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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
I don't know what to do. | 0:00:04 | 0:00:05 | |
HORN TOOTS | 0:00:05 | 0:00:06 | |
With £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:12 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:12 | 0:00:17 | |
Back in the game. Charlie! | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
Oh! | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:24 | 0:00:27 | |
Oh! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today marks the start of a brand spanking new road trip, | 0:00:40 | 0:00:42 | |
with a couple of our old favourites, David Harper and Anita Manning. | 0:00:42 | 0:00:47 | |
Well, David, here we are in Lancashire, | 0:00:47 | 0:00:50 | |
at the beginning of a big adventure. | 0:00:50 | 0:00:53 | |
You've no idea what's going to happen. | 0:00:53 | 0:00:55 | |
I think part of the excitement of the trip | 0:00:55 | 0:00:58 | |
is meeting all the characters. | 0:00:58 | 0:01:01 | |
It draws in the eccentric, doesn't it? | 0:01:01 | 0:01:03 | |
-Look at us. -Exactly. | 0:01:03 | 0:01:05 | |
You're telling me. | 0:01:05 | 0:01:08 | |
Take a seasoned auctioneer - Anita, for example. | 0:01:08 | 0:01:11 | |
She's certainly got an eye for a bargain, | 0:01:11 | 0:01:13 | |
but does have a tendency to get distracted. | 0:01:13 | 0:01:16 | |
A hula hoop. | 0:01:16 | 0:01:18 | |
It is all the hip action. One, two, three. | 0:01:18 | 0:01:21 | |
Whoo! | 0:01:21 | 0:01:22 | |
THEY LAUGH | 0:01:22 | 0:01:24 | |
Cor, what a mover. Ha! | 0:01:24 | 0:01:26 | |
Her partner in crime is wheeler-dealer David Harper. | 0:01:26 | 0:01:29 | |
He takes a more serious approach to his shopping. | 0:01:29 | 0:01:32 | |
Is it a twizzly-wizzly? Look at that twizzly-wizzly! | 0:01:32 | 0:01:35 | |
Normally... | 0:01:35 | 0:01:37 | |
Oh! Ahem. Sorry about that, Roger. | 0:01:37 | 0:01:39 | |
Mm. | 0:01:39 | 0:01:40 | |
Our lovable oddballs are starting this journey with £200 each. | 0:01:42 | 0:01:46 | |
Their mode of transport is an old favourite of Anita's, | 0:01:46 | 0:01:49 | |
the 1965 Morris Minor convertible. | 0:01:49 | 0:01:52 | |
OK, this week David and Anita will be travelling over 700 miles, | 0:01:52 | 0:01:57 | |
starting in Ramsbottom, Lancashire, before snaking through Yorkshire, | 0:01:57 | 0:02:01 | |
all the way up to the town of Paisley in Bonnie Scotland. | 0:02:01 | 0:02:05 | |
They begin in the market town of Ramsbottom, | 0:02:07 | 0:02:09 | |
and head towards an auction in Knutsford. | 0:02:09 | 0:02:12 | |
-Off we go. -Have a lovely time. -Thank you. -Bye. -Bye-bye. | 0:02:13 | 0:02:19 | |
David's first shop is Memories Antiques and Collectors, | 0:02:19 | 0:02:22 | |
where he's meeting dealer John. | 0:02:22 | 0:02:24 | |
-Hello, there, you must be John. -I am. | 0:02:24 | 0:02:26 | |
-Hello, John, David Harper. -Hello, David. | 0:02:26 | 0:02:28 | |
Very lovely to meet you. | 0:02:28 | 0:02:29 | |
Right, David, let's get going. | 0:02:29 | 0:02:31 | |
Nice box. | 0:02:35 | 0:02:36 | |
Look at this thing, | 0:02:36 | 0:02:38 | |
it's a mid-19th century walnut brass-bound writing slope. | 0:02:38 | 0:02:42 | |
It is absolutely, to my mind, drop dead gorgeous. | 0:02:42 | 0:02:46 | |
But in the market, nobody wants it, | 0:02:46 | 0:02:48 | |
and that's why it's languishing now, in an antiques centre, at £68 | 0:02:48 | 0:02:53 | |
when, years ago, that would have been £200 or £300 or even £400. | 0:02:53 | 0:02:58 | |
It's an absolute stonker. | 0:02:58 | 0:03:00 | |
I've found fantastic love letters in things like this. | 0:03:00 | 0:03:04 | |
Hidden away in secret compartments. | 0:03:04 | 0:03:07 | |
What an old romantic. One to think about, perhaps. | 0:03:07 | 0:03:12 | |
What else catches your eye in here, then? | 0:03:12 | 0:03:14 | |
Do you know what that is? Without reading the label. | 0:03:20 | 0:03:22 | |
Oh, no, no, I'm not. | 0:03:22 | 0:03:24 | |
Doesn't that sink into the ground, is that something... | 0:03:24 | 0:03:26 | |
-That's right. It's a boot scraper. -I like that. -Yes, it is very nice. | 0:03:26 | 0:03:30 | |
I like that. | 0:03:30 | 0:03:31 | |
It is indeed a 20th-century blacksmith-made wrought iron | 0:03:31 | 0:03:35 | |
boot pull and scrape. That's a bit of a tongue twister. | 0:03:35 | 0:03:39 | |
Ticket price is £65. | 0:03:39 | 0:03:42 | |
What sort of money could that be? | 0:03:42 | 0:03:44 | |
45. | 0:03:44 | 0:03:45 | |
-I think we'll have to say yes, don't you? -I hope so. -OK. | 0:03:45 | 0:03:49 | |
-We've done a deal. -Thank you very much. | 0:03:49 | 0:03:51 | |
-Thank you very much. -Thank you. | 0:03:51 | 0:03:53 | |
That generous discount gives David his first item. | 0:03:53 | 0:03:56 | |
Meanwhile, Anita is heading just eight miles down the road, | 0:03:59 | 0:04:03 | |
where she is on the hunt for a bargain in Bolton. | 0:04:03 | 0:04:05 | |
She's visiting Bolton Antique Centre for a good old scout round. | 0:04:07 | 0:04:11 | |
-I'm always drawn to jewellery, I always like it. -Yeah, yeah. | 0:04:16 | 0:04:20 | |
-And I noticed that you had a couple of Robert Allison pieces. -I have. | 0:04:20 | 0:04:25 | |
I like his work. | 0:04:25 | 0:04:28 | |
Robert Allison is a renowned Glasgow silversmith | 0:04:28 | 0:04:31 | |
and Anita is a right sucker for jewellery, | 0:04:31 | 0:04:33 | |
especially with a Celtic theme. | 0:04:33 | 0:04:36 | |
-I'm trying not to spend too much money... -I understand. | 0:04:36 | 0:04:38 | |
