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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-I don't know what to do. -HORN TOOTS | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
What a little diamond! | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
But it's no mean feat. | 0:00:15 | 0:00:17 | |
Back in the game...Charlie! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
-SHE GASPS -So, will it be the high road | 0:00:23 | 0:00:25 | |
to glory or the slow road to disaster? | 0:00:25 | 0:00:28 | |
-Oh! -This is the Antiques Road Trip. | 0:00:28 | 0:00:32 | |
Yeah. | 0:00:34 | 0:00:35 | |
It's the penultimate leg of this adventure | 0:00:36 | 0:00:39 | |
and our expert auctioneers are revved up and ready to go. | 0:00:39 | 0:00:43 | |
-Charles, wake up, wake up. -Sorry. Sorry! | 0:00:43 | 0:00:47 | |
Charles Hanson is an antiques expert | 0:00:47 | 0:00:49 | |
who loves nothing more than getting giddy at a great find. | 0:00:49 | 0:00:52 | |
Aren't we lucky to be living almost in a hazy dream | 0:00:52 | 0:00:55 | |
that's the Antiques Road Trip? | 0:00:55 | 0:00:57 | |
Good Lord. This week, he's on the road with Raj Bisram, | 0:00:57 | 0:01:00 | |
our top auctioneer from Kent. | 0:01:00 | 0:01:02 | |
-ENGINE REVS -Sorry, sorry again. | 0:01:05 | 0:01:07 | |
Can you get in the back? | 0:01:07 | 0:01:08 | |
Raj made money on the last leg, which means he's got | 0:01:10 | 0:01:12 | |
an impressive £414.86 to spend. | 0:01:12 | 0:01:17 | |
GAVEL BANGS | 0:01:17 | 0:01:19 | |
Charles also bagged himself a profit, | 0:01:19 | 0:01:20 | |
which means he's currently in the lead with £464.64 to play with. | 0:01:20 | 0:01:26 | |
Our chaps' mammoth mission began in Corsham in Wiltshire | 0:01:29 | 0:01:32 | |
and takes in most of the south-west of England, | 0:01:32 | 0:01:34 | |
eventually finishing around 900 miles later | 0:01:34 | 0:01:37 | |
at Crewkerne in Somerset. | 0:01:37 | 0:01:39 | |
Today's trip kicks off in Hele in Devon | 0:01:40 | 0:01:43 | |
and will finish up at an auction in Exeter. | 0:01:43 | 0:01:46 | |
They're bonding up nicely, though, aren't they, | 0:01:46 | 0:01:48 | |
in the dashing Triumph Herald nicknamed Bella? | 0:01:48 | 0:01:52 | |
First stop today is Fagins Antiques. | 0:01:52 | 0:01:55 | |
Look at that! Thousands and thousands of square feet. | 0:01:55 | 0:01:58 | |
THEY LAUGH | 0:01:58 | 0:02:00 | |
-After you. -After you. -Go on, get in. | 0:02:00 | 0:02:02 | |
It should be big enough for both of them. | 0:02:02 | 0:02:04 | |
Raj has enlisted owner Chris to help him hunt. | 0:02:05 | 0:02:09 | |
Well, I think it's made out of an old shell. | 0:02:09 | 0:02:12 | |
First World War, maybe, converted to a moneybox. | 0:02:12 | 0:02:17 | |
Some of the estimated one billion shells fired | 0:02:17 | 0:02:20 | |
during World War I were transformed into trench art, | 0:02:20 | 0:02:24 | |
but I think this is likely to be a later reproduction, don't you? | 0:02:24 | 0:02:27 | |
-There's a lot of people that collect that sort of thing. -Yeah. | 0:02:27 | 0:02:30 | |
And what would that have to be? | 0:02:30 | 0:02:33 | |
-60. -60? | 0:02:33 | 0:02:35 | |
-There's not going to be a profit in that, is there? -There is... | 0:02:35 | 0:02:38 | |
-Not at 60. -I'd say... | 0:02:38 | 0:02:39 | |
At auction, I reckon that's £40-£60. | 0:02:39 | 0:02:45 | |
Well, seeing as I've only just unearthed it, | 0:02:45 | 0:02:48 | |
-I can't remember what it cost me...which is terrible. -£30. | 0:02:48 | 0:02:52 | |
I've got to have a chance at 30. | 0:02:52 | 0:02:54 | |
-40. -35. | 0:02:54 | 0:02:56 | |
-All right. -35? -I should think you'll do well on that. That's a start. | 0:02:56 | 0:03:01 | |
OK, that's a start. OK. Thank you very much. Brilliant. | 0:03:01 | 0:03:04 | |
Right, Raj is off the mark. Charles? | 0:03:04 | 0:03:07 | |
It's always the most nerve-racking time on the first day of a shop | 0:03:07 | 0:03:10 | |
of a new county and you've got to start digging deep | 0:03:10 | 0:03:14 | |
because the hardest thing ever is to find the first purchase. | 0:03:14 | 0:03:17 | |
It's always that twitchy time where you're doing this. | 0:03:17 | 0:03:23 | |
Well, you might want to get a move on | 0:03:23 | 0:03:25 | |
as Raj has already found something else he fancies. Look at that. | 0:03:25 | 0:03:28 | |
Chris, I noticed this on the way in. It's a nice Georgian cheese coaster | 0:03:28 | 0:03:34 | |
It's a nice piece of mahogany. It does need repair. | 0:03:34 | 0:03:38 | |
It would have to be very cheap. | 0:03:38 | 0:03:40 | |
-The ticket price is £50. -I could probably do that for 40 for you. | 0:03:40 | 0:03:44 | |
I think there's quite a good profit. | 0:03:44 | 0:03:46 | |
I mean, they usually go 300-plus, don't they? | 0:03:46 | 0:03:49 | |
Well, I've sold a few recently and I've got about £100-£150 for them, | 0:03:49 | 0:03:53 | |
-but they've been in good condition. -Oh, right. | 0:03:53 | 0:03:55 | |
In that condition...30 quid. | 0:03:55 | 0:03:58 | |
-It's got to have the work. -Yeah. | 0:03:58 | 0:03:59 | |
-OK, you can have it. -Yep, £30? -A deal on that. -Fantastic. | 0:03:59 | 0:04:03 | |
A roaring start there for Raj, with two items bought for £65. | 0:04:03 | 0:04:08 | |
Charles, meanwhile, has decided to move on empty-handed | 0:04:09 | 0:04:12 | |
and is headed south to the pretty town of Topsham. | 0:04:12 | 0:04:16 | |
Perhaps he'll have better luck at Quay Antiques. | 0:04:16 | 0:04:19 | |
-Hello, sir. -Hello. -How are you? -I'm well. I'm Albert. | 0:04:19 | 0:04:22 | |
-Albert, Charles Hanson. -Nice to meet you. | 0:04:22 | 0:04:24 | |
-Is it your emporium? -No, not mine. | 0:04:24 | 0:04:26 | |
-I can't afford anything like this. -Get out of here. | 0:04:26 | 0:04:29 | |
You're in the bow tie. You look the part, sir. | 0:04:29 | 0:04:31 | |
Well, if you look the part, you can fool anybody. | 0:04:31 | 0:04:34 | |
Shh, don't tell anyone, Albert. | 0:04:34 | 0:04:37 | |
Surely there's something to tickle our Derby dandy in this place. | 0:04:37 | 0:04:41 | |
One thing I do quite like is this lady here. | 0:04:41 | 0:04:46 | |
She's what we call a peg-jointed doll, | 0:04:46 | 0:04:51 | |
and she would be early Victorian - 1820, 1830. | 0:04:51 | 0:04:55 | |
What impresses me is, I think she's in her original clothes. | 0:04:55 | 0:05:01 | |
I think it's a very nice object, which is certainly worth | 0:05:01 | 0:05:05 | |
-further inspection. -Only one way to find out. | 0:05:05 | 0:05:10 | |
I like her original face - it hasn't been changed or altered. | 0:05:10 | 0:05:13 | |
My only concern with her is, Albert, she's missing a leg. | 0:05:13 | 0:05:18 | |
-So, although she's a peg-jointed doll... -She's a peg leg. | 0:05:18 | 0:05:22 | |
I'll call her Peggy. Peggy is missing a leg, which is a shame. | 0:05:22 | 0:05:25 | |
Peggy is priced at £49. | 0:05:25 | 0:05:29 | |
If I could make an offer with your dealer, | 0:05:29 | 0:05:32 | |
what sort of figure do you think would be acceptable? | 0:05:32 | 0:05:35 | |
-She'd probably do it for 45. -Yeah. | 0:05:36 | 0:05:38 | |
In the perfect world, I'll probably want to pay more like 35, | 0:05:38 | 0:05:43 | |
but you might say, "Look, Charles, that's just one bid below too far." | 0:05:43 | 0:05:48 | |
-Shall we find out? -Could you, Albert? That'd be great. | 0:05:48 | 0:05:50 | |
I'll give her to you. | 0:05:50 | 0:05:52 | |
With Peggy put aside for later, anything else grab you, Carlos? | 0:05:52 | 0:05:56 | |
I quite like the little goblet in here, you know, | 0:05:56 | 0:06:00 | |
which is quite decorative. I'll bring it out to you. | 0:06:00 | 0:06:03 | |
That's quite attractive, isn't it? What I like about it | 0:06:03 | 0:06:06 | |
is, if you turn it upside down, | 0:06:06 | 0:06:07 | |
you've got some nice wear on the base. | 0:06:07 | 0:06:09 | |
That's a good Bristol Blue goblet of probably around 1820. | 0:06:09 | 0:06:14 | |
Another item goes on the consideration list. | 0:06:15 | 0:06:18 | |
Are you actually going to buy anything, Charles? | 0:06:18 | 0:06:21 | |
What you hope to see is objects that jump out at you | 0:06:21 | 0:06:24 | |
-and they say, "Come on, Hanson, buy me." -Yeah, quite. | 0:06:24 | 0:06:29 | |
Well, what does this desk calendar say to you, then, Charles? | 0:06:29 | 0:06:33 | |
What's nice is it's set on this nice oak plinth base, | 0:06:33 | 0:06:36 | |
which is mounted with the leather, but what's really nice | 0:06:36 | 0:06:40 | |
is the engine turning and the fact it's also hallmarked | 0:06:40 | 0:06:44 | |
just on the side here. | 0:06:44 | 0:06:47 | |
Hallmarked for Birmingham and the date code does coincide to 1930. | 0:06:47 | 0:06:51 | |
I quite like it. | 0:06:51 | 0:06:53 | |
With a ticket price of £75, Charles has some thinking to do. | 0:06:53 | 0:06:57 | |
Uh-oh. He's on to something else as well, look. | 0:06:57 | 0:07:00 | |
What I like about this... This is a what appears to be | 0:07:00 | 0:07:02 | |
a Russian silver sifter spoon by Grigory Sbitnev of Moscow. | 0:07:02 | 0:07:08 | |
It's quite heavy. Feel the weight of that, Albert. | 0:07:08 | 0:07:11 | |
I love the trefid handle, I love the pierced silver gilded bowl | 0:07:11 | 0:07:17 | |
and it is Moscow. It would date to around 1890. | 0:07:17 | 0:07:19 | |
I quite like, Albert, this spoon as well. | 0:07:19 | 0:07:21 | |
And this is Russian silver, hallmarked, | 0:07:21 | 0:07:24 | |
again probably around 1890. | 0:07:24 | 0:07:25 | |
I just wonder, Albert, | 0:07:25 | 0:07:28 | |
..if you could do me a favour and just find out | 0:07:28 | 0:07:31 | |
