:09 | 0:04:11 | |
I like this. This has a touch of the old Joni Mitchell about it. | 0:04:11 | 0:04:15 | |
It's a stringed instrument known as a zither. Ticket price is £45. | 0:04:15 | 0:04:19 | |
Sort of, you know... Very mountain style. I love it. Very folky. | 0:04:20 | 0:04:25 | |
Oh, my goodness. Is this going to be my first purchase? | 0:04:25 | 0:04:28 | |
I don't know if I'm ready to make music... | 0:04:28 | 0:04:30 | |
Shall we ask Sue? Sue? Sue? | 0:04:30 | 0:04:33 | |
Sue, OK, I'm really attracted to this gorgeous zither. | 0:04:33 | 0:04:36 | |
-I'm not going to give you a demonstration... -THEY LAUGH | 0:04:38 | 0:04:41 | |
I thought we were going to burst into songs. | 0:04:41 | 0:04:43 | |
# The hills are alive... # | 0:04:43 | 0:04:44 | |
Ahem. Let's not, eh? | 0:04:44 | 0:04:47 | |
-OK, so what do you think about it? -Well, it's marked up at £45. | 0:04:47 | 0:04:51 | |
We can do a little bit on it. | 0:04:51 | 0:04:53 | |
And what's the very best price that you can do for it? | 0:04:53 | 0:04:55 | |
Er... | 0:04:55 | 0:04:57 | |
-The very best price would be £30. -£30. | 0:04:57 | 0:05:01 | |
Well, I think it's got a go at that. If you're happy with 30? | 0:05:01 | 0:05:04 | |
-Absolutely. -Sue, you are such a lady. Oh, my goodness. | 0:05:04 | 0:05:07 | |
Thank you so much. Done. | 0:05:07 | 0:05:08 | |
Oh, my goodness, my nerves are floating away! | 0:05:08 | 0:05:11 | |
With that decisive deal, she's in the game. Now don't HARP on, eh? | 0:05:11 | 0:05:15 | |
Now as it happens, Charlie's just next door in Roadshow Antiques. | 0:05:19 | 0:05:23 | |
-Come in, Charlie. Hello. -Hello! | 0:05:24 | 0:05:26 | |
He's meeting dealer Chris, who just happens to be married to Sue | 0:05:26 | 0:05:31 | |
and speaking of which, Charlie's spotted something. | 0:05:31 | 0:05:34 | |
So these came from a cinema, obviously. | 0:05:34 | 0:05:36 | |
Did you buy them from a cinema here? | 0:05:36 | 0:05:38 | |
-Came out of the Grand Cinema in Falmouth, Charlie. -Really? | 0:05:38 | 0:05:41 | |
-My wife and I used to court on those seats. -HE LAUGHS | 0:05:41 | 0:05:44 | |
How lovely. But those aren't for sale, Charlie. | 0:05:44 | 0:05:46 | |
But soon enough, | 0:05:54 | 0:05:55 | |
he's spied an item with all the romance of the high seas. | 0:05:55 | 0:05:59 | |
Ooh, is that brass? | 0:05:59 | 0:06:00 | |
-Steel, I think. -Steel it is. | 0:06:00 | 0:06:02 | |
Yeah. Big pair of ship's dividers. | 0:06:02 | 0:06:05 | |
It's a large pair of shipwright's dividers | 0:06:05 | 0:06:08 | |
used for marking shipbuilding timbers. | 0:06:08 | 0:06:11 | |
-American steel. -American? Is it? | 0:06:11 | 0:06:13 | |
I'm pretty sure it's American, yeah. | 0:06:13 | 0:06:15 | |
I think that's a wonderful thing. | 0:06:15 | 0:06:17 | |
It's just a piece of history, isn't it? | 0:06:17 | 0:06:19 | |
Charlie's keen, so we know what's coming. | 0:06:19 | 0:06:22 | |
-There's no price tag on them. -There's no price tag on, Charlie. | 0:06:22 | 0:06:25 | |
-Are they free? -Oh, not quite free, no. | 0:06:25 | 0:06:28 | |
-I've been looking for close to 50 quid, Charlie. -Have you? | 0:06:28 | 0:06:31 | |
I'm not surprised. | 0:06:31 | 0:06:32 | |
But I don't think somebody will pay that at auction for them. Will they? | 0:06:32 | 0:06:35 | |
That's my problem. I mean, we're by the sea. | 0:06:35 | 0:06:38 | |
I feel...that it's the sort of thing that ought to be bought down here. | 0:06:38 | 0:06:42 | |
-A bit of nauticalia. -Oh, I like that word! Nauticalia. | 0:06:42 | 0:06:46 | |
Very nauticalia. Could they be bought for 20 quid? | 0:06:46 | 0:06:49 | |
-Because that's what I want to buy them for. -Yes, go on, then. | 0:06:49 | 0:06:52 | |
I'll take 20 quid, Charlie. | 0:06:52 | 0:06:53 | |
He's navigated his first purchase very ably. | 0:06:53 | 0:06:56 | |
Ooh, that's a nice bag, look. | 0:06:56 | 0:06:59 | |
I have to reference one other thing in your shop. | 0:06:59 | 0:07:02 | |
And that is that fantastic rucksack. | 0:07:02 | 0:07:05 | |
I mean, it's not a thing of beauty, is it? But it must tell a story! | 0:07:05 | 0:07:08 | |
Nor are you, but somebody must love you, I'm sure. | 0:07:08 | 0:07:11 | |
CHARLIE LAUGHS | 0:07:11 | 0:07:13 | |
Well, I've come to the right place for the odd insult. | 0:07:13 | 0:07:17 | |
And deserving of that. | 0:07:17 | 0:07:18 | |
You said it. | 0:07:18 | 0:07:20 | |
But another pair of outdoorsy items are next to the unloved rucksack. | 0:07:20 | 0:07:25 | |
Aren't they lovely? They're beautifully made, aren't they? | 0:07:25 | 0:07:28 | |
Yes, they're very pretty. Little deer horns on the top. | 0:07:28 | 0:07:31 | |
They're two early 20th-century alpine walking sticks or crooks | 0:07:31 | 0:07:35 | |
with horn handles, ticketed at £28 each. | 0:07:35 | 0:07:38 | |
Attractive, but what would Chris take for them? | 0:07:38 | 0:07:40 | |
I'll give you 20 quid for the two, and you can keep the rucksack. | 0:07:43 | 0:07:46 | |
All right, then. | 0:07:46 | 0:07:47 | |
-Are you sure? -Yes. | 0:07:47 | 0:07:48 | |
So another bargain in the bag. | 0:07:48 | 0:07:50 | |
He spent £40, so has 160 smackers left in his wallet. | 0:07:50 | 0:07:55 | |
Oh, but look who's on her way. | 0:07:57 | 0:07:59 | |
Charlie is literally next door. | 0:07:59 | 0:08:00 | |
I'm going to see what he's up to cos he's not going to get away | 0:08:00 | 0:08:03 | |
with getting something better than I have! | 0:08:03 | 0:08:05 | |
She's got the hang of this quickly. | 0:08:05 | 0:08:07 | |
You're going to need stamina when you're fighting with me, Chris. | 0:08:07 | 0:08:10 | |
Oh, dear. | 0:08:10 | 0:08:11 | |
-Charlie Ross, what are you up to? -Oh, my goodness me! | 0:08:11 | 0:08:14 | |
-Hello! Surprise. Hello, I'm Tasha. -Hi. | 0:08:14 | 0:08:16 | |
-Shall I stab you or shake your hand? -Please shake my hand. | 0:08:16 | 0:08:19 | |
-Please don't stab me with your crook. -I was swashbuckling. | 0:08:19 | 0:08:22 | |
I was buckling my swash. | 0:08:22 | 0:08:23 | |
Yes, that's enough of that. | 0:08:23 | 0:08:24 | |
I'll leave you to it. Chris, thank you very much indeed. | 0:08:24 | 0:08:26 | |
-Thank you very much. -Lovely to see you. | 0:08:26 | 0:08:28 | |
It's young Natasha's turn to browse Chris' wares | 0:08:28 | 0:08:32 | |
and immediately her eye is drawn to something we've seen before. | 0:08:32 | 0:08:36 | |
I'm attracted to this rucksack... | 0:08:36 | 0:08:39 | |
Just because it's completely nuts and it's sitting right there. | 0:08:39 | 0:08:42 | |
-Charlie liked this as well, actually. -Oh, did he? | 0:08:42 | 0:08:45 | |
Yeah. He was very keen. | 0:08:45 | 0:08:46 | |
Was he, Chris? Really? | 0:08:46 | 0:08:48 | |
Oh, rascal. | 0:08:48 | 0:08:50 | |
-I mean, certainly... -But I've got £28 on it. | 0:08:50 | 0:08:53 | |
I mean, it's obviously in total disrepair. | 0:08:53 | 0:08:55 | |