-This is my very first buy. -I understand. -My very first buy. | 0:04:38 | 0:04:42 | |
The Celtic cross brooch is cheaper, and priced at £65. | 0:04:42 | 0:04:46 | |
What's the very, very, very, very best you can do on that? | 0:04:46 | 0:04:52 | |
28. | 0:04:52 | 0:04:53 | |
28? Let's go for it. | 0:04:53 | 0:04:55 | |
-That's absolutely wonderful. -Thank you. -I'm so pleased about that. | 0:04:55 | 0:04:58 | |
I bought a Scottish thing, my very first buy! | 0:04:58 | 0:05:01 | |
Excellent. | 0:05:01 | 0:05:02 | |
That's a whopping £37 discount. | 0:05:02 | 0:05:06 | |
Off to a strong start here, girl. | 0:05:06 | 0:05:08 | |
Anita's eye has been caught by another piece of jewellery - | 0:05:09 | 0:05:13 | |
a diamond and pearl set stick pin. | 0:05:13 | 0:05:15 | |
It's referred to as yellow metal rather than gold, | 0:05:15 | 0:05:18 | |
as it's got no hallmark. | 0:05:18 | 0:05:20 | |
Ticket price is £95. | 0:05:20 | 0:05:23 | |
What is the best that you could do on that? | 0:05:23 | 0:05:25 | |
Um... | 0:05:25 | 0:05:28 | |
60. | 0:05:28 | 0:05:29 | |
-If it was hallmarked, I would be more encouraged to go with it. -OK. | 0:05:29 | 0:05:34 | |
-But I still think it's a bonny thing. -Would 45 help? | 0:05:35 | 0:05:39 | |
Oh, I'm so tempted! | 0:05:42 | 0:05:44 | |
That's another great discount of over 50%! | 0:05:44 | 0:05:49 | |
She's on a roll with Rosemary - | 0:05:49 | 0:05:51 | |
and also has her eye on a set of knife rests. | 0:05:51 | 0:05:54 | |
Ticket price is £36. | 0:05:55 | 0:05:58 | |
The only thing I worry a wee bit about is the age of them. | 0:05:58 | 0:06:02 | |
I really don't know. | 0:06:02 | 0:06:04 | |
-I've got a dilemma here. -OK. | 0:06:04 | 0:06:07 | |
-Little pearl pin... -Mm. | 0:06:08 | 0:06:11 | |
set of leaping, crazy horses. | 0:06:11 | 0:06:15 | |
Could I buy the two for 50? | 0:06:15 | 0:06:17 | |
55, I'd be happy. | 0:06:18 | 0:06:20 | |
55. | 0:06:20 | 0:06:21 | |
52? | 0:06:23 | 0:06:24 | |
Go on, we'll do 52. | 0:06:25 | 0:06:27 | |
-Will we do 52? -52. | 0:06:27 | 0:06:29 | |
-Thank you very much, that's great. -Pleasure. | 0:06:29 | 0:06:31 | |
So, that's the knife rests for £12, | 0:06:31 | 0:06:34 | |
and the stick pin for 40. | 0:06:34 | 0:06:36 | |
Added to the earlier purchase of her brooch, | 0:06:36 | 0:06:39 | |
Anita's already parted with almost half her budget. | 0:06:39 | 0:06:42 | |
Back in Ramsbottom, David's search for a deal continues with John. | 0:06:42 | 0:06:45 | |
-Eh, eh - car badges. Car-related stuff is good. -Yeah. | 0:06:49 | 0:06:52 | |
-Well, if you like car-related stuff... -I do. | 0:06:52 | 0:06:55 | |
Them gas headlights. | 0:06:55 | 0:06:58 | |
Ah. Interesting objects. | 0:06:58 | 0:07:00 | |
They're from a very early vintage car, aren't they? | 0:07:00 | 0:07:02 | |
Ah, right - OK. | 0:07:02 | 0:07:04 | |
-Gas ones, so... -I think that would date them... | 0:07:05 | 0:07:09 | |
-Edwardian - 1905, 1910. -Right. | 0:07:09 | 0:07:12 | |
-Can we have a look? -Course you can. | 0:07:12 | 0:07:15 | |
Right... | 0:07:17 | 0:07:19 | |
-Look at the lenses - look at that glass. -Yeah. | 0:07:19 | 0:07:21 | |
-You can see actually that's hand-blown glass. -Yeah. | 0:07:21 | 0:07:24 | |
David's smitten. | 0:07:24 | 0:07:25 | |
But with a ticket price of £120, | 0:07:25 | 0:07:28 | |
John needs to speak to the owner. | 0:07:28 | 0:07:31 | |
David's bid is £60. | 0:07:31 | 0:07:33 | |
You can have them for £60. | 0:07:33 | 0:07:36 | |
Right, thanks, John. Bye. | 0:07:36 | 0:07:39 | |
-Have we done it? -You've done the deal. -Marvellous, put it there. | 0:07:39 | 0:07:42 | |
-Very good. -Not bad at all. | 0:07:42 | 0:07:44 | |
But there's still one more item on his mind - or heart, I should say. | 0:07:44 | 0:07:48 | |
So, Gina. The 19th-century writing box. Any price on that? | 0:07:50 | 0:07:54 | |
-I think we've had a chat, haven't we? 55. -55. | 0:07:56 | 0:07:59 | |
(Ohhh...) | 0:07:59 | 0:08:00 | |
It's devastating. | 0:08:00 | 0:08:02 | |
What were YOU thinking? | 0:08:02 | 0:08:03 | |
-DAVID SIGHS -I love it. I love it. | 0:08:03 | 0:08:06 | |
30 I'd have a go, but I've still got a chance of... | 0:08:06 | 0:08:08 | |
It could make 60, it could make 10 quid. | 0:08:08 | 0:08:10 | |
What about 35 and we'll give you a pound back for luck? | 0:08:10 | 0:08:13 | |
Go on, then - whose hand do I shake? | 0:08:16 | 0:08:17 | |
I'm going to shake your hand as well. | 0:08:17 | 0:08:19 | |
So, 35 and a pound back for luck. | 0:08:19 | 0:08:22 | |
This is old school trading, isn't it?! | 0:08:22 | 0:08:24 | |
OK, come on then, mathematician - how much do I owe you? | 0:08:24 | 0:08:27 | |
£139, by my count. | 0:08:27 | 0:08:30 | |
45 for the boot pull and scrape, | 0:08:30 | 0:08:33 | |
60 for the gas head lamps | 0:08:33 | 0:08:35 | |
and 34 on the writing slope. | 0:08:35 | 0:08:37 | |
He's also parted with quite a chunk of his budget. | 0:08:37 | 0:08:40 | |
David is back on the open road, | 0:08:43 | 0:08:45 | |
and heading for the town of Todmorden. | 0:08:45 | 0:08:48 | |
He's visiting Picture House Antiques, | 0:08:48 | 0:08:50 | |
clutching his remaining 61 smackers. | 0:08:50 | 0:08:53 | |
Wa-hey! | 0:08:56 | 0:08:57 | |
Gosh, quite a contemporary feel, don't you think, | 0:08:59 | 0:09:02 | |
if you look around? | 0:09:02 | 0:09:03 | |
Nicely spread out. Big, red walls. | 0:09:03 | 0:09:06 | |
Modern things... | 0:09:06 | 0:09:07 | |
Well, modern - '60s, '70s, vintage, retro, | 0:09:07 | 0:09:10 | |