-if the dealer would do a deal for the two together? -OK. -Is that OK? | 0:07:31 | 0:07:35 | |
-Yeah. -That's really kind. | 0:07:35 | 0:07:36 | |
So, Charles has now shown interest in four lots, | 0:07:36 | 0:07:39 | |
but will he buy them? | 0:07:39 | 0:07:41 | |
Peggy's dealer has knocked £9 off the price tag, | 0:07:41 | 0:07:44 | |
making the damage for the doll £40. | 0:07:44 | 0:07:47 | |
I'm going to buy her because I fell in love with her | 0:07:47 | 0:07:50 | |
and with a passion, you buy what you like, so I'm going to say, | 0:07:50 | 0:07:53 | |
"At last, I've bought an object." Put it there...for £40. | 0:07:53 | 0:07:58 | |
Hooray! First lot bought, finally. | 0:07:58 | 0:08:01 | |
-The blue glass goblet... -Yeah. -Best price? | 0:08:01 | 0:08:04 | |
-15. -£15, I'll take it. Sold. That's two things down. | 0:08:04 | 0:08:09 | |
I feel a lot better now. The day is warming up. | 0:08:09 | 0:08:12 | |
Now for those Russian spoons. | 0:08:12 | 0:08:14 | |
Desperate for a deal, plucky Charles is sweet-talking the dealer himself. | 0:08:15 | 0:08:19 | |
I was just wondering whether you could do the two together for £50? | 0:08:19 | 0:08:23 | |
No. So, your best price finally is 65? | 0:08:26 | 0:08:30 | |
-OK. Thanks a lot. -You in or out, then, Charles? | 0:08:34 | 0:08:37 | |
Because my day has been so sparse, I think I'm going to buy them. | 0:08:38 | 0:08:42 | |
-Right. -Because I've got a busy day tomorrow. | 0:08:42 | 0:08:45 | |
-Well, you can take it easy tomorrow. -Oh, dear... Hanson, Hanson, Hanson. | 0:08:45 | 0:08:49 | |
-Go on, put it there. I'll take them. -OK. | 0:08:49 | 0:08:52 | |
Clocking up the lots now, eh? What about the calendar? | 0:08:52 | 0:08:56 | |
-And your best price is...? -£60. | 0:08:57 | 0:08:59 | |
-Yes. I brought these three for 120. -So another £60. | 0:08:59 | 0:09:04 | |
I'll take it. | 0:09:04 | 0:09:05 | |
That flurry of activity has landed him four lots for £180. | 0:09:05 | 0:09:11 | |
40, 60... Am I happy? | 0:09:11 | 0:09:13 | |
I'm always happy cos life's too short. | 0:09:14 | 0:09:16 | |
Well said, that man. And so day one is done. Nighty-night, chaps. | 0:09:16 | 0:09:22 | |
Morning has broken and the boys are back on the road. | 0:09:24 | 0:09:27 | |
Our road-trippers have made their way to Paignton, | 0:09:27 | 0:09:30 | |
a gorgeous seaside town on the coast of Torbay. | 0:09:30 | 0:09:34 | |
Raj is playing catch-up on the buying stakes, | 0:09:34 | 0:09:37 | |
so he's hoping he'll find some gems at his first shop of the day. | 0:09:37 | 0:09:41 | |
Peter's in charge, and is pointing Raj | 0:09:41 | 0:09:43 | |
in the direction of something a bit different. | 0:09:43 | 0:09:47 | |
-This is unusual. -Hello. | 0:09:47 | 0:09:49 | |
You've labelled it as 18th-century. | 0:09:49 | 0:09:52 | |
-18th to 19th, thereabout. -18th to 19th. -Yeah. | 0:09:52 | 0:09:55 | |
But this is original gilding that we can see on here. | 0:09:55 | 0:09:59 | |
Oh, yeah. Difficult to date, this thing. | 0:09:59 | 0:10:02 | |
It could easily be 20th-century and possibly part of a larger piece. | 0:10:02 | 0:10:05 | |
It's a decorative item and Raj will need to get a lot off | 0:10:05 | 0:10:08 | |
the 275 price tag to make it worthwhile. | 0:10:08 | 0:10:11 | |
I would be looking to pay about £100 for it. | 0:10:11 | 0:10:15 | |
-Not even close. -OK, well, give me an idea. | 0:10:15 | 0:10:18 | |
The best would be 180. | 0:10:18 | 0:10:20 | |
It's a big chunk of Raj's budget. Will he risk it for a biscuit? | 0:10:20 | 0:10:24 | |
I know you've said 180. | 0:10:24 | 0:10:26 | |
I've only got a limited budget as well. I think... | 0:10:26 | 0:10:29 | |
That's already over £100 off. | 0:10:29 | 0:10:31 | |
-Is there a bit more movement...? -175? -160 cash. | 0:10:31 | 0:10:35 | |
Come on. That's not a bad price. | 0:10:35 | 0:10:37 | |
We'll split the difference at 170. | 0:10:37 | 0:10:39 | |
I can't say fairer than that. | 0:10:39 | 0:10:41 | |
-We have a deal. -£170. -Well done. You'll do very well. | 0:10:41 | 0:10:44 | |
I hope so. I do like it. Thank you. | 0:10:44 | 0:10:47 | |
Hang on. Looks like Raj isn't spent out yet. | 0:10:47 | 0:10:50 | |
I'm playing it a bit safe here, Peter. | 0:10:50 | 0:10:52 | |
You've got a pair of claret jugs. | 0:10:52 | 0:10:54 | |
They're definitely 20th-century ones. | 0:10:54 | 0:10:57 | |
-There's not a lot of age to those. -They're a good-looking pair, though. | 0:10:57 | 0:11:00 | |
They are a good-looking pair and, if I can get those cheap, | 0:11:00 | 0:11:03 | |
I'm definitely going to buy them. | 0:11:03 | 0:11:05 | |
I've noticed that you've got £24 on, I presume, each ticket. That's £48. | 0:11:05 | 0:11:11 | |
-These have got to be cheap. What's the best on these? -Well... | 0:11:11 | 0:11:15 | |
Remembering I've already spent £170 with you. | 0:11:15 | 0:11:18 | |
-As it's your first trip, Raj... -OK, here we go. | 0:11:20 | 0:11:23 | |
..you can have the pair for £24. | 0:11:23 | 0:11:26 | |
-We've got a deal. No arguing. -Well done. | 0:11:26 | 0:11:29 | |
-I'll take them at 24. -Fast work there, Raj. | 0:11:29 | 0:11:32 | |
Charles, meanwhile, has come to well-known landmark Oldway Mansion. | 0:11:37 | 0:11:42 | |
This Grade II listed building was built | 0:11:42 | 0:11:44 | |
by the super-rich American family the Singers, | 0:11:44 | 0:11:48 | |
who lavished hundreds of thousands of pounds | 0:11:48 | 0:11:51 | |
creating this impressive status symbol. | 0:11:51 | 0:11:54 | |
Chairman of the Friends of Oldway, Paul Hawthorne, | 0:11:54 | 0:11:57 | |
is here to tell Charles more. | 0:11:57 | 0:11:59 | |
-Good morning. Mr Hawthorne? -Yep, Paul. -Paul, I'm Charles. | 0:11:59 | 0:12:03 | |
Nice to meet you, Charles. | 0:12:03 | 0:12:04 | |
It's great to be on the French Riviera. | 0:12:04 | 0:12:06 | |
-I almost feel I'm outside Versailles. -Yeah. | 0:12:06 | 0:12:09 | |
No, no. Welcome to Oldway Mansion, historic home of the Singer family, | 0:12:09 | 0:12:13 | |
a model on Versailles. | 0:12:13 | 0:12:14 | |
It was a recreation based on the Petit Trianon gardens in Versailles. | 0:12:14 | 0:12:18 | |
It's interesting, Paul, that in my day job we often handle Singer | 0:12:18 | 0:12:23 | |
sewing machines and of course it was that money which really built this. | 0:12:23 | 0:12:27 | |
Yeah, very much so. The first machine was put together in 1850, | 0:12:27 | 0:12:31 | |
patented 1851. The company was really starting to get up speed | 0:12:31 | 0:12:33 | |
and a lot of wealth by the time Isaac Singer came here in 1872. | 0:12:33 | 0:12:38 | |
When Isaac Singer left America, | 0:12:41 | 0:12:43 | |
not only was he one of the richest men alive, | 0:12:43 | 0:12:47 | |
he had also fathered 18 children with several different women, | 0:12:47 | 0:12:51 | |
a scandal which forced him to flee to Europe. | 0:12:51 | 0:12:55 | |
He soon settled in England with his new wife, | 0:12:55 | 0:12:57 | |
living in London before heading to the English Riviera. | 0:12:57 | 0:13:01 | |
He came here with his French wife and six young children. | 0:13:02 | 0:13:06 | |
He came down to recuperate from a heart condition, | 0:13:06 | 0:13:09 | |
recommended by his doctors to take the airs on the Riviera | 0:13:09 | 0:13:12 | |
and fell in love with the place. He'd taken a lease | 0:13:12 | 0:13:14 | |
on the house, the original villa behind here, called Little Oldway. | 0:13:14 | 0:13:18 | |
And this place, 100 feet exactly above sea level, | 0:13:18 | 0:13:23 | |
gave him a panoramic view right across the bay, | 0:13:23 | 0:13:26 | |
where he could build a great house to look out on the bay | 0:13:26 | 0:13:28 | |
but also, for Isaac Singer, being a showman, | 0:13:28 | 0:13:31 | |
everybody in the bay could stand anywhere and look up | 0:13:31 | 0:13:34 | |
and see his great house that he'd constructed watching over them. | 0:13:34 | 0:13:37 | |
Sadly, Isaac never got much time to fully enjoy his dream home | 0:13:37 | 0:13:41 | |
as, in the summer of 1875, his health worsened | 0:13:41 | 0:13:45 | |
and he passed away. Whilst Isaac Singer designed | 0:13:45 | 0:13:50 | |
the original mansion, it was one of his sons, Paris, | 0:13:50 | 0:13:53 | |
who remodelled the building on the design of the Palace of Versailles | 0:13:53 | 0:13:57 | |
and the real show stopper was his reproduction | 0:13:57 | 0:14:00 | |
of the lost Ambassadors' Staircase. | 0:14:00 | 0:14:02 | |
I almost feel as though I'm in a place of myth. | 0:14:02 | 0:14:07 | |
It's magical. It's like a fairytale. | 0:14:07 | 0:14:10 | |
We're in the space that was originally the father's theatre. | 0:14:10 | 0:14:13 | |
-When he made over the house outside, he did the same inside... -Yes. | 0:14:13 | 0:14:16 | |
..and he recreated the legendary lost staircase, | 0:14:16 | 0:14:20 | |
Ambassadors' Staircase from the Palace of Versailles | 0:14:20 | 0:14:23 | |
that no longer existed and actually, to the day, | 0:14:23 | 0:14:26 | |
there are only two recreations of this staircase. | 0:14:26 | 0:14:29 | |
One is here at Oldway. The other is in one of the palaces | 0:14:29 | 0:14:32 | |
of the Bavarian kings, Ludwig. | 0:14:32 | 0:14:34 | |
It's just high society American decadence of what age? | 0:14:34 | 0:14:39 | |
What date are we talking, Paul? When was this put in? | 0:14:39 | 0:14:42 | |
This is probably about 1900, 1905 this was being done. | 0:14:42 | 0:14:44 | |
The big David painting he had the original of, | 0:14:44 | 0:14:49 | |
he acquired in about 1898 at auction in Paris | 0:14:49 | 0:14:52 | |
-and he introduced that into the design. -Yes. -But all the marble here | 0:14:52 | 0:14:55 | |
