Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
I don't know what to do! SHE BEEPS HORN | 0:00:04 | 0:00:06 | |
With £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
Well, an old diamond. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game. Charlie! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
Oh! | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Now, you'd think our experts at least would be au fait | 0:00:37 | 0:00:40 | |
with the rules of the Antiques Road Trip. | 0:00:40 | 0:00:41 | |
I really ought to buy something that might make a profit. | 0:00:41 | 0:00:45 | |
-There's a thought. -It certainly is. | 0:00:45 | 0:00:47 | |
Although, in truth, Paul Laidlaw's grasped the nettle this week. | 0:00:47 | 0:00:50 | |
-Is it expensive? -Oh, no. | 0:00:50 | 0:00:52 | |
While Christina Trevanion has been badly stung. | 0:00:52 | 0:00:55 | |
Ah! Have I won anything... | 0:00:55 | 0:00:58 | |
-this week? -You've won my respect. | 0:00:58 | 0:01:01 | |
Ha! So, losing 4-0 and over £600 adrift, | 0:01:01 | 0:01:05 | |
Christina sets out on the final leg with mixed feelings. | 0:01:05 | 0:01:08 | |
There's the part of me that is going to miss you, | 0:01:09 | 0:01:13 | |
just so lovely to be with. | 0:01:13 | 0:01:15 | |
And then there's the part of me that is not going to miss being | 0:01:15 | 0:01:18 | |
hammered at every single auction that we go to. | 0:01:18 | 0:01:21 | |
Oh! | 0:01:21 | 0:01:22 | |
Yes, Christina's so far managed to shrink her £200 stake | 0:01:22 | 0:01:26 | |
to just £145.90. | 0:01:26 | 0:01:30 | |
While Paul, who began with the same sum, has done very much | 0:01:30 | 0:01:33 | |
the opposite, starting our final leg with £750.96 at his disposal. | 0:01:33 | 0:01:39 | |
Our trip began in Clare, in Suffolk, | 0:01:41 | 0:01:43 | |
before careering around the heart of England | 0:01:43 | 0:01:46 | |
and then heading north, to end up at a Cheshire auction in Northwich. | 0:01:46 | 0:01:50 | |
Today, the HMC Mark IV starts out in the Staffordshire city of Lichfield | 0:01:50 | 0:01:54 | |
and motors towards that date with destiny | 0:01:54 | 0:01:58 | |
in the aforementioned Northwich. | 0:01:58 | 0:02:00 | |
Now, first things first, and they're in this one together. | 0:02:00 | 0:02:04 | |
This is my last chance to impress you. | 0:02:04 | 0:02:08 | |
You don't need to try! | 0:02:08 | 0:02:10 | |
-Oh, I think I do. -Yes, really, she does. -Here we are. | 0:02:10 | 0:02:15 | |
Lichfield Antiques Centre. And good morning. Hello. Who are you? | 0:02:15 | 0:02:20 | |
-I'm Paul. -Paul. Oh, Paul. -That's a name I won't forget for once. | 0:02:20 | 0:02:24 | |
-I love it. -Hang on a second, your OCD says you have to go clockwise. | 0:02:24 | 0:02:29 | |
-Yes. -OK, see you later. THEY LAUGH | 0:02:29 | 0:02:31 | |
Not really. He's just very particular. | 0:02:31 | 0:02:34 | |
Now, what's first out of the cabinets, then? | 0:02:34 | 0:02:36 | |
Isn't that lovely? | 0:02:36 | 0:02:37 | |
Black Forest wares are really, really popular at the moment. | 0:02:37 | 0:02:40 | |
The carved animals, you know, those wonderful bear and mother groups. | 0:02:40 | 0:02:43 | |
The term "Black Forest carving" actually originated | 0:02:43 | 0:02:46 | |
in Switzerland in the early 1800s, and they weren't overly fashionable, | 0:02:46 | 0:02:50 | |
but in the last sort of 10 or 15 years, | 0:02:50 | 0:02:52 | |
they've gone massively fashionable | 0:02:52 | 0:02:54 | |
and are achieving some really fantastic prices at auction. | 0:02:54 | 0:02:56 | |
That's fab, I like that. | 0:02:56 | 0:02:59 | |
-How much is on that? -That he has got...45. -45. | 0:02:59 | 0:03:04 | |
-And is there any flexibility on price on that? -I could do that for 40. | 0:03:04 | 0:03:08 | |
Mmm, got anything cheaper? | 0:03:08 | 0:03:09 | |
I love these. Little Rolls-Royce condiments. | 0:03:11 | 0:03:15 | |
-Yes. -So, so sweet. | 0:03:15 | 0:03:17 | |
You just can't mistake that Rolls-Royce logo, can you? | 0:03:17 | 0:03:20 | |
Much cheaper, £10 for those. | 0:03:20 | 0:03:23 | |
I think there is quite a healthy collectors club for Rolls-Royce memorabilia. | 0:03:23 | 0:03:27 | |
Oh, yeah. Good point. Especially as the auction is online. | 0:03:27 | 0:03:30 | |
Now, that's very Paul. See what I mean? | 0:03:30 | 0:03:33 | |
So, I spy what looks like a mid-20th-century | 0:03:33 | 0:03:38 | |
Bakelite cased office wall clock, | 0:03:38 | 0:03:41 | |
made by Smiths. Big manufacturer of such clocks. | 0:03:41 | 0:03:45 | |
But what's odd about that clock, that's not a 12 hour sweep, | 0:03:45 | 0:03:49 | |
that is a 20 minute sweep. | 0:03:49 | 0:03:53 | |
So what on earth am I looking at? | 0:03:53 | 0:03:55 | |
"I don't know" is the answer. Until we look at the price tag. | 0:03:55 | 0:04:00 | |
It tells us, "Very rare." | 0:04:00 | 0:04:02 | |
Well, I get that. | 0:04:02 | 0:04:04 | |
"World War II RAF darkroom 20 minute clock, | 0:04:04 | 0:04:09 | |
"used when developing photographs taken over enemy territory." | 0:04:09 | 0:04:14 | |
So, not only is it a sort of clock, but militaria, too. | 0:04:14 | 0:04:17 | |
Two of his favourite boxes ticked. | 0:04:17 | 0:04:19 | |
CLOCK RINGS | 0:04:19 | 0:04:22 | |
And apparently it's got an alarm feature as well. | 0:04:22 | 0:04:24 | |
HE LAUGHS | 0:04:24 | 0:04:26 | |
What have I done? | 0:04:26 | 0:04:27 | |
CLOCK RINGS | 0:04:27 | 0:04:28 | |
Blimey. | 0:04:28 | 0:04:30 | |
I suspect, to some collector, this is a good buy at £85. | 0:04:30 | 0:04:35 | |
Now my fear is, it is so obscure | 0:04:35 | 0:04:38 | |
and so utterly useless, | 0:04:38 | 0:04:41 | |
that's maybe not such a bargain as we might think. | 0:04:41 | 0:04:43 | |
There's only one way to find out, Paul. | 0:04:43 | 0:04:46 | |
Meanwhile, Christina is about to turn on the charm. Watch this. | 0:04:46 | 0:04:49 | |
Chris? It's beautiful, isn't it? | 0:04:49 | 0:04:52 | |
Well, I mean, apart from the damage | 0:04:52 | 0:04:54 | |
and, you know, it's very broken, isn't it? And pretty ugly. | 0:04:54 | 0:04:57 | |
You don't really want to keep it, do you? | 0:04:57 | 0:04:59 | |
SHE LAUGHS | 0:04:59 | 0:05:01 | |
Can we say 25? | 0:05:01 | 0:05:03 | |
Is that all right? | 0:05:05 | 0:05:07 | |
You're a legend. He said 25 is fine. | 0:05:07 | 0:05:10 | |
Brilliant, Chris, you are an angel, thank you so much, have a lovely day. | 0:05:10 | 0:05:13 | |
Good price. Now, what about the Rolls-Royce of condiments? | 0:05:13 | 0:05:17 | |
-Or something like that. -OK, thank you. He said eight. -Eight. | 0:05:17 | 0:05:22 | |
Can I phone... Can I speak to him? Ian, right, come on, Ian. | 0:05:22 | 0:05:25 | |
-Come on, give us the double whammy. -Hi, Ian. | 0:05:25 | 0:05:28 | |
-Christina would like to talk to you. -Thank you. | 0:05:28 | 0:05:31 | |
Hi, Ian, how are you? | 0:05:31 | 0:05:33 | |
I do like them, but I'm thinking more sort of a fiver, really, | 0:05:33 | 0:05:37 | |
would probably be more my budget. What's your thoughts? | 0:05:37 | 0:05:40 | |
You're an angel. Thank you so much. So we'll say £5. | 0:05:40 | 0:05:43 | |
I know, you're going to go to heaven, darling, I promise. SHE LAUGHS | 0:05:43 | 0:05:47 | |
£30 in total, and she's managing very well so far on limited means. | 0:05:47 | 0:05:52 | |
But what about old moneybags? | 0:05:53 | 0:05:56 | |
-My problem with it is, it ain't a clock. -No. | 0:05:56 | 0:06:01 | |
You cannae hang that onto your kitchen wall, | 0:06:01 | 0:06:03 | |
your office wall and enjoy it. It is redundant because it is a timer. | 0:06:03 | 0:06:07 | |
-Sure, sure. -Is there any way that price could be worked on? | 0:06:07 | 0:06:10 | |
Yes, yes, we could do something. | 0:06:10 | 0:06:12 | |
I'd love to buy it for 30 quid, something like that. | 0:06:12 | 0:06:15 | |
-I'll see what he says. -Yes, that's all I can ask. | 0:06:15 | 0:06:17 | |
I suspect it might be... a step too far. | 0:06:17 | 0:06:20 | |
So while our Paul carries on looking, | 0:06:20 | 0:06:22 | |
shopkeeper Paul takes to the phones. | 0:06:22 | 0:06:25 | |
Looks like there may be something else to consider too. | 0:06:25 | 0:06:28 | |
This is uber sexy. | 0:06:28 | 0:06:29 | |
Yes, some WMF. | 0:06:29 | 0:06:32 | |
Whose is this stuff? | 0:06:32 | 0:06:34 | |
-This is mine and Madeline's -Really? | 0:06:34 | 0:06:37 | |
-So I'm now talking to the organ grinder? -Yes. -This is better. | 0:06:37 | 0:06:42 | |
He bought some different WMF earlier in the week. Did well, too. | 0:06:42 | 0:06:46 | |
I bought the christening set. | 0:06:46 | 0:06:48 | |
So you are experts on Wurttembergische Metallwarenfabrik, | 0:06:48 | 0:06:51 | |
which rolls off the tongue, of course. Ja? | 0:06:51 | 0:06:53 | |
-IN GERMAN ACCENT: -Ja! Es ist gut. Very interesting, to say the least. | 0:06:53 | 0:06:58 | |
It's slightly scary, to be honest with you. | 0:06:58 | 0:07:01 | |
So we have got this little... It has got to be a whirlpool, | 0:07:01 | 0:07:05 | |
and there's this wee kid caught up in it, and looking | 0:07:05 | 0:07:09 | |
somewhat terrified, because there's a Komodo dragon coming at it. | 0:07:09 | 0:07:14 | |
It's a bizarre concoction, it really is. | 0:07:14 | 0:07:17 | |
Quite. The ticket price is £275, plus shopkeeper Paul has managed | 0:07:17 | 0:07:22 | |
to get a £50 price for the clock. | 0:07:22 | 0:07:26 | |
So is our Paul about to splash some of that cash? | 0:07:26 | 0:07:29 | |
I'd like 250 for it. | 0:07:29 | 0:07:31 | |
Don't put it away! | 0:07:32 | 0:07:34 | |
THEY LAUGH | 0:07:34 | 0:07:36 | |
I fear I must. | 0:07:36 | 0:07:37 | |
-Seriously, it is £120 worth to me. -Ah! | 0:07:37 | 0:07:40 | |
That's harsh, harsh. | 0:07:40 | 0:07:42 | |
-If you will make it 180. -It is too strong for me. | 0:07:42 | 0:07:47 | |
I think the very best I could do, and it hurts me, is 150. | 0:07:47 | 0:07:51 | |