mixed with 18th-century furniture - it just works. | 0:09:10 | 0:09:13 | |
-Now, you must be Roger. -Yes, how are you, David? | 0:09:13 | 0:09:17 | |
The thing I'm interested in is a real antique, | 0:09:17 | 0:09:20 | |
but it's got a contemporary feel about it. | 0:09:20 | 0:09:22 | |
That's the copper Art Nouveau Arts and Crafts dish. | 0:09:22 | 0:09:25 | |
I mean, it's pretty standard fare, isn't it? | 0:09:27 | 0:09:30 | |
But because it's reasonably plain, | 0:09:30 | 0:09:33 | |
it's got a bit of a modern look about it, hasn't it? | 0:09:33 | 0:09:37 | |
-I think that's circa 1900, bang on. -Yeah. | 0:09:37 | 0:09:40 | |
It's got the Arts and Crafts quality, as in it's handmade, | 0:09:40 | 0:09:44 | |
hand-beaten and it's got the Art Nouveau decoration. | 0:09:44 | 0:09:48 | |
I'd have it for 20 quid. I would say yes and shake your hand right there. | 0:09:49 | 0:09:53 | |
Let me just consult with Pamela, because she knows this person. | 0:09:53 | 0:09:56 | |
Quite right. That would be a 50% off the ticket price. | 0:09:56 | 0:10:00 | |
So, let's hope Pamela's feeling generous. | 0:10:00 | 0:10:04 | |
Can I then, Roger, Pamela, buy it for 20? | 0:10:04 | 0:10:07 | |
Let's have a look. | 0:10:09 | 0:10:10 | |
-Don't look, but say yes! -Yes! | 0:10:10 | 0:10:12 | |
Can I? Marvellous! Thank you very much! | 0:10:12 | 0:10:15 | |
Lovely to meet you and do a deal. | 0:10:15 | 0:10:17 | |
And, Roger, thank you for that one. | 0:10:17 | 0:10:19 | |
A cracking deal, eh? Anything else that would suit his meagre budget? | 0:10:20 | 0:10:25 | |
-The trick I think, Roger... -How much have you got left? | 0:10:25 | 0:10:28 | |
-I've got £41 left. -Yeah? -After I've bought this. | 0:10:28 | 0:10:31 | |
Give me £41, you can have that piano stool, which sells for 100. | 0:10:31 | 0:10:36 | |
-I haven't seen the piano stool. -It's an American one - here. | 0:10:36 | 0:10:40 | |
We're off somewhere else! Right. | 0:10:40 | 0:10:42 | |
-That... -Oh, yeah? | 0:10:43 | 0:10:45 | |
-..I bought for a lot of money. -OK. | 0:10:45 | 0:10:47 | |
-But with a lot of other things. -Is it a twizzly-wizzly? | 0:10:47 | 0:10:49 | |
-It's a twizzly-wizzly. -Look at that twizzly-wizzly! | 0:10:49 | 0:10:52 | |
Oh, Lordy. | 0:10:52 | 0:10:53 | |
That is marvellous. | 0:10:53 | 0:10:55 | |
Oh, yes. | 0:10:55 | 0:10:56 | |
You had him at twizzly-wizzly, Roger. | 0:10:56 | 0:10:59 | |
I've brought back several of these, because I brought a container, | 0:10:59 | 0:11:02 | |
a 40-foot container of antiques back from America. Normally... | 0:11:02 | 0:11:05 | |
Oh! | 0:11:05 | 0:11:06 | |
-That's all right, it does that! -Sorry about that, Roger! | 0:11:06 | 0:11:09 | |
Careful, David, eh? | 0:11:09 | 0:11:10 | |
I thought I was spinning it in the correct direction. | 0:11:10 | 0:11:14 | |
It's all right, that's what it does. | 0:11:14 | 0:11:15 | |
-This is probably not far off American Civil War. -No, it's good. | 0:11:15 | 0:11:20 | |
-1865-ish. -Yeah. -1880, maybe. | 0:11:20 | 0:11:23 | |
Sometimes they're a mixture of things. | 0:11:23 | 0:11:26 | |
Don't you find that amazing, when you handle an object... | 0:11:26 | 0:11:28 | |
that you know was either in existence | 0:11:28 | 0:11:31 | |
during the American Civil War, | 0:11:31 | 0:11:32 | |
or used by people who were there during the Civil War. | 0:11:32 | 0:11:35 | |
-And how much is it? -£41. | 0:11:37 | 0:11:39 | |
-Roger THAT. -OK. | 0:11:39 | 0:11:41 | |
And that's all my money gone. | 0:11:41 | 0:11:44 | |
David has now bought a late 19th-century piano stool for £41, | 0:11:44 | 0:11:49 | |
an Art Nouveau copper dish for £20... | 0:11:49 | 0:11:52 | |
A brave move spending all his money on day one. | 0:11:52 | 0:11:56 | |
Nighty-night! | 0:11:56 | 0:11:57 | |
David may well be all spent up, | 0:12:02 | 0:12:04 | |
but our pair are racing to Wallassey, | 0:12:04 | 0:12:06 | |
where Anita still has £120 to spend. | 0:12:06 | 0:12:09 | |
Anita's meeting Tina at the aptly-named Tina's Treasures. | 0:12:11 | 0:12:16 | |
Fingers crossed she finds some. | 0:12:16 | 0:12:18 | |
And without further ado, she's off. | 0:12:19 | 0:12:22 | |
Just like a kid in a toy shop. | 0:12:22 | 0:12:24 | |
I like hats. I really like hats. | 0:12:24 | 0:12:28 | |
And toys too, apparently. | 0:12:28 | 0:12:30 | |
Ah! | 0:12:30 | 0:12:31 | |
THEY LAUGH | 0:12:31 | 0:12:32 | |
What a lovely, smiley doll. | 0:12:34 | 0:12:37 | |
This doll, she's so sweet. | 0:12:37 | 0:12:40 | |
Hi! You're bringing a smile to my face. | 0:12:40 | 0:12:43 | |
Tina, could you tell me a wee bit about this doll here? | 0:12:45 | 0:12:49 | |
It's a...Norah Wellings, Islander. | 0:12:49 | 0:12:53 | |
Yes, she made this range around the 1930s. | 0:12:53 | 0:12:56 | |
Originally, I think it may have had feet, | 0:12:56 | 0:12:59 | |
but because I haven't found one quite the same... | 0:12:59 | 0:13:02 | |
But it's just beautiful features, isn't it? Really sweet. | 0:13:02 | 0:13:05 | |
Norah Wellings was a highly esteemed soft doll maker. | 0:13:05 | 0:13:09 | |
She designed all of her dolls herself. | 0:13:11 | 0:13:14 | |
Her motto was, "Quality, not quantity," | 0:13:14 | 0:13:16 | |
which obviously worked, as they're still very collectable today. | 0:13:16 | 0:13:20 | |
The doll's priced at £55. | 0:13:20 | 0:13:23 | |
Time for some serious haggling. | 0:13:23 | 0:13:26 | |
What I would do, I'd probably put say... | 0:13:26 | 0:13:30 | |
