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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
I don't know what to do! | 0:00:04 | 0:00:05 | |
PARP! | 0:00:05 | 0:00:06 | |
..with £200 each, a classic car | 0:00:06 | 0:00:08 | |
and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
What a little diamond! | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! | 0:00:17 | 0:00:18 | |
Ha-ha! | 0:00:18 | 0:00:19 | |
There'll be worthy winners, | 0:00:19 | 0:00:22 | |
-and valiant losers. -Oh! | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
We're back behind the wheel on an epic road trip | 0:00:37 | 0:00:40 | |
with treasure hunters, Paul Laidlaw and Christina Trevanion. | 0:00:40 | 0:00:44 | |
-This is it! This is it! We're living the dream! -Living the dream. | 0:00:44 | 0:00:48 | |
What's not to love? The weather's amazing, the car's fabulous... | 0:00:48 | 0:00:51 | |
-The company, the company... -The sun is shining... | 0:00:51 | 0:00:54 | |
HE COUGHS | 0:00:54 | 0:00:55 | |
-The company! -The company's amazing! | 0:00:55 | 0:00:57 | |
Oh, it is, isn't it? I feel exactly the same way! | 0:00:57 | 0:00:59 | |
CHRISTINA LAUGHS | 0:00:59 | 0:01:00 | |
Paul is the leader of this pack and he's using every trick in the book. | 0:01:00 | 0:01:04 | |
If you keep my powder dry. | 0:01:04 | 0:01:06 | |
Whatever it takes. | 0:01:06 | 0:01:08 | |
And if you need me crying, I can turn that on, just like that. | 0:01:08 | 0:01:11 | |
Challenger Christina is keeping her eyes peeled in her bid to catch up. | 0:01:11 | 0:01:15 | |
Ha-ha! | 0:01:15 | 0:01:16 | |
Really, I can't see a price tag. | 0:01:16 | 0:01:18 | |
But both our auctioneers are basking in profit. | 0:01:18 | 0:01:22 | |
Christina started the trip with £200 | 0:01:22 | 0:01:25 | |
and has nudged her total up to £218.14. | 0:01:25 | 0:01:30 | |
Paul started with the same amount | 0:01:32 | 0:01:33 | |
but made a smashing profit, and has £427.04 in his pocket. | 0:01:33 | 0:01:40 | |
Impressive? Much like their 1999 HMC Mark IV. | 0:01:40 | 0:01:45 | |
What's not to love, eh? | 0:01:45 | 0:01:46 | |
Paul and Christina started their journey in Clare in Suffolk. | 0:01:46 | 0:01:50 | |
They are careering through Worcestershire | 0:01:50 | 0:01:52 | |
and the West Midlands and twisting up through Staffordshire before | 0:01:52 | 0:01:55 | |
their journey of over 700 miles culminates in Northwich in Cheshire. | 0:01:55 | 0:02:00 | |
Our pair kicked off today's leg in the Herefordshire town of Leominster | 0:02:00 | 0:02:04 | |
and head north for their next auction in Nantwich, Cheshire. | 0:02:04 | 0:02:08 | |
Leominster is a beautiful, chocolate-box village in | 0:02:09 | 0:02:12 | |
the heart of the rolling borderlands between England and Wales. | 0:02:12 | 0:02:15 | |
It's also Paul's first pit stop. | 0:02:15 | 0:02:18 | |
Meanwhile, Christina has toddled less than 25 miles | 0:02:19 | 0:02:21 | |
along the road to Ledbury, where she is being | 0:02:21 | 0:02:24 | |
shown around Rod's Curiosities, by none other than Rod himself. | 0:02:24 | 0:02:29 | |
Now, this is nice. Tell me about this. That's quite fun, isn't it? | 0:02:29 | 0:02:32 | |
-This is a British Thomas Houston Bakelite cone speaker. -Speaker? | 0:02:32 | 0:02:37 | |
-Yeah. -Ooh! | 0:02:37 | 0:02:38 | |
See, I don't really know huge amounts about these | 0:02:41 | 0:02:43 | |
but that looks...I mean, it's so typical of its time, isn't it? | 0:02:43 | 0:02:47 | |
-Oh, it's absolutely of its era. -1930s? | 0:02:47 | 0:02:50 | |
-Round about the '30s, yeah. -Beautiful. | 0:02:50 | 0:02:53 | |
I like that. OK, what have we got on that, then, Rod? | 0:02:53 | 0:02:56 | |
Well, at the moment, we've got £95 on it. | 0:02:56 | 0:02:59 | |
Do we think £25-30 might be beyond the realms of possibility? | 0:02:59 | 0:03:04 | |
-We might be able to do something. -Do you think? -Yeah. | 0:03:04 | 0:03:07 | |
-That would be exciting. -We might be able to. | 0:03:07 | 0:03:11 | |
-Because I've virtually got it free, really. -Brilliant. | 0:03:11 | 0:03:15 | |
You're a man, you're a man of honour, Rod, I like that. | 0:03:15 | 0:03:18 | |
I like that. Right, let's keep wandering | 0:03:18 | 0:03:20 | |
and see what else we can find. | 0:03:20 | 0:03:21 | |
Not a bad price for a speaker that doesn't work! | 0:03:21 | 0:03:25 | |
Something to think about. | 0:03:25 | 0:03:27 | |
Because so often now you see Staffordshire, don't you, | 0:03:27 | 0:03:30 | |
and it's late Staffordshire that was mass-produced. | 0:03:30 | 0:03:33 | |
And you can just tell, can't you? | 0:03:33 | 0:03:35 | |
Look, the way the decoration's done is so much more hand-applied. | 0:03:35 | 0:03:40 | |
That early Staffordshire figure has a ticket price of £35. | 0:03:40 | 0:03:44 | |
What could you do on that? | 0:03:44 | 0:03:45 | |
Bearing in mind I'm buying this with my heart, not with my head. | 0:03:45 | 0:03:49 | |
It's not going to do particularly well at auction, | 0:03:49 | 0:03:52 | |
but it's very sweet. | 0:03:52 | 0:03:53 | |
-I really couldn't go below £20 on that, I'm afraid. -OK. | 0:03:53 | 0:03:59 | |
So if we said 25 on the speaker and 20 on this, | 0:03:59 | 0:04:05 | |
could you do 40 for the two? | 0:04:05 | 0:04:08 | |
-Since it's you... -No, not since it's me! | 0:04:11 | 0:04:13 | |
SHE LAUGHS | 0:04:13 | 0:04:15 | |
-Could you do it? -Yeah. -Could you? | 0:04:15 | 0:04:17 | |
-Yeah. We could. -You're a legend, Rod. | 0:04:17 | 0:04:19 | |
Thank you very much. You're a gentleman. I love it! | 0:04:19 | 0:04:23 | |
Great start, girl. | 0:04:23 | 0:04:25 | |
Thank you. Bye! | 0:04:25 | 0:04:27 | |
Meanwhile, back in Leominster... | 0:04:29 | 0:04:32 | |
I recently bought a piece of WMF metalwork, | 0:04:32 | 0:04:35 | |
which didn't inspire me at all, it wasn't real good WMF, as far as I was concerned. | 0:04:35 | 0:04:40 | |
I think there's a good WMF group down there. | 0:04:40 | 0:04:44 | |
Wurttembergische Metallwarenfabrik, or WMF, was one of the largest | 0:04:44 | 0:04:51 | |
European manufacturers of metalwork in the late 19th century. | 0:04:51 | 0:04:54 | |
They're not uncommon, so what's caught your eye here then, Paul? | 0:04:54 | 0:04:58 | |
Look at the aesthetic here. | 0:04:58 | 0:05:00 | |
Some would be tempted to say Art Deco | 0:05:00 | 0:05:02 | |
because the nature of the decoration is very geometric, a box grid, | 0:05:02 | 0:05:08 | |
and that sounds pretty industrial and pretty harsh, | 0:05:08 | 0:05:10 | |
but it is an aesthetic that I, for one, | 0:05:10 | 0:05:13 | |
would associate with the designer Hoffman, Koloman Moser. | 0:05:13 | 0:05:17 | |
These are giants, and I see their Wiener Werkstatte | 0:05:17 | 0:05:24 | |
influence in this little christening set here. | 0:05:24 | 0:05:28 | |
I'm pretty excited. That coming across? | 0:05:28 | 0:05:31 | |
Certainly is, old bean! | 0:05:31 | 0:05:32 | |
And with a ticket price of £25, time to call on Angela. | 0:05:32 | 0:05:37 | |
Ha-ha! | 0:05:37 | 0:05:38 | |
Now that is a bunch of keys if ever I saw one. | 0:05:38 | 0:05:40 | |
They're for the cabinet round here. | 0:05:40 | 0:05:43 | |
Right, Angela, so I spotted this early on. | 0:05:43 | 0:05:46 | |
It's a pretty little WMF christening set. | 0:05:46 | 0:05:48 | |
I think your only problem with a christening set is when it's been | 0:05:48 | 0:05:52 | |
engraved, as this has, but otherwise I think that's fine and dandy. | 0:05:52 | 0:05:55 | |
She already reduced it? I'll just check for you. | 0:05:55 | 0:05:59 | |
Nope. | 0:05:59 | 0:06:00 | |
I can knock you 10% off, actually. | 0:06:00 | 0:06:04 | |
I'm happy to take 10% discount on that. I think that's fantastic. | 0:06:04 | 0:06:07 | |
-That's lovely, yeah. -Yeah, I really like that. | 0:06:07 | 0:06:09 | |
For a total of £22.50, | 0:06:09 | 0:06:11 | |
Paul has secured his first purchase of the day. | 0:06:11 | 0:06:14 | |
-That's great. -Thank you very much indeed. | 0:06:14 | 0:06:17 | |
-All the best to you. Thanks, Angela. See you. -Bye. | 0:06:17 | 0:06:20 | |
Meanwhile, Christina's heading for Great Malvern | 0:06:22 | 0:06:25 | |
to discover how the water that springs from the nearby hills | 0:06:25 | 0:06:28 | |
helped spark a Victorian health craze and put the town on the map. | 0:06:28 | 0:06:32 | |
She's meeting curator Cora at the Malvern Museum. | 0:06:32 | 0:06:36 | |
So why is Malvern so famous for its water? | 0:06:36 | 0:06:39 | |
It's because most places that are famous for water are famous | 0:06:39 | 0:06:43 | |
because their water has got minerals in it, but Malvern water | 0:06:43 | 0:06:48 | |
is famous because it's hardly got any minerals in it at all. | 0:06:48 | 0:06:51 | |
The dense, granite rocks that make up the eight-mile ridge of the | 0:06:51 | 0:06:55 | |
Malvern Hills strip the minerals from the water flowing through it. | 0:06:55 | 0:07:00 | |
In early medical treatments, it was understood that | 0:07:00 | 0:07:03 | |
different minerals could be used for different ailments. | 0:07:03 | 0:07:06 | |
By having so few minerals, Malvern's water was considered to be purer and | 0:07:06 | 0:07:10 | |
was used by two pioneering doctors in their own brand of water cure. | 0:07:10 | 0:07:15 | |
In the 19th century, we had two water cure doctors, Dr James Wilson | 0:07:15 | 0:07:19 | |
and Dr James Gully, who came to Malvern | 0:07:19 | 0:07:22 | |
and they set up hydropathic practices. | 0:07:22 | 0:07:24 | |
And they encouraged wealthy people to come here | 0:07:25 | 0:07:29 | |
because wealthy people had the sort of problems | 0:07:29 | 0:07:32 | |
that could be treated with Malvern water. | 0:07:32 | 0:07:35 | |