But if the price were right, I mean, it's so quirky. | 0:08:55 | 0:08:58 | |
It could be quite fun at the auction. | 0:08:58 | 0:09:00 | |
-What sort of price were you thinking here? -Oh, I'm thinking sub-ten. | 0:09:00 | 0:09:04 | |
-What about five quid? -Five quid. I mean... | 0:09:04 | 0:09:06 | |
Oh, five quid. | 0:09:07 | 0:09:09 | |
What would someone actually spend on that in the auction? | 0:09:09 | 0:09:11 | |
But if Natasha can find something else she likes in here, | 0:09:11 | 0:09:14 | |
Chris might throw it into a bigger deal. | 0:09:14 | 0:09:16 | |
We might be able to get below a fiver then. | 0:09:16 | 0:09:18 | |
Oh, my goodness. Sub-five? That's a bit cheeky. | 0:09:18 | 0:09:21 | |
-Well, all you Scottish girls are cheeky. -SHE LAUGHS | 0:09:21 | 0:09:24 | |
Don't you know it? | 0:09:24 | 0:09:26 | |
-OK, there is one other thing that I liked, and talking of cheeky... -OK. | 0:09:26 | 0:09:29 | |
I clocked her over here. There's a bit of a saucy lassie in an etching. | 0:09:29 | 0:09:33 | |
I say! | 0:09:33 | 0:09:34 | |
This is the lassie I was talking about. | 0:09:34 | 0:09:36 | |
Is she not just gorgeous? | 0:09:36 | 0:09:37 | |
It's an early 20th-century French print, | 0:09:37 | 0:09:39 | |
a type of etching known as drypoint. | 0:09:39 | 0:09:42 | |
And depicting a comely young lady. Ooh la la! | 0:09:43 | 0:09:47 | |
And I love her because... A - she's in pretty great condition. | 0:09:47 | 0:09:51 | |
There's hardly any fading or anything there. | 0:09:51 | 0:09:53 | |
And a little bit racy. | 0:09:53 | 0:09:55 | |
Ticket price is £65, | 0:09:55 | 0:09:57 | |
but does Natasha have the je ne sais quoi to haggle a better deal? | 0:09:57 | 0:10:02 | |
-How about I make you an offer of 30 quid? -What about 50? | 0:10:02 | 0:10:06 | |
£50. | 0:10:06 | 0:10:07 | |
Can we meet halfway at 40? | 0:10:07 | 0:10:09 | |
£39 for the drypoint and a pound for the knapsack. | 0:10:10 | 0:10:13 | |
OK, it's a deal. | 0:10:13 | 0:10:14 | |
One pound for the knapsack? | 0:10:14 | 0:10:16 | |
-That'll do. -Have you lost your mind? | 0:10:16 | 0:10:17 | |
Or are you just looking to lose the knapsack? | 0:10:17 | 0:10:19 | |
-I'm just looking to lose the knapsack, I think. -Well, it's a deal. | 0:10:19 | 0:10:22 | |
A terrific deal on the print of mademoiselle | 0:10:22 | 0:10:25 | |
and the knapsack thrown in for a paltry pound. | 0:10:25 | 0:10:28 | |
This ingenue's over her beginner's nerves | 0:10:28 | 0:10:31 | |
and is certainly gaining confidence. | 0:10:31 | 0:10:34 | |
Meanwhile, Charlie has snuck back to the car | 0:10:35 | 0:10:37 | |
and is up to a bit of mischief concerning his new-driver rival. | 0:10:37 | 0:10:41 | |
Hee hee hee! New driver? | 0:10:43 | 0:10:45 | |
"P" plates. | 0:10:47 | 0:10:49 | |
She's going to be livid when she sees this. | 0:10:49 | 0:10:51 | |
Well, safety first, I always say. | 0:10:51 | 0:10:54 | |
Now, as he's by the coast today, Charlie's keen to learn | 0:10:55 | 0:10:58 | |
a little more about Cornwall's seafaring history. | 0:10:58 | 0:11:01 | |
He's heading to King Charles the Martyr Church, | 0:11:01 | 0:11:04 | |
where he's going to spend the afternoon learning about | 0:11:04 | 0:11:07 | |
this area's past in the dread area of piracy on the high seas. | 0:11:07 | 0:11:11 | |
Oh, crumbs. | 0:11:11 | 0:11:13 | |
He's meeting Cornwall county archivist, David Thomas. | 0:11:13 | 0:11:16 | |
Stand by. | 0:11:16 | 0:11:18 | |
-David, it must be. -It is, Charlie. | 0:11:18 | 0:11:20 | |
-Welcome to King Charles the Martyr Church. -Thank you very much indeed. | 0:11:20 | 0:11:23 | |
Lead on. | 0:11:23 | 0:11:24 | |
In the church are historic documents which can shed light | 0:11:24 | 0:11:27 | |
on the area's rich 17th-century history in piracy. | 0:11:27 | 0:11:31 | |
Both on the side of the pirates and those who fell prey to them. | 0:11:31 | 0:11:36 | |
If you lived near the coast, | 0:11:36 | 0:11:38 | |
you could possibly be taken by pirates and ransomed, | 0:11:38 | 0:11:41 | |
or if you had connections with the seafaring industry | 0:11:41 | 0:11:45 | |
and had a relative who was on board a ship that was taken by pirates, | 0:11:45 | 0:11:49 | |
then again, you could actually be subject to a ransom | 0:11:49 | 0:11:53 | |
and they would not be released until they'd paid a certain sum of money. | 0:11:53 | 0:11:57 | |
And we've got an example to show you. | 0:11:57 | 0:11:58 | |
Well, Charlie, we've got the original first parish register | 0:12:00 | 0:12:04 | |
of King Charles the Martyr Parish Church going right back | 0:12:04 | 0:12:07 | |
to the 1660s, in fact 1663. | 0:12:07 | 0:12:10 | |
That tome is 350 years old? | 0:12:10 | 0:12:13 | |
Indeed it is. | 0:12:13 | 0:12:14 | |
And this is the first record book of the church | 0:12:14 | 0:12:18 | |
that we're standing in today. | 0:12:18 | 0:12:19 | |
The volume records a collection of money for the ransom | 0:12:19 | 0:12:22 | |
of a local man taken by North African pirates | 0:12:22 | 0:12:25 | |
and held in Algiers. | 0:12:25 | 0:12:27 | |
He'd been taken on board a ship | 0:12:27 | 0:12:30 | |
and we are told that £60 was required for his redemption | 0:12:30 | 0:12:35 | |
and his mother was so concerned that she actually wrote | 0:12:35 | 0:12:39 | |
to the Bishop of Exeter for a licence or permission | 0:12:39 | 0:12:42 | |
to collect for his redemption. | 0:12:42 | 0:12:45 | |
And the good people of Falmouth stumped up £17 and six shillings. | 0:12:45 | 0:12:50 | |
So they wanted him back quite badly? | 0:12:50 | 0:12:52 | |
But no records survive to tell us what became of him. | 0:12:52 | 0:12:55 | |
Must have been pretty terrifying here. | 0:12:55 | 0:12:57 | |
Always locking your front door. | 0:12:57 | 0:12:59 | |
Peeping over your shoulder. | 0:12:59 | 0:13:00 | |
Indeed. | 0:13:00 | 0:13:02 | |
But in the 1600s, the pirates didn't just hail from overseas. | 0:13:02 | 0:13:06 | |
-No, we had indigenous, West Country pirates. -The bounders! | 0:13:06 | 0:13:10 | |
We've got a document on the table here which tells us | 0:13:10 | 0:13:13 | |
-about one of them. -Really? | 0:13:13 | 0:13:15 | |
Henry Every, who was probably the most notorious pirate | 0:13:15 | 0:13:19 | |
at the end of the 17th century. | 0:13:19 | 0:13:21 | |
Not only in Britain, but possibly on the entire planet. | 0:13:21 | 0:13:24 | |
-Really? -Indeed. | 0:13:24 | 0:13:25 | |
And he was a staunch English fellow? | 0:13:25 | 0:13:27 | |
He was a staunch English fellow who was born in Cattedown, | 0:13:27 | 0:13:30 | |
in Plymouth, in Devon. | 0:13:30 | 0:13:32 | |
He had a very short career in the mid-1690s as a big guy, | 0:13:32 | 0:13:37 | |
bad guy pirate. | 0:13:37 | 0:13:39 | |
And in one occasion in 1695, | 0:13:39 | 0:13:44 | |
he actually took a Mogul treasure ship, | 0:13:44 | 0:13:47 | |
which had at the prices then, | 0:13:47 | 0:13:50 | |