is all quarried from the same quarries the French kings | 0:14:55 | 0:14:58 | |
had used at Versailles. | 0:14:58 | 0:14:59 | |
They were opened up especially for Paris Singer, | 0:14:59 | 0:15:02 | |
-so no expense was spared on the materials. -Yes. | 0:15:02 | 0:15:05 | |
It takes your breath away. Let's go, Paul. | 0:15:05 | 0:15:07 | |
Another impressive part of Oldway is the Rotunda. | 0:15:08 | 0:15:11 | |
Originally built by Isaac Singer as a horse-riding pavilion, | 0:15:11 | 0:15:16 | |
this stunning structure has morphed into many things over the years | 0:15:16 | 0:15:20 | |
from a swimming pool to a film studio, | 0:15:20 | 0:15:23 | |
and it was even used as a hospital ward during World War I. | 0:15:23 | 0:15:27 | |
Was this actually a place, the Rotunda, where we had beds? | 0:15:27 | 0:15:30 | |
Yeah, this was a ward. You'd have beds all around the circular walls | 0:15:30 | 0:15:33 | |
there and in the centre here. This was St George's Ward | 0:15:33 | 0:15:36 | |
and you had nursing stations at the back and another big ward. | 0:15:36 | 0:15:39 | |
The wards were sponsored by wealthy Americans. | 0:15:39 | 0:15:42 | |
It was The American Women's War Hospital, | 0:15:42 | 0:15:44 | |
so it was called St George after a wealthy American benefactor. | 0:15:44 | 0:15:47 | |
It was entirely funded by the American people. | 0:15:47 | 0:15:50 | |
Nothing from the UK Government went to pay | 0:15:50 | 0:15:52 | |
for the treatment of the 5,000 soldiers that came here. | 0:15:52 | 0:15:55 | |
After the First World War, what happened to Paris? | 0:15:55 | 0:15:58 | |
Was he here for a few more years? | 0:15:58 | 0:16:00 | |
Paris Singer... By the end of the First World War, | 0:16:00 | 0:16:02 | |
he'd moved on because of various personal problems and associations. | 0:16:02 | 0:16:07 | |
He started project building a castle in the south of France, Cap-Ferrat, | 0:16:07 | 0:16:11 | |
and he went over as well, convalescing from a heart condition, | 0:16:11 | 0:16:16 | |
and developed what's today Palm Beach, Florida. That was his resort. | 0:16:16 | 0:16:20 | |
Without Paris Singer, Palm Beach in Florida would be nothing but... | 0:16:20 | 0:16:23 | |
What was it the architect called it at the time? | 0:16:23 | 0:16:26 | |
"Without him, it would have been nothing but a sandspit." | 0:16:26 | 0:16:28 | |
After World War I, Paris's other projects saw him | 0:16:28 | 0:16:32 | |
spend more time away from Oldway, so his original plans to fully remodel | 0:16:32 | 0:16:37 | |
the mansion and demolish the Rotunda were put on hold. | 0:16:37 | 0:16:41 | |
Thanks to this, the Oldway we see today shows the unique vision | 0:16:41 | 0:16:46 | |
of both father and son. Amazing. | 0:16:46 | 0:16:49 | |
It has a romance, it has this lost American glamour, | 0:16:49 | 0:16:52 | |
which I really hope the public will rejoice at in years to come | 0:16:52 | 0:16:56 | |
-and be able to enjoy for what it represents. -Oh, very much. | 0:16:56 | 0:17:00 | |
I think the history of the house and the Singer family has a lot | 0:17:00 | 0:17:03 | |
to give to the public, to the world, that hasn't yet been told. | 0:17:03 | 0:17:08 | |
I think it's so unspoilt. It's so sleepy and market-fresh, | 0:17:08 | 0:17:12 | |
and I'm sure one day it will sing again. | 0:17:12 | 0:17:14 | |
-Do you get it? Sing? -I do. Very good. | 0:17:14 | 0:17:17 | |
-Which way is my way out, Paul? I'd better go. -We go out this way. | 0:17:17 | 0:17:20 | |
I'll follow your lead. Thanks a lot. | 0:17:20 | 0:17:22 | |
Back together again, our boys have hit the road | 0:17:25 | 0:17:28 | |
and are travelling 30 miles west to Plymouth. | 0:17:28 | 0:17:31 | |
They've even made an ice cream pit stop en route. | 0:17:31 | 0:17:34 | |
-Oh, no! -I'm sorry! | 0:17:36 | 0:17:39 | |
Hey, I hope you're not making a mess of that car, Charles. | 0:17:39 | 0:17:42 | |
Ice creams demolished, it's time to shop. | 0:17:42 | 0:17:45 | |
Raj is off to Parade Antiques, known for having perhaps | 0:17:45 | 0:17:48 | |
the largest selection of military antiques in south-west England. | 0:17:48 | 0:17:52 | |
Can dealer John help Raj part with some of his cash? | 0:17:52 | 0:17:55 | |
That's nice. I like that because it's a Hussars-type uniform, | 0:17:55 | 0:18:00 | |
but it's actually Horse Artillery. | 0:18:00 | 0:18:03 | |
-It looks quite small. -People were small. It could have been a bugler, | 0:18:03 | 0:18:08 | |
in which case it would have been a youngish lad. | 0:18:08 | 0:18:11 | |
I guess it's going to date from the early 1900s. | 0:18:11 | 0:18:13 | |
I'm pretty sure the buttons are King's Crown... | 0:18:13 | 0:18:17 | |
Yeah, so I think there is a label in here. | 0:18:17 | 0:18:21 | |
If I remember right, it dates from about 1900-1906. | 0:18:21 | 0:18:25 | |
I really quite like that. What's the price on that? | 0:18:25 | 0:18:29 | |
The absolute death on that would be... | 0:18:29 | 0:18:33 | |
I'll do it for 60. How's that? | 0:18:33 | 0:18:36 | |
-That is not bad, John. That's not bad. -It's VERY good. | 0:18:36 | 0:18:39 | |
-I mean, I couldn't offer you £50? It would be cash. -No, no, you can't. | 0:18:39 | 0:18:43 | |
No, you can't. No, £60 would be the absolute best. | 0:18:43 | 0:18:46 | |
I tell you what, John, I'm going to show you something and if you think | 0:18:46 | 0:18:49 | |
it's worth knocking off the extra fiver to make it 55, we have a deal. | 0:18:49 | 0:18:53 | |
If not, I'll give you £65 instead. Are you prepared for that? | 0:18:53 | 0:18:58 | |
-OK, yeah, I'm happy to make 65. -How's that? -That's OK. | 0:18:58 | 0:19:01 | |
-And you've got to be honest, OK? -This is taking haggling to a new level. | 0:19:01 | 0:19:06 | |
OK, watch carefully. | 0:19:06 | 0:19:07 | |
OK, you can see there's nothing in my hand there. | 0:19:07 | 0:19:09 | |
I'm going to take the silk hanky and I'm going to put it | 0:19:09 | 0:19:12 | |
into this hand here, right under your nose right there. | 0:19:12 | 0:19:16 | |
OK, you can see it. It's right there. | 0:19:16 | 0:19:18 | |
All I'm going to ask you to do is to just blow on my hands. | 0:19:18 | 0:19:21 | |
Right. | 0:19:21 | 0:19:23 | |
Gone. Completely and utterly disappeared. | 0:19:23 | 0:19:27 | |
Of course. I knew you were going to do that, but... | 0:19:27 | 0:19:29 | |
-Yeah, actually, that's good. -It's not bad, is it? | 0:19:29 | 0:19:32 | |
-That's not bad. -Is that worth £55? -Go on, then. | 0:19:32 | 0:19:35 | |
-We have a deal. Thank you. -I've been conned but I don't know how. | 0:19:35 | 0:19:40 | |
Neither do I. You're a man of many talents, Raj, | 0:19:40 | 0:19:43 | |
and with that little trick, you're all bought up. | 0:19:43 | 0:19:46 | |
If you do find my green silk hanky, please post it back to me, OK? | 0:19:46 | 0:19:50 | |
-I'm impressed, actually. -40, 60. Brilliant. | 0:19:51 | 0:19:55 | |
Thank you very much indeed. | 0:19:55 | 0:19:57 | |
Charles still has some spending to do with a final shop to browse. | 0:19:59 | 0:20:02 | |
This group of old storehouses holds one of the biggest collections | 0:20:02 | 0:20:06 | |
-of antique traders in the South West. -Hello there. | 0:20:06 | 0:20:10 | |
-Hello. -How are you? -I'm fine. -And your name is? -Anton. | 0:20:10 | 0:20:13 | |
-Anton, are you a local man? -Yes. -Anton is... Is it Polish or...? No. | 0:20:13 | 0:20:18 | |
-No, it's just a trade name. -And your real name is...? -Tony. -Tony. | 0:20:18 | 0:20:22 | |
Hello, Tony. I like your style. | 0:20:22 | 0:20:25 | |
Well, it's not HIS style you're here to buy. Any antiques grab you, boy? | 0:20:25 | 0:20:29 | |
I like the Myatt tea set down here. | 0:20:29 | 0:20:32 | |
I'll be very honest with you. Why that is so sensibly priced... | 0:20:32 | 0:20:37 | |
-Yes. -..one of the cups has got a chip. | 0:20:37 | 0:20:40 | |
Because of that, I can negotiate much, much better. | 0:20:40 | 0:20:45 | |
What's the best price on those, with a broken cup? | 0:20:45 | 0:20:48 | |
I can go very good on that. I can actually half it for you. | 0:20:48 | 0:20:51 | |
With a ticket price of £49, that would be a pretty sweet deal | 0:20:51 | 0:20:55 | |
for the striking Art Deco Myatt tea set. | 0:20:55 | 0:20:58 | |
-You mentioned one chip, Anton, just show me. -It's there. -Oh, no. | 0:20:58 | 0:21:02 | |
-That one little chip. -What a shame. | 0:21:02 | 0:21:04 | |
That's all that's wrong. | 0:21:05 | 0:21:07 | |
So, what we've got here is an 18-piece, 19-piece tea set. | 0:21:07 | 0:21:12 | |
-Hand-painted. -Yeah, it is. The design is vivid. | 0:21:12 | 0:21:16 | |
Myatt & Sons made it in Staffordshire. I do like it. | 0:21:16 | 0:21:20 | |
So, I think £25 is a good mid-estimate and, for that, | 0:21:20 | 0:21:24 | |
it's worth a gamble. | 0:21:24 | 0:21:25 | |
I shall take your 19-piece tea set for £25 | 0:21:25 | 0:21:30 | |
-and say, "Good day." -Right. | 0:21:30 | 0:21:32 | |
Good day. Thanks a lot. | 0:21:32 | 0:21:34 | |
And, with that, both our intrepid auctioneers are all bought up. | 0:21:34 | 0:21:38 | |
Raj spent £314, bagging himself the brass postbox moneybox, | 0:21:38 | 0:21:45 | |
the Georgian cheese coaster, the unusual bronze mask, | 0:21:45 | 0:21:50 | |
the pair of 20th-century claret jugs | 0:21:50 | 0:21:53 | |
and the Royal Horse Artillery uniform. | 0:21:53 | 0:21:55 | |
My father was in the Royal Horse Artillery. | 0:21:55 | 0:21:58 | |
Charles spent £205 buying the George III blue glass goblet, | 0:21:58 | 0:22:04 | |
the pair of Russian silver spoons, | 0:22:04 | 0:22:06 | |
the Queen Anne-style painted wooden doll, | 0:22:06 | 0:22:09 | |
the mounted silver desk calendar | 0:22:09 | 0:22:12 | |