During Wilson's European travels, | 0:07:35 | 0:07:36 | |
he encountered the work of a ground-breaking individual, | 0:07:36 | 0:07:40 | |
Vincent Priessnitz, who had started to develop water cures | 0:07:40 | 0:07:44 | |
based on his observations of animals | 0:07:44 | 0:07:46 | |
submerging their injured limbs into water. | 0:07:46 | 0:07:49 | |
Wilson, suffering from his own ailment, | 0:07:49 | 0:07:51 | |
stayed at the pioneering clinic and was astounded by his work. | 0:07:51 | 0:07:56 | |
He stayed about six months. He drank about 2,500 tumblers of water. | 0:07:56 | 0:08:00 | |
He walked about 200 miles, and he got better. | 0:08:00 | 0:08:04 | |
And he thought it was so surprising and dynamic, | 0:08:04 | 0:08:09 | |
he decided he would like to set up a hydropathic institution in England. | 0:08:09 | 0:08:13 | |
So he came back here, collected his friend, Dr Gully, | 0:08:13 | 0:08:17 | |
inspired him with hydropathy and then the two of them came to Malvern. | 0:08:17 | 0:08:22 | |
Wilson and Gully opened their establishment in 1842 | 0:08:23 | 0:08:27 | |
and were among the first to create such a centre in Britain. | 0:08:27 | 0:08:31 | |
Malvern's pure water already had a reputation for healing properties, | 0:08:31 | 0:08:34 | |
but Wilson and Gully's patients did not simply drink it. | 0:08:34 | 0:08:38 | |
They were prescribed various bathing treatments | 0:08:38 | 0:08:41 | |
to treat ailments as diverse as eye, skin and digestive disorders. | 0:08:41 | 0:08:46 | |
Forgive me for being a cynic | 0:08:46 | 0:08:48 | |
but was there any science behind this theory | 0:08:48 | 0:08:53 | |
-that Wilson and Gully had got together? -Oh, yes. | 0:08:53 | 0:08:56 | |
It...you have to know | 0:08:56 | 0:08:58 | |
just one or two rudimentary things about the body. | 0:08:58 | 0:09:02 | |
If you get into a hot bath, your skin turns pink. | 0:09:02 | 0:09:06 | |
That's because, without you doing anything, the body is | 0:09:06 | 0:09:08 | |
naturally trying to cool itself down | 0:09:08 | 0:09:11 | |
by bringing the blood to the surface. | 0:09:11 | 0:09:13 | |
I thought I'm just turning into a lobster! | 0:09:13 | 0:09:15 | |
THEY LAUGH | 0:09:15 | 0:09:16 | |
If you get into a cold bath, | 0:09:16 | 0:09:18 | |
without you doing anything, your body has the opposite effect | 0:09:18 | 0:09:22 | |
and that is for the blood to go inwards | 0:09:22 | 0:09:25 | |
-to keep your internal organs warm. -Yeah. | 0:09:25 | 0:09:29 | |
So once you know that, then you know that you can move the blood | 0:09:29 | 0:09:32 | |
around in the body just by the application of warm and cold water. | 0:09:32 | 0:09:36 | |
Water therapy was used to stimulate the flow of blood | 0:09:36 | 0:09:40 | |
and was combined with strict regimes of exercise and diet. | 0:09:40 | 0:09:45 | |
-This is a hip bath? -This is a hip bath. | 0:09:45 | 0:09:47 | |
So, if you'd got some sort blockage in the lower | 0:09:47 | 0:09:50 | |
bit of you around here... | 0:09:50 | 0:09:52 | |
So digestive problems, right? | 0:09:52 | 0:09:54 | |
Yes, in the lower digestive tract, this would be ideal for you. | 0:09:54 | 0:09:58 | |
In the tub. It's cold, remember. | 0:09:58 | 0:09:59 | |
To treat abdominal complaints, patients would | 0:09:59 | 0:10:02 | |
sit in the bath with cold water and be wrapped in cold, wet towels | 0:10:02 | 0:10:06 | |
to encourage blood vessels to contract. | 0:10:06 | 0:10:09 | |
Water cures caught the imagination of Victorian society | 0:10:09 | 0:10:12 | |
and Malvern flourished. | 0:10:12 | 0:10:14 | |
Trade in bottled water from the town increased | 0:10:14 | 0:10:16 | |
and grand hotels were built | 0:10:16 | 0:10:18 | |
to accommodate the tourists brought by the new railway. | 0:10:18 | 0:10:21 | |
Thanks to the craze of water cures, | 0:10:21 | 0:10:23 | |
the town became known across the country | 0:10:23 | 0:10:25 | |
and the water that flows from its granite hills | 0:10:25 | 0:10:28 | |
became the stuff of legend. | 0:10:28 | 0:10:30 | |
How long am I prescribed to sit here? How long until I get better? | 0:10:30 | 0:10:34 | |
Well, you've got 15 minutes in the tub twice a day, but actually, your | 0:10:34 | 0:10:39 | |
complete treatment, seeing what state you're in, three to six months. | 0:10:39 | 0:10:43 | |
-Three, six months? -I'm going to leave you to it. -OK. | 0:10:43 | 0:10:45 | |
All right, then. Right, three to six months? Am I in that bad shape?! | 0:10:45 | 0:10:51 | |
Might be a year. | 0:10:51 | 0:10:52 | |
Looking better already! Ha! | 0:10:54 | 0:10:57 | |
While she indulges her ailments, | 0:10:57 | 0:10:58 | |
Paul is just a few steps along the road. | 0:10:58 | 0:11:00 | |
-Hello! -How you doing, all right? -Yes, I'm fine, thank you. | 0:11:00 | 0:11:04 | |
That's the lovely Bridget, who's on hand to help. | 0:11:04 | 0:11:07 | |
-How much have you got to spend? -You see, that would be telling. | 0:11:07 | 0:11:10 | |
-That would be a rookie negotiating mistake from the off. -Right, OK. | 0:11:10 | 0:11:14 | |
COUGHS: £300! | 0:11:14 | 0:11:15 | |
-No, it's 400! 400, I've got. -Gosh. -You going to extract that from me? | 0:11:15 | 0:11:20 | |
Yeah. Hopefully! | 0:11:20 | 0:11:22 | |
PAUL LAUGHS | 0:11:22 | 0:11:23 | |
-I'll take him into that back room! -Ha-ha! | 0:11:23 | 0:11:26 | |
Get medieval on me! Like it! | 0:11:26 | 0:11:28 | |
Watch yourself, Paul! | 0:11:28 | 0:11:30 | |
Right, let's get spending some of that money. | 0:11:30 | 0:11:32 | |
What we have here is one of a family of clocks that were made to | 0:11:34 | 0:11:41 | |
government contracts in the 1930s, '40s. | 0:11:41 | 0:11:46 | |
And they have certain features in common. | 0:11:46 | 0:11:48 | |
The first and most important one, from a horological point of view, | 0:11:48 | 0:11:52 | |
is that they have fusee-driven movements. | 0:11:52 | 0:11:55 | |
A fusee was a technical advancement that regulates | 0:11:55 | 0:11:58 | |
the power from the mainspring. | 0:11:58 | 0:12:01 | |
This technology helped keep the clock accurate, | 0:12:02 | 0:12:05 | |
but this one has a ticket price of £275. | 0:12:05 | 0:12:09 | |
Pricey, but one to consider. | 0:12:09 | 0:12:11 | |
And he's already onto another timepiece. | 0:12:12 | 0:12:14 | |
This time, it's a mid-20th century pocket watch with a ticket price of £68. | 0:12:14 | 0:12:20 | |
To be honest with you, I think that's an unusual | 0:12:20 | 0:12:24 | |
and not unattractive watch. | 0:12:24 | 0:12:26 | |
Could you possibly... Now, that, for my purposes, | 0:12:26 | 0:12:30 | |
is a country mile off £68. | 0:12:30 | 0:12:32 | |
But I don't know what slack's in that. | 0:12:32 | 0:12:34 | |
Could you do me a massive favour and just see | 0:12:34 | 0:12:36 | |
if there's any giveaway price on that? | 0:12:36 | 0:12:39 | |
-I'll ask. -And I'll just keep rummaging. | 0:12:39 | 0:12:42 | |
There's no stopping Paul. | 0:12:43 | 0:12:45 | |
He's already on to something else. | 0:12:45 | 0:12:48 | |
Some size of a perfume bottle, isn't it? | 0:12:49 | 0:12:51 | |
It's not a perfume bottle. It's... | 0:12:51 | 0:12:54 | |
This is saddlery, or this will be carried in saddlery. | 0:12:54 | 0:12:59 | |
The discerning person's choice for taking refreshments on horseback, | 0:12:59 | 0:13:03 | |
the flask would have been held on a gentleman's saddle | 0:13:03 | 0:13:06 | |
by a leather pouch, which is sadly missing. | 0:13:06 | 0:13:08 | |
The ticket price is £48. | 0:13:08 | 0:13:11 | |
What price on that? What could that be? | 0:13:11 | 0:13:14 | |
-Make it cheap. Can something be cheap? Come on! -48. | 0:13:15 | 0:13:19 | |
-Tell me this came in, it was inexpensive. -48. | 0:13:19 | 0:13:22 | |
-40, that would be the best. -Oh! | 0:13:22 | 0:13:24 | |
I do like clocks and watches | 0:13:24 | 0:13:26 | |
and I am still thinking about that pocket watch. | 0:13:26 | 0:13:29 | |
The unusual but high quality, | 0:13:29 | 0:13:31 | |
the fusee-driven mantel clock in the oak case. | 0:13:31 | 0:13:36 | |
That's a hell of a lot of my budget, | 0:13:36 | 0:13:39 | |
but is there slack in the price of that? It's 275 squids. | 0:13:39 | 0:13:44 | |
The one facing the door, aye. | 0:13:44 | 0:13:46 | |
Can that be cheap? | 0:13:46 | 0:13:48 | |
Is there SOMETHING can be cheap? | 0:13:48 | 0:13:51 | |
We're selling that for someone so... | 0:13:51 | 0:13:53 | |
-Oh, a private... -No, it is another dealer. We'll give him a call. | 0:13:53 | 0:13:57 | |
-No harm in it. I've no self-respect. -OK. | 0:13:57 | 0:14:00 | |
OK, whatever it takes. | 0:14:00 | 0:14:01 | |
And if you need me crying, I can turn that on just like that. | 0:14:01 | 0:14:04 | |
It may come to that. | 0:14:04 | 0:14:06 | |
I love the flask. I LOVE the flask. | 0:14:06 | 0:14:10 | |
I wish I had the leather pouch, that's its Achilles heel. | 0:14:10 | 0:14:13 | |
-175 for the clock. -175. | 0:14:13 | 0:14:16 | |
A good discount for the mantel clock and Bridget also offers | 0:14:16 | 0:14:20 | |
£50 for the pocket watch and £40 on the saddle flask, | 0:14:20 | 0:14:23 | |
but can Paul get a deal for all three from owner Nigel? | 0:14:23 | 0:14:27 | |
On what he was quoted before. | 0:14:27 | 0:14:29 | |
It's 175, 40 and 50 - 265 at the minute. | 0:14:29 | 0:14:34 | |
230. | 0:14:34 | 0:14:35 | |
That's a good offer. | 0:14:38 | 0:14:39 | |
At £230 it certainly is, even if it was haggled across the room. | 0:14:39 | 0:14:45 | |
It's a great discount and Paul snaps it up to secure all three items. | 0:14:45 | 0:14:50 | |
Bold move, Paul. | 0:14:50 | 0:14:51 | |
-Thank you very much. Next time, I hope. -Bye-bye. | 0:14:51 | 0:14:54 | |
