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-It's the nation's favourite antiques experts... -What about that?! | 0:00:02 | 0:00:05 | |
..with £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Feeling a little "saw". | 0:00:17 | 0:00:18 | |
This is going to be an epic battle. | 0:00:18 | 0:00:20 | |
There be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-The honeymoon is over. -I'm sorry! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
We are approaching the halfway stage of our antiquarian amble | 0:00:37 | 0:00:40 | |
in the company of Natasha Raskin and Charlie Ross. | 0:00:40 | 0:00:44 | |
Being driven along a leafy lane in the sunshine by a young girl | 0:00:45 | 0:00:49 | |
in a sports car is frankly all any man could ever wish for in life! | 0:00:49 | 0:00:54 | |
Ahh, charmer Charlie, an auctioneer from Oxfordshire, | 0:00:54 | 0:00:57 | |
is the experienced half of our two on the road, | 0:00:57 | 0:01:02 | |
well versed in the ways of the bargain. | 0:01:02 | 0:01:04 | |
Hello, Steve. Yeah, Charlie's on his knees. | 0:01:04 | 0:01:06 | |
While art and style guru Natasha, from Glasgow, has been | 0:01:06 | 0:01:11 | |
entirely candid on her maiden outing. | 0:01:11 | 0:01:14 | |
I know, I know! I'm a plonker! | 0:01:14 | 0:01:16 | |
Honesty can pay, though. | 0:01:16 | 0:01:18 | |
Geography, sometimes, as well. | 0:01:18 | 0:01:20 | |
I was amazed at how good a deal I got from the chap whose mother | 0:01:20 | 0:01:22 | |
was from Glasgow, simply amazed! | 0:01:22 | 0:01:24 | |
It's a funny old game, this. Ha! | 0:01:26 | 0:01:28 | |
They set off in their Triumph TR6 with £200 each, | 0:01:28 | 0:01:31 | |
and so far, the auction score is 1-1. | 0:01:31 | 0:01:34 | |
Although Natasha has made just a modest profit, with £217.50. | 0:01:34 | 0:01:39 | |
Whilst Charlie has turned his stake into £307.92, a lead of over £90. | 0:01:42 | 0:01:49 | |
But can the wise master stay ahead? | 0:01:49 | 0:01:52 | |
What you need is for me to buy three things for £100 each... | 0:01:52 | 0:01:55 | |
-Could you do that? -..and you to buy three things for 20 quid each | 0:01:55 | 0:01:59 | |
and make a steady little miserly profit. | 0:01:59 | 0:02:02 | |
I could do that! | 0:02:02 | 0:02:03 | |
The kid learns fast. Huh! | 0:02:03 | 0:02:06 | |
Our journey begins in Cornwall at Falmouth and heads east, | 0:02:06 | 0:02:09 | |
taking in most of southern England before ending up, | 0:02:09 | 0:02:12 | |
over 900 miles later, at Stansted Mountfitchet, Essex. | 0:02:12 | 0:02:17 | |
Today, we're making for an auction in the Dorset town | 0:02:17 | 0:02:19 | |
of Christchurch, but starting out in the Chiltern Hills at Berkhamsted. | 0:02:19 | 0:02:24 | |
It was in Berkhamsted in December, 1066, | 0:02:26 | 0:02:30 | |
just a few months after the Battle of Hastings, that the | 0:02:30 | 0:02:33 | |
English finally surrendered to William the Conqueror. | 0:02:33 | 0:02:35 | |
And it was here, too, equally lost in the midst of time, | 0:02:35 | 0:02:39 | |
that a certain auctioneer and road-tripper | 0:02:39 | 0:02:41 | |
spent his formative years. | 0:02:41 | 0:02:43 | |
Berkhamsted School, founded 1541. | 0:02:44 | 0:02:48 | |
-I was at school here and I've got a surprise for you. -Oh, no! | 0:02:48 | 0:02:53 | |
-My old First XI cap. -You look about 12! | 0:02:53 | 0:02:56 | |
Would you like to hear the old school song? It's in Latin. | 0:02:56 | 0:03:00 | |
HE SINGS IN LATIN | 0:03:00 | 0:03:03 | |
HE CONTINUES TO SING | 0:03:11 | 0:03:14 | |
When Charlie runs out of Latin, | 0:03:14 | 0:03:16 | |
they'll be shopping in two shops, just a few doors apart. | 0:03:16 | 0:03:19 | |
-"Vintage and eclectic." -Just like you! -You or me? -No, it's you! | 0:03:19 | 0:03:23 | |
Vintage, eclectic! Good luck! | 0:03:23 | 0:03:26 | |
It's just like heading for the office, isn't it? | 0:03:26 | 0:03:28 | |
-Hello, good morning. Hi, there. -Hi. -I'm Tasha. | 0:03:28 | 0:03:32 | |
-I'm Julie. -Lovely to meet you, Julie. Hi, there. | 0:03:32 | 0:03:35 | |
-Gosh, what a fabulous shop you have. -Thank you, we love it. | 0:03:35 | 0:03:38 | |
Reunion, once a pop-up shop but now permanent, | 0:03:38 | 0:03:42 | |
should have plenty to keep Natasha interested... | 0:03:42 | 0:03:44 | |
Very, very interior design, isn't it? Very, very. | 0:03:44 | 0:03:49 | |
..while Charlie heads off to Heritage. | 0:03:49 | 0:03:52 | |
No more of those, though, eh? | 0:03:52 | 0:03:54 | |
-Good morning! -Good morning. -John, is it? -I'm John. -Charlie. | 0:03:54 | 0:03:57 | |
-Hello, Charlie. -It's lovely to be back in Berkhamsted. | 0:03:57 | 0:04:00 | |
You came here before? | 0:04:00 | 0:04:02 | |
-I was at school here. -No! -Ten years of my life spent here. -And mine. | 0:04:02 | 0:04:06 | |
-You were at the school as well? -I was, yes. -What house were you in? | 0:04:06 | 0:04:09 | |
Lowes. | 0:04:09 | 0:04:11 | |
-Which is just up the road here! -That one there, yes. | 0:04:11 | 0:04:13 | |
-I was halfway up the hill - Incense. -We hated you! | 0:04:13 | 0:04:16 | |
Hm, that went well(!) Let's change the subject, shall we? | 0:04:19 | 0:04:22 | |
Well, I'm going to try and buy antiques. | 0:04:22 | 0:04:25 | |
I know you've got all sorts of things here, | 0:04:25 | 0:04:27 | |
haven't you? From the shabby chic to the antique. | 0:04:27 | 0:04:31 | |
-From the sublime to the ridiculous. -CHARLIE LAUGHS | 0:04:31 | 0:04:33 | |
No prizes for guessing what Charlie will come up with, then. | 0:04:33 | 0:04:36 | |
Meanwhile, Natasha is in designer heaven. | 0:04:36 | 0:04:39 | |
This shop is so mid-century. Everything is so mid-century, | 0:04:39 | 0:04:42 | |
it's got that real Ercol feel, G-Plan, Danish kind of feel. | 0:04:42 | 0:04:47 | |
Love that. Love that fruit plate. | 0:04:47 | 0:04:50 | |
That's just so gorgeous. | 0:04:50 | 0:04:52 | |
£28. Finland. | 0:04:52 | 0:04:54 | |
Oh, so, sort of Scandinavian design. | 0:04:54 | 0:04:59 | |
I love the palette. | 0:04:59 | 0:05:00 | |
It's a really awful kind of sickly green and I LOVE it. | 0:05:00 | 0:05:03 | |
I think, mainly, if we're talking Scandinavian at the moment, do we not want glass? | 0:05:03 | 0:05:07 | |
I think we probably would want glass more than ceramics. | 0:05:07 | 0:05:10 | |
I wonder if she'd give me that for a tenner? No, that'd be too rude. | 0:05:10 | 0:05:13 | |
That would be too rude. We'll see how we get on with other stuff. Oh, OK! | 0:05:13 | 0:05:16 | |
Huh, Charlie is going a bit more trad. | 0:05:16 | 0:05:19 | |
What a fantastic place setting. | 0:05:19 | 0:05:22 | |
There's a lot of it. How many...? Ten place settings. | 0:05:22 | 0:05:25 | |
EPNS cutlery, £85. Is that yours? | 0:05:25 | 0:05:29 | |
No, that's Janet. | 0:05:29 | 0:05:31 | |
Seems jolly good value to me. I'll even have to have a look at a piece. | 0:05:31 | 0:05:34 | |
Made in Sheffield. | 0:05:35 | 0:05:37 | |
As you would hope. | 0:05:37 | 0:05:39 | |
Quite impressive, isn't it? There's a whole lot. | 0:05:39 | 0:05:41 | |
-To have the knives as well... -It is, if you've got a ten-seater table. | 0:05:41 | 0:05:45 | |
Or if there's just two of you and you don't like washing up much. | 0:05:45 | 0:05:49 | |
That would just about suit, too. | 0:05:49 | 0:05:51 | |
£4. £4?! | 0:05:51 | 0:05:55 | |
Are you trying to beat me down, Charlie? | 0:05:55 | 0:05:57 | |