15 to 20 on it. | 0:13:30 | 0:13:33 | |
How about 25? | 0:13:33 | 0:13:34 | |
Is it possible to... | 0:13:35 | 0:13:37 | |
To say 20 on her? | 0:13:37 | 0:13:40 | |
-I'll do 20 on her. -Will we do 20? | 0:13:40 | 0:13:41 | |
-That'll give you a chance, then. -That'll give me a chance. | 0:13:41 | 0:13:44 | |
-Look, she's smiling! -She is! | 0:13:44 | 0:13:45 | |
-You've got a new mummy! -And she's going to have a new home! | 0:13:45 | 0:13:49 | |
-Tina, thank you very much. -You're most welcome. | 0:13:49 | 0:13:52 | |
David, meanwhile, | 0:13:54 | 0:13:56 | |
is journeying across the Mersey. | 0:13:56 | 0:13:58 | |
Well, under it, actually. | 0:13:58 | 0:14:00 | |
-ENGINE PURRS -Ohh! | 0:14:00 | 0:14:03 | |
Even the Moggy Minor sounds throaty going through this tunnel. | 0:14:03 | 0:14:07 | |
HE CHUCKLES | 0:14:08 | 0:14:09 | |
Much of Liverpool's economic growth | 0:14:10 | 0:14:12 | |
came from the Mersey and its maritime trade. | 0:14:12 | 0:14:15 | |
# So ferry cross the Mersey | 0:14:15 | 0:14:19 | |
# Cos this land's... # | 0:14:19 | 0:14:21 | |
Sadly, and less well-known, is the fact that the cornerstone | 0:14:21 | 0:14:25 | |
of this wealth was derived from its transatlantic slave trade. | 0:14:25 | 0:14:29 | |
But one unsung hero fought for equality and justice. | 0:14:29 | 0:14:32 | |
Edward Rushton was a poet and revolutionary. | 0:14:33 | 0:14:36 | |
After losing his sight in his late teens, | 0:14:36 | 0:14:39 | |
Rushton introduced facilities for the blind, | 0:14:39 | 0:14:41 | |
and played an important role in the abolition of slavery, | 0:14:41 | 0:14:44 | |
even taking on the President of the United States. | 0:14:44 | 0:14:48 | |
So, Alex, who exactly was Edward Rushton? | 0:14:48 | 0:14:51 | |
Well, Edward Rushton was the man who dared to take on George Washington. | 0:14:51 | 0:14:56 | |
-This is him here? -This is a portrait by Moses Horton. | 0:14:56 | 0:14:59 | |
He was a boy who was at sea at the age of ten. | 0:14:59 | 0:15:03 | |
His father apprenticed him to a slaving company, | 0:15:03 | 0:15:06 | |
and Liverpool, in the 1770s, | 0:15:06 | 0:15:09 | |
was the capital of the slave trade. | 0:15:09 | 0:15:13 | |
During this time, Edward witnessed first-hand | 0:15:14 | 0:15:17 | |
the cruelty the slaves were forced to endure. | 0:15:17 | 0:15:20 | |
He made a good friend in an African - | 0:15:20 | 0:15:23 | |
a boy called Kwamina, who he taught to read. | 0:15:23 | 0:15:26 | |
Kwamina and he were in a boat that capsized, | 0:15:26 | 0:15:30 | |
and Kwamina actually saved his life. | 0:15:30 | 0:15:32 | |
But in doing so, he lost his own. | 0:15:32 | 0:15:36 | |
Greatly moved by his friend's sacrifice, | 0:15:36 | 0:15:40 | |
Rushton devoted his life to championing all oppression, | 0:15:40 | 0:15:43 | |
in particular the abolitionist cause. | 0:15:43 | 0:15:46 | |
During one particular journey, he discovered many slaves were locked | 0:15:46 | 0:15:50 | |
below deck due to a contagious eye infection that led to blindness. | 0:15:50 | 0:15:54 | |
Appalled by their suffering, he insisted on taking them food. | 0:15:55 | 0:16:00 | |
As a grim consequence, he too succumbed to infection, | 0:16:00 | 0:16:03 | |
and lost his own sight. | 0:16:03 | 0:16:05 | |
As a result of this, he came home to Liverpool | 0:16:05 | 0:16:09 | |
a blind man, impoverished. | 0:16:09 | 0:16:12 | |
At what age? | 0:16:12 | 0:16:13 | |
At what age? At only just 19. | 0:16:13 | 0:16:16 | |
Despite his disability, and with little assistance, | 0:16:16 | 0:16:19 | |
Rushton took on various jobs, including editor of a paper. | 0:16:19 | 0:16:23 | |
He continued to campaign against slavery through his poetry, | 0:16:23 | 0:16:27 | |
and more famously, | 0:16:27 | 0:16:28 | |
a letter he sent to the first President of the United States. | 0:16:28 | 0:16:32 | |
-In 1796, he writes a letter to George Washington... -Right. | 0:16:32 | 0:16:39 | |
..lambasting him for being a personal owner of slaves | 0:16:39 | 0:16:43 | |
and for failing to free the enslaved people | 0:16:43 | 0:16:47 | |
when he beat the English and set up the American state. | 0:16:47 | 0:16:52 | |
Well, of course - he'd just fought the War of Independence, hadn't he? | 0:16:52 | 0:16:55 | |
Giving freedom to all Americans, | 0:16:55 | 0:16:57 | |
apart from, quite obviously, the slaves. Huge contradiction. | 0:16:57 | 0:17:02 | |
How does he go about this letter? | 0:17:02 | 0:17:05 | |
This is what he says - | 0:17:05 | 0:17:07 | |
"Shame, shame that man should be deemed the property of man. | 0:17:07 | 0:17:10 | |
"Or that the name of Washington should be found | 0:17:10 | 0:17:13 | |
"among the list of such proprietors." | 0:17:13 | 0:17:16 | |
Does George Washington respond to this? | 0:17:16 | 0:17:19 | |
George Washington sent the letter back, apparently, | 0:17:19 | 0:17:22 | |
with no word of reply. | 0:17:22 | 0:17:25 | |
Not to be deterred, Rushton published the letter, | 0:17:26 | 0:17:29 | |
both in the UK and the States. | 0:17:29 | 0:17:32 | |
It went on to play an important part in the abolitionist campaigns, | 0:17:32 | 0:17:36 | |
particularly in the US. | 0:17:36 | 0:17:39 | |
You know, I think the irony is marvellous, | 0:17:39 | 0:17:41 | |
because the insult was sent back, but he takes the opportunity | 0:17:41 | 0:17:44 | |
to use that letter and reignites the abolition movement. | 0:17:44 | 0:17:48 | |
The abolition of slavery | 0:17:48 | 0:17:50 | |
was not the only movement Rushton was involved in. | 0:17:50 | 0:17:53 | |