And after a hard day of antique acquisition, | 0:14:55 | 0:14:58 | |
it's time for some rest. | 0:14:58 | 0:14:59 | |
Sweet dreams, you two. | 0:14:59 | 0:15:01 | |
The next morning, our curio crackerjacks are heading through | 0:15:06 | 0:15:10 | |
the West Midlands on their way to the village of Balsall Common | 0:15:10 | 0:15:14 | |
where they part ways once more. | 0:15:14 | 0:15:16 | |
-Have a lovely time. -See you later. | 0:15:16 | 0:15:19 | |
-See this afternoon. -All the best. -Bye. | 0:15:19 | 0:15:21 | |
-Good morning. -Hello. Nice to see you. | 0:15:22 | 0:15:24 | |
-Nice to see you. How are you? Are you well? -Fine. | 0:15:24 | 0:15:26 | |
Antiques In A Barn is housed in a 200-year-old barn, funnily enough. | 0:15:26 | 0:15:31 | |
With a lot of ground to cover, perhaps owner Diane can help out. | 0:15:31 | 0:15:35 | |
I would quite like to have a look in this cabinet, if that's all right. | 0:15:35 | 0:15:39 | |
I was looking at this fan. | 0:15:39 | 0:15:42 | |
-Now, is that the box for it there? -Yes. | 0:15:42 | 0:15:45 | |
-Can I give you that then, my love? -OK. -Isn't that pretty? | 0:15:45 | 0:15:50 | |
So, we need to have a look at the leaf and see if the leaf | 0:15:50 | 0:15:53 | |
is in good condition, which it is. | 0:15:53 | 0:15:55 | |
So often you find that they perish along these creases, don't they? | 0:15:55 | 0:15:58 | |
And that actually looks as if it's got a little bit of damage on there. | 0:15:58 | 0:16:03 | |
It's got this ivory... | 0:16:03 | 0:16:06 | |
..obviously what they call the sticks here, | 0:16:07 | 0:16:10 | |
and it's actually carved in there as well. | 0:16:10 | 0:16:13 | |
Now, ivory is quite controversial, isn't it? | 0:16:13 | 0:16:16 | |
But as long as it's pre-1947 it is legal to sell ivory in this country, | 0:16:16 | 0:16:20 | |
and I would say this is certainly 19th century French. | 0:16:20 | 0:16:24 | |
Yes. Not to everyone's taste, but Christina seems smitten by it. | 0:16:25 | 0:16:31 | |
Lovely. OK. | 0:16:31 | 0:16:33 | |
So, what have we got on this, Diane? 19th century fan, £78 on there. | 0:16:33 | 0:16:38 | |
What could be your death on that? For a trade buyer? | 0:16:38 | 0:16:41 | |
I'll do you £50. | 0:16:41 | 0:16:43 | |
-£50 on it. And that... -That includes the box. Yes. | 0:16:43 | 0:16:47 | |
That's a £28 discount, one to hang on to and to carry on rummaging. | 0:16:48 | 0:16:54 | |
This is interesting and it's got "Macintyre & Co, Burslem" on here. | 0:16:56 | 0:16:59 | |
James Macintyre founded a successful Staffordshire pottery in 1860. | 0:16:59 | 0:17:04 | |
You've got "at fault" on there. Is that...? | 0:17:04 | 0:17:07 | |
-Yes, there's a crack, unfortunately. -Oh, yes. | 0:17:07 | 0:17:11 | |
Oh, what a shame. | 0:17:11 | 0:17:13 | |
Damaged or not, it's priced at £55. | 0:17:13 | 0:17:17 | |
Because of the... I mean, perfect - 200, something like that? | 0:17:17 | 0:17:22 | |
-Mmm. -But because of the damage... -It's not perfect, is it? | 0:17:22 | 0:17:24 | |
No, it's not perfect. | 0:17:24 | 0:17:26 | |
For the two, could we come up with like a combined price for the two? | 0:17:26 | 0:17:29 | |
-£70 for the pair. -For the pair, for the two? | 0:17:30 | 0:17:33 | |
I mean, £50 on that is fine. | 0:17:33 | 0:17:36 | |
Could you meet me in the middle at 65? For the two? | 0:17:36 | 0:17:39 | |
For the fan and the little...perfume bottle at 65? | 0:17:39 | 0:17:42 | |
Yes, I'll do you 65. | 0:17:42 | 0:17:44 | |
-Yeah? -Yes, yes. -OK. It's a deal. Brilliant. | 0:17:44 | 0:17:46 | |
You're an angel, thank you, very much. | 0:17:46 | 0:17:49 | |
Oh, nice till! | 0:17:49 | 0:17:51 | |
Great work, Christina, two items bagged for £65. | 0:17:51 | 0:17:55 | |
Reunited, back in the car, | 0:17:57 | 0:17:59 | |
our twosome are travelling through some of Northamptonshire's | 0:17:59 | 0:18:02 | |
finest countryside towards the village of Weedon Bec. | 0:18:02 | 0:18:06 | |
Shall we just abandon the wheels here? | 0:18:08 | 0:18:10 | |
THEY LAUGH | 0:18:10 | 0:18:12 | |
I'm not entirely sure this is a parking space. | 0:18:12 | 0:18:15 | |
Neither am I. | 0:18:15 | 0:18:16 | |
It's their last shop of this leg | 0:18:16 | 0:18:19 | |
and Christina still has over £113, | 0:18:19 | 0:18:22 | |
while Paul is holding over 170. | 0:18:22 | 0:18:26 | |
Oh! | 0:18:28 | 0:18:29 | |
-Oh, this looks good. -Is it big enough for both of us, do you think? | 0:18:29 | 0:18:33 | |
You take that side, I'll take that side. | 0:18:33 | 0:18:36 | |
What I find quite fascinating is that both Paul and I will | 0:18:38 | 0:18:41 | |
walk in here and we'll both go for entirely different things. | 0:18:41 | 0:18:45 | |
He will go for stuff that I probably wouldn't even look at | 0:18:45 | 0:18:48 | |
and I will go for stuff that he probably wouldn't even look at. | 0:18:48 | 0:18:51 | |
It is like we're yin and yang, isn't it? | 0:18:51 | 0:18:53 | |
Yeah. And Paul's already yanging on to something. | 0:18:53 | 0:18:56 | |
How far am I from the door? | 0:18:57 | 0:18:59 | |
Three paces. | 0:19:03 | 0:19:05 | |
And that's what I'm buying. | 0:19:05 | 0:19:06 | |
OK? | 0:19:06 | 0:19:07 | |
Hold on! | 0:19:08 | 0:19:10 | |
Wait a minute, you may be wanting to know why and what. | 0:19:10 | 0:19:12 | |
-That would be nice. -OK. | 0:19:12 | 0:19:14 | |
It's that. | 0:19:14 | 0:19:16 | |
And it's going to cost me that. | 0:19:16 | 0:19:19 | |
And it dates to 1740, | 0:19:20 | 0:19:23 | |
1750, | 0:19:23 | 0:19:25 | |
and it's an incredibly scarce little Georgian English glass... | 0:19:25 | 0:19:33 | |
For all the world... | 0:19:33 | 0:19:35 | |
..it's like a tiny little sweetmeat dish, OK, | 0:19:37 | 0:19:41 | |
or a miniature tazza. We would call a tazza, a cake stand. | 0:19:41 | 0:19:46 | |
It's also a colossal bargain. | 0:19:46 | 0:19:49 | |
The truth of the matter is I think that's worth, | 0:19:49 | 0:19:53 | |
to a specialist collector... | 0:19:53 | 0:19:54 | |
..£100 of anyone's money. | 0:19:55 | 0:19:57 | |
Incredible find, Paul. | 0:19:57 | 0:20:00 | |
Hurry up, Christina, would you? Come on! Christina! | 0:20:00 | 0:20:03 | |
How long is this going to take? I'm done! Come on! | 0:20:03 | 0:20:07 | |
Hang on a second, you're not supposed to heckle me from across an antique shop! | 0:20:07 | 0:20:11 | |
-No pressure. -Are you done? | 0:20:11 | 0:20:13 | |
-Seriously? -Done. Done. | 0:20:13 | 0:20:16 | |
I hadn't even started looking. What?! | 0:20:17 | 0:20:20 | |
He was quick. | 0:20:20 | 0:20:22 | |
Would you be Lawrence, by any chance? | 0:20:22 | 0:20:24 | |
-I would be, and I presume you're Paul. -Good to see you, my friend. | 0:20:24 | 0:20:27 | |
-Are you all right? -Very well indeed. | 0:20:27 | 0:20:28 | |
-This it is going to be the quickest visit I've ever had to an antique shop. -Really? | 0:20:28 | 0:20:32 | |
I found it within two paces of the door. I ain't going to haggle, | 0:20:32 | 0:20:36 | |
-funnily enough, so I will give you all of... -£1! | 0:20:36 | 0:20:42 | |
-Would you believe it, Lawrence? -That's very kind of you indeed. | 0:20:43 | 0:20:46 | |
I am going to shake your hand and run. | 0:20:46 | 0:20:49 | |
Can I have my glass? | 0:20:49 | 0:20:51 | |
Thank you. | 0:20:51 | 0:20:52 | |
Paul's eagle eye strikes again and no haggling indeed. | 0:20:52 | 0:20:57 | |
What a spot, eh? | 0:20:57 | 0:20:58 | |
What a little diamond? | 0:21:00 | 0:21:01 | |
A pound note. | 0:21:01 | 0:21:04 | |
A pound note. Three steps in from the door. | 0:21:04 | 0:21:08 | |
Right, Christina, the pressure's on now. | 0:21:08 | 0:21:10 | |
-Alison, could I have a look in this cupboard here? -Of course you may. | 0:21:12 | 0:21:16 | |
-We're selling in Cheshire. -Oh, right? | 0:21:18 | 0:21:21 | |
So, I'm thinking footballers' wives, bit of bling. | 0:21:21 | 0:21:24 | |
Yes. And that's so unusual on the setting of the diamond. | 0:21:24 | 0:21:27 | |
It looks it almost looks sort of Boodles or Chopard | 0:21:27 | 0:21:29 | |
or something like that. It's quite sweet. | 0:21:29 | 0:21:31 | |
-So what could your best trade price on that be? -£120. | 0:21:31 | 0:21:34 | |
Ah. | 0:21:36 | 0:21:37 | |
OK. | 0:21:37 | 0:21:38 | |
Is there any chance we could go £100 on it? | 0:21:39 | 0:21:42 | |
Not really. | 0:21:43 | 0:21:45 | |
-Cos I haven't got £120 left! -Oh, dear. | 0:21:45 | 0:21:48 | |
How much have you got left? | 0:21:48 | 0:21:50 | |
Not that much. | 0:21:50 | 0:21:51 | |
I was really hoping to sort of secure that for about £100 | 0:21:51 | 0:21:55 | |
if that's at all possible. What's your thoughts on that? | 0:21:55 | 0:21:58 | |
Let me go and have a word with John that works for me | 0:21:58 | 0:22:02 | |
because it's one of his pieces. | 0:22:02 | 0:22:04 | |
Oh, OK, all right, brilliant. | 0:22:04 | 0:22:05 | |
110 he said, he can't do 100. | 0:22:10 | 0:22:13 | |
-He can't do 100. -No, unfortunately not. -Oh. | 0:22:13 | 0:22:16 | |
Oh. | 0:22:18 | 0:22:20 | |
-Would he go 105? -No, I can't. | 0:22:20 | 0:22:23 | |
-Are you sure? -Positive, sorry. | 0:22:23 | 0:22:25 | |
-£110's the absolute death on that. -It is. -OK, 110. | 0:22:25 | 0:22:29 | |
-110, thank you very much, that's great. -You're welcome. | 0:22:29 | 0:22:31 | |
I owe you some money. That's beautiful. | 0:22:31 | 0:22:33 | |
And with that, all our shopping for this leg is done. | 0:22:33 | 0:22:35 | |
Christina's spent £215 on the Bakelite speaker, | 0:22:35 | 0:22:40 | |
the 19th century pearlware figure, | 0:22:40 | 0:22:42 | |
the scent bottle, the silk fan | 0:22:42 | 0:22:45 | |
and the diamond pendant. | 0:22:45 | 0:22:47 | |