Well, of course I would, if I wanted to buy it, | 0:05:57 | 0:05:59 | |
but that's absolutely ridiculous! | 0:05:59 | 0:06:02 | |
-Doulton Lambeth, they started by making drains, didn't they? -Yeah. | 0:06:02 | 0:06:06 | |
They made drains in London and then they progressed on to earthenware objects. | 0:06:06 | 0:06:10 | |
It's known as a harvest teapot. | 0:06:10 | 0:06:13 | |
Cos you can see the guys with their harvest here. | 0:06:13 | 0:06:16 | |
This is very churlish, but at £4, what's your best? | 0:06:16 | 0:06:22 | |
-£3.90. -£3.90! | 0:06:22 | 0:06:26 | |
While heady figures are bandied about elsewhere, | 0:06:26 | 0:06:29 | |
Natasha may be about to actually hang her hat on something. | 0:06:29 | 0:06:32 | |
I love this big hook. | 0:06:32 | 0:06:34 | |
That would probably ruin the lady's display, somewhat. | 0:06:34 | 0:06:39 | |
It's 20th century, isn't it? It's not going to be late 19th century. | 0:06:39 | 0:06:42 | |
It's 20th century, but that has good farmhouse appeal. That is quite fun. | 0:06:42 | 0:06:48 | |
-Julie... -Yeah, hi. | 0:06:48 | 0:06:50 | |
-I love this massive row of hooks. Is that for sale? -Yeah, it is, yeah. | 0:06:50 | 0:06:55 | |
The price is 75. 75, OK. I tell you what I'm going to do... | 0:06:55 | 0:07:01 | |
I'm going to think about it, because I don't know, | 0:07:01 | 0:07:04 | |
and I've had a bad history, thus far, of making snap decisions. | 0:07:04 | 0:07:07 | |
-Ah! I can do it for 60, if that helps? -£60... | 0:07:07 | 0:07:11 | |
OK, I do think I need it and I have to do that awful thing | 0:07:11 | 0:07:14 | |
where I have to just kind of go down and down and down | 0:07:14 | 0:07:16 | |
and I have to say, Julie, would you take £50 for it? | 0:07:16 | 0:07:19 | |
What did I say, 60? | 0:07:19 | 0:07:21 | |
Erm, 55, I think, is the absolute bottom line. | 0:07:21 | 0:07:25 | |
I knew you were going to say that. I think I'm quite comfortable with 55. | 0:07:25 | 0:07:28 | |
-I don't know if I've lost the plot, but, Julie, I think we should go for it. -I think I have! | 0:07:28 | 0:07:32 | |
Thank you so much. Thank you, I love it. I love it, love it, love it! | 0:07:32 | 0:07:36 | |
First blood to Natasha. | 0:07:36 | 0:07:38 | |
Down the road, Charlie has spoken to the dealer who owns the cutlery... | 0:07:38 | 0:07:41 | |
Every bit helps, as they say. | 0:07:41 | 0:07:43 | |
..and got it down to £65. | 0:07:43 | 0:07:45 | |
-He's still looking, though. -You've got an antique there as well! | 0:07:45 | 0:07:48 | |
-Yes, an old Comtoise. -Blimey, an old Comtoise clock! -Yes, with a pendulum. | 0:07:48 | 0:07:53 | |
This is a rather jazzy pendulum. | 0:07:53 | 0:07:55 | |
-Yes, it's the actual original folding pendulum... -Look at that! | 0:07:55 | 0:07:59 | |
..they came with, so they can be boxed and moved around easily. | 0:07:59 | 0:08:02 | |
Ah! Seems to have missed its bell. | 0:08:02 | 0:08:05 | |
-It has got a missing bell. -Oh, dear! | 0:08:05 | 0:08:08 | |
Nativity scene here. | 0:08:08 | 0:08:10 | |
-They're good movements, though. -Hasn't been... | 0:08:10 | 0:08:12 | |
HE BLOWS | 0:08:12 | 0:08:14 | |
..going for a while, has it?! | 0:08:14 | 0:08:16 | |
No. It hasn't been going for about 20 years. | 0:08:16 | 0:08:19 | |
Comtoise long case clocks are named after the French region | 0:08:19 | 0:08:24 | |
they were made in for over 200 years. | 0:08:24 | 0:08:26 | |
They are unusual because they have this lovely habit. | 0:08:26 | 0:08:28 | |
You know how you wake up in the night and hear the clock strike? | 0:08:28 | 0:08:31 | |
-Yes. -And you think, "Was that three or four?" -Yeah. | 0:08:31 | 0:08:35 | |
This one does it a minute later. | 0:08:35 | 0:08:36 | |
-So it strike the hour twice? -Yes. -I never knew that. | 0:08:36 | 0:08:39 | |
-Is that standard for a Comtoise clock? -Absolutely, yes. | 0:08:39 | 0:08:42 | |
I'm not liking the price. | 0:08:42 | 0:08:43 | |
Yeah, that very old ticket price doesn't reflect that the clock is now in bits. | 0:08:43 | 0:08:48 | |
Charlie can be bold about this one. | 0:08:48 | 0:08:50 | |
-Are you going to sell it to me for 20 quid? -What, 20? No, I can't. | 0:08:50 | 0:08:53 | |
-You can't? -I can't make 20. That came across the Channel! -Did it? | 0:08:53 | 0:08:57 | |
That's one of the most expensive trips, isn't it, nowadays. | 0:08:57 | 0:09:01 | |
Well, it is nowadays. It was jolly cheap in those days! | 0:09:01 | 0:09:03 | |
Come off it! | 0:09:03 | 0:09:05 | |
-So what's the verdict? -25. | 0:09:05 | 0:09:08 | |
It's a more realistic price agreed. | 0:09:09 | 0:09:11 | |
-I thought you were going to say 120. -As an old Berkhamstedian. | 0:09:11 | 0:09:16 | |
Flushed with success, | 0:09:16 | 0:09:18 | |
he's also decided to plump for the cutlery for £65 | 0:09:18 | 0:09:22 | |
and the little £4 teapot. | 0:09:22 | 0:09:23 | |
THEY BELT OUT SCHOOL SONG | 0:09:23 | 0:09:25 | |
Oh, dear, yet another go at the school song. | 0:09:25 | 0:09:28 | |
THEY CONTINUE SINGING | 0:09:28 | 0:09:31 | |
Make it stop, someone! | 0:09:31 | 0:09:33 | |
You did that so well, I'm going to knock £2 off that teapot for you. | 0:09:33 | 0:09:37 | |
-Darling. -That's all right! | 0:09:37 | 0:09:38 | |
-May I? -Anything to help. -That's fantastic. | 0:09:38 | 0:09:41 | |
There really is no accounting for taste. | 0:09:41 | 0:09:44 | |
Pot, clock and cutlery, then, all for £92. | 0:09:44 | 0:09:47 | |
I knew this would be you. | 0:09:47 | 0:09:49 | |
-Hi, how are you? -Have you spent all your money? | 0:09:49 | 0:09:51 | |
A touch. A little bit, | 0:09:51 | 0:09:52 | |
probably too much. Are you going in the next shop? | 0:09:52 | 0:09:54 | |
-Might have a look. -Might have a look. | 0:09:54 | 0:09:56 | |
I'm going to an intriguing destination. | 0:09:56 | 0:09:58 | |
-Where are you going? -Wouldn't you like to know! | 0:09:58 | 0:10:01 | |
Very intriguing and top secret. | 0:10:01 | 0:10:05 | |
Natasha's mysterious destination | 0:10:05 | 0:10:07 | |
lies beneath the Buckinghamshire village of West Wycombe. | 0:10:07 | 0:10:10 | |
Welcome to the caves that were once home to the notorious Hellfire Club. | 0:10:12 | 0:10:17 | |
Hello, squire. I've travelled back in time. I'm Natasha. | 0:10:17 | 0:10:21 | |
Yes, you've travelled back to the 18th century, my lady. | 0:10:21 | 0:10:23 | |
-Pleasure to meet you. -Nice to meet you. | 0:10:23 | 0:10:26 | |
Welcome to the Hellfire Caves. | 0:10:26 | 0:10:28 | |
-If you're ready? -I am so ready. | 0:10:28 | 0:10:30 | |
-So, so ready. -OK, then, let's descend. | 0:10:30 | 0:10:32 | |
-Let's do it! -SHE SQUEALS | 0:10:32 | 0:10:34 | |
Extending for about a quarter of a mile, | 0:10:36 | 0:10:38 | |
this unsettling network of chalk and flint caverns | 0:10:38 | 0:10:41 | |
was first created in the mid-18th century | 0:10:41 | 0:10:44 | |
with a devilish purpose in mind. | 0:10:44 | 0:10:46 | |
OK, what are these caves? Where did they come from? | 0:10:47 | 0:10:50 | |
Originally they were a quarry site. | 0:10:50 | 0:10:53 | |
-Oh, right, OK. -Yeah. | 0:10:53 | 0:10:54 | |
But then they were transformed into these caves, | 0:10:54 | 0:10:57 | |
this underground labyrinth. | 0:10:57 | 0:10:59 | |
The man who dreamt it all up was the local landowner, | 0:10:59 | 0:11:02 | |
Sir Francis Dashwood. | 0:11:02 | 0:11:04 | |
He needed a venue for the naughty goings-on | 0:11:04 | 0:11:06 | |