-I still think it is too much of a gamble for me. -130. | 0:07:51 | 0:07:55 | |
-Come on, for £10. -You're right, you're right, you're right. | 0:07:55 | 0:07:59 | |
That's 130, plus 50 for the clock. | 0:07:59 | 0:08:02 | |
You can almost hear the cogs whirring. | 0:08:02 | 0:08:04 | |
-I'm ahead of the game, I can take a loss. -Good man. | 0:08:05 | 0:08:08 | |
And he said his pile of cash wouldn't change him. Ha! | 0:08:08 | 0:08:12 | |
Right, I'll follow you and settle my debt. | 0:08:12 | 0:08:16 | |
-Thank you very much. -Pleasure. Next time. | 0:08:16 | 0:08:18 | |
Now, Dr Samuel Johnson was born in Lichfield | 0:08:20 | 0:08:23 | |
and memorably described it as a city of philosophers. | 0:08:23 | 0:08:27 | |
He almost certainly had one particular resident in mind, | 0:08:27 | 0:08:30 | |
and Christina has come to find out about Erasmus Darwin. | 0:08:30 | 0:08:35 | |
-Hello. -Christina. -You must be Tony. -I am Tony. -How lovely to meet you. | 0:08:35 | 0:08:38 | |
-Welcome to Darwin House. -Shall we go have a little look around? -I think we should. -Thank you. | 0:08:38 | 0:08:42 | |
This house was once the home of one of Britain's greatest polymaths, | 0:08:42 | 0:08:47 | |
a highly successful physician, who was also a scientist, | 0:08:47 | 0:08:50 | |
a poet and a naturalist. | 0:08:50 | 0:08:52 | |
Darwin's work had a huge influence on his much more famous relative. | 0:08:52 | 0:08:56 | |
Explain to me about Erasmus Darwin, because I've heard of Charles. | 0:08:56 | 0:09:00 | |
Charles Darwin was born in Shrewsbury, which is my home town. | 0:09:00 | 0:09:03 | |
But I've not heard of Erasmus before? | 0:09:03 | 0:09:05 | |
-Erasmus was Charles' grandfather. -Right. -We've set the house in 1770, | 0:09:05 | 0:09:10 | |
because it was when he began to talk about evolution. | 0:09:10 | 0:09:14 | |
-In 1770? -In 1770. | 0:09:14 | 0:09:16 | |
-Erasmus was talking about evolution? -He was, yes. | 0:09:16 | 0:09:19 | |
I thought that it was Darwin that was doing evolution, in 18... | 0:09:19 | 0:09:22 | |
-Charles had to get the idea from somewhere. -Really?! | 0:09:22 | 0:09:26 | |
Erasmus Darwin would go on to publish poetry that | 0:09:26 | 0:09:29 | |
expressed his theories about the origins of life. | 0:09:29 | 0:09:32 | |
Controversial stuff in the late 18th century, | 0:09:32 | 0:09:35 | |
but it all began with his fascination with botany. | 0:09:35 | 0:09:38 | |
That picture there was painted in 1756 or thereabouts. | 0:09:38 | 0:09:43 | |
And is of a great bindweed, which is something you see in our hedgerows. | 0:09:43 | 0:09:47 | |
-Yeah, I think of it as a quintessentially English or British plant. -Absolutely. | 0:09:47 | 0:09:51 | |
But, in the middle of the flower, there's a stripy beetle, | 0:09:51 | 0:09:54 | |
which only occurs in the Caribbean. | 0:09:54 | 0:09:56 | |
Darwin was posed the question, | 0:09:56 | 0:09:58 | |
"How can there be a great bindweed in the Caribbean and in England?" | 0:09:58 | 0:10:02 | |
And normally what you would have said at that stage was, well, | 0:10:02 | 0:10:05 | |
God created one for the Caribbean, and one for us. | 0:10:05 | 0:10:08 | |
What Darwin concluded was that it had developed in the Caribbean | 0:10:08 | 0:10:11 | |
and also developed in England. | 0:10:11 | 0:10:13 | |
That is a tremendous conclusion to come to. | 0:10:13 | 0:10:17 | |
Couple that with some fossils which Josiah Wedgwood sent to Darwin, | 0:10:17 | 0:10:22 | |
and Darwin said, "I really don't understand them. | 0:10:22 | 0:10:24 | |
"What are fish doing in the middle of mountains?" | 0:10:24 | 0:10:27 | |
It was the great age of enlightenment, | 0:10:27 | 0:10:29 | |
and they were working things out. | 0:10:29 | 0:10:31 | |
And they were daring to actually get rid | 0:10:31 | 0:10:33 | |
of the conventions of the past... | 0:10:33 | 0:10:35 | |
-And challenge them? -And challenge them, if necessary. | 0:10:35 | 0:10:38 | |
Add to those two things the fact that he noticed | 0:10:38 | 0:10:41 | |
the competition between animals. | 0:10:41 | 0:10:44 | |
So, putting all this together, | 0:10:44 | 0:10:45 | |
he really came up with Survival Of The Fittest. | 0:10:45 | 0:10:48 | |
But I thought his grandson was credited with that? | 0:10:48 | 0:10:51 | |
He was credited with it, but it's there, look - | 0:10:51 | 0:10:53 | |
"Organic life beneath the shoreless waves | 0:10:53 | 0:10:56 | |
"Was born and nurs'd in ocean's pearly caves. | 0:10:56 | 0:10:59 | |
"First forms minute, unseen by spheric glass, | 0:10:59 | 0:11:03 | |
"Move on the mud, or pierced the watery mass; | 0:11:03 | 0:11:07 | |
"These, as successive generations bloom, | 0:11:07 | 0:11:10 | |
"New powers acquire, and larger limbs assume; | 0:11:10 | 0:11:14 | |
"Whence countless groups of vegetation spring, | 0:11:14 | 0:11:17 | |
"And breathing realms of fin, and feet and wing." | 0:11:17 | 0:11:21 | |
-That is it. That's evolution. -Absolutely. | 0:11:21 | 0:11:24 | |
But as well as inspiring his grandson's work, | 0:11:24 | 0:11:27 | |
Erasmus was also a prolific inventor. | 0:11:27 | 0:11:30 | |
Although he never actually registered a patent, | 0:11:30 | 0:11:32 | |
his incredible mind was forever supplying solutions to the | 0:11:32 | 0:11:36 | |
problems of his time. | 0:11:36 | 0:11:37 | |
This is his steering mechanism, which he developed for carriages. | 0:11:38 | 0:11:42 | |
His solution was a differential, | 0:11:42 | 0:11:44 | |
so the wheels turn at different angles by putting in this bar here. | 0:11:44 | 0:11:48 | |
This axle behind? | 0:11:48 | 0:11:49 | |
That is exactly how cars are still steered today, more or less. | 0:11:49 | 0:11:54 | |
All Darwin's inventions were scrupulously recorded | 0:11:54 | 0:11:57 | |
in his commonplace book. | 0:11:57 | 0:11:58 | |
It's no wonder that he is sometimes described | 0:11:58 | 0:12:01 | |
as a British Leonardo da Vinci. | 0:12:01 | 0:12:03 | |
-Is this all his experiments? -All his sketches. | 0:12:03 | 0:12:06 | |
-Not overly good at drawing people, is he? -No... | 0:12:06 | 0:12:09 | |
Yeah, well, he might not have managed a Mona Lisa, | 0:12:11 | 0:12:13 | |
but he did have some very good ideas. | 0:12:13 | 0:12:16 | |
Like this copying machine. | 0:12:16 | 0:12:18 | |
Hey, that's not too bad, is it? | 0:12:18 | 0:12:20 | |
Some, like a mechanical bird, far ahead of their time. | 0:12:20 | 0:12:24 | |
And others, very practical. | 0:12:24 | 0:12:27 | |
-A flushing loo? -Can you imagine, a flushing loo? | 0:12:27 | 0:12:29 | |
He shoved a pipe down, through two layers of clay, | 0:12:29 | 0:12:32 | |
into the lower porous rock - chalk, or whatever. | 0:12:32 | 0:12:36 | |
And up comes a spurt of water. | 0:12:36 | 0:12:37 | |
So that gave him his running water, OK? | 0:12:37 | 0:12:39 | |
He then fed that into a cistern and, when you got up from the loo | 0:12:39 | 0:12:44 | |
and put the seat down, it released the valve, so the thing flushed. | 0:12:44 | 0:12:49 | |
And when you closed the door of the closet, the valve went back | 0:12:49 | 0:12:52 | |
and it filled up again. So it was a real, flushing loo. | 0:12:52 | 0:12:57 | |
Long before Crapper and people like that. | 0:12:57 | 0:13:00 | |
So the next time you think of Charles Darwin, | 0:13:00 | 0:13:03 | |
also remember this Lichfield doctor. | 0:13:03 | 0:13:05 | |
But Paul, meanwhile, has taken our route north | 0:13:08 | 0:13:11 | |
towards Chester and Sandbach. | 0:13:11 | 0:13:13 | |
Hello there! | 0:13:14 | 0:13:16 | |
-John? -Yes. -Paul. Pleased to meet you. -Pleased to meet you. | 0:13:16 | 0:13:19 | |
This is big, isn't it? | 0:13:19 | 0:13:21 | |
Yep, several floors, Paul. | 0:13:21 | 0:13:23 | |
So let the perusal commence. | 0:13:23 | 0:13:25 | |
But don't forget that John might have just the item. | 0:13:25 | 0:13:28 | |
There we go. | 0:13:28 | 0:13:30 | |
It's one of the things that was sold on the last flight of Concorde. | 0:13:30 | 0:13:33 | |
It's a port label. | 0:13:33 | 0:13:35 | |
-In its original Concorde box. -I see. | 0:13:35 | 0:13:37 | |
Cannot argue with that! | 0:13:37 | 0:13:39 | |
And I think the small tab on the back has actually got | 0:13:39 | 0:13:42 | |
the Concorde logo on it as well. | 0:13:42 | 0:13:44 | |
What are you asking for that, out of interest? | 0:13:44 | 0:13:46 | |
I've got 45 on it, but I can do you a good price on it. | 0:13:46 | 0:13:50 | |
-Do me a good price on that, John. -HE LAUGHS | 0:13:50 | 0:13:53 | |
How does 25 sound? | 0:13:53 | 0:13:55 | |
It sounds exceedingly tempting. | 0:13:55 | 0:13:58 | |
Can we have a look at the old ones as well? | 0:13:59 | 0:14:02 | |
Ah, so he spotted those earlier. | 0:14:02 | 0:14:04 | |
It's all coming together rather nicely. | 0:14:04 | 0:14:06 | |
These are the ones I saw before. | 0:14:06 | 0:14:07 | |
Pretty generic, Regency-type, plated. | 0:14:07 | 0:14:11 | |
I think they're timelessly elegant, those. | 0:14:11 | 0:14:13 | |
I'm a big advocate of these things. | 0:14:13 | 0:14:15 | |
What would be the deal on the Concorde one and those? | 0:14:15 | 0:14:20 | |
Concorde was 25... | 0:14:20 | 0:14:23 | |
-Ten quid. £2.50 each. -That's cheap, isn't it? | 0:14:23 | 0:14:27 | |
The Concorde gives it a bit of something else. | 0:14:27 | 0:14:29 | |
On their own, nobody would look. | 0:14:29 | 0:14:30 | |
But you've got that antiquity with modernity. | 0:14:30 | 0:14:33 | |
-30 quid? -Mmm-hmm. -Do you reckon? -Yep. | 0:14:33 | 0:14:35 | |
Good man. Easy as that. | 0:14:35 | 0:14:38 | |
Not quite supersonic, but not far off. | 0:14:38 | 0:14:40 | |
Teetotallers could get a look in too, though. | 0:14:40 | 0:14:43 | |
The vogue for this type of insulated earthenware teaware | 0:14:43 | 0:14:47 | |
peaked in the late 1940s. | 0:14:47 | 0:14:49 | |
The big brand-name is Kosy Krafts, spelled with Ks. | 0:14:49 | 0:14:55 | |
Clearly, what you've got here is a chromium-plated jacket, and that's | 0:14:55 | 0:14:59 | |