A passionate and outspoken revolutionary, | 0:17:53 | 0:17:55 | |
he couldn't help but rail against the injustices he encountered. | 0:17:55 | 0:17:59 | |
And there was none more close to home | 0:17:59 | 0:18:02 | |
than the plight of the visually impaired. | 0:18:02 | 0:18:05 | |
Now, Rushton, blind in the late 18th century, | 0:18:05 | 0:18:08 | |
that would have made life pretty difficult. | 0:18:08 | 0:18:11 | |
At this time, | 0:18:11 | 0:18:12 | |
there were no facilities in the UK to help the blind. | 0:18:12 | 0:18:15 | |
Knowing just how difficult it was | 0:18:16 | 0:18:18 | |
to support oneself with this impairment, | 0:18:18 | 0:18:20 | |
Rushton campaigned to build a ground-breaking school. | 0:18:20 | 0:18:24 | |
This was to open in January 1791. | 0:18:24 | 0:18:28 | |
And the idea was that the people who would attend the school | 0:18:29 | 0:18:34 | |
would be trained to be self-supporting. | 0:18:34 | 0:18:37 | |
Was this the first school of its type in Liverpool? | 0:18:37 | 0:18:40 | |
It was, it was the first school of its type in the country. | 0:18:40 | 0:18:44 | |
-My gosh. -And it's still going. | 0:18:44 | 0:18:47 | |
King George IV was later to become a patron of the school, | 0:18:47 | 0:18:50 | |
and the number of students steadily grew. | 0:18:50 | 0:18:54 | |
This school had 45 students within two...three years. | 0:18:54 | 0:18:58 | |
And, by the end of the century, they were having to build, | 0:18:58 | 0:19:02 | |
because they had 80 people on the waiting list. | 0:19:02 | 0:19:04 | |
Rushton may have been forgotten for 200 years, | 0:19:04 | 0:19:07 | |
but he was remembered in the blind school, and that is his legacy. | 0:19:07 | 0:19:11 | |
Rushton dedicated his life to battling oppression | 0:19:11 | 0:19:14 | |
whenever he encountered it, and remained politically active | 0:19:14 | 0:19:18 | |
until his death in 1814. | 0:19:18 | 0:19:21 | |
His school still exists today, | 0:19:21 | 0:19:23 | |
a testament to its little-known founder | 0:19:23 | 0:19:26 | |
and his incredible achievements. | 0:19:26 | 0:19:28 | |
Anita has now hotfooted it to Liverpool, | 0:19:35 | 0:19:38 | |
and is heading into Wayne Colquhoun Antiques. | 0:19:38 | 0:19:41 | |
She's still got £100 left to spend. | 0:19:41 | 0:19:44 | |
-Hello, I'm Anita. -How are you? | 0:19:44 | 0:19:47 | |
I'm great. | 0:19:47 | 0:19:48 | |
Wayne, | 0:19:50 | 0:19:51 | |
-what about something as simple as a cocktail shaker? -Oh, yes. | 0:19:51 | 0:19:57 | |
Full of fingerprints. | 0:19:57 | 0:19:58 | |
Uh-huh, yeah. | 0:19:58 | 0:20:00 | |
Yeah, that's... | 0:20:01 | 0:20:03 | |
When that's shined up and it's clean and silver... | 0:20:03 | 0:20:05 | |
All bright, it sort of sums up the age, you know? | 0:20:05 | 0:20:08 | |
-People would sit around and make their Martinis and things. -Uh-huh. | 0:20:08 | 0:20:11 | |
Bet you do that at home now, yourself. | 0:20:11 | 0:20:14 | |
-Saturday night! -Saturday night, my cocktails! | 0:20:14 | 0:20:17 | |
Have a little shake and a shimmy. | 0:20:17 | 0:20:20 | |
Is it...? It's empty. | 0:20:20 | 0:20:22 | |
A bit early, Anita. | 0:20:23 | 0:20:25 | |
Ticket price is £20. | 0:20:26 | 0:20:29 | |
Could that be bought... | 0:20:29 | 0:20:31 | |
for a tenner? | 0:20:31 | 0:20:32 | |
Not quite a tenner. | 0:20:33 | 0:20:35 | |
Because it's a good one, that. It's a good, thick plate on that. | 0:20:35 | 0:20:39 | |
-Let's do 15, but I couldn't go much below 15. -You couldn't go below? -No. | 0:20:39 | 0:20:43 | |
Could you go to 12? | 0:20:43 | 0:20:45 | |
-Don't if you don't want to. -Um... | 0:20:48 | 0:20:50 | |
Go on, seeing as it's you. I'll do £12! | 0:20:50 | 0:20:53 | |
I knew I was in for a rough ride! | 0:20:53 | 0:20:55 | |
-Oh, thank you! -As soon as I saw you! -Thank you so much! | 0:20:55 | 0:20:58 | |
Bottoms up, chaps. | 0:20:58 | 0:21:00 | |
So, for £12, Anita has bought her final item - | 0:21:00 | 0:21:03 | |
an Art Deco cocktail shaker. | 0:21:03 | 0:21:05 | |
Which, along with her Celtic brooch, | 0:21:05 | 0:21:08 | |
leaping horses knife rests, | 0:21:08 | 0:21:10 | |
diamond and pearl-set pin | 0:21:10 | 0:21:13 | |
and Norah Wellings doll, | 0:21:13 | 0:21:15 | |
cost her a total of £112. | 0:21:15 | 0:21:17 | |
David went all-out | 0:21:18 | 0:21:20 | |
and spent his full £200 on day one, | 0:21:20 | 0:21:24 | |
picking up a 20th-century boot pull and scrape, | 0:21:24 | 0:21:27 | |
some vintage motorcar headlamps, | 0:21:27 | 0:21:30 | |
a mid-19th century writing slope, | 0:21:30 | 0:21:32 | |
a piano stool, | 0:21:32 | 0:21:35 | |
and an Art Nouveau copper dish. | 0:21:35 | 0:21:38 | |
But what do they think of each other's purchases? | 0:21:38 | 0:21:41 | |
Let's start from the top - boring, the stick pin. | 0:21:41 | 0:21:45 | |
I mean, I have seen millions of those things, | 0:21:45 | 0:21:48 | |
and I don't dream about them. | 0:21:48 | 0:21:51 | |
David has a mixed bag of items there. | 0:21:51 | 0:21:55 | |
Some of which I like and some of which I think are...weird. | 0:21:55 | 0:21:59 | |
Only time will tell who has bought best | 0:22:00 | 0:22:02 | |
as our experts travel the final 30 miles to their first auction | 0:22:02 | 0:22:06 | |
at Knutsford Fine Art Auctioneers. | 0:22:06 | 0:22:09 | |
-Here we are. -Just in here, David. | 0:22:10 | 0:22:12 | |
Get you right to the door, madam. | 0:22:12 | 0:22:14 | |
"Auction today!" Hello! | 0:22:14 | 0:22:18 | |