of his order of the Friars of St Francis. | 0:11:06 | 0:11:09 | |
Now is the time to tell you I'm slightly claustrophobic. | 0:11:09 | 0:11:11 | |
No, just kidding, just kidding! | 0:11:11 | 0:11:13 | |
There was nothing holy about Dashwood's friars. | 0:11:13 | 0:11:16 | |
Quite the opposite. | 0:11:16 | 0:11:17 | |
Bacchus and Venus were the deities invoked by this toff and his chums, | 0:11:17 | 0:11:22 | |
as they acted out their wildest fantasies in ritualistic parties. | 0:11:22 | 0:11:25 | |
Stand by. | 0:11:25 | 0:11:26 | |
Is it wrong to say that with these cusped arches | 0:11:26 | 0:11:28 | |
and the sort of Gothic feel | 0:11:28 | 0:11:29 | |
there's something religious about these caves? | 0:11:29 | 0:11:32 | |
That is the correct word, religious. | 0:11:32 | 0:11:34 | |
May I introduce you to the Pope? | 0:11:34 | 0:11:35 | |
What is that? That's horrible yet amazing! | 0:11:35 | 0:11:39 | |
That is a William Hogarth original. | 0:11:39 | 0:11:41 | |
As in a William Hogarth, 18th-century portrait painter? | 0:11:41 | 0:11:44 | |
Mm-hm. He has put these faces throughout the caves - | 0:11:44 | 0:11:48 | |
in the shadows, in the light, everywhere. | 0:11:48 | 0:11:50 | |
-And each of them have a religious symbol to them. -Hogarth? | 0:11:50 | 0:11:55 | |
Did he not spend his whole career skewering and jibing | 0:11:55 | 0:11:59 | |
and exposing the upper classes for their debauchery? | 0:11:59 | 0:12:01 | |
And this is the most debauched place I've ever been! | 0:12:01 | 0:12:04 | |
-So Hogarth was here?, -Yes, his names are on the original papers. | 0:12:04 | 0:12:08 | |
He was one of the founding members, in fact. | 0:12:08 | 0:12:11 | |
Another famous visitor to the caves, but not a member, | 0:12:11 | 0:12:14 | |
was Dashwood's friend Benjamin Franklin. | 0:12:14 | 0:12:17 | |
Although some have claimed | 0:12:17 | 0:12:18 | |
he was only spying on the secret society, | 0:12:18 | 0:12:20 | |
whose motto translates as "Do whatever you wish." | 0:12:20 | 0:12:25 | |
This is absolutely amazing. | 0:12:25 | 0:12:26 | |
They were doing this and I'm so intrigued | 0:12:26 | 0:12:29 | |
because I have a feeling they were doing so much more. | 0:12:29 | 0:12:31 | |
They were, Natasha. Dirty beasts. | 0:12:31 | 0:12:32 | |
And although there has to be a limit | 0:12:32 | 0:12:34 | |
to the detail this programme can divulge... | 0:12:34 | 0:12:37 | |
It's a little bit scary. A little bit scary! | 0:12:37 | 0:12:39 | |
..it's fairly safe to assume that the presence of several MPs | 0:12:41 | 0:12:44 | |
together with alcohol and prostitutes dressed as nuns | 0:12:44 | 0:12:47 | |
would have resulted in some dissipation. | 0:12:47 | 0:12:50 | |
And welcome to the banqueting hall. | 0:12:50 | 0:12:54 | |
This is the party central. | 0:12:54 | 0:12:56 | |
I mean, it's quite sparsely adorned. | 0:12:56 | 0:12:58 | |
-Was it like this when they were having their parties? -Oh, no. | 0:12:58 | 0:13:01 | |
-In those days, in these alcoves they had beds. -OK! | 0:13:01 | 0:13:06 | |
And that pointed into the centre, | 0:13:06 | 0:13:07 | |
where they had a large, round oak table | 0:13:07 | 0:13:10 | |
and above that, a rose quartz chandelier, up there. | 0:13:10 | 0:13:14 | |
That's unbelievable. | 0:13:14 | 0:13:16 | |
I can almost hear the laughter, of just ladies giggling and just... | 0:13:16 | 0:13:19 | |
from these alcoves. | 0:13:19 | 0:13:21 | |
Oh, my goodness. It really is ritualistic, isn't it? | 0:13:21 | 0:13:25 | |
The mind boggles, darling. | 0:13:25 | 0:13:26 | |
And we'd be more knowledgeable about the club's activities | 0:13:26 | 0:13:30 | |
if their steward and secretary, Paul Whitehead, | 0:13:30 | 0:13:33 | |
hadn't destroyed all the records - shame - just before he died in 1774. | 0:13:33 | 0:13:38 | |
Whitehead's will was suitably strange, too. | 0:13:38 | 0:13:40 | |
It says, "To my dear Sir Francis Dashwood | 0:13:40 | 0:13:42 | |
"I bequeath two things, | 0:13:42 | 0:13:44 | |
"the sum of £50..." Which meant he was rolling in it. | 0:13:44 | 0:13:48 | |
-Huge amount of money, right? -Yeah! | 0:13:48 | 0:13:50 | |
-"And also my heart." -His actual heart? | 0:13:50 | 0:13:53 | |
"As a momentum to the noble founder." | 0:13:53 | 0:13:56 | |
Sadly, Whitehead's bequest, | 0:13:56 | 0:13:58 | |
which was stored in an urn and occasionally exhibited, | 0:13:58 | 0:14:02 | |
was stolen in 1829. | 0:14:02 | 0:14:04 | |
Since then, there have been numerous sightings of his ghost | 0:14:04 | 0:14:07 | |
in the West Wycombe Caves. | 0:14:07 | 0:14:09 | |
Not that unusual in one of the most haunted places in Britain. | 0:14:09 | 0:14:12 | |
You spend a lot of time down here. | 0:14:12 | 0:14:14 | |
Have you ever experienced anything out of the corner of your eye? | 0:14:14 | 0:14:16 | |
-You must have. -I've heard laughter. -Oh, you haven't! | 0:14:16 | 0:14:19 | |
-I've heard whistling. -Whistling? -And when I've said, "Hello," it's stopped. | 0:14:19 | 0:14:23 | |
Really?! | 0:14:23 | 0:14:24 | |
Oh, it would be such a fright! | 0:14:24 | 0:14:26 | |
-Shall we? -Ladies first. | 0:14:26 | 0:14:29 | |
If you think you can lead us back out. | 0:14:29 | 0:14:31 | |
Please don't... | 0:14:31 | 0:14:32 | |
Please don't leave me to find my way out, honestly. Oh! | 0:14:32 | 0:14:36 | |
I'm walking into it and everything. Oh, my goodness! | 0:14:36 | 0:14:38 | |
Lordy. | 0:14:38 | 0:14:40 | |
Meanwhile, back above ground, | 0:14:42 | 0:14:44 | |
a strange apparition haunts the antique shops of Croxley Green. | 0:14:44 | 0:14:49 | |
A-ha! Are you the boss? | 0:14:49 | 0:14:51 | |
-I certainly am, sir. -And your name is? -Dave. | 0:14:51 | 0:14:53 | |
-Dave, I'm Charlie. -Charles, nice to meet you. -Nice to see you. | 0:14:53 | 0:14:56 | |
He's already bought three things today and spent almost £100... | 0:14:56 | 0:15:00 | |
It's easy to miss things in here, isn't it? | 0:15:00 | 0:15:02 | |
..but shows no sign of slowing up yet, despite his age. | 0:15:02 | 0:15:07 | |
Oh, I love that. | 0:15:07 | 0:15:10 | |
A loo-roll holder! | 0:15:10 | 0:15:12 | |
-Is it old? -I'm... | 0:15:12 | 0:15:15 | |
99.9 % sure it's a right one. | 0:15:15 | 0:15:17 | |
It looks old to me. | 0:15:17 | 0:15:18 | |
And something that screams to me it's old | 0:15:18 | 0:15:21 | |
is that these screws don't quite fit. | 0:15:21 | 0:15:25 | |
They're wrong, which I think is a good thing | 0:15:25 | 0:15:28 | |
because if they fitted exactly, I'd think to myself, "Hang on." | 0:15:28 | 0:15:32 | |
Got the Kitemark on there, which looks right. | 0:15:32 | 0:15:35 | |
And that knob looks right. | 0:15:36 | 0:15:38 | |
I think you could catalogue that as Victorian, couldn't you? | 0:15:38 | 0:15:41 | |
I wonder if Dave's got a loo to go with it, Charlie. | 0:15:41 | 0:15:44 | |
I think that's fab. | 0:15:44 | 0:15:46 | |
I don't think it's fantastically valuable, but I just think it's great. | 0:15:46 | 0:15:49 | |
The price is £35, hardly spending a penny. | 0:15:49 | 0:15:53 | |
Ah, Japanese lacquered papier mache tray. | 0:15:53 | 0:15:58 | |
Yeah, there's a little bit of damage on it. | 0:15:58 | 0:15:59 | |
Someone's been biting it! | 0:15:59 | 0:16:01 | |
That'll be cheap, then. | 0:16:01 | 0:16:03 | |
You can see all the gilding has rubbed off, here. | 0:16:03 | 0:16:05 | |
That would have been so wonderful when that was made, | 0:16:05 | 0:16:08 | |
