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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
What about that? | 0:00:04 | 0:00:05 | |
..with £200 each, a classic car, | 0:00:05 | 0:00:09 | |
and a goal - to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:17 | |
-Feeling a little sore. -This is going to be an epic battle. | 0:00:17 | 0:00:20 | |
There will be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-The honeymoon is over. -Sorry. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:36 | |
There's an undeniably salty tang to today's adventure | 0:00:36 | 0:00:39 | |
featuring the Road Trip's oldest hand | 0:00:39 | 0:00:42 | |
and its newest recruit. | 0:00:42 | 0:00:43 | |
-Look at that. Portsmouth. -Oh, wow! | 0:00:45 | 0:00:46 | |
Can you see Portsmouth? | 0:00:46 | 0:00:48 | |
-That's amazing. -There is a wonderful building there, the Spinnaker Tower. | 0:00:48 | 0:00:51 | |
-Can you see it? -I see it. I see it. -Isn't that absolutely wonderful? | 0:00:51 | 0:00:54 | |
That's beautiful. What a beautiful view, what a vista. | 0:00:54 | 0:00:57 | |
A lot of naval history down there. | 0:00:57 | 0:00:59 | |
Yes, "naval-gazing" in a 1970s Triumph TR6 are auctioneers | 0:00:59 | 0:01:04 | |
Natasha Raskin and Charlie Ross. | 0:01:04 | 0:01:07 | |
-Look at that cannon. -Wow. | 0:01:07 | 0:01:09 | |
Do you know, that's what I want to buy today. | 0:01:09 | 0:01:11 | |
-I knew you were going to say that. -Not that size, | 0:01:11 | 0:01:14 | |
but I'd like to buy a cannon. | 0:01:14 | 0:01:16 | |
Well, why not? | 0:01:16 | 0:01:17 | |
Because Charlie from Oxfordshire, a veteran Road Trip campaigner... | 0:01:17 | 0:01:21 | |
Long way up, short way down. That's what they say, isn't it? | 0:01:21 | 0:01:24 | |
..certainly bagged victory through militaria at yesterday's auction... | 0:01:24 | 0:01:28 | |
Yes. Come on! | 0:01:28 | 0:01:30 | |
..while Glaswegian newbie | 0:01:30 | 0:01:32 | |
and style icon Natasha got off to a mixed start on her Road Trip debut. | 0:01:32 | 0:01:36 | |
Oh! | 0:01:36 | 0:01:38 | |
Very mountain style. I love it. | 0:01:38 | 0:01:40 | |
In fact, our fine art specialist did well on almost everything. | 0:01:40 | 0:01:44 | |
But there were a few losses. | 0:01:44 | 0:01:46 | |
That should have made £100. | 0:01:46 | 0:01:48 | |
Not that that'll dim Natasha's sunny disposition for long. | 0:01:48 | 0:01:52 | |
SHE LAUGHS | 0:01:52 | 0:01:53 | |
What are you giggling at? You giggle all the time. | 0:01:53 | 0:01:56 | |
Just before the auction that lady said to you yesterday, | 0:01:56 | 0:01:58 | |
"You're such a gentleman". | 0:01:58 | 0:02:00 | |
Then she said, "And you're a giggler!" | 0:02:00 | 0:02:02 | |
THEY LAUGH | 0:02:02 | 0:02:03 | |
They both set out with £200, | 0:02:03 | 0:02:04 | |
but Natasha has already gone backwards to £185.78. | 0:02:04 | 0:02:09 | |
Whilst Charlie has forged ahead to a healthy total of £293.06. | 0:02:11 | 0:02:16 | |
# We sail the ocean blue | 0:02:16 | 0:02:19 | |
-# And our saucy ship's a BOTH: -Beauty | 0:02:19 | 0:02:21 | |
CHARLIE: # When at anchor we ride | 0:02:21 | 0:02:23 | |
-# On the Portsmouth BOTH: -Tide | 0:02:23 | 0:02:25 | |
# We've plenty of time for play Ahoy | 0:02:25 | 0:02:27 | |
-BOTH: # -Ahoy! -# | 0:02:27 | 0:02:29 | |
Steady on. | 0:02:29 | 0:02:30 | |
Our voyage begins in Cornwall at Falmouth and heads east, | 0:02:30 | 0:02:34 | |
virtually circumnavigating southern England before dropping | 0:02:34 | 0:02:38 | |
anchor over 900 miles later at | 0:02:38 | 0:02:40 | |
Stansted Mountfitchet, Essex. | 0:02:40 | 0:02:42 | |
Today we're making for an auction in the Hampshire village | 0:02:42 | 0:02:45 | |
of Swanmore, but starting out in the famous naval city of Portsmouth. | 0:02:45 | 0:02:49 | |
# I am the ruler of the Queen's Navy | 0:02:49 | 0:02:51 | |
# The Pass Examination did well for he | 0:02:51 | 0:02:53 | |
# That now he is the ruler of the Queen's Navy. # | 0:02:53 | 0:02:56 | |
That's superb! We'll have you in the next production! | 0:02:56 | 0:02:59 | |
SHE LAUGHS | 0:02:59 | 0:03:00 | |
Portsmouth's been the home of the Royal Navy for over 500 years. | 0:03:00 | 0:03:04 | |
It was from here that Nelson set sail for the Battle of Trafalgar | 0:03:04 | 0:03:08 | |
and in 1944 Portsmouth was the D-Day embarkation point | 0:03:08 | 0:03:11 | |
for many Allied troops. | 0:03:11 | 0:03:14 | |
Now, time for the crew of the good ship TR6 to sally forth. Go for it. | 0:03:15 | 0:03:20 | |
-In you go. -Thank you so much. Hello. | 0:03:20 | 0:03:22 | |
Hello, there. | 0:03:22 | 0:03:24 | |
-And here's the boss. Hello. -Hello. -Andrew, isn't it? -That's right. | 0:03:24 | 0:03:27 | |
-Hi, I'm Tasha. -Hi, Tasha. -Lovely to meet you. | 0:03:27 | 0:03:29 | |
Located in a Grade I listed building that once stored | 0:03:29 | 0:03:33 | |
supplies for the Navy, this shop almost feels like a museum. | 0:03:33 | 0:03:37 | |
Look at that. | 0:03:38 | 0:03:40 | |
South Wales Borderers. Isn't that fabulous? | 0:03:40 | 0:03:43 | |
And this, a flying helmet and goggles. | 0:03:43 | 0:03:47 | |
But Andrew's fine collection of militaria with a nautical bent | 0:03:47 | 0:03:50 | |
is a little too specialised for some. | 0:03:50 | 0:03:52 | |
I'm a bit scared of this shop. I don't know anything about it. | 0:03:52 | 0:03:56 | |
Relax, Natasha. | 0:03:56 | 0:03:57 | |
Just enjoy yourself, kid. | 0:03:57 | 0:03:59 | |
Charlie certainly is. | 0:03:59 | 0:04:01 | |
A bit of history. | 0:04:01 | 0:04:04 | |
"HW Edwards, Middlesex Yeomanry." | 0:04:04 | 0:04:07 | |
And he kept his hat in that. | 0:04:07 | 0:04:10 | |
I don't know what to do. They've got so much stuff. | 0:04:10 | 0:04:14 | |
They've got everything. | 0:04:14 | 0:04:16 | |
They've got militaria maritime, Asian bronzes, | 0:04:16 | 0:04:20 | |
ceramics, Royal Doulton... | 0:04:20 | 0:04:22 | |
Deep breaths. | 0:04:22 | 0:04:23 | |
What am I going to find? What am I going to find? | 0:04:23 | 0:04:26 | |
Well, in Charlie's case, the tried and trusted, it seems. | 0:04:26 | 0:04:30 | |
Swedish Fire Brigade. That must be rare, mustn't it? | 0:04:30 | 0:04:34 | |
They can't have many firemen in Sweden. | 0:04:34 | 0:04:37 | |
Lots of trees, Charlie. | 0:04:37 | 0:04:38 | |
That's... | 0:04:38 | 0:04:40 | |
What about that? That's sensational. That's pretty swish, isn't it? | 0:04:40 | 0:04:45 | |
It's got a badge on it, too. What's this? Is this the Russian VC? | 0:04:45 | 0:04:48 | |
Oh, yes, absolutely(!) | 0:04:48 | 0:04:51 | |
HE LAUGHS | 0:04:51 | 0:04:53 | |
-For somebody to dress up in. -Yes, and if you like Adam Ant! | 0:04:53 | 0:04:57 | |
A metal badge here. Would that signify rank? | 0:04:57 | 0:04:59 | |
-Is that a Russian sergeant there? -I guess it is a sergeant, yes. | 0:04:59 | 0:05:03 | |
I'll tell you what. | 0:05:03 | 0:05:04 | |
If I manage to buy this you'll have to do the catalogue description | 0:05:04 | 0:05:06 | |
cos you could go about four pages on that, couldn't you? | 0:05:06 | 0:05:09 | |
-How's your Cyrillic? -My Cyrillic's quite good actually. | 0:05:09 | 0:05:11 | |
You get the job then. | 0:05:11 | 0:05:13 | |
Cyrillic? Nice one. | 0:05:13 | 0:05:14 | |
That's fantastic. | 0:05:14 | 0:05:15 | |
Still, it looks like he might be staying in mufti today. | 0:05:15 | 0:05:18 | |
Natasha, meanwhile, continues to fret. | 0:05:18 | 0:05:21 | |
I think I want to be at the front of the shop near the owner. | 0:05:21 | 0:05:24 | |
But Charlie is hogging this man. He has got him in his grasp. | 0:05:24 | 0:05:28 | |
Have you got something that's come through the door, you know, | 0:05:28 | 0:05:31 | |