Paul bought the WMF christening set, | 0:22:47 | 0:22:50 | |
the pocket watch, | 0:22:50 | 0:22:51 | |
the glass flask, | 0:22:51 | 0:22:53 | |
mantel clock | 0:22:53 | 0:22:54 | |
and his bargain buy of the Georgian tazza, | 0:22:54 | 0:22:57 | |
all for a total of £243.50. | 0:22:57 | 0:23:00 | |
So, what do they make of each other's items? | 0:23:02 | 0:23:05 | |
The little perfume, well, you see when I first saw that I panicked, | 0:23:06 | 0:23:09 | |
I thought, "Oh, she's bought a Macintyre silver-mounted egg perfume." | 0:23:09 | 0:23:13 | |
I thought I'd lost it all. | 0:23:13 | 0:23:15 | |
Praise the Lord, it's damaged and I have been let off the hook. | 0:23:15 | 0:23:19 | |
The guy is a genius, I mean buying a beautiful piece of very, | 0:23:19 | 0:23:24 | |
very early glassware like that for £1 is just amazing | 0:23:24 | 0:23:27 | |
and I was in the same shop as him. | 0:23:27 | 0:23:29 | |
That's quite depressing. | 0:23:29 | 0:23:31 | |
Do you know? You're right. | 0:23:32 | 0:23:33 | |
Our pair have trundled their way north | 0:23:33 | 0:23:35 | |
from Leominster in Herefordshire | 0:23:35 | 0:23:37 | |
and are headed for their last stop of this leg in Nantwich in Cheshire. | 0:23:37 | 0:23:41 | |
You walk into a shop, the same shop as me, might I add, | 0:23:41 | 0:23:45 | |
you walk into a shop, within two paces you have picked up | 0:23:45 | 0:23:49 | |
the most beautiful 18th-century glass | 0:23:49 | 0:23:53 | |
-for a pound! -PAUL LAUGHS | 0:23:53 | 0:23:55 | |
Jealousy will get you nowhere, Christina. | 0:23:55 | 0:23:58 | |
It's off to the auction, which today is being held in Nantwich. | 0:23:58 | 0:24:02 | |
For the last 60 years the town has been home to Peter Wilson Auctions, | 0:24:02 | 0:24:06 | |
and very nice it is too. | 0:24:06 | 0:24:08 | |
Come on, then. | 0:24:08 | 0:24:09 | |
In charge today is auctioneer, Chris Large. | 0:24:09 | 0:24:13 | |
To me the main event, it's all about your glass. | 0:24:13 | 0:24:16 | |
I think it doesn't matter what happens today. | 0:24:16 | 0:24:20 | |
We'll have to wait for that. | 0:24:20 | 0:24:21 | |
Christina's Bakelite speaker is up first. | 0:24:21 | 0:24:24 | |
I'm bid £30 straight away on commission for this lot | 0:24:24 | 0:24:26 | |
and I'm selling. | 0:24:26 | 0:24:27 | |
Internet's in here. 50. | 0:24:27 | 0:24:29 | |
50's bid on the internet. | 0:24:29 | 0:24:31 | |
Five on the internet? | 0:24:31 | 0:24:32 | |
Any further bids? | 0:24:32 | 0:24:33 | |
-I'll take that, I need it. -More than doubled your money. | 0:24:35 | 0:24:38 | |
That broken old speaker's given Christina a fantastic start. | 0:24:38 | 0:24:43 | |
Next up is Paul's mantel clock he fell in love with. | 0:24:44 | 0:24:48 | |
-My prediction? -Yes. -250 to 350 quid. | 0:24:48 | 0:24:52 | |
I have £65 now straightaway. | 0:24:52 | 0:24:54 | |
70, 75. | 0:24:54 | 0:24:56 | |
-80. -In the room. | 0:24:56 | 0:24:57 | |
90, against the commission. | 0:24:57 | 0:24:59 | |
95, 100, and ten now. | 0:24:59 | 0:25:01 | |
120. | 0:25:01 | 0:25:03 | |
120. 130. | 0:25:03 | 0:25:05 | |
140. | 0:25:05 | 0:25:06 | |
40, 50. | 0:25:06 | 0:25:07 | |
160. 160's bid on the internet. | 0:25:07 | 0:25:11 | |
Another internet bidder. | 0:25:11 | 0:25:12 | |
170. 180. 190. 190, 200. | 0:25:12 | 0:25:15 | |
I'm safe now, come on. | 0:25:15 | 0:25:17 | |
200. 220, now? | 0:25:17 | 0:25:19 | |
It's still cheap. | 0:25:19 | 0:25:20 | |
-£220. -Not expensive but I'll take it. | 0:25:20 | 0:25:22 | |
At £220, I'm going to sell. If you're all happy now, at £220. | 0:25:22 | 0:25:26 | |
-I'll take it. I'll take that. -Well done. | 0:25:26 | 0:25:29 | |
I'll just mop that brow. | 0:25:29 | 0:25:32 | |
Not quite your prediction, Paul, but still a strong profit. | 0:25:32 | 0:25:35 | |
It's Christina's 19th-century silk fan. | 0:25:35 | 0:25:38 | |
£35, the bid's going to be. 40, thank you. | 0:25:39 | 0:25:41 | |
40 in the room. At £40. | 0:25:41 | 0:25:43 | |
45 I'm looking for. At £40, | 0:25:43 | 0:25:45 | |
I'll sell if you're all happy. At £40 only. | 0:25:45 | 0:25:48 | |
Sadly, the room doesn't love it quite as much as you did, Christina. | 0:25:48 | 0:25:53 | |
That's great! No, I mean, no, no, what a disappointment. | 0:25:53 | 0:25:56 | |
Now the hour has come for Paul's second timepiece of the day. | 0:25:58 | 0:26:02 | |
His pocket watch. | 0:26:02 | 0:26:03 | |
Now we've got your really sweet little Art Deco pocket watch. | 0:26:03 | 0:26:06 | |
And £20 I'm bid on commission here. With me I'm selling. | 0:26:06 | 0:26:09 | |
25's on the internet, takes my bid out. | 0:26:09 | 0:26:12 | |
At £25 the internet bidder has it. | 0:26:12 | 0:26:14 | |
-30 I am looking for. -I'm making a loss. | 0:26:14 | 0:26:16 | |
-£25. -It is an outrage! | 0:26:16 | 0:26:17 | |
If you're all happy at £25 only. | 0:26:17 | 0:26:20 | |
-This is an outrage. -Oh. Oh! | 0:26:20 | 0:26:22 | |
-I demand a recount. -Lost it, you've lost it. | 0:26:22 | 0:26:25 | |
Is there a chink in Paul's armour, after all? | 0:26:25 | 0:26:28 | |
Still, only a small loss. | 0:26:28 | 0:26:30 | |
Can Christina's Staffordshire figure land another blow? | 0:26:30 | 0:26:34 | |
This lot I have £20 bid straightaway on commission | 0:26:34 | 0:26:37 | |
for this lot and I'm selling. | 0:26:37 | 0:26:38 | |
-Don't sell it straightaway! -25 versus the commission. | 0:26:38 | 0:26:41 | |
At £25 my commission's out and it's on the internet. | 0:26:41 | 0:26:44 | |
It's got a little cheeky smile. | 0:26:44 | 0:26:45 | |
£25, I'm going to sell to the internet bidder | 0:26:47 | 0:26:50 | |
if you're all happy, £25 only. | 0:26:50 | 0:26:51 | |
A small profit, but Christina has another chance to catch Paul. | 0:26:53 | 0:26:57 | |
Her scent bottle is next. | 0:26:57 | 0:27:00 | |
-It's sweet. -That does it for me. | 0:27:00 | 0:27:04 | |
20 is the bid in the room. At £20 with the lady. 25 I'm looking for. | 0:27:04 | 0:27:08 | |
£20 is bid. Any further bids? | 0:27:08 | 0:27:10 | |
I'm going to sell if you're all happy. In the room at £20. | 0:27:10 | 0:27:13 | |
That damage on the scent bottle seems to have been a problem | 0:27:14 | 0:27:17 | |
and Christina makes a small loss. | 0:27:17 | 0:27:20 | |
Next up is Paul's silver and glass saddle flask. | 0:27:20 | 0:27:24 | |
I'll start the bidding off at £60 here with me. | 0:27:24 | 0:27:26 | |
65 I'm looking for to continue. | 0:27:26 | 0:27:27 | |
At 65, 70's there on commission, 75. | 0:27:27 | 0:27:30 | |
75's on the internet. 80's on commission, 85. | 0:27:30 | 0:27:33 | |
-Someone's got the leather case for this, haven't they? -Yeah. | 0:27:33 | 0:27:37 | |
At £80. | 0:27:37 | 0:27:40 | |
At £80, and I'm going to sell if you're all happy at £80. | 0:27:40 | 0:27:44 | |
Even without its leather pouch, Paul more than doubles his money. | 0:27:44 | 0:27:49 | |
Now, Christina has one last chance to catch Paul. | 0:27:49 | 0:27:52 | |
It rests on her diamond and white gold pendant. | 0:27:52 | 0:27:55 | |
-I can start the bidding at £135 here with me. -Oh. | 0:27:55 | 0:28:00 | |
£135, the bid's here with me on commission and I'm selling. | 0:28:00 | 0:28:03 | |
-140, do I hear? -Come on! | 0:28:03 | 0:28:05 | |
I'll sell to the commission bid if you're all happy at £135 only. | 0:28:05 | 0:28:08 | |
Any further bids? | 0:28:08 | 0:28:09 | |
It's a good profit, | 0:28:09 | 0:28:11 | |
but not enough to catch Paul, who still has two items to go. | 0:28:11 | 0:28:15 | |
Paul was passionate about the WMF christening set, | 0:28:15 | 0:28:18 | |
but will it set the auction alight? | 0:28:18 | 0:28:20 | |
A lovely lot this. I'm only bid £40 on commission. | 0:28:20 | 0:28:23 | |
It's a one-horse race, this. | 0:28:23 | 0:28:25 | |
If you're all happy, at £40 only. | 0:28:25 | 0:28:27 | |
45 just at the last minute. | 0:28:27 | 0:28:29 | |
£45 the bid. At £45, 50 still on commission. | 0:28:29 | 0:28:34 | |
55, can I tempt you, sir? | 0:28:34 | 0:28:36 | |
-He's getting greedy now! -£55. | 0:28:36 | 0:28:38 | |
At £55, the bid's in the room. Any further bids? | 0:28:38 | 0:28:41 | |
That's, again, a great profit. | 0:28:42 | 0:28:44 | |
A great profit. | 0:28:44 | 0:28:46 | |
It is yet another profit. | 0:28:48 | 0:28:49 | |
And now it is Paul's incredible find, his Georgian glass. | 0:28:51 | 0:28:54 | |
Estimate, would you like to tell everyone what they've estimated? | 0:28:56 | 0:28:59 | |
-What is the estimate? -Estimate... | 0:28:59 | 0:29:00 | |
How much did you buy it for? | 0:29:00 | 0:29:02 | |
-I think, a pound. -100 pence. | 0:29:02 | 0:29:05 | |
And estimated at £80-£120. | 0:29:05 | 0:29:09 | |
Sorry, what was that? I missed that. Say it again. | 0:29:09 | 0:29:12 | |
£8-£12! | 0:29:12 | 0:29:14 | |
For this lot I have two conflicting bids straightaway. | 0:29:14 | 0:29:16 | |
-I can start the bidding at £110 and I'm selling. -Well done! | 0:29:16 | 0:29:20 | |
120 I'm looking for to continue. | 0:29:20 | 0:29:22 | |
All right, the internet is running away with us. At 160 we're up to. | 0:29:22 | 0:29:25 | |
160's bid on the internet, 170. | 0:29:25 | 0:29:29 | |
-180. -It is still going. -180, 190. | 0:29:29 | 0:29:32 | |
Tell me when it stops. | 0:29:32 | 0:29:33 | |
200. £200. 220. At 240. | 0:29:33 | 0:29:37 | |
At £240. 260. At £260. | 0:29:37 | 0:29:40 | |
-280. -£280. Two conflicting internet bidders. | 0:29:40 | 0:29:43 | |
Please join in in the room. | 0:29:43 | 0:29:45 | |
-300. 300! -Oh, yeah. | 0:29:45 | 0:29:48 | |
320. At £320. | 0:29:48 | 0:29:51 | |
At 320. 340, do I hear? | 0:29:51 | 0:29:53 | |
At £320 is bid. | 0:29:53 | 0:29:55 | |
At 320, 340 now. | 0:29:55 | 0:29:57 | |