in probably 1910, 1920. | 0:16:08 | 0:16:11 | |
-Well, it could be 15. -15 quid? | 0:16:11 | 0:16:13 | |
Well, you've really tempted me, there. | 0:16:13 | 0:16:16 | |
Well, Charlie, with over £200, can certainly afford it. | 0:16:16 | 0:16:19 | |
Now what has he spotted? | 0:16:19 | 0:16:21 | |
What I like about that, | 0:16:21 | 0:16:22 | |
not that it's a particularly wildly exciting thing... | 0:16:22 | 0:16:25 | |
-I suppose it 1920s, isn't it? -It is. | 0:16:25 | 0:16:28 | |
-The condition is fantastic. -It's superb. | 0:16:28 | 0:16:30 | |
They're always broken, those things. | 0:16:30 | 0:16:32 | |
Every time I see those, they have the writing on them | 0:16:32 | 0:16:34 | |
and half the blooming letters are missing. | 0:16:34 | 0:16:36 | |
-You can even see the hallmark on that one. -Yeah. | 0:16:36 | 0:16:38 | |
I love that. I think it's really charming. | 0:16:38 | 0:16:42 | |
"Pins." Totally usable. | 0:16:42 | 0:16:45 | |
And that's not ebony. It's a bit of Bakelite, I think. | 0:16:45 | 0:16:48 | |
I think it's Bakelite, yeah. | 0:16:48 | 0:16:50 | |
It's a bit too cheap, really. | 0:16:50 | 0:16:52 | |
-I can't believe it's too cheap. -£25. -Is it as much as that? | 0:16:52 | 0:16:55 | |
THEY LAUGH | 0:16:55 | 0:16:58 | |
-I thought... -Well, I could most probably go to 24.99. | 0:16:58 | 0:17:02 | |
Charlie's met his match, here. | 0:17:02 | 0:17:04 | |
Have you got a little hallmark book there, by any chance? | 0:17:04 | 0:17:07 | |
-I bet you have. -It's London, isn't it? -We're London on a 'd'. | 0:17:07 | 0:17:10 | |
It can't be as late as 1959. | 0:17:12 | 0:17:13 | |
Do you know, I'm beginning to think this is Victorian. | 0:17:13 | 0:17:16 | |
I think it is an 'a', yeah. Yeah, could be. 1896. | 0:17:16 | 0:17:19 | |
I think it's possibly a 'd' but if it's 1899 | 0:17:19 | 0:17:22 | |
it's still Victorian, which ever way we look at it, | 0:17:22 | 0:17:25 | |
which surprises me. | 0:17:25 | 0:17:27 | |
-I thought that was 1920s. So did you, I think. -Yeah, I did. | 0:17:27 | 0:17:30 | |
-Yeah, price has just gone up. -CHARLIE LAUGHS | 0:17:30 | 0:17:33 | |
Time for a sit-down talk, I think. | 0:17:33 | 0:17:35 | |
-That's got 25 quid on it. -Yeah. | 0:17:35 | 0:17:37 | |
-The loo roll holder was...? -35. | 0:17:37 | 0:17:40 | |
-And the tray you said 15? -15, yeah. -It's coming to 75 quid. -£75. | 0:17:40 | 0:17:45 | |
You know what I'm thinking of? And you're not, I should think. | 0:17:45 | 0:17:48 | |
I was thinking of a nifty. | 0:17:48 | 0:17:49 | |
Dave definitely doesn't have 50 in mind. | 0:17:49 | 0:17:52 | |
That one I'll knock another fiver off. | 0:17:52 | 0:17:54 | |
£70 for the three pieces. | 0:17:54 | 0:17:55 | |
Right. The tray's neither here nor there, | 0:17:55 | 0:17:58 | |
-so we're talking about 55 for these two. -55, yeah. | 0:17:58 | 0:18:01 | |
-I can't say no, can I? -Not really. -It's been wonderful. Thank you. | 0:18:01 | 0:18:04 | |
-I'll get off my seat. -My pleasure, sir. -Thank you very much, sir. | 0:18:04 | 0:18:07 | |
A standing ovation for a deal well done! Hurrah. | 0:18:07 | 0:18:12 | |
What a fantastic day. Two shops, five items. | 0:18:12 | 0:18:15 | |
I'm going for a lie down. | 0:18:15 | 0:18:17 | |
Night, night. | 0:18:17 | 0:18:18 | |
Next morning, Natasha's mystery buy has Charlie hooked. | 0:18:21 | 0:18:25 | |
-You only bought one thing yesterday? -I only bought one thing. | 0:18:25 | 0:18:28 | |
And I'm not going to tell you what it was | 0:18:28 | 0:18:30 | |
but it was unusually large. | 0:18:30 | 0:18:32 | |
How exotic! | 0:18:32 | 0:18:34 | |
-It was exotic. -I can't wait to see it. | 0:18:34 | 0:18:36 | |
It wasn't even really for sale. | 0:18:36 | 0:18:38 | |
It was more for display purposes but I nabbed it off the wall anyway. | 0:18:38 | 0:18:41 | |
You saucepot! | 0:18:41 | 0:18:44 | |
Well, I hope he's not disappointed | 0:18:44 | 0:18:46 | |
when he finally gets a butchers at what she's bought. | 0:18:46 | 0:18:48 | |
I don't know if I've lost the plot | 0:18:48 | 0:18:50 | |
-but, Julie, I think we should... -I think I have! | 0:18:50 | 0:18:52 | |
Those set her back £55, | 0:18:52 | 0:18:54 | |
leaving just over £160 left for her purchases today. | 0:18:54 | 0:18:58 | |
While Charlie opted for strength in numbers, | 0:18:58 | 0:19:00 | |
acquiring a Comtoise clock, some cutlery, | 0:19:00 | 0:19:04 | |
a pin box, a teapot | 0:19:04 | 0:19:06 | |
and a Victorian loo-roll holder... | 0:19:06 | 0:19:09 | |
I would have that in my house. | 0:19:09 | 0:19:10 | |
..for a grand total of £147. | 0:19:10 | 0:19:12 | |
Which means he, too, | 0:19:12 | 0:19:14 | |
has £160 left for any further purchases. | 0:19:14 | 0:19:17 | |
Later, they will be heading for a Dorset auction in Christchurch. | 0:19:19 | 0:19:23 | |
But our next stop is in Buckinghamshire, at Marlow. | 0:19:23 | 0:19:26 | |
This fine town on the Thames | 0:19:29 | 0:19:31 | |
boasts a very distinguished suspension bridge, | 0:19:31 | 0:19:34 | |
the prototype for a much larger one across the Danube in Budapest. | 0:19:34 | 0:19:38 | |
"Every time I looked around, | 0:19:38 | 0:19:40 | |
"there he was, that hairy hound from Budapest. | 0:19:40 | 0:19:43 | |
"Never leaving her alone, | 0:19:43 | 0:19:44 | |
"never have I ever known a ruder pest." | 0:19:44 | 0:19:46 | |
I'm not sure what else the two destinations have in common, though. | 0:19:46 | 0:19:50 | |
Maybe antique shops. | 0:19:50 | 0:19:52 | |
What a gorgeous building. | 0:19:52 | 0:19:54 | |
-Hello! -Hi. -Hi, there. -Morning. | 0:19:54 | 0:19:57 | |
-Nice to meet you. I'm Tasha. -Hi, I'm Zoe. | 0:19:57 | 0:20:00 | |
Hmm, I wonder how she's coping with the news | 0:20:00 | 0:20:02 | |
that her experienced rival made great strides yesterday. | 0:20:02 | 0:20:05 | |
He's bought everything on the first day. | 0:20:05 | 0:20:08 | |
I can't believe he's done that to me. | 0:20:08 | 0:20:09 | |
I think the answer is not well, actually. | 0:20:09 | 0:20:11 | |
But is this fine establishment the place to fight back? | 0:20:11 | 0:20:15 | |
-I'm struggling, here. I have a tiny budget, a tiny budget! -OK. | 0:20:15 | 0:20:18 | |
And I'm thinking, "Look at all these gorgeous little trinkets and things. | 0:20:18 | 0:20:22 | |
"I bet they're still worth more than I can get them for." | 0:20:22 | 0:20:25 | |
That's an interesting piece, actually. | 0:20:25 | 0:20:28 | |
-OK. -I'll just take that out. | 0:20:28 | 0:20:30 | |
Um... | 0:20:30 | 0:20:31 | |
-Well, we know it's Birmingham, 1913. -Mm-hm. | 0:20:32 | 0:20:36 | |
-It has a mirror. -Mm! | 0:20:36 | 0:20:38 | |
-We think maybe it was either for a beauty spot, maybe... -Yeah. | 0:20:38 | 0:20:44 | |
..or possibly rouge, or something else inside there. | 0:20:44 | 0:20:47 | |
-What a lovely thing. -Yes, beautiful. | 0:20:47 | 0:20:50 | |
But I'll bet you're asking for a handsome price | 0:20:50 | 0:20:52 | |
for this little patch box, or whatever it may be. | 0:20:52 | 0:20:54 | |
-£55. -55! I mean, what would it make? | 0:20:54 | 0:20:56 | |
It would make £20 in an auction, which is sad. | 0:20:56 | 0:20:58 | |
Unless two people really wanted it. | 0:20:58 | 0:21:00 | |
-Then you might go a bit more. -But oh, gosh, it is lovely. | 0:21:00 | 0:21:03 | |
-I mean, the enamel hat pins and all these things. -Mm-hm. | 0:21:03 | 0:21:06 | |
You are teasing me, I think. | 0:21:06 | 0:21:07 | |