and the porcelain Art Deco tea set. | 0:22:12 | 0:22:15 | |
So, what do they make of each other's lots? | 0:22:15 | 0:22:17 | |
The items that Charles has bought, | 0:22:17 | 0:22:19 | |
I think the two that could fly are the doll and the calendar. | 0:22:19 | 0:22:23 | |
His other items, I love. I love the uniform, I love his cheese coaster, | 0:22:23 | 0:22:27 | |
so I think Raj ought to soar at auction. | 0:22:27 | 0:22:30 | |
If I was asked to swap anything with Charles, the answer would be "No." | 0:22:30 | 0:22:35 | |
After starting this leg in Hele, | 0:22:35 | 0:22:38 | |
our experts are now hurtling | 0:22:38 | 0:22:40 | |
towards the auction in Exeter. | 0:22:40 | 0:22:42 | |
I wish you well. | 0:22:42 | 0:22:43 | |
So, the man wielding the gavel is Brian Goodison-Blanks. | 0:22:43 | 0:22:49 | |
Get comfy, as the auction's about to begin. | 0:22:49 | 0:22:52 | |
Right, here we go. | 0:22:54 | 0:22:55 | |
Charles, it's your Bristol Blue glass goblet first. | 0:22:55 | 0:22:59 | |
-Start me at 20, somebody. -Come on. -Start me at 10, somebody. | 0:22:59 | 0:23:02 | |
-Oh, it's painful. -At 10, 12, 15? | 0:23:02 | 0:23:06 | |
-15. 18... -Go on. -..20, 22, | 0:23:06 | 0:23:09 | |
-25, 28? Are you sure, sir? -One more. | 0:23:09 | 0:23:12 | |
At 25 here, then. Are we all done at 25? 8 now elsewhere? | 0:23:12 | 0:23:15 | |
-Last chance, then, at 25. -GAVEL BANGS | 0:23:15 | 0:23:17 | |
-There we go. Happy with that. -Fantastic. | 0:23:17 | 0:23:20 | |
First profit in the pocket. Raj is up next, with his brass moneybox. | 0:23:20 | 0:23:25 | |
£15. Save your pennies. You'll need them later. | 0:23:25 | 0:23:30 | |
-Oh, no. -That's good! | 0:23:30 | 0:23:33 | |
-£10, madam. -He's got 1,000 pence. -12 now. 15? -Here we go. | 0:23:33 | 0:23:37 | |
15. 18? No, at £15 in the middle to the lady. | 0:23:37 | 0:23:41 | |
15. 18, sure? At £18 on my left and standing at 18. And 20? | 0:23:41 | 0:23:44 | |
Are you quite sure then at 18? | 0:23:44 | 0:23:47 | |
GAVEL BANGS | 0:23:47 | 0:23:48 | |
It's almost been lost in the post, hasn't it? | 0:23:48 | 0:23:50 | |
Not sure now's the time for jokes, Charles. | 0:23:50 | 0:23:53 | |
That's a disappointing start for poor old Raj. | 0:23:53 | 0:23:56 | |
Now the pair of Russian silver spoons. | 0:23:56 | 0:23:58 | |
Various interests and commissions here. | 0:23:58 | 0:24:00 | |
With me here at 30, 5, 40, 5, 50. 50 is bid. | 0:24:00 | 0:24:04 | |
That's it. I'm out. | 0:24:04 | 0:24:06 | |
At 50 with my commission bid, then. 55 in the room. I'm out, then. | 0:24:06 | 0:24:10 | |
-At 55 here. Looking for 60 now. -That's it. I'm down 10. Go on. -55... | 0:24:10 | 0:24:15 | |
-GAVEL BANGS -Ah, hard luck, old chap. | 0:24:15 | 0:24:18 | |
Let's hope Raj fares a little bit better | 0:24:18 | 0:24:20 | |
with the Georgian cheese coaster. | 0:24:20 | 0:24:22 | |
What will I say for that? Somebody's got to be brave to take this on. | 0:24:22 | 0:24:25 | |
-£20? -Oh, God. -£10, then. 10, I have, wave of the hand. | 0:24:25 | 0:24:29 | |
-And 12, 15, 18, 20... -It's going to move. Hold tight. | 0:24:29 | 0:24:32 | |
-22, 25? -Yes. -£22, cheaper than firewood. -Yes, 25. | 0:24:32 | 0:24:36 | |
-No, no. -5 elsewhere. At 22... | 0:24:36 | 0:24:39 | |
GAVEL BANGS | 0:24:39 | 0:24:41 | |
-Aw. -Was that two fat ducks? -That was two very fat ducks. | 0:24:41 | 0:24:43 | |
This saleroom is not proving popular with Raj. Another loss there. | 0:24:43 | 0:24:47 | |
-That's quackers, isn't it? It's quackers. -Boom, boom, Charles. | 0:24:47 | 0:24:51 | |
OK, Peggy's up next. Can this damaged dolly pull in a profit? | 0:24:51 | 0:24:55 | |
-Hold tight. Come on, doll. -Various interests here. | 0:24:55 | 0:24:59 | |
At 25, 35, 40. | 0:24:59 | 0:25:01 | |
-£40 is bid. At 40. Can I see 5 elsewhere? -Come on. Let's go. | 0:25:01 | 0:25:04 | |
-At £40. Bid me 5, somebody. -Come on. Come on. | 0:25:04 | 0:25:07 | |
45, 50. And 5? No. | 0:25:07 | 0:25:09 | |
-My commission has it then. -Good. -At £50 and 5 now? Quite sure, then? | 0:25:09 | 0:25:14 | |
-At £50, then. At 50! -GAVEL BANGS | 0:25:14 | 0:25:17 | |
-Happy with that. -50-80. Yeah, you can't complain with that. | 0:25:17 | 0:25:20 | |
A nice little earner there for Charles. | 0:25:20 | 0:25:22 | |
Next up is Raj's big-money spend. | 0:25:22 | 0:25:25 | |
It's the decorative bronze mask. | 0:25:25 | 0:25:27 | |
This mask is a massive gamble, but if I'd seen it in that shop | 0:25:27 | 0:25:31 | |
where you were, I would have bought it as well. | 0:25:31 | 0:25:34 | |
80 is commission bid here. Here at 80 with me. | 0:25:34 | 0:25:36 | |
Do I see 5 now in the room? 85. 90 now. 85. 90 at all? | 0:25:36 | 0:25:41 | |
85 with the lady. 90? 85, then, you're quite sure for the wall mask? | 0:25:41 | 0:25:45 | |
It's 19th-century. At 85, then. At 85... | 0:25:45 | 0:25:49 | |
GAVEL BANGS Well, I've got no chance now, have I? | 0:25:49 | 0:25:52 | |
That's a real shame, but don't throw in the towel yet, Raj. | 0:25:52 | 0:25:56 | |
-We're only halfway through. -I'm never coming to Exeter again. | 0:25:56 | 0:26:00 | |
Oh, dear. Anyway, hold tight. | 0:26:00 | 0:26:02 | |
Next up, it's Charles' silver-mounted desk calendar. | 0:26:02 | 0:26:06 | |
-So what will I say for that? Start me at £20. -Oh, no. | 0:26:06 | 0:26:09 | |
-£20 I have. -That's tough. -22, 25 seated, 25, 28? -That's tough. | 0:26:09 | 0:26:14 | |
25 seated, then, looking for 28, then. | 0:26:14 | 0:26:17 | |
25 seated. 28 fresh place. 30, 2? | 0:26:17 | 0:26:20 | |
-Come on. -Nope. -Oh, no! -30. Original bidder at 30. | 0:26:20 | 0:26:22 | |
If you're quite sure, are we all done at £30 then? At 30... | 0:26:22 | 0:26:26 | |
GAVEL BANGS | 0:26:26 | 0:26:28 | |
That gives Raj a chance to catch up with his 19th-century claret jugs. | 0:26:28 | 0:26:33 | |
If these make a loss, I'm going to... I don't know. | 0:26:33 | 0:26:35 | |
I was going to say I was going to eat my underpants, but I'm not. | 0:26:35 | 0:26:38 | |
-Various interests here. 25, 30, 5, 40. -Wow. -£40 is bid. -Brilliant. | 0:26:38 | 0:26:44 | |
-Brilliant. -Well, that's about right. -At £40 here. 5 at all? | 0:26:44 | 0:26:47 | |
At £40 only for the decanters, then, are you quite sure? | 0:26:47 | 0:26:49 | |
I thought they'd make a little bit more. At £40. Are you quite sure? | 0:26:49 | 0:26:52 | |
-I'm selling at £40... -GAVEL BANGS | 0:26:52 | 0:26:54 | |
-That's a result. -That's a result. -Put it there. -No. -Put it there. | 0:26:54 | 0:26:59 | |
-All the Ps, profit all round. -That's more like it. | 0:26:59 | 0:27:03 | |
Raj's first profit of the day. | 0:27:03 | 0:27:05 | |
Let's see if the winning streak can continue | 0:27:05 | 0:27:08 | |
-with Charles' Art Deco tea set. -I'll start at 40. -Come on. | 0:27:08 | 0:27:11 | |
-I'll start at 20 then. -Oh! | 0:27:11 | 0:27:14 | |
20 I have, wave of the hand there. | 0:27:14 | 0:27:16 | |
-Go on, sir. -At 20. 5 now, anybody else? -Come on. | 0:27:16 | 0:27:19 | |
25, thank you, madam. 30, sir? | 0:27:19 | 0:27:21 | |
-30, 5? 40, 5? At 40 to the gentleman... -One more. Go on. | 0:27:21 | 0:27:26 | |
..the provisional bidder. Looking for the 5, then. | 0:27:26 | 0:27:29 | |
-At 40, are you quite sure? -Squeeze a smile? | 0:27:29 | 0:27:32 | |
-GAVEL BANGS -Thank you very much. | 0:27:32 | 0:27:34 | |
A result. Marvellous. | 0:27:34 | 0:27:36 | |
To have any chance of catching up, Raj will need a massive | 0:27:36 | 0:27:39 | |
profit on his last lot - the Royal Horse Artillery uniform. | 0:27:39 | 0:27:44 | |
-Attention! -Various interests here. | 0:27:44 | 0:27:46 | |
Overlapping commission bids starting here at 25, 35, 45... | 0:27:46 | 0:27:50 | |
-Good. -..55, 65, 75, 80. | 0:27:50 | 0:27:55 | |
-£80 here. -Brilliant. -At £80. -I'm not... -That's good. | 0:27:55 | 0:27:59 | |
5 now elsewhere? 85 I have. At 85. | 0:27:59 | 0:28:01 | |
I am out, then, at 85. 85 is now in the room. | 0:28:01 | 0:28:03 | |
90 now, somebody, for the uniform. Militaria is on the up. | 0:28:03 | 0:28:06 | |
At £85, then, looking for 90 now. You're quite sure then? | 0:28:06 | 0:28:09 | |
All in with 85. Right in the middle then and selling. | 0:28:09 | 0:28:12 | |
-GAVEL BANGS -That's good. -It's a profit, yeah. | 0:28:12 | 0:28:14 | |
-£30. That's fantastic. -That it is! | 0:28:14 | 0:28:18 | |
A pretty profit for the uniform. | 0:28:18 | 0:28:20 | |
On that march, one, two, after you. Come on. | 0:28:20 | 0:28:23 | |
Well done, chaps. But the big question is who came out on top? | 0:28:23 | 0:28:28 | |
Raj struggled with three lots, which meant, | 0:28:28 | 0:28:31 | |
after paying auction costs, he made a loss of £109, | 0:28:31 | 0:28:35 | |
but he's not out of the game yet as he's still got £305.86. | 0:28:35 | 0:28:41 | |
Don't step back. | 0:28:41 | 0:28:43 | |
Charles also made a loss, albeit a little less dramatic. | 0:28:43 | 0:28:47 | |
After costs, he lost £41. | 0:28:47 | 0:28:50 | |
This means our dapper dandy has £423.64 left | 0:28:50 | 0:28:56 | |
and is in the lead going into the final leg. | 0:28:56 | 0:28:58 | |
Well, it's goodbye, Exeter... | 0:28:58 | 0:29:01 | |
-Hello, Cornwall. -Hello, Cornwall. -Yes. | 0:29:01 | 0:29:04 | |
Here we go. | 0:29:04 | 0:29:05 | |
It's the final leg of this week's adventure with our likely lads, | 0:29:08 | 0:29:12 | |
Raj and Charles. | 0:29:12 | 0:29:14 | |
You know, it's been a very, very lovely experience for me. | 0:29:14 | 0:29:18 | |
And, of course, | 0:29:18 | 0:29:19 | |
it wouldn't have been anywhere near this enjoyable without you. | 0:29:19 | 0:29:22 | |
I think what's nice, Raj... | 0:29:22 | 0:29:24 | |