the value of £600,000 worth of treasure. | 0:13:50 | 0:13:54 | |
-Then? -Then... | 0:13:54 | 0:13:55 | |
Which today translates into £52 million worth of treasure. | 0:13:55 | 0:14:02 | |
The ship was laden with the riches of the fabulously wealthy | 0:14:02 | 0:14:05 | |
Mogul emperor, who had ruled most of the Indian subcontinent. | 0:14:05 | 0:14:10 | |
It was among the biggest raids in this age of piracy. | 0:14:10 | 0:14:14 | |
But the pirate Every | 0:14:14 | 0:14:16 | |
and the treasure disappeared soon afterwards. | 0:14:16 | 0:14:19 | |
The letter which is on the table is a really fascinating document | 0:14:19 | 0:14:23 | |
because documents about Every just dry up after 1696, | 0:14:23 | 0:14:28 | |
the year after this famous treasure event. | 0:14:28 | 0:14:31 | |
-Ah! -And this one actually... potentially could tell us something | 0:14:31 | 0:14:37 | |
about the fate of that actual treasure. | 0:14:37 | 0:14:40 | |
And it actually says, on his return from India, | 0:14:41 | 0:14:45 | |
he either landed or was shipwrecked near the Lizard Point - | 0:14:45 | 0:14:49 | |
which, of course, is Britain's most southerly point - | 0:14:49 | 0:14:52 | |
where he buried three chests or boxes full of treasure | 0:14:52 | 0:14:57 | |
in the sands of the seashore. | 0:14:57 | 0:14:59 | |
And then it goes on to describe the chests and their contents, | 0:14:59 | 0:15:03 | |
which was gold bars, gems, diamonds, emeralds, precious stones... | 0:15:03 | 0:15:10 | |
How exciting! | 0:15:10 | 0:15:11 | |
Indeed. It would be very nice to find the treasure. | 0:15:11 | 0:15:14 | |
Local legend has it that Henry Every's spoils | 0:15:14 | 0:15:17 | |
might still be under the sand. | 0:15:17 | 0:15:19 | |
-Has it ever been found? -Not that we know of. | 0:15:19 | 0:15:21 | |
It's one of Cornwall's great mysteries. | 0:15:21 | 0:15:23 | |
Hmm. | 0:15:23 | 0:15:24 | |
It's time for Charlie to set sail, | 0:15:24 | 0:15:26 | |
but I think his visit's given him some ideas. | 0:15:26 | 0:15:29 | |
Ah-harrr, me hearties! I'll find this 52 million, | 0:15:29 | 0:15:34 | |
if it takes me all night. | 0:15:34 | 0:15:36 | |
METAL DETECTOR BUZZING | 0:15:37 | 0:15:39 | |
My word, me hearties! I've found a doubloon. | 0:15:39 | 0:15:45 | |
I've got a doubloon! | 0:15:45 | 0:15:48 | |
# Round, round, get around I get around... # | 0:15:50 | 0:15:53 | |
Meanwhile, Natasha - | 0:15:53 | 0:15:54 | |
who's only had her driving licence for two months - is back at the car. | 0:15:54 | 0:15:58 | |
Look out. | 0:15:58 | 0:15:59 | |
There we go. Oh, Rosco! | 0:15:59 | 0:16:02 | |
I'm going to show him. I'm going to show him. OK, here we go. | 0:16:03 | 0:16:07 | |
Wheel, stick, engine? | 0:16:07 | 0:16:11 | |
This does not fill me with confidence. | 0:16:11 | 0:16:14 | |
# I'm gettin' bugged driving up and down the same old strip... # | 0:16:14 | 0:16:17 | |
Careful now. | 0:16:17 | 0:16:19 | |
Yeah! Oops! | 0:16:19 | 0:16:21 | |
Hmm. | 0:16:21 | 0:16:22 | |
But "P" plates or not, she's soon in the swing of the open road. | 0:16:22 | 0:16:26 | |
Oh, I don't think I've ever felt so free. | 0:16:26 | 0:16:30 | |
This is unbelievable. | 0:16:30 | 0:16:32 | |
This afternoon, | 0:16:32 | 0:16:34 | |
Natasha is motoring to the Cornish village of Charlestown. | 0:16:34 | 0:16:37 | |
A very pretty little village and harbour, | 0:16:37 | 0:16:39 | |
where she's aiming for another shop. | 0:16:39 | 0:16:42 | |
-This must be Sail Loft Emporium. You must be Richard. -Hello, Natasha. | 0:16:42 | 0:16:45 | |
Very nice to see you. | 0:16:45 | 0:16:46 | |
How charming. | 0:16:46 | 0:16:48 | |
(There's a lot to choose from around here.) | 0:16:51 | 0:16:54 | |
Why are you whispering? Do speak up. | 0:16:54 | 0:16:58 | |
But soon enough, | 0:16:58 | 0:16:59 | |
she's found something with a little local flavour. | 0:16:59 | 0:17:02 | |
-What do you want to know about this one? -This is it. | 0:17:02 | 0:17:04 | |
Well, first of all, what I DO know is I absolutely love it. | 0:17:04 | 0:17:07 | |
Very rustic and organic. | 0:17:07 | 0:17:09 | |
It's a 16-piece tea set made by Cornish pottery | 0:17:09 | 0:17:13 | |
Knight's of Tintagel, probably dating from the 1970s. | 0:17:13 | 0:17:17 | |
It's a full set. | 0:17:17 | 0:17:20 | |
You've got the coffee pot, you've got the hot water. Milk, sugar... | 0:17:20 | 0:17:23 | |
-We've got it all. -And the six mugs and saucers as well. | 0:17:23 | 0:17:26 | |
I think there's an absolutely gorgeous appeal. | 0:17:26 | 0:17:28 | |
I love the way these cups have a sort of a waistline on them. | 0:17:28 | 0:17:30 | |
Ticket price is £20, | 0:17:30 | 0:17:32 | |
but Natasha already knows better than to dive in there. | 0:17:32 | 0:17:35 | |
It's going to be very cheeky. I'm going to go half price. | 0:17:35 | 0:17:37 | |
-I'm going to offer you ten. -Oof! | 0:17:37 | 0:17:39 | |
-Erm... -Careful. | 0:17:39 | 0:17:41 | |
Ten? I would probably go down to 15. | 0:17:41 | 0:17:45 | |
I feel really mean. What if I said 12? | 0:17:46 | 0:17:48 | |
-You're being really mean. -SHE LAUGHS | 0:17:48 | 0:17:51 | |
I'm more than happy with 12. | 0:17:51 | 0:17:53 | |
-Are you sure? -I'm... | 0:17:53 | 0:17:55 | |
Hold on... Yes. | 0:17:56 | 0:17:57 | |
-I'm sure. -Oh, goodness. What are you like? | 0:17:57 | 0:17:59 | |
Shall we do the right thing and shake on it? | 0:17:59 | 0:18:01 | |
-OK. -OK. Shall we kiss on it? | 0:18:01 | 0:18:03 | |
Congratulations. Why not? | 0:18:03 | 0:18:04 | |
Steady on! | 0:18:04 | 0:18:05 | |
I feel like this is a real welcome to Cornwall. | 0:18:05 | 0:18:07 | |
I'll say. | 0:18:07 | 0:18:08 | |
So, Natasha's got another fine deal on the tea set. | 0:18:08 | 0:18:12 | |
And with that, | 0:18:14 | 0:18:15 | |
it's the end of their first day on the jolly old Road Trip. | 0:18:15 | 0:18:18 | |
Night-night, you two. | 0:18:18 | 0:18:19 | |
The next morning, not even the soggy weather | 0:18:23 | 0:18:26 | |
can dampen the spirits of this chipper pair. | 0:18:26 | 0:18:28 | |
This is amazing. This is amazing. | 0:18:28 | 0:18:30 | |
It's fantastic. Now tell me, how was your first day yesterday? | 0:18:30 | 0:18:33 | |
Oh, it was really great. | 0:18:33 | 0:18:34 | |
I really enjoyed it. Didn't you? | 0:18:34 | 0:18:36 | |
So far, Natasha's spent £82 on four lots. | 0:18:36 | 0:18:39 | |
The zither, | 0:18:40 | 0:18:42 | |
the rucksack, | 0:18:42 | 0:18:43 | |
the tea set | 0:18:43 | 0:18:45 | |
and the saucy print, | 0:18:45 | 0:18:46 | |
leaving her £118 for the day ahead. | 0:18:46 | 0:18:49 | |
While her canny competitor Charlie has spent only £40 on two items - | 0:18:49 | 0:18:53 | |
the pair of alpine walking sticks | 0:18:53 | 0:18:57 | |
and the maritime dividers. | 0:18:57 | 0:18:58 | |
So he still boasts a budget of £160. | 0:18:58 | 0:19:03 | |
Westward, ho! | 0:19:03 | 0:19:04 | |
Hang on. You're going eastwards, Charlie. | 0:19:04 | 0:19:06 | |