You are teasing me, Zoe, with your very beautiful items. | 0:21:07 | 0:21:11 | |
I've got £162.50. | 0:21:11 | 0:21:13 | |
-I've got to buy four items. -OK. -Is it possible? | 0:21:13 | 0:21:17 | |
I think you might do it. | 0:21:18 | 0:21:19 | |
You might not do it in here! | 0:21:19 | 0:21:22 | |
Your honesty is appreciated, Zo-Zo! | 0:21:22 | 0:21:24 | |
Time to scarper, Natasha. | 0:21:24 | 0:21:26 | |
How is Charlie? | 0:21:28 | 0:21:29 | |
Looking a bit smug, methinks. | 0:21:29 | 0:21:31 | |
On his way, now, down the Thames to Maidenhead | 0:21:32 | 0:21:36 | |
to visit yet another shop. | 0:21:36 | 0:21:38 | |
True. | 0:21:39 | 0:21:40 | |
Also very true. | 0:21:42 | 0:21:45 | |
Especially in my case! | 0:21:45 | 0:21:46 | |
Yes, we've noticed. | 0:21:46 | 0:21:48 | |
-Morning! -Hello. | 0:21:48 | 0:21:50 | |
Ready and waiting for me and with a very firm handshake. | 0:21:50 | 0:21:53 | |
-How are you? -I'm fine, thank you. How are you? -And who are you? | 0:21:53 | 0:21:56 | |
-Stacey. -You own everything here? -No. We've got lots of dealers. | 0:21:56 | 0:21:59 | |
-38 dealers. -38 dealers? -Yes. | 0:21:59 | 0:22:02 | |
-Are they all nice? -No. | 0:22:02 | 0:22:04 | |
Well said, Stacey. Backed up by statistics, too, I'm sure. | 0:22:06 | 0:22:10 | |
-Are there nice areas and horrid areas? -It's all lovely in my shop. | 0:22:10 | 0:22:13 | |
-Ow! Don't hit me! -These two are definitely hitting it off. | 0:22:13 | 0:22:17 | |
Charlie's after just one more lot. | 0:22:17 | 0:22:20 | |
God, it's amazing. | 0:22:20 | 0:22:21 | |
Furniture? Thought so. | 0:22:21 | 0:22:24 | |
A lovely Edwardian crossbanded mahogany cabinet, | 0:22:24 | 0:22:27 | |
mirrored centre section, 85 quid. | 0:22:27 | 0:22:30 | |
-And it's been there for months. -I bet it has. | 0:22:30 | 0:22:32 | |
-I could have it. -Yes. Have it. Take it! -Can I have it for nothing? | 0:22:32 | 0:22:36 | |
-No, not for nothing! -Oh, go on! | 0:22:36 | 0:22:38 | |
You know what it would make at auction today? | 0:22:38 | 0:22:40 | |
You'd do jolly well to get 50 quid for that today. | 0:22:40 | 0:22:42 | |
I mean, it's bizarre, isn't it? | 0:22:42 | 0:22:44 | |
-Well, then, you buy it for 30 and you've made your £20. -Oh, oh, oh! | 0:22:44 | 0:22:47 | |
Oh, oh, oh! | 0:22:47 | 0:22:49 | |
Oh! | 0:22:49 | 0:22:50 | |
I've hardly got in the shop. | 0:22:50 | 0:22:51 | |
You know how to excite an old man, don't you? | 0:22:51 | 0:22:55 | |
Calm down, Charlie. | 0:22:55 | 0:22:57 | |
Consider your slightly desperate rival. | 0:22:57 | 0:22:59 | |
Taking our route further down river towards East Molesey | 0:22:59 | 0:23:03 | |
where Sir Edwin Lutyens had a hand in designing their bridge. | 0:23:03 | 0:23:07 | |
Ding-a-ling. Hello. Hi. How are you? | 0:23:09 | 0:23:13 | |
-Hello. I'm Natasha. -Sue. Hello. -Sue, lovely to meet you. | 0:23:13 | 0:23:17 | |
So, with just £162.50 to her name, | 0:23:17 | 0:23:20 | |
could this finally be the place to spend it? | 0:23:20 | 0:23:23 | |
That's quite good, isn't it? | 0:23:23 | 0:23:25 | |
She's quite funny. Very Art Deco, Egyptian revival. | 0:23:25 | 0:23:30 | |
Sort of an onyx base. Brass item. | 0:23:30 | 0:23:33 | |
It's a shame it's not a finer material. | 0:23:33 | 0:23:35 | |
Quite often with the Art Deco stuff, | 0:23:35 | 0:23:37 | |
it just helps if there's a bit of flesh on show | 0:23:37 | 0:23:39 | |
and she's got them out, so that's working in her favour. | 0:23:39 | 0:23:43 | |
She's got massive feet, but I do quite like her. She's good fun. | 0:23:43 | 0:23:46 | |
£18 is the price. I don't know. | 0:23:46 | 0:23:49 | |
We'll come back to her, but I quite like her, actually. She's funny. | 0:23:49 | 0:23:52 | |
She's got funny proportions and I can relate to that. | 0:23:52 | 0:23:54 | |
I've got huge hands and feet and so does she. | 0:23:54 | 0:23:56 | |
Cheap enough, Natasha. A few more priced like her would help. | 0:23:56 | 0:24:00 | |
And, as luck would have it, there's a sale on. | 0:24:01 | 0:24:04 | |
40% off! | 0:24:04 | 0:24:05 | |
Look! A place-card holder. | 0:24:05 | 0:24:08 | |
£1. £1! | 0:24:08 | 0:24:09 | |
Take off 40. 60p! | 0:24:09 | 0:24:11 | |
A pair of sterling silver cowgirl boot earrings. | 0:24:11 | 0:24:15 | |
Now, what are these? These are £7. | 0:24:15 | 0:24:17 | |
So, for £7, take off 40% so, again, we're at sort of £3.80 or so. | 0:24:17 | 0:24:23 | |
Well, £4.20, actually. | 0:24:23 | 0:24:25 | |
Oh, come on. Giddy up! | 0:24:25 | 0:24:26 | |
They are the best things I have ever seen. I like that. | 0:24:26 | 0:24:29 | |
Let's say, if I take those for £3-whatsit, that's a thing. | 0:24:29 | 0:24:34 | |
Yeah. £4-whatsit, eh? Certainly cheap enough. | 0:24:34 | 0:24:37 | |
Meanwhile, how's the other half living? | 0:24:37 | 0:24:39 | |
Oh, look at that! That's a beautiful Edwardian etagere. | 0:24:39 | 0:24:44 | |
What they call the Sheraton Revival period. | 0:24:44 | 0:24:47 | |
So, it's about 1900, | 0:24:47 | 0:24:51 | |
but it's trying to be 1790 from the Sheraton period | 0:24:51 | 0:24:55 | |
with all this wonderful swag decoration. | 0:24:55 | 0:24:57 | |
It's mahogany, it's crossbanded in satinwood, | 0:24:57 | 0:25:01 | |
it's got olivewood inlay, it's got boxwood inlay, | 0:25:01 | 0:25:06 | |
it's a beautiful, beautiful object, | 0:25:06 | 0:25:09 | |
-but it's furniture. -And? | 0:25:09 | 0:25:13 | |
I think we can all appreciate his note of caution, Stacy, | 0:25:13 | 0:25:17 | |
even at that price. | 0:25:17 | 0:25:18 | |
-Is it yours? -No. That's a very nice... -Nice! Nice person! | 0:25:18 | 0:25:21 | |
I would guess it would sell at auction for £110-120. | 0:25:21 | 0:25:26 | |
I've got to take the commission off. | 0:25:26 | 0:25:28 | |
95, something like that. | 0:25:28 | 0:25:30 | |
I don't think I'd be able to go to 100, | 0:25:30 | 0:25:32 | |
but if it crept below it, I would get sweating up in the paddock, really. | 0:25:32 | 0:25:36 | |
-OK. -May I do one thing? | 0:25:36 | 0:25:37 | |
If I just look at the back legs and see if they're there. | 0:25:37 | 0:25:40 | |
Yeah, we propped it up. | 0:25:41 | 0:25:43 | |
So, while Charlie's busy counting legs, Stacey makes the call. | 0:25:43 | 0:25:47 | |
A one-er and that is it. | 0:25:47 | 0:25:50 | |
All right, thank you. | 0:25:50 | 0:25:51 | |
Best, best, best price is £100. | 0:25:52 | 0:25:56 | |
It's right on the cusp, isn't it? | 0:25:56 | 0:25:58 | |
That's right where it's at. £100. | 0:25:58 | 0:26:01 | |
Oh, do you know? I'm such a man of instant decisions, normally. | 0:26:01 | 0:26:05 | |
How about we throw in the corner unit as well? | 0:26:05 | 0:26:08 | |
That might speed him up. Very generous. | 0:26:08 | 0:26:11 | |
It's a BOGOF, isn't it? | 0:26:11 | 0:26:12 | |
-It's a buy one, get one free. -Absolutely. -I do like that. | 0:26:12 | 0:26:16 | |
Shake? Quick. | 0:26:16 | 0:26:18 | |
I'm going to do it! | 0:26:18 | 0:26:21 | |
Give me a hug! | 0:26:21 | 0:26:22 | |
I'm not sure he's growing old at all. | 0:26:22 | 0:26:25 | |
Back at Bridge Antiques, Natasha's seen the light. | 0:26:25 | 0:26:29 | |
This is the strangest thing I've ever seen. | 0:26:29 | 0:26:32 | |
There is a coffee grinder that has been converted to a very retro lamp. | 0:26:32 | 0:26:38 | |
That's bonkers. | 0:26:38 | 0:26:40 | |
What are the chances of there being | 0:26:40 | 0:26:42 | |