-At 340 now. -360. | 0:29:57 | 0:30:00 | |
OK, I'm just a passenger at this point. | 0:30:00 | 0:30:02 | |
At 360, 380, do I hear? | 0:30:02 | 0:30:04 | |
At £360. | 0:30:04 | 0:30:07 | |
Slightly over estimate. | 0:30:07 | 0:30:10 | |
Any further bids? | 0:30:10 | 0:30:12 | |
Bravo. Well done. Well done. | 0:30:13 | 0:30:16 | |
Absolutely outstanding. | 0:30:16 | 0:30:19 | |
An unbelievable profit. | 0:30:19 | 0:30:20 | |
-Oh! -Wow, seriously. | 0:30:20 | 0:30:22 | |
-I am not worthy, Paul Laidlaw. -That was my moment. | 0:30:24 | 0:30:28 | |
Would you like a piece of cake? | 0:30:28 | 0:30:30 | |
Christina started this leg with £218.14. | 0:30:31 | 0:30:36 | |
After costs she's made a profit of £6.40, | 0:30:36 | 0:30:41 | |
raising her total to £224.54. | 0:30:41 | 0:30:44 | |
But, today's win makes it a hat-trick | 0:30:46 | 0:30:48 | |
of auction success for Paul. He had £427.04 | 0:30:48 | 0:30:53 | |
and after costs he's run up an amazing profit of £353.30, | 0:30:53 | 0:30:59 | |
taking his total to a whopping £780.34. | 0:30:59 | 0:31:05 | |
With Paul out in front, it's time for the next leg | 0:31:09 | 0:31:12 | |
and today our experts are in Shropshire. | 0:31:12 | 0:31:14 | |
Their HMC Mark IV starts out in Shrewsbury, | 0:31:14 | 0:31:18 | |
before making its way to an auction in Stoke-on-Trent. | 0:31:18 | 0:31:21 | |
Kicking off in the Salopian county town, Christina has first dibs | 0:31:22 | 0:31:27 | |
at Junk 'n' Disorderly! | 0:31:27 | 0:31:30 | |
-Hello. Hi, Christina. -Nice to meet you. | 0:31:30 | 0:31:32 | |
-Hi. What's your name? -Jim. -Jim. | 0:31:32 | 0:31:34 | |
-Lovely to meet you, Jim. -Handsome Jim. | 0:31:34 | 0:31:36 | |
Handsome Jim. That's the name, is it? | 0:31:36 | 0:31:38 | |
Especially if you want a bargain, Christina. | 0:31:38 | 0:31:40 | |
-Has she found something already? -Oh, hello. | 0:31:40 | 0:31:43 | |
Now, that's a bit of magic. | 0:31:43 | 0:31:44 | |
Ah, a pair of Alexander Blaikley paintings, by the look of it. | 0:31:44 | 0:31:48 | |
-Very nice, aren't they? -Aren't they just, yeah. | 0:31:48 | 0:31:50 | |
So, they're a pair? Is that £195 for the pair? | 0:31:50 | 0:31:53 | |
-No. -So you've got them individually priced, but you won't split them? | 0:31:53 | 0:31:56 | |
I won't split them, yeah. | 0:31:56 | 0:31:58 | |
-OK. -All right, I can do a deal on the pair, then. £250. | 0:31:58 | 0:32:01 | |
-That's a good price. -They are very beautiful, but I don't have £250! | 0:32:02 | 0:32:08 | |
-Then you can't have them, can you! -Exactly. | 0:32:08 | 0:32:11 | |
Have they got any provenance? Where have come from? | 0:32:11 | 0:32:13 | |
I don't do the history, it costs extra(!) | 0:32:13 | 0:32:16 | |
Fair enough, Jim. Scottish-born Blaikley was a 19th-century portrait | 0:32:16 | 0:32:20 | |
painter, these two are very typical of his work. | 0:32:20 | 0:32:22 | |
They look a bit faded to me. | 0:32:22 | 0:32:24 | |
I would be looking to pay probably 150... | 0:32:24 | 0:32:27 | |
Good Lord! I'll do you the pair for 200. | 0:32:27 | 0:32:30 | |
-Now, that's a good deal. -Split the difference with me at 180. | 0:32:30 | 0:32:34 | |
-Split the difference and go 190. -No, not going to go more than 180. | 0:32:34 | 0:32:38 | |
-185? -Nope. -Oh, good Lord. There's a dog to be fed. | 0:32:38 | 0:32:41 | |
Blimey, Jim. What on earth are you giving him? | 0:32:43 | 0:32:45 | |
My issue is, obviously, there's a lot of damage to the frames and they | 0:32:46 | 0:32:49 | |
have been re-lined. They've had new backs on, | 0:32:49 | 0:32:51 | |
so somebody has taken them out. | 0:32:51 | 0:32:53 | |
Somebody took them out to put money inside, covered it over and left it. | 0:32:53 | 0:32:56 | |
-Gold sovereigns? -Well, could be. | 0:32:56 | 0:32:59 | |
-I'm still thinking 150, 160. -No, you didn't, you went up to 170. | 0:32:59 | 0:33:02 | |
-Yeah, well, I changed my mind. -You went up to 170. | 0:33:02 | 0:33:04 | |
-I've changed my mind. -You can't go back down! | 0:33:04 | 0:33:06 | |
It's a woman's prerogative. | 0:33:06 | 0:33:07 | |
-She's right, Jim. -I think 160 would be a fair price on the two. | 0:33:07 | 0:33:11 | |
Good Lord, no! Can I go and make myself a cup of tea? | 0:33:11 | 0:33:13 | |
-A man'll die of thirst here! -No! | 0:33:13 | 0:33:15 | |
I leave you to it. That's it. | 0:33:15 | 0:33:17 | |
-He's off again? -Jim? -That's robbery. Daylight robbery! | 0:33:17 | 0:33:20 | |
-Jim? Jim? -Yes, darling. | 0:33:20 | 0:33:22 | |
It's like some sort of courtship ritual, isn't it? | 0:33:22 | 0:33:26 | |
-160. -Nope. | 0:33:26 | 0:33:27 | |
-165? -No! | 0:33:27 | 0:33:28 | |
Come on, a fiver. | 0:33:28 | 0:33:30 | |
175. I'll start going up if you keep coming down. | 0:33:30 | 0:33:34 | |
Do you feel insulted? | 0:33:34 | 0:33:35 | |
I do. Highly. | 0:33:35 | 0:33:37 | |
165, you've got a deal. | 0:33:37 | 0:33:39 | |
And I'll get out of your hair for the rest of the day. Go on. | 0:33:39 | 0:33:42 | |
-OK, go on. -165. -You bring tears to a glass eye, you know that? | 0:33:42 | 0:33:45 | |
So, that's one deal happily arrived at. | 0:33:47 | 0:33:50 | |
Bye, Murphy, bye. | 0:33:50 | 0:33:52 | |
Bye. Bye. | 0:33:52 | 0:33:53 | |
With her first items of the day in the bag, | 0:33:55 | 0:33:58 | |
the coast is clear for Mr Laidlaw to drop by and lock horns with our Jim. | 0:33:58 | 0:34:01 | |
This should be good. There'll be plenty to choose from, | 0:34:01 | 0:34:05 | |
including some militaria. | 0:34:05 | 0:34:08 | |
-Here we go. -Well, quite a lot, actually. | 0:34:08 | 0:34:11 | |
A rack of uniforms. | 0:34:11 | 0:34:13 | |
And that's my bag. | 0:34:13 | 0:34:15 | |
However, that's post-war German, Bundeswehr. | 0:34:15 | 0:34:21 | |
That's post-war dress, who cares! | 0:34:21 | 0:34:24 | |
It's all well buying fancy dress, history is what we are looking for. | 0:34:24 | 0:34:28 | |
This, however, is Second World War Royal Navy. | 0:34:28 | 0:34:33 | |
Right, OK. Watch this. Switch, geek mode! Anorak mode! | 0:34:33 | 0:34:37 | |
This is called a jumper. | 0:34:37 | 0:34:39 | |
Yes, you think a jumper is a woolly pully, | 0:34:39 | 0:34:41 | |
but in admiralty language this is a jumper. | 0:34:41 | 0:34:43 | |
And it would indeed be worn with bell-bottomed trousers, | 0:34:43 | 0:34:46 | |
with seven folds that represent the seven seas. | 0:34:46 | 0:34:48 | |
These five stripes, here, are war service chevrons. | 0:34:49 | 0:34:54 | |
These were given in the Second World War for each year of service, | 0:34:54 | 0:34:57 | |
that guy served for the duration of the war, and he was still | 0:34:57 | 0:35:02 | |
wearing this in 1944, because in 1944 he had earned four stripes, | 0:35:02 | 0:35:06 | |
see this one is a bolt on. | 0:35:06 | 0:35:08 | |
Isn't that a great wee bit of detective work? | 0:35:08 | 0:35:11 | |
We can pin this thing down to a period without a label or a date. | 0:35:11 | 0:35:14 | |
Clever stuff. | 0:35:14 | 0:35:16 | |
Jim, though, wishes to put a more eccentric item forward. | 0:35:16 | 0:35:20 | |
-It's a good 'un. -It's all about the story, isn't it? | 0:35:20 | 0:35:23 | |
Well, I can give you any story you like! | 0:35:23 | 0:35:25 | |
It's a mounted horse's hoof, complete with shoe, | 0:35:25 | 0:35:30 | |
fitted with a brass collar and a hinged mahogany lid. | 0:35:30 | 0:35:35 | |
It would serve as a baccy pot or a match pot, or whatever you want. | 0:35:35 | 0:35:40 | |
I'm giving you 95. I'm open to a bit of hardball. Look, I've removed the | 0:35:40 | 0:35:44 | |
price, what does that tell you? I'm ready for a sale. | 0:35:44 | 0:35:46 | |
I need some money, I've a dog to feed, look at him. | 0:35:46 | 0:35:49 | |
Didn't he say the same thing to Christina? | 0:35:49 | 0:35:51 | |
Just how much dog food does that dog want? He's so small. | 0:35:51 | 0:35:54 | |
I reckon that's going to make 30-40 quid under the hammer. | 0:35:54 | 0:35:58 | |
You're joking me! Give me 40 and I'll take it | 0:35:58 | 0:36:00 | |
-and that's the end of it now. -Have you not listened to me? | 0:36:00 | 0:36:03 | |
We've got an old uniform and a green helmet there. | 0:36:03 | 0:36:07 | |
What would be the price if on the three pieces? | 0:36:07 | 0:36:10 | |
And I don't rate them, by the way, | 0:36:10 | 0:36:11 | |
I'm just trying to take the pain out of that. | 0:36:11 | 0:36:14 | |
-Give me 75 for the lot. -No! -That's dirt cheap! | 0:36:14 | 0:36:17 | |
-Because the blue uniform... -50 quid, there you go. | 0:36:17 | 0:36:20 | |
-..is neither here nor there. -That's what you wanted. 50 quid. | 0:36:20 | 0:36:23 | |
-Do you want to shake on it, yes or no? -Yeah. -Done. -No problem. | 0:36:23 | 0:36:26 | |
Well, Jim, yet again it's been emotional. | 0:36:26 | 0:36:29 | |
Well, I tell you what, you'll do well to get a tenner for it. | 0:36:29 | 0:36:31 | |
This is no joking matter. | 0:36:33 | 0:36:35 | |
-Look after yourself, my friend. -You too, man. | 0:36:36 | 0:36:38 | |
-All the best to you. -And I hope I don't see you again. | 0:36:38 | 0:36:41 | |
I'll wash out my mouth, big man. | 0:36:41 | 0:36:43 | |
Now, still in Shrewsbury, where's our local lass got to? | 0:36:46 | 0:36:50 | |
-Bill, how are you? -Christina, how are you? -Nice to see you. Very well, thank you. | 0:36:50 | 0:36:54 | |
Oh, what a surprise. Nice of you to drop in. | 0:36:54 | 0:36:56 | |
-Yeah, I'm sorry about this gate-crashing. -You're always welcome. | 0:36:56 | 0:36:58 | |
Now, I don't know about you but I reckon those two have met before. | 0:36:58 | 0:37:02 | |
Could local knowledge help? It's certainly a very nice shop. | 0:37:02 | 0:37:06 | |