lined in an insulating material - or some of them were, let's see... | 0:14:59 | 0:15:03 | |
Yeah. See that? | 0:15:05 | 0:15:07 | |
And here's the earthenware teapot. | 0:15:07 | 0:15:10 | |
So it just keeps the tea warmer for longer. | 0:15:10 | 0:15:12 | |
Not uncommon, but, in good condition, and complete with... | 0:15:12 | 0:15:19 | |
a rather jazzy sugar basin and milk jug, | 0:15:19 | 0:15:24 | |
then, I would say, less common. Nice. | 0:15:24 | 0:15:27 | |
There's no ticket price on the teapot. Hold tight, Paul. | 0:15:27 | 0:15:32 | |
Never mind your sherry and your port. | 0:15:32 | 0:15:36 | |
How's about a nice cup of chai? | 0:15:36 | 0:15:38 | |
I don't know how much it's going to cost me. | 0:15:38 | 0:15:41 | |
For the three pieces...£20. | 0:15:41 | 0:15:44 | |
It's a deal. | 0:15:44 | 0:15:46 | |
No point in being silly. Spot on. | 0:15:46 | 0:15:49 | |
So, £50 for that little lot. | 0:15:49 | 0:15:51 | |
Now, how about a solo sing-along? | 0:15:51 | 0:15:53 | |
# And will Jerusalem... # | 0:15:53 | 0:15:56 | |
You've got such a beautiful voice, come on! | 0:15:56 | 0:15:57 | |
-You have, I love it! -Sing with me, sing with me. -OK. | 0:15:57 | 0:16:00 | |
# Till we have... # | 0:16:00 | 0:16:02 | |
No. | 0:16:02 | 0:16:03 | |
Night-night, you two. | 0:16:04 | 0:16:06 | |
Bright and breezy and back on the road, later, our pair will be making | 0:16:09 | 0:16:13 | |
for their final auction of the day in Northwich, Cheshire, | 0:16:13 | 0:16:17 | |
but our next stop is Manchester, | 0:16:17 | 0:16:19 | |
where Christina is taking a wander | 0:16:19 | 0:16:22 | |
around a furniture specialist's set up. | 0:16:22 | 0:16:25 | |
There's lovely stuff here, but can she afford as much as a leg of it? | 0:16:25 | 0:16:29 | |
John's the man in the charge. | 0:16:29 | 0:16:31 | |
-How much have you got? -Not very much. | 0:16:31 | 0:16:34 | |
About roughly, ballpark figure? | 0:16:34 | 0:16:36 | |
I've still got potentially three things to buy. | 0:16:36 | 0:16:39 | |
I'm hoping to spend about £20 on each one. | 0:16:39 | 0:16:41 | |
-Oh, John! -You're not going to do any good here. -Really? Nothing for £20? | 0:16:41 | 0:16:46 | |
All I can show you is the door. | 0:16:46 | 0:16:48 | |
The door? Can I buy the door? | 0:16:48 | 0:16:49 | |
Yeah, it's been done, believe me. | 0:16:49 | 0:16:52 | |
What's this? That's nice. | 0:16:52 | 0:16:55 | |
It's open to offers. | 0:16:55 | 0:16:56 | |
Definitely not furniture, anyway. | 0:16:56 | 0:16:58 | |
No price. | 0:16:58 | 0:17:00 | |
-It's beautiful, isn't it? This is Japanese shibayama work. -It is, yes. | 0:17:00 | 0:17:03 | |
Normally they say that these panels | 0:17:03 | 0:17:05 | |
-come out of a piece of furniture, don't they? -Shibayama cabinets. | 0:17:05 | 0:17:08 | |
-They have those big cabinet doors. -That's right. | 0:17:08 | 0:17:11 | |
This, possibly, was one of the pieces of the cabinet. | 0:17:11 | 0:17:14 | |
It would have taken someone an awfully long time to build up | 0:17:14 | 0:17:18 | |
all these little intricate layers and produce this, what would have been, | 0:17:18 | 0:17:21 | |
once upon a time, a really rather beautiful picture. | 0:17:21 | 0:17:24 | |
I mean, potentially, the album is fairly beyond repair, isn't it? | 0:17:24 | 0:17:29 | |
-Yeah. -Is there any flexibility with my £20 budget on that? | 0:17:29 | 0:17:34 | |
I doubt it very much. | 0:17:34 | 0:17:35 | |
Oh, go on, John. Have a think about it. | 0:17:35 | 0:17:38 | |
John's still keen to show her yet more furniture, | 0:17:38 | 0:17:41 | |
but cash remains the issue. | 0:17:41 | 0:17:43 | |
This is not the bargain basement. | 0:17:44 | 0:17:46 | |
I have to be honest, I do love the furniture | 0:17:46 | 0:17:49 | |
but I do really like that album. | 0:17:49 | 0:17:51 | |
Right. Well, you can buy it. | 0:17:51 | 0:17:54 | |
Can I buy it for 20? | 0:17:54 | 0:17:56 | |
-It's yours. -Really?! | 0:17:56 | 0:17:57 | |
You can have it for 20 as long as, the next time you come, you don't come. | 0:17:57 | 0:18:01 | |
Send somebody not as experienced as you! | 0:18:01 | 0:18:03 | |
Are you banning me? | 0:18:05 | 0:18:07 | |
Eh, he's joking, Christina, or at least I think he is. | 0:18:07 | 0:18:10 | |
20 of the great British pounds. | 0:18:10 | 0:18:13 | |
Still...somehow managing to eke it out. | 0:18:13 | 0:18:15 | |
-You're a legend and I promise never, ever to come back. -Fine. | 0:18:15 | 0:18:19 | |
The trip's almost complete. | 0:18:20 | 0:18:22 | |
Just time for one more shop, in Congleton. | 0:18:22 | 0:18:26 | |
Goodness me, let's hope antiques are waterproof. | 0:18:26 | 0:18:28 | |
Come on, you. Race you! | 0:18:28 | 0:18:30 | |
Oh! That's a bit drier. | 0:18:30 | 0:18:33 | |
-Right. -Antiques that way. | 0:18:33 | 0:18:35 | |
-I'm going that way. -That way. -OK. | 0:18:35 | 0:18:37 | |
Adios! | 0:18:37 | 0:18:38 | |
Hasta la vista. | 0:18:38 | 0:18:39 | |
But just what will their final buys be? | 0:18:39 | 0:18:42 | |
Is he a bit too wacky for Northwich? | 0:18:42 | 0:18:44 | |
Who knows? | 0:18:45 | 0:18:47 | |
I dare you to find out. | 0:18:47 | 0:18:49 | |
-What about Paul? -Oh, hello there. | 0:18:49 | 0:18:51 | |
-Are you officialdom here? -I'm Kate, pleased to meet you. | 0:18:51 | 0:18:54 | |
There are around 50 shopkeepers represented here... | 0:18:54 | 0:18:57 | |
most of them, of course, not actually present. | 0:18:57 | 0:19:00 | |
There are certain dealers you feel an affinity with | 0:19:00 | 0:19:03 | |
even in their absence, because you get what they get. | 0:19:03 | 0:19:06 | |
Good to see Christina's put that clown down. Anything else? | 0:19:06 | 0:19:10 | |
What have we got in here? | 0:19:10 | 0:19:12 | |
Oh, my goodness! | 0:19:12 | 0:19:14 | |
"Electro-Medical Supplies, London." | 0:19:14 | 0:19:16 | |
Good Lord! | 0:19:16 | 0:19:18 | |
It actually works, that. | 0:19:18 | 0:19:19 | |
-Does it! Is this yours, sir? -Well done, Christina. | 0:19:19 | 0:19:22 | |
You've found yourself a real live dealer | 0:19:22 | 0:19:24 | |
with a distinctly medical bent. | 0:19:24 | 0:19:26 | |
That's for making pills. | 0:19:26 | 0:19:28 | |
Oh, that's cool. Can I see that? | 0:19:28 | 0:19:30 | |
That's amazing. So is that for...? | 0:19:30 | 0:19:31 | |
-That's for grading... -They made their own tablets, yes. | 0:19:31 | 0:19:34 | |
-For a pharmacist. -Oh, there's a plate in there. | 0:19:34 | 0:19:38 | |
That tells you the sizes. They must have made them in there. | 0:19:38 | 0:19:41 | |
I don't know how it works! | 0:19:41 | 0:19:43 | |
What on earth do you do with that? | 0:19:43 | 0:19:45 | |
-So how much have you got on that, Eric? -Tenner. | 0:19:45 | 0:19:47 | |
That's Christina's kind of price. | 0:19:47 | 0:19:49 | |
Eric, I'm loving your company. | 0:19:49 | 0:19:51 | |
Now, how is Paul's rummage progressing? | 0:19:51 | 0:19:54 | |
Can't resist a bit of trench art. | 0:19:54 | 0:19:56 | |
This is the business end | 0:19:56 | 0:19:59 | |
of a First World War artillery shell. | 0:19:59 | 0:20:01 | |
Yes, a big bullet, you know what I'm talking about. | 0:20:01 | 0:20:03 | |
You see the shell cases all over the place. | 0:20:03 | 0:20:06 | |
But for whatever reason, somebody thought that piece | 0:20:06 | 0:20:09 | |
of mass-produced brass, these were turned out in their millions, | 0:20:09 | 0:20:13 | |
was worth preserving. | 0:20:13 | 0:20:15 | |
The ticket price for a bit of history is £25. | 0:20:15 | 0:20:17 | |
But while Kate calls the dealer about THAT, Christina ponders on. | 0:20:17 | 0:20:22 | |
The pill-making frame was cheap | 0:20:22 | 0:20:24 | |
and I'm sure that Eric can supply something else. | 0:20:24 | 0:20:27 | |
It's a firescreen. | 0:20:27 | 0:20:28 | |
I think it's nice. | 0:20:28 | 0:20:30 | |
The ticket price is £18. | 0:20:30 | 0:20:32 | |
-I love Arts and Crafts stuff and people just aren't buying it. -Yeah. | 0:20:32 | 0:20:35 | |
There are still collectors for it... | 0:20:35 | 0:20:38 | |
and it's fairly cheap... | 0:20:38 | 0:20:41 | |
-Give me a pound and you can take it out of the way. -Really? -Seriously. | 0:20:41 | 0:20:45 | |
-£10 for that... -Pound for that. | 0:20:45 | 0:20:48 | |
-What about £10 the two? -Yes, OK. | 0:20:48 | 0:20:51 | |
-Really? -Seriously you can have them. | 0:20:51 | 0:20:53 | |
Eric! | 0:20:53 | 0:20:55 | |
I love you. | 0:20:55 | 0:20:56 | |
-SHE LAUGHS -Good work, Christina! | 0:20:56 | 0:20:58 | |
Meanwhile, Kate has come back with a price of £15 | 0:20:58 | 0:21:01 | |
for Paul's bit of militaria. Are you tempted, Paul? | 0:21:01 | 0:21:05 | |
I'm going to go for the... | 0:21:05 | 0:21:06 | |
fuse. | 0:21:06 | 0:21:08 | |
Why, Laidlaw? You see those all over the place. | 0:21:08 | 0:21:11 | |
Well, there's something I didn't let on | 0:21:11 | 0:21:13 | |
when I was talking in front of the lovely Kate, there. | 0:21:13 | 0:21:16 | |
There were no numbers on there. There were Arabic characters. | 0:21:16 | 0:21:21 | |
That is a Turkish fuse, | 0:21:21 | 0:21:24 | |
fired almost certainly | 0:21:24 | 0:21:26 | |
at Anzac or British troops at Gallipoli. | 0:21:26 | 0:21:30 | |
That's where these things turn up. | 0:21:30 | 0:21:31 | |
I love that and there are collectors out there that get it. | 0:21:31 | 0:21:36 | |
Let's hope some of those collectors are biting at the auction. | 0:21:36 | 0:21:40 | |
-All of £15. -Thank you very much. -Wonderful, thank YOU very much. | 0:21:40 | 0:21:44 | |
-Thank you. -Absolute joy. | 0:21:44 | 0:21:46 | |
Time to have a peek at what they'll be carting to the auction. | 0:21:46 | 0:21:50 | |
Christina parted with just £60 for a firescreen, | 0:21:50 | 0:21:54 | |
some Rolls-Royce condiments, | 0:21:54 | 0:21:56 | |
a bone-inlaid photo album, | 0:21:56 | 0:21:58 | |
a pill-making frame | 0:21:58 | 0:22:00 | |
and a Black Forest tray. | 0:22:00 | 0:22:02 | |