-for the money, as it were? -I bought this over the counter yesterday. | 0:05:31 | 0:05:36 | |
-It's not Capodimonte, is it? -It is. | 0:05:36 | 0:05:38 | |
-Agh! -I know. I thought that as well. | 0:05:38 | 0:05:40 | |
-Yes. -But it's 19th-century Capodimonte. | 0:05:40 | 0:05:43 | |
Established in Naples in 1743, Capodimonte soon acquired | 0:05:43 | 0:05:48 | |
quite a reputation and is recognisable | 0:05:48 | 0:05:51 | |
for its densely moulded figures and flowers in alto-relievo. | 0:05:51 | 0:05:56 | |
-Almost Meissen-esque isn't it, here? -Yes. | 0:05:56 | 0:05:58 | |
It's got quality to it. That's just come through the door, has it? | 0:05:58 | 0:06:02 | |
-Yes. -What, just like that? -Yes. Paid 100 for it. | 0:06:02 | 0:06:04 | |
I suppose you just want it as a very small working profit? | 0:06:04 | 0:06:07 | |
Absolutely. That's fine with me. To make £15 on it, that's fine. | 0:06:07 | 0:06:10 | |
-I saw similar online... -Look at me. -..for 750. | 0:06:10 | 0:06:15 | |
Blimey. | 0:06:15 | 0:06:16 | |
While Charlie ponders his porcelain, Natasha, | 0:06:16 | 0:06:20 | |
badly needing to catch up, has finally found something. | 0:06:20 | 0:06:23 | |
Look at this. What have we got here? | 0:06:23 | 0:06:25 | |
"Tunic dress for the 2nd Regiment of Foot." | 0:06:25 | 0:06:28 | |
That's quite nice, isn't it? Is that dandruff or is that just dust? | 0:06:30 | 0:06:34 | |
It's just dust. That's quite nice, isn't it? I'd wear that. | 0:06:34 | 0:06:38 | |
That's really wearable. I kind of want to try it on. | 0:06:38 | 0:06:41 | |
It's a good fit. | 0:06:41 | 0:06:43 | |
That is chic. | 0:06:43 | 0:06:45 | |
-Charlie? -Hello. -What do you make of that? | 0:06:46 | 0:06:50 | |
That's sensational! | 0:06:50 | 0:06:52 | |
How good is that? So, 1930s, it says here. | 0:06:52 | 0:06:56 | |
Comes with trousers with everything on them. | 0:06:56 | 0:06:59 | |
Well, go and put the trousers on! Come on! | 0:06:59 | 0:07:01 | |
-Each of those buttons is a work of art. It's got no moth either. -No. | 0:07:01 | 0:07:05 | |
I'll tell you what. If you walk up and down the auction wearing that... | 0:07:05 | 0:07:08 | |
Oh, yes, that would make a fortune. | 0:07:08 | 0:07:10 | |
Oh, yes, I think it would make 500 quid. | 0:07:10 | 0:07:12 | |
Why is it so cheap compared to everything else in the shop? | 0:07:12 | 0:07:15 | |
It's far too cheap. I think it should be 215, shouldn't it? | 0:07:15 | 0:07:17 | |
-It could go that way, yes. -Is this less collectable, really? | 0:07:17 | 0:07:20 | |
-Is it because of the age of it? -It's the age, yeah. -OK. | 0:07:20 | 0:07:23 | |
So I'm thinking that whilst £115 is still really cheap, | 0:07:23 | 0:07:26 | |
I'd quite like to buy this uniform. | 0:07:26 | 0:07:28 | |
-I'm going to leave this while you negotiate. -Charlie. | 0:07:28 | 0:07:31 | |
-Oh, my goodness. -I can't possibly be around. | 0:07:31 | 0:07:33 | |
What do you think? Could I get it in two figures? | 0:07:33 | 0:07:35 | |
-I'll do it for 90, OK? -You'll do it for 90? -Yes. | 0:07:35 | 0:07:38 | |
I think I might do it. I think I'm going to do it. | 0:07:38 | 0:07:40 | |
Charlie had such good success yesterday. | 0:07:40 | 0:07:43 | |
I wanted to buy something that was up your street when I was in your shop. | 0:07:43 | 0:07:46 | |
-OK. -Let's do it. My goodness. | 0:07:46 | 0:07:47 | |
-Lovely. -That was a huge amount of my money, though. -Is it? | 0:07:47 | 0:07:50 | |
That's a huge chunk. | 0:07:50 | 0:07:51 | |
But Charlie told me to spend big and he's my guide. | 0:07:51 | 0:07:53 | |
Did he really? It's almost half her budget. | 0:07:53 | 0:07:56 | |
But if it does as well as Charlie's she'll be all right. | 0:07:56 | 0:08:00 | |
He, meanwhile, has headed further into the depths. | 0:08:00 | 0:08:02 | |
Here we've got a wonderful case of fish. | 0:08:02 | 0:08:07 | |
We've got a pike, and we've got a trout. | 0:08:07 | 0:08:11 | |
I don't know what that is. | 0:08:11 | 0:08:13 | |
It looks rather nice to eat whatever it is. | 0:08:13 | 0:08:16 | |
The ticket price is £300. Wow! | 0:08:16 | 0:08:18 | |
-Andrew? -Mm? -Could I borrow you? | 0:08:18 | 0:08:20 | |
This is quite fun because they're nearly always mounted singly, | 0:08:20 | 0:08:24 | |
-aren't they? -Yes. -It's really nice to have a collection. A pike? | 0:08:24 | 0:08:29 | |
-Don't ask me. -A trout? -A fish, a fish, a fish and another fish. | 0:08:29 | 0:08:31 | |
-No, there's a pike and a trout. What's that down there? -Is it chub? | 0:08:31 | 0:08:35 | |
Chub. Possibly a chub. It's got a bit of age, too, hasn't it? | 0:08:35 | 0:08:38 | |
-It's probably Edwardian. -Yeah. About 1900 with that black ebonised... | 0:08:38 | 0:08:42 | |
Yes. It'd be nice to find a little label there, wouldn't it? | 0:08:42 | 0:08:47 | |
-Absolutely. -Caught by hook and what-have-you. | 0:08:47 | 0:08:50 | |
It's quite fun that. | 0:08:50 | 0:08:52 | |
If I pulled out 150 crispies would that excite you? | 0:08:52 | 0:08:56 | |
Are you a sort of...? | 0:08:56 | 0:08:57 | |
-I could do two on it. Two. -Two? -Yeah. | 0:08:57 | 0:09:00 | |
That's the third thing I've seen I've liked. | 0:09:00 | 0:09:02 | |
How much would you like for the shopful? | 0:09:02 | 0:09:04 | |
What's that got to do with the price of fish, Charlie? | 0:09:04 | 0:09:07 | |
So, what's it to be? | 0:09:07 | 0:09:09 | |
Do I want to spend £200 on something I really like, on fish, | 0:09:09 | 0:09:14 | |
and do my money, or do I want to go | 0:09:14 | 0:09:16 | |
for a bit of 19th-century Capodimonte which I don't like? | 0:09:16 | 0:09:21 | |
And, although I don't like it, | 0:09:21 | 0:09:23 | |
I just think somebody might pay money for that. | 0:09:23 | 0:09:27 | |
Why am I coming into a wonderful militaria establishment | 0:09:27 | 0:09:31 | |
and going out with a portrait of myself sitting on a barrel? | 0:09:31 | 0:09:35 | |
So, £115... | 0:09:35 | 0:09:37 | |
I'm going to have that. That's very generous of you. Thank you very much indeed. | 0:09:39 | 0:09:42 | |
£115? Charlie's spent quite a bit already, too. | 0:09:42 | 0:09:46 | |
Natasha, meanwhile, has headed elsewhere in Portsmouth. | 0:09:49 | 0:09:52 | |
South, I'd say, to Southsea. | 0:09:52 | 0:09:55 | |
-Robbie? Hello. -Pleased to meet you. And your name? | 0:09:55 | 0:09:57 | |
-I'm Tasha. Lovely to meet you. -Pleased to meet you. -How are you? | 0:09:57 | 0:10:00 | |
-Yeah, fine. -Good. -Lovely weather. -Lovely weather. | 0:10:00 | 0:10:03 | |
-I brought it with me from Glasgow. -I know that's a lie. | 0:10:03 | 0:10:06 | |
Robbie's shop is certainly quite different | 0:10:08 | 0:10:10 | |
from the one she was in earlier - a bit shabby chic, dare we say? | 0:10:10 | 0:10:13 | |
And perhaps a tad more affordable. | 0:10:13 | 0:10:15 | |
-I'll have a root around. -Have a root around. | 0:10:15 | 0:10:17 | |
I'll try and help you as much as possible. | 0:10:17 | 0:10:19 | |
I should let you in on a secret. I don't have very much money. | 0:10:19 | 0:10:22 | |
-You think I'm just saying that. I actually don't. -They never do. | 0:10:22 | 0:10:25 | |
Right, OK, here we go. | 0:10:25 | 0:10:26 | |
No, Robbie, she means it. | 0:10:26 | 0:10:27 | |
Less than £100 now. Charlie would like those. | 0:10:27 | 0:10:30 | |
I want it, I want it, I want it. | 0:10:30 | 0:10:32 | |
Oh, yes. | 0:10:32 | 0:10:34 | |
The thing that I like in here is going to cost me | 0:10:34 | 0:10:36 | |
an arm and a leg, so I don't think you're going to go for it at all, | 0:10:36 | 0:10:39 | |
-but I love the cologne bottle. -Yes. -I love it. | 0:10:39 | 0:10:41 | |
That's a period one, but we can't... | 0:10:41 | 0:10:43 | |