Today, they're driving towards Plymouth in Devon. | 0:19:08 | 0:19:10 | |
Good Lord! Plymouth! | 0:19:10 | 0:19:12 | |
There you go. | 0:19:12 | 0:19:13 | |
A city steeped in the noble history of seafaring. | 0:19:13 | 0:19:16 | |
They're kicking off the day's buying at two adjacent shops | 0:19:16 | 0:19:19 | |
on a well-appointed courtyard. | 0:19:19 | 0:19:21 | |
Ideal. | 0:19:21 | 0:19:23 | |
I can't get out! | 0:19:23 | 0:19:24 | |
Oh, do come along now, Natasha! | 0:19:24 | 0:19:27 | |
Charlie's diving into 27 New Street, a vast complex of different dealers, | 0:19:27 | 0:19:32 | |
though sadly many of them appear to be closed this morning. | 0:19:32 | 0:19:35 | |
But that won't stop old Rosco. Oh, no. | 0:19:35 | 0:19:38 | |
Oh, I can see an antique. Look! | 0:19:41 | 0:19:44 | |
A davenport desk from 1830, 1840? | 0:19:45 | 0:19:50 | |
I'd buy it if it was ever so cheap. | 0:19:50 | 0:19:53 | |
It's quite difficult to read a label at four yards when you're my age. | 0:19:53 | 0:19:56 | |
But we might ask downstairs. | 0:19:56 | 0:19:58 | |
Dealer Anton has the keys to the unit. | 0:19:58 | 0:20:01 | |
Lead the way! | 0:20:01 | 0:20:03 | |
And will let Charlie inspect the desk. | 0:20:03 | 0:20:05 | |
It's marked up at £95, but unfortunately, | 0:20:05 | 0:20:09 | |
it's not in tiptop order. | 0:20:09 | 0:20:11 | |
-The worst bit, if you come round here... -Is the split. | 0:20:11 | 0:20:15 | |
..is that split. It's such a restoration project. It's a problem. | 0:20:15 | 0:20:19 | |
It all depends how much it's cost. | 0:20:19 | 0:20:21 | |
So Charlie's going to ring Becky, the dealer who owns it. | 0:20:21 | 0:20:24 | |
Well, well, Anton. The moment of truth. | 0:20:24 | 0:20:27 | |
It's ringing, which is half the battle. | 0:20:27 | 0:20:30 | |
Good morning. | 0:20:30 | 0:20:31 | |
I would pay 40 quid for it and take a chance | 0:20:31 | 0:20:34 | |
and I honestly think it would make 50 or 60 quid at auction. | 0:20:34 | 0:20:37 | |
40 quid. It's not a lot of money | 0:20:37 | 0:20:39 | |
and you don't have to feel badgered into taking it. | 0:20:39 | 0:20:41 | |
Lovely. That's really sweet of you. | 0:20:41 | 0:20:43 | |
The lovely Becky accepts his offer of £40. | 0:20:43 | 0:20:47 | |
And there's one more thing in here | 0:20:47 | 0:20:49 | |
that's caught Charlie's twinkling peepers. | 0:20:49 | 0:20:51 | |
There is a box in here which I've seen. | 0:20:51 | 0:20:55 | |
And it's got an inlay, a marquetry inlaid scene on the top of it. | 0:20:55 | 0:20:58 | |
And the thing that particularly attracted me to it, | 0:20:58 | 0:21:00 | |
is the fact that it's seven quid. | 0:21:00 | 0:21:02 | |
Anton to the rescue once more. | 0:21:02 | 0:21:04 | |
Come on, Anton! | 0:21:04 | 0:21:05 | |
Fly down those stairs. | 0:21:05 | 0:21:08 | |
Bring me the key. | 0:21:09 | 0:21:10 | |
Show me the way to paradise. | 0:21:11 | 0:21:13 | |
Now this was the box. | 0:21:13 | 0:21:14 | |
It's a wooden cigar box in the Art Deco style | 0:21:14 | 0:21:17 | |
and is indeed ticketed at £7. | 0:21:17 | 0:21:20 | |
-If you'd like to make a reasonable offer. -£3, Anton. | 0:21:20 | 0:21:25 | |
-Call it five. -How about four, Anton? Meet me in the middle. | 0:21:25 | 0:21:29 | |
Don't say yes if you don't want to. You sure? | 0:21:30 | 0:21:33 | |
-Happy? -I'm happy. | 0:21:33 | 0:21:35 | |
Anton, £4 is coming your way. | 0:21:35 | 0:21:38 | |
Meanwhile, Natasha is next door in Parade Antiques, | 0:21:40 | 0:21:44 | |
which is presided over by dealer John. | 0:21:44 | 0:21:46 | |
-Hello. You must be John. -I am. | 0:21:46 | 0:21:49 | |
-Hello, I'm Tasha. How are you? -Pleased to meet you. | 0:21:49 | 0:21:51 | |
Charming. | 0:21:56 | 0:21:57 | |
So, she's had a look in the shop, | 0:21:59 | 0:22:01 | |
but John's also got some items in storage that he'll let her see. | 0:22:01 | 0:22:05 | |
Store room. Oh, my goodness. Where are we going? | 0:22:06 | 0:22:09 | |
-Private, no access. -Careful. | 0:22:09 | 0:22:11 | |
No access to Charlie Ross. | 0:22:11 | 0:22:13 | |
No entrance, Charlie. This is for me only. Oh, my goodness. | 0:22:13 | 0:22:16 | |
-This is unbelievable. -Nice objects. Here we are. | 0:22:16 | 0:22:19 | |
Look, Cupid flying above me. | 0:22:19 | 0:22:20 | |
Planes. All sorts going on. This is great, I love this. | 0:22:20 | 0:22:24 | |
It's a chair fashioned in the shape of a barrel. | 0:22:24 | 0:22:27 | |
It probably dates from the 1970s. | 0:22:27 | 0:22:30 | |
Oh, hello! I definitely want that if we go that way. | 0:22:30 | 0:22:34 | |
-I don't want this one, I want that one. -OK, fair enough. | 0:22:34 | 0:22:38 | |
I definitely dates from the 1970s. | 0:22:38 | 0:22:40 | |
But since it's in storage, there's no ticket price. | 0:22:40 | 0:22:44 | |
-Best price? Er...I'll do it for 40. -£40. OK. | 0:22:44 | 0:22:48 | |
£40, £40, will that make that in the auction? Ooh, £35? | 0:22:48 | 0:22:51 | |
-35. -35. Let's go for that, because I love it. | 0:22:51 | 0:22:55 | |
Deal done on the barrel chair for £35. | 0:22:55 | 0:22:58 | |
There was one thing I was going to ask you, | 0:22:58 | 0:23:00 | |
seeing as we are in a storeroom full of mad treasures. | 0:23:00 | 0:23:02 | |
I bought a rucksack yesterday for a pound. | 0:23:02 | 0:23:05 | |
And I thought, if I buy something for a pound, | 0:23:05 | 0:23:07 | |
it's kind of going to make a profit. So it's not very fair to Charlie. | 0:23:07 | 0:23:10 | |
I'm not sure you're quite in the cut-throat spirit | 0:23:10 | 0:23:12 | |
of this competition, Natasha. | 0:23:12 | 0:23:14 | |
So I'd like to put something inside of it | 0:23:14 | 0:23:16 | |
which means it cost more for the lot. | 0:23:16 | 0:23:19 | |
All right, well, if you're mountaineering, | 0:23:19 | 0:23:21 | |
you need something for when you get to the top of the mountain. | 0:23:21 | 0:23:24 | |
-So what about a flag? -A flag? | 0:23:24 | 0:23:26 | |
-To claim, stake your claim? -Yeah. | 0:23:26 | 0:23:28 | |
-Look, there's one there. -Oh, right there? | 0:23:28 | 0:23:30 | |
Oh, my... Oh, look at this. So a flag for my rucksack. | 0:23:30 | 0:23:35 | |
Yes, I quite like that. Right, OK, so what do we think? | 0:23:35 | 0:23:38 | |
-Make it another pound? -Two pounds. | 0:23:38 | 0:23:39 | |
What if I offer you three? | 0:23:39 | 0:23:40 | |
Erm... | 0:23:40 | 0:23:42 | |
Let's do it. Three quid a flag. | 0:23:42 | 0:23:44 | |
Despite that rather avant-garde haggling, she gets the chair | 0:23:44 | 0:23:48 | |
and flag for £38 all in, meaning she's spent £120 total. | 0:23:48 | 0:23:53 | |
And look who it is. | 0:23:57 | 0:23:58 | |
-Oh, John. -You enjoyed that, did you? | 0:23:58 | 0:24:00 | |
I did. That was so great. Thank you so much. | 0:24:00 | 0:24:02 | |
-What is going on here?! -SHE SCREAMS | 0:24:02 | 0:24:04 | |
-A voyeur! -Get away. | 0:24:04 | 0:24:07 | |