While Paul spent £245 | 0:22:02 | 0:22:05 | |
on some clockwork militaria, | 0:22:05 | 0:22:07 | |
some WMF, | 0:22:07 | 0:22:08 | |
a Kosy Kraft tea service | 0:22:08 | 0:22:11 | |
an artillery fuse | 0:22:11 | 0:22:12 | |
and some decanter labels. | 0:22:12 | 0:22:14 | |
So what do they make of each other's buys? | 0:22:14 | 0:22:16 | |
I love what he's got, I really love what he's got. | 0:22:16 | 0:22:19 | |
The one thing that I think is a little bit iffy is his WMF bowl. | 0:22:19 | 0:22:23 | |
But frankly, if it makes a loss, he's still going to be ahead of me, | 0:22:23 | 0:22:26 | |
so does it really matter? | 0:22:26 | 0:22:28 | |
I may be thrashed in this auction | 0:22:28 | 0:22:31 | |
if my gamble on WMF does not pay off. What was I thinking of? | 0:22:31 | 0:22:37 | |
Hm. There's a few of us thinking that, Paul. | 0:22:37 | 0:22:40 | |
After setting off from the Staffordshire city of Lichfield, | 0:22:40 | 0:22:43 | |
our experts are now heading for an auction in Northwich in Cheshire. | 0:22:43 | 0:22:46 | |
Perfect, well done. | 0:22:46 | 0:22:48 | |
-For the last time. -Aw! | 0:22:48 | 0:22:50 | |
The man in charge today is auctioneer Peter Critchley. | 0:22:50 | 0:22:53 | |
-No further interest. -GAVEL BANGS | 0:22:53 | 0:22:55 | |
First under the hammer is Christina's bargain firescreen. | 0:22:55 | 0:22:58 | |
Do you reckon you'll make a profit on your pound firescreen? | 0:22:58 | 0:23:01 | |
-Probably not. -Behave yourself! | 0:23:01 | 0:23:04 | |
Start me off at £20. | 0:23:04 | 0:23:07 | |
Start me at £20 on the fire screen. | 0:23:07 | 0:23:09 | |
£20 on the fire screen. 20? | 0:23:09 | 0:23:11 | |
-I've got 15 here on commission, looking for 18. -Yes! Get in! | 0:23:11 | 0:23:15 | |
£15 then, the commission bid. | 0:23:15 | 0:23:17 | |
No further interest. | 0:23:17 | 0:23:19 | |
-It's a gift to get it for £15. -£15. | 0:23:19 | 0:23:21 | |
A few more like that and she'll be in the money. | 0:23:21 | 0:23:24 | |
-Very happy with that. -What you need is your biggest spend to make a similar margin. | 0:23:24 | 0:23:27 | |
-Hm. -That's what you need. | 0:23:29 | 0:23:30 | |
Is that going to happen? Probably not. | 0:23:30 | 0:23:33 | |
Next we have Paul's tickets | 0:23:34 | 0:23:35 | |
with the Concorde one to sex it up. | 0:23:35 | 0:23:38 | |
Show me a 20. £20 I have. | 0:23:38 | 0:23:39 | |
Yes, quite rightly so. | 0:23:39 | 0:23:40 | |
25? £20 I have - is there 25? 25. | 0:23:40 | 0:23:43 | |
-Aye aye. That leg's on the move. -25 is bid. Is there 30? | 0:23:43 | 0:23:47 | |
-30 is in the room. -It should be 50 quid, shouldn't it? -35? | 0:23:47 | 0:23:50 | |
-£30, then. -Oh, I've broken even. -Is there 35 anywhere? | 0:23:50 | 0:23:54 | |
I think it was a bargain. | 0:23:54 | 0:23:56 | |
You can drink to that...just. | 0:23:56 | 0:23:58 | |
Oh, the nervous leg. | 0:23:58 | 0:23:59 | |
-I'd forgotten about the nervous leg. -You'll miss it. You'll miss it. | 0:23:59 | 0:24:02 | |
What can his Kosy Kraft tea service do? | 0:24:02 | 0:24:06 | |
Commission interest at 20 only. | 0:24:06 | 0:24:08 | |
-20. -Straight in. -I'll start at 20, look for 25. | 0:24:08 | 0:24:11 | |
£20 on this item. Is there 25? | 0:24:11 | 0:24:13 | |
-He's going to wash his face again! -Come on! | 0:24:13 | 0:24:15 | |
-..30 on commission. -Hey! -Here we go, £30, well done. -..£35... | 0:24:15 | 0:24:18 | |
£30 on commission, then. Commission bid and selling. | 0:24:18 | 0:24:21 | |
No further interest...£30. | 0:24:21 | 0:24:24 | |
Paul scrapes home again. | 0:24:24 | 0:24:25 | |
Now for another of Christina's bargains - | 0:24:27 | 0:24:29 | |
her Rolls-Royce condiment set. | 0:24:29 | 0:24:31 | |
I've got 15 here. Is there 18 anywhere? | 0:24:31 | 0:24:33 | |
-15...18? -18 at the back of the room. | 0:24:33 | 0:24:35 | |
I have 20. 25? 25 is in the room. | 0:24:35 | 0:24:38 | |
There's a man bidding! | 0:24:38 | 0:24:39 | |
Rolls-Royce condiments, they don't come any posher than this. | 0:24:39 | 0:24:42 | |
Oh, £30 online. 35? | 0:24:42 | 0:24:44 | |
-£30 online. Is there 35 anywhere? -Keep going. | 0:24:44 | 0:24:47 | |
£30 is the online bid and selling. | 0:24:47 | 0:24:50 | |
That's £25. I think that's the most profit I've ever made on this trip. | 0:24:50 | 0:24:53 | |
Margin queen today! | 0:24:53 | 0:24:55 | |
She certainly is. Just the five times on those! | 0:24:55 | 0:24:59 | |
Paul's got high hopes for his Turkish artillery fuse. | 0:24:59 | 0:25:02 | |
Commission interest at 20 only, 20 only. | 0:25:02 | 0:25:05 | |
-20 only! -What should it make? | 0:25:05 | 0:25:07 | |
Um... It's worth £30-£50. | 0:25:07 | 0:25:10 | |
25 from Cyprus. How is Cyprus? | 0:25:10 | 0:25:12 | |
Cyprus is bidding on it? | 0:25:12 | 0:25:14 | |
It has been defused, Cyprus. | 0:25:14 | 0:25:16 | |
Cyprus? The bidder's from Cyprus? | 0:25:16 | 0:25:18 | |
Could they send that in the post? | 0:25:18 | 0:25:21 | |
-£25. -Nice profit there. | 0:25:21 | 0:25:23 | |
Christina's slightly tatty bone-inlaid album next. | 0:25:23 | 0:25:28 | |
We'll start the bidding at £35 only. | 0:25:28 | 0:25:30 | |
-Straight in. -Straight into a profit. That's not bad. | 0:25:30 | 0:25:33 | |
35 I have on commission. | 0:25:33 | 0:25:35 | |
It's a fabulous album this one. | 0:25:35 | 0:25:36 | |
Beautifully hand-painted inside. | 0:25:36 | 0:25:38 | |
-It's going to do more, this. -I doubt it. | 0:25:38 | 0:25:40 | |
35 is the bid. Surely it's worth more than that? | 0:25:40 | 0:25:43 | |
I will sell, no reserve item. | 0:25:43 | 0:25:44 | |
£35 the bid... 35 it is. | 0:25:44 | 0:25:47 | |
Another fine profit, followed by Paul's RAF timepiece. | 0:25:47 | 0:25:50 | |
Start me at £50 on the World War II Bakelite clock. Start me at 50. | 0:25:52 | 0:25:56 | |
-Start me at 30, then. -Ooh! -Start me at 30. -Hey, it's not going! | 0:25:56 | 0:26:00 | |
-30 bid - 30 I have. -Come on. | 0:26:00 | 0:26:02 | |
35. 35 now. | 0:26:02 | 0:26:04 | |
35, looking for 40. | 0:26:04 | 0:26:05 | |
-35 is the bid on the RAF clock. -What? | 0:26:05 | 0:26:08 | |
No further interest? | 0:26:08 | 0:26:10 | |
£35 the bid... | 0:26:10 | 0:26:11 | |
-35. -Oh! -Aye, aye, aye! | 0:26:11 | 0:26:15 | |
A loss? For Paul's militaria? | 0:26:15 | 0:26:18 | |
What's going on? | 0:26:18 | 0:26:19 | |
Time for Christina's nice slice of Black Forest. | 0:26:19 | 0:26:23 | |
Start me at £20. Any interest at 20? | 0:26:23 | 0:26:25 | |
-Start me... -It's lovely, it's very nice. | 0:26:25 | 0:26:27 | |
-£10 on the Black Forest tray. Ten bid, ten bid, looking for 12. -Oh. | 0:26:27 | 0:26:30 | |
Ten is bid online, is there 12? Surely can't be ten. | 0:26:30 | 0:26:33 | |
Must be more than that? £10 is bid. | 0:26:33 | 0:26:35 | |
-Is there £12? 12 - back of the room now. -Yes! | 0:26:35 | 0:26:37 | |
-Come on! -Is there a 15 anywhere? | 0:26:37 | 0:26:39 | |
15 over there, 15 over there. | 0:26:39 | 0:26:40 | |
Do you want 18? 18. | 0:26:40 | 0:26:42 | |
20? 20. 25? | 0:26:42 | 0:26:44 | |
25? Yes. 30? No. | 0:26:44 | 0:26:47 | |
-Oh, go on! -25 in the room. -Oh, go on, it's nice! | 0:26:47 | 0:26:50 | |
-No threatening customers, please! -THEY LAUGH | 0:26:50 | 0:26:53 | |
£25 in the room and selling. | 0:26:53 | 0:26:55 | |
£25 it is. | 0:26:55 | 0:26:56 | |
I think she thought she was charming them. | 0:26:56 | 0:26:58 | |
Oh, well! At least Christina's having a good time. | 0:26:58 | 0:27:01 | |
-I'm winning. -I'm not. -I'm winning! | 0:27:01 | 0:27:02 | |
THEY LAUGH | 0:27:02 | 0:27:04 | |
Is this what it feels like? | 0:27:04 | 0:27:06 | |
Now for Christina's pill-making frame. | 0:27:06 | 0:27:09 | |
Start me off at £20, please. | 0:27:09 | 0:27:11 | |
£20? All you need to start your own drug company. Who's got £20? | 0:27:11 | 0:27:15 | |
-Start me 10. £10. -That doesn't make me very proud. | 0:27:15 | 0:27:18 | |
It's a Victorian pill frame, it's got to be worth £10. | 0:27:18 | 0:27:20 | |
-10 is bid, 10 is bid. Looking for 20. -Rightly so. | 0:27:20 | 0:27:23 | |
£1 profit. I'm happy. | 0:27:23 | 0:27:25 | |
Is their £12 anywhere? | 0:27:25 | 0:27:27 | |
Last chance at 10? | 0:27:27 | 0:27:29 | |
£10 it is. | 0:27:29 | 0:27:31 | |
-You went out on a pound profit. -Yeah! | 0:27:31 | 0:27:34 | |
Yep, sort of sums up her week... | 0:27:34 | 0:27:37 | |
But she'll win this auction | 0:27:37 | 0:27:38 | |
unless Paul makes a huge profit on his disturbing WMF. | 0:27:38 | 0:27:42 | |
-Here we are. -Look at it! | 0:27:42 | 0:27:44 | |
-Oh, God! -Don't dwell on the subject. It's lovely. | 0:27:44 | 0:27:46 | |
-And I shall start the bidding at £120. -Da-da! -Oh, it's close. | 0:27:46 | 0:27:50 | |
-Come on, come on. -120, looking for 130 now. | 0:27:50 | 0:27:52 | |
It's a very unusual item, this one. | 0:27:52 | 0:27:54 | |
-I've got £120. Is there... -Oh, no, come on! -..130? | 0:27:54 | 0:27:58 | |
-Went down. -Certainly did. | 0:27:58 | 0:28:00 | |
Another small loss and Christina triumphs! | 0:28:00 | 0:28:03 | |
-Christina Trevanion, you've won the last auction. -Oh, did I? | 0:28:03 | 0:28:06 | |
-HE LAUGHS -Well done, you. | 0:28:06 | 0:28:09 | |
I won one! | 0:28:09 | 0:28:10 | |
THEY CHUCKLE | 0:28:10 | 0:28:12 | |
-Lost everything else... -Now get out of here(!) | 0:28:12 | 0:28:14 | |
Christina started this leg with £145.90 | 0:28:16 | 0:28:20 | |
and made, after paying auction costs, | 0:28:20 | 0:28:23 | |
a profit of £34.30 | 0:28:23 | 0:28:25 | |
leaving her with a final total of £180.20... | 0:28:25 | 0:28:29 | |
..while Paul began with £750.96 and, after paying auction costs, | 0:28:30 | 0:28:35 | |
made a loss of £48.20. | 0:28:35 | 0:28:38 | |
So he's lost this battle, but won the war with £702.76. | 0:28:38 | 0:28:43 | |
All profits to Children in Need. | 0:28:43 | 0:28:45 | |
Thanks...I think. | 0:28:45 | 0:28:47 | |
Well, well done, you and your multi-million pound win. | 0:28:47 | 0:28:50 | |
