Episode 10 Antiques Road Trip


Episode 10

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It's the nation's favourite antiques experts...

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I don't know what to do! HORN TOOTS

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..with ?200 each, a classic car

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and a goal - to scour Britain for antiques.

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What a little diamond.

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The aim - to make the biggest profit at auction.

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But it's no mean feat.

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Back in the game. Charlie!

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There'll be worthy winners and valiant losers.

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SHE GASPS

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So, will it be the high road to glory

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or the slow road to disaster?

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Oh! This is the Antiques Road Trip!

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Yeah!

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Today, we're continuing our road trip in the company of two

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charming antiques experts, Philip Serrell and Natasha Raskin.

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Do you know, there's one thing that you can rely on in this country.

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What's that?

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Unreliable weather!

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Esteemed auctioneer Philip has an eye for a bargain

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and a nose to sniff out antiques in unlikely places.

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This is just the best, this is much better than antique shops.

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Joining him on this road trip is enchanting Glaswegian Natasha

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with expertise in paintings, sculpture,

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jewellery and female wiles.

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Oh, my goodness, I'm going to have to be like Cupid and sort of...

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throw a little arrow in your direction.

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Our duelling duo set off in a 1957 Porsche with ?200 each.

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As the penultimate leg of the road trip gets under way,

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Philip edged in front with ?214.04 to spend.

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Natasha, however, has just ?122.84.

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Your purse is bulging now. You're over ?200. It's not bulging!

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It's about 12 quid better than we started

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I don't know how many days ago.

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I'm almost ?100 worse off than when we started.

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I've lost the plot. I think I got the rules wrong.

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Natasha and Phil kicked off the week in Narberth in Pembrokeshire.

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Their journey has seen them travel through the Home Counties.

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Now they're heading to the south coast,

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before heading to Salisbury, Wiltshire.

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The fourth stretch has them going to an auction in Rayleigh in Essex.

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But they're starting in Arundel.

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Our experts' first stop is Arundel Antiques.

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David's been trading in militaria for over 20 years

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and has amassed quite a stock.

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So, what do you know about militaria, Phil? Nothing. Nothing?

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Most of it comes from the military.

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Most of it. That's sounding good, yeah(!) Thanks.

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Thankfully for Natasha,

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there's another floor of items she can get her teeth into.

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OK. This looks a bit more my cup of tea. Less militaria, more stuff.

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But it's very nicely set out, isn't it?

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Better if you take the covers off, Phil.

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What about that? Oh, yeah. That's quite a good old piece.

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A good, solid piece. How much is that? 35 quid.

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It might benefit from a polish up, but... Wouldn't we all!

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Speak for yourself.

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Is 35 the best, or can we get under 30? Er, 28. How about that? OK.

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I might just have a go at you with that.

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Let me just have a wander around see if there's anything else I can see.

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As Philip continues his search, Natasha finds David.

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What do you have in mind?

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Well, I think these are quite interesting,

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two albums of cigarette cards from the 1930s.

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Right, OK. Something I've never bought before. Always a popular subject.

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So you've got all the insignias in there. Are they totally complete?

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They're totally complete and in marvellous condition.

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Cigarette cards were introduced to stiffen the packaging

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and to advertise brands.

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The first in the UK were introduced by John Player Sons in 1893.

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The ticket price is ?25.

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What about 20 for the two, a tenner apiece?

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Oh, I don't know. Can I have a look? Naturally. I think they're a really good subject matter.

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Because I don't have a clue. I'm just worried about the rarity value,

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because I don't really think there is one, is there?

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The most that I'm prepared to pay is probably eight quid.

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Eight pounds sounds like a good deal to me. Really? Yeah, I think so.

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I'm quite surprised. No, because I'm going to be stuck with them otherwise.

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Oh, really? I get it. Well, shall we do it then?

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Yeah, we'll do it. Eight quid.

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What an incredible deal.

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Natasha has persuaded David to part with

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these at a third of their ticket price.

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And with one deal done, David makes his way over to Philip.

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He's spotted a 19th-century boxwood truncheon.

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It's got a ribbed handle.

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Leather here, which looks suspiciously like it's been replaced

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at some point in time. Replaced, yes.

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And it's got a not overly subtle screw in there and there,

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and then this is lead-filled.

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And they used to call these life preservers, didn't they?

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Which is actually the last thing in the world they did,

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cos when you got that on the back of the head,

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that really would just see you out, wouldn't it? Mmm.

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And how much is that? It's ?45.

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Phil's still keen on the bronze propeller, too.

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Total ticket price for both items is ?80.

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What could you do the two for?

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40. 20 quid each.

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?40 for the two? Yep.

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You've caught me by surprise, cos I thought they were going to be more than that.

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I'd better pay you now.

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Yeah, and with that both experts leave their first shop

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with some promising purchases for auction.

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Next stop for Natasha is just along the coast, in Peacehaven.

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Her next shop may be small, but it's certainly crammed full.

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I'm really into a little bit of pokerwork,

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and these are really sweet, these wee napkin rings.

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It's called pokerwork because that's exactly what it is.

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It's a hot poker that goes in and actually makes the design.

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We've got the actual stylised flowers...have been lined out by the poker.

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And then the background has been, typical of its style, dot-dot-dotted in.

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Then they've been filled in in colour.

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But they're a little bit lacking in their colour.

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It's all come off, to be honest with you.

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And then I think maybe from the same sort of set is this one here.

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Let me just get it. There we go.

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Because I think this one's the most obviously Art Nouveau in its style,

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because this here, you've got the lovely soft yellow

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and then the green and the blue all working together in harmony.

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Yes, there's a wee bit of paint loss and it's not in the world's best condition,

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but I think for its age, that's just such a lovely thing.

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The Arts and Crafts pokerwork pot has a ticket price of ?20.

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One to think about.

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Dealer Steve is on hand to help Natasha find some more goodies.

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There are some sweet wee things in here.

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There's one down here that's lovely,

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the enamelled one with the 19 on it. Yeah, that's really sweet.

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What's that - 12 quid? Oh, it's a tie clip! Yes.

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And it's the 19th hole. Yes, indeed.

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So, I thought that when I saw the price tag from above it said 120,

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because I presumed it was going to be in nine-carat gold. But it's not.

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It's just in a sort of rolled gold, or gold plate.

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I mean, the enamel's all right. It's not in the worst order you've ever seen.

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But it's kind of cool, isn't it?

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That's now two items Natasha has her eye on.

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Anything else?

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I absolutely love this little pillbox.

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Do you mind if we do a closer look at that? No, indeed. Thank you.

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This pillbox has a 1992 hallmark.

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Hardly antique, but as it's not terribly old it is in pristine condition.

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It sports a ticket price of ?24.

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OK, Steve.

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There are things that I like in your shop, truly.

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I really like the pokerwork box.

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And I really like the tiepin.

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Then you've got this gorgeous hallmarked bit of silver as well.

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I wonder if you would be open to a sort of a deal.

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You can tempt me, Natasha.

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And how often do you fall for temptation?

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I'm a fool for temptation. You're a fool for temptation!

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Just say...?30 the lot. I'm just going to say it, Steve.

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Make it 35 and it's yours.

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35? For the whole lot? Yeah.

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Steve, I can't resist. I'm now falling for you.

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I think that's an absolute deal.

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Natasha has picked up three items

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that had a total ticket price of ?56 for just ?35.

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And with that, time for a rest.

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Nighty-night, you two.

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Today, our pair will be hoping for more deals,

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and they are making the journey north

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to the beautiful village of Golden Cross.

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Bye! Bye.

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Philip is first to shop this morning.

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Time to introduce yourself to owner Rhoda.

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He's really casing the joint.

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These are quite interesting, Rhoda. How old do you think those are?

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I would imagine about 1910, something like that?

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What do you think? Yeah, I think you're right.

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Philip's keen.

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I think they're quite interesting.

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And I don't blame him. They're in the style of William Benson,

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one of the most forward-thinking of the Arts and Crafts designers,

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known for producing well-thought-out functional items,

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particularly light fittings.

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This is a drip pan. Yes.

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So, you put your candle in there, and this is a drip pan.

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Quite clever, really,

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so it catches the wax so you're not forever getting

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wax off your damask tablecloth.

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If they're by Benson, they could be worth a few quid.

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However, there's no maker's mark, and Philip's spotted a problem.

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That's just... It's been dropped, hasn't it?

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If you look at that one... Yes.

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If you look at that one there... And look at that one there... Yes.

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And it's just been absolutely... It's been dropped.

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Yeah, maybe Rhoda will drop a bit off her ?25 ticket price.

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I could do them for...

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I could do them for 20.