No such luck, Natasha. | 0:24:07 | 0:24:09 | |
It's Charlie's turn to have a gander at John's weird and wonderful stock. | 0:24:09 | 0:24:14 | |
I do buy the odd tunic. There's a tunic. | 0:24:14 | 0:24:15 | |
-It's Edwardian, I would have said. -Yeah. | 0:24:15 | 0:24:18 | |
The actual tunic is Victorian, but the buttons are King's Crown. | 0:24:18 | 0:24:22 | |
It's a British Army captain's tunic, | 0:24:22 | 0:24:25 | |
bearing the label of Harman and Co, Calcutta and Rangoon. | 0:24:25 | 0:24:30 | |
There's no ticket price on it. | 0:24:30 | 0:24:31 | |
-Are they Royal Artillery? -Royal Artillery, yes. | 0:24:31 | 0:24:33 | |
Isn't it lovely to see one with all its buttons? | 0:24:33 | 0:24:36 | |
Probably my size, isn't it? | 0:24:36 | 0:24:37 | |
-I'm sure it... -Shall I have a go? | 0:24:37 | 0:24:39 | |
Very dashing, Charlie. | 0:24:39 | 0:24:41 | |
Is it...? I mean, is it devilish cheap? | 0:24:41 | 0:24:43 | |
Is it... Is it sort of Rosco buyable cheap? | 0:24:43 | 0:24:48 | |
I'll do it for 30 or 40 quid to you. | 0:24:48 | 0:24:50 | |
Cos it's only just come in. | 0:24:50 | 0:24:52 | |
-Would a £20 note buy it from you? -No. 30. | 0:24:52 | 0:24:54 | |
-Would it not? Go on... For an old soldier like me? -30 is it. | 0:24:54 | 0:24:58 | |
That's the death. | 0:24:58 | 0:24:59 | |
-That is the death. -But you look so smart in it. | 0:24:59 | 0:25:02 | |
It might be the death of me, sir. | 0:25:02 | 0:25:03 | |
30 quid. I think that's fab. | 0:25:03 | 0:25:05 | |
John sticks to his guns, | 0:25:05 | 0:25:07 | |
but Charlie's got the Royal Artillery tunic | 0:25:07 | 0:25:10 | |
for a reasonable £30, meaning he's spent £114 so far. | 0:25:10 | 0:25:14 | |
Long way up, sir, and short way down. | 0:25:15 | 0:25:18 | |
Now, Natasha's already bought all of her items. | 0:25:20 | 0:25:23 | |
So she's going to spend the afternoon | 0:25:23 | 0:25:25 | |
visiting a unique Plymouth collection. | 0:25:25 | 0:25:28 | |
Bob Carter's passionate about all things nautical, | 0:25:28 | 0:25:31 | |
and has built a wonderful collection of maritime items that forms | 0:25:31 | 0:25:34 | |
what might be the smallest museum in the world. | 0:25:34 | 0:25:38 | |
-Oh, hello. -Hi, Bob? | 0:25:38 | 0:25:39 | |
-Hello. -Hello, I'm Tasha. How are you? | 0:25:39 | 0:25:42 | |
Oh, yes. | 0:25:42 | 0:25:43 | |
-You've come to look at the shed? -I have. | 0:25:43 | 0:25:45 | |
Oh, yes. And it's all in his shed. | 0:25:45 | 0:25:47 | |
So it's all things maritime that you're obsessed with? | 0:25:47 | 0:25:50 | |
All things, yes. It started from my grandfather. | 0:25:50 | 0:25:53 | |
Bob inherited some of his huge collection | 0:25:53 | 0:25:57 | |
of historic maritime items from his grandfather | 0:25:57 | 0:26:00 | |
and has built on it himself. | 0:26:00 | 0:26:02 | |
Some of the most fascinating | 0:26:02 | 0:26:04 | |
relate to the biggest naval battle of them all, Trafalgar. | 0:26:04 | 0:26:07 | |
-Follow me. -Straight ahead? | 0:26:08 | 0:26:09 | |
-Straight ahead. -Oh, my goodness. | 0:26:09 | 0:26:11 | |
What am I letting myself in for here? | 0:26:11 | 0:26:13 | |
He's taking Natasha to have a look at his impressive stash. | 0:26:13 | 0:26:16 | |
It's somewhere in there, I'm sure. | 0:26:16 | 0:26:19 | |
This is the shed. Well, this is definitely a shed. | 0:26:19 | 0:26:22 | |
Oh, yeah. It don't look like a shed. | 0:26:22 | 0:26:23 | |
-This is a maritime museum. -Our little shed's in here, look. | 0:26:23 | 0:26:27 | |
-A portal to another time zone! -That is correct. You can go in first. | 0:26:27 | 0:26:31 | |
-Oh, really? -Yep. | 0:26:31 | 0:26:32 | |
Thank you so much. Oh, my goodness. | 0:26:32 | 0:26:34 | |
-Wow! Bob, this is unbelievable! -This is it. | 0:26:34 | 0:26:40 | |
And here are Bob's star items. | 0:26:40 | 0:26:43 | |
In here, look, we've got a hat from the Battle of Trafalgar. | 0:26:43 | 0:26:47 | |
-From the actual Battle of Trafalgar? -From the battle, yeah. | 0:26:47 | 0:26:50 | |
And I think there's only three in the country. | 0:26:50 | 0:26:52 | |
Will you let me try on that hat? | 0:26:52 | 0:26:53 | |
You can try that hat on, certainly. | 0:26:53 | 0:26:56 | |
-Unbelievable! From what? 1805? -Yep. | 0:26:56 | 0:26:58 | |
Battle of Trafalgar. | 0:26:58 | 0:27:00 | |
The early 19th century battle, in which Admiral Nelson's forces | 0:27:00 | 0:27:03 | |
were triumphant, is the most iconic British naval victory. | 0:27:03 | 0:27:08 | |
What do you think? Oh! | 0:27:09 | 0:27:11 | |
-How do I look? -A sailor wore that hat. | 0:27:12 | 0:27:14 | |
OK. Oh, my goodness. Let's put it back. | 0:27:15 | 0:27:17 | |
But what's it resting on top of, Bob? | 0:27:17 | 0:27:19 | |
-What on Earth is this? -That's a powder pack from the same period. | 0:27:19 | 0:27:24 | |
-OK, so also from Trafalgar? -Yeah. | 0:27:24 | 0:27:26 | |
-So basically these arrived, filled with gunpowder. -Yeah. | 0:27:26 | 0:27:29 | |
It was all in there | 0:27:29 | 0:27:30 | |
and that would go down to the men to go into the cannons. | 0:27:30 | 0:27:33 | |
And here's the man himself. | 0:27:33 | 0:27:35 | |
-Look. -Young Nelson, before he had his eye out. | 0:27:35 | 0:27:38 | |
-Young... Gosh, he's rather handsome... -Yeah. | 0:27:38 | 0:27:40 | |
..that young Lord Nelson. He's rather dashing. | 0:27:40 | 0:27:44 | |
You've taken a shine, Natasha. | 0:27:44 | 0:27:46 | |
But Bob's got another surprise up his sleeve. | 0:27:46 | 0:27:48 | |
Go in there. | 0:27:48 | 0:27:49 | |
-Oh, get away. There cannot be more! -Yes. Go in there. | 0:27:49 | 0:27:53 | |
-No, I can't. -Yes. Go in. | 0:27:53 | 0:27:54 | |
Bob, where are you taking me? | 0:27:54 | 0:27:55 | |
Calm down, Natasha. | 0:27:55 | 0:27:57 | |
Are you kidding? | 0:27:57 | 0:27:58 | |
How can this be any smaller and yet twice as big? | 0:27:58 | 0:28:03 | |
I cannot believe it gets bigger. | 0:28:03 | 0:28:05 | |
In Bob's other grotto of naval wonders, there's something | 0:28:05 | 0:28:09 | |
that must have been a welcome sight to many a sailor - | 0:28:09 | 0:28:12 | |
a barrel from which sailors' rum rations were dispensed. | 0:28:12 | 0:28:15 | |
Gives you an idea of what they would do on the ship. | 0:28:15 | 0:28:18 | |
And every week give out rations. | 0:28:18 | 0:28:20 | |
Look at that. | 0:28:20 | 0:28:22 | |
-Oh, that's absolutely brilliant. -And you see the hats. | 0:28:22 | 0:28:25 | |
So which one are you? | 0:28:25 | 0:28:27 | |
Oh, you are cheeky, Natasha. | 0:28:27 | 0:28:29 | |
-No. -You weren't there? | 0:28:29 | 0:28:30 | |
Not quite that old. | 0:28:30 | 0:28:32 | |
But the rum barrel's nice, isn't it? | 0:28:32 | 0:28:34 | |
Bob, do you ever just think to yourself, | 0:28:34 | 0:28:35 | |
-I was born in the wrong age? -Certainly. | 0:28:35 | 0:28:37 | |
-I would have loved to have been born then. -Really? | 0:28:37 | 0:28:39 | |
Do you think you would have been right into that battle? | 0:28:39 | 0:28:42 | |