-Oh, I tell you what I do like. -Oh, the tin-plate? | 0:37:06 | 0:37:08 | |
-That's pretty cool, isn't it? -That's fabulous. -I like that. | 0:37:08 | 0:37:11 | |
-OK, missing its front. -Yeah. There's bits wrong with it. | 0:37:11 | 0:37:15 | |
-Oh, but look at him driving his train! -It is '50s. It is Japanese. | 0:37:15 | 0:37:20 | |
It needs a little bit of care and attention. | 0:37:21 | 0:37:23 | |
It does, doesn't it? But that's great. Does it work? | 0:37:23 | 0:37:26 | |
Well, no, it doesn't. Well, I don't know if it's bad off working. | 0:37:26 | 0:37:31 | |
-The bits are there. -Oh, yeah. What have we got on it? £20. -Yep. | 0:37:31 | 0:37:35 | |
-It looks great but... -It's a decorative object. | 0:37:35 | 0:37:38 | |
-Like me, it has issues. -HE LAUGHS | 0:37:38 | 0:37:41 | |
-Don't we all? -Speak for yourselves. | 0:37:41 | 0:37:44 | |
-12 quid, it's yours. -Yeah? -You'll make a profit. | 0:37:44 | 0:37:47 | |
-Will I? -What do you think? -Can we make it a tenner? | 0:37:47 | 0:37:49 | |
-Oh, sure. -Tenner? | 0:37:49 | 0:37:51 | |
What have you got there? Is that a handshake or what? | 0:37:51 | 0:37:54 | |
-It's a handshake. -All right. -Thank you very much. -You're welcome. | 0:37:54 | 0:37:57 | |
You're an angel. | 0:37:57 | 0:37:58 | |
Deal sealed and, issues or not, she should be chuffed | 0:37:58 | 0:38:01 | |
about that little buy. | 0:38:01 | 0:38:03 | |
But whilst Christina's been bargaining, Paul's back | 0:38:06 | 0:38:08 | |
behind the wheel heading east towards the Birmingham suburb | 0:38:08 | 0:38:12 | |
of Erdington, where inside this mysterious warehouse | 0:38:12 | 0:38:17 | |
there's a wealth of incredible history. | 0:38:17 | 0:38:20 | |
-'Good afternoon. Reception, can I help you?' -Paul Laidlaw. | 0:38:20 | 0:38:23 | |
I've arranged to pop in and see you. | 0:38:23 | 0:38:26 | |
Oh, look at that! Holy Moses, here it goes. | 0:38:26 | 0:38:32 | |
Paul's about to get a close look | 0:38:32 | 0:38:34 | |
at where the government keeps our wills. | 0:38:34 | 0:38:36 | |
-Hello there, Phil. -Paul, good to see you. | 0:38:36 | 0:38:39 | |
-Good to see you. -Welcome to Iron Mountain. -Thanks very much. What a place this is! | 0:38:39 | 0:38:42 | |
It certainly is because since 1858, when our wills were made public, | 0:38:42 | 0:38:48 | |
they have been archived and there's an awful lot of them here. | 0:38:48 | 0:38:51 | |
We store the wills, 80 million of them, | 0:38:51 | 0:38:55 | |
on behalf of Her Majesty's Courts and Tribunals Service | 0:38:55 | 0:38:58 | |
and we've got some really, really strict controls in place | 0:38:58 | 0:39:01 | |
around the temperature, humidity and, as you've seen, security, | 0:39:01 | 0:39:04 | |
-when you came through. -Indeed. | 0:39:04 | 0:39:06 | |
Nowadays, they're hard at work digitising all this | 0:39:06 | 0:39:10 | |
and putting it online for everyone, | 0:39:10 | 0:39:11 | |
from those studying their family history | 0:39:11 | 0:39:13 | |
to biographers of great Britons. | 0:39:13 | 0:39:16 | |
-Oh, it is, it's amazing. This is Indiana Jones. -Oh, absolutely. | 0:39:16 | 0:39:20 | |
But there's nothing quite like taking a close-up look | 0:39:20 | 0:39:23 | |
at the originals. | 0:39:23 | 0:39:24 | |
These are hundreds of thousands of people we're looking at. | 0:39:24 | 0:39:27 | |
Each one of these pages, each one of these documents | 0:39:27 | 0:39:30 | |
can tell you a story, and then you've got | 0:39:30 | 0:39:31 | |
the more interesting people such as Edward William Elgar. | 0:39:31 | 0:39:35 | |
-Right, the composer. Right. -Absolutely. | 0:39:35 | 0:39:38 | |
"I regret that owing to the sudden collapse of everything artistic | 0:39:38 | 0:39:41 | |
"and commercial, I have found it necessary to revoke the will, | 0:39:41 | 0:39:44 | |
"which I previously made and to make this present will." | 0:39:44 | 0:39:47 | |
So even in the wills of famous people, of people that we know, | 0:39:47 | 0:39:50 | |
there are still stories to be told about how fortunes were made | 0:39:50 | 0:39:55 | |
and sometimes were lost or fortunes changed. | 0:39:55 | 0:39:58 | |
So why has he rewritten the will? | 0:39:58 | 0:40:00 | |
At this time in his life, you can see here that he's struggling with everything around him | 0:40:00 | 0:40:03 | |
and that was caused by the death of his wife, Alice. | 0:40:03 | 0:40:06 | |
-So tragic circumstances led to this. -It reads like a book. | 0:40:06 | 0:40:10 | |
-It does. -Not how I expected. -Absolutely, yeah. | 0:40:10 | 0:40:13 | |
Who else have you got? | 0:40:13 | 0:40:14 | |
Straight away here is a name you may recognise. | 0:40:14 | 0:40:17 | |
-Florence Nightingale, the lady with the lamp? -It is, absolutely. | 0:40:17 | 0:40:22 | |
-You could just keep doing this, blow my mind. -Followed by... | 0:40:22 | 0:40:25 | |
HE GASPS | 0:40:25 | 0:40:27 | |
Whoa! Winston Churchill. Just beyond belief. | 0:40:27 | 0:40:32 | |
I know who that is - Beatrix Heelis | 0:40:32 | 0:40:34 | |
-That's the married name of Beatrix Potter. -It absolutely is. | 0:40:34 | 0:40:37 | |
Well, there you go. | 0:40:37 | 0:40:38 | |
The lady that left all of her estate to the National Trust. | 0:40:38 | 0:40:41 | |
Yup, they're all in here, | 0:40:41 | 0:40:42 | |
everyone from your great-granny, to the Kray twins. | 0:40:42 | 0:40:45 | |
Take a look online at the YouGov website. | 0:40:45 | 0:40:48 | |
After you. | 0:40:48 | 0:40:51 | |
There's also a touch of the James Bond about this, is there not? | 0:40:51 | 0:40:54 | |
There is. | 0:40:54 | 0:40:55 | |
Especially poignant on the centenary of the Great War, | 0:40:55 | 0:40:58 | |
is a collection of almost 300,000 soldiers' wills. | 0:40:58 | 0:41:02 | |
"In the event of my death I give the whole of my property | 0:41:02 | 0:41:05 | |
"and effects to Mrs Catherine McCarthy." | 0:41:05 | 0:41:09 | |
Signed 6184 Private McCarthy. Deary me. | 0:41:09 | 0:41:13 | |
Such different circumstances than some of the other wills that we saw. | 0:41:13 | 0:41:17 | |
Who died in their bed, the great and the good. | 0:41:17 | 0:41:20 | |
This guy in the mud of France and Flanders, | 0:41:20 | 0:41:22 | |
an officer saying, "You'd better fill that in." | 0:41:22 | 0:41:25 | |
And it could be tomorrow that it's applicable. | 0:41:25 | 0:41:27 | |
And nothing brings it home more than the pocketbook | 0:41:27 | 0:41:30 | |
that we've got in front of us. It's actually got a bullet hole in it. | 0:41:30 | 0:41:33 | |
The soldiers carried their pocketbooks around with them | 0:41:33 | 0:41:35 | |
when they were on the front line and probably one of the last things | 0:41:35 | 0:41:39 | |
that was ever written in here was the will. | 0:41:39 | 0:41:42 | |
-So that's the reason... -That's why it's here? -That's why it's here. Absolutely, yeah. | 0:41:42 | 0:41:46 | |
And quite interesting with the will that we've got here, | 0:41:46 | 0:41:48 | |
a request from the soldier, Horace Henry Cook, saying, | 0:41:48 | 0:41:52 | |
"Had not the hand of the Almighty intervened," | 0:41:52 | 0:41:56 | |
the lady in question would have been his wife, | 0:41:56 | 0:41:59 | |
so he's asking in this for his girlfriend | 0:41:59 | 0:42:02 | |
to be treated as though she would have been his wife | 0:42:02 | 0:42:05 | |
had he not gone to war and had he not died. | 0:42:05 | 0:42:07 | |
I would never have guessed walking in here that I'd be so moved. | 0:42:07 | 0:42:10 | |
Acres and acres of paper but it's much more than that, isn't it? | 0:42:10 | 0:42:14 | |
It absolutely is, yeah. | 0:42:14 | 0:42:15 | |
Now, they have a saying hereabouts, "All around the Wrekin." | 0:42:19 | 0:42:24 | |
-Driving off into the sunset. -This is it. | 0:42:24 | 0:42:26 | |
It means, "Taking the scenic route." | 0:42:26 | 0:42:29 | |
-Thelma and Louise. -Night-night, you two. | 0:42:29 | 0:42:31 | |
It's another lovely day and our first shop this morning | 0:42:35 | 0:42:38 | |
is in the Shropshire town of Shifnal. | 0:42:38 | 0:42:42 | |
Nothing quite like a shared shop to up the ante. | 0:42:42 | 0:42:45 | |
-Hello! Hi. Hello. Hi. Christina. Nice to meet you. -Hello. | 0:42:45 | 0:42:48 | |
-What was your name? -I'm Jackie. -Jackie. Lovely to meet you, Jackie. | 0:42:48 | 0:42:51 | |
-How are you doing, Jackie? I'm Paul. -Hello, Paul. | 0:42:51 | 0:42:54 | |
You don't need to know him. | 0:42:54 | 0:42:56 | |
What did I say? Deep breaths all round. | 0:42:56 | 0:42:58 | |
-I'm going this way. -Plenty to choose from, you two. | 0:42:58 | 0:43:02 | |
This is quite fun, what's this? | 0:43:02 | 0:43:05 | |
This is a display cabinet for cigars and it's something that we've had | 0:43:05 | 0:43:08 | |
that we use to display cigarettes, lighters and cigarette cases in. | 0:43:08 | 0:43:14 | |
-Is it for sale? -Well, if you'd like it, yeah. -I quite like that. | 0:43:14 | 0:43:18 | |
So what would you price that at? | 0:43:19 | 0:43:21 | |
-I would probably put something like £45 on it. -Oh, would you? | 0:43:21 | 0:43:27 | |
-I wouldn't be looking to pay that for it. -But I am open to offers. | 0:43:27 | 0:43:31 | |
Would you be very, very insulted if I said a fiver? | 0:43:31 | 0:43:35 | |
-Not really. -Really? -Mm. -Could I have it for a fiver? | 0:43:35 | 0:43:39 | |
-Yeah, you can have it for £5. -Are you sure? | 0:43:39 | 0:43:42 | |
-Yes, I'm positive. -Are you happy at that? -Yep. | 0:43:42 | 0:43:44 | |
Deal. Brilliant. Jackie, you're a star. | 0:43:46 | 0:43:49 | |
Paul seems to be taking a brief detour | 0:43:51 | 0:43:53 | |
getting to know the trading estate. | 0:43:53 | 0:43:55 | |
Bureau - £10. It's for sale, this stuff. | 0:43:55 | 0:43:58 | |