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Is that your very, very best, or can I squeeze you down to 15?

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No, not really as far as 15. What could I squeeze you to?

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18. OK.

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I'll have those, my love. Thank you very much indeed.

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That's most kind, Rhoda.

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Philip's leaving with the brass candlesticks for ?18.

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Natasha has taken the Porsche onwards to the village of Burwash.

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She's visiting a house deep in the wooded landscape

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of the Sussex Weald which became sanctuary to a world-famous writer.

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Hello, hi. I'm Tasha.

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Hello. Welcome to Bateman's.

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Thank you so much. Bateman's, indeed! This is...

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a spectacular home

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and the residence of one particularly important gentleman.

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An extraordinary man with an extraordinary story.

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In 1902, Rudyard Kipling was at the height of his fame.

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His Just So Stories were ready to go to print

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and The Jungle Book had been published globally

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and translated into many languages.

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As a man of great wealth and fame,

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Rudyard could have chosen to live anywhere,

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but he fell in love with Bateman's in the secluded Dudwell Valley.

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And it was here he experienced some of his greatest joys

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and deepest sorrows.

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Rudyard Kipling comes to Bateman's in the autumn of his life, really.

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But where did it all begin for him?

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He was born in India.

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His father was a head teacher who had set up a school in India,

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and that Indian influence,

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those early years in Bombay, really had a big influence on him.

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His father managed to get him a job as a reporter

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on one of the English newspapers in India

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and he started writing little stories.

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One day, the editor asked Rudyard if he'd mind writing a story

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to sort of fill half-a-dozen pages.

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That became really successful,

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and so they were serialised into little booklet forms

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and they sold by an extraordinary amount, as well.

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By the age of 32, he was the highest-paid author in the world.

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Rudyard married and had three children.

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Life could not be better.

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But all the riches in the world were no compensation

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for the loss of the eldest of his three children to pneumonia.

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So, Josephine died, and that really did influence him.

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It took a long time to get over it.

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Josephine was just six years old.

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Overcome with grief and wishing to escape public glare,

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Rudyard bought Bateman's, and he threw his energies into writing,

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drawing inspiration from his new surroundings.

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Look at the view! His surroundings...!

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And being at Bateman's and being in such a beautifully beamed study

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with this view...

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He can't have lacked inspiration in here. No, he certainly didn't.

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He really did... His whole focus had slightly changed

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by the time he moved to Bateman's.

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He was really influenced by the Sussex countryside,

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by this valley, this environment. It really did influence his work.

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He doesn't have to write for money, monetary reasons, any longer.

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He can actually just write for the enjoyment.

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And so he writes his stories for his children.

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Rudyard welcomed many guests to Bateman's

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and kept a meticulous record of every visitor.

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So, you've got extraordinary people.

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You've got politicians - so, Stanley Baldwin.

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You've also got people like Scott and Shackleton, the explorers.

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And you've got American presidents.

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George Clemenceau, the President of France, he comes here.

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He was the man to visit, I was going to say. Yeah.

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And even Mother gets a mention. In fact, she's highlighted!

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Mother came on August the 4th, 1920.

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"About 6.30pm."

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And he's annotated that "FIP".

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Yes, that's a bit of a personal joke that Rudyard made.

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For many, many years no-one actually knew, really, what it meant.

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And it was only a maid, many years after Rudyard's death,

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was able to come back and explain what "FIP" meant.

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It turns out it was Kipling's little personal joke

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for people that fell in the pond. Fell in the pond?!

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Yeah... It's interesting, because the pond here is not that dangerous.

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And considering the amount of people that did seem to...

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that it did seem to happen to,

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I've got a feeling it might've been closer to PIP, or Pushed In Pond.

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Pushed! And it may show you a little bit more of the sort of high jinks

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and the japes he would get up to

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and how he was very much an interesting figure

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that would love to have a good time. That's wild!

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You can't throw your mum in the pond!

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Well, Rudyard certainly did, by the look...!

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But this idyll was soon to be shattered.

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The world lurched towards the Great War,

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and Rudyard was to know personal tragedy for a second time.

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His son John, he then struggles to get into the military

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during the First World War, eventually manages to go away,

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partly because of Rud pulling a few strings for him.

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And, of course, John disappears during the Battle of Loos

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never to be seen again.

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Rud not only then blames himself for Josephine's death

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but very much also for John's death, as well.

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While Rudyard continued to write for the next two decades,

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he never again returned to the bright, cheery children's tales

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he had once so delighted in crafting.

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Health issues eventually caught up with Rudyard,

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the result of age but also of grief.

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I mean, Kipling must have been a man of extraordinary character

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to really carry that burden of outliving two of your children.

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Throughout all this tragedy,

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for a man that has so much to give and gives so much to the world

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with his literary genius and stuff,

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he experiences so much tragedy himself.

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And so it is very strange how that all comes out,

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all this literary genius comes out of all that tragedy, as well.

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Philip has hit the road

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and journeyed to just outside the East Sussex town of Battle.

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Although this doesn't look like an antiques shop.

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Philip's known for going rogue,

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and, true to form, he's making an unscheduled stop

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at a fencing contractor.

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And it looks like busy managing director Jon Hobden

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is humouring him.

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Where exactly is he taking our Phil?

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There's a few bits of old woodworking kit in there

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you're welcome to have a look at. Can I have a wander?

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Let me see what... I can find all the company records in here.

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Only Serrell would go looking for a bargain by torchlight.

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Jon, I think I might...

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Can I drag this out?

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Lord above...!

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I don't know what that is,

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but could we take that outside and put it in some daylight?

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So that's presumably bolted to the floor...

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Hopefully John will know what it is. You know, I've no idea! Oh.

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These clearly go round and round.

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Come on, chaps!

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Everyone knows that's a cast-iron saw-sharpening stand, right?!

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It does all work, doesn't it?

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It does all work. It's all freed up, which I'm amazed...

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It's been sitting up there for... years and years.

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Decades, probably.

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When would be the last time this was used? 20 years ago, at least.

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That it was used. At least. It's cool thing, though, isn't it?

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Philip knows there's value in bygone machinery

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that can be upcycled into something trendy.

0:16:440:16:47

Well, I tell you what, when I saw it dragged out, I thought 20 quid.

0:16:470:16:50

That's what I thought.

0:16:500:16:51

Can I...? I'll have a deal with you at 15 quid.

0:16:510:16:53

Deal. You're a gentleman. Good man. Thank you. Thank you.

0:16:530:16:56

Philip's nose for a unique buy has bagged him his fourth lot for auction.

0:16:560:17:01

There you are. Good man. Thank you. Thank you for having me.

0:17:010:17:04

Pleasure doing business.

0:17:040:17:05

Got to lug it to the car now - Gordon Bennett!

0:17:050:17:07

As Philip gets back on track,

0:17:070:17:10

Natasha's stopped off in the village of Appledore

0:17:100:17:13

just north of Romney Marsh.

0:17:130:17:15

Here we go!

0:17:150:17:17

Here in this mid-19th-century building

0:17:190:17:21

was once the local blacksmith. Today it's home to Old Forge Antiques.

0:17:210:17:24

Natasha has just over ?79 left in her pocket.

0:17:240:17:27

What's she found?

0:17:290:17:31

I always look at mahogany dressing mirrors, or toilet mirrors -

0:17:310:17:34

whatever you call them -

0:17:340:17:35

because they're always lovely and Victorian and Georgian

0:17:350:17:38

and always really super-expensive.

0:17:380:17:40

But there's one here that is not crazy expensive.

0:17:400:17:42

It's ?63. So, first of all, I thought - "Why's it only ?63?

0:17:420:17:45

"Maybe it's repro or something." But, actually, it's really nice.

0:17:450:17:49

A lovely mahogany finish, and it's really nicely carved and turned.

0:17:490:17:52

It's got everything you'd want from a nice toilet mirror.

0:17:520:17:55

It's quite large, so it would work in any interior.

0:17:550:17:58

But, at the back, it's a bit of a mess.

0:17:580:18:01

It's actually the backing panel here...

0:18:010:18:03

has all split and been repaired.

0:18:030:18:05

Personally, I'd only want to be paying ?30 for it, or so.

0:18:050:18:07

So I don't REALLY know...if that's going to work out.

0:18:070:18:11

There's another one, too.

0:18:110:18:13

This one's ?55 and it's marked "AF" - As Found.

0:18:130:18:17

I think the As Found or Sold As Seen sort of element

0:18:170:18:20

is because of this really poor glass.

0:18:200:18:24

Yes, but that's reflected in the ticket price.

0:18:240:18:27

You can see that the wooden panel back...

0:18:270:18:30

is totally...