a coffee grinder / not a coffee grinder retro lamp | 0:26:42 | 0:26:46 | |
in the auction house? Not really very high. | 0:26:46 | 0:26:49 | |
And sitting opposite the coffee grinder | 0:26:49 | 0:26:51 | |
is a really lovely mirror, actually, as well. | 0:26:51 | 0:26:53 | |
It's fretwork, right, OK, so mahogany fretwork mirror. | 0:26:53 | 0:26:57 | |
George III? Georgian? George III? | 0:26:57 | 0:27:00 | |
Oh, from the sublime to the ridiculous. | 0:27:00 | 0:27:04 | |
I really like her Georgian mirror | 0:27:04 | 0:27:06 | |
and a beautiful 1970s coffee grinder lamp. | 0:27:06 | 0:27:10 | |
It's a bit too odd, isn't it? | 0:27:10 | 0:27:11 | |
-But it could work. -It might. | 0:27:11 | 0:27:14 | |
As could Sue's slightly scary climb. Do be careful! | 0:27:14 | 0:27:18 | |
-The asking price is £90 and it's 70 for the lamp. -It's quite heavy. | 0:27:18 | 0:27:24 | |
-It has got a bit of age to it. -It has got age, | 0:27:24 | 0:27:26 | |
but I don't think, sort of, 18th-century age, really. | 0:27:26 | 0:27:29 | |
Not quite, we are thinking more 19th century. | 0:27:29 | 0:27:31 | |
-But it's still a sort of decorative, you know, good mirror. -It is. | 0:27:31 | 0:27:35 | |
-This mirror... Does this belong to you? -Yes. | 0:27:35 | 0:27:37 | |
-And does the coffee grinder belong to you? -Yes. | 0:27:37 | 0:27:39 | |
So I'm going to throw a figure at you for the two. | 0:27:39 | 0:27:42 | |
£110. | 0:27:42 | 0:27:44 | |
Yeah, OK. | 0:27:44 | 0:27:45 | |
-OK? -Yes. -And you're sure? | 0:27:45 | 0:27:47 | |
-I think so. -Shall we shake on it before you change your mind? | 0:27:50 | 0:27:52 | |
-Yeah, OK. -Sue, I'm really grateful! | 0:27:52 | 0:27:54 | |
Phew! Now for the bargain basement. Go, girls. | 0:27:54 | 0:27:58 | |
I love these, but my maths is not so good, so £7, 40% off. | 0:27:58 | 0:28:01 | |
I think they become... Well, £4. | 0:28:01 | 0:28:04 | |
-What did I say? -I love these. | 0:28:04 | 0:28:06 | |
I think I can say, "Yes, 100%, let's go for those," | 0:28:06 | 0:28:09 | |
because they are just too good, but the other thing is this girl. | 0:28:09 | 0:28:13 | |
We can't say she's the most finely modelled. | 0:28:13 | 0:28:15 | |
No, she's not, but she's sort of an Art Deco figure, isn't she? | 0:28:15 | 0:28:19 | |
I mean, she's got a nice peachy bottom. | 0:28:19 | 0:28:21 | |
She looks very nice from the back, actually, doesn't she? | 0:28:21 | 0:28:23 | |
Has this dealer got much sway? I mean, £18, | 0:28:23 | 0:28:25 | |
-it's not asking the Earth, but... -She would probably do 15. | 0:28:25 | 0:28:28 | |
-She'd do 15? -Yes. -I mean, I'm just trying to think. | 0:28:28 | 0:28:30 | |
I mean, £15, is anyone actually going to pay £15 for her in auction? | 0:28:30 | 0:28:33 | |
-I could probably go another pound, but... -14, you reckon? | 0:28:33 | 0:28:37 | |
-Shall we do it? -Yeah. Yeah, it's 14 quid. | 0:28:37 | 0:28:41 | |
-Someone's going to pay more than 14 quid. -You reckon? | 0:28:41 | 0:28:43 | |
Oh, Sue, thank you so much. | 0:28:43 | 0:28:45 | |
Hey, that's quite a little haul she's got now. | 0:28:45 | 0:28:48 | |
All four for £128. | 0:28:48 | 0:28:51 | |
Now, what about Charlie? Headed for the very centre of London. | 0:28:55 | 0:28:59 | |
Mayfair, to be exact. | 0:28:59 | 0:29:01 | |
To size up one of the capital's most trailblazing tailors. | 0:29:01 | 0:29:05 | |
-Good afternoon. -Good afternoon, Charlie. -Keith, is it? | 0:29:09 | 0:29:12 | |
It is indeed, and I'm a director of Henry Poole & Co, | 0:29:12 | 0:29:15 | |
-The first firm of tailors on Savile Row. -When did it start? | 0:29:15 | 0:29:19 | |
-Way back in 1846. -Fantastic. Lead on. -Come on in. | 0:29:19 | 0:29:23 | |
The gentleman's bespoke tailors known as the founder of Savile Row | 0:29:25 | 0:29:30 | |
has received countless royal warrants | 0:29:30 | 0:29:32 | |
since first opening for business on the golden mile of tailoring, | 0:29:32 | 0:29:36 | |
but their story starts in the early 19th century with James Poole, | 0:29:36 | 0:29:40 | |
a military tailor during the Napoleonic Wars. | 0:29:40 | 0:29:43 | |
That went well, | 0:29:43 | 0:29:44 | |
but when his son inherited the already booming business in 1846, | 0:29:44 | 0:29:48 | |
he didn't sit on his laurels. | 0:29:48 | 0:29:50 | |
Henry Poole did a couple of very shrewd things. | 0:29:50 | 0:29:53 | |
One - he began to court the sporting and aristocratic set. | 0:29:53 | 0:29:58 | |
The second thing he did was to turn his premises around 180 degrees | 0:29:58 | 0:30:03 | |
and make the back entrance, which was an alleyway on Savile Row, | 0:30:03 | 0:30:06 | |
into the front of house. | 0:30:06 | 0:30:08 | |
Now, Savile Row, at that time, of course, was populated with surgeons. | 0:30:08 | 0:30:11 | |
-They were all so disgusted that the trade had moved in... -The trade! | 0:30:11 | 0:30:16 | |
..that they began to up sticks. | 0:30:16 | 0:30:18 | |
They began to look for somewhere more suitable. | 0:30:18 | 0:30:20 | |
-They went off to Harley Street. -They went off | 0:30:20 | 0:30:22 | |
to newly laid out Harvey Street, where they thrive today, | 0:30:22 | 0:30:24 | |
but we still have little, sort of, touches, little echoes, | 0:30:24 | 0:30:28 | |
of the former occupation of the Row. | 0:30:28 | 0:30:30 | |
Most notably, in the fact that a good suit made on Savile Row | 0:30:30 | 0:30:34 | |
-will always have four buttons on the cuff. -Well, of course! -Of course. | 0:30:34 | 0:30:38 | |
But, unlike yours, two of these are functioning. | 0:30:38 | 0:30:44 | |
They can actually be undone, | 0:30:44 | 0:30:46 | |
and that was so that you could do this, you see? | 0:30:46 | 0:30:49 | |
No professional man ever took his jacket off. | 0:30:49 | 0:30:53 | |
He simply, in the case of the surgeon, | 0:30:53 | 0:30:55 | |
he rolled up his sleeves and got on with it. | 0:30:55 | 0:30:57 | |
It was only the working man that stripped his coat off. | 0:30:57 | 0:31:00 | |
Savile Row soon became the top destination for bespoke tailoring | 0:31:00 | 0:31:06 | |
and Henry Poole was the Giorgio Armani of his day, | 0:31:06 | 0:31:09 | |
dressing many of the movers and shakers in Victorian society, from | 0:31:09 | 0:31:13 | |
JP Morgan to Charles Dickens, | 0:31:13 | 0:31:15 | |
and from Buffalo Bill to Bram Stoker. | 0:31:15 | 0:31:19 | |
And he's significant because, of course, he writes Dracula. | 0:31:20 | 0:31:23 | |
-He bases Dracula on his friends and patrons. -Right. | 0:31:23 | 0:31:27 | |
One of which, of course, was Sir Henry Irving, | 0:31:27 | 0:31:29 | |
the first actor to be knighted, | 0:31:29 | 0:31:31 | |
-who was also a customer of Poole's. -Was he? | 0:31:31 | 0:31:33 | |
But it was undoubtedly the patronage of royalty - | 0:31:33 | 0:31:36 | |
and one Prince in particular - that ensured | 0:31:36 | 0:31:39 | |
Poole's place in fashion history. | 0:31:39 | 0:31:41 | |
So here we have the Prince of Wales, the future Edward VII, | 0:31:41 | 0:31:45 | |
who comes to us in 1861. | 0:31:45 | 0:31:47 | |
In 1865, he orders a blue silk smoking jacket | 0:31:47 | 0:31:52 | |
and he has a pair of trousers to match. | 0:31:52 | 0:31:54 | |
It's the forerunner, literally, of what we produce today. | 0:31:54 | 0:31:57 | |
And not too long afterwards, he invites a certain | 0:31:57 | 0:32:00 | |
James Brown Potter, of upstate New York, | 0:32:00 | 0:32:03 | |