I'm very impressed. | 0:28:50 | 0:28:52 | |
And I get to drive! | 0:28:52 | 0:28:53 | |
Come on, baby. | 0:28:55 | 0:28:56 | |
As we wave farewell to Christina and Paul... | 0:28:56 | 0:28:59 | |
Put it here, partner. HE LAUGHS | 0:28:59 | 0:29:01 | |
..it's time to bring on another pair of auctioneers for a brand-new trip! | 0:29:01 | 0:29:05 | |
Look at these staddle stones here. It's a shame they're not for sale. | 0:29:05 | 0:29:09 | |
We could pick a few of those little stumps up. | 0:29:09 | 0:29:11 | |
Steady on, fellows, we're still on the introductions. | 0:29:11 | 0:29:14 | |
-GEARS GRIND -Sorry. | 0:29:14 | 0:29:16 | |
Yeah, that'll be Charles Hanson at the wheel, | 0:29:16 | 0:29:18 | |
Derbyshire doyen and Roadtrip regular, | 0:29:18 | 0:29:22 | |
in the company of debutant Raj Bisrim. | 0:29:22 | 0:29:25 | |
-Do you prefer Raj or...? -Raj. -Raj, OK. -Or sir. -Excuse me? | 0:29:25 | 0:29:30 | |
Kentish man Raj might be new to this particular malarkey, | 0:29:30 | 0:29:34 | |
but he's been in the trade for over 30 years. | 0:29:34 | 0:29:36 | |
He loves paintings, furniture and big deals. | 0:29:36 | 0:29:39 | |
I look at you and I think, "Yeah, you are the kingpin." | 0:29:39 | 0:29:42 | |
You're a man who has that maturity. | 0:29:42 | 0:29:45 | |
-Like a fine wine, you've prospered... -Keep talking, Charles. | 0:29:45 | 0:29:50 | |
They're already hitting it off! | 0:29:51 | 0:29:53 | |
With £200 each and a 1967 Triumph Herald between them, | 0:29:56 | 0:30:00 | |
their journey starts out at Corsham in Wiltshire | 0:30:00 | 0:30:03 | |
and takes in most of the south-west | 0:30:03 | 0:30:04 | |
of England before ending up | 0:30:04 | 0:30:06 | |
about 900 miles later | 0:30:06 | 0:30:08 | |
at Crewkerne in Somerset. | 0:30:08 | 0:30:09 | |
But the very first pin on our Roadtrip map is poised over Corsham | 0:30:12 | 0:30:17 | |
and the opening auction will take place | 0:30:17 | 0:30:19 | |
at Winchcombe in Gloucestershire. | 0:30:19 | 0:30:21 | |
-I will see you later. -Come back with treasure, OK? -Wish me well. | 0:30:21 | 0:30:25 | |
-See you later. Bye! -OK, Raj, the division bell sounds. | 0:30:25 | 0:30:30 | |
-Hello, I'm Raj. -Raj? My name's Anne. -Anne, lovely to meet you. | 0:30:30 | 0:30:34 | |
-Easy to meet. -This looks like the ideal shop for Raj's very first | 0:30:34 | 0:30:38 | |
-Road Trip purchase. -I'll have a little look round | 0:30:38 | 0:30:40 | |
and then, if I find anything, we'll have a little haggle or something. | 0:30:40 | 0:30:44 | |
-How does that sound? -Yeah. -OK, great. | 0:30:44 | 0:30:45 | |
It'll only be a little haggle though cos I'm quite a determined lady. | 0:30:45 | 0:30:49 | |
Could be interesting, a rummage under Anne's stern gaze. | 0:30:49 | 0:30:52 | |
Already spotted something though. | 0:30:52 | 0:30:54 | |
That's quite a nice late 19th-century riding crop here. | 0:30:54 | 0:30:58 | |
It's not one of the top, top quality ones, because it's not got | 0:30:58 | 0:31:02 | |
a silver collar, but it's in pretty good condition, really. | 0:31:02 | 0:31:07 | |
The ticket price is a cracking £8. | 0:31:07 | 0:31:09 | |
Time to talk to Anne and granddaughter Amelie. | 0:31:09 | 0:31:12 | |
Would you take a fiver? | 0:31:12 | 0:31:14 | |
-Um...yes. I'm sure we would. -You would? -Yes. -Fantastic. | 0:31:14 | 0:31:18 | |
-You're most welcome. -My first deal. Thank you very much indeed. -Yes. | 0:31:18 | 0:31:21 | |
-Now you'll always remember me for that. -I will. | 0:31:21 | 0:31:24 | |
Well, that was easy enough. Now, what about Charles? | 0:31:24 | 0:31:28 | |
Unaware of his rival's modest start, | 0:31:28 | 0:31:31 | |
he's made the journey south to Bath. | 0:31:31 | 0:31:33 | |
-Good morning. -Oh, good morning. | 0:31:35 | 0:31:37 | |
-Now, we've been here before, Charles. -I think you're Caroline. | 0:31:37 | 0:31:41 | |
-Yes, I am. -Good to see you. How are you? | 0:31:41 | 0:31:43 | |
-And I think you're Charles. -I am indeed. | 0:31:43 | 0:31:45 | |
Good to see you. And when I came to see you a long time ago, | 0:31:45 | 0:31:48 | |
you called me Romeo and I called Caroline Juliet. | 0:31:48 | 0:31:51 | |
-It's good to be back. -We had fun and games up on the gallery. | 0:31:51 | 0:31:55 | |
-Yes, we did. -Lordy, there's certainly plenty of props in here. | 0:31:55 | 0:31:58 | |
It was a grocery shop once, back in the 19th century, | 0:31:58 | 0:32:01 | |
but now, it's as full of as many antiques as Caroline can squeeze in. | 0:32:01 | 0:32:05 | |
-I do like this. -Yes. -Tell me where it came from, Caroline. | 0:32:06 | 0:32:10 | |
I got it privately. I can't say anything more. | 0:32:10 | 0:32:13 | |
-No. -I can't say it came from Sir... | 0:32:13 | 0:32:16 | |
-or the Lord and Lady... blah, blah, blah. -No. | 0:32:16 | 0:32:21 | |
But what we've got is a beautiful Persian scalloped silver tray. | 0:32:21 | 0:32:25 | |
What I like is the quality of this chased decoration | 0:32:25 | 0:32:29 | |
on the border here and these, what appear to be herons | 0:32:29 | 0:32:33 | |
or fanciful birds in this very arabesque cast and chased landscape. | 0:32:33 | 0:32:40 | |
How much is on it, Caroline? | 0:32:40 | 0:32:41 | |
110. What's your very best price? | 0:32:41 | 0:32:44 | |
-Well, I'll do one of you. -Oh, yes. -I'll wave my arms around. | 0:32:44 | 0:32:48 | |
Well, Charles, I can do it for... | 0:32:48 | 0:32:53 | |
-90. -90, OK. It's almost half my spending gone already. | 0:32:53 | 0:32:58 | |
Can I think about it and I'll come back to you shortly? | 0:32:58 | 0:33:01 | |
-OK. -Thanks, Caroline. | 0:33:01 | 0:33:02 | |
So, while Charles ponders spending almost half his kitty, | 0:33:02 | 0:33:06 | |
what's his rival got up to? | 0:33:06 | 0:33:09 | |
Well, this is very interesting. It's an egg timer, | 0:33:09 | 0:33:12 | |
but obviously, it says here actually it's been made from an old bobbin, | 0:33:12 | 0:33:17 | |
and it's probably a 19th-century bobbin made from one of the mills | 0:33:17 | 0:33:21 | |
in the north of England, which gives it a little bit more mystery. | 0:33:21 | 0:33:24 | |
That's a very unusual little thing. There's two there. | 0:33:24 | 0:33:28 | |
Another one here, a much larger one. This one, I don't think is as old. | 0:33:28 | 0:33:32 | |
The larger one has got £10 on it and the smaller one has got £5 on it, | 0:33:32 | 0:33:38 | |
and they might make a nice little lot of kitchenalia at the right price. | 0:33:38 | 0:33:43 | |
They're already pretty reasonable, Raj. | 0:33:43 | 0:33:46 | |
Anne, these two egg timers... What's the best price on both of them? | 0:33:46 | 0:33:50 | |
Tenner. | 0:33:51 | 0:33:53 | |
We're close. SHE LAUGHS | 0:33:53 | 0:33:55 | |
-We're close, we're close. -£10.50, then. | 0:33:55 | 0:33:57 | |
Ah. Your maths is terrible, isn't it? | 0:33:57 | 0:34:00 | |
-Yes, awful. -You seem to go upwards instead of downwards. | 0:34:00 | 0:34:03 | |
-Yes, I wonder why that is. -OK. £8, we have a deal. | 0:34:03 | 0:34:06 | |
Make it nine. | 0:34:06 | 0:34:07 | |
I've got to stick out for eight. | 0:34:08 | 0:34:11 | |
There's not a lot in them. | 0:34:11 | 0:34:12 | |
No, there's not much sand in them, is there? | 0:34:12 | 0:34:15 | |
You can't use them for anything. OK. We'll say £8. | 0:34:15 | 0:34:17 | |
-Eight? Lovely. Thank you very much. -You're welcome. | 0:34:17 | 0:34:21 | |
Back in Bath, and Charles is still smitten by that Persian silver. | 0:34:21 | 0:34:26 | |
But can he strike a deal? | 0:34:26 | 0:34:28 | |
You've got some solder wear there, can you see? | 0:34:28 | 0:34:31 | |
-Oh, isn't that chewing gum or something? -Ha-ha! | 0:34:31 | 0:34:34 | |
Will you take £70 for it? | 0:34:34 | 0:34:36 | |
I thought you were going to say something like that. | 0:34:36 | 0:34:39 | |
-I think it's full of far-eastern promise. -I tell you what, 80. | 0:34:39 | 0:34:42 | |
-Oh, don't do this. -I've come down! | 0:34:42 | 0:34:44 | |
-I know you have. -Look, 75 and that's it. | 0:34:44 | 0:34:47 | |
-70, it's a deal. -I thought we were friends. | 0:34:47 | 0:34:50 | |
HE LAUGHS | 0:34:50 | 0:34:52 | |
72. It'll make about 120 easy. | 0:34:52 | 0:34:58 | |
And if it doesn't? | 0:34:58 | 0:35:00 | |
Well, tough. | 0:35:00 | 0:35:02 | |
-I'll take it. Thanks, Caroline. -Right! Whoo-hoo! -£72. | 0:35:02 | 0:35:06 | |
With his deal done, Charles gets his hat. | 0:35:06 | 0:35:09 | |
Raj is also after a bit of silver, | 0:35:09 | 0:35:12 | |
-but not in quite the same price range. -Yep, it's definitely silver. | 0:35:12 | 0:35:16 | |
It's got a few dents in it,though. It's a bit damaged. | 0:35:16 | 0:35:19 | |
It all depends what it can be. | 0:35:19 | 0:35:22 | |
-Anne? -Yes, Raj. -I wonder... | 0:35:22 | 0:35:25 | |
-Can we have a little chat about this? -I'm sure we can. | 0:35:25 | 0:35:27 | |
-It's quite a nice little silver urn. -It is. -It's a late-19th... | 0:35:27 | 0:35:32 | |
What would they have used that for,then, Raj? | 0:35:32 | 0:35:34 | |
I'm not exactly sure, to be honest, what this was used for. | 0:35:34 | 0:35:37 | |
-No smell in it? -No, there's no smell. | 0:35:37 | 0:35:41 | |
I believe that you've got £15 on it, but it is a little dented. | 0:35:41 | 0:35:47 | |
-Can I make you another amazing offer? -Yes, they usually are. | 0:35:47 | 0:35:51 | |
A fiver for it? | 0:35:51 | 0:35:53 | |
-Yes, I'll let you have it. -Fantastic. Lovely. | 0:35:53 | 0:35:55 | |
Thank you very much. Three little buys and I believe that comes to £18. | 0:35:55 | 0:36:00 | |
-Yes. -But if I buy all three AND I pull out some cash, | 0:36:00 | 0:36:04 | |
would you take £15? | 0:36:04 | 0:36:06 | |
-I've got to try a little bit more. -Cheeky. | 0:36:06 | 0:36:09 | |
-Yes, I'll do that for you. -You're very, very kind indeed. | 0:36:09 | 0:36:12 | |
-You're most welcome. -Let's shake on it. Thanks again. | 0:36:12 | 0:36:14 | |