It smells really nice, but we can't get the stopper out of the top. | 0:10:43 | 0:10:45 | |
-OK. -But it's fabulous. -It's fabulous. | 0:10:45 | 0:10:47 | |
And it's full of its original cologne. | 0:10:47 | 0:10:49 | |
-That's not just coloured water? -No, it's cologne. | 0:10:49 | 0:10:51 | |
-It's not just for display purposes? -No. | 0:10:51 | 0:10:53 | |
-What's the price on it? -£40 is the best I can do on that. -£40. | 0:10:53 | 0:10:55 | |
What about the Tunbridge ware box? That is absolutely gorgeous. | 0:10:55 | 0:10:58 | |
The stamp box. I can do that for £30. | 0:10:58 | 0:11:01 | |
£30. It's all adding up. It's all adding up. OK. | 0:11:01 | 0:11:04 | |
Yes, it is. | 0:11:04 | 0:11:05 | |
You should have come here first when you had a big budget. | 0:11:05 | 0:11:07 | |
I know, I'm a plonker. But there are some interesting things. | 0:11:07 | 0:11:10 | |
I do really love the cologne though. | 0:11:10 | 0:11:12 | |
And the other thing I saw when I walked in - tools, the big tools. | 0:11:12 | 0:11:16 | |
The farm tools. How long have you had those - years? | 0:11:16 | 0:11:18 | |
-Do you want to get rid of them? -No, they came yesterday. | 0:11:18 | 0:11:20 | |
-Get away from me, yesterday(!) -But you're welcome to have a look | 0:11:20 | 0:11:23 | |
and I can sort you a deal out. There's one bit in there | 0:11:23 | 0:11:25 | |
I don't know what it is so you might be able to tell me. | 0:11:25 | 0:11:27 | |
-Let's have a look. -Sounds intriguing! | 0:11:27 | 0:11:30 | |
I have to say it brings a smile to my face | 0:11:30 | 0:11:32 | |
that you're asking me what this is. | 0:11:32 | 0:11:34 | |
I'm not from the country but, look, it spins both ways. | 0:11:34 | 0:11:38 | |
It's suffering a bit from woodworm, isn't it? | 0:11:38 | 0:11:40 | |
Someone must know what that is. | 0:11:40 | 0:11:42 | |
I'd say it was a flail or thresher, | 0:11:42 | 0:11:44 | |
to separate the wheat from the chaff. | 0:11:44 | 0:11:46 | |
I really like these. I think they're quite good fun. | 0:11:46 | 0:11:49 | |
-What do you think? I'm steering away from naval items. -That could sell. | 0:11:49 | 0:11:52 | |
That could sell. What about the whole lot? | 0:11:52 | 0:11:54 | |
How many bits? 50 quid. | 0:11:54 | 0:11:57 | |
-Oh, jeez! -That's cheap. | 0:11:57 | 0:11:58 | |
What was I doing this morning, spending all my money? | 0:11:58 | 0:12:02 | |
£40 the lot and that is me on the floor. | 0:12:02 | 0:12:05 | |
If you can't earn a profit out of that... | 0:12:05 | 0:12:08 | |
There's five bits. Look, every bit of it's old. | 0:12:08 | 0:12:12 | |
-Lovely fork. -I know. | 0:12:12 | 0:12:13 | |
And if they don't sell you can take them home | 0:12:13 | 0:12:15 | |
and start an allotment or something. | 0:12:15 | 0:12:17 | |
He's good, isn't he? | 0:12:17 | 0:12:18 | |
If you try and get something else, a couple of bits you like, | 0:12:18 | 0:12:21 | |
-I'll see what I can do for the whole lot for a deal. -OK. | 0:12:21 | 0:12:23 | |
Right, OK, I'm going to have a think about it. | 0:12:23 | 0:12:26 | |
Take my thinking stick. | 0:12:26 | 0:12:27 | |
OK, whatever the stick thinks, we're definitely getting somewhere. | 0:12:27 | 0:12:32 | |
There's the tools for £40, or the perfume bottle for £40, | 0:12:32 | 0:12:35 | |
or the stamp box for £30, or, like Robbie says, | 0:12:35 | 0:12:38 | |
there could be a parcel. | 0:12:38 | 0:12:40 | |
-This is just... -That's fabulous, that is. | 0:12:40 | 0:12:42 | |
Do you know, that is exactly the word. Fabulous. | 0:12:42 | 0:12:44 | |
It makes me think of a department store | 0:12:44 | 0:12:46 | |
-cos it's big enough for a display. -Look, "Galeries Lafayette". | 0:12:46 | 0:12:49 | |
Galeries Lafayette is the place to go in Paris to buy perfume | 0:12:49 | 0:12:54 | |
and, really, it is the top, top, top place in Paris. | 0:12:54 | 0:12:57 | |
And you've got it in Southsea. | 0:12:57 | 0:13:00 | |
Exactly! | 0:13:00 | 0:13:01 | |
This couldn't be more different because here is a stamp box. | 0:13:01 | 0:13:04 | |
The only thing is I noticed a little crack here. | 0:13:04 | 0:13:08 | |
We've got a loss here. | 0:13:08 | 0:13:09 | |
I'd have a little crack if I was the age of that. | 0:13:09 | 0:13:11 | |
-Not the end of the world, is it? -No. -But it is lovely. | 0:13:11 | 0:13:15 | |
I mean this really delicate parquetry. | 0:13:15 | 0:13:17 | |
-Very fine work on the top. -It's unbelievable, isn't it? | 0:13:17 | 0:13:20 | |
So those two are contenders. | 0:13:20 | 0:13:22 | |
And then, again, on a totally different scale, the tools. | 0:13:22 | 0:13:24 | |
I'm back to the tools and my thinking stick. | 0:13:24 | 0:13:27 | |
And they're a good seller, the tools. | 0:13:27 | 0:13:28 | |
I think you'd do well over there. I'll tell you what I can do for you. | 0:13:28 | 0:13:31 | |
-I'll chuck the shoeshine box in over there... -A shoeshine... | 0:13:31 | 0:13:35 | |
Which is lovely. You'll get £10 to £20 on that, hopefully. | 0:13:35 | 0:13:38 | |
I can do the whole lot for you and that would be £80. | 0:13:38 | 0:13:40 | |
-That's the best I can do. -No, you can't. -That's the best I can do. | 0:13:40 | 0:13:43 | |
-For all of those things? -All those bits. | 0:13:43 | 0:13:45 | |
Blimey, Robbie, are you sure? | 0:13:45 | 0:13:47 | |
-I think we should do it. Robbie. Oh, my goodness. -You will do well. | 0:13:47 | 0:13:51 | |
You will have a profit. You'll have a profit. | 0:13:51 | 0:13:53 | |
-I can't believe you've done that. Is it because I'm from Glasgow? -Yes. | 0:13:53 | 0:13:57 | |
Well, it's not often that someone bravely blows | 0:13:57 | 0:14:00 | |
almost all their cash on day one. | 0:14:00 | 0:14:03 | |
What's more, I've never had the chance to say, | 0:14:03 | 0:14:05 | |
"Exit with thinking stick". | 0:14:05 | 0:14:07 | |
Cheerio. | 0:14:07 | 0:14:08 | |
Charlie, meanwhile, | 0:14:12 | 0:14:13 | |
has motored further along the historic harbour-side | 0:14:13 | 0:14:16 | |
in search of a lift to one of Portsmouth's | 0:14:16 | 0:14:19 | |
more forbidding landmarks. | 0:14:19 | 0:14:21 | |
-You must be Mark. -Hello, Charlie. Nice to meet you. | 0:14:21 | 0:14:23 | |
-Hello. Lovely to see you. -Step on board. | 0:14:23 | 0:14:26 | |
Charlie's off to visit one of the four Solent forts | 0:14:27 | 0:14:30 | |
built in the 19th century to protect the port | 0:14:30 | 0:14:33 | |
from sea attack and bombardment. | 0:14:33 | 0:14:35 | |
So what are these forts? | 0:14:35 | 0:14:38 | |
Well, they were put in place by Lord Palmerston | 0:14:38 | 0:14:40 | |
against the possible threat of Napoleon III. | 0:14:40 | 0:14:43 | |
Full 360-degree firing batteries designed to repel the French. | 0:14:43 | 0:14:47 | |
-We were that worried about the French invading, then? -Very much so. | 0:14:47 | 0:14:50 | |
Lord Palmerston felt if Portsmouth fell | 0:14:50 | 0:14:52 | |
the rest of the country would follow. | 0:14:52 | 0:14:55 | |
They had to protect Portsmouth and that was at all costs. | 0:14:55 | 0:14:58 | |
Do we have any historical evidence | 0:14:58 | 0:15:00 | |
that old Napoleon was attempting something? | 0:15:00 | 0:15:03 | |
Sadly not, it looks like... | 0:15:03 | 0:15:04 | |
We look back on the history books and he never intended to, | 0:15:04 | 0:15:07 | |
so they got the lovely nickname of Palmerston's Follies. | 0:15:07 | 0:15:10 | |
Prime Minister Palmerston had passed away by the time the forts | 0:15:10 | 0:15:14 | |
were eventually completed in 1880 and, although they were fully | 0:15:14 | 0:15:17 | |
manned and armed, they were never actually used in anger. | 0:15:17 | 0:15:20 | |
-That's one of the forts there? -That's right, | 0:15:21 | 0:15:23 | |