to come and dine at Sandringham. | 0:32:03 | 0:32:05 | |
Potter is advised to go to the Prince's tailor | 0:32:05 | 0:32:08 | |
and to have one of these "dining jackets" made up. | 0:32:08 | 0:32:13 | |
So he wears this and takes it back to his club in New York | 0:32:13 | 0:32:16 | |
and this creates something of a sensation. | 0:32:16 | 0:32:18 | |
He's said to have turned round and said, "If it's good enough for | 0:32:18 | 0:32:21 | |
"the table of the Prince of Wales, | 0:32:21 | 0:32:23 | |
"then it's good enough for The Tuxedo Club." | 0:32:23 | 0:32:25 | |
Oh, is that where he was? | 0:32:25 | 0:32:27 | |
And that's where he was, | 0:32:27 | 0:32:28 | |
and that became the distinctive dress of The Tuxedo Club. | 0:32:28 | 0:32:32 | |
Not only did the future King invent the dinner suit, | 0:32:32 | 0:32:34 | |
but he is also credited with turn-ups | 0:32:34 | 0:32:36 | |
and leaving the bottom button on a waistcoat undone. | 0:32:36 | 0:32:38 | |
Which, when you consider his expanding girth, is no bad idea. | 0:32:38 | 0:32:43 | |
After all, his nickname was Tum-Tum... | 0:32:43 | 0:32:45 | |
I always undo the bottom button of my waistcoat | 0:32:45 | 0:32:48 | |
and I don't know why I do that. | 0:32:48 | 0:32:50 | |
The Prince of Wales sat back in his chair after a particularly | 0:32:50 | 0:32:53 | |
heavy meal and, feeling the restriction of his waistcoat, | 0:32:53 | 0:32:56 | |
simply undid the bottom button and left it so. | 0:32:56 | 0:33:00 | |
And, as the day progressed, | 0:33:00 | 0:33:03 | |
the courtiers all began to do the same, and... | 0:33:03 | 0:33:06 | |
-Once he's done it, anybody can do it. -Yeah. | 0:33:06 | 0:33:09 | |
I'm not sure what the playboy prince would have | 0:33:09 | 0:33:11 | |
spent on his bespoke suits back in the 1860s, | 0:33:11 | 0:33:14 | |
but today's equivalent could set you back about £3,700. | 0:33:14 | 0:33:19 | |
Phew! It remains the dream of any dapper dresser to be fitted here. | 0:33:19 | 0:33:24 | |
I do apologise, to be standing here in an inferior suit. | 0:33:27 | 0:33:30 | |
It's all right, we've seen worse. | 0:33:30 | 0:33:32 | |
9½ across back, 30¼, 34½. | 0:33:32 | 0:33:36 | |
-Jacket off, please. -Oh, my braces have come undone. | 0:33:36 | 0:33:39 | |
-I'm not dressed properly, am I? -No. | 0:33:39 | 0:33:41 | |
# Ever gone crazy about a sharp-dressed man? # | 0:33:43 | 0:33:46 | |
Dermot, it's been absolutely wonderful. Thank you so much. | 0:33:46 | 0:33:49 | |
-Thank you, Keith. -You're very welcome. -I'm just going to nip | 0:33:49 | 0:33:52 | |
down to the bank to check my balance. | 0:33:52 | 0:33:53 | |
I probably won't be back. | 0:33:53 | 0:33:55 | |
Come on, Charlie. | 0:33:55 | 0:33:57 | |
Remember, as Oscar Wilde, another customer, once remarked, | 0:33:57 | 0:34:00 | |
"One should either be a work of art, or wear a work of art." | 0:34:00 | 0:34:04 | |
You look like Chaplin. | 0:34:04 | 0:34:06 | |
But, before the stitching starts, the shopping's complete, | 0:34:06 | 0:34:10 | |
Charlie having spent £247 on a pin box, | 0:34:10 | 0:34:14 | |
the loo-roll holder, | 0:34:14 | 0:34:16 | |
some cutlery, a comtoise clock, a teapot, | 0:34:16 | 0:34:19 | |
an etagere and a corner cabinet. | 0:34:19 | 0:34:22 | |
While Natasha parted with just £183 on a mirror, some coat hooks, | 0:34:22 | 0:34:29 | |
earrings, a figurine | 0:34:29 | 0:34:31 | |
and a table lamp. | 0:34:31 | 0:34:33 | |
So, what did they make of all that lot? | 0:34:33 | 0:34:35 | |
The lamp, in the form of a coffee grinder. What is all that about? | 0:34:35 | 0:34:41 | |
The toilet roll dispenser is so good, it's so Charlie. | 0:34:41 | 0:34:44 | |
It's very naughty, isn't it? | 0:34:44 | 0:34:45 | |
How could someone not want that for their lav? | 0:34:45 | 0:34:48 | |
I'm going to do better, because I bought nicer things. | 0:34:48 | 0:34:51 | |
He knows his market. He'll do fine. | 0:34:51 | 0:34:53 | |
But I think a yummy mummy wants those brass hooks | 0:34:53 | 0:34:56 | |
and I reckon they're going to be my saviour. | 0:34:56 | 0:34:58 | |
After setting off from Berkhamsted in Hertfordshire, | 0:34:58 | 0:35:01 | |
our experts are now heading for a Dorset auction, at Christchurch. | 0:35:01 | 0:35:05 | |
-Oh, look at this! -Oh, gosh. -Have you had a shower this morning? | 0:35:05 | 0:35:09 | |
Oh, my God! | 0:35:09 | 0:35:11 | |
We're firing on all cylinders! | 0:35:12 | 0:35:15 | |
Yeah! Oh! Hang on. | 0:35:15 | 0:35:18 | |
Civil engineer Sir Donald Bailey | 0:35:18 | 0:35:20 | |
developed his famously strong, prefabricated bridge whilst | 0:35:20 | 0:35:24 | |
working in Christchurch during World War II. | 0:35:24 | 0:35:27 | |
-Are you ready? -Tinged with nerves. -May I take your arm? | 0:35:29 | 0:35:32 | |
-Oh, you'll take mine. -Come on. | 0:35:32 | 0:35:34 | |
THEY HUM THE WEDDING MARCH | 0:35:34 | 0:35:37 | |
So, who will come out on top at Bulstrodes? | 0:35:37 | 0:35:39 | |
Let's hear from auctioneer Kate Howe. | 0:35:39 | 0:35:42 | |
Victorian toilet-roll holder. | 0:35:42 | 0:35:43 | |
I suppose everyone needs one, a bit of fun for the downstairs loo. | 0:35:43 | 0:35:47 | |
£10-20, I would think. | 0:35:47 | 0:35:49 | |
The Egyptian Art Deco figure, I don't particularly like, | 0:35:49 | 0:35:52 | |
and I think we might well struggle with this one. To be honest, | 0:35:52 | 0:35:55 | |
you'd be lucky to get a fiver. | 0:35:55 | 0:35:56 | |
Blimey, Natasha. | 0:35:56 | 0:35:58 | |
-Will she go in twos? -No. She's a £5 lady. | 0:35:58 | 0:36:02 | |
-She's a class act. There's no messing. -A class act. | 0:36:02 | 0:36:05 | |
This is why I brought class items for her. | 0:36:05 | 0:36:09 | |
-Get you. Let's see how your pin box fairs. -Start me at 10 for it. | 0:36:09 | 0:36:13 | |
-£10 is bid. -It's bid. | 0:36:13 | 0:36:15 | |
15. 20. | 0:36:15 | 0:36:17 | |
5. 25. | 0:36:17 | 0:36:20 | |
In the room I have at 25. | 0:36:20 | 0:36:22 | |
-Do you want a bit more? -30. | 0:36:22 | 0:36:23 | |
-Oh, yes. -£30. | 0:36:23 | 0:36:26 | |
35 on the net, yes or no? | 0:36:26 | 0:36:29 | |
-35 on the net. -Yes! | 0:36:29 | 0:36:31 | |
-40, lady right at the back now. £40. -£40, 40 is bid. | 0:36:31 | 0:36:36 | |
45 on the net. | 0:36:36 | 0:36:39 | |
50 in the room. £50. | 0:36:39 | 0:36:41 | |
-Selling to the lady in the room at £50. Thank you. -Yeah! | 0:36:41 | 0:36:46 | |
I knew my aunt was coming to the sale. | 0:36:47 | 0:36:50 | |
A great start, and I don't think he | 0:36:50 | 0:36:52 | |
was even pinning his hopes on it, especially. | 0:36:52 | 0:36:55 | |
What's next? A musical turn? No. Charlie's cutlery collection. | 0:36:55 | 0:36:59 | |
£30, please. Start me for the cutlery lot. £30. £30. | 0:36:59 | 0:37:03 | |
For all the cutlery. 35 in the room. 35. | 0:37:03 | 0:37:07 | |
Looking for internet bids, then. | 0:37:07 | 0:37:09 | |
At 35, then. We'll sell it quickly. | 0:37:09 | 0:37:11 | |
40, why not? Seems cheap. | 0:37:11 | 0:37:14 | |
£40. Lady to the side at £40. £40, any more, then? Sells at 40. | 0:37:14 | 0:37:20 | |
Thank you. | 0:37:20 | 0:37:21 | |
Quite a bargain, that, for some lucky bidder. | 0:37:21 | 0:37:24 | |
One minute you're in the clouds, the next minute you're in the doo-doo. | 0:37:24 | 0:37:28 | |
Don't worry, Charlie, your £2 teapot can't fail, surely. | 0:37:28 | 0:37:32 | |
Oh, I'm excited. Here we go, here we go. Look at this. | 0:37:32 | 0:37:34 | |