-Vintage bike... -Who's behind all of this treasure? | 0:43:59 | 0:44:03 | |
-Hello. -Hello there. -It looks like you're selling, yeah? | 0:44:03 | 0:44:06 | |
Yes, I'm selling a few things to try and get rid of them. | 0:44:06 | 0:44:10 | |
Sounding cheap. | 0:44:10 | 0:44:12 | |
-Is your clock running, or no? -No, it's not. | 0:44:12 | 0:44:15 | |
I don't know whether it's worth me bothering or not. | 0:44:15 | 0:44:17 | |
I've been told what it's worth. | 0:44:17 | 0:44:19 | |
He says he wants about 20 quid for it. | 0:44:19 | 0:44:21 | |
Now, there's nothing Paul likes more than a wonky clock. | 0:44:21 | 0:44:24 | |
These are commonly referred to as anniversary clocks. | 0:44:24 | 0:44:28 | |
This is a torsion clock. | 0:44:28 | 0:44:30 | |
So, instead of a swinging pendulum you have got | 0:44:30 | 0:44:34 | |
an oscillating, rotating weight here. | 0:44:34 | 0:44:39 | |
Now, your average domestic clock will run for eight days, | 0:44:39 | 0:44:42 | |
which means you've got to wind it once a week | 0:44:42 | 0:44:44 | |
and if you forget, you've got a day to remember. | 0:44:44 | 0:44:47 | |
Your torsion clock is a fantastic piece of engineering. | 0:44:47 | 0:44:52 | |
It's so sophisticated. | 0:44:52 | 0:44:54 | |
We wind our torsion clock typically once every 400 days. | 0:44:54 | 0:44:59 | |
What do you think of that for horological sophistication? | 0:44:59 | 0:45:03 | |
You've got to wind it once a year and what day might you wind it on? | 0:45:03 | 0:45:07 | |
Why don't you wind it on your anniversary? Anniversary clock. | 0:45:07 | 0:45:10 | |
And if it slips your mind, you've still got 35 days to remember. | 0:45:10 | 0:45:14 | |
I suspect there's not much missing there. | 0:45:14 | 0:45:17 | |
Would you take a wee cheeky offer on your clock as a project? | 0:45:17 | 0:45:21 | |
-Well, yes, I would. -I'm no interested in 20 quid. | 0:45:21 | 0:45:24 | |
It's... There's too much uncertainty in it. | 0:45:24 | 0:45:29 | |
If a fiver would buy it, I'll shake your hand. | 0:45:29 | 0:45:32 | |
-I wouldn't do it at a fiver. -There was no harm in asking. | 0:45:32 | 0:45:35 | |
-It would have to be a tenner. -A tenner? Take a punt... | 0:45:35 | 0:45:39 | |
Nah. A fiver if it will buy it but that's it. | 0:45:39 | 0:45:42 | |
-Yes. Oh, go on. I'll take a fiver. -I'll take a punt, then. | 0:45:42 | 0:45:46 | |
How badly wrong can it go for a fiver? | 0:45:46 | 0:45:50 | |
-Well, I thank you very much. -Thank you very much. Cheers. -Cheers. | 0:45:50 | 0:45:55 | |
He just couldn't resist, could he? | 0:45:55 | 0:45:57 | |
Christina, meanwhile, is likewise exploring | 0:45:57 | 0:46:00 | |
her inner rag-and-bone woman. | 0:46:00 | 0:46:02 | |
It's a mangle. That's fab, isn't it? | 0:46:02 | 0:46:04 | |
-What have you got on your mangle? -I've got... I think it's £60. -Is it? | 0:46:04 | 0:46:10 | |
-Would you be open to a deal on that? -Yeah, I think so. | 0:46:10 | 0:46:13 | |
Squeeze out a profit maybe? | 0:46:13 | 0:46:14 | |
For our younger viewers, a mangle was once how we dried | 0:46:14 | 0:46:17 | |
our newly-washed clothes, as Christina demonstrates. | 0:46:17 | 0:46:20 | |
What can the price be squeezed down to? | 0:46:20 | 0:46:23 | |
-Would you take very little for it? -How little is very little? | 0:46:23 | 0:46:27 | |
I don't need a wee, I'm just very nervous. | 0:46:27 | 0:46:30 | |
-Would £20 be too much? -Oh... | 0:46:30 | 0:46:33 | |
What would be the very, very least you could do it for? | 0:46:33 | 0:46:36 | |
-10? -It's a deal. | 0:46:36 | 0:46:39 | |
Thank you very much. The sun shines on the righteous, Jackie. | 0:46:39 | 0:46:42 | |
-Yes, definitely. -Oh, my God, I just bought a mangle! | 0:46:42 | 0:46:46 | |
Yes, and spent a mere £15 in total for that and the display cabinet. | 0:46:46 | 0:46:51 | |
-You're an angel. -There you go. -Thank you very much. What a star. | 0:46:51 | 0:46:54 | |
-Thank you. -So, with Christina out of the picture, | 0:46:54 | 0:46:56 | |
Paul now has the shop to himself. | 0:46:56 | 0:46:59 | |
-Right. -Oh, I feel liberated. | 0:46:59 | 0:47:01 | |
They're sweet, aren't they? Those wee coffee spoons, there. | 0:47:01 | 0:47:04 | |
-Cute little terminals with the little bird feeding the chicks. -Mm. | 0:47:04 | 0:47:08 | |
I think they've got novelty and jam by the bucket-load. | 0:47:08 | 0:47:11 | |
-Can I just make you an offer? -Yeah. -25 quid for those. | 0:47:11 | 0:47:15 | |
I think I can accept that. | 0:47:15 | 0:47:17 | |
Have you played this game before? | 0:47:19 | 0:47:21 | |
-You're supposed to go, "No, I couldn't possibly!" -No. | 0:47:21 | 0:47:24 | |
And given that you're clearly a joy to do business with, | 0:47:24 | 0:47:27 | |
-I'll just shake your hand and give you some money. -OK. -That was easy. | 0:47:27 | 0:47:31 | |
To the victor! The spoons. | 0:47:31 | 0:47:32 | |
But back on the banks of the River Severn, | 0:47:36 | 0:47:38 | |
Christina's made her way to beautiful Bewdley | 0:47:38 | 0:47:42 | |
-for just one more shop. -Hello. -Hi. -Hello, hi. | 0:47:42 | 0:47:47 | |
-You must be Christina. -I am, yes, for my sins. -Matt. | 0:47:47 | 0:47:49 | |
Matt. Lovely to meet you, Matt. | 0:47:49 | 0:47:51 | |
Only £34 left now, Christina, so choose wisely. | 0:47:51 | 0:47:56 | |
Ooh, this is very Laidlaw. | 0:47:56 | 0:47:57 | |
-Ooh, shall I buy some militaria? -Why not? Everybody else does. | 0:47:57 | 0:48:01 | |
-I don't know anything about militaria. -Nor does anybody else. | 0:48:01 | 0:48:04 | |
World War II astrocompass. | 0:48:04 | 0:48:07 | |
It looks very complicated, very scientific. | 0:48:07 | 0:48:11 | |
-SHE GASPS -Shall I phone Paul and ask him? | 0:48:11 | 0:48:13 | |
Wouldn't Matt be a better choice? | 0:48:15 | 0:48:17 | |
-Could I have a look in one of your cabinets? -Of course you can. | 0:48:17 | 0:48:19 | |
And I know nothing about it. I'm guessing. | 0:48:19 | 0:48:22 | |
All bearings white... Declination... | 0:48:22 | 0:48:25 | |
I'm guessing it's some form of aircraft, isn't it? | 0:48:25 | 0:48:29 | |
-Possibly a Lancaster but it's actually Ian's, this is. -Who's Ian? | 0:48:29 | 0:48:34 | |
-He's the chap that's stood outside. -Oh, why's he stood outside? | 0:48:34 | 0:48:38 | |
Cos it's sunny, isn't it? | 0:48:38 | 0:48:40 | |
Well, let's hope someone can throw some light on it. | 0:48:40 | 0:48:43 | |
-They were used by the RAF during the war. -What sort of plane? Lancaster? | 0:48:43 | 0:48:48 | |
Lancasters and Wellingtons... Halifax, yeah. | 0:48:48 | 0:48:50 | |
Really? Would I make a profit on it at auction? That's the key. | 0:48:50 | 0:48:53 | |
Paul is beating me hands down and I'd love to buy a bit of militaria | 0:48:53 | 0:48:57 | |
-cos you know he loves his militaria. -I tell you what, | 0:48:57 | 0:48:59 | |
he's putty in your hands if you look at him with a sort of... | 0:48:59 | 0:49:03 | |
-I think we may be close. -What could that be, Ian? | 0:49:03 | 0:49:05 | |
-In money? -Yeah. Well...in sweets? | 0:49:05 | 0:49:09 | |
-What's it down for? 30? -30, yeah. | 0:49:09 | 0:49:11 | |
-15. -10 or £15? -Where did she get 10 from? | 0:49:11 | 0:49:16 | |
-No, I quite like that. £10? -Mm-hm. -With the instructions? | 0:49:16 | 0:49:20 | |
-Yeah, with the instructions. -You can't go wrong with that. | 0:49:20 | 0:49:23 | |
No, exactly. Thank you, Ian. Thank you, Matt. | 0:49:23 | 0:49:25 | |
Well, despite her sketchy grasp, it's not a lot of money. | 0:49:25 | 0:49:30 | |
Paul, meanwhile is en route to Kidderminster. | 0:49:32 | 0:49:35 | |
-Hello, are you the man? -Ian. -Ian, I'm Paul. | 0:49:38 | 0:49:41 | |
Hi, nice to meet you. | 0:49:41 | 0:49:42 | |
Ian has quite an assortment on display here. | 0:49:42 | 0:49:47 | |
Good things. | 0:49:47 | 0:49:48 | |
Plus, there's the stuff out the back. | 0:49:48 | 0:49:50 | |
Feast your eyes on this lot. | 0:49:50 | 0:49:52 | |
A box to make one particular customer very interested. | 0:49:52 | 0:49:55 | |
What a lovely portrait. | 0:49:55 | 0:49:59 | |
A major in the Royal Tank Regiment. | 0:49:59 | 0:50:01 | |
"An expression of our gratitude to our liberators." | 0:50:01 | 0:50:03 | |
-Yeah. -Fantastic. | 0:50:03 | 0:50:06 | |
So these are all items from the life of one soldier. | 0:50:06 | 0:50:09 | |
So he was East Riding Yeomanry into the Royal Tank Regiment. | 0:50:09 | 0:50:14 | |
You've got somebody's life there, haven't you? | 0:50:14 | 0:50:16 | |
Birth certificate, yeah. | 0:50:16 | 0:50:18 | |
That's his war identity. | 0:50:18 | 0:50:20 | |
I've never seen one of those | 0:50:20 | 0:50:21 | |
in that format. | 0:50:21 | 0:50:23 | |
There he is. | 0:50:23 | 0:50:25 | |
Temporary Major Scott. EJ Scott. | 0:50:25 | 0:50:27 | |
Royal Armoured Corp. Born 1908. | 0:50:27 | 0:50:30 | |
We've even got. These are all his buttons | 0:50:30 | 0:50:33 | |
off his tunics and his pips and everything else in there. | 0:50:33 | 0:50:37 | |
We've got his miniatures. I haven't, sadly, got his full set of medals. | 0:50:37 | 0:50:40 | |
And there's a named medal in there as well, isn't there? | 0:50:40 | 0:50:43 | |
A territorial medal. | 0:50:43 | 0:50:44 | |
So he's got 30 quid's worth of medals there. | 0:50:44 | 0:50:47 | |
But if you had that one named medal, you're onto a lot. | 0:50:47 | 0:50:50 | |
Is it dear? | 0:50:50 | 0:50:52 | |
£65 for the lot. | 0:50:52 | 0:50:54 | |
There's no point in clowning about. Take my paw. | 0:50:54 | 0:50:56 | |
Thank you very much. | 0:50:56 | 0:50:58 | |
Accepted with enthusiasm and no wonder. | 0:50:58 | 0:51:01 | |
That's a very moving collection. | 0:51:01 | 0:51:04 | |
-All the best. -Take care. Thank you. | 0:51:04 | 0:51:05 | |