that's Spitbank Fort right there. | 0:15:23 | 0:15:25 | |
We've converted that into a luxury hotel. | 0:15:25 | 0:15:28 | |
-Well, we might stop off there on the way back. -Glass of champagne? | 0:15:28 | 0:15:31 | |
The forts were deactivated after World War II | 0:15:31 | 0:15:34 | |
and eventually closed in the 1960s. | 0:15:34 | 0:15:36 | |
Charlie's heading for Horse Sand Fort, which, | 0:15:36 | 0:15:39 | |
closed to the public, remains very much as it was - | 0:15:39 | 0:15:42 | |
forbidding. | 0:15:42 | 0:15:43 | |
Now, this is fascinating for someone like me. | 0:15:43 | 0:15:45 | |
-We love our antiques to be untouched. -You've come to the right place. | 0:15:45 | 0:15:49 | |
Yes, 1967 was the last time this fort was occupied. | 0:15:49 | 0:15:52 | |
Crikey. | 0:15:52 | 0:15:53 | |
And we're looking now to convert it to a living museum. | 0:15:53 | 0:15:56 | |
We're looking to have the different cannon, the different era... | 0:15:56 | 0:15:59 | |
-And a gun comes out each of these portholes? -That's exactly right. | 0:15:59 | 0:16:02 | |
The fort, which cost £424,694 to build, | 0:16:02 | 0:16:08 | |
was constructed, like the others, by means of gigantic | 0:16:08 | 0:16:11 | |
carved granite blocks dropped directly onto the sand bank. | 0:16:11 | 0:16:16 | |
-Is it one of those "don't look down" moments? -Yeah. Think light thoughts. | 0:16:16 | 0:16:20 | |
That's why I didn't have breakfast. | 0:16:20 | 0:16:22 | |
The first blocks were placed by divers, | 0:16:22 | 0:16:25 | |
then gradually built up above sea level. | 0:16:25 | 0:16:27 | |
It doesn't sound that firm a foundation, | 0:16:27 | 0:16:29 | |
but they've not moved since. | 0:16:29 | 0:16:31 | |
-What's this, a storage tank of some sort? -It's actually the front door. | 0:16:32 | 0:16:36 | |
What?! | 0:16:36 | 0:16:37 | |
It's an iron door, over 15 feet thick. | 0:16:37 | 0:16:41 | |
It's several tonnes. and it was designed to be rolled out | 0:16:41 | 0:16:44 | |
-and plug the door that we just walked through. -Amazing. | 0:16:44 | 0:16:47 | |
Do you know, in a funny sort of romantic way, | 0:16:47 | 0:16:49 | |
it's rather a shame that Napoleon III didn't invade. | 0:16:49 | 0:16:54 | |
It would have been nice to see. | 0:16:54 | 0:16:55 | |
Yeah, they'd have had a lot of fun on here, wouldn't they? | 0:16:55 | 0:16:58 | |
They were certainly prepared. | 0:16:58 | 0:16:59 | |
With artesian wells from which to draw water from beneath the | 0:16:59 | 0:17:02 | |
seabed and a plentiful supply of fish, the fort, | 0:17:02 | 0:17:05 | |
with around 600 men on three floors, | 0:17:05 | 0:17:08 | |
even had the means to make small arms. | 0:17:08 | 0:17:10 | |
We've actually got a set of the bellows brought across | 0:17:10 | 0:17:13 | |
from Spitbank, but they are original. | 0:17:13 | 0:17:15 | |
They're wonderful, aren't they? Fully working. | 0:17:15 | 0:17:18 | |
Are they for sale? | 0:17:18 | 0:17:20 | |
Although the forts never saw action, | 0:17:20 | 0:17:23 | |
the deterrent they provided to any would-be invader was undeniable. | 0:17:23 | 0:17:27 | |
-What sort of range would that travel, do you know? -Up to a mile. | 0:17:28 | 0:17:32 | |
-Up to a mile? -Yeah. | 0:17:32 | 0:17:34 | |
-Any accuracy? -Pretty good, actually. -Really? | 0:17:34 | 0:17:37 | |
-They were rifled, as well, so they would be able to... -Oh, really? | 0:17:37 | 0:17:40 | |
-Yeah. -And would they had been made on the fort, as well? | 0:17:40 | 0:17:43 | |
No, they wouldn't. They'd have been shipped over, because | 0:17:43 | 0:17:46 | |
-if you try and lift it, you can understand why. -Cor, blimey! | 0:17:46 | 0:17:49 | |
-It IS heavy. -Deceptive, isn't it? | 0:17:50 | 0:17:52 | |
-You'd know if that hit you, wouldn't you? -Yeah. | 0:17:52 | 0:17:54 | |
Just designed to pierce and sink ships, that was it. | 0:17:54 | 0:17:56 | |
There was no ballistics, it didn't explode on impact, it would just go | 0:17:56 | 0:17:59 | |
-straight through the hull into the bottom of the sea. -Sink the ship! | 0:17:59 | 0:18:03 | |
And perhaps the best place to understand exactly how the forts | 0:18:03 | 0:18:07 | |
were designed to protect the dockyard is from the roof. | 0:18:07 | 0:18:10 | |
Wonderful, a roof garden. | 0:18:10 | 0:18:12 | |
Because Horse Sand and the rest are just the most visible parts | 0:18:12 | 0:18:15 | |
of the defences the Victorians cunningly devised. | 0:18:15 | 0:18:18 | |
So the shipping going into the harbour goes there, does it? | 0:18:18 | 0:18:22 | |
That's right, so they actually have to come round the fort this way, | 0:18:22 | 0:18:25 | |
because, in fact, there's a submarine barrier. | 0:18:25 | 0:18:27 | |
-And those markers mark the submarine barrier. -Which is still there? | 0:18:27 | 0:18:32 | |
That's right. At low tide, it's only about six foot beneath the surface. | 0:18:32 | 0:18:35 | |
So if they tried to come in that way, submarine barrier would get them? | 0:18:35 | 0:18:39 | |
-That's right. -And if they come in this way, they'd be shot to bits? | 0:18:39 | 0:18:42 | |
-Between the two forts. -You couldn't win, could you? -Perfect location. | 0:18:42 | 0:18:45 | |
Meanwhile, back on terra firma, Charlie's young rival | 0:18:47 | 0:18:50 | |
is experiencing an altogether different version | 0:18:50 | 0:18:53 | |
of life beside the sea. | 0:18:53 | 0:18:54 | |
Wonderful, coconut ice cream. Local, coconut ice cream. | 0:18:54 | 0:18:57 | |
What more could you want on this glorious day on the beach? | 0:18:57 | 0:19:00 | |
Sitting here keeping an eye out for Charlie. | 0:19:00 | 0:19:02 | |
I'm sure we'll see him soon. In a life ring. | 0:19:02 | 0:19:05 | |
Huh. I wonder who'll be sunk at the auction, then, eh? | 0:19:05 | 0:19:08 | |
Nighty-night. | 0:19:08 | 0:19:10 | |
Next morning, Natasha - who's only recently passed her test - | 0:19:11 | 0:19:15 | |
-is behind the wheel. Watch out. -Oh, where's the break? | 0:19:15 | 0:19:19 | |
Where's the break? | 0:19:19 | 0:19:20 | |
Relax! I'm fairly sure she's joking, Charlie. | 0:19:20 | 0:19:24 | |
Yesterday, the new girl, in a bold bid to make up ground, | 0:19:24 | 0:19:27 | |
grabbed whatever her shops had to offer, acquiring some scent, | 0:19:27 | 0:19:32 | |
a stamp box, a shoe shine box, some farming tools and a uniform, | 0:19:32 | 0:19:37 | |
-for the grand total of £170. -Hello. | 0:19:37 | 0:19:41 | |
What do you make of that? | 0:19:41 | 0:19:43 | |
Leaving just £15 left over for anything else she might fancy. | 0:19:43 | 0:19:48 | |
While Charlie made only one buy, although it was a bit pricey... | 0:19:48 | 0:19:51 | |
Somebody might pay money for that. | 0:19:51 | 0:19:53 | |
..splashing out £115 on a Capodimonte mug, | 0:19:53 | 0:19:56 | |
which means he still has almost £180 left to spend today. | 0:19:56 | 0:20:01 | |
Good old boy. | 0:20:01 | 0:20:02 | |
Later, they'll be making for an auction in the village of Swanmore, | 0:20:04 | 0:20:08 | |
but our next stop is at Lower Upham. | 0:20:08 | 0:20:10 | |
I love barns! | 0:20:14 | 0:20:16 | |
Have you ever driven into one? | 0:20:16 | 0:20:18 | |
No, I don't want to drive into a barn. | 0:20:18 | 0:20:20 | |
-Ladies first. -Thank you. -Madam. | 0:20:20 | 0:20:23 | |
OK, let's go into a barn. | 0:20:23 | 0:20:25 | |
Aye, aye, ladies first. He's up to something. Look out... | 0:20:25 | 0:20:28 | |
You go and look round. | 0:20:28 | 0:20:31 | |
-Hello, hi, I'm Natasha. -Roy. | 0:20:31 | 0:20:34 | |
Roy, lovely to meet you. What a fabulous place. | 0:20:34 | 0:20:37 | |
Yes, it is, Natasha. | 0:20:37 | 0:20:38 | |
So good, that Charlie's not made it through the door yet. | 0:20:38 | 0:20:42 | |