0:18:300:18:32

complete.

0:18:320:18:34

So you can see how the other one SHOULD look,

0:18:340:18:35

and this one has that.

0:18:350:18:38

Two mirrors, neither in great condition.

0:18:380:18:40

Natasha, though, can see an opportunity for a deal

0:18:400:18:43

staring at her in the face. Now, Steph...

0:18:430:18:46

If, for the two, I were to offer you a really cheeky ?65...

0:18:460:18:51

For the two.

0:18:510:18:52

For the two? For the two.

0:18:520:18:54

It would be sort of 32.50 a mirror.

0:18:540:18:56

I'll do them for 70.

0:18:560:18:58

?70 the two?

0:18:580:19:00

You're quite happy with that? Yeah.

0:19:000:19:02

What a deal! A ?50 discount.

0:19:020:19:04

Could these two mirrors be the lot to give Natasha a big profit?

0:19:040:19:08

Just outside the village of Appledore is Philip.

0:19:100:19:12

He's found Station Antiques

0:19:120:19:15

Hi. How are you? I'm Philip. Hello! I'm Kelly.

0:19:150:19:17

Good to see you, Kelly. Welcome.

0:19:170:19:19

Introductions over, it's time for a mooch about.

0:19:190:19:22

Those are quite interesting, aren't they? They're lovely.

0:19:250:19:28

They're Indian, aren't they? Yeah.

0:19:280:19:30

Philip's found three carved-wood friezes.

0:19:300:19:33

Originally, these would have been over a door or fireplace.

0:19:330:19:37

Kelly, I like these.

0:19:370:19:39

So, these have come from India, right? Yeah.

0:19:390:19:42

They probably cost...

0:19:440:19:46

the middle and both ends of not very much over there.

0:19:460:19:50

They're priced at ?40 each.

0:19:500:19:52

What could you do them for? What would you be prepared...?

0:19:520:19:54

I could phone the owner of them

0:19:540:19:56

and ask what his lowest would be for the three of them.

0:19:560:19:59

I tell you what you could do.

0:19:590:20:01

Ask him what his best would be for one, two and three. Yep.

0:20:010:20:03

I think they've got to come for somewhere between...

0:20:030:20:07

?50 and ?80 - something like that.

0:20:070:20:09

I'll go and give him a call. Give him a call.

0:20:110:20:13

And see what he can do on them.

0:20:130:20:15

All right. You're an angel. Thank you.

0:20:150:20:17

That was quick. Kelly's back.

0:20:170:20:20

How much for one?

0:20:200:20:22

For one it's got to be the 40.

0:20:220:20:24

For two. It's cost price.

0:20:240:20:25

If you have all three...

0:20:250:20:28

we can only really drop another ?10.

0:20:280:20:32

No. That wouldn't work for me.

0:20:320:20:35

Let me just...

0:20:350:20:36

Let's put that one there.

0:20:360:20:38

I like them.

0:20:450:20:46

They're lovely.

0:20:460:20:48

I think Kelly knows a cheeky offer for two of them is on its way.

0:20:480:20:53

If you agree to 60 quid, I'll take them now.

0:20:530:20:56

That's ?20 off what the dealer is asking for.

0:20:560:20:59

OK. I'll do 60.

0:20:590:21:01

You're an angel.

0:21:010:21:03

Kelly, this is it.

0:21:030:21:05

You've been very kind to me.

0:21:050:21:07

Two, four, six. Lovely. ?60. Thank you. Thank you.

0:21:070:21:10

And let me just sit and wonder if I've done the right thing or not.

0:21:100:21:12

Of course you have!

0:21:120:21:14

Well, we're about to find out, as we're now off to auction.

0:21:140:21:17

Here's a rundown of what Natasha and Philip picked up on this leg.

0:21:170:21:21

Natasha bought two cigarette albums, a poker work pot,

0:21:220:21:27

a novelty golfer's tiepin,

0:21:270:21:29

a silver pillbox

0:21:290:21:31

and two large Victorian dressing mirrors.

0:21:310:21:34

The five lots cost her ?113.

0:21:340:21:36

Philip's purchases included a lead-weighted life preserver,

0:21:380:21:42

a bronze ship's propeller,

0:21:420:21:44

a pair of candlesticks,

0:21:440:21:46

a saw-sharpening stand

0:21:460:21:48

and two Indian carved friezes.

0:21:480:21:50

All that lot cost him ?133.

0:21:500:21:54

What do they make of each other's lots?

0:21:540:21:56

Well, Phil's lead-weighted

0:21:580:21:59

life preserver could be his life-saver.

0:21:590:22:01

I've never seen anything like it.

0:22:010:22:03

Her little cigarette-card albums,

0:22:030:22:05

I think they're quite sweet things. RAF theme...

0:22:050:22:07

They could do quite well.

0:22:070:22:09

It's exactly like Philip Serrell to buy a crazy saw-sharpener

0:22:090:22:12

for ?15 from a timber yard.

0:22:120:22:14

He's been true to himself, and I'm sure it will pay off.

0:22:140:22:17

It always does for the Serrell.

0:22:170:22:19

I've taken a bit of a risk, you know?

0:22:190:22:21

We could be all square after this one.

0:22:210:22:24

Well, it's time to turn those lots into a profit

0:22:240:22:27

and head to Rayleigh in Essex.

0:22:270:22:30

The scene for today's auction is Stacey's Auctioneers And Valuers,

0:22:300:22:34

a family business now operating

0:22:340:22:36

under the third generation of the clan.

0:22:360:22:39

Oh, this is exciting. Good luck.

0:22:390:22:42

You, too, lovey. Oh, here we go!

0:22:420:22:44

Mark Stacey, but not our Mark, will be wielding the gavel today.

0:22:440:22:48

First up is that silver pillbox.

0:22:480:22:50

Hallmarked as 1992,

0:22:500:22:52

technically, it IS last century,

0:22:520:22:55

but will it make any money?

0:22:550:22:56

?20 for it. 20, 22 online.

0:22:560:22:59

25 is bid. 28.

0:22:590:23:00

Internet's running at 30.

0:23:000:23:02

32 now bid.

0:23:020:23:04

30, 32. 35.

0:23:040:23:05

All on the internet.

0:23:050:23:06

Now 38 bid.

0:23:060:23:08

38, 40.

0:23:080:23:09

At 40, 42 now.

0:23:090:23:11

(Well done, girl.) Running online at ?42.

0:23:110:23:13

All finished online. You finished in the room?

0:23:130:23:16

Internet bidding at ?42. All done?

0:23:160:23:18

That's a great start!

0:23:200:23:22

(Hurrah! That's a good 30 quid profit, isn't it? That's all right.

0:23:220:23:25

Yeah, that's really good. That is OK! Oh, cool!

0:23:250:23:28

First up for Philip are the two Indian carved friezes.

0:23:280:23:33

Interest commission bid, I have. Must commence the bidding at ?40.

0:23:330:23:36

The bid's here with me on the commission at ?40.

0:23:360:23:38

Against you, at ?40.

0:23:380:23:40

Any advances?

0:23:400:23:41

42 on the internet. 45 back with me.

0:23:410:23:43

Against you, online bidder.

0:23:430:23:45

48. 50 is bid.

0:23:450:23:48

And five. Internet's at 55.

0:23:480:23:50

60 anywhere? ?60, thank you, sir.

0:23:500:23:52

?60 against you, online bidder.

0:23:520:23:54

Back online at 65.

0:23:540:23:56

One more? At ?65, internet bidding, then.

0:23:560:23:59

All done. All finished. (That's a loss.)

0:23:590:24:02

I'll sell at 65. Fair warning. Minor. That's a loss.

0:24:020:24:04

Yep. Sadly so,

0:24:040:24:05

because after auction costs are deducted,

0:24:050:24:08

he'll be slightly out of pocket.

0:24:080:24:11

Up next...

0:24:110:24:12

Natasha's lovely novelty golfer's tiepin.

0:24:120:24:15

Commission bids, two of them.

0:24:150:24:17

Must start the bidding to clear the book at ?15. 18 anywhere?

0:24:170:24:20

Promising start.

0:24:200:24:21

18, 20 against you.

0:24:210:24:24

22. At ?22.

0:24:240:24:25

Back in the room at ?22.

0:24:250:24:27

Advance, if you like. All done? All finished?

0:24:270:24:29

At ?22 only.

0:24:290:24:30

(That's all right.) That's OK, isn't it?

0:24:320:24:34

Write it down, girl. I can deal with that, Phil. Absolutely right.

0:24:340:24:37

Well, it's going the right way, isn't it? It can only go...

0:24:370:24:41

Come on, stay positive, chaps.