I'm going to need therapy, though, I have to say. When I get home, | 0:29:24 | 0:29:27 | |
-I am going to need a little bit of therapy. -Thanks a lot(!) | 0:29:27 | 0:29:29 | |
Their final leg starts in Lostwithiel, Cornwall, | 0:29:29 | 0:29:33 | |
and will finish at auction in Crewkerne. | 0:29:33 | 0:29:35 | |
First shopping stop is Uzella Court Antiques Centre. | 0:29:35 | 0:29:40 | |
-Let's go. -Keep it real. Hello. -Good morning. | 0:29:40 | 0:29:43 | |
-Hello, Vicky. I'm Raj. -Hello, Raj. -Lovely to meet you. | 0:29:43 | 0:29:46 | |
-And the famous Charles. -And the famous Charles. -Get out of here! | 0:29:46 | 0:29:50 | |
-Far from it. -Good morning. | 0:29:50 | 0:29:51 | |
-You have a wonderful shop here. -Yes. -It is. | 0:29:51 | 0:29:53 | |
That means plenty of pretty pieces on offer for our experts. | 0:29:53 | 0:29:57 | |
I've just noticed there is a lovely, | 0:29:58 | 0:30:01 | |
lovely red serpentine stone lighthouse there. | 0:30:01 | 0:30:06 | |
Serpentine stone goes back millions of years. | 0:30:06 | 0:30:10 | |
And it comes in lots of different colours. | 0:30:10 | 0:30:13 | |
But the red one, I think, is actually | 0:30:13 | 0:30:14 | |
one of the most attractive ones. | 0:30:14 | 0:30:17 | |
It's not a cheap piece but I'm going to speak to Vicky | 0:30:17 | 0:30:19 | |
and see what we can do. | 0:30:19 | 0:30:21 | |
Huh. With a ticket price of £55, is there a deal to be had? | 0:30:21 | 0:30:26 | |
45 would be the very, very best. | 0:30:26 | 0:30:29 | |
I'd like to get it for about £35. | 0:30:29 | 0:30:31 | |
And I still don't think there is going to be a big | 0:30:31 | 0:30:33 | |
-profit in this at auction. -Perhaps not. | 0:30:33 | 0:30:36 | |
But it has got a tiny little nick there, which I hadn't noticed. | 0:30:36 | 0:30:40 | |
So I will have to reduce it. | 0:30:40 | 0:30:42 | |
40, Raj, would have to be truly my very, very best. | 0:30:42 | 0:30:46 | |
-And I'm speaking on behalf of the owner. -OK. | 0:30:46 | 0:30:49 | |
I'm not going to rush into it but if I can just put it to one side | 0:30:49 | 0:30:53 | |
and think about it. Have a little look around and come back to it. | 0:30:53 | 0:30:57 | |
-I will keep it safe. -Thank you very much, Vicky. -Bye-bye. | 0:30:57 | 0:31:00 | |
Charles, meanwhile, is rummaging around upstairs. | 0:31:01 | 0:31:04 | |
These are quite nice. I quite like these vases. | 0:31:04 | 0:31:07 | |
What I love about these vases is they almost have a | 0:31:10 | 0:31:13 | |
bit of a Christopher Dresser, Linthorpe look. | 0:31:13 | 0:31:17 | |
And I suspect the vase would date to around 1905, 1910. | 0:31:17 | 0:31:22 | |
They are called a pair of Art Nouveau vases. £15. | 0:31:22 | 0:31:27 | |
If I could perhaps acquire them for a tenner... | 0:31:27 | 0:31:30 | |
They are a good buy. | 0:31:30 | 0:31:32 | |
Actually, I might, in case Raj comes upstairs, put them down here. | 0:31:32 | 0:31:37 | |
Out of harm's way. | 0:31:37 | 0:31:39 | |
Smart thinking, old bean. Now, what has Raj found? | 0:31:39 | 0:31:43 | |
-All these keys. -I really like the crib boards. Do you play crib? | 0:31:43 | 0:31:47 | |
No, I don't. | 0:31:47 | 0:31:49 | |
-Really old-fashioned game. -Yeah. -Really old-fashioned game. | 0:31:49 | 0:31:52 | |
I particularly like that one. It looks in pretty good condition. | 0:31:52 | 0:31:56 | |
It's got lovely ball feet which are engraved. | 0:31:56 | 0:31:58 | |
It's quite a nice, early one. | 0:31:58 | 0:32:00 | |
I should think it's late 19th, early 20th century. | 0:32:00 | 0:32:04 | |
Vicky, it's priced at £55. What would be the best on it? | 0:32:04 | 0:32:08 | |
Um... | 0:32:08 | 0:32:10 | |
-£40. -OK. -You can have that, Raj, for £40. | 0:32:11 | 0:32:15 | |
That's not too bad. | 0:32:15 | 0:32:17 | |
I'm going to put it to one side with the lighthouse. | 0:32:17 | 0:32:19 | |
I'm putting a lot of things to one side at the moment. | 0:32:19 | 0:32:22 | |
-And come back to it. That'll be great. -Thank you. | 0:32:22 | 0:32:24 | |
A third item has caught Raj's eye. | 0:32:24 | 0:32:27 | |
This is a really nice, decorative magnifying glass. | 0:32:28 | 0:32:32 | |
It's made out of silver plate and mother-of-pearl. | 0:32:32 | 0:32:35 | |
It's only got £14 on the ticket. | 0:32:35 | 0:32:38 | |
Which isn't a great deal of money. | 0:32:38 | 0:32:40 | |
If I can get this for £10-£12, there's got to be a profit in it. | 0:32:40 | 0:32:44 | |
So, Raj has three lots on the table. | 0:32:44 | 0:32:47 | |
Vicky has given a best combined ticket price of £90. | 0:32:47 | 0:32:52 | |
Would you do a little bit better if I buy all three? | 0:32:52 | 0:32:54 | |
Ah... | 0:32:54 | 0:32:57 | |
If I said 80 for all three, Raj, | 0:32:57 | 0:32:59 | |
that would have to be the absolute best I could do. | 0:32:59 | 0:33:02 | |
If you are happy with that, I certainly am. | 0:33:02 | 0:33:05 | |
I would certainly say yes. | 0:33:05 | 0:33:07 | |
So a bold, last leg move there from Raj, | 0:33:07 | 0:33:09 | |
buying three items in the first shop. | 0:33:09 | 0:33:12 | |
Right, where is Charles? | 0:33:13 | 0:33:15 | |
That's nice. Barnstaple. | 0:33:15 | 0:33:17 | |
I love this because it's almost a glaze. It gives me an oceanic feel. | 0:33:17 | 0:33:22 | |
It's like being here in Cornwall. | 0:33:22 | 0:33:25 | |
What I could do with this vase, tactically, | 0:33:25 | 0:33:29 | |
is almost put it with those vases | 0:33:29 | 0:33:32 | |
and it almost gives them, the Art Nouveau, a bit more of a punch. | 0:33:32 | 0:33:37 | |
Ah, but is Vicky willing to do the deal? | 0:33:37 | 0:33:40 | |
£15 is the initial ticket price on the vases. £9.50. | 0:33:40 | 0:33:46 | |
All in, it makes 24.50. | 0:33:46 | 0:33:49 | |
And I was hoping to buy the group for £15. | 0:33:49 | 0:33:54 | |
Which is quite a big discount. Could you do it for £15? | 0:33:54 | 0:33:58 | |
-No. -No, OK. -That's a bit low. | 0:33:58 | 0:34:01 | |
20 would be ideal. | 0:34:01 | 0:34:03 | |
-Yeah, I like your style. You're 20. -Yes. -I'm over here at 15. -Yes. | 0:34:04 | 0:34:09 | |
-If I take a walk in... -Yeah. -..can you meet me... -At 18. | 0:34:09 | 0:34:13 | |
Yeah. Come over here. That's it, great. | 0:34:13 | 0:34:14 | |
-£18. That's a deal. -All right? | 0:34:14 | 0:34:16 | |
And with that, Charles is off the mark. | 0:34:16 | 0:34:19 | |
Raj is taking a break from shopping and has headed to Helston. | 0:34:19 | 0:34:23 | |
He's come to meet local museum curator Katherine to find out | 0:34:23 | 0:34:26 | |
more about Henry Trengrouse, | 0:34:26 | 0:34:29 | |
a local man whose invention has saved lives all round the world. | 0:34:29 | 0:34:33 | |
-Katherine, is that Henry Trengrouse? -That's Henry Trengrouse, yes. | 0:34:35 | 0:34:39 | |
He was actually from Mullion but he then moved to Helston | 0:34:39 | 0:34:42 | |
and he was a local cabinet-maker. | 0:34:42 | 0:34:44 | |
But, of course, it's not his cabinet-making that he's | 0:34:44 | 0:34:47 | |
-famous for, is it? -No, that's right, no. | 0:34:47 | 0:34:50 | |
He was actually inspired to invent a life-saving | 0:34:50 | 0:34:54 | |
apparatus for people at sea. | 0:34:54 | 0:34:56 | |
What actually triggered that off? | 0:34:56 | 0:34:58 | |
Just after Christmas in 1807, | 0:34:58 | 0:35:02 | |
he heard that a ship had gone aground off Loe Bar, | 0:35:02 | 0:35:04 | |
which is just outside Helston. | 0:35:04 | 0:35:07 | |
And he went down to the beach to see. | 0:35:07 | 0:35:09 | |
Unfortunately, many people were drowning. | 0:35:09 | 0:35:12 | |
The ship was actually beached just slightly off the shore, just | 0:35:12 | 0:35:15 | |
too far for people to get a rope across to it, to get people off. | 0:35:15 | 0:35:18 | |
About 100 people drowned in front of him | 0:35:18 | 0:35:21 | |
and the people watching on the beach. | 0:35:21 | 0:35:23 | |
It sounds like he was really affected by what he'd seen. | 0:35:23 | 0:35:26 | |
Are there any accounts of what actually affected him? | 0:35:26 | 0:35:29 | |
Yes, we know exactly how he was feeling because we do have | 0:35:29 | 0:35:32 | |
one of his notebooks where he describes the wreck. | 0:35:32 | 0:35:35 | |
"It was then and there the annihilation of this fine ship | 0:35:35 | 0:35:38 | |
"and so many of my fellow creatures most seriously | 0:35:38 | 0:35:41 | |
"arrested my reflections and sympathy. | 0:35:41 | 0:35:43 | |
"And freshened in my memory the premature | 0:35:43 | 0:35:46 | |
"destruction of about 50 fine fellows at the wreck of a transport | 0:35:46 | 0:35:49 | |
"ship only a few weeks preceding. And also near the same spot. | 0:35:49 | 0:35:54 | |
"These melancholy disasters continue | 0:35:54 | 0:35:56 | |
"to exercise my mind intensely day and night. | 0:35:56 | 0:35:59 | |
"And I was led to consider what means could have been applied to | 0:35:59 | 0:36:02 | |
"save those who had so miserably perished within hail of their | 0:36:02 | 0:36:05 | |
"countrymen and friends, and within a few yards of land and safety." | 0:36:05 | 0:36:09 | |
Wow, that really does... | 0:36:09 | 0:36:11 | |
That really does give you a sense of exactly what | 0:36:11 | 0:36:14 | |
-he must have been feeling. -Yeah. | 0:36:14 | 0:36:15 | |
Traumatised after helplessly witnessing men, | 0:36:15 | 0:36:20 | |
women and children drown in front of him, Henry Trengrouse made | 0:36:20 | 0:36:24 | |
it his life's mission to help save people from shipwrecks. | 0:36:24 | 0:36:28 | |
And what did he actually do? | 0:36:29 | 0:36:31 | |
Well, he actually thought that there must be a way of getting | 0:36:31 | 0:36:34 | |
a rope across to the ship. | 0:36:34 | 0:36:35 | |