Rather a nice cast iron fireback. | 0:20:42 | 0:20:44 | |
Now, although it has a date on it of 16-something... | 0:20:45 | 0:20:49 | |
Cor, blimey! | 0:20:49 | 0:20:51 | |
..it's probably 1890. | 0:20:51 | 0:20:53 | |
It might even be into the 20th century. | 0:20:53 | 0:20:56 | |
I can't get it back. | 0:20:56 | 0:20:57 | |
-HE GROANS -Careful, Charlie. | 0:20:57 | 0:20:59 | |
Inside, there's a lot of very nice furniture. Reasonable prices, too. | 0:21:01 | 0:21:05 | |
But, when you've only got £15 to spend, you have to | 0:21:05 | 0:21:08 | |
think outside the box. | 0:21:08 | 0:21:10 | |
I don't know if I were to add that, for example, to my Tunbridge ware | 0:21:10 | 0:21:13 | |
stamp box, would it do anything to the lot? | 0:21:13 | 0:21:16 | |
Would it simply dilute it, would it add anything to it? | 0:21:16 | 0:21:19 | |
I don't think it would add anything to it. Although, inside | 0:21:19 | 0:21:22 | |
it says 12 quid, which is nothing. | 0:21:22 | 0:21:24 | |
I think I'll leave that alone. | 0:21:24 | 0:21:26 | |
Charlie, now back with us, | 0:21:26 | 0:21:28 | |
has meanwhile found some encouraging signs. | 0:21:28 | 0:21:31 | |
Now, this is quite interesting. | 0:21:31 | 0:21:32 | |
There's a crisis here amongst the management. | 0:21:33 | 0:21:37 | |
Arts and crafts hall stand, £280. | 0:21:37 | 0:21:40 | |
On the other coat hook, arts and crafts hall stand.. | 0:21:41 | 0:21:44 | |
..£150. | 0:21:44 | 0:21:46 | |
Which would you like? | 0:21:46 | 0:21:47 | |
I think we can all agree on that one. | 0:21:47 | 0:21:49 | |
-Natasha, however, may be about to save her £15. -Charlie! -Hello? | 0:21:49 | 0:21:54 | |
How are you getting on? | 0:21:54 | 0:21:56 | |
I might be getting on jolly well. | 0:21:56 | 0:21:58 | |
I had a good look around, but I don't think there's | 0:21:58 | 0:22:00 | |
anything for me, Charles. | 0:22:00 | 0:22:01 | |
-Really? -No. -Have you met the owner? -Oh, Roy. Yes, I have met Roy. | 0:22:01 | 0:22:05 | |
-Is he nice? -He seems very flexible. | 0:22:05 | 0:22:08 | |
Oh, I love someone who is flexible. Bye-bye. | 0:22:08 | 0:22:11 | |
So, then there was one, and, strangely enough, after all | 0:22:13 | 0:22:16 | |
that talk of finding something nautical by the seaside... | 0:22:16 | 0:22:19 | |
I'd quite like a ship's wheel. | 0:22:19 | 0:22:22 | |
It's got no price on it. | 0:22:22 | 0:22:23 | |
If that ship's wheel was in Portsmouth, it would be £150. | 0:22:23 | 0:22:29 | |
Probably. | 0:22:29 | 0:22:30 | |
It might be cheaper up here. But we'll ask. | 0:22:30 | 0:22:33 | |
What's his name? Ron, I think. | 0:22:33 | 0:22:36 | |
-Roy! -Roy! Roooooy! | 0:22:36 | 0:22:38 | |
Don't wear it out, Charlie. | 0:22:38 | 0:22:41 | |
How are you, Roy? | 0:22:41 | 0:22:42 | |
-I'm very well indeed. Loving your shop, Roy. -Thank you. | 0:22:42 | 0:22:46 | |
Now, I almost tripped over an enormous cast iron fireback | 0:22:46 | 0:22:49 | |
coming in here. Is it for sale? It hasn't got a price on it. | 0:22:49 | 0:22:53 | |
£40. | 0:22:53 | 0:22:55 | |
It's quite cheap per pound, isn't it? Per pound weight. | 0:22:55 | 0:22:58 | |
-And there's a ship's wheel here. Is that...? -That one can be £60. | 0:22:58 | 0:23:03 | |
-That's not much money, is it, really? -No, no. | 0:23:04 | 0:23:07 | |
So, there's that and the print. | 0:23:07 | 0:23:08 | |
Would you like to come and have a look at the print with me? | 0:23:08 | 0:23:11 | |
You might be able to educate me. | 0:23:11 | 0:23:12 | |
It was this. | 0:23:13 | 0:23:14 | |
-Yes, it's a nice, early one. -It is early, isn't it? | 0:23:16 | 0:23:20 | |
1733, as far as I can see. Titchfield Abbey. | 0:23:20 | 0:23:23 | |
So it's not far from here. | 0:23:23 | 0:23:25 | |
-About six miles. -There's more... | 0:23:25 | 0:23:27 | |
William Waynfleat, who was Bishop of Winchester. | 0:23:28 | 0:23:31 | |
They go nice together, actually, don't they? | 0:23:31 | 0:23:34 | |
If I made you an offer for the fireback, the ship's wheel | 0:23:34 | 0:23:39 | |
and the two prints, could there be a bit of a bulk buy? | 0:23:39 | 0:23:42 | |
I think that we possibly could do something. | 0:23:42 | 0:23:44 | |
It would be too cheeky to say 80 quid, wouldn't it, for the lot? | 0:23:44 | 0:23:47 | |
-Yes, I think it would be. -Yeah, I thought it would be. Hmm. | 0:23:47 | 0:23:51 | |
Where do you see yourself coming to? | 0:23:52 | 0:23:54 | |
-100. -Do you? I thought you were going to say that. 100 for the three. | 0:23:54 | 0:23:59 | |
Would you show me the door if I said 90 quid? | 0:23:59 | 0:24:02 | |
95. | 0:24:02 | 0:24:03 | |
I love your flexibility. | 0:24:05 | 0:24:06 | |
I can't say no, I think that's a really, really generous offer. | 0:24:06 | 0:24:09 | |
-Are you happy with that? -Absolutely. -You sure? -Yep! | 0:24:09 | 0:24:12 | |
I think that's fantastic. Thank you very much. | 0:24:12 | 0:24:14 | |
So, that's £20 for the prints, £50 for the ship's wheel | 0:24:14 | 0:24:17 | |
and £25 for the fireback. | 0:24:17 | 0:24:19 | |
Fast work, Charlie. | 0:24:19 | 0:24:21 | |
Now, where's that Natasha slipped off to? | 0:24:23 | 0:24:26 | |
I think we can rule out shopping. | 0:24:26 | 0:24:28 | |
On our way to Winchester, the county town of Hampshire. | 0:24:30 | 0:24:34 | |
Oh, this is gorgeous. | 0:24:34 | 0:24:35 | |
She's come to visit a museum dedicated | 0:24:35 | 0:24:38 | |
to some of our bravest fighting men. | 0:24:38 | 0:24:41 | |
-Hello, hi. Gavin? -Hello, Natasha. -Natasha, exactly. | 0:24:41 | 0:24:45 | |
Lovely to meet you. | 0:24:45 | 0:24:46 | |
The story of the Gurkhas begins with the Anglo-Nepalese War | 0:24:48 | 0:24:51 | |
in the early 19th century. | 0:24:51 | 0:24:53 | |
The tiny, mountainous kingdom came face-to-face | 0:24:53 | 0:24:56 | |
with the might of the East India Company | 0:24:56 | 0:24:58 | |
and such was the tenacity with which its soldiers fought | 0:24:58 | 0:25:01 | |
that, afterwards, they were encouraged to serve FOR the British. | 0:25:01 | 0:25:05 | |
Then, during the Indian mutiny in 1857, | 0:25:05 | 0:25:08 | |
the Gurkhas' reputation was firmly established. | 0:25:08 | 0:25:11 | |
After mutineers had seized Delhi, Ghurkhas of the Sirmur Battalion | 0:25:12 | 0:25:16 | |
stayed loyal and trustworthy to the British in the Indian armies | 0:25:16 | 0:25:20 | |
and fought side-by-side gallantly and bravely | 0:25:20 | 0:25:23 | |
against the mutineers, fighting off substantial and huge attacks. | 0:25:23 | 0:25:28 | |
Major Charles Reid, who was the officer commanding the Gurkhas | 0:25:28 | 0:25:32 | |
at the siege of Delhi, he was carrying that very telescope | 0:25:32 | 0:25:36 | |
when a mutineer's shell exploded above his head, | 0:25:36 | 0:25:39 | |
sadly killing the Gurkha who was standing next to him. | 0:25:39 | 0:25:43 | |
But, as you can see, it is carrying the scars of battle to this day. | 0:25:43 | 0:25:47 | |
When news of their bravery reached Britain, | 0:25:47 | 0:25:50 | |
our country's love affair with the Gurkhas began. | 0:25:50 | 0:25:53 | |
Military honours were soon awarded and the Gurkhas, | 0:25:53 | 0:25:55 | |
with their trademark weapon, became part of the new British Indian Army. | 0:25:55 | 0:26:00 | |
Tell me more about the weapons, | 0:26:00 | 0:26:02 | |
because I see at the back there a kukri knife. | 0:26:02 | 0:26:04 | |
Used for a variety of purposes. | 0:26:04 | 0:26:06 | |
A Gurkha soldier obviously uses it as a weapon. | 0:26:06 | 0:26:10 | |
Back home, in his homeland, | 0:26:10 | 0:26:11 | |
he would use it for a variety of domestic activities. | 0:26:11 | 0:26:15 | |
During the latter half of the 19th century, | 0:26:15 | 0:26:17 | |