0:24:410:24:43

A ?13 profit isn't to be sniffed at.

0:24:430:24:45

The next lot is Philip's salvaged saw-sharpening stand.

0:24:470:24:52

20 straight in, please. At 20, thank you, sir. ?20 yours.

0:24:520:24:55

20, 22.

0:24:550:24:56

Against you online.

0:24:560:24:58

25 now bid. 28.

0:24:580:25:00

Back in the room at ?28. All done?

0:25:000:25:01

Are you all finished at ?28?

0:25:010:25:03

Philip's wandering off-piste has landed him a profit.

0:25:050:25:09

Next under the gavel is Natasha's pokerwork pot.

0:25:090:25:12

At ?10 bid.

0:25:120:25:13

12. 14.

0:25:130:25:14

Against you online.

0:25:140:25:15

16 internet bidding.

0:25:150:25:17

18, back on the commission.

0:25:170:25:19

18 now. Two bidders online now.

0:25:190:25:21

?20 bid. All on the internet at ?20.

0:25:210:25:23

Now 22. Going on.

0:25:230:25:25

At 22. 25. Internet.

0:25:250:25:26

All at ?25 now.

0:25:260:25:28

28 anywhere?

0:25:280:25:30

All done. All finished.

0:25:300:25:31

I'll sell to the internet, then. At ?25.

0:25:310:25:33

28. Come along a bit quicker online.

0:25:330:25:36

Last opportunity, then, please.

0:25:360:25:38

I'm selling. At ?28. Hammer's going down.

0:25:380:25:41

He eked that out for me. Thank you.

0:25:420:25:44

She's more than doubled her money with that.

0:25:440:25:47

Up now, Philip's bronze propeller.

0:25:470:25:49

?20 bid. 22.

0:25:510:25:52

25 against you online.

0:25:520:25:54

28 I've got. 30, if you wish, sir.

0:25:540:25:56

At ?28, now.

0:25:570:25:58

Internet bidding is at ?28.

0:25:580:26:00

30, new bidder. Thank you.

0:26:000:26:01

Coming back online, 32.

0:26:010:26:03

35.

0:26:030:26:04

38. 40 bid.

0:26:040:26:06

42.

0:26:060:26:07

45.

0:26:070:26:09

By the gents, at ?45.

0:26:090:26:10

You all done? All finished at 45?

0:26:100:26:13

Another strong profit for Philip...

0:26:140:26:17

..putting the pressure on Natasha.

0:26:180:26:20

Can her two Victorian toilet mirrors turn a profit?

0:26:200:26:23

Let's not waste time. ?20 to bid straight in.

0:26:230:26:25

?20 now. 20 bid. Thank you.

0:26:250:26:26

At 22. Five. Eight. 30 bid.

0:26:260:26:29

At ?30, now.

0:26:290:26:30

Coming on the phone...

0:26:300:26:31

32.

0:26:310:26:33

35.

0:26:330:26:35

38. 40 bid.

0:26:350:26:36

42. 45.

0:26:360:26:38

48. 50 bid.

0:26:390:26:41

(I think you'll show a profit, my love.)

0:26:410:26:43

(Oh, no...!) 55. (Come on...!)

0:26:440:26:46

New bidder. 60 I've got. (Tempt him!)

0:26:460:26:48

Commission bid's at 60. Against you.

0:26:480:26:50

Back in the room at ?60.

0:26:500:26:51

Commission bid I've got now. ?60. Out on the phone? (No, one more...!)

0:26:510:26:54

All done. Fair warning at 60. Hammer's going down.

0:26:540:26:57

Ah, disappointing. Bad luck.

0:26:580:27:00

Och, well! What can you do?

0:27:010:27:03

What can you do? I tried.

0:27:030:27:05

Philip's candlesticks in the style of Benson are next.

0:27:050:27:09

Two commission bids on this lot, ladies and gentlemen.

0:27:090:27:12

Must start the bidding to clear the book at ?50. 50 is bid.

0:27:120:27:15

Five anywhere? At ?50.

0:27:150:27:17

You only paid 18? Yeah.

0:27:170:27:19

55 online. 60 I've got.

0:27:190:27:21

?60 against you, online bidder.

0:27:210:27:24

65. 70 is bid.

0:27:240:27:26

?75. Commission bids are out.

0:27:270:27:29

75 on the internet.

0:27:290:27:31

75 online. 80 if you like.

0:27:310:27:34

?75, internet bidding all done.

0:27:340:27:36

All finished. Last chance, then.

0:27:360:27:37

I sell to the internet at ?75.

0:27:370:27:39

Hammer's going down.

0:27:390:27:41

That's OK, isn't it? You're a legend! You're a legend!

0:27:410:27:43

A very healthy gain for Phil.

0:27:450:27:47

Next, Natasha's cigarette-card albums.

0:27:470:27:50

She bought two for ?8.

0:27:500:27:52

Commission bids. Two of them. Must start the bidding at ?20.

0:27:520:27:55

(Why? Get in.) ?20 advance if you wish.

0:27:550:27:58

We're at 20. 22.

0:27:580:27:59

25. 28. 30.

0:27:590:28:01

32. 35.

0:28:010:28:03

38, I am out.

0:28:030:28:05

Back in the room at ?38.

0:28:050:28:07

I am just so, so pleased.

0:28:070:28:08

At ?38. Hammer's going down.

0:28:080:28:10

Another canny buy gets Natasha a great profit.

0:28:120:28:15

Next, Philip's last lot.

0:28:160:28:18

Must commence at ?60. 60 bid.

0:28:210:28:23

Five anywhere? You coming in, sir?

0:28:230:28:24

Great start. 70 against you.

0:28:240:28:27

75.

0:28:270:28:28

80. One more takes it.

0:28:280:28:30

85, I'm out.

0:28:300:28:31

Just behind, 85.

0:28:310:28:32

?85, any advances. Are you all done?

0:28:320:28:34

All finished, fair warning. At ?85.

0:28:340:28:38

(Yes! Phil!

0:28:380:28:40

(You're a genius. You're a genius!)

0:28:400:28:42

A cracking result and a lovely profit.

0:28:420:28:46

And what's more, I think you're driving.

0:28:460:28:49

No, I'm wearing heels. If you don't mind.

0:28:490:28:52

Yeah, but I am, as well.

0:28:520:28:54

Come on.

0:28:540:28:55

After paying auction-house fees,

0:28:570:28:59

Natasha has made a gain of ?42.80.

0:28:590:29:03

As a result, Ms Raskin

0:29:030:29:06

has ?165.64 in her kitty.

0:29:060:29:09

Well done.

0:29:090:29:12

Philip made a gain of ?111.36 after costs.

0:29:120:29:17

He now has ?325.40

0:29:170:29:20

and is in the lead. Well done, Phil.

0:29:200:29:23

A new day beckons and Hampshire awaits,

0:29:280:29:31

as our pair embark on the final leg of their road trip.

0:29:310:29:35

I'm really, really sad, cos we're just heading towards

0:29:350:29:37

our last auction. Isn't that sad? That is a bit sad, isn't it?

0:29:370:29:41

It's a bit weird as well, because I've got used to it now.

0:29:410:29:44

Well, we'd better make this a good one, then.

0:29:440:29:47

Before their final auction in Salisbury,

0:29:490:29:51

they're kicking off in Eversley, Hampshire.

0:29:510:29:54

Come on. Go on, you first. Let's go.

0:29:540:29:57

First stop is Eversley Barn Antiques.

0:29:570:30:00

Owner Hilary is helping Phil,

0:30:000:30:02

while Natasha has made a break for it upstairs.

0:30:020:30:05

Oh, this looks good up here. Yes! In the attic. A bit more my cup of tea.

0:30:060:30:10

Tile-top coffee tables, modern. Yes, I'm into this.

0:30:100:30:15

Oh, I actually thought I liked it up here cos it was modern,

0:30:150:30:18

but I love this cellarette.

0:30:180:30:20

It's totally cool, because in the very beginning of the 20th century,

0:30:200:30:24

when this would have been produced, I reckon,

0:30:240:30:27

this is taking the wine from the cellar

0:30:270:30:29

and then bringing it to the dining room

0:30:290:30:31

but keeping it cool in a cellarette. So a mini wine cellar.

0:30:310:30:35

This looks more like a plant-pot holder or jardiniere to me.

0:30:350:30:39

Nice thing, though.

0:30:390:30:41

It's not perfect.

0:30:410:30:42

It's a little bit worn, but it's got to be late 19th century,

0:30:420:30:45

early 20th century so we'd expect that.

0:30:450:30:47

This is ?88, and as I'm saying that, I've actually just clocked the fact

0:30:470:30:52

it's got blinking woodworm in it! That is...