Well, they call me a pirate now. | 0:28:42 | 0:28:43 | |
-So... -Well, you would have been an officer. | 0:28:43 | 0:28:45 | |
-Or do you think you're more of a pirate? -I shouldn't think so. | 0:28:45 | 0:28:48 | |
Actually, Bob is known as the "West Country Pirate" to his friends | 0:28:48 | 0:28:51 | |
and he's got a fitting item. | 0:28:51 | 0:28:53 | |
-So show me something really piratey. -Well, funnily enough... | 0:28:53 | 0:28:56 | |
-My piece of eight. -Ooh! | 0:28:57 | 0:28:58 | |
Look at that. My lucky little thing. | 0:28:58 | 0:29:00 | |
-A genuine piece of eight. -Yeah. I carry that with me. It's silver. | 0:29:00 | 0:29:04 | |
In the 16th and 17th century, pieces of eight silver coins, | 0:29:04 | 0:29:08 | |
issued by the Spanish crown, became the world's first global currency. | 0:29:08 | 0:29:12 | |
Why are they called pieces of eight? | 0:29:12 | 0:29:13 | |
Just because it's a piece and marked with an eight? | 0:29:13 | 0:29:16 | |
And they used to tear bits off. | 0:29:16 | 0:29:17 | |
Indeed. | 0:29:17 | 0:29:18 | |
They were coins worth eight reales - the Spanish currency of the time - | 0:29:18 | 0:29:22 | |
and as Bob says, could be cut into smaller pieces to make change. | 0:29:22 | 0:29:26 | |
Bob's collection is truly unique | 0:29:26 | 0:29:28 | |
and Bob himself is a fitting custodian of our naval history. | 0:29:28 | 0:29:32 | |
I think that this is the most interesting, strange collection. | 0:29:32 | 0:29:36 | |
-Quite clearly, it is your passion. -Yeah. | 0:29:36 | 0:29:38 | |
-Your absolute passion. -Yeah. | 0:29:38 | 0:29:40 | |
It's my little collection. | 0:29:40 | 0:29:42 | |
But now it's time for Natasha to up-anchor. | 0:29:42 | 0:29:46 | |
And Charlie's motored on | 0:29:46 | 0:29:47 | |
to the town of Ashburton in Devon... | 0:29:47 | 0:29:50 | |
where he's aiming for one final shop - Etcetera Etcetera - | 0:29:50 | 0:29:54 | |
and meeting dealer Robert. | 0:29:54 | 0:29:56 | |
-Hello. -Hello, Charlie, how are you? | 0:29:56 | 0:29:57 | |
-Robert? -Yes, indeed. | 0:29:57 | 0:29:59 | |
-Nice to see you. -Nice to meet you. | 0:29:59 | 0:30:00 | |
Charlie already has five items, | 0:30:00 | 0:30:02 | |
but he still can't resist the clarion call of the bargain... | 0:30:02 | 0:30:06 | |
PLAYS BUGLE | 0:30:06 | 0:30:08 | |
..if he can spy one. | 0:30:09 | 0:30:10 | |
With the young Natasha hot on his heels, | 0:30:12 | 0:30:15 | |
Charlie's looking out for one last lot for the auction. | 0:30:15 | 0:30:19 | |
-You got anything you think I ought to look at? -A little box over here. | 0:30:19 | 0:30:23 | |
-It's a little snuff box. -Why, sweet. Fabulous colour. | 0:30:23 | 0:30:28 | |
-Yeah. It's really nice, yeah. -Oh, look inside. Tortoiseshell. | 0:30:28 | 0:30:32 | |
It's an early 19th-century snuff box with a tortoiseshell interior. | 0:30:32 | 0:30:36 | |
Although it's illegal to trade in modern tortoiseshell, | 0:30:36 | 0:30:39 | |
items manufactured before 1947 can be bought and sold. | 0:30:39 | 0:30:43 | |
-How much is that? -Well... | 0:30:46 | 0:30:47 | |
-Give my a clue. -We've got £35 on the label. | 0:30:47 | 0:30:50 | |
That's not over the top, is it? Is there much scope in that? | 0:30:50 | 0:30:52 | |
Can that be bought for 20 quid or would you kick me out of your shop? | 0:30:52 | 0:30:55 | |
-I think I'd ease you out gently for £20. -CHARLIE LAUGHS | 0:30:55 | 0:30:59 | |
What we'll do is, we can do it for 25. | 0:30:59 | 0:31:01 | |
-But that's... -That's the death, as they say in this business. | 0:31:01 | 0:31:04 | |
But at that price, Charlie can't resist. | 0:31:04 | 0:31:08 | |
I'll have that. Thank you very much indeed. | 0:31:08 | 0:31:10 | |
And he's all bought up as well. | 0:31:10 | 0:31:12 | |
So, it's time to review their hauls. | 0:31:14 | 0:31:18 | |
Natasha bought the zither, the print of the comely lady, | 0:31:18 | 0:31:22 | |
the rucksack with accompanying Union flag, | 0:31:22 | 0:31:26 | |
the Tintagel tea set | 0:31:26 | 0:31:28 | |
and the barrel chair. | 0:31:28 | 0:31:29 | |
She spent £120 exactly. | 0:31:29 | 0:31:31 | |
While Charlie bought the alpine walking sticks, | 0:31:33 | 0:31:37 | |
the maritime dividers, | 0:31:37 | 0:31:38 | |
the 19th-century davenport, | 0:31:38 | 0:31:41 | |
the military tunic | 0:31:41 | 0:31:42 | |
and the wooden cigar box, | 0:31:42 | 0:31:44 | |
paired in a lot with the snuff box, for the princely sum of £139. | 0:31:44 | 0:31:48 | |
So, what do they make of each other's lots? | 0:31:48 | 0:31:50 | |
Well, I think Charlie's bought really well, | 0:31:50 | 0:31:53 | |
so I'm a little bit scared of his, erm, maritime items. | 0:31:53 | 0:31:57 | |
He's got those steel charts and I think that they could be real goers. | 0:31:57 | 0:32:01 | |
Equally, I'm a little bit worried about his captain's tunic. | 0:32:01 | 0:32:03 | |
I don't think there's anything that's going to flop, | 0:32:03 | 0:32:05 | |
but Charlie would tell you himself, | 0:32:05 | 0:32:07 | |
that davenport is a little bit battered and bruised. | 0:32:07 | 0:32:09 | |
So I think that he might be struggling there. | 0:32:09 | 0:32:12 | |
I'm quite happy with what I've bought. | 0:32:12 | 0:32:13 | |
Of course, the proof is in the pudding. | 0:32:13 | 0:32:15 | |
So Natasha's cautiously optimistic. | 0:32:15 | 0:32:18 | |
But what did Charlie make of the new girl's items? | 0:32:18 | 0:32:21 | |
The rucksack I've seen before, and frankly needs burning. | 0:32:21 | 0:32:24 | |
Tintagel pottery... I suppose that's commercial, isn't it? | 0:32:24 | 0:32:27 | |
What a lot for the money. 12 quid? Good buy. | 0:32:27 | 0:32:30 | |
Not as in goodbye, good buy! | 0:32:30 | 0:32:33 | |
But the drypoint etching, | 0:32:33 | 0:32:35 | |
that French limited edition drypoint etching, | 0:32:35 | 0:32:39 | |
is something else. | 0:32:39 | 0:32:40 | |
I think that's really good. What a charming, charming lot. | 0:32:40 | 0:32:43 | |
Hmm. So this game is anyone's for the taking. | 0:32:43 | 0:32:47 | |
On this Road Trip, | 0:32:49 | 0:32:50 | |
Natasha and Charlie have motored | 0:32:50 | 0:32:51 | |
all the way from Falmouth in Cornwall, | 0:32:51 | 0:32:53 | |
to their auction here | 0:32:53 | 0:32:55 | |
in Ottery St Mary, in Devon. | 0:32:55 | 0:32:58 | |
An ancient town which sits prettily on the banks of the River Otter. | 0:32:58 | 0:33:02 | |
And, oh, the new driver Natasha's taking the wheel this morning, | 0:33:02 | 0:33:05 | |
so that's brave of you, Charlie. | 0:33:05 | 0:33:08 | |
OK? Off we go. | 0:33:08 | 0:33:10 | |
You're an absolute natural. | 0:33:12 | 0:33:15 | |
-Hello! -Hi. Oh, look at the dog! No, I shouldn't look. | 0:33:16 | 0:33:20 | |
No. But how is Natasha feeling about her very first auction? | 0:33:20 | 0:33:24 | |
I'm nervous about the auction. | 0:33:24 | 0:33:26 | |