Gurkha regiments fought in most of Britain's campaigns | 0:26:17 | 0:26:21 | |
and during both World Wars | 0:26:21 | 0:26:22 | |
more than 200,000 men served with distinction. | 0:26:22 | 0:26:26 | |
What's on this table, you've plucked a few from the cabinets. | 0:26:26 | 0:26:29 | |
I have indeed. This particular | 0:26:29 | 0:26:31 | |
Victoria Cross was the first to be awarded to a Ghurkha. | 0:26:31 | 0:26:35 | |
Until 1911, Gurkhas were ineligible for this award | 0:26:35 | 0:26:38 | |
and the First World War saw the first award of a Victoria Cross. | 0:26:38 | 0:26:43 | |
Rifleman Kulbir Thapa left the British trenches | 0:26:43 | 0:26:47 | |
and attacked the Germans. | 0:26:47 | 0:26:49 | |
Sadly, his comrades were all killed and wounded. | 0:26:49 | 0:26:52 | |
He managed to make it to the German front line, crossed the line, | 0:26:52 | 0:26:55 | |
found a wounded soldier of the Leicestershire Regiment, | 0:26:55 | 0:26:59 | |
brought him back to relative safety, went back, | 0:26:59 | 0:27:02 | |
saved two more Gurkha's lives, brought them back | 0:27:02 | 0:27:05 | |
and then went back out again in broad daylight under heavy fire | 0:27:05 | 0:27:09 | |
to bring in the wounded Leicestershire man. | 0:27:09 | 0:27:12 | |
On the back, you will see his name engraved and the date of his award. | 0:27:12 | 0:27:17 | |
-Oh, my goodness. -And remember that Gurkha regiments have won 26 VCs... | 0:27:17 | 0:27:22 | |
-In total? -In total. 13 to Gurkhas and 13 to British officers. | 0:27:22 | 0:27:26 | |
-Oh, my goodness. -Amazing total. | 0:27:26 | 0:27:28 | |
When India won independence in 1947, | 0:27:28 | 0:27:31 | |
the Gurkha regiments were split between the Indian | 0:27:31 | 0:27:34 | |
and British armies and, 200 years after they first demonstrated | 0:27:34 | 0:27:38 | |
their bravery by fighting against Britain, they're still serving. | 0:27:38 | 0:27:43 | |
-This is our latest acquisition. -Oh, really? Wow. | 0:27:43 | 0:27:46 | |
And this was presented to us by Lance Corporal Tuljung Gurung | 0:27:46 | 0:27:50 | |
-of 1st Battalion, the Royal Ghurkha Rifles. -OK. | 0:27:50 | 0:27:52 | |
And this is the combat helmet and kukri that he carried. | 0:27:52 | 0:27:57 | |
When, recently in Afghanistan, he was attacked by Taliban fighters | 0:27:57 | 0:28:01 | |
who fired at him in his sentry post, | 0:28:01 | 0:28:04 | |
a round hit him in the front of the helmet and exited at the back. | 0:28:04 | 0:28:09 | |
This knocked him backwards. | 0:28:09 | 0:28:11 | |
He came round to find a grenade bouncing | 0:28:11 | 0:28:13 | |
across the floor of his post. | 0:28:13 | 0:28:15 | |
He picks it up, throws it out, it explodes and knocks him back again. | 0:28:15 | 0:28:20 | |
He then comes round again to find a Taliban insurgent | 0:28:20 | 0:28:24 | |
inside his sentry post, | 0:28:24 | 0:28:25 | |
so he takes out his kukri, fights off the Taliban. | 0:28:25 | 0:28:29 | |
The two of them tumble out of their sentry post onto the ground | 0:28:29 | 0:28:33 | |
-and another Taliban comes in to join the fight. -Oh, my goodness. | 0:28:33 | 0:28:36 | |
Lance Corporal Tuljung beats them both off with his kukri | 0:28:36 | 0:28:39 | |
and they flee into the distance. | 0:28:39 | 0:28:42 | |
That is the most unbelievable story but, strangely, after all these | 0:28:42 | 0:28:45 | |
things I've heard about Gurkhas, totally believable. | 0:28:45 | 0:28:48 | |
-For that action, he was awarded the Military Cross. -That is... | 0:28:48 | 0:28:52 | |
Do you know, that gives me the chills. | 0:28:52 | 0:28:55 | |
Can you imagine what that felt like? And did he survive? | 0:28:55 | 0:28:59 | |
He did indeed. | 0:28:59 | 0:29:01 | |
The bullet entered the front of the helmet, exited at the back | 0:29:01 | 0:29:05 | |
and just missed the top of his ear, so he was really fortunate. | 0:29:05 | 0:29:09 | |
Lance Corporal Gurung remains on active duty, | 0:29:09 | 0:29:13 | |
one of almost 3,000 Gurkhas in today's army. | 0:29:13 | 0:29:16 | |
What a hero. What an absolute hero. | 0:29:16 | 0:29:18 | |
Now, let's have a look at our Charlie. | 0:29:22 | 0:29:24 | |
With one shop left to go, our hero. | 0:29:24 | 0:29:27 | |
He's taken the route both south and east towards Wickham, | 0:29:30 | 0:29:33 | |
birthplace in the 14th century of William of Wickham, | 0:29:33 | 0:29:36 | |
who became a Bishop of Winchester - | 0:29:36 | 0:29:38 | |
not to be confused with William Waynfleat, | 0:29:38 | 0:29:40 | |
the one whose picture Charlie bought earlier. | 0:29:40 | 0:29:43 | |
-They like their Ws round here, don't they? -Hello, I'm Charlie. | 0:29:43 | 0:29:46 | |
-I'm Liz. -Hello, Liz. | 0:29:46 | 0:29:48 | |
-I like the bunting. -Thank you. -It's coronation day. It's very exciting. | 0:29:48 | 0:29:53 | |
-I'll have a look around, if I may. -Yes, certainly. | 0:29:53 | 0:29:55 | |
What's here for King Charlie, then? Some nice things, certainly. | 0:29:55 | 0:29:59 | |
But he's already picked up a few items. | 0:29:59 | 0:30:02 | |
I like it when you've crossed out one price and put another one in. | 0:30:02 | 0:30:05 | |
As long as it's lower. | 0:30:05 | 0:30:06 | |
Huh. He's still got £83 left to spend, too. | 0:30:06 | 0:30:10 | |
Look at that. | 0:30:10 | 0:30:12 | |
American Frohse Anatomical Charts. | 0:30:12 | 0:30:17 | |
I wonder what date that is? Edwardian? | 0:30:17 | 0:30:20 | |
Gosh, isn't that extraordinary? | 0:30:20 | 0:30:22 | |
That's what we all look like when you strip us down, isn't it? | 0:30:22 | 0:30:25 | |
You speak for yourself. | 0:30:25 | 0:30:27 | |
-It is free, it's got no price. -It is over 100. | 0:30:27 | 0:30:30 | |
-Is it? -But I can call him, if you like? | 0:30:30 | 0:30:32 | |
I'm not really going to be around the £100 mark. | 0:30:32 | 0:30:35 | |
-If you would like to ring him up? -Certainly, yeah. | 0:30:35 | 0:30:38 | |
I think that would be super. Just get a sort of feel for it. I'll carry on looking around. | 0:30:38 | 0:30:41 | |
-Ah, actually, he's here. -What? -He's here. -As if by magic? | 0:30:41 | 0:30:44 | |
-He's turned up, yes. -Hello, sir. | 0:30:44 | 0:30:46 | |
-Hello. -And you are? -I'm Nick. | 0:30:46 | 0:30:48 | |
-Hello, Nick. I'm Charlie. -Hi, Charlie. | 0:30:48 | 0:30:50 | |
-You lucky man. -Yes. -You own that? | 0:30:50 | 0:30:52 | |
We do, yes. Me and my business partner do. | 0:30:52 | 0:30:54 | |
-You and your business partner. -Yeah. -Which is which? | 0:30:54 | 0:30:57 | |
I'm the one with the beating heart. | 0:30:57 | 0:30:59 | |
Where did you get it from? | 0:30:59 | 0:31:01 | |
I got it from a retired GP. | 0:31:01 | 0:31:03 | |
-We like it cos it draws people into the area. -Immediately. | 0:31:03 | 0:31:07 | |
He doesn't seem anxious to sell, Charlie. | 0:31:07 | 0:31:09 | |
-The rock bottom on it would be about 140 for us. -Would it? Yeah, yeah. | 0:31:09 | 0:31:13 | |
Ah, well. Time for that keen eye to look elsewhere. | 0:31:13 | 0:31:16 | |
Oh, is that a thatcher's needle? | 0:31:16 | 0:31:18 | |
-Isn't it in super condition? -Yes. I thought you'd like it. | 0:31:19 | 0:31:24 | |
You know what I like - quirky things. I think that's lovely. | 0:31:24 | 0:31:27 | |
Not quite sure how you work it. What you do with your thatch. | 0:31:27 | 0:31:31 | |
-I think you thread something... -Put the cord in there? -Yes. -Yes. | 0:31:31 | 0:31:35 | |
-..and hook it over the thatch. -Hook it over the thatch. | 0:31:35 | 0:31:39 | |
-Catch it there and pull it back, yeah, so it binds the thatch. -Yes. | 0:31:39 | 0:31:42 | |
There is something here that's fab but I'm not quite sure what it is. | 0:31:42 | 0:31:46 | |