And he though about how could you actually get it there. | 0:36:35 | 0:36:38 | |
Actually, I think he had been to a fireworks display | 0:36:38 | 0:36:42 | |
to celebrate some royal event. | 0:36:42 | 0:36:43 | |
And the idea of the fireworks just gave him | 0:36:43 | 0:36:45 | |
the idea to actually fire a rocket. | 0:36:45 | 0:36:47 | |
So this rocket device, Katherine, how did it work? | 0:36:47 | 0:36:51 | |
I think his original idea was that every ship would carry this | 0:36:51 | 0:36:54 | |
apparatus with them. And then fire towards the shore. | 0:36:54 | 0:36:57 | |
The rocket would get a thin line across to the shore | 0:36:57 | 0:37:01 | |
which could then be pulled and attached to a larger rope. | 0:37:01 | 0:37:04 | |
Then once you got a large, substantial rope across, you could | 0:37:04 | 0:37:07 | |
then attach a seat to it which could be pulled backwards and forwards. | 0:37:07 | 0:37:11 | |
And that's the Bosun's chair that he invented. | 0:37:11 | 0:37:13 | |
And was he the first person to come up with this idea? | 0:37:13 | 0:37:15 | |
He was one of several people who came up with a similar | 0:37:15 | 0:37:18 | |
idea at the same time, yes. | 0:37:18 | 0:37:19 | |
It took Henry Trengrouse ten years to fully develop his rescue system. | 0:37:19 | 0:37:25 | |
Putting much of his own money into his big life-saving invention. | 0:37:25 | 0:37:29 | |
How long was it used for? | 0:37:29 | 0:37:30 | |
In actual fact, the basic idea of firing a rocket with a line | 0:37:30 | 0:37:34 | |
was used up into the early 1980s. | 0:37:34 | 0:37:36 | |
-Oh, wow. -And sort of search and rescue helicopters still carry them. | 0:37:36 | 0:37:40 | |
He must have been a very rich man, then. | 0:37:40 | 0:37:42 | |
Unfortunately not, no. | 0:37:42 | 0:37:44 | |
He only made about £50 out of his idea from the Navy. | 0:37:44 | 0:37:47 | |
Because unfortunately, he didn't patent his idea. | 0:37:47 | 0:37:50 | |
And the other people who'd come up with a similar device | 0:37:50 | 0:37:53 | |
patented theirs. So he missed out. | 0:37:53 | 0:37:55 | |
-So no real recognition for his invention? -Unfortunately not. No. | 0:37:55 | 0:37:59 | |
And he actually died in poverty, which is very sad, | 0:37:59 | 0:38:02 | |
really, considering the amount of lives he actually helped to save. | 0:38:02 | 0:38:06 | |
Trengrouse's rocket-powered rescue system is estimated to | 0:38:06 | 0:38:10 | |
have saved over 20,000 lives. | 0:38:10 | 0:38:12 | |
So while he may not have made money from his ingenious invention, | 0:38:12 | 0:38:17 | |
Henry Trengrouse did exactly what he set out to do - | 0:38:17 | 0:38:20 | |
save people's lives. | 0:38:20 | 0:38:23 | |
It's a bit of a sad ending, really, isn't it? | 0:38:23 | 0:38:25 | |
I'm afraid so, yes. | 0:38:25 | 0:38:27 | |
Well, at least it's good that you have recognised, | 0:38:27 | 0:38:30 | |
and local people have recognised him. | 0:38:30 | 0:38:32 | |
It's just a shame that, you know, the world's stage didn't. | 0:38:32 | 0:38:36 | |
But it's been a fascinating story. | 0:38:36 | 0:38:39 | |
Thank you very, very much for showing me around. | 0:38:39 | 0:38:41 | |
-Thank you very much. -Thank you. | 0:38:41 | 0:38:43 | |
-After you. -Thank you. | 0:38:43 | 0:38:45 | |
Charles, meanwhile, has hit the road | 0:38:46 | 0:38:48 | |
and is headed for the city of Truro | 0:38:48 | 0:38:50 | |
with his remaining haul of just over £405. | 0:38:50 | 0:38:54 | |
-Are you open to a discount? -Yeah, I can always say no! | 0:38:56 | 0:39:00 | |
THEY LAUGH | 0:39:00 | 0:39:02 | |
Sounds like dealer Gary might need some sweet talking, Charles. | 0:39:02 | 0:39:07 | |
That's if you find something you fancy. | 0:39:07 | 0:39:09 | |
These are quite decorative, aren't they? These beakers. | 0:39:09 | 0:39:13 | |
-And in fact, Gary, you have called these Lalique. -Mm-hm. | 0:39:13 | 0:39:17 | |
Pair of Lalique tumblers with black enamel poppy design. | 0:39:17 | 0:39:22 | |
And all-importantly here, on the bottom, | 0:39:22 | 0:39:27 | |
is the mark for R Lalique, as in Rene, who died in 1945. | 0:39:27 | 0:39:32 | |
And some of his most important Art Deco glass | 0:39:32 | 0:39:36 | |
can fetch small fortunes. | 0:39:36 | 0:39:38 | |
So, something to think about. Anything else, Charles? | 0:39:38 | 0:39:42 | |
I quite like the vases up there. | 0:39:42 | 0:39:44 | |
A nice pair of what appear to be Crown Ducal - | 0:39:44 | 0:39:47 | |
they could be Crown Devon - vases | 0:39:47 | 0:39:51 | |
with a blush ivory ground, | 0:39:51 | 0:39:53 | |
of maybe 1910. | 0:39:53 | 0:39:55 | |
They are only £15, but it notes, Gary, | 0:39:55 | 0:39:59 | |
-one has damage. May I have a look at them? -Yeah. | 0:39:59 | 0:40:03 | |
It all depends on how serious the damage is. Thanks, Gary. | 0:40:03 | 0:40:06 | |
They're a good pair, aren't they? | 0:40:06 | 0:40:08 | |
Oh, I say, they are cracked. | 0:40:08 | 0:40:10 | |
They're priced at 15. What is the best on them? | 0:40:10 | 0:40:15 | |
Yeah. As that one is not really worth anything... | 0:40:15 | 0:40:18 | |
-Yeah, a fiver. -OK. Yeah. Put it there. | 0:40:20 | 0:40:24 | |
Oh, sorry, Gary. | 0:40:24 | 0:40:26 | |
You need to work on that handshake, Charles. What about those tumblers? | 0:40:27 | 0:40:31 | |
Is there any margin | 0:40:31 | 0:40:34 | |
for you to give me a bit more off? | 0:40:34 | 0:40:36 | |
25. | 0:40:39 | 0:40:40 | |
-20? -Five. | 0:40:40 | 0:40:42 | |
-Meet me halfway? -25. -20? | 0:40:42 | 0:40:44 | |
-No. -Gary, you know what, I just like these | 0:40:44 | 0:40:47 | |
-because they carry that magic name. Oh-la-la. -Lalique. -Exactly. | 0:40:47 | 0:40:52 | |
And I think for that reason... | 0:40:52 | 0:40:54 | |
£25, it is worth a gamble. | 0:40:54 | 0:40:57 | |
-Gary, put it there. That's a deal. Thank you. -No problem. | 0:40:57 | 0:41:01 | |
Appreciate it. Thanks a lot, I am really pleased. | 0:41:01 | 0:41:04 | |
So, with two lots bought, that is day one done. | 0:41:04 | 0:41:09 | |
Nighty-night, chaps. | 0:41:09 | 0:41:11 | |
The next morning, | 0:41:11 | 0:41:13 | |
the boys are soaking up the scenery at Cape Cornwall. | 0:41:13 | 0:41:16 | |
First stop of the morning is the nearest town to Land's End - | 0:41:16 | 0:41:19 | |
St Just. | 0:41:19 | 0:41:21 | |
Raj has come to Bygones, hoping to uncover something special. | 0:41:21 | 0:41:25 | |
-Good morning. -Good morning to you. -Hello, I'm Raj. -Vicki. | 0:41:25 | 0:41:29 | |
-Vicki, lovely to meet you. -And you. | 0:41:29 | 0:41:31 | |
In no mood to mess about today, | 0:41:31 | 0:41:32 | |
Raj has already sniffed out something he is cuckoo about. | 0:41:32 | 0:41:36 | |
This is a very nice little... | 0:41:40 | 0:41:44 | |
bronze dog. | 0:41:44 | 0:41:46 | |
It's...cold-painted bronze. | 0:41:46 | 0:41:50 | |
And it is... I'm trying to... | 0:41:50 | 0:41:52 | |
I'm not exactly sure what kind... It's a pug. | 0:41:52 | 0:41:54 | |
It's painted. | 0:41:54 | 0:41:55 | |
And then rubbed down. | 0:41:55 | 0:41:58 | |
And it has got a really nice little finish to it. | 0:41:58 | 0:42:00 | |
In the late 19th and early 20th centuries, | 0:42:00 | 0:42:03 | |
there were a number of bronze foundries in Austria | 0:42:03 | 0:42:05 | |
specialising in these cold-painted figurines. | 0:42:05 | 0:42:08 | |
This is a modern reproduction, but it is real bronze and could | 0:42:08 | 0:42:12 | |
pull in K-9 collectors. | 0:42:12 | 0:42:14 | |
The ticket price says 60. | 0:42:14 | 0:42:17 | |
Make me an offer I can't refuse. | 0:42:19 | 0:42:21 | |
Make you an offer you can't refuse... | 0:42:24 | 0:42:26 | |
I could probably make you a few that you could refuse. £25. | 0:42:27 | 0:42:31 | |
No. | 0:42:33 | 0:42:34 | |
-No? You didn't even think about it. -No. I can't do it. | 0:42:34 | 0:42:37 | |
-You can't do it for 25? -No. | 0:42:37 | 0:42:40 | |
Look, 35. Still a bargain for you. | 0:42:40 | 0:42:43 | |
Hello, Raj! | 0:42:45 | 0:42:47 | |
I tell you what we'll do, how about we split it? | 0:42:47 | 0:42:49 | |
30, and it will be cash. | 0:42:49 | 0:42:51 | |
You drive a hard bargain. | 0:42:54 | 0:42:57 | |
-We have a deal? -Yeah. | 0:42:57 | 0:42:58 | |
-OK, we have a deal. -You've got a deal. | 0:42:58 | 0:43:01 | |
And just like that, deal's done for Raj. | 0:43:01 | 0:43:04 | |
A little further along the coast, | 0:43:06 | 0:43:08 | |
Raj has made an unscheduled stop, as he has spotted local | 0:43:08 | 0:43:12 | |
fisherman Steve, who is surrounded by a load of lobster pots. | 0:43:12 | 0:43:16 | |
-This is an old lobster pot. -This is an old lobster pot. | 0:43:16 | 0:43:19 | |
-How old would that be, Steve? -Is about five or six years old. -OK. | 0:43:19 | 0:43:24 | |
-The problem is, the bottom rubs on the hard seabed. -Ah-ha. | 0:43:24 | 0:43:28 | |
Rubs the plastic off and then the saltwater rusts it. | 0:43:28 | 0:43:31 | |
-OK. -But for what you want... | 0:43:31 | 0:43:34 | |
What would people do? I mean, that looks ideal to put a plant in. | 0:43:34 | 0:43:37 | |
-Yep. -A flower in the garden or something. -Trailing plants, whatever. | 0:43:37 | 0:43:40 | |
You are not actually going to buy one of those, are you? | 0:43:40 | 0:43:43 | |
So if I were to offer you... If they are worth 20 quid at auction, | 0:43:43 | 0:43:46 | |
-if I were to offer you a fiver, would you be happy with that? -No. | 0:43:46 | 0:43:49 | |
-You wouldn't be. -No. -No. God, you are a hard man already. | 0:43:49 | 0:43:52 | |
I could tell. OK... OK, how about ten? | 0:43:52 | 0:43:56 | |
-That has got to be fair. -Ten sounds better. -We shake on it? -Yep. | 0:43:56 | 0:43:59 | |
We have a deal. | 0:43:59 | 0:44:00 | |