Are you going to end up with more than you started with? | 0:33:26 | 0:33:29 | |
-Oh, Charlie. -That's the key. | 0:33:29 | 0:33:30 | |
-I don't know. -I think you will. | 0:33:30 | 0:33:32 | |
-What about you? -I think you'll just come out on top. | 0:33:32 | 0:33:34 | |
Yay! | 0:33:34 | 0:33:35 | |
So with some bolstering words from the old-stager Charlie, | 0:33:35 | 0:33:39 | |
they've made it safely to the auction house. | 0:33:39 | 0:33:42 | |
-Terra firma. -I can't get out. | 0:33:42 | 0:33:44 | |
Oh, Charlie. Do you need a hand? No. | 0:33:44 | 0:33:46 | |
Look at you go. | 0:33:46 | 0:33:47 | |
-Do you want to take my arm? -We made it. Take your arm? Give me your hand! | 0:33:47 | 0:33:50 | |
Come on. Let's prance into this. | 0:33:50 | 0:33:52 | |
-Oh, romantic! -Yes. | 0:33:52 | 0:33:54 | |
Ottery Auction Rooms will be playing host to them today, | 0:33:54 | 0:33:58 | |
led by auctioneer David Sumner. | 0:33:58 | 0:34:00 | |
Before the off, what does he make of their lots? | 0:34:00 | 0:34:02 | |
Overall, I thought they bought some interesting items. | 0:34:02 | 0:34:06 | |
For me, the military tunic is the best item | 0:34:06 | 0:34:09 | |
because it ticks all the boxes. | 0:34:09 | 0:34:11 | |
It's Victorian, absolutely love that. | 0:34:11 | 0:34:15 | |
The drypoint print is a bit of an unknown entity. | 0:34:15 | 0:34:17 | |
It does tick the vintage box, so the drypoint could be the surprise. | 0:34:17 | 0:34:22 | |
Thank you, David. | 0:34:22 | 0:34:23 | |
Natasha's very first auction is about to begin | 0:34:23 | 0:34:26 | |
and they're accepting bids from the internet as well, so good luck. | 0:34:26 | 0:34:30 | |
First up, it's Natasha's rucksack and the Union flag. | 0:34:30 | 0:34:33 | |
Charlie wasn't keen, but what will the crowd have to say? | 0:34:33 | 0:34:37 | |
£20, then? Must be worth £20. | 0:34:37 | 0:34:39 | |
-20 I'm bid. Thank you. 20 I'm bid. -£20?! | 0:34:39 | 0:34:42 | |
£22 for this lot? 22? | 0:34:42 | 0:34:45 | |
£22 for this lot? Moving to the internet, any interest at 22? | 0:34:45 | 0:34:49 | |
-No... -£22 for this lot. | 0:34:49 | 0:34:51 | |
Selling at £20 then. | 0:34:51 | 0:34:52 | |
That's your bid. Number please? 192. | 0:34:52 | 0:34:54 | |
-Thank you very much. -Yay! | 0:34:54 | 0:34:56 | |
-Well done, madam. -Thank you! | 0:34:56 | 0:34:58 | |
She's made a substantial profit. | 0:34:59 | 0:35:01 | |
And the new girl's off to a very stirring start. | 0:35:01 | 0:35:04 | |
That's one of the great debuts. | 0:35:04 | 0:35:06 | |
One for our seasoned pro now, as Charlie's maritime dividers are up. | 0:35:07 | 0:35:12 | |
Someone start me away at £10? | 0:35:12 | 0:35:14 | |
£10? £10 I'm bid. 12 we need. 12? 12. | 0:35:14 | 0:35:18 | |
15? 18. 20. | 0:35:18 | 0:35:20 | |
-22. -Yes, yes, yes. | 0:35:20 | 0:35:22 | |
28, 30. Not at 30. Looking for £30. | 0:35:22 | 0:35:26 | |
Let's move to the internet on this one. £30. | 0:35:26 | 0:35:29 | |
Any interest at £30 on the internet? | 0:35:29 | 0:35:31 | |
No, the old internet's not having a go. | 0:35:31 | 0:35:33 | |
No interest? I'm selling at £28 then. Number 53. | 0:35:33 | 0:35:37 | |
Thank you very much. | 0:35:37 | 0:35:38 | |
Even if the internet wasn't biting, | 0:35:38 | 0:35:40 | |
he still rakes in an £8 profit before costs. | 0:35:40 | 0:35:44 | |
-Get you! -It's profit. | 0:35:44 | 0:35:46 | |
-Yes! -A slim one. | 0:35:46 | 0:35:48 | |
Next, it's Natasha's Tintagel pottery tea set. | 0:35:48 | 0:35:51 | |
Can she repeat the trick? | 0:35:51 | 0:35:52 | |
£10? Come on, it must be worth £10. | 0:35:52 | 0:35:55 | |
-Thank you, ten I'm bid. -Yeah, yeah, yeah. | 0:35:55 | 0:35:57 | |
12. 15? Yeah? | 0:35:57 | 0:35:58 | |
-Yay! -15. 18. Not at 18. I'm looking for £18 for this lot. | 0:35:58 | 0:36:03 | |
£18 anywhere? £18. Let's move to the internet. Any interest at £18? | 0:36:03 | 0:36:06 | |
-Come on, internet. -Is there somebody in Tintagel somewhere? | 0:36:06 | 0:36:09 | |
That's 698. Thank you very much. | 0:36:09 | 0:36:12 | |
Another little profit. Just her cup of tea. | 0:36:13 | 0:36:16 | |
-£15. -I wouldn't get too excited. | 0:36:16 | 0:36:19 | |
It cost 12. | 0:36:19 | 0:36:20 | |
Getting worried, old-timer? | 0:36:20 | 0:36:22 | |
Now it's Charlie's pair of alpine walking sticks. | 0:36:22 | 0:36:26 | |
-£20? £20 I'm bid. -Straight in. -Straight in at £20. | 0:36:26 | 0:36:29 | |
£22 for this lot? £22? | 0:36:29 | 0:36:31 | |
-Yep, do I hear 22? -Yes, yes. | 0:36:32 | 0:36:34 | |
22. 25. 28. | 0:36:34 | 0:36:36 | |
30. 32. 35. | 0:36:36 | 0:36:37 | |
-35. 38. Not at 38. Let's move to the internet. -35 is a profit. | 0:36:37 | 0:36:42 | |
-He's moving. -So we've got 35 in the room. | 0:36:42 | 0:36:44 | |
I'm looking for £38 for this lot. | 0:36:44 | 0:36:46 | |
£38 anywhere? I'm selling at £35 then. | 0:36:46 | 0:36:49 | |
That's your bid, 493. | 0:36:49 | 0:36:51 | |
He was a mountaineer. You could tell. Look at him. | 0:36:52 | 0:36:55 | |
He looked like Chris Bonington. | 0:36:55 | 0:36:57 | |
He did. And they climb to victory. | 0:36:57 | 0:36:59 | |
-I'm catching you up now. -No, you're winning, surely? | 0:36:59 | 0:37:03 | |
Charlie is narrowly in the lead, but Natasha's zither - | 0:37:03 | 0:37:07 | |
her very first Road Trip purchase - is next to meet the room. | 0:37:07 | 0:37:11 | |
Can that put her back on top? | 0:37:11 | 0:37:13 | |
Who'll start me away at £5? £5? £5 on the internet. | 0:37:13 | 0:37:16 | |
Six, £6 for this lot? Thank you. Six, seven? Internet seven? | 0:37:16 | 0:37:20 | |
Looking for £7 for this lot. | 0:37:20 | 0:37:22 | |
Seven. Eight. Nine. | 0:37:22 | 0:37:24 | |
-Oh, it's going like the clappers. -Oh... | 0:37:24 | 0:37:27 | |
Nine, ten, eleven? | 0:37:27 | 0:37:28 | |
Why does he look so excited? He looks surprised at 12. Oh, no. | 0:37:28 | 0:37:32 | |
In the room at 12? Looking for £12 for this lot. | 0:37:32 | 0:37:34 | |
It's moving along steadily on the internet. Jumping up. | 0:37:34 | 0:37:37 | |
We're at £15 on the internet. | 0:37:37 | 0:37:39 | |
£15. Come along, any more interest here? | 0:37:39 | 0:37:41 | |
-Cor, the internet's going spare. -Yes. | 0:37:41 | 0:37:43 | |
I'm going to open it up back to the room now. £16. | 0:37:43 | 0:37:46 | |
It's £17 now on the internet. | 0:37:46 | 0:37:48 | |
This is without doubt a world record for a zither. | 0:37:48 | 0:37:51 | |
£18 for this lot? £18? | 0:37:51 | 0:37:53 | |
£18, good job for the internet. | 0:37:53 | 0:37:56 | |
I'm selling at £17 to the internet then. | 0:37:56 | 0:37:59 | |
Tell you what, | 0:37:59 | 0:38:01 | |
that is the highest price ever paid in Ottery St Mary for a zither. | 0:38:01 | 0:38:05 | |
But sadly not as much as Natasha paid for it in Falmouth. Hard luck. | 0:38:05 | 0:38:10 | |
Nobody else in the world could have got £17 for that. | 0:38:10 | 0:38:14 | |
Up now is Charlie's job lot of cigar box and snuff box. | 0:38:14 | 0:38:18 | |