0:30:520:30:56

Oh! How did I not notice that?

0:30:560:30:58

So, woodworm aside, I only really want to spend

0:30:580:31:00

about ?35 or ?40 on it, which is a bit cheeky, I know,

0:31:000:31:03

but it's what I want to spend. I want to make a profit at the end.

0:31:030:31:07

As does Phil. Spotted anything yet?

0:31:070:31:10

That little rocker's sweet, isn't it? It is, isn't it?

0:31:110:31:14

Good condition, too.

0:31:140:31:16

So this is what, 1950s, is it? Yes, I think so.

0:31:180:31:21

And it's got this... little piggy and the bunny rabbit.

0:31:210:31:25

That's quite sweet, isn't it? You've got 30 on it.

0:31:270:31:30

What could you do that for, Hilary?

0:31:300:31:32

I'm selling that for a friend, so probably about 24.

0:31:320:31:36

Would ?20 buy it? I knew you were going to say that.

0:31:380:31:41

Yes, ?20. Yes.

0:31:410:31:42

Hilary, I think that's lovely. I'm going to buy that off you.

0:31:420:31:45

Oh, lovely. I'm going to buy that. Thank you so much. Thank you very much indeed.

0:31:450:31:48

So, that's the first lot bought on this final leg.

0:31:480:31:52

Hopefully Natasha is faring well back inside.

0:31:520:31:57

I love revolving bookcases, and this looks like a really nice one.

0:31:570:32:00

I'm hoping that underneath this jug...

0:32:000:32:02

Yes, there is a really nice sort of Edwardian inlaid cartouche,

0:32:020:32:06

a little bit of marquetry, which is always good,

0:32:060:32:08

but what's really nice about it

0:32:080:32:10

is that you've got books all the way around

0:32:100:32:12

and it revolves, so let's check out... Oh.

0:32:120:32:14

It's a little bit stiff, actually. It's not quite got that slick... No.

0:32:140:32:19

It's actually a bookcase that's a tale of two stories, really.

0:32:190:32:23

You've got the early 20th century up here

0:32:230:32:25

with its lovely Edwardian motifs,

0:32:250:32:27

and then you've got late 20th century down here,

0:32:270:32:30

with dodgy plastic casters that everyone is trying to forget.

0:32:300:32:33

So, let's have a look at the price

0:32:330:32:36

because that's probably reflected here. "Revolving bookcase," 55 quid.

0:32:360:32:40

So, it's not quite a revolving bookcase.

0:32:400:32:42

It's a book case that revolves, if you know what I mean?

0:32:420:32:45

Er... I think so. Another possibility.

0:32:450:32:49

Downstairs, Phil's found a lovely set of boat steps,

0:32:490:32:53

ticket price ?165.

0:32:530:32:56

I think they're fun things. There'll be one or two uses.

0:32:560:32:59

They're either the sort of thing that someone is going to hang

0:32:590:33:03

in a seaside cottage or they're the type of thing

0:33:030:33:07

that someone might have in a library or, for me,

0:33:070:33:12

they're the type of thing that you...

0:33:120:33:15

Actually... I'll just work this out.

0:33:170:33:19

Aren't those a cool set of shelves to hang up somewhere?

0:33:220:33:25

Brilliant. Yeah, they would hang on a wall. Yeah.

0:33:250:33:27

I think on a bad day...

0:33:270:33:29

..those are going to make ?60 or ?70.

0:33:310:33:33

On a good day, they might make 120, 130. That's what I think.

0:33:330:33:37

I'd like to try and buy them for somewhere between ?80 and ?90,

0:33:370:33:41

if I could. I really like those.

0:33:410:33:44

How about 90? Are you sure? Smashing. Thanks very much.

0:33:440:33:49

A very generous ?75 off the ticket price.

0:33:490:33:54

How's Natasha getting on?

0:33:540:33:55

These are really sweet.

0:33:550:33:57

These are napkin rings and they are, I think, Bakelite,

0:33:570:34:02

which is an early plastic and kind of dates them

0:34:020:34:05

to probably the 1930s or '40s, and they're novelty.

0:34:050:34:08

The dog lovers would like them. But they're quite sweet.

0:34:080:34:11

They're a tenner each.

0:34:110:34:12

They are marked with this code, EBA, and so is the bookcase,

0:34:120:34:17

so I don't know who the seller is but I reckon that's their initials,

0:34:170:34:21

and if they want to get rid of both these things, maybe they could do it

0:34:210:34:24

in one fell sweep... One fell swoop! Ah!

0:34:240:34:26

It turns out the jardiniere is marked "EBA" too.

0:34:280:34:30

They're all owned by the same dealer.

0:34:300:34:33

With a collective ticket price of ?163,

0:34:330:34:36

will Natasha try a cheeky offer for the three?

0:34:360:34:39

I bet she does.

0:34:390:34:41

All together 75.

0:34:410:34:43

Can you do 85? I definitely can,

0:34:430:34:45

because that's still a massive chunk off. Brilliant.

0:34:450:34:48

If you're cool with that, I'm cool with that. Brilliant.

0:34:480:34:51

A great deal for three interesting items. Well done, Natasha.

0:34:510:34:54

Does anything else grab you, Phil?

0:34:560:34:58

This is just an interesting tray.

0:35:000:35:03

It's late 19th century. It's in mahogany.

0:35:030:35:05

Now, there's two issues with this.

0:35:050:35:08

The first thing is condition, cos we've got a bit of a crack there,

0:35:080:35:12

and the second thing is

0:35:120:35:13

it's completely and utterly out of fashion.

0:35:130:35:17

So, a tray like this in good order, 15 years ago,

0:35:170:35:21

would have been between ?200 and ?400.

0:35:210:35:24

This is now priced up at ?55.

0:35:240:35:27

Cor. Better get your bartering head on, old bean.

0:35:290:35:33

I'm hoping I can try and buy it off you for around the ?20 mark.

0:35:330:35:36

How does that...? It's a bit low. Come on, tell me. A bit low.

0:35:360:35:40

It's the condition, really, isn't it? It's priced as damaged, but...

0:35:410:35:45

Can you do...25?

0:35:450:35:49

Go on. You're an angel. All right, brilliant. Thank you very much.

0:35:500:35:54

That's three lots for Phil, as well.

0:35:540:35:59

After that busy first stop, he is heading north, to Reading,

0:35:590:36:03

in search of something to spend his remaining ?210 on.

0:36:030:36:07

He's meeting Will,

0:36:100:36:11

and in the back yard he's found something architectural.

0:36:110:36:14

Uh-oh...

0:36:140:36:15

I love that. Originally it would have been one of a pair, wouldn't it?

0:36:160:36:19

Yeah, off a gatepost, I'd imagine. Yeah.

0:36:190:36:22

What's the ticket price on that one?

0:36:220:36:24

Well, I think the problem with that is it's been here so long

0:36:240:36:27

that we had a bit of sort-out this weekend and it suddenly appeared.

0:36:270:36:31

Suddenly appeared. Oh, I like this. So, I think we can...

0:36:310:36:34

If you make me a sensible price...

0:36:340:36:36

OK. And I mean sensible. The trouble with it is

0:36:360:36:41

that a pair would be really, really saleable, wouldn't they? But one...

0:36:410:36:44

But I still think it's quite fun. Would a ?20 note buy it?

0:36:440:36:48

Well...

0:36:510:36:53

If it gets rid of it, I suppose, yeah. Go on, ?20. Oh, go on, then.

0:36:540:36:59

So, that's a hefty lot bought.

0:37:010:37:04

Now, how about a pig's trough?

0:37:040:37:06

This is cast iron, isn't it? Yep.

0:37:060:37:08

Pre-war. That's got to be the 1920s, I would imagine,

0:37:100:37:14

cos after a while they made them galvanised, didn't they?

0:37:140:37:18

Galvanised come in after the war. How much is that, Will?

0:37:180:37:21

Well, we did have 75 on it.

0:37:210:37:23

I've got to give you somewhere between 20 and 25 quid.

0:37:250:37:29

No, I'd have to have a little bit more than that.

0:37:290:37:31

30 quid's my best.

0:37:310:37:33

Dear, oh, dear. You got your hand out quick earlier.

0:37:330:37:36

HE SIGHS

0:37:360:37:37

That's a round 50, isn't it, really? Yeah. So, I owe you ?50 for the two,

0:37:370:37:41

and I'm going to put the two in as one lot in the auction.

0:37:410:37:44

A great bit of bargaining secures another lot.

0:37:450:37:48

And so the sun sets on a busy day for our road trippers,

0:37:500:37:54

and all I can say is nighty-night.