Our auctioneer is Rachel Houston-Holland. | 0:22:18 | 0:22:21 | |
Let the auction commence. | 0:22:21 | 0:22:23 | |
First up is David's Art Nouveau copper dish. | 0:22:25 | 0:22:29 | |
-Are you nervous? Are you nervous? -Yes! Aren't you nervous? | 0:22:29 | 0:22:31 | |
-No. -No! I am. | 0:22:31 | 0:22:33 | |
£20 to start. | 0:22:33 | 0:22:35 | |
-Yes. -£10 then, if it helps. 10, I have. 10, 12, | 0:22:35 | 0:22:38 | |
15, 18, 20, at £18... | 0:22:38 | 0:22:41 | |
-Come on. -..selling now at £18. | 0:22:41 | 0:22:44 | |
At £18, selling now at 18. | 0:22:44 | 0:22:46 | |
I want to shout, Anita. | 0:22:46 | 0:22:47 | |
Oh! £2 down. | 0:22:47 | 0:22:50 | |
Yes, but it's a very small loss. | 0:22:50 | 0:22:52 | |
Next are Anita's leaping horse knife rests. | 0:22:54 | 0:22:57 | |
£10. £10 for them, surely. | 0:22:57 | 0:22:59 | |
-£10. -Come on! -£10. Come on, £10. | 0:22:59 | 0:23:02 | |
Thank you, madam. £10. | 0:23:02 | 0:23:04 | |
Lady's bid now at £10, and 12, 15, | 0:23:04 | 0:23:06 | |
-15, 18... -Oh, oh. -..20. | 0:23:06 | 0:23:09 | |
-22, 25... -Yes. -..28, | 0:23:09 | 0:23:12 | |
30. At £28... | 0:23:12 | 0:23:14 | |
-Oh. -..gentleman's bid now at £28. | 0:23:14 | 0:23:17 | |
Are we all done now? Selling at 28. | 0:23:17 | 0:23:20 | |
Yes! | 0:23:20 | 0:23:21 | |
They may not have been silver, | 0:23:22 | 0:23:24 | |
but Anita's more than doubled her money there. | 0:23:24 | 0:23:27 | |
Well done. Well done, very good start. | 0:23:27 | 0:23:29 | |
Let's see if she can continue to stir things up | 0:23:29 | 0:23:32 | |
with her self-polished Art Deco cocktail shaker. | 0:23:32 | 0:23:36 | |
-£10 for it, £10, I have... -Oh, they're in, look. | 0:23:36 | 0:23:39 | |
12, 15, 18, 20. | 0:23:39 | 0:23:41 | |
-At £18, on my left, selling now at £18... -I love it, Anita. | 0:23:41 | 0:23:44 | |
Are we all done? Selling, £18. | 0:23:44 | 0:23:47 | |
-Oh, check it. Well done, well done. -£18. | 0:23:47 | 0:23:50 | |
Another profit for Anita. Cheers to that. | 0:23:51 | 0:23:55 | |
You're on fire, missus. You're on fire. | 0:23:55 | 0:23:58 | |
Back with David and his tongue twister of a boot pull and scrape. | 0:23:58 | 0:24:02 | |
£20. £20, thank you, sir. | 0:24:02 | 0:24:04 | |
Someone knows what he's doing there. | 0:24:04 | 0:24:06 | |
20, 22, 25, 28. | 0:24:06 | 0:24:08 | |
-A long way to go. -£25, seated. | 0:24:08 | 0:24:10 | |
-Are we all done, surely, at £25? -No! | 0:24:10 | 0:24:14 | |
Anita! | 0:24:15 | 0:24:16 | |
That's another loss for David, I'm afraid. | 0:24:16 | 0:24:19 | |
Ah, ah... | 0:24:20 | 0:24:22 | |
ANITA LAUGHS | 0:24:22 | 0:24:24 | |
Fingers crossed his walnut writing slope will put him back in the game. | 0:24:25 | 0:24:29 | |
-And I must start the bidding now, at £30 commission... -Yes, yes. -Come on. | 0:24:29 | 0:24:33 | |
Commission bid now, 32, 35, £38... | 0:24:33 | 0:24:36 | |
Come on, come on. | 0:24:36 | 0:24:37 | |
In the room, and 40, 42, 45, 48, 50. | 0:24:37 | 0:24:41 | |
-50 anywhere else? -Come on. | 0:24:41 | 0:24:42 | |
£48, on my left. Selling. 50, fresh bidder. 55, | 0:24:42 | 0:24:46 | |
-60... -Yes. -Good. -Come on. | 0:24:46 | 0:24:48 | |
No, at...£55, on my left, selling now, are we all done? | 0:24:48 | 0:24:53 | |
-Oh! -60, back in. 65... | 0:24:53 | 0:24:55 | |
-He's got taste, this fella. -..gentleman's bid at 60. | 0:24:55 | 0:24:59 | |
-Marvellous. -Yes. | 0:24:59 | 0:25:01 | |
Marvellous, indeed. | 0:25:01 | 0:25:03 | |
David followed his heart, and with that one, it paid off. | 0:25:03 | 0:25:06 | |
-Are you happy now? -I'm delighted. -Ah. -I'm delighted. | 0:25:07 | 0:25:10 | |
-That's good, that's good. -Back on an even keel now, aren't I? -You are. | 0:25:10 | 0:25:13 | |
-So that's good. -Excellent. | 0:25:13 | 0:25:14 | |
Now it is David's late 19th-century piano stool. | 0:25:15 | 0:25:19 | |
A twizzly-wizzly, if memory serves. | 0:25:19 | 0:25:22 | |
£40, surely, to start. Come on, £40. | 0:25:22 | 0:25:24 | |
20? | 0:25:24 | 0:25:26 | |
You all want it now, for £20. | 0:25:26 | 0:25:28 | |
You, sir, right at the back at 20. 22, 25, 28, 30, 32, 35. | 0:25:28 | 0:25:33 | |
35 anywhere else? | 0:25:33 | 0:25:35 | |
-35, thank you, 38. -Come on. -40. | 0:25:35 | 0:25:38 | |
-Come on, come on. -42, 45. -Come on. | 0:25:38 | 0:25:40 | |
No? It's at £42. A gentleman, fresh bidder, 45, 48, 50. | 0:25:40 | 0:25:46 | |
55, 60. | 0:25:46 | 0:25:47 | |
65, 70. | 0:25:47 | 0:25:49 | |
-At £65... -Ooh! -..on my left now, nice lot... | 0:25:49 | 0:25:53 | |
-It is nice. -£65. | 0:25:53 | 0:25:56 | |
-Good. -Good, well, good. -Well done, David. -So... | 0:25:56 | 0:25:59 | |
After a shaky start, that's a second good profit for David. | 0:25:59 | 0:26:03 | |
-24 profit. -Now, are you happy? -I'm happy. I've been happy all day. | 0:26:03 | 0:26:07 | |
ANITA LAUGHS | 0:26:07 | 0:26:09 | |
OK, Mr Happy. | 0:26:09 | 0:26:10 | |
THEY LAUGH | 0:26:10 | 0:26:12 | |
Back to Anita now, as her Norah Wellings doll is up next. | 0:26:12 | 0:26:16 | |
£30. | 0:26:16 | 0:26:17 | |
20 then, if it helps. | 0:26:17 | 0:26:19 | |
£20 at the back, and 22 works, come on, it seems cheap, at £20... | 0:26:19 | 0:26:23 | |
-Oh, that... -Oh... -..22, 25, 28, 30. | 0:26:23 | 0:26:26 | |
-No, it's at £28. -Oh. -On my left now at £28, are we all done? | 0:26:26 | 0:26:31 | |
-Surely, at 28. -DAVID LAUGHS | 0:26:31 | 0:26:33 | |
Anita has secured a profit on every item so far. | 0:26:34 | 0:26:38 | |
David's final and most expensive item, | 0:26:39 | 0:26:42 | |