Now Raj is settled in, he's headed for the Wiltshire countryside. | 0:36:14 | 0:36:19 | |
Just outside Langley Burrell is Fairfax Antiques. | 0:36:19 | 0:36:23 | |
-Hello, hello, hello. -Hello. -Nice to meet you. -I'm Elizabeth. | 0:36:23 | 0:36:26 | |
Hi, I'm Raj. | 0:36:26 | 0:36:27 | |
Our new boy's already acquired three lots today | 0:36:27 | 0:36:30 | |
for the princely sum of £15, | 0:36:30 | 0:36:32 | |
but it's all on a much grander scale here, | 0:36:32 | 0:36:36 | |
with almost 10,000 items for sale. | 0:36:36 | 0:36:38 | |
This is an old military water bottle issued to the troops | 0:36:38 | 0:36:43 | |
during the Second World War, this one. | 0:36:43 | 0:36:45 | |
You see a lot of militaria, | 0:36:45 | 0:36:47 | |
but you don't often see the water bottles for some reason. | 0:36:47 | 0:36:50 | |
-It's quite different. That's on my list of come-back-tos. -OK. | 0:36:50 | 0:36:54 | |
Not a bad spot, Raj. Now, what else has Elizabeth got? | 0:36:54 | 0:36:58 | |
These are quite nice wall lights, the brass ones. | 0:36:58 | 0:37:03 | |
Those are very pretty, but they're very expensive. | 0:37:03 | 0:37:06 | |
Very saleable but... Gee whiz. They're priced at £95 each. | 0:37:06 | 0:37:12 | |
-I think it's for the pair, actually. -Oh, is it? Is it for the pair? | 0:37:12 | 0:37:15 | |
Even at the pair, that's still pushing it, but... | 0:37:15 | 0:37:21 | |
I might be inclined to make a little bit of an offer on those. | 0:37:21 | 0:37:25 | |
OK, time to talk to the proprietor, Harriet Fairfax. | 0:37:25 | 0:37:29 | |
-Hello. -Hello, Lady Fairfax. I'm Raj. How are you? -Good. | 0:37:29 | 0:37:32 | |
Well, I've had a lovely look round. | 0:37:32 | 0:37:34 | |
You've got some lovely, lovely things all over the place, | 0:37:34 | 0:37:37 | |
-which brings me onto these. These are nice and decorative. -They're French. | 0:37:37 | 0:37:40 | |
They're French, they're very, very decorative, | 0:37:40 | 0:37:43 | |
but really I've got to make a profit and they're going into auction. | 0:37:43 | 0:37:47 | |
I'd be happy paying 25 for them. | 0:37:47 | 0:37:50 | |
-Each or for...? -No, for the pair. -For the pair. | 0:37:50 | 0:37:54 | |
-Maybe 30. -Do you know...? | 0:37:54 | 0:37:57 | |
-Yes. I'm going to splash out. £30. -OK, OK. -We have a deal. -That's good. | 0:37:57 | 0:38:02 | |
-Thank you very much indeed. -That went well. | 0:38:02 | 0:38:04 | |
So well that he's decided to have a go at his other little find. | 0:38:04 | 0:38:08 | |
I mean, it's in really nice condition and £35 on it. | 0:38:08 | 0:38:12 | |
If I can get this for 15 or under, I'll be happy. | 0:38:12 | 0:38:16 | |
-I'm back again. -Oh... -Yeah, well, to be honest, I was drawn to it. -Yeah. | 0:38:16 | 0:38:21 | |
I know roughly what these fetch at auction | 0:38:21 | 0:38:23 | |
and please don't take offence, and if you say no, I totally understand, | 0:38:23 | 0:38:27 | |
-but I'll give you £10 for it. -OK... -What do you think? | 0:38:27 | 0:38:31 | |
I think that's all right. | 0:38:33 | 0:38:35 | |
Yeah. I'm happy to pay a tenner for it, but any more than that... | 0:38:35 | 0:38:38 | |
-Yeah, I think that's OK. -Brilliant. Will we shake hands on that? -Mm. | 0:38:38 | 0:38:42 | |
Fantastic. Thank you very much indeed. | 0:38:42 | 0:38:45 | |
Great. So, now he just has to make it past the livestock. | 0:38:45 | 0:38:49 | |
Hello, hello, hello... Ooh! HE SPEAKS GIBBERISH | 0:38:49 | 0:38:51 | |
Mind it doesn't spit. Nighty-night. | 0:38:51 | 0:38:54 | |
Time for Raj to take a turn with the Triumph. | 0:38:56 | 0:39:00 | |
I need to go on a driving course. I wish I could find the gears. | 0:39:00 | 0:39:03 | |
All you do... Go into third now, so go up. | 0:39:03 | 0:39:06 | |
-Yeah, but foot on the clutch first. -Yeah, it was, it was, it was. | 0:39:06 | 0:39:08 | |
Later, they'll be making for an auction at Winchcombe, | 0:39:08 | 0:39:12 | |
but our next stop is in Hungerford. | 0:39:12 | 0:39:14 | |
-Good to see you. What a gorgeous part of the world. -Isn't it? | 0:39:17 | 0:39:20 | |
-Hungerford. -Yeah. -And you know what, I'm hungry for antiques. | 0:39:20 | 0:39:23 | |
Yes, he was on a bit of a diet while Raj merrily tucked in, | 0:39:23 | 0:39:27 | |
so time to pig out, Charles. | 0:39:27 | 0:39:29 | |
-A lovely Victorian boar's head. Isn't he wonderful? -Pricey though. | 0:39:29 | 0:39:33 | |
-Ah, EWE look more like it. -I love the little sheep. That's cute. | 0:39:33 | 0:39:39 | |
A little antique porcelain figure of a ewe, priced £95. | 0:39:39 | 0:39:44 | |
In the 18th century, the likes of Chelsea as a factory | 0:39:44 | 0:39:48 | |
and Charles Gouyn, they were renowned | 0:39:48 | 0:39:50 | |
for making these whimsical objects. | 0:39:50 | 0:39:52 | |
Often, they were made as scent bottles. | 0:39:52 | 0:39:54 | |
The dealer's put, "Possibly Rockingham." Ah-ha. How much? | 0:39:54 | 0:39:59 | |
-What about 80? -It's got a couple of chipped ears. | 0:39:59 | 0:40:03 | |
He's a small little sheep. He's a bit tired. Do you want to do £50? | 0:40:03 | 0:40:10 | |
-Well, let's see if I can squeeze £50 out of him. -OK. | 0:40:10 | 0:40:14 | |
-I might hold him for a second. Is that OK? -You may. Get acquainted. | 0:40:14 | 0:40:18 | |
Yes, I will do. | 0:40:18 | 0:40:19 | |
Or even go for a stroll. What's he seen, then? | 0:40:19 | 0:40:23 | |
I quite like him. He's not overly exciting, but it's always quite nice | 0:40:23 | 0:40:28 | |
to question maybe a label, and I'm a Derby man. | 0:40:28 | 0:40:32 | |
I'm a Derby ram and this is my Derby ewe. How are you, girl? | 0:40:32 | 0:40:37 | |
So, in fact, she was made in Derby, not Rockingham. | 0:40:37 | 0:40:41 | |
Sometimes, you really can't leave a bit of Derby history behind | 0:40:41 | 0:40:45 | |
and, if she can be the right price, I think this Derby girl's | 0:40:45 | 0:40:49 | |
coming to auction. I'll find Alex. | 0:40:49 | 0:40:52 | |
-What you think, Charles? -Yeah, I like her. | 0:40:52 | 0:40:55 | |
-What's the best price on her? Have you called the dealer? -50 offered. | 0:40:55 | 0:40:58 | |
-60 is the bottom. OK? -Yeah, fine. | 0:40:58 | 0:41:02 | |
I think his crook is firmly around that little ewe, Alex, | 0:41:02 | 0:41:06 | |
but he's still got the appetite for more. | 0:41:06 | 0:41:08 | |
This tray here is probably a tray from the late 18th, | 0:41:08 | 0:41:12 | |
early 19th century. People often will grumble about condition, | 0:41:12 | 0:41:17 | |
but where you've got honest wear like here, splits on here, | 0:41:17 | 0:41:22 | |
and it's got stains on, you've got scars. | 0:41:22 | 0:41:24 | |
But to me, if you want a good brew with a pedigree, | 0:41:24 | 0:41:30 | |
why not serve it on something that's had experience? | 0:41:30 | 0:41:33 | |
Alex, this tray here, it's tired, it's a bit worn... | 0:41:33 | 0:41:38 | |
OK, I understand the condition isn't at its best, | 0:41:38 | 0:41:42 | |
so I think that we can do a pretty good deal on this. | 0:41:42 | 0:41:45 | |
It's priced at £19.99. | 0:41:45 | 0:41:48 | |
I like your retail style, but what's your wholesale hardness? | 0:41:48 | 0:41:51 | |
-Well, what about £9.99? -Really? £9.99? | 0:41:53 | 0:41:57 | |
Well, do you know what? I will happily give you £10... | 0:41:57 | 0:42:00 | |
OK, add the extra penny on. | 0:42:00 | 0:42:01 | |
..because, when you can serve tea on a tray and say, | 0:42:01 | 0:42:05 | |
"My tray was made 15 years before the Battle of Waterloo," | 0:42:05 | 0:42:09 | |
that's history. Thanks a lot. | 0:42:09 | 0:42:11 | |
-That means I owe you 70 for the ewe and the tray. -OK. | 0:42:11 | 0:42:16 | |
So, with his Derby ewe in pocket | 0:42:16 | 0:42:19 | |
and a nice bit of Georgian firmly in hand, Charles seems happy enough. | 0:42:19 | 0:42:24 | |
But what about Raj as he takes our route back west | 0:42:27 | 0:42:30 | |
towards Salisbury Plain and the village of Avebury, | 0:42:30 | 0:42:34 | |
where he's come to find out about Alexander Keiller, | 0:42:34 | 0:42:37 | |
the man who put the village on the World Heritage map? | 0:42:37 | 0:42:41 | |
-Hello, there. -Hello. -Hi, Ros. I'm Raj. -Hi. Welcome to Avebury. | 0:42:41 | 0:42:46 | |
Beautiful. It looks gorgeous. | 0:42:46 | 0:42:48 | |
Nowadays, this 16th-century manor belongs to the National Trust, | 0:42:48 | 0:42:51 | |
but back in 1935, it became the headquarters of | 0:42:51 | 0:42:54 | |
the Morven Institute for Archaeological Research, | 0:42:54 | 0:42:58 | |
an incredible project to restore the stones | 0:42:58 | 0:43:00 | |
of the Avebury Neolithic Henge, | 0:43:00 | 0:43:03 | |
but the Scottish millionaire behind it was no less fascinating. | 0:43:03 | 0:43:07 | |
He was the last of the Keillers of Dundee Marmalade family | 0:43:07 | 0:43:11 | |
and, when he reached its majority, he got out of marmalade | 0:43:11 | 0:43:14 | |
and really spent the rest of his life using that money | 0:43:14 | 0:43:19 | |
-to do interesting things. -Indulging his passion? -Yes. | 0:43:19 | 0:43:22 | |
As well as archaeology, | 0:43:22 | 0:43:23 | |
Keiller was passionate about quite a lot of things, | 0:43:23 | 0:43:26 | |
trying his hand at fast cars, the study of witchcraft | 0:43:26 | 0:43:30 | |
and a good deal of wine, women and song. | 0:43:30 | 0:43:33 | |
He was a very sociable person, I think. | 0:43:33 | 0:43:35 | |
One skiing trip, they got through 150 cocktails | 0:43:35 | 0:43:39 | |
before dinner and there were only 16 of them... | 0:43:39 | 0:43:42 | |
-Sounds like a good night out. -..and he said something like, | 0:43:42 | 0:43:46 | |
"I think it was 150, but after that, I don't recall." So... | 0:43:46 | 0:43:51 | |
Keiller learned to fly during World War I | 0:43:51 | 0:43:53 | |
and, in the 1920s, he made his first real foray into archaeology, | 0:43:53 | 0:43:58 | |
piloting a De Havilland to take the aerial photographs | 0:43:58 | 0:44:02 | |