0:37:540:37:57

The next morning, our dynamic duo are back on the road.

0:38:000:38:04

First stop of the day is the small seaside town of Bognor Regis,

0:38:050:38:10

where Natasha's hunt for more antiques begins. Go, girl!

0:38:100:38:15

Hello. Good morning. Hi. Good morning.

0:38:150:38:17

Hello. Hi, I'm Tasha. I'm Stephan. Stephan.

0:38:170:38:21

How cute is your Wemyss pig at the front? Right.

0:38:210:38:24

I don't think it is Wemyss, though. Oh, really?

0:38:240:38:27

I think it's another make. OK, so in the style of? In the style of.

0:38:270:38:30

That would be quite nice. Can we have a look?

0:38:300:38:32

Wemyss Ware is probably the most collectable

0:38:320:38:34

and sought-after Scottish pottery.

0:38:340:38:36

Ah, a cane.

0:38:360:38:38

Let's have a look. Hook the pig. Hook out the pig.

0:38:390:38:43

This piggy, however, is a piece of Plichta pottery,

0:38:430:38:47

which, though generally inferior in quality to Wemyss, is still popular.

0:38:470:38:51

It's super cute. Look at him face on.

0:38:530:38:55

He's got a bit of a wonky face, doesn't he?

0:38:550:38:57

He doesn't have quite the fine execution of Wemyss, does he?

0:38:570:39:00

No, he doesn't. But he does have the look. It's hand-painted, is it not?

0:39:000:39:03

It is hand-painted and no damage.

0:39:030:39:06

Oh, Stephan, I think there is a wee bit of damage.

0:39:060:39:09

I think there's a wee bit of a curly tail option. Oh, there is.

0:39:090:39:12

And I'm the one wearing glasses. I'm just keeping my eyes peeled.

0:39:120:39:16

So, she's really sweet because the little holes in her snout

0:39:160:39:20

are mimicked all the way across her body, her ears, all over the place.

0:39:200:39:25

Maybe it's for hatpins! Yes, hatpins. Oh, cos it's quite big.

0:39:250:39:28

Maybe it is for hatpins.

0:39:280:39:30

I love this! The more I hold it and learn about it, the more I love it.

0:39:300:39:33

Now, I've touched it, which means apparently I've got to buy it,

0:39:330:39:35

but... We were asking ?15, but you pointed out the damage on the tail,

0:39:350:39:41

so now it's a crisp ?10 note. A ?10 note?

0:39:410:39:44

What do you reckon?

0:39:450:39:46

I think I can deal with this little piggy for a tenner.

0:39:460:39:49

Shall we go for it? I think you ought to.

0:39:490:39:50

Oh, Stephan, that was quick! I wasn't expecting that.

0:39:500:39:53

I'm glad I spotted her. I'm chuffed.

0:39:530:39:56

Here's hoping this little piggy makes a profit at auction.

0:39:560:39:59

Philip, meanwhile, is easing into the day, taking a trip to Portsmouth,

0:40:050:40:09

home to one of the most famous warships in the world - HMS Victory.

0:40:090:40:14

Best known for her role in Britain's greatest naval success,

0:40:140:40:18

the Battle of Trafalgar, Victory was the flagship of Admiral Nelson

0:40:180:40:22

and was the vessel where he drew his last breath.

0:40:220:40:27

Philip's meeting curator Andrew Baines to find out more.

0:40:270:40:31

This room that we're in now, this is Nelson's? This is Nelson's.

0:40:310:40:34

This is a great cabin, which is divided into four sections.

0:40:340:40:37

His steerage, his anteroom, if you like, the dining place,

0:40:370:40:41

the day cabin, where we are now, and then his bed place.

0:40:410:40:44

You can just feel history coming out of the walls, can't you? Yeah.

0:40:440:40:47

Nelson pacing back and forth. Oh, just unbelievable.

0:40:470:40:50

In her 34 years of service, Victory fought in five naval battles

0:40:510:40:56

but it was the 1805 defeat of the French and Spanish

0:40:560:41:00

at the Battle of Trafalgar she became most famous for.

0:41:000:41:05

You've got the palatial surroundings that we just left

0:41:050:41:09

for the one person,

0:41:090:41:11

and the other 820 are spread throughout this ship...

0:41:110:41:14

and this is the cooking range?

0:41:140:41:16

For everyone onboard, whether it's Nelson, an admiral,

0:41:160:41:20

or the lowest of the ratings onboard, the boy seamen.

0:41:200:41:23

All the cooking is done here.

0:41:230:41:25

But that just strikes me as being a fairly strange mix, really

0:41:250:41:29

cos we've got a timber wooden ship and a fire in the middle of it.

0:41:290:41:34

Yeah. Well, men need a hot meal, so if you look, the stove sits on tiles

0:41:340:41:39

and we're very careful.

0:41:390:41:41

This is the only place you're allowed fire onboard the ship,

0:41:410:41:46

but actually on the morning of the battle, this had been dismantled

0:41:460:41:49

so there's no hot meal and the guys fight the Battle of Trafalgar

0:41:490:41:54

on a lunch meal of raw pork and wine. Oh, great.

0:41:540:41:59

Food is incredibly important as a part of morale

0:42:010:42:04

so everybody onboard gets exactly the same ration.

0:42:040:42:07

Nelson's advantage is, as a man of some means,

0:42:090:42:12

he is able to supplement that ration,

0:42:120:42:14

so he will bring onboard his own pantry of stores, if you like.

0:42:140:42:18

However, the men here can do just the same.

0:42:180:42:21

You eat and live as part of a mess, as four, six or eight men.

0:42:210:42:25

You'll pay into a kitty

0:42:250:42:26

and that kitty will be used to buy things like mustard and spices,

0:42:260:42:31

and indeed live animals you might choose to bring onboard

0:42:310:42:34

that are YOUR animal

0:42:340:42:35

that you will then slaughter and eat as you go through.

0:42:350:42:38

To keep up with the hard physical work onboard,

0:42:380:42:42

each crew member consumed around 5,000 calories a day,

0:42:420:42:46

a good portion of which came from alcohol.

0:42:460:42:49

These chaps are getting about half a pint of rum

0:42:490:42:56

per man per day, when we're on rum,

0:42:560:42:59

and the proof of their rum is about double what we call strong now.

0:42:590:43:05

So it's firewater.

0:43:050:43:07

On the 21 October 1805, Nelson led the British fleet

0:43:070:43:13

into battle against the French and Spanish.

0:43:130:43:16

It was 27 vessels versus 33.

0:43:160:43:20

Some 1,700 British men were killed or wounded

0:43:200:43:24

including the great Nelson himself, who was shot on the quarterdeck.

0:43:240:43:29

Below deck, the ship's surgeon, Mr Beatty,

0:43:290:43:32

knew Nelson wouldn't survive.

0:43:320:43:34

Captain Hardy came to bid his Admiral farewell.

0:43:340:43:38

He knows he's going to die.

0:43:380:43:39

He could really, although he's surrounded by people, be very alone.

0:43:390:43:43

He craves human touch and that's why he says, "Kiss me, Hardy."

0:43:430:43:48

And Hardy bends and kisses him on the forehead,

0:43:480:43:51

stands up, then actually goes down,

0:43:510:43:53

bends and kisses him on the cheek this time

0:43:530:43:56

before apparently, overcome with emotion, he leaves the scene.

0:43:560:43:59

Not long afterwards, Nelson died.

0:43:590:44:03

With Nelson's death... He must have been a national hero before,

0:44:040:44:10

and afterwards he must have almost achieved superstar status.

0:44:100:44:15

The funeral is huge.

0:44:150:44:17

It's the biggest state funeral ever to take place up until that time

0:44:170:44:21

and the funeral procession is so long that it leaves Whitehall

0:44:210:44:26

and Nelson's body arrives at St Paul's Cathedral

0:44:260:44:30

before the rest of the procession has finished leaving Whitehall.

0:44:300:44:33

It's that big.

0:44:330:44:35

In 1922, HMS Victory was placed into dry dock.

0:44:360:44:41

Millions have since flocked to visit

0:44:410:44:43

the oldest commissioned warship in the world

0:44:430:44:46

and remember one of Britain's greatest heroes,

0:44:460:44:49

Admiral Nelson.

0:44:490:44:50

Our pair have reunited to make their way to Birdham,

0:44:520:44:56

where they'll share their final shopping experience of this Road Trip

0:44:560:44:59

at Whitestone Farm Antiques.

0:44:590:45:02

Here we are. This is off the beaten track. It is indeedy-doody.

0:45:020:45:06

OK, let's do it. Our last items. This is sad, isn't it? Ugh, what?