-A little dinky one. -A "dinky one"! | 0:37:34 | 0:37:36 | |
Give me £10 for it, somebody, please. | 0:37:36 | 0:37:39 | |
£10, the little teapot. £10. | 0:37:39 | 0:37:42 | |
£10. Yes, 15. 15 is bid. | 0:37:42 | 0:37:45 | |
£15, a little teapot. | 0:37:45 | 0:37:48 | |
-Sells for £15. -Yes! | 0:37:48 | 0:37:51 | |
-That's a serious profit. -Yeah. It's a rollercoaster day today. | 0:37:51 | 0:37:56 | |
Natasha's little Egyptian's next. | 0:37:56 | 0:37:58 | |
I can relate to her, because she has massive hands | 0:37:58 | 0:38:00 | |
-and I have massive hands too. -You do have big hands. | 0:38:00 | 0:38:02 | |
-For scooping up profits. -For "scooping up profits"! | 0:38:02 | 0:38:06 | |
Shovelling snow. | 0:38:06 | 0:38:08 | |
What shall we say? It's here to go. Start me at £5. | 0:38:08 | 0:38:10 | |
£5 for it. | 0:38:10 | 0:38:11 | |
Fiver is bid. £5. | 0:38:11 | 0:38:14 | |
Thank you, five. 10, 10. | 0:38:14 | 0:38:17 | |
-15. One more? Yes, 20. -You're going to get a profit. | 0:38:17 | 0:38:20 | |
£20. 25. Any more, yes? | 0:38:20 | 0:38:24 | |
£30. | 0:38:24 | 0:38:26 | |
-And 35 now. -Yay! -35. | 0:38:26 | 0:38:29 | |
At 35 in the room, at £35. | 0:38:29 | 0:38:33 | |
Thank you. | 0:38:33 | 0:38:35 | |
-Give me your hand. -My massive hand. | 0:38:35 | 0:38:39 | |
Hey, she's done much better than the auctioneer predicted. | 0:38:39 | 0:38:42 | |
Now for Natasha's other bargain buy. Yee-ha! | 0:38:42 | 0:38:45 | |
£10 for them. £10, thank you. £10. | 0:38:45 | 0:38:49 | |
-15. -Look at this. | 0:38:49 | 0:38:51 | |
20. £20. And 5, now. | 0:38:51 | 0:38:54 | |
-A fresh bidder. -Fresh bidder! -I give in. -30. | 0:38:54 | 0:38:57 | |
-Five. -35. -40. -45. -It's a stampede. | 0:38:57 | 0:39:01 | |
5. 60. 5. | 0:39:01 | 0:39:05 | |
Lady at the back at £65. | 0:39:05 | 0:39:09 | |
And they sell for 65. | 0:39:09 | 0:39:11 | |
-234. -Just the spur she needed. | 0:39:11 | 0:39:15 | |
She'll be taking the lead, at this rate. | 0:39:15 | 0:39:17 | |
-You've spent £18 and got back 100. -That's amazing. | 0:39:17 | 0:39:20 | |
And all I've got to do is lose it all now. | 0:39:20 | 0:39:23 | |
That's enough of that talk, Natasha. | 0:39:23 | 0:39:25 | |
Although, your coffee grinder lamp could be risky. | 0:39:25 | 0:39:27 | |
-Robert Higgins is at the crease now. -Unusual thing, look. | 0:39:27 | 0:39:31 | |
What are you going to start me off with this? £20? | 0:39:31 | 0:39:33 | |
-I would think very little, probably. -20? 20? | 0:39:33 | 0:39:35 | |
Give me a tenner, then. | 0:39:35 | 0:39:36 | |
-10 at the back. £10. £10. -Keep going. | 0:39:36 | 0:39:39 | |
-Stop it! -£10. Anyone give me 15? | 0:39:39 | 0:39:42 | |
-15 on the internet. -Oh! | 0:39:42 | 0:39:45 | |
-15. Any more? Internet bidder, this is now at £15. -No. -Any more now? | 0:39:45 | 0:39:51 | |
-£15. -This is brewing up to be quite a contest. | 0:39:51 | 0:39:54 | |
Now for Charlie's furniture collection. | 0:39:54 | 0:39:57 | |
Needless to say, Douglas can't carry them both. | 0:39:57 | 0:40:00 | |
Now, I've got a couple of bids here, so I'm going to start at £85. | 0:40:00 | 0:40:03 | |
For the two of them, this is. 85. | 0:40:03 | 0:40:05 | |
90. 5. £100. 10. | 0:40:05 | 0:40:09 | |
-20, is it? -Yes, yes, yes. -Oh, 110 I have. | 0:40:09 | 0:40:12 | |
They're cheap at 110, for two of them. | 0:40:12 | 0:40:15 | |
It's finished at 110, then. | 0:40:15 | 0:40:17 | |
Oh! But it's something. | 0:40:17 | 0:40:20 | |
It's almost furnished someone's front room | 0:40:20 | 0:40:22 | |
for a good price, Natasha. | 0:40:22 | 0:40:24 | |
Now, what about the row of hooks? | 0:40:24 | 0:40:26 | |
-20 to start me. £20. -Yes! | 0:40:26 | 0:40:29 | |
£20. £25. 25. 30. | 0:40:29 | 0:40:32 | |
£30 now. Give me 5, anyone? At 35 bid. | 0:40:32 | 0:40:35 | |
Is anyone going to say 40? It's the internet bidder I'm taking. | 0:40:35 | 0:40:39 | |
-£35. -Take it. -No. | 0:40:39 | 0:40:43 | |
Well, that's about £30 more than I thought. | 0:40:43 | 0:40:45 | |
-Did you hear that? -The cheek of it. | 0:40:47 | 0:40:50 | |
He's got a point, though. | 0:40:50 | 0:40:52 | |
Can she make it up with a cracking profit on her mirror? | 0:40:52 | 0:40:54 | |
£30, anyone? £30 bid. | 0:40:54 | 0:40:57 | |
And 5. 40. | 0:40:57 | 0:40:59 | |
£40 I've got now, £40. | 0:40:59 | 0:41:02 | |
50. 50 it is. No? | 0:41:02 | 0:41:05 | |
Yes, 5. 60. £60 for the mirror. | 0:41:05 | 0:41:08 | |
At £60. Can I take 5, anyone? Quickly. All done? | 0:41:08 | 0:41:13 | |
-£60 for this one. -No! | 0:41:13 | 0:41:15 | |
Do you know? I think she's about back where she started from. | 0:41:16 | 0:41:19 | |
This Victorian loo-roll dispenser may be Charlie's favourite lot. | 0:41:19 | 0:41:23 | |
It would be a talking point. People would come out of your loo | 0:41:23 | 0:41:25 | |
and they'd say, "Gosh, that's a cracking holder." | 0:41:25 | 0:41:28 | |
What are you going to start me for that? A little novelty piece. | 0:41:28 | 0:41:31 | |
£30, someone. Tenner to start me. | 0:41:31 | 0:41:34 | |
-Tenner up at the back. -Well done, madam. | 0:41:34 | 0:41:37 | |
20. 25. 30. | 0:41:37 | 0:41:40 | |
-£30. 5, internet. -Come on, madam. Hang your lavatory roll. | 0:41:40 | 0:41:43 | |
40 in the front. £40 now. | 0:41:43 | 0:41:46 | |
-£40! -You won't find another one. 45. | 0:41:46 | 0:41:49 | |
At £45. Selling it, then. | 0:41:49 | 0:41:51 | |
-Yes! -Charlie's back on a roll. | 0:41:53 | 0:41:57 | |
Now, for his last lot, the slightly tatty French clock. | 0:41:57 | 0:42:00 | |
-Needs a bit of work, I think. -Not a lot, sir. | 0:42:00 | 0:42:03 | |
-£20, someone. -Come on. | 0:42:03 | 0:42:05 | |
-Come on. -What? | 0:42:06 | 0:42:07 | |
-Tenner for it, then. -Oh! | 0:42:07 | 0:42:09 | |
Tenner at the back. | 0:42:09 | 0:42:11 | |
-Oh, we've jumped to 25 on the internet. -Oh! | 0:42:11 | 0:42:13 | |
25 now. 25. Anyone say 30? | 0:42:13 | 0:42:16 | |
-Possibly a Frenchman. -All done, then. | 0:42:16 | 0:42:19 | |
Oh, Charlie! | 0:42:19 | 0:42:21 | |
He's just about got away with that one, | 0:42:21 | 0:42:22 | |
but the winner again today was Natasha. | 0:42:22 | 0:42:25 | |
Are my parents going to be proud? That's what I want to know. | 0:42:25 | 0:42:28 | |
-Probably not. Come on, then. -She's catching up though. | 0:42:28 | 0:42:31 | |
Slowly. Charlie, who started out with £307.92, made, | 0:42:31 | 0:42:36 | |
after paying auction costs, a loss | 0:42:36 | 0:42:38 | |
of £13.30, leaving him | 0:42:38 | 0:42:41 | |
with £294.62 to spend tomorrow. | 0:42:41 | 0:42:45 | |
Don't look so glum. | 0:42:45 | 0:42:46 | |
While Natasha began with £217.50, and after paying auction costs, | 0:42:48 | 0:42:53 | |
she made a slightly smaller loss of £10.80, | 0:42:53 | 0:42:57 | |
so she now has £206.70. | 0:42:57 | 0:43:01 | |
Still in the runner-up spot, though. | 0:43:01 | 0:43:03 | |
-I'm getting used to winning by losing. -You're catching me up. | 0:43:03 | 0:43:07 | |
Off we go. Bye, Bulstrodes! | 0:43:07 | 0:43:09 | |
Next time, the terrific twosome search for items going for a song. | 0:43:09 | 0:43:13 | |
# I won't betray his trust! # | 0:43:13 | 0:43:17 | |
-Natasha changes her shopping style. -It matches my outfit just perfectly. | 0:43:17 | 0:43:21 | |
-And Charlie takes a leaf out of his rival's book. -Perfect. | 0:43:21 | 0:43:24 | |
Is it a bit of a statement? | 0:43:24 | 0:43:25 |