the gas-powered car lamps, were a bit of a gamble. | 0:26:42 | 0:26:46 | |
£20 I have, at £20. | 0:26:46 | 0:26:47 | |
Standing now, are we all done? 22, 25. | 0:26:47 | 0:26:50 | |
At 28, 30. | 0:26:50 | 0:26:52 | |
-At £30, in the room now at £30. -Come on. -32? | 0:26:52 | 0:26:55 | |
32, 35. 38. | 0:26:55 | 0:26:57 | |
At £35, standing now, are we all done? | 0:26:57 | 0:27:00 | |
-Come on, guys. -At £35. 35. | 0:27:00 | 0:27:04 | |
Light the match, Anita. | 0:27:04 | 0:27:06 | |
Say goodbye. | 0:27:06 | 0:27:08 | |
-To tell you the truth, I'm surprised they went that far! -Oh, charming(!) | 0:27:08 | 0:27:11 | |
THEY LAUGH | 0:27:11 | 0:27:12 | |
Oh, bad luck, David. | 0:27:14 | 0:27:15 | |
But let's see if Anita's pin will keep up her run of profits. | 0:27:18 | 0:27:22 | |
I've got commission interest. | 0:27:22 | 0:27:23 | |
-Yes, commission bid! -I'll start the bids at... | 0:27:23 | 0:27:27 | |
-£28, to start. -Ooh. -£28 to start... -28. -..30, | 0:27:27 | 0:27:30 | |
32, 35, at £35 on my left now, at 35. | 0:27:30 | 0:27:34 | |
-Come on, come on! -Selling now at £35, are we all done? | 0:27:34 | 0:27:37 | |
Selling at 35... | 0:27:37 | 0:27:40 | |
-35. -Mmm! | 0:27:40 | 0:27:42 | |
Nearly made it. | 0:27:42 | 0:27:44 | |
-Nearly made it. -Mmm, nearly. | 0:27:44 | 0:27:46 | |
Anita's first loss of the day, but it's a small one. | 0:27:46 | 0:27:49 | |
That was a big diamond. Well, it was a little diamond. | 0:27:49 | 0:27:52 | |
-No, but you bigged it up, that was good. -I bigged it up. | 0:27:52 | 0:27:55 | |
THEY LAUGH | 0:27:55 | 0:27:56 | |
It's their final item of the day, Anita's Robert Allison brooch. | 0:27:56 | 0:28:01 | |
Last one. | 0:28:01 | 0:28:02 | |
-£20. £20... -No... -..come on, 10 then? | 0:28:02 | 0:28:06 | |
£10. 10, I have, 12, 15. | 0:28:06 | 0:28:08 | |
18, 20. | 0:28:08 | 0:28:10 | |
At £18 at the back of the room now, | 0:28:10 | 0:28:12 | |
at £18. Are we all done? | 0:28:12 | 0:28:14 | |
-Mm... -Selling now at £18... | 0:28:14 | 0:28:16 | |
C2... | 0:28:18 | 0:28:19 | |
-The two jewellery pieces brought me down there. -Yeah. Interesting. | 0:28:19 | 0:28:23 | |
That's disappointing. Anita normally does well with jewellery. | 0:28:23 | 0:28:27 | |
-This is a very complicated sum. -That's why I'm leaving it to you. | 0:28:27 | 0:28:30 | |
-What are you going to do? -Have a cup of tea. -I'm going to come with you. | 0:28:30 | 0:28:33 | |
-Oh, come on then. -Good idea. Ha! | 0:28:33 | 0:28:35 | |
And the numbers are in. | 0:28:36 | 0:28:38 | |
Our two competitors started this road trip with £200 each. | 0:28:38 | 0:28:41 | |
After paying auction costs, David made a loss of £33.54, | 0:28:41 | 0:28:47 | |
leaving him with £166.46 to carry forward. | 0:28:47 | 0:28:52 | |
Anita made a smaller loss of just £7.86, | 0:28:53 | 0:28:58 | |
and emerges victorious, | 0:28:58 | 0:29:00 | |
with £192.14 for the next adventure. | 0:29:00 | 0:29:05 | |
Onward, Macduff! | 0:29:05 | 0:29:07 | |
McHarper! THEY LAUGH | 0:29:07 | 0:29:10 | |
Onward indeed. | 0:29:10 | 0:29:11 | |
It's a new day and a new leg. | 0:29:18 | 0:29:20 | |
Our duo are starting off in the Yorkshire village of Barmby Moor | 0:29:20 | 0:29:24 | |
before heading west for an auction in Harrogate. | 0:29:24 | 0:29:28 | |
And first up for David is Bar Farm Antiques, | 0:29:28 | 0:29:32 | |
which occupies several old farm buildings, funnily enough. | 0:29:32 | 0:29:36 | |
In spite of the size of the place, | 0:29:39 | 0:29:40 | |
David spots something straight off the bat. | 0:29:40 | 0:29:44 | |
That is a really, really wild thing. What on earth was it? | 0:29:44 | 0:29:49 | |
Well, I'm guessing we are talking about police station, circa 1955. | 0:29:49 | 0:29:54 | |
I'm the police sergeant, you're the criminal, | 0:29:55 | 0:29:58 | |
you're on that side, I've nabbed you. | 0:29:58 | 0:30:01 | |
You're in big trouble, and I want your fingerprints. | 0:30:01 | 0:30:04 | |
And I think this is basically a fingerprint... | 0:30:04 | 0:30:08 | |
I want to call it a machine. | 0:30:08 | 0:30:10 | |
David likes it, so let's meet dealer Greg from New Orleans. | 0:30:10 | 0:30:14 | |
-Are you looking for a price? -Yes. | 0:30:14 | 0:30:17 | |
Er... 45. | 0:30:17 | 0:30:18 | |
-45. -I think that's pretty good price for a piece of furniture. | 0:30:18 | 0:30:23 | |
DAVID SIGHS | 0:30:23 | 0:30:24 | |
It couldn't be 20? | 0:30:24 | 0:30:26 | |
No, it can't be 20. | 0:30:26 | 0:30:28 | |
You can't do a little better than that? | 0:30:28 | 0:30:31 | |
Why don't we do what all the best dealers in the world have done | 0:30:31 | 0:30:35 | |
for a million years. | 0:30:35 | 0:30:37 | |
Compromise, meet in the middle. | 0:30:37 | 0:30:41 | |
And where was the middle starting? | 0:30:41 | 0:30:43 | |
-25. -GREG CHUCKLES | 0:30:43 | 0:30:45 | |
-That'll do. -Good man. Thank you very much. -That's all right. | 0:30:45 | 0:30:48 | |
A great deal, David. | 0:30:48 | 0:30:51 | |
Meanwhile, Anita's off to the beautiful walled city of York. | 0:30:53 | 0:30:56 | |
She has just over £192 to spend, so hopefully, | 0:30:59 | 0:31:02 | |
Becky at the Antiques Centre York will be able to help out. | 0:31:02 | 0:31:06 | |
-I quite like these wee silly condiments up here. -Yeah? | 0:31:07 | 0:31:11 | |
-Do you want to have a look? -Yeah. | 0:31:11 | 0:31:13 | |
They're a heck of a good fun. I think they're probably Continental. | 0:31:18 | 0:31:22 | |
But good fun. | 0:31:22 | 0:31:23 | |
Oh, I'm quite tempted. | 0:31:23 | 0:31:26 | |