that were published as Wessex from the Air. | 0:44:02 | 0:44:05 | |
He also bought a Neolithic site nearby | 0:44:05 | 0:44:07 | |
to save it from development and then turned his attention to Avebury. | 0:44:07 | 0:44:11 | |
So, when Keiller arrived, what was here? | 0:44:11 | 0:44:14 | |
Not many of the original 200 stones were visible at all. | 0:44:14 | 0:44:20 | |
In fact, there were only 15 standing. | 0:44:20 | 0:44:22 | |
In the Middle Ages, they'd taken to burying the stones | 0:44:22 | 0:44:25 | |
and, in the 17th and 18th centuries, they'd taken to breaking them up | 0:44:25 | 0:44:30 | |
-and building houses and walls. -Keiller set about restoring | 0:44:30 | 0:44:34 | |
the 4,500-year-old monument, | 0:44:34 | 0:44:37 | |
three huge circles that surround the village. | 0:44:37 | 0:44:39 | |
He also built a museum. | 0:44:41 | 0:44:42 | |
All in all, a vastly expensive project, which not only provided | 0:44:42 | 0:44:46 | |
much-needed employment in the area, but also provoked some controversy. | 0:44:46 | 0:44:51 | |
He went to great lengths, didn't he, to clear some of the site? | 0:44:51 | 0:44:54 | |
Oh, absolutely. It was an enormous undertaking | 0:44:54 | 0:44:57 | |
and, in fact, he actually pulled down a small number of buildings, | 0:44:57 | 0:45:01 | |
including a couple of houses in this part of the site, | 0:45:01 | 0:45:04 | |
because they were actually on the line of the stone circle. | 0:45:04 | 0:45:07 | |
For all the work that's been done, we're still nowhere near discovering | 0:45:09 | 0:45:12 | |
what the true purpose of Avebury or nearby Stonehenge really was. | 0:45:12 | 0:45:17 | |
However, one particular stone does have a story to tell. | 0:45:17 | 0:45:20 | |
We call that the barber-surgeon and it was one of the stones | 0:45:20 | 0:45:24 | |
excavated by Alexander Keiller in 1938, and they found | 0:45:24 | 0:45:28 | |
a skeleton of a man between the stone and the side of the pit. | 0:45:28 | 0:45:32 | |
He had a pair of iron scissors and a little metal probe object | 0:45:32 | 0:45:37 | |
and three coins, and the coins allowed it to be dated to the 1320s. | 0:45:37 | 0:45:43 | |
Keiller came round to thinking that it could be a barber-surgeon, | 0:45:43 | 0:45:47 | |
people who shaved, cut hair but also did little medical things, too. | 0:45:47 | 0:45:52 | |
Some of Keiller's ancestors had been barber-surgeons and whalers | 0:45:52 | 0:45:56 | |
in the North Sea, and I think he rather liked that connection. | 0:45:56 | 0:46:00 | |
Keiller's work was interrupted when the war broke out in 1939 | 0:46:02 | 0:46:05 | |
and, a few years later, he sold his land to the National Trust. | 0:46:05 | 0:46:09 | |
He died in 1955, but the incredible legacy | 0:46:09 | 0:46:11 | |
of the playboy-turned-archaeologist remains. | 0:46:11 | 0:46:16 | |
Avebury became a World Heritage Site in 1986. | 0:46:16 | 0:46:19 | |
In a slightly busier bit of the county, | 0:46:23 | 0:46:27 | |
Charles is on the search for just one more shop | 0:46:27 | 0:46:31 | |
in the market town of Royal Wootton Bassett. It joined Leamington | 0:46:31 | 0:46:34 | |
and Tunbridge Wells in getting that rare prefix in 2011. | 0:46:34 | 0:46:38 | |
Wow. How are you? | 0:46:39 | 0:46:41 | |
-I'm doing very good. -You must be Ed, as in the front door. | 0:46:41 | 0:46:44 | |
-As in "eddintheclouds". -Eddintheclouds. Great. | 0:46:44 | 0:46:47 | |
Ed's business sells quite a bit of stock online. | 0:46:47 | 0:46:50 | |
Charles, despite his limited funds of £58, | 0:46:50 | 0:46:54 | |
is enjoying a close look around. | 0:46:54 | 0:46:56 | |
-I think I've got a stool for you. -Have you? -Yes. -This one here? | 0:46:57 | 0:47:00 | |
Yeah. Again, it's most likely Liberty & Co. The coffee stool is | 0:47:00 | 0:47:03 | |
what they were sold as originally. | 0:47:03 | 0:47:04 | |
You've got almost this Islamic Moorish-influenced top | 0:47:04 | 0:47:09 | |
in mother-of-pearl, in ebony. But over the years, | 0:47:09 | 0:47:12 | |
the mosaic has become lost and the jigsaw is very incomplete... | 0:47:12 | 0:47:17 | |
-Yeah, sadly. -..because there's no bits to go with it now. | 0:47:17 | 0:47:20 | |
I think it's quite attractive. How much is it? | 0:47:20 | 0:47:23 | |
In that condition, £25. | 0:47:23 | 0:47:25 | |
-Goodness me. -That is affordable. -You can't say no to that. -No. | 0:47:25 | 0:47:28 | |
Let me give it some thought. There was one thing just downstairs... | 0:47:28 | 0:47:31 | |
-OK. -..that caught my eye, and what I'm quite tempted to do | 0:47:31 | 0:47:34 | |
-is put the two together and see what price we come out at. -Okey doke. | 0:47:34 | 0:47:38 | |
Now we're getting somewhere. What's he spotted down there? | 0:47:38 | 0:47:42 | |
Aah, some proper Tunbridge. | 0:47:42 | 0:47:44 | |
Here we have got a complete micro-mosaic of parquetry, | 0:47:44 | 0:47:49 | |
inlaid in rosewood and ebony, and this I presume is a clothes brush? | 0:47:49 | 0:47:53 | |
-Yeah. -Yeah, a clothes brush of probably 1900, 1910, | 0:47:53 | 0:47:57 | |
made in Tunbridge Ware. How much could that be? | 0:47:57 | 0:48:00 | |
-It's £15. -£15, yeah. | 0:48:00 | 0:48:02 | |
-What I'd like to do is make you an offer. -Go on, then. | 0:48:02 | 0:48:07 | |
-For the Liberty stool upstairs... -Yup. -..and this small clothes brush. | 0:48:07 | 0:48:11 | |
If I said to you, "Eddie, I'll take the two", | 0:48:11 | 0:48:15 | |
could you give me any discount on the two together? | 0:48:15 | 0:48:18 | |
-What could you do for me? -Oh, um... | 0:48:18 | 0:48:22 | |
-How about if I said to you 30? -That's really good. | 0:48:22 | 0:48:26 | |
Yeah, I'd be silly to say no. | 0:48:26 | 0:48:29 | |
-Thanks a lot. -Good luck with them. | 0:48:29 | 0:48:31 | |
Thanks a lot. I'm delighted. That's great. | 0:48:31 | 0:48:33 | |
It's not bad, Charles. Now, whither Raj? | 0:48:33 | 0:48:37 | |
Remember his flying start? | 0:48:37 | 0:48:39 | |
He already has quite enough for the auction, thanks very much, | 0:48:39 | 0:48:43 | |
but just in case, he's come to Devizes, | 0:48:43 | 0:48:45 | |
that charming Wiltshire market town, | 0:48:45 | 0:48:47 | |
to see if he can manage just one more purchase. | 0:48:47 | 0:48:50 | |
-SHOP DOORBELL RINGS Hi, I'm Raj. -I'm John. | 0:48:50 | 0:48:52 | |
-Pleased to meet you. -Nice to meet you, John. | 0:48:52 | 0:48:54 | |
-What a lovely shop you've got here. -Thank you very much. | 0:48:54 | 0:48:57 | |
I'm sure he says that to all the proprietors, | 0:48:57 | 0:48:59 | |
but this time, he surely means it. | 0:48:59 | 0:49:01 | |
There's got to be a bargain or two tucked away in here. | 0:49:01 | 0:49:04 | |
It's a pretty little Art Nouveau silver rose vase, | 0:49:04 | 0:49:08 | |
is what I would call it, and it's got a few dents on it, | 0:49:08 | 0:49:13 | |
but it's quite pretty. It's priced at £45, which I think that John knows... | 0:49:13 | 0:49:21 | |
It's a little bit on the heavy side. What could be the best on it? | 0:49:21 | 0:49:24 | |
30 quid. You're right, it's a little bit dinked. | 0:49:24 | 0:49:28 | |
What other silver have you got? | 0:49:28 | 0:49:30 | |
That's a nice little silver sugar shaker, isn't it? | 0:49:30 | 0:49:33 | |
The hallmark is extremely rubbed and I would say | 0:49:33 | 0:49:37 | |
that its period was... | 0:49:37 | 0:49:39 | |
maybe only just. I would say this is probably turn-of-the-century. | 0:49:39 | 0:49:42 | |
What would be the best on this? | 0:49:42 | 0:49:44 | |
Well, as it just got here, I could probably flip that for 160. | 0:49:44 | 0:49:50 | |
That's not a bad price, but you have to remember, | 0:49:50 | 0:49:53 | |
this is my first Road Trip, OK, so a lot hangs on this for me, | 0:49:53 | 0:49:56 | |
so I need a little bit of help along the way. | 0:49:56 | 0:49:58 | |
-I'll give you a little bit of beginner's luck. -OK. | 0:49:58 | 0:50:00 | |
I'll do that for...135 and that's the death on it. | 0:50:00 | 0:50:05 | |
He's got the cash, but he's sticking to his cautious tactics. | 0:50:05 | 0:50:08 | |
-Back to the vase. -Can you do a bit better on that for me? -28. | 0:50:08 | 0:50:13 | |
-How about 20? -It's too tight. -20 is too tight? | 0:50:13 | 0:50:16 | |
-Cos it is damaged. -I know. -And I'm going to have to sell it | 0:50:16 | 0:50:19 | |
-with something else. -It's...a little bit low. | 0:50:19 | 0:50:23 | |
Shall we say 24 and we've got a deal? | 0:50:23 | 0:50:27 | |
-We've got a deal. -OK. -Thank you very much indeed. Lovely. | 0:50:27 | 0:50:31 | |
A final canny buy for our Raj. | 0:50:31 | 0:50:33 | |
Now, let's remind ourselves what they both acquired. | 0:50:33 | 0:50:37 | |
Charles spent £172 on a silver dish, | 0:50:38 | 0:50:41 | |
a ewe, a Liberty table, | 0:50:41 | 0:50:45 | |
a George III tray and a clothes brush, | 0:50:45 | 0:50:48 | |
while Raj parted with just £79 for some sconces, | 0:50:48 | 0:50:53 | |
egg timers, a water bottle, | 0:50:53 | 0:50:57 | |
a riding crop and some silver. | 0:50:57 | 0:50:59 | |
So, what did they make of all that lot? | 0:50:59 | 0:51:02 | |
He knows the game. He's been here before | 0:51:02 | 0:51:04 | |
and, to be honest, it's a nice parcel. | 0:51:04 | 0:51:08 | |
I wouldn't say he's bought knobbly knick-knacks, | 0:51:08 | 0:51:11 | |
but he's bought some very small lots. | 0:51:11 | 0:51:14 | |
Charles has bought well, but watch out for the newbie. | 0:51:14 | 0:51:17 | |
After setting off from Corsham, | 0:51:17 | 0:51:19 | |
our experts are now heading | 0:51:19 | 0:51:21 | |
for their first auction at Winchcombe in Gloucestershire. | 0:51:21 | 0:51:24 | |
-This is it. -Here we go. -We've built our foundations on this, OK? | 0:51:24 | 0:51:28 | |
-High five. -Good luck. THEY LAUGH | 0:51:28 | 0:51:31 | |
Welcome to British Bespoke Auctions, home of the famous Bella. | 0:51:31 | 0:51:35 | |
Pretty, ain't she? | 0:51:35 | 0:51:37 | |