Cor, pretty unconventional auction lot, | 0:44:00 | 0:44:03 | |
but I do love the fact that Raj is getting into the road trip spirit. | 0:44:03 | 0:44:06 | |
Aren't you? | 0:44:06 | 0:44:08 | |
While Raj has been taking in the sea air, Charles has travelled | 0:44:09 | 0:44:12 | |
40 miles northeast to Redruth, with some serious shopping to do. | 0:44:12 | 0:44:17 | |
Hats off. | 0:44:17 | 0:44:19 | |
-Charles! -How are you? -How are you doing? | 0:44:19 | 0:44:21 | |
-You got the name. -You got here eventually. | 0:44:21 | 0:44:23 | |
We have met before, have we? | 0:44:23 | 0:44:25 | |
-No, no, I've seen you on TV loads of times. -Oh, thanks. | 0:44:25 | 0:44:28 | |
-There we go. -I just couldn't wait to see you. | 0:44:28 | 0:44:30 | |
Could we do a deal today, do you think? | 0:44:30 | 0:44:32 | |
-Hopefully. It would be lovely, I need the money. -Get out of here! | 0:44:32 | 0:44:36 | |
Get out of here! I like your necklace, by the way. Goodness me. | 0:44:36 | 0:44:39 | |
-You carry the gold well. -Brass. -Is it? | 0:44:39 | 0:44:41 | |
You have a look round, Charles. I'll just be behind here. | 0:44:41 | 0:44:45 | |
-What is your name? -Walter. -Walter. -Yeah, my friends call me Wal. | 0:44:45 | 0:44:48 | |
-Hey, Wal. -Right on. | 0:44:48 | 0:44:50 | |
Yeah, man! Charles, what are you after? | 0:44:50 | 0:44:53 | |
Well, I quite like... Walter, follow me over here. | 0:44:53 | 0:44:56 | |
There is one thing I have seen that I quite like. | 0:44:56 | 0:44:58 | |
-Lots of glass, lots of pottery but I quite like... -Oh, right. | 0:44:58 | 0:45:02 | |
-..the bottle. -It is certainly different, | 0:45:02 | 0:45:04 | |
a wooden bottle, isn't it? | 0:45:04 | 0:45:06 | |
I don't think it is overly old. | 0:45:06 | 0:45:08 | |
-I... -It definitely isn't Louis XIV. | 0:45:08 | 0:45:12 | |
The Sun King. Where is our sun today? I quite like this. | 0:45:12 | 0:45:16 | |
-Interesting, isn't it? -Yeah. What is your very best on that? | 0:45:16 | 0:45:20 | |
-I'll do it for a tenner. -You wouldn't. -Yeah, why not? -Look at me. | 0:45:20 | 0:45:23 | |
I'm looking at you. You look like a nice man. | 0:45:23 | 0:45:26 | |
Firm friends already, | 0:45:26 | 0:45:27 | |
Wal is offering up a little titbit for Charles. | 0:45:27 | 0:45:31 | |
The little pot is different, at the top there, Charles. | 0:45:31 | 0:45:33 | |
-Is that peculiar? -Strange, yeah. I have no idea what it is. | 0:45:33 | 0:45:37 | |
What does it look like to you? | 0:45:37 | 0:45:39 | |
I would have said a portable inkwell, but maybe not. | 0:45:39 | 0:45:42 | |
If it was an inkwell, I would have thought it would have had... | 0:45:42 | 0:45:46 | |
A seal of some sort maybe? | 0:45:46 | 0:45:48 | |
Some remnants inside of maybe where a glass liner was. | 0:45:48 | 0:45:51 | |
And I just wonder whether it is to do with | 0:45:51 | 0:45:56 | |
maybe a nipple cover | 0:45:56 | 0:45:58 | |
if you were perhaps... What is the phrase? When you feed a baby. | 0:45:58 | 0:46:05 | |
Breast-feeding. | 0:46:05 | 0:46:07 | |
Also if you'd fill a bottle, what do you call it? | 0:46:07 | 0:46:10 | |
What is the phrase? | 0:46:10 | 0:46:12 | |
What are you on about, Charles? | 0:46:12 | 0:46:14 | |
-Express. -Oh, right. -You've had a baby and you are expressing. | 0:46:14 | 0:46:17 | |
I just wonder whether maybe there was some sort of nipple cover... | 0:46:17 | 0:46:22 | |
-In the box? -In the box. | 0:46:22 | 0:46:23 | |
You might be onto something there, Charles. | 0:46:23 | 0:46:26 | |
I could believe that. | 0:46:26 | 0:46:28 | |
It is marked London. | 0:46:28 | 0:46:29 | |
I think you've quite rightly dated it to Edwardian. | 0:46:29 | 0:46:32 | |
It is decorative, it's not got much weight to it. | 0:46:32 | 0:46:35 | |
But it is quite a dainty object. | 0:46:35 | 0:46:37 | |
What could you do it for, do you think, Wal? | 0:46:37 | 0:46:39 | |
Um... I would let you have that for 25. | 0:46:39 | 0:46:42 | |
It is a shame the marks are rubbed. I think it is an interesting box. | 0:46:42 | 0:46:45 | |
-You wouldn't do it for 20, would you? -Go on, go for it. | 0:46:45 | 0:46:48 | |
-Are you sure? -Yeah. -Put it there. Thanks a lot. | 0:46:48 | 0:46:50 | |
So that's a box and a bottle bought. Anything else, Charles? | 0:46:50 | 0:46:54 | |
What I quite like is... | 0:46:54 | 0:46:56 | |
-I've stuck that on the second shelf. -Right. | 0:46:57 | 0:46:59 | |
Four nice pendants. You've got cycling, that is all the rage. | 0:46:59 | 0:47:03 | |
And that is a pendant from 1931. | 0:47:03 | 0:47:09 | |
So early cycling interest. | 0:47:09 | 0:47:11 | |
Then you've got an interesting little pendant here, | 0:47:11 | 0:47:15 | |
which appears to be in the form of a sundial. | 0:47:15 | 0:47:18 | |
Then you've got soccer, football as we call it all over here, | 0:47:18 | 0:47:22 | |
with a beautiful little blue... | 0:47:22 | 0:47:24 | |
-Enamel, yeah. -..enamelled football. -Lovely. | 0:47:24 | 0:47:27 | |
Which is 1950s. | 0:47:27 | 0:47:29 | |
And then, are you a darts player? | 0:47:29 | 0:47:31 | |
-No, not at all. -No? | 0:47:31 | 0:47:32 | |
As a sporting lot, what will be the best price on all four? | 0:47:32 | 0:47:37 | |
-As a one-hit. -I'd go £40. | 0:47:37 | 0:47:41 | |
-For the whole lot? -For the lot. | 0:47:41 | 0:47:42 | |
You wouldn't do a bit less, would you, Walter? | 0:47:42 | 0:47:44 | |
-Is there another one we could throw in? -Get out of here! | 0:47:44 | 0:47:47 | |
If that is the case, Walter... You have got one here. | 0:47:47 | 0:47:51 | |
I think you have picked the dearest one, Charles. | 0:47:51 | 0:47:54 | |
Well, now you've got five, I will do the five for 50. | 0:47:54 | 0:47:57 | |
You wouldn't do them for... | 0:47:57 | 0:48:00 | |
Not a bit less? | 0:48:00 | 0:48:02 | |
-Oh, Charles... -£45? | 0:48:02 | 0:48:03 | |
-Go on, have a go. -Are you sure? -Go for it. -Happy? -No. | 0:48:05 | 0:48:07 | |
-Have you been here a while? -Yes. -Look at me. You've got to be happy. | 0:48:07 | 0:48:11 | |
You have upset me now. | 0:48:11 | 0:48:12 | |
-Don't say that. -Have you ever seen me cry? -We have done so well. | 0:48:12 | 0:48:16 | |
-The journey was well and truly on. Are you sure? -Yeah. | 0:48:16 | 0:48:18 | |
Is there a margin in it for you? | 0:48:18 | 0:48:21 | |
-Not a lot. -No, but is there a bit of a margin? -Just a bit. -OK, sold. | 0:48:21 | 0:48:24 | |
Thanks a lot. Put it there. Sold. | 0:48:24 | 0:48:27 | |
Our dapper dandy is all spent up with three final lots bought. | 0:48:27 | 0:48:31 | |
Raj isn't done yet, though. | 0:48:32 | 0:48:34 | |
He has made his way to the ancient town of St Columb Major | 0:48:34 | 0:48:37 | |
and is off to his final shop with his remaining £185.86. | 0:48:37 | 0:48:42 | |
-Hello. -Hello there. | 0:48:42 | 0:48:45 | |
-I'm Raj. -I'm Tina. -Tina, lovely to meet you. -And you. | 0:48:45 | 0:48:48 | |
It is a pack shop, | 0:48:48 | 0:48:49 | |
so you'll need to use your head to find your final lot. | 0:48:49 | 0:48:53 | |
Hello, Charles. | 0:48:53 | 0:48:54 | |
Oh, suits you, sir. Right, anything looking good, Raj? | 0:48:54 | 0:48:59 | |
This is really, really quite nice. | 0:48:59 | 0:49:01 | |
It is a copper inkwell which is slightly different | 0:49:01 | 0:49:05 | |
because it is very Art Nouveau-y, and it looks like it might be | 0:49:05 | 0:49:10 | |
from the Newlyn School, which is obviously not very far from here. | 0:49:10 | 0:49:14 | |
The Newlyn School started around the 1880s and went on | 0:49:14 | 0:49:19 | |
until the early 20th century. | 0:49:19 | 0:49:22 | |
It is where a lot of artists went from the cities down here | 0:49:22 | 0:49:26 | |
because they... They became a colony. | 0:49:26 | 0:49:28 | |
I can't see a signature on this at all, but it would've sat... | 0:49:28 | 0:49:32 | |
it would've sat on a desk. | 0:49:32 | 0:49:33 | |
It's missing its liner, which it would've had. | 0:49:33 | 0:49:37 | |
But it's definitely got age to it. | 0:49:37 | 0:49:39 | |
In fact, it has got here "Possibly Newlyn". | 0:49:39 | 0:49:42 | |
It has got a price on it of £79. | 0:49:42 | 0:49:45 | |
For POSSIBLY being Newlyn, 79 is quite a heavy ticket. | 0:49:45 | 0:49:49 | |
Better see if there's a deal to be had with Tina. | 0:49:49 | 0:49:52 | |
-I see you've got £79 on the ticket. -I have. -Now, what could you do? | 0:49:52 | 0:49:57 | |
-OK. -I don't want to have to get down on my knees, yet. | 0:49:57 | 0:50:01 | |
-OK. -But I will. | 0:50:01 | 0:50:02 | |
How about if we said... | 0:50:02 | 0:50:06 | |
65? | 0:50:06 | 0:50:07 | |
65... | 0:50:08 | 0:50:10 | |
-I'll tell you what I'd like to pay for it... -OK. | 0:50:11 | 0:50:13 | |
..that might give me a chance. I'd like to pay £40 for it. | 0:50:13 | 0:50:17 | |
Right. Do you think we could do 42? | 0:50:18 | 0:50:22 | |
-And you could have a deal. -Are you happy at £42? | 0:50:22 | 0:50:25 | |
-Yes, I'll be happy with 42. -You sure? -Yes. -Tina, we have a deal. | 0:50:25 | 0:50:29 | |
Great, thank you. | 0:50:29 | 0:50:31 | |
And with that, the boys are all bought up. | 0:50:32 | 0:50:35 | |
Raj spent £162 on six lots. | 0:50:37 | 0:50:40 | |
The cribbage board, | 0:50:40 | 0:50:41 | |
the serpentine lighthouse, | 0:50:41 | 0:50:44 | |
the magnifying glass, | 0:50:44 | 0:50:45 | |
the lobster pot, | 0:50:45 | 0:50:47 | |
the bronze pug | 0:50:47 | 0:50:49 | |
and the Art Nouveau inkwell. | 0:50:49 | 0:50:51 | |
Charles spent £123, | 0:50:52 | 0:50:55 | |
buying the trio of vases, | 0:50:55 | 0:50:57 | |
the wooden coopered bottle, | 0:50:57 | 0:50:59 | |
the unusual silver box, | 0:50:59 | 0:51:01 | |
the selection of sports pendants, | 0:51:01 | 0:51:04 | |