0:45:060:45:12

Here we go. I'm ready for it, Phil, are you?

0:45:140:45:17

Well, my eyes are watering, but, yeah, let's go. Come on.

0:45:170:45:21

Our final foray. Come on, darling, after you.

0:45:210:45:24

Hello, you must be Jo. I am Jo. I'm Tasha. Lovely to meet you.

0:45:240:45:27

With ?70 left what's going to tickle their fancy in here then?

0:45:270:45:31

Let's have a look.

0:45:330:45:35

OK, so, ghouls to the front. They're not hand-painted, right? They're transferred on.

0:45:350:45:38

No, it's transfer, but... Is the colour done by hand? ..hand-painted over the top.

0:45:380:45:42

OK, so hand-finished I guess we can say.

0:45:420:45:45

So, I'm not so up on Carlton Ware

0:45:450:45:47

but that looks like a post-1930s mark, doesn't it? It's quite crisp.

0:45:470:45:50

This is very 1930s but of course it could be as late as 1950.

0:45:500:45:55

Oh, look! "A Dorset Litany. From ghoulies ghosties..."

0:45:550:45:59

It's marked up at ?50, which scares me a little bit.

0:45:590:46:02

Not as much as the ghoulies and ghosties, which are terrifying.

0:46:020:46:06

Do you want a tempting price though? A tempting price? Oh, I don't know.

0:46:060:46:10

How tempting?

0:46:100:46:11

30? 30. That's quite a chunk off. that is a very generous offer, Jo.

0:46:110:46:16

Phil is just eavesdropping. He's so bad!

0:46:170:46:20

What if I made you a cheeky offer, and it is really cheeky

0:46:200:46:23

but it's my last chance to be cheeky, of ?20?

0:46:230:46:27

?20. What would you do?

0:46:270:46:29

25 and it's yours. 25 and it's mine?

0:46:310:46:33

I'm going to put it down carefully and say, "Jo, thank you so much."

0:46:330:46:37

Because at ?25 it does have a real chance, doesn't it?

0:46:370:46:40

I think it's got a real good chance.

0:46:400:46:42

Well, it won't be long before we find out. Now, has Phil found anything?

0:46:420:46:47

A pair of leather chairs perhaps?

0:46:470:46:49

When you're looking at a chair, you just need to make sure

0:46:510:46:54

that there's no breaks. People lean back on chairs,

0:46:540:46:57

particularly people of my size lean back on chairs,

0:46:570:47:01

and if you lean back on a chair, it breaks there.

0:47:010:47:04

So, whenever you look at a chair, you want to make sure

0:47:040:47:07

that there's no breaks just there

0:47:070:47:09

cos that is just not a good thing.

0:47:090:47:11

I quite like these.

0:47:110:47:13

The pair have a ticket price of ?110 but generous Jo has indicated

0:47:140:47:20

he'd be willing to drop to 60. Wow.

0:47:200:47:23

I know that you've said these at 60. 60, that is too much for me.

0:47:230:47:27

Can you do them for 40 and a bit of polish and I'll shake your hand?

0:47:270:47:33

How about 50 and a bit of polish? I'll even help you if you like.

0:47:330:47:37

No, no, I'll do it on my own. 45 and I'll do it myself.

0:47:370:47:40

Go on, then. You're a gentleman, Jo.

0:47:400:47:42

With that last buy, it means our Road Trippers are all bought up.

0:47:420:47:48

Natasha spent ?120 on five lots.

0:47:480:47:51

The wooden cellarette,

0:47:510:47:53

a revolving bookcase,

0:47:530:47:55

the Scottie dog napkin rings,

0:47:550:47:58

a piggy hatpin holder

0:47:580:48:00

and the ghoulish Carlton mug.

0:48:000:48:02

Phil spent ?230 buying the children's rocking chair,

0:48:030:48:08

the boat steps,

0:48:080:48:09

a mahogany tray,

0:48:090:48:11

the pig trough and garden ball,

0:48:110:48:14

and the pair of newly buffed up leather chairs.

0:48:140:48:17

What do they make of each other's lots?

0:48:200:48:23

I'm going to bow to Tasha's knowledge

0:48:230:48:26

with that Carlton Ware mug.

0:48:260:48:27

I think it's a cool thing but at ?25, it might be a problem.

0:48:270:48:32

But if it's rare, it should just see it through.

0:48:320:48:35

On the very last leg, Phil had to buy something salvage,

0:48:350:48:39

he had to do it, and he's come away

0:48:390:48:40

with a huge spherical gate finial and a pig's trough.

0:48:400:48:44

My pig item is a little ceramic dainty thing, his is a pig's trough.

0:48:440:48:48

It just explains the difference between Phil and I

0:48:480:48:51

and why opposites attract.

0:48:510:48:52

After starting this leg in Eversley,

0:48:540:48:57

they're now hurtling towards

0:48:570:48:58

their final destination, Salisbury.

0:48:580:49:02

I think, "infectious, bubbly Natasha".

0:49:030:49:06

That's what I'm going to miss. I'm not infectious. That sounds awful!

0:49:060:49:09

I sound contagious! You are because you've actually made me smile.

0:49:090:49:13

On that bombshell, it's auction time.

0:49:140:49:18

The final sale is taking place at Netherhampton Salerooms.

0:49:190:49:23

Presiding over today's events is Richard Petty.

0:49:240:49:28

Ah, Philip. Here we go then. Here we go.

0:49:280:49:31

Here we go indeed. First up - Phil's mahogany tray.

0:49:320:49:35

I'll start the bidding at ?10. At ?10, ?10, ?10, ?10...

0:49:350:49:39

?12, 15, 18, ?20

0:49:390:49:42

22, 25 from me. 25 my bid.

0:49:420:49:45

28. I've got 30.

0:49:450:49:48

32, 35, 38, ?40 from me.

0:49:480:49:51

45 and I'm out. 45, 45, 45...

0:49:510:49:53

45! You were bang on. ..In the room then at 45.

0:49:530:49:56

Anybody else? Being sold this time at ?45.

0:49:560:49:59

GAVEL BANGS Oh! Phil, that's excellent!

0:49:590:50:02

First lot and he's pulled in a profit. Well done, Philip.

0:50:030:50:06

That is a good start. Yeah.

0:50:060:50:08

Can Natasha's ghoulish mug keep up the profits?

0:50:090:50:12

At ?12 I've got. 15, 18, 20, 22,

0:50:130:50:17

25. I'm out. 28... Oh, yay! ..?30.

0:50:170:50:21

?30. 32? 32. 35?

0:50:210:50:24

35. Oh. Another for you? 38. Oh, keen crowd!

0:50:240:50:28

?40, 42, 42.

0:50:280:50:32

45. Gentleman's bid then at 45.

0:50:320:50:34

48. On my left at 48. Anyone else want to join in?

0:50:340:50:39

At 48. Being sold this time then at ?48.

0:50:390:50:43

GAVEL BANGS By Jove!

0:50:430:50:45

That's some profit on the mug. Nicely done, Natasha.

0:50:450:50:48

But will her Bakelite Scottie dog napkin holders prove as popular?

0:50:490:50:54

Maybe they'll fly and do really well.

0:50:550:50:57

Who's got 10? Thank you, ?10 I've got. 10! ?10, ?10, ?10, ?10...

0:50:570:51:01

Who else wants it? ?12. I want them. I want them.

0:51:010:51:04

15, 18... Yay! ..?20. At ?20. Gentleman's bid at ?20.

0:51:040:51:09

Oh, I want them. ?20, ?20, 20. Anyone else want them at 20?

0:51:090:51:11

Shout if we don't see you. Being sold this time then at ?20.

0:51:110:51:15

GAVEL BANGS Relax! Ooh! Yes!

0:51:150:51:18

The Scottie doggies have done our Scottish lass proud.

0:51:180:51:22

That's good. That's good, that's good, that's good. Double the money.

0:51:220:51:25

Yeah. Right, Phil, the battle is well and truly on.

0:51:250:51:28

Up next is your set of boat steps.

0:51:280:51:31

I've got three lots of instructions.

0:51:310:51:33

I'm going to start the bidding at...

0:51:330:51:34

?40. Ooh. ?40 I've got. ?40, ?40, ?40, ?40...

0:51:340:51:39

45. I've got 50. 55. I've got 60.

0:51:390:51:43

Another one for you? 65. I've got 70.

0:51:430:51:46

70... You know, that's a result, as far as I'm concerned.

0:51:460:51:49

Oh, keep going. Someone's got to come in. Got to.

0:51:490:51:51

Last chance. Being sold this time then at ?70.