Now, let's take a look at what they've bought. | 0:51:05 | 0:51:08 | |
Paul parted with just over £145 for a helmet, a naval uniform, | 0:51:08 | 0:51:13 | |
some silver spoons, a torsion clock, a horse's hoof's box | 0:51:13 | 0:51:19 | |
and a box containing some mementos of a soldier. | 0:51:19 | 0:51:22 | |
Whilst Christina spent £200 on a toy train, a cigar display case, | 0:51:22 | 0:51:28 | |
a mangle, an astrocompass and two Victorian portraits. | 0:51:28 | 0:51:33 | |
He spent no money whatsoever, which frankly, | 0:51:33 | 0:51:37 | |
when you've got SO much money to spend, is rude. | 0:51:37 | 0:51:41 | |
Pictures... That's the one to watch. Who knows? | 0:51:41 | 0:51:45 | |
It could be bad news for me but it could be what saves my bacon. | 0:51:45 | 0:51:49 | |
After setting off from Shrewsbury in Shropshire, | 0:51:49 | 0:51:51 | |
our experts are now heading north | 0:51:51 | 0:51:53 | |
for an auction in Staffordshire at Stoke-on-Trent. | 0:51:53 | 0:51:55 | |
-Ta-da! -Fantastic. Well done, pilot. -The auction awaits, milady. | 0:51:55 | 0:52:00 | |
ASH Auctions takes its name from the initials of the founders. | 0:52:00 | 0:52:04 | |
The auctioneer today is Lee Sherratt. | 0:52:04 | 0:52:08 | |
Let's begin with the tin plate train. | 0:52:08 | 0:52:11 | |
I think I bought it for £10. | 0:52:11 | 0:52:13 | |
You bought everything for £10. | 0:52:13 | 0:52:16 | |
Apart from my pictures which I accidentally spent a fortune on! | 0:52:16 | 0:52:19 | |
-I've got £18 bid straight on. -Oh, it's my train! Here we go! | 0:52:19 | 0:52:23 | |
I'm going to sell. £20. Where's 2? At £20 it's in the room. Where's 2? | 0:52:23 | 0:52:28 | |
-At £20, have we gone? -Double my money! | 0:52:28 | 0:52:31 | |
-GAVEL BANGS -Come on! | 0:52:31 | 0:52:32 | |
Great start but it will take a bit more than that to catch Paul up. | 0:52:32 | 0:52:36 | |
Next, it's Paul's little chick spoons. | 0:52:36 | 0:52:39 | |
A nice little set there in the original box. | 0:52:39 | 0:52:41 | |
25. 25, somebody. Come on. Where are you £20? Go on, 15? | 0:52:41 | 0:52:45 | |
15, I'm bid at 15. 16 anywhere quickly? At 15. All over the place. | 0:52:45 | 0:52:49 | |
-You've got bidders all over it now. -..18, 20, | 0:52:49 | 0:52:52 | |
22, 24, 26. | 0:52:52 | 0:52:55 | |
-Your turn, 28... -Oh, look at the leg, look at the leg! | 0:52:55 | 0:52:59 | |
-It's gone, hasn't it? -Hey, well caught, knee camera. -..32! | 0:52:59 | 0:53:02 | |
Selling at £30 only... | 0:53:02 | 0:53:04 | |
-GAVEL BANGS -You come across so confident | 0:53:04 | 0:53:06 | |
and then the leg starts going. I can feel it! | 0:53:06 | 0:53:08 | |
Good. But no cigar. | 0:53:08 | 0:53:10 | |
And look what's next! Christina's case. | 0:53:10 | 0:53:13 | |
£5. 5 there. | 0:53:13 | 0:53:15 | |
At 6, 8, 10, 12, 14? | 0:53:15 | 0:53:18 | |
12 on my right. £12. 14, surely? | 0:53:18 | 0:53:21 | |
-14 now... -A man with style. -16, 18? -A man with style. | 0:53:21 | 0:53:24 | |
At £16, right-hand side. | 0:53:24 | 0:53:26 | |
18, 20? 20, 22? | 0:53:26 | 0:53:30 | |
22, 24? 24, 26? | 0:53:30 | 0:53:33 | |
At £24 it's being sold... | 0:53:33 | 0:53:35 | |
-GAVEL BANGS -We've spent the last three days, | 0:53:35 | 0:53:38 | |
just messing about. | 0:53:38 | 0:53:40 | |
Catching up VERY slowly. | 0:53:40 | 0:53:42 | |
Not bad. Are you scared yet? | 0:53:42 | 0:53:45 | |
Time for Paul's navy jumper and green hat. | 0:53:46 | 0:53:49 | |
Did you ever go out as a teenager? | 0:53:49 | 0:53:54 | |
-No? -We have our resident modeller modelling this. | 0:53:54 | 0:53:58 | |
-She's tried it on, it won't fit. -Aw! -But the hat does. The hat fits. | 0:53:58 | 0:54:03 | |
-Fantastic. -Well, I think it suits her. | 0:54:03 | 0:54:06 | |
25 for it, somebody. 25. 20 bid me. | 0:54:06 | 0:54:09 | |
A tenner? 10 I'm bid. 12 anywhere? | 0:54:09 | 0:54:12 | |
He's going to sell it for a tenner? Never mind that... | 0:54:12 | 0:54:15 | |
Come on, it's only money. £10. It's got to be 10. All done? | 0:54:15 | 0:54:18 | |
GAVEL BANGS I've lost money on military. | 0:54:18 | 0:54:20 | |
-Oh! You've made a loss! -I'm going. I've had enough of this. | 0:54:20 | 0:54:24 | |
Paul makes a loss on militaria. Hold the front page. | 0:54:24 | 0:54:28 | |
I would laugh so much if my militaria made more than your militaria. | 0:54:28 | 0:54:33 | |
No, let's not. | 0:54:33 | 0:54:34 | |
-Go, Christina. -What is it? | 0:54:34 | 0:54:36 | |
An astrocompass. A navigator's tool. | 0:54:36 | 0:54:39 | |
-An air navigator's tool. -Oh. -Yeah. -Is that good? | 0:54:39 | 0:54:43 | |
25 for it. Come on, where are we? £20... | 0:54:43 | 0:54:46 | |
-I thought you'd get 20 or 30 quid for it. -15 then, somebody 15. | 0:54:46 | 0:54:49 | |
15, I'm bid there at 15. | 0:54:49 | 0:54:51 | |
Where's 16 now? At £15... | 0:54:51 | 0:54:53 | |
16, 18, 20, | 0:54:53 | 0:54:56 | |
22, 24... | 0:54:56 | 0:54:58 | |
-What did I pay for this? -£10! A tenner. | 0:54:58 | 0:55:00 | |
..I'm going to sell it at £22. The hammer's up. All finished? | 0:55:00 | 0:55:04 | |
-GAVEL BANGS -Yours then at £22. Number 107. | 0:55:04 | 0:55:06 | |
Amazing. | 0:55:06 | 0:55:08 | |
Well done. A bit of a militaria coup. | 0:55:08 | 0:55:11 | |
Never talk to me again. | 0:55:11 | 0:55:13 | |
My militaria made more than your militaria. | 0:55:13 | 0:55:15 | |
Time for Paul's prize lot, a soldier's life. | 0:55:17 | 0:55:20 | |
-I've got a commission of £31. -A long way off. -We should have a riot here. | 0:55:20 | 0:55:24 | |
-32, 33... -We should have a riot here. | 0:55:24 | 0:55:27 | |
..34, 36, 38, 40. | 0:55:27 | 0:55:30 | |
At £38. I'm going to sell then at £38. | 0:55:30 | 0:55:33 | |
Last call at £38. Are we done? | 0:55:33 | 0:55:36 | |
-GAVEL BANGS -That's yours. -Crying on the inside. | 0:55:36 | 0:55:38 | |
Call that a riot? Seems a modest sum for all those memories. | 0:55:41 | 0:55:45 | |
Now, from the sublime... | 0:55:45 | 0:55:47 | |
£20, can I see 20? 15 for him, somebody? 15 for the mangle there. | 0:55:47 | 0:55:52 | |
10 to go, somebody. | 0:55:52 | 0:55:53 | |
£10. 10 I'm bid on my right. At £10, where's 12 now? | 0:55:53 | 0:55:57 | |
-12... -Tell them it's the folding version. | 0:55:57 | 0:56:01 | |
-A rare folding version! -..I'm selling it. | 0:56:01 | 0:56:03 | |
GAVEL BANGS Don't these fools know? | 0:56:03 | 0:56:05 | |
It's all profits for Christina today. | 0:56:05 | 0:56:08 | |
Small ones anyway. | 0:56:08 | 0:56:10 | |
Time for Paul's equally attractive hoof. | 0:56:10 | 0:56:12 | |
-What shall we say? 50? 40? 30? -BIDDER: 34. | 0:56:12 | 0:56:15 | |
-34 is bid on commission... -£80. If it doesn't make £80... | 0:56:15 | 0:56:19 | |
I'm going to sell. No, I'm not. 36 standing. | 0:56:19 | 0:56:22 | |
38? 38, 40? We've got a riot now. 38... | 0:56:22 | 0:56:25 | |
-He's got a riot. -He's got another riot. | 0:56:25 | 0:56:28 | |
-Call the police! -..at £38, the hammer's up. | 0:56:28 | 0:56:31 | |
-GAVEL BANGS -£38, there it is. | 0:56:31 | 0:56:33 | |
Well, it's a profit at least. A bit lame though. | 0:56:33 | 0:56:36 | |
Now for his bargain clock. | 0:56:36 | 0:56:38 | |
I've got £25 commission. It's on sale, I'm looking for 30 now. | 0:56:38 | 0:56:41 | |
-At £25... -Nobody's yelling about 25 quid | 0:56:41 | 0:56:44 | |
but it's my first piece of profit of the day. | 0:56:44 | 0:56:46 | |
..at £25... | 0:56:46 | 0:56:48 | |
GAVEL BANGS That's why I bought it. | 0:56:48 | 0:56:51 | |
His little stroll off-piste paid off. | 0:56:51 | 0:56:53 | |
-I can see you bought that with soul. -I'm not proud of that. | 0:56:53 | 0:56:56 | |
But Christina is very proud of these Alexander Blaikley portraits. | 0:56:56 | 0:57:02 | |
-Are they in the right auction though? -The moment of truth. | 0:57:02 | 0:57:04 | |
-Don't look, don't look. -No, I can't watch. I can't hear anything. | 0:57:04 | 0:57:07 | |
We won't sell from the word go, ladies and gents, | 0:57:07 | 0:57:10 | |
-£40, I don't believe it. -SHE GASPS | 0:57:10 | 0:57:12 | |
-Now we can see 50... -60. -..60, 70? | 0:57:12 | 0:57:17 | |
-70... -That's all mine out. -It's in the room at £70. | 0:57:17 | 0:57:20 | |
-They've got to be worth more then this, surely? -Yes! -At £70. | 0:57:20 | 0:57:23 | |
I'm going to sell them at £70. 80, surely? | 0:57:23 | 0:57:26 | |
At £70. This is for nothing. | 0:57:26 | 0:57:29 | |
-GAVEL BANGS -I thought they'd have gone for | 0:57:29 | 0:57:31 | |
a lot more than that. £70. | 0:57:31 | 0:57:33 | |
She needs a hug after that. | 0:57:33 | 0:57:35 | |
Someone has picked up a bargain. | 0:57:35 | 0:57:37 | |
My heart is actually broken. | 0:57:37 | 0:57:39 | |
Do you think there's a cake big enough in the world | 0:57:39 | 0:57:41 | |
-to fix your heart? -No. -Let's try and find it anyway. -Let's, yeah. | 0:57:41 | 0:57:46 | |
-Yeah. We could try. -A big cake. -Yeah. -Come on. | 0:57:46 | 0:57:48 | |
Christina started out with £224.54 and made, | 0:57:48 | 0:57:53 | |
after paying auction costs, a loss of £78.64, | 0:57:53 | 0:57:57 | |
leaving her with £145.90 to spend next time. | 0:57:57 | 0:58:02 | |
Bad luck. | 0:58:02 | 0:58:04 | |
While Paul began with £780.34 | 0:58:04 | 0:58:08 | |
and, after paying auction costs, made a loss of £29.38. | 0:58:08 | 0:58:12 | |
So, he's the winner today and still leaves with £750.96. | 0:58:12 | 0:58:18 | |
Give me the keys and don't talk to me! | 0:58:18 | 0:58:20 | |
HE LAUGHS | 0:58:20 | 0:58:23 | |
This is just all going very wrong! | 0:58:23 | 0:58:25 | |
-Oh, wait a minute! -Sorry. -Wait a minute! -Bye! | 0:58:25 | 0:58:29 | |
-Bye! -Christina! | 0:58:29 | 0:58:30 |