the moulded glass beakers | 0:51:04 | 0:51:05 | |
and the pair of Crown Devon vases. | 0:51:05 | 0:51:08 | |
So, what do they make of each other's lots? | 0:51:09 | 0:51:11 | |
What I really, really like and what might be my Achilles heel, | 0:51:11 | 0:51:16 | |
it's only got three letters - the pug. It might just go... | 0:51:16 | 0:51:19 | |
-HE HOWLS -..at auction. | 0:51:19 | 0:51:21 | |
Charles has bought well. He hasn't spent a lot of money. | 0:51:21 | 0:51:24 | |
He has played it very, very safe. | 0:51:24 | 0:51:26 | |
It is never over until the auctioneer for the last time | 0:51:26 | 0:51:29 | |
says, "Going, going, gone." | 0:51:29 | 0:51:30 | |
After starting this leg in Lostwithiel, | 0:51:32 | 0:51:34 | |
our experts travelled all around the Cornish coast | 0:51:34 | 0:51:37 | |
and are now off to the very last auction in Crewkerne. | 0:51:37 | 0:51:41 | |
Presiding over the auction today at lovely Lawrences | 0:51:41 | 0:51:45 | |
is Richard Kay. | 0:51:45 | 0:51:46 | |
So, for one last time, our boys are getting ready to head-to-head. | 0:51:46 | 0:51:51 | |
First up is Raj's mahogany and brass cribbage board. | 0:51:52 | 0:51:55 | |
Bids here, start me at 20. 25, 30 is bid. | 0:51:55 | 0:51:58 | |
-Well done, profit. -It's 35, I'm out. -Keep going. | 0:51:58 | 0:52:03 | |
40, new bidder. 45. | 0:52:03 | 0:52:05 | |
Are you bidding? 50. 55. | 0:52:06 | 0:52:09 | |
-£55 now. -Excellent. -That is awesome, Raj. | 0:52:09 | 0:52:13 | |
At £55... | 0:52:13 | 0:52:15 | |
Storming start there for Raj. | 0:52:15 | 0:52:17 | |
Will Charles be as lucky with his pair of Linthorpe-style | 0:52:17 | 0:52:20 | |
vases together with the blue Brannam vase? | 0:52:20 | 0:52:24 | |
What shall we say, £10 for all three? | 0:52:24 | 0:52:26 | |
-10 is bid. -Come on. -12 now. | 0:52:26 | 0:52:27 | |
15. 18. 20. Five. | 0:52:27 | 0:52:30 | |
25, lady's bid at £25. | 0:52:30 | 0:52:33 | |
-Uh-oh. -30, new bidder. 35. | 0:52:33 | 0:52:35 | |
40. 45. | 0:52:35 | 0:52:37 | |
-Selling this one at 45. -Oh! | 0:52:37 | 0:52:39 | |
That's good! | 0:52:39 | 0:52:41 | |
It is indeed, more than doubling your money there. | 0:52:41 | 0:52:44 | |
Well done, Charles. | 0:52:44 | 0:52:45 | |
Right, Raj, let's see how | 0:52:45 | 0:52:46 | |
your Cornish serpentine stone lighthouse fares. | 0:52:46 | 0:52:49 | |
£10 for it. 10 is bid. Opening at 10. Selling at 10 only? | 0:52:49 | 0:52:52 | |
-Come on. -Are we done? £10? | 0:52:52 | 0:52:55 | |
At £10. | 0:52:55 | 0:52:56 | |
-Let's go. -All done at 10? I'm selling. | 0:52:56 | 0:52:58 | |
Last time. | 0:52:58 | 0:53:00 | |
That loss means Charles is still in the lead. | 0:53:00 | 0:53:03 | |
Can he pulled further ahead with his oak and brass-coopered bottle? | 0:53:03 | 0:53:08 | |
£20 for that. £20 is bid. | 0:53:08 | 0:53:10 | |
That's good. Come on. Let's move. | 0:53:10 | 0:53:13 | |
£20, then. And selling this one. 25. | 0:53:13 | 0:53:16 | |
30. 35. | 0:53:16 | 0:53:19 | |
40. No? £40. | 0:53:19 | 0:53:21 | |
-It is the lady's bid at 40. -Cost me how much? -Ten. -That's good. | 0:53:21 | 0:53:24 | |
The champagne's on ice, the show is almost over... | 0:53:24 | 0:53:27 | |
-Brilliant, well done. -Thank you. -That's a good one. -Thank you. | 0:53:27 | 0:53:30 | |
Another top profit there for Charles. | 0:53:30 | 0:53:33 | |
Next up is Raj's magnifying glass. | 0:53:33 | 0:53:37 | |
£10 for that. £10 for it. | 0:53:37 | 0:53:40 | |
-£10, surely. -Is that a profit? -5, then. 5 is bid. | 0:53:40 | 0:53:43 | |
I saw the lady's bid first. | 0:53:43 | 0:53:44 | |
£8, sir. Are you bidding? | 0:53:44 | 0:53:47 | |
10. 12. £12 now. | 0:53:47 | 0:53:50 | |
Selling at 12. At £12, last time. | 0:53:50 | 0:53:53 | |
So, although it is a £2 profit, after auction costs, | 0:53:53 | 0:53:57 | |
it means Raj actually made a bit of a loss there. | 0:53:57 | 0:54:00 | |
Up next is Charles' unusual silver box. | 0:54:00 | 0:54:03 | |
-£25 for it. 20, then. -Interesting box. -£20. | 0:54:03 | 0:54:06 | |
£15, anywhere? | 0:54:06 | 0:54:08 | |
-15 is bid. -Come on. -18. | 0:54:08 | 0:54:10 | |
20. £20. I am selling this one at 20. All done? | 0:54:10 | 0:54:15 | |
Interesting. | 0:54:15 | 0:54:17 | |
Again, after auction costs, although he broke even, | 0:54:17 | 0:54:20 | |
that actually results in a bit of a loss for Charles. | 0:54:20 | 0:54:23 | |
Next, Raj's lobster pot. | 0:54:23 | 0:54:25 | |
£10 for that? | 0:54:25 | 0:54:27 | |
5 anywhere? 5 is bid. | 0:54:27 | 0:54:29 | |
-8 now. 10. 12. -Well done. Well done, Raj. Profit. | 0:54:29 | 0:54:33 | |
12. 15. 18. £18. | 0:54:33 | 0:54:36 | |
Selling at 18. | 0:54:36 | 0:54:37 | |
-All done at 18? -Well done! | 0:54:37 | 0:54:40 | |
-Very good. You gave it all that. -I gave it all that, and it worked. | 0:54:40 | 0:54:43 | |
And you got all of that. | 0:54:43 | 0:54:45 | |
So, a pretty profit there for an old lobster pot. | 0:54:45 | 0:54:48 | |
Can Charles' collection of silver sports pendants perform as well? | 0:54:48 | 0:54:53 | |
-What shall we say, £15 for them? -Oh, dear. -18. 20. -There we go. -Five. | 0:54:53 | 0:54:57 | |
30. Five. 35. By the pillar at 35. | 0:54:57 | 0:55:01 | |
Selling this one at £35. Last time. | 0:55:01 | 0:55:04 | |
All done. | 0:55:04 | 0:55:05 | |
£10 down. | 0:55:05 | 0:55:07 | |
No sports fans in the house today, it seems. | 0:55:07 | 0:55:10 | |
What about dog fanciers? | 0:55:10 | 0:55:12 | |
A profit on the pug would give Raj a healthy lead. | 0:55:12 | 0:55:15 | |
Very charming little piece. Bids here start me up at 40. 45. £50. | 0:55:15 | 0:55:19 | |
-Well done. -£50 is bid. 55. 60. | 0:55:19 | 0:55:23 | |
Five. 70. Five. 80. Five. 90. | 0:55:23 | 0:55:27 | |
-Wow! -£90, the bid is still with me. -Wow! | 0:55:27 | 0:55:29 | |
At 90, I am selling this one at 90. | 0:55:29 | 0:55:32 | |
£90, then. All done? | 0:55:32 | 0:55:35 | |
-Put it there. -Yes? -Wonderful, wonderful. | 0:55:35 | 0:55:37 | |
HE HOWLS | 0:55:37 | 0:55:39 | |
HE BARKS | 0:55:39 | 0:55:41 | |
A delightful doggy profit for the pug. | 0:55:41 | 0:55:44 | |
Charles is playing catch-up with his Art Deco glass beakers. | 0:55:44 | 0:55:47 | |
What shall we say, £40 for them? | 0:55:47 | 0:55:49 | |
-£40 for them? 30, then? -Oh. Uh-oh. -£30 is bid. 35 now. | 0:55:49 | 0:55:53 | |
40. 45. | 0:55:53 | 0:55:55 | |
Any more? It is 45. At the cabinets at 45. All done? | 0:55:55 | 0:55:59 | |
Nice little earner there for Charles. | 0:56:00 | 0:56:02 | |
But a good result on Raj's | 0:56:02 | 0:56:04 | |
last lot could see him win this final leg. | 0:56:04 | 0:56:07 | |
It's the copper inkwell. | 0:56:07 | 0:56:08 | |
-Charming piece. Bids start me at 50 on this one. -Oh, my goodness! | 0:56:08 | 0:56:11 | |
-He's in. -55. 60. Five, 70. Five, 80. | 0:56:11 | 0:56:14 | |
Five. At £85 now. I'm out in the room. | 0:56:14 | 0:56:18 | |
90, new bidder. 95. 100. | 0:56:18 | 0:56:21 | |
-Are you bidding? 110. 120. -You've done it! | 0:56:21 | 0:56:23 | |
It is 120. It is your bid, madam. At 120. And selling at 120 | 0:56:23 | 0:56:28 | |
-if you are done elsewhere. Last time. -I think you have done it. | 0:56:28 | 0:56:30 | |
Are we done? | 0:56:30 | 0:56:32 | |
I think you bought a wonderful object and I think | 0:56:32 | 0:56:34 | |
you're flying high. | 0:56:34 | 0:56:36 | |
Fantastic result, but it is not over yet. | 0:56:36 | 0:56:39 | |
You have still one last chance, Charles. | 0:56:39 | 0:56:41 | |
It is the final lot of the trip - his Crown Devon vases. | 0:56:41 | 0:56:45 | |
Come on, auctioneer. | 0:56:45 | 0:56:47 | |
-I am going to call the room out. -Blush ivory vases. -Come on. | 0:56:47 | 0:56:49 | |
No, no, no, stop that. | 0:56:49 | 0:56:51 | |
What shall we say, £10 for the two, quickly, for them? | 0:56:51 | 0:56:55 | |
-£10 here. -Come on! -£10 anywhere? | 0:56:55 | 0:56:57 | |
-Five? -I need some help. | 0:56:57 | 0:56:59 | |
-£5. It's awful! -£2 anywhere? | 0:56:59 | 0:57:02 | |
It's only a pound each. | 0:57:02 | 0:57:03 | |
-£2 is bid. -Help! Help! | 0:57:03 | 0:57:07 | |
At £2. Only 2? Selling at 2? Are we done with them? | 0:57:07 | 0:57:10 | |
And £2 only... Four, just in time. | 0:57:10 | 0:57:13 | |
-One more! -Six. Selling at six. -Thank you! | 0:57:13 | 0:57:16 | |
You made a profit! | 0:57:16 | 0:57:17 | |
After auction costs, that means a teeny-tiny loss there for Charles. | 0:57:17 | 0:57:22 | |
-Come on. -After you. No, you go first, I salute you. | 0:57:22 | 0:57:25 | |
Well done, chaps, but who is this road trip's overall winner? | 0:57:28 | 0:57:32 | |
Raj started out with £305.86 and made, | 0:57:34 | 0:57:37 | |
after paying auction costs, an incredible profit of £88.10. | 0:57:37 | 0:57:42 | |
Making him today's winner and leaving him | 0:57:43 | 0:57:46 | |
with an impressive final total of £393.96. | 0:57:46 | 0:57:50 | |
Well done, that, man. | 0:57:50 | 0:57:52 | |
Charles began with £423.64. | 0:57:53 | 0:57:58 | |
And after paying auction costs, also made a profit of £33.62. | 0:57:58 | 0:58:04 | |
That means he may have lost this leg, | 0:58:04 | 0:58:06 | |
but he has won the overall trip with a fabulous final tally of £457.26. | 0:58:06 | 0:58:13 | |
All profits go to Children In Need. Well done, Charles. | 0:58:13 | 0:58:16 | |
-For the last time. -For the last time. -Foot on brake. | 0:58:16 | 0:58:19 | |
-It is a bit of a sad moment. -Now, go to first gear. | 0:58:19 | 0:58:22 | |
-I can say, "Going, going..." -Gone. -There we go. That whole time. | 0:58:22 | 0:58:26 | |
Watch it, watch it. | 0:58:26 | 0:58:28 | |
It's been a pleasure, boys. Until next time, cheerio. | 0:58:28 | 0:58:31 |