Ticket price is £10. | 0:31:27 | 0:31:29 | |
Ooh, look. There's more. | 0:31:30 | 0:31:33 | |
More condiments. | 0:31:33 | 0:31:35 | |
This time... | 0:31:35 | 0:31:37 | |
..cuddling pigs. | 0:31:38 | 0:31:40 | |
That one's got a school tie on. THEY CHUCKLE | 0:31:40 | 0:31:43 | |
They have a collective price of £26. | 0:31:43 | 0:31:47 | |
I wonder if you could ask if these could be bought for... | 0:31:47 | 0:31:51 | |
..15? | 0:31:52 | 0:31:54 | |
-You can always ask. -I can always ask. -Uh-huh. | 0:31:54 | 0:31:57 | |
That's quite a discount Anita's wanting, | 0:31:57 | 0:31:59 | |
and after a quick phone call to the owners... | 0:31:59 | 0:32:02 | |
-How did we get on? -He can do two for 18. | 0:32:02 | 0:32:05 | |
-Ah, wonderful, wonderful. Thank you very much. -You're welcome. | 0:32:05 | 0:32:08 | |
-They're fun, aren't they? -They are fun, yeah. | 0:32:08 | 0:32:10 | |
If you say so! | 0:32:10 | 0:32:12 | |
Now, what's David up to? | 0:32:13 | 0:32:15 | |
Tell you something, this is quite unusual, isn't it? | 0:32:16 | 0:32:19 | |
I just... It's a neat thing. | 0:32:19 | 0:32:20 | |
I like post office things, plus it is old and during the war and... | 0:32:20 | 0:32:26 | |
it's nice. And the way it's just worn. | 0:32:26 | 0:32:28 | |
George VI, he was on the throne from 1937 to our current Queen. | 0:32:28 | 0:32:34 | |
Greg got this sign from a local post office. | 0:32:34 | 0:32:37 | |
Items like this can be hugely collectable. | 0:32:37 | 0:32:40 | |
"Can" being the operative word. | 0:32:40 | 0:32:43 | |
-I would have a go at 30 or 40. -OK. | 0:32:43 | 0:32:46 | |
-Is that anywhere near for you? -It might be all right. 40 is all right. | 0:32:46 | 0:32:50 | |
-OK. -40 is all right. | 0:32:50 | 0:32:52 | |
I'll have a go at 40. | 0:32:52 | 0:32:54 | |
-OK, I want you to make some money. -Thank you very much. Good show. | 0:32:54 | 0:32:58 | |
Well, that was easy. At £40, that's another good deal. | 0:32:58 | 0:33:01 | |
And Anita has also made an interesting find. | 0:33:04 | 0:33:08 | |
Here we have a sort of 1950s, a kind of kid on agate, | 0:33:08 | 0:33:13 | |
-it's all kid on, isn't it? -Yeah. | 0:33:13 | 0:33:15 | |
Otherwise known as costume jewellery, Anita. Ticket price £18. | 0:33:15 | 0:33:20 | |
-If I can get it for a tenner, that would be great. -Yeah, I'll ask. | 0:33:20 | 0:33:23 | |
-Do you want to try? -Yeah. | 0:33:23 | 0:33:25 | |
Do your best for me, darling. | 0:33:25 | 0:33:28 | |
Anita is all about the cheeky offers today. | 0:33:28 | 0:33:31 | |
But will Becky come through for her again? | 0:33:31 | 0:33:33 | |
-Yeah, we can do that. -Can you?! | 0:33:33 | 0:33:35 | |
THEY LAUGH | 0:33:35 | 0:33:36 | |
Come here. | 0:33:37 | 0:33:39 | |
You have been very good. | 0:33:39 | 0:33:41 | |
Yeah, a tenner is good indeed. | 0:33:41 | 0:33:43 | |
Frugal Anita has now bought two items for just £28. | 0:33:43 | 0:33:47 | |
David, meanwhile, is still exploring. | 0:33:50 | 0:33:53 | |
I have a bit of a love-hate relationship with sofas like this. | 0:33:53 | 0:33:57 | |
He's found a 1920s drop-end settee. | 0:33:57 | 0:34:01 | |
Please, sit down. | 0:34:01 | 0:34:02 | |
Let me demonstrate how this sofa works. | 0:34:02 | 0:34:05 | |
Greg, please step into my office. | 0:34:05 | 0:34:07 | |
-Right, get yourself comfortable. -I'm all right. | 0:34:07 | 0:34:09 | |
-How are the springs feeling? -Mm-hm. Pretty good. -Are you sure? -Perfect. | 0:34:09 | 0:34:13 | |
-Because they often stick in places... -No, it's perfect. | 0:34:13 | 0:34:15 | |
..you don't want. No, they are sticking in places you don't want. | 0:34:15 | 0:34:18 | |
They are definitely sticking... | 0:34:18 | 0:34:20 | |
Not surprising, in those tight trousers, David. | 0:34:20 | 0:34:23 | |
There we go. | 0:34:23 | 0:34:25 | |
-Ah, I can lay down. -You can be recumbent. | 0:34:25 | 0:34:30 | |
-So it converts into a little chaise. -Aah! | 0:34:30 | 0:34:33 | |
So in the business, it's referred to as a 1920s drop-arm... | 0:34:33 | 0:34:36 | |
-Don't fall asleep, cos I'm not that boring! -OK. | 0:34:36 | 0:34:39 | |
These settees can be picked up cheaply, as they can cost | 0:34:39 | 0:34:42 | |
over £1,000 to restore and cover. | 0:34:42 | 0:34:45 | |
How much is it? | 0:34:45 | 0:34:47 | |
-£20. -No, yeah... | 0:34:47 | 0:34:49 | |
I want to say, "For goodness' sake buy it for 20 quid, | 0:34:49 | 0:34:51 | |
"it's ridiculous, cost you 5,000, 7,000 to... | 0:34:51 | 0:34:54 | |
-£10! -£5. | 0:34:54 | 0:34:56 | |
Five?! | 0:34:56 | 0:34:58 | |
Five?! | 0:34:58 | 0:34:59 | |
The wheels are worth five! | 0:34:59 | 0:35:02 | |
£5. Good man! | 0:35:02 | 0:35:03 | |
-Greg, it's a delight doing business with you. -All right. | 0:35:05 | 0:35:08 | |
David's spent a total of £70 on three items. | 0:35:08 | 0:35:11 | |
Pretty good for a morning's shopping! | 0:35:11 | 0:35:13 | |
Anita, meanwhile, is on her way to Murton, | 0:35:17 | 0:35:20 | |
a small village on the outskirts of York. | 0:35:20 | 0:35:22 | |
She's visiting the Yorkshire Museum of Farming | 0:35:22 | 0:35:25 | |
and meeting curator Louise to learn about the Women's Land Army, | 0:35:25 | 0:35:30 | |
an institution that was established during the First World War. | 0:35:30 | 0:35:33 | |
At this time, the majority of men were on the battlefields, | 0:35:33 | 0:35:36 | |
and it was estimated that Britain would run out of food | 0:35:36 | 0:35:39 | |
within three weeks. | 0:35:39 | 0:35:41 | |
In response