Our auctioneer today is Nicholas Granger, so let the games begin! | 0:51:37 | 0:51:42 | |
First up, Raj's sconces. | 0:51:42 | 0:51:44 | |
I'm going to start off here with a commission bid. | 0:51:44 | 0:51:47 | |
-With me at £35 on the book. -Wow. -At 35, 38, 40. | 0:51:47 | 0:51:50 | |
40 now with me. Looking for 42, and 2 and 5 | 0:51:50 | 0:51:54 | |
and 50, 55. £55 we have. | 0:51:54 | 0:51:57 | |
-At £55. -Wow. -Do we get £60? Have we got 60 in the room? | 0:51:57 | 0:52:02 | |
Raj is jumping up and down. We've got 50 here. We need £60. | 0:52:02 | 0:52:06 | |
I'm going to give fair warning with the sconces at £55. Are we sure? | 0:52:06 | 0:52:10 | |
-Going once, twice... -Well-played. | 0:52:10 | 0:52:13 | |
-At £55... -GAVEL BANGS | 0:52:13 | 0:52:14 | |
-..sold. Thank you. -Well done. -Thank you. -Well done. | 0:52:14 | 0:52:17 | |
The first of many, I'm sure. | 0:52:17 | 0:52:19 | |
-I can relax now. -That's amazing! £55. | 0:52:19 | 0:52:22 | |
What a start. You've almost doubled up. | 0:52:22 | 0:52:24 | |
Now for Charles's bargain Tunbridge Ware brush. | 0:52:24 | 0:52:27 | |
-If this doesn't make £40... -Get out of here! | 0:52:27 | 0:52:30 | |
..you're going to have to hold me back, | 0:52:30 | 0:52:32 | |
cos I'm going to put my hands up, OK? | 0:52:32 | 0:52:33 | |
Brush yourselves down with this one. With the bidding at £30. | 0:52:33 | 0:52:36 | |
-Oh, wow! -Commission bid. Looking for 32 now. -Let's go. | 0:52:36 | 0:52:41 | |
-We're looking for a 32. -Come on. -32, 35, and £38 here. | 0:52:41 | 0:52:44 | |
£38 we've got now. It's got to be worth 40, surely? | 0:52:44 | 0:52:47 | |
-Charlie, it's got to be worth 40. -I hope so. -We've got 38 here, then. | 0:52:47 | 0:52:50 | |
We're going to sell it at £38, then. | 0:52:50 | 0:52:52 | |
-Going once and the hammer goes down. Sold. Thank you. -That's good. | 0:52:52 | 0:52:56 | |
More profits. We started well. | 0:52:56 | 0:52:59 | |
-So, you're ahead. -It's amazing. -So now I'm playing catch up. | 0:52:59 | 0:53:02 | |
Well, reach for your whip, then, Raj. Another cracking buy. | 0:53:02 | 0:53:06 | |
Commission bids on this, ladies and gentlemen, | 0:53:06 | 0:53:08 | |
-at £28. At 28, now looking for 30. -That's awesome. | 0:53:08 | 0:53:11 | |
32, 35, 38, 42 with you. | 0:53:11 | 0:53:14 | |
£42. We have £42 in the room now, on my left at 42. | 0:53:14 | 0:53:17 | |
-That's awesome, well done. -With you in the room at £42. | 0:53:17 | 0:53:19 | |
And 45 sitting down, sir, on my right. At 45 and 8? | 0:53:19 | 0:53:22 | |
At 48 here. Looking for 50. Do I have 50 on the net? | 0:53:22 | 0:53:25 | |
I've got 48 in the room, then. | 0:53:25 | 0:53:26 | |
I'm going to crack the whip at £48, then. | 0:53:26 | 0:53:28 | |
-GAVEL BANGS -Sold. | 0:53:28 | 0:53:30 | |
-That's massive. -Yeah, I'm pleased with that. -Who is this guy? | 0:53:30 | 0:53:33 | |
Advantage Raj. Will Charles's George III tray carry all before it? | 0:53:33 | 0:53:39 | |
Who'll start me on this at £20? £20 we're looking for. | 0:53:39 | 0:53:41 | |
-It needs a little bit of repair, but it's a nice tray. -Thanks, mate. | 0:53:41 | 0:53:44 | |
-Thanks, mate! How are you? -At £20. Looking for 22 elsewhere. | 0:53:44 | 0:53:47 | |
Have I got 22 in the room or at home? | 0:53:47 | 0:53:49 | |
-It's a George III tray, ladies and gentlemen. -Oh, it's wonderful. | 0:53:49 | 0:53:52 | |
-I'm looking for £22. -Good man! -22 we've got now | 0:53:52 | 0:53:55 | |
and 25, you're going to go. Now I'm looking for 28. | 0:53:55 | 0:53:58 | |
Thank you, sir, you're a good man. | 0:53:58 | 0:54:00 | |
-We will sell, then... -That's a good price. -It's cheap, it's cheap. | 0:54:00 | 0:54:03 | |
-GAVEL BANGS -Sold to the room. | 0:54:03 | 0:54:05 | |
You're a good man. Thanks a lot. | 0:54:05 | 0:54:07 | |
I'm going to try that on my next thing, OK? | 0:54:07 | 0:54:10 | |
So, could I have some support? LAUGHTER | 0:54:10 | 0:54:13 | |
Worth a try, Raj. Maybe on your egg timers. | 0:54:13 | 0:54:17 | |
Start the bidding on those, shall we? At £20, we're looking for. | 0:54:17 | 0:54:20 | |
Looking for £20 in the room. OK, 15 I'll take. | 0:54:20 | 0:54:22 | |
-£50? 50? -15. -How much? | 0:54:22 | 0:54:26 | |
..at £18 in the room. Now I'm looking for 20. | 0:54:26 | 0:54:29 | |
-Brilliant. That's massive profit. Well done. -Shh! | 0:54:29 | 0:54:31 | |
I'm not finished yet, I'm not finished yet. | 0:54:31 | 0:54:33 | |
At 25 sitting down here. Looking for 28 elsewhere. | 0:54:33 | 0:54:36 | |
28 on the net now. 28 and 30, sir? | 0:54:36 | 0:54:38 | |
£30 sitting down. | 0:54:38 | 0:54:40 | |
-W-w-wait, I'm hoping that it's not over. -One more bid perhaps? | 0:54:40 | 0:54:43 | |
-One more bid? -I'm going to sell, then, at £30... | 0:54:43 | 0:54:46 | |
-GAVEL BANGS -..to the room. Thank you. | 0:54:46 | 0:54:47 | |
He kept quiet, but they still picked up a profit. | 0:54:47 | 0:54:50 | |
Can Charles's Liberty table match it? | 0:54:50 | 0:54:53 | |
-I could be in trouble. Here we go. -Here we go. -Pray, Hansen. | 0:54:53 | 0:54:56 | |
Don't look round. Cut that out. | 0:54:56 | 0:54:58 | |
-A low cheeky bid at £15. -Oh! -At £15. -Oh! -Shh... | 0:54:58 | 0:55:02 | |
Looking for 18. At 18 with you, sir, in the room... | 0:55:02 | 0:55:04 | |
-You've done it, you've done it. -I'm still down. | 0:55:04 | 0:55:07 | |
Would you like to go, sir? 28, would you like to go? | 0:55:07 | 0:55:10 | |
-28 now with you at £28... -I'm still very down. | 0:55:10 | 0:55:13 | |
-..at 28 on my right. At 28 bid. -Hello, the world. You're out. | 0:55:13 | 0:55:18 | |
Going once, twice at £28 to the gentleman in the room. | 0:55:18 | 0:55:21 | |
-GAVEL BANGS -Sold. Thank you. | 0:55:21 | 0:55:23 | |
Someone's got a bargain. Now for Raj's little silver collection. | 0:55:23 | 0:55:27 | |
Who's going to start the bidding at £15? | 0:55:27 | 0:55:29 | |
-At 15, we've got here straight away. -Profit. Is that profit? -No. | 0:55:29 | 0:55:32 | |
We've got £15 on this for Raj. Have we got 18 elsewhere? At 18. | 0:55:32 | 0:55:35 | |
-We've got £15 only, in the room or at home. -The game's on now. -At £18. | 0:55:35 | 0:55:39 | |
I'll sell at 15, then. A bargain. And 18 on the net now. | 0:55:39 | 0:55:42 | |
We've got 18 in now. Thank you, at 18. Looking for... | 0:55:42 | 0:55:45 | |
-High-five. High-five. -No, no. Shh! Be quiet, you. | 0:55:45 | 0:55:48 | |
At £18 to the net... Sold. Thank you. | 0:55:48 | 0:55:50 | |
-Off we go! -HE GROANS | 0:55:50 | 0:55:52 | |
That's his first loss. | 0:55:52 | 0:55:54 | |
Charles's favourite ewe. Was she a bit of a gabble? | 0:55:54 | 0:55:59 | |
I'm praying. This could flop. | 0:55:59 | 0:56:01 | |
I'm looking for £30 in the room or at home. It is Derby. | 0:56:01 | 0:56:04 | |
-You've got a commission at 15. £15! -I'm in trouble. I'm in trouble. | 0:56:04 | 0:56:07 | |
Looking for £18 in the room or on the net. At £15 a commission bid. | 0:56:07 | 0:56:11 | |
At 18 sitting down in the room. At 18 now. At 18. Looking for a 20. | 0:56:11 | 0:56:16 | |
-Thank you, 20 in the room now. -Oh, no. -Now at £20 and 2? | 0:56:16 | 0:56:19 | |
Would you like to go, sir? At 22. | 0:56:19 | 0:56:21 | |
And 5? Are you sure? | 0:56:21 | 0:56:23 | |
-Oh, I don't believe it. -At £22 in the room, then. | 0:56:23 | 0:56:26 | |
Going once, twice at £22 on the sheep. | 0:56:26 | 0:56:29 | |
-GAVEL BANGS -Sold. | 0:56:29 | 0:56:30 | |
No words necessary. Charles has made a big loss. | 0:56:32 | 0:56:35 | |
But can Raj take advantage with yet another bargain buy? | 0:56:37 | 0:56:40 | |
Starting the bidding at £15. We have on that at 15. | 0:56:40 | 0:56:43 | |
Looking for 18 elsewhere. At 15 now. I'm looking for £18. | 0:56:43 | 0:56:47 | |
It must be worth more. At 18 in the room, sir, thank you very much. | 0:56:47 | 0:56:49 | |
At £18 with you. Looking for 20 now. | 0:56:49 | 0:56:52 | |
At £18, we're going to sell. Once, twice, at £18... | 0:56:52 | 0:56:55 | |
-Get it down. -..hammer down. Charles says, "Hammer down." | 0:56:55 | 0:56:58 | |
-Sold! -That'll do. That's OK. -That's good. Happy? Look at me. -Yeah. | 0:56:58 | 0:57:02 | |
A good return! | 0:57:02 | 0:57:05 | |
So it all comes down to Charles's most expensive item - | 0:57:05 | 0:57:08 | |
the Persian silver. | 0:57:08 | 0:57:10 | |
-Don't worry, Charles. It's going to be all right, OK? -All right. Thanks. | 0:57:10 | 0:57:15 | |
Commission bids on this, ladies and gentlemen. At £120 starting. | 0:57:15 | 0:57:19 | |
-Get in. We're in business. -130. Looking for 140, 150... | 0:57:19 | 0:57:23 | |
-Let the net run now. -Come on, then! -160, 170, 180. | 0:57:23 | 0:57:26 | |
180 now. Looking for 190. 190 now on the net, 190. | 0:57:26 | 0:57:30 | |
-I'm pumped up. -That'll be £200. -Let's go. -200 we've got here. | 0:57:30 | 0:57:33 | |
-At 200 and 220 now. -Come on, then! -At 220, 220, 240 now. | 0:57:33 | 0:57:38 | |
-240 bid! -This is good. -Yeah. | 0:57:38 | 0:57:41 | |
..at 240. We're looking for 260. | 0:57:41 | 0:57:45 | |
Once, twice, at £240... | 0:57:45 | 0:57:48 | |
-Sold. -Thanks a lot. Thanks, auctioneer. -Well done. | 0:57:48 | 0:57:50 | |
-Thanks a lot, chief. Thanks very much. -That's a good buy. | 0:57:50 | 0:57:53 | |
Charles's boldness pays off and the old hand wins the day. | 0:57:53 | 0:57:58 | |
-Come on, mate. -RAJ GROANS | 0:57:58 | 0:58:00 | |
Raj, who started out with £200, made, after paying auction costs, | 0:58:01 | 0:58:05 | |
a profit of £59.58, | 0:58:05 | 0:58:08 | |
leaving him with £259.58 to spend next time, | 0:58:08 | 0:58:14 | |
while Charles began with the same sum and, after paying auction costs, | 0:58:14 | 0:58:17 | |
he made a profit of £117.46, | 0:58:17 | 0:58:21 | |
so he takes an early lead with £317.46. | 0:58:21 | 0:58:26 | |
-I'm getting the idea now. -You are, yeah. -So, game on. | 0:58:26 | 0:58:30 | |
-What a day. -Cheerio for now! | 0:58:30 | 0:58:32 |