0:51:510:51:55

GAVEL BANGS Oh, Phil, that was close!

0:51:550:51:57

Ah, a bit of a loss there.

0:51:570:52:01

Someone in Salisbury got a great deal.

0:52:010:52:03

Natasha's still in pole position at this auction.

0:52:040:52:07

Can she edge further ahead with the piggy hatpin holder?

0:52:070:52:11

?10 I have. ?10, ?10, ?12... That's because of the...

0:52:110:52:13

..15, 18... Oh! Get in! ..20, 22, 25, 28.

0:52:130:52:17

I'm out. Oh, don't be out.

0:52:170:52:19

?30. 32... I'm in trouble here. ..35, 38?

0:52:190:52:23

I'm in trouble. ?40, 42... I really am in trouble here.

0:52:230:52:27

..45, 48, ?50.

0:52:270:52:30

?50. Lady's bid then at ?50. Anyone else at 50? Your last chance.

0:52:300:52:34

Being sold this time then at ?50. GAVEL BANGS

0:52:340:52:38

Yes, madam! # There may be trouble ahead. #

0:52:380:52:41

You could well be right, Phil.

0:52:430:52:44

A fantastic return on that little piggy.

0:52:440:52:47

The bookcase is up next.

0:52:470:52:49

It's nice. I like it because... And the people round here

0:52:490:52:52

are forward planning. Bonfire Night is not that far away.

0:52:520:52:55

Unbelievable. 100? 70 or 80? 50 if we have to. It's here to be sold.

0:52:570:53:02

Who's got 50? Thank you. Yes! ?50 I have. ?50, ?50, ?50...

0:53:020:53:05

I just cannot believe that. ..?50, ?50, ?50, ?50...

0:53:050:53:08

Join in when you're ready but be very, very quick. 55.

0:53:080:53:10

55? That chap thought he said 15.

0:53:100:53:13

..?70, 75, ?80, 85, 85...

0:53:130:53:18

Are you OK? ..85. Don't think tomorrow. Tomorrow will be too late.

0:53:180:53:23

85. 85. Anybody else? Being sold this time then at ?85.

0:53:230:53:29

GAVEL BANGS

0:53:290:53:31

Fantastic! Now that's a profit!

0:53:310:53:35

That is a top job, isn't it?

0:53:350:53:36

I'm so glad that someone else saw what I saw in it, Phil.

0:53:360:53:39

Someone else had the vision that you just simply lack.

0:53:390:53:41

Yeah. I'm going to go get all the books out and start again, I think.

0:53:410:53:45

Well done, you. Well done, you.

0:53:450:53:47

Right, Phil, if you've any chance of winning this leg,

0:53:470:53:51

you need to make a profit with your pig trough and garden ball.

0:53:510:53:55

Would it have been useful if you'd had two gate finials, do you reckon?

0:53:550:53:58

I would never have bought them. They'd be a couple hundred pounds.

0:53:580:54:01

Too logical. What do you want with one finial?

0:54:010:54:03

Who's ever going to buy one finial? I don't know. Except me.

0:54:030:54:05

Is there a guy with half a house or...?

0:54:050:54:08

So, with the instructions I've been given,

0:54:080:54:11

I need to start the bidding at ?35.

0:54:110:54:13

35 I've got. 35, 35, 40.

0:54:130:54:15

45, 50, 55, 60, 65 with me.

0:54:150:54:20

65. The bid's with me at 65. How's the phone looking, Gem?

0:54:200:54:25

65. I think he's got the speaking clock. I think he's gone out.

0:54:250:54:28

Oh, they're out. They're out. 65. Is he back in yet?

0:54:280:54:32

He's gone out. Oh, no, he's gone out to the shops!

0:54:320:54:35

He shakes his head. At ?65.

0:54:350:54:37

70. New bidder! 75, 80. Now I'm out.

0:54:370:54:41

80 in the seats then. ?80. 80, your last chance.

0:54:410:54:44

Anybody else? Being sold this time then at ?80.

0:54:440:54:48

GAVEL BANGS Phil!

0:54:480:54:50

That was good, that. That is so good. ?80.

0:54:500:54:53

Phil's random garden lot has put him back in the game. Great stuff!

0:54:530:54:59

This is getting exciting. It is, isn't it?

0:54:590:55:01

Edge of your seat stuff here.

0:55:020:55:04

Can Phil bag another profit with his pair of buffed up leather chairs?

0:55:040:55:08

Who's got ?20 then? Here to be sold. Who's got 20?

0:55:080:55:11

How many? 10? Thank you. ?10 I have. ?10, ?10, ?12, 15,

0:55:110:55:15

18, ?20, 22, 25... It's all go, it's all go. 25.

0:55:150:55:20

..28, ?30. ?30 I have then. Phil, it's getting there.

0:55:200:55:23

32, 35, 38, ?40... Slowly but surely. It's like pulling teeth.

0:55:230:55:28

42? 42? What a shame. 42. Anybody else got 42?

0:55:280:55:32

One more. Last chance on this lot. Being sold at 42...

0:55:320:55:34

One more. Help this man break even. GAVEL BANGS

0:55:340:55:36

Yours, sir. I'm so disappointed with that

0:55:360:55:39

after all that effort I put in polishing the wretched things.

0:55:390:55:42

Aw, hard luck. But it's only a little loss so your elbow grease

0:55:420:55:46

wasn't an entire waste of time.

0:55:460:55:48

And now for Natasha's final lot.

0:55:500:55:52

The romance of a cellarette is going to set this saleroom on fire.

0:55:530:55:58

At ?30 I've got. ?30, ?30, ?30, ?30...

0:55:580:56:01

32, 35, 38, ?40.

0:56:010:56:04

?40, ?40... Come on. No, no, no! Anybody else want in at ?40?

0:56:040:56:09

Last chance 40... I need one more.

0:56:090:56:11

No, I don't. Drop the hammer. No, no, no, no.

0:56:110:56:13

?40! Aw, no! Drop the hammer. GAVEL BANGS

0:56:130:56:16

A small loss there, but Natasha's still in the lead.

0:56:160:56:20

There doesn't seem any justice really

0:56:200:56:22

that that was probably worth a bit more than that, wasn't it?

0:56:220:56:24

It was worth more but I have to take the rough with the smooth

0:56:240:56:27

cos so many things today have made money that I did not expect to make money. Yeah.

0:56:270:56:30

Yeah. Talking of making money, to win this auction,

0:56:300:56:34

Phil will need a romping result on the rocking chair.

0:56:340:56:38

Tenner for you, sir, thank you. ?10 I have...

0:56:380:56:40

It's started. 15, 18, 20, 22,

0:56:400:56:43

25, 28, 28, 28.

0:56:430:56:47

I have ?30.

0:56:470:56:49

?30. First bid has it at ?30. ?30. Last chance...

0:56:490:56:53

32. 32. Anybody else at 32? Your last chance on this lot.

0:56:530:56:57

?32. Anyone else? Being sold then at ?32...

0:56:570:57:02

GAVEL BANGS

0:57:020:57:04

Aaah! Aaah! THEY LAUGH

0:57:040:57:06

So, there we have it. We end the Road Trip with a profit.

0:57:070:57:11

Marvellous.

0:57:110:57:12

What a brilliant week we've had, haven't we?

0:57:130:57:15

It's been so good. It's been so good.

0:57:150:57:18

Shall we go outside and have a little cry? Yeah, who's driving?

0:57:180:57:21

The winner. Oh, really? The winner drives us off. Come on, Philip.

0:57:210:57:26

Well, we'd better find out who that winner is then.

0:57:260:57:29

Natasha began with ?165.64 and after paying auction costs

0:57:300:57:36

she's made a pretty profit of ?79.26, making her today's winner,

0:57:360:57:42

with a final total of ?244.90.

0:57:420:57:47

Phil started with ?325.40. After paying auction costs,

0:57:490:57:54

he suffered a little loss of ?9.42.

0:57:540:57:59

This means he may have lost this leg, but he's won the trip

0:57:590:58:02

with a fabulous final tally of ?315.98.

0:58:020:58:07

Well done, old bean.

0:58:070:58:09

All profits go to Children in Need.

0:58:090:58:12

Oh, Phil, well done! Well, yeah, but you won the evening.

0:58:120:58:16

It doesn't matter. The winner overall drives away.

0:58:160:58:18

Oh, come on, then. I've just got to sit here and cry

0:58:180:58:21

in the passenger seat. SHE LAUGHS

0:58:210:58:23

No tears, no tears. It's too good. It's too good!

0:58:230:58:26

It's been a delight, chaps.

0:58:260:58:28

Until next time, cheerio!

0:58:280:58:30

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