-A vacuum pump. -Yes. | 0:31:46 | 0:31:48 | |
A piece of laboratory equipment, possibly. | 0:31:48 | 0:31:52 | |
Well, you wind the wheel... | 0:31:52 | 0:31:53 | |
WHEEL RASPS | 0:31:53 | 0:31:54 | |
I beg your pardon? | 0:31:54 | 0:31:55 | |
WHEEL RASPS | 0:31:55 | 0:31:58 | |
..and that cylinder produces a vacuum coming out of here, | 0:31:58 | 0:32:01 | |
so it's to suck air out of something. | 0:32:01 | 0:32:03 | |
Who does it belong to? | 0:32:03 | 0:32:05 | |
-A guy called Steve. -Steve. -I can ring him. | 0:32:05 | 0:32:07 | |
He might be able to tell us a bit more information about it. | 0:32:07 | 0:32:09 | |
He's already reduced the price, I can see here. | 0:32:09 | 0:32:12 | |
It's come down from 65 to 50. | 0:32:12 | 0:32:14 | |
He's already getting desperate, isn't he? | 0:32:14 | 0:32:16 | |
Sounds like Steve's about to get a call. | 0:32:16 | 0:32:18 | |
Hello, Steve. Charlie Ross here. How are you? | 0:32:18 | 0:32:22 | |
I've been looking at your things. | 0:32:22 | 0:32:24 | |
I love your thatcher's needle. Isn't that a lovely thing? | 0:32:24 | 0:32:26 | |
It's beautiful. Well, Liz has shown me how to use it. | 0:32:26 | 0:32:29 | |
She's obviously done a bit of thatching in her time. | 0:32:29 | 0:32:31 | |
Almost more interesting for me is your extraordinary vacuum pump thing, | 0:32:31 | 0:32:37 | |
which is quite fun. | 0:32:37 | 0:32:38 | |
But why would you want to suck the air out of something? | 0:32:38 | 0:32:42 | |
Any idea? Stop laughing. | 0:32:42 | 0:32:45 | |
Looking at the label, you've already got fed up with it, I can see that. | 0:32:45 | 0:32:49 | |
Is it on an inexorable plunge downwards? | 0:32:49 | 0:32:52 | |
Hey, he may not know how it's used, but he's certainly keen. | 0:32:52 | 0:32:54 | |
Oh, but I will go on to my knees, | 0:32:54 | 0:32:56 | |
I'm prepared to do absolutely anything to do a deal. | 0:32:56 | 0:32:58 | |
How's that? | 0:32:58 | 0:33:00 | |
Shall I confirm it? | 0:33:00 | 0:33:02 | |
Yes, yes, hang on, she's just going to prove to you | 0:33:02 | 0:33:05 | |
that's what I'm doing. | 0:33:05 | 0:33:06 | |
Hello, Steve. Yeah, Charlie is on his knees. | 0:33:06 | 0:33:08 | |
If I actually lay down, would you... | 0:33:08 | 0:33:11 | |
could you go to 40? | 0:33:11 | 0:33:14 | |
Is that really necessary, Charles? | 0:33:14 | 0:33:16 | |
That's really kind. I will give Liz 40 quid cash | 0:33:16 | 0:33:19 | |
and relieve you of your pump, | 0:33:19 | 0:33:21 | |
and I'll just keep my fingers crossed for the auction. | 0:33:21 | 0:33:24 | |
Thank you very much indeed, Steve. All the best. 40 quid. Done a deal. | 0:33:24 | 0:33:28 | |
It was an awful lot of kneeling for a tenner, Charlie. | 0:33:28 | 0:33:31 | |
Thank you so much. It's been wonderful. | 0:33:31 | 0:33:33 | |
Nice to meet you. | 0:33:33 | 0:33:36 | |
Shopping done, it's time to take a look at what they bought. | 0:33:37 | 0:33:40 | |
With Charlie acquiring a pair of prints, a ship's wheel, | 0:33:43 | 0:33:46 | |
a fire back, a tankard, and a vacuum pump for a total of £250. | 0:33:46 | 0:33:52 | |
While Natasha spent just £170 on a uniform, | 0:33:53 | 0:33:56 | |
a shoeshine box, | 0:33:56 | 0:33:58 | |
a scent bottle, | 0:33:58 | 0:34:00 | |
a stamp box, and some farming tools. | 0:34:00 | 0:34:03 | |
So, what's the verdict? | 0:34:03 | 0:34:05 | |
Natasha has done a lot better this time. | 0:34:05 | 0:34:07 | |
She's learning fast, isn't she? | 0:34:07 | 0:34:10 | |
That collection of agricultural implements, I think, | 0:34:10 | 0:34:14 | |
are a steal at £45. | 0:34:14 | 0:34:16 | |
I think they'll at least double her money on that. | 0:34:16 | 0:34:19 | |
I think Charlie has gone very traditional this time | 0:34:19 | 0:34:22 | |
with those prints of the Archbishop and the Abbey | 0:34:22 | 0:34:25 | |
and he's got that ship's wheel. | 0:34:25 | 0:34:26 | |
He's gone down quite a conservative route. | 0:34:26 | 0:34:29 | |
But I think my fun farmers' tools are a little bit out there | 0:34:29 | 0:34:32 | |
and my cologne bottle, and my uniform - | 0:34:32 | 0:34:35 | |
if that does as well as Charlie's tunic then I'm in with a winner. | 0:34:35 | 0:34:38 | |
Cos Roscoe had a tunic that did well, what do you do? | 0:34:38 | 0:34:41 | |
Don't go out and buy a tunic - | 0:34:41 | 0:34:43 | |
not if it's a 20th century tunic and not if it costs £90. | 0:34:43 | 0:34:49 | |
There's going to be a bit of a loss on that. | 0:34:49 | 0:34:52 | |
After setting off from Portsmouth, | 0:34:52 | 0:34:55 | |
our experts are now heading for an auction in Swanmore. | 0:34:55 | 0:34:59 | |
Do you know what the name of the auction is? | 0:34:59 | 0:35:01 | |
-We're going to Pump House Auctions. -And what have I bought? | 0:35:01 | 0:35:04 | |
-A pump! -Yes. | 0:35:04 | 0:35:05 | |
Well, it could work, Charlie. | 0:35:05 | 0:35:08 | |
Absolutely gorgeous building. Look at this. | 0:35:08 | 0:35:10 | |
-Can you come and help me out? -Yes, of course I can. | 0:35:10 | 0:35:15 | |
-Welcome to the Pump House. -Wait till you are my age, my dear. | 0:35:15 | 0:35:19 | |
So, what are their chances at this establishment? | 0:35:19 | 0:35:22 | |
Let's hear from auctioneer Dominic Foster. | 0:35:22 | 0:35:25 | |
The British Army uniform, | 0:35:25 | 0:35:27 | |
the Regiment of Foot, is very collectable. | 0:35:27 | 0:35:29 | |
Military items are very sought after. | 0:35:29 | 0:35:32 | |
The old vacuum pump is quite an interesting item. | 0:35:32 | 0:35:35 | |
Scientific instruments are very collectable. | 0:35:35 | 0:35:37 | |
Maybe £60-£80, again. Maybe £100, if we're lucky. | 0:35:37 | 0:35:40 | |
Encouraging. Looks like the weather could have helped | 0:35:40 | 0:35:44 | |
attract a decent crowd, too. | 0:35:44 | 0:35:45 | |
It's mobbed, Charlie. It's mobbed. They have all come to see you. | 0:35:45 | 0:35:48 | |
They may have come to see me, | 0:35:48 | 0:35:50 | |
but they haven't come to buy my things, have they? | 0:35:50 | 0:35:52 | |
Well, maybe Charlie's pictures. Will they be a local hit? | 0:35:52 | 0:35:56 | |
You bought something from Hampshire. | 0:35:56 | 0:35:57 | |
-The south-east of Titchfield Abbey in Hampshire. Where are we? -Hampshire! | 0:35:57 | 0:36:01 | |
-And a framed, glazed print of William Waynflete, Bishop of... -Winchester! | 0:36:01 | 0:36:07 | |
Couple of bids here. 12, 14 here. 16 anywhere? 16, 18, 20, 22. 24? | 0:36:07 | 0:36:15 | |
No? At 22. 24 anywhere? | 0:36:15 | 0:36:18 | |
24, 26, 28, | 0:36:18 | 0:36:20 | |
30, and two... | 0:36:20 | 0:36:23 | |
-Look at you! -34? | 0:36:23 | 0:36:25 | |
At 32. 34 anywhere? | 0:36:25 | 0:36:27 | |
There are some sophisticated buyers in this saleroom. | 0:36:27 | 0:36:30 | |
Selling at £32, then? | 0:36:30 | 0:36:31 | |
Your number? | 0:36:31 | 0:36:32 | |
Holy profits, Charlie. | 0:36:34 | 0:36:36 | |
You're too clever. You're so good, you're so good. | 0:36:36 | 0:36:40 | |
Natasha's turn. Her bargain half bottle of scent. | 0:36:40 | 0:36:44 | |
Do you do this with all your lots - | 0:36:44 | 0:36:46 | |
-get given them because you look rather attractive? -No. | 0:36:46 | 0:36:50 | |
Because I looked like I needed help. | 0:36:50 | 0:36:52 | |
A couple of bids, 20, | 0:36:52 | 0:36:55 | |
I've got 25, 28 is there... | 0:36:55 | 0:36:58 | |
28. There is 30. 32? 34. | 0:36:58 | 0:37:00 | |
I can't see you. | 0:37:00 | 0:37:01 | |
34. 36, 38 anywhere? | 0:37:01 | 0:37:05 | |
38, 40. | 0:37:05 | 0:37:06 | |
There's a voice from under a table. | 0:37:06 | 0:37:08 | |
44, 46, | 0:37:08 | 0:37:10 | |
48, 50? | 0:37:10 | 0:37:12 | |
No, at 48 here. 50 anywhere? | 0:37:12 | 0:37:16 | |
At 48, then. Yours, sir. | 0:37:16 | 0:37:19 | |