-£20? £20? £10. -Charlie, don't worry. | 0:38:18 | 0:38:21 | |
Thank you, 10. 12. 15. 18. | 0:38:21 | 0:38:22 | |
20. 22. 25. 28. | 0:38:22 | 0:38:25 | |
Not at 28. I'm looking for £28. | 0:38:25 | 0:38:27 | |
28. 30. | 0:38:27 | 0:38:28 | |
32. 35? 38. | 0:38:28 | 0:38:30 | |
Not at 38. I'm looking for £38. Let's move to the internet. | 0:38:30 | 0:38:34 | |
£38 for this lot. | 0:38:34 | 0:38:35 | |
£38 anywhere? | 0:38:35 | 0:38:37 | |
No interest on the internet. I'm selling at 35 then. | 0:38:37 | 0:38:39 | |
That's your bid, number 53. Thank you very much. | 0:38:39 | 0:38:42 | |
She bought another one of your things. | 0:38:42 | 0:38:43 | |
No, she's only bought one of my things. | 0:38:43 | 0:38:45 | |
No, she bought your steel chart dividers. | 0:38:45 | 0:38:47 | |
-She did? -Yeah. | 0:38:47 | 0:38:48 | |
Oh, it's my mother! | 0:38:48 | 0:38:50 | |
Pfft. It certainly is not, Charlie. | 0:38:50 | 0:38:53 | |
But that is another nice profit. | 0:38:53 | 0:38:56 | |
Bit of kitsch now, as Natasha's barrel chair is up. | 0:38:56 | 0:38:59 | |
-£30. 30 I'm bid. -Straight in. Straight in. | 0:38:59 | 0:39:02 | |
£32 for this lot? Thank you, 32. | 0:39:02 | 0:39:04 | |
-35. -Yes. | 0:39:04 | 0:39:06 | |
-38? -Yes. | 0:39:06 | 0:39:07 | |
40? 42? | 0:39:07 | 0:39:09 | |
42, 45. 48? Out at 48. Looking for 48. Let's move to the internet. | 0:39:09 | 0:39:13 | |
£48 for this lot. | 0:39:13 | 0:39:15 | |
-Please. -£48 anywhere in the room? 48 anywhere? | 0:39:15 | 0:39:18 | |
I'm selling at 45 then, | 0:39:18 | 0:39:20 | |
to my right. | 0:39:20 | 0:39:21 | |
-Yay! -Well done. | 0:39:21 | 0:39:23 | |
Well done indeed. That's another nice little earner for her. | 0:39:24 | 0:39:27 | |
Now Charlie's 19th-century davenport is a bit of a fixer-upper, | 0:39:29 | 0:39:32 | |
but will somebody else see its potential? | 0:39:32 | 0:39:34 | |
£30? | 0:39:35 | 0:39:37 | |
£30? £30? £30 I'm bid. 32, will you? | 0:39:37 | 0:39:41 | |
Oh, we've got £30. | 0:39:41 | 0:39:42 | |
32? 32, 35? | 0:39:42 | 0:39:44 | |
38. 40. 42. | 0:39:44 | 0:39:46 | |
42? | 0:39:46 | 0:39:48 | |
45. 48? | 0:39:48 | 0:39:49 | |
Out at 48. Let's move to the internet. £48. | 0:39:49 | 0:39:52 | |
-£48? -Come on. | 0:39:52 | 0:39:54 | |
£48? I'm selling at £45. That's your bid. | 0:39:54 | 0:40:00 | |
I would call that a serious result. | 0:40:00 | 0:40:03 | |
Indeed. Another winner. | 0:40:03 | 0:40:05 | |
We're almost on the final straight now, | 0:40:05 | 0:40:07 | |
as Natasha's framed print winks to the room. | 0:40:07 | 0:40:10 | |
Who'll start me away at £30? | 0:40:10 | 0:40:12 | |
£30? £20 then? Must be worth £20. | 0:40:12 | 0:40:14 | |
That's sad. That's sad. | 0:40:14 | 0:40:16 | |
£10? £10, thank you. | 0:40:16 | 0:40:18 | |
-A flurry of hands. 10, 12, 15. -Here we go. | 0:40:18 | 0:40:21 | |
18, 20, 22. | 0:40:21 | 0:40:22 | |
25, 28, 30. | 0:40:22 | 0:40:24 | |
Keep going, come on. | 0:40:24 | 0:40:25 | |
35. | 0:40:25 | 0:40:26 | |
Not at 35. | 0:40:26 | 0:40:27 | |
Looking for £35. | 0:40:27 | 0:40:29 | |
No, where's the internet? Where's the internet? That's sad. | 0:40:29 | 0:40:31 | |
Let's move to the internet. | 0:40:31 | 0:40:33 | |
£32 for this lot. £32, I'm looking for 35. | 0:40:33 | 0:40:35 | |
That's really sad. | 0:40:35 | 0:40:36 | |
-Any interest on the internet at 35? -Can I bid to help it along? | 0:40:36 | 0:40:39 | |
I'm selling at 32 then. | 0:40:39 | 0:40:40 | |
That's 698. | 0:40:40 | 0:40:41 | |
Natasha, you all right, girl? | 0:40:41 | 0:40:44 | |
Oh, dear. It's a loss, albeit a small one. | 0:40:46 | 0:40:49 | |
That should have made £100! | 0:40:50 | 0:40:53 | |
Last of all, it's Charlie's Victorian military tunic. | 0:40:53 | 0:40:57 | |
Does it spell victory for Rosco? | 0:40:57 | 0:40:59 | |
£80 then? £80 I'm bid. 85, will you? 85? | 0:40:59 | 0:41:04 | |
85, thank you. 85. 90. | 0:41:04 | 0:41:06 | |
95? | 0:41:06 | 0:41:07 | |
Ooh, madam! | 0:41:07 | 0:41:08 | |
Blimey. | 0:41:08 | 0:41:10 | |
95. 100? | 0:41:10 | 0:41:11 | |
Not at 100. | 0:41:11 | 0:41:12 | |
100, 100! | 0:41:12 | 0:41:13 | |
Back onto the internet. It's running along now. | 0:41:13 | 0:41:15 | |
Let's leave it with the internet for a bit. | 0:41:15 | 0:41:17 | |
What happened to your tears? | 0:41:17 | 0:41:19 | |
110? | 0:41:19 | 0:41:20 | |
Tears of joy! | 0:41:20 | 0:41:21 | |
120 on the internet now. | 0:41:21 | 0:41:22 | |
Any more on the internet? I'm going to open it back up to the sale room. | 0:41:23 | 0:41:26 | |
125? 125. 130, internet. | 0:41:26 | 0:41:30 | |
130. 135? | 0:41:30 | 0:41:32 | |
-That's £100 more than I paid for it. -SHE GIGGLES | 0:41:32 | 0:41:35 | |
140. 145? Out at 145. | 0:41:35 | 0:41:38 | |
Oh, he's out. | 0:41:38 | 0:41:39 | |
Do I see fresh blood? At 145? Anywhere in the room. | 0:41:39 | 0:41:42 | |
(Fresh blood he's looking for.) | 0:41:42 | 0:41:43 | |
-145 for this lot. -I've got hot blood. | 0:41:43 | 0:41:46 | |
I'm going to sell to the internet for £140. | 0:41:46 | 0:41:49 | |
Again, nice lot, this. Last chance. I'm selling at 140 then, | 0:41:49 | 0:41:52 | |
to the internet. | 0:41:52 | 0:41:53 | |
Yeah, come on! | 0:41:53 | 0:41:55 | |
How good is that? | 0:41:56 | 0:41:57 | |
You are a good sport, Natasha. | 0:41:57 | 0:41:59 | |
And that absolutely romped away, making Charlie today's victor. | 0:41:59 | 0:42:03 | |
Natasha started this trip with £200. | 0:42:06 | 0:42:09 | |
After auction costs, she made a small loss of £14.22, | 0:42:09 | 0:42:13 | |
and ends today with £185.78. | 0:42:13 | 0:42:17 | |
While Charlie also began with £200, he made a lovely profit of £93.06, | 0:42:20 | 0:42:25 | |
and ends today, oddly enough, with £293.06. | 0:42:25 | 0:42:30 | |
And to celebrate his win, they've got themselves some lovely cake. | 0:42:30 | 0:42:34 | |
-Lady's cakes, aren't they good? -They are amazing. What did you get? | 0:42:35 | 0:42:40 | |
Apart from cake all over your face. | 0:42:40 | 0:42:43 | |
Cake or no, time to hit the road. | 0:42:43 | 0:42:46 | |
Seatbelt, madam. | 0:42:46 | 0:42:47 | |
Don't eat my cake! | 0:42:49 | 0:42:51 | |
I can't help it. It's all over me. | 0:42:52 | 0:42:53 | |
Careful. | 0:42:54 | 0:42:55 | |
Don't drive off while I'm holding this cake! | 0:42:55 | 0:42:58 | |
Charlie! | 0:42:58 | 0:42:59 | |
Oh, mind your cake! Mind you cake! | 0:43:01 | 0:43:03 | |
-SHE SCREAMS -Mind your cake! | 0:43:03 | 0:43:05 | |
Honestly! | 0:43:05 | 0:43:07 | |
Onto the next leg. | 0:43:07 | 0:43:08 | |
Next time on the Antiques Road Trip, | 0:43:08 | 0:43:10 | |
Natasha goes on the offensive... | 0:43:10 | 0:43:13 | |
That is chic. | 0:43:13 | 0:43:15 | |
..while Charlie stoops to conquer. | 0:43:15 | 0:43:18 | |
I'm prepared to do absolutely anything to do a deal. | 0:43:18 | 0:43:20 | |
Hello, Steve. Yeah, Charlie's on his knees. | 0:43:20 | 0:43:23 |