Yes. It smells good to me. | 0:37:19 | 0:37:21 | |
It does indeed and if you don't like it you can always use | 0:37:21 | 0:37:25 | |
Charlie's vacuum pump to get rid of the pong. | 0:37:25 | 0:37:27 | |
-I've got 40, 45. 48 anywhere? -Right, you're in. | 0:37:27 | 0:37:32 | |
48 anywhere? 48 there. | 0:37:32 | 0:37:34 | |
Is 50 anywhere? 50 there is. And two? | 0:37:34 | 0:37:37 | |
52. 55 anywhere? | 0:37:37 | 0:37:40 | |
55, £55. | 0:37:40 | 0:37:41 | |
58 anywhere? | 0:37:41 | 0:37:43 | |
Selling for £55. | 0:37:43 | 0:37:46 | |
-Pow! -That is genius. 55 quid. | 0:37:46 | 0:37:50 | |
Getting onto his knees definitely paid off. | 0:37:50 | 0:37:53 | |
I wonder what he's doing later? I might take him to the pub. | 0:37:53 | 0:37:55 | |
You're taking me out for dinner. | 0:37:55 | 0:37:57 | |
THEY LAUGH He overheard that! | 0:37:57 | 0:37:59 | |
'Talking of good deals, how about Natasha's £5 shoeshine box?' | 0:37:59 | 0:38:04 | |
I've got again a couple of bids for 12, I've got 14, 16 anywhere? | 0:38:04 | 0:38:08 | |
-Keep going! -Steady. | 0:38:08 | 0:38:10 | |
16, 18, 20, 22? | 0:38:10 | 0:38:12 | |
At £20. Two anywhere? | 0:38:12 | 0:38:15 | |
22, 24. | 0:38:15 | 0:38:16 | |
26, 28, | 0:38:16 | 0:38:18 | |
30, 32, | 0:38:18 | 0:38:20 | |
34? | 0:38:20 | 0:38:21 | |
At 32. 34 anywhere? | 0:38:21 | 0:38:23 | |
No? Sell it for 34. | 0:38:23 | 0:38:27 | |
36, 38. | 0:38:27 | 0:38:28 | |
Yes? 40? | 0:38:28 | 0:38:31 | |
And two. | 0:38:31 | 0:38:32 | |
44, 46 anywhere, then? | 0:38:32 | 0:38:36 | |
Selling at £44. | 0:38:36 | 0:38:38 | |
Yes! | 0:38:38 | 0:38:40 | |
Nobody can beat those profits, surely? | 0:38:40 | 0:38:43 | |
Though the auctioneer does have high hopes for Charlie's wheel. | 0:38:43 | 0:38:46 | |
-50 for it. 50 bid. -50 is bid! | 0:38:46 | 0:38:49 | |
Are we on the ship's wheel? | 0:38:49 | 0:38:52 | |
And five. 70? | 0:38:52 | 0:38:54 | |
-Come on. -And five. | 0:38:54 | 0:38:56 | |
-It's all go. Yes! -I want a free ship for this money. | 0:38:56 | 0:38:59 | |
90. And five? | 0:38:59 | 0:39:02 | |
Nope, at £90. | 0:39:02 | 0:39:04 | |
Five anywhere? | 0:39:04 | 0:39:06 | |
Selling, then, at £90. | 0:39:06 | 0:39:08 | |
One more. | 0:39:08 | 0:39:09 | |
Yes! That's all right. | 0:39:09 | 0:39:12 | |
It certainly is. | 0:39:12 | 0:39:13 | |
What about Natasha's little Tunbridge stamp box? | 0:39:13 | 0:39:17 | |
£50 for it somewhere? 50 for it? | 0:39:17 | 0:39:20 | |
Nope? I've got 40 here, then. Five anywhere? | 0:39:20 | 0:39:23 | |
Oh, he's got 40 quid on it. | 0:39:23 | 0:39:25 | |
45 there is, 48 anywhere? 48. | 0:39:25 | 0:39:27 | |
50? At 48 with me. 50 anywhere? | 0:39:27 | 0:39:30 | |
50 there. | 0:39:30 | 0:39:31 | |
Do you know, I'd rather be hit by your thresher. | 0:39:31 | 0:39:35 | |
And that's still to come. | 0:39:35 | 0:39:38 | |
At £56. 58 anywhere? | 0:39:38 | 0:39:40 | |
This is exciting. £56! | 0:39:40 | 0:39:42 | |
Thank you! | 0:39:44 | 0:39:46 | |
This is really quite some auction, you know. | 0:39:46 | 0:39:49 | |
Charlie's fire back's next. | 0:39:49 | 0:39:51 | |
£80 for it somewhere? 80 bid. | 0:39:51 | 0:39:53 | |
Oh, straight in. Straight in at 80. | 0:39:53 | 0:39:55 | |
85 anywhere? At £80. | 0:39:55 | 0:39:58 | |
85 there is. 88? 88. | 0:39:58 | 0:40:01 | |
-90 anywhere? -Come on. | 0:40:01 | 0:40:04 | |
-At 88. No? Selling then... -88! Two fat ladies. | 0:40:04 | 0:40:07 | |
£88. Yours, sir. | 0:40:07 | 0:40:09 | |
Wow, everything has made a profit so far | 0:40:09 | 0:40:11 | |
but will Natasha's uniform do as well as Charlie's did? | 0:40:11 | 0:40:14 | |
She's decided against modelling it, I see. Shame. | 0:40:14 | 0:40:18 | |
-Here we go. Regiment... -Is this yours already? | 0:40:18 | 0:40:21 | |
£40 for it somewhere? 40 for it? | 0:40:21 | 0:40:23 | |
This could be a problem. | 0:40:23 | 0:40:25 | |
30 if you like, then. 30 for it. 30 bid. Two is there? | 0:40:25 | 0:40:29 | |
32, 34... | 0:40:29 | 0:40:32 | |
We need this to make more. | 0:40:32 | 0:40:33 | |
You've just bought it, dear. | 0:40:33 | 0:40:35 | |
At £38, then. | 0:40:35 | 0:40:38 | |
Oh, no. | 0:40:38 | 0:40:40 | |
No, no! | 0:40:40 | 0:40:41 | |
Ouch! Her risky lot cost her dear. | 0:40:41 | 0:40:44 | |
-Oh, no. -Learn. | 0:40:44 | 0:40:47 | |
Take it as a lesson. | 0:40:47 | 0:40:50 | |
My pump did all right, but don't go out and buy a pump next time. | 0:40:50 | 0:40:55 | |
Probably best not to buy one of these, either. | 0:40:56 | 0:40:59 | |
Even Charlie's not keen. | 0:40:59 | 0:41:00 | |
The best thing that could have happened to my Capodimonte | 0:41:00 | 0:41:03 | |
is that they dropped it and I'd claim the insurance. | 0:41:03 | 0:41:07 | |
I've got bids. 30, I've got £35 here. | 0:41:07 | 0:41:10 | |
-It can climb. -HE MUTTERS | 0:41:10 | 0:41:11 | |
40 there is. And five anywhere? | 0:41:11 | 0:41:13 | |
45 there is. 50? | 0:41:13 | 0:41:14 | |
Come on, it must be worth more than this. | 0:41:14 | 0:41:17 | |
55, 60. | 0:41:17 | 0:41:18 | |
58 if you like, sir? | 0:41:18 | 0:41:20 | |
58. | 0:41:20 | 0:41:22 | |
-Good boy. -Come on! | 0:41:22 | 0:41:24 | |
Selling then at £58. | 0:41:24 | 0:41:28 | |
-Ooh. -HE SIGHS | 0:41:28 | 0:41:30 | |
Now the old hand's dropped a clanger, too, | 0:41:30 | 0:41:33 | |
but if Natasha's tools can make just a modest profit | 0:41:33 | 0:41:36 | |
she'll carry the day. | 0:41:36 | 0:41:38 | |
What do you think your tools will make? | 0:41:38 | 0:41:40 | |
I'm going to say £50. I'm going to make a fiver. | 0:41:40 | 0:41:43 | |
I'll have a little sportsman's bet with you. | 0:41:45 | 0:41:48 | |
What do you reckon? | 0:41:48 | 0:41:49 | |
I'll bet you a soft drink that these make £100. | 0:41:49 | 0:41:53 | |
-I've got 35 and I've got 45 here. -See! -50 is there. | 0:41:53 | 0:41:58 | |
Is 50 anywhere? | 0:41:58 | 0:41:59 | |
-No, see! -50 there is, and five? | 0:41:59 | 0:42:02 | |
I've got 60. And five anywhere? | 0:42:02 | 0:42:05 | |
-At £60 then... -See, see! | 0:42:05 | 0:42:07 | |
A bit closer to Natasha's assessment than Charlie's, | 0:42:10 | 0:42:13 | |
but good news all the same. | 0:42:13 | 0:42:14 | |
I'm going to buy you that soft drink that you so richly deserve. | 0:42:14 | 0:42:19 | |
So, the new girl wins today's contest and gets back in the game. | 0:42:20 | 0:42:26 | |
Charlie, who started out with £293.06, | 0:42:26 | 0:42:28 | |
made - after paying auction costs - | 0:42:28 | 0:42:31 | |
a profit of £14.86, | 0:42:31 | 0:42:34 | |
leaving him with £307.92 to spend tomorrow. | 0:42:34 | 0:42:38 | |
While Natasha, who began with £185.78, | 0:42:39 | 0:42:43 | |
after paying auction costs made a profit of £31.72. | 0:42:43 | 0:42:48 | |
Still in second place but catching up fast. | 0:42:48 | 0:42:52 | |
-Well done. -We did it. | 0:42:52 | 0:42:54 | |
I couldn't have been thrashed by a lovelier girl. | 0:42:54 | 0:42:56 | |
Thank you so much. I can't believe it. | 0:42:56 | 0:42:58 | |
-I'll take you away. -It feels nice. You must be used to this feeling. | 0:42:58 | 0:43:01 | |
You've learnt how to do it now, haven't you? | 0:43:01 | 0:43:03 | |
Oh, there'll be no holding you. One tip, no more tunics. | 0:43:03 | 0:43:07 | |
No more tunics. | 0:43:07 | 0:43:09 | |
Full steam ahead, eh? | 0:43:09 | 0:43:10 | |
Next time on Antiques Road Trip, | 0:43:12 | 0:43:13 | |
our experts unearth big bargains... | 0:43:13 | 0:43:16 | |
Ohh! You know how to excite an old man, don't you? | 0:43:16 | 0:43:19 | |
..and tiny treasures. | 0:43:19 | 0:43:21 | |
Come on, giddy up. They are the best things I've ever seen. | 0:43:21 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:41 | 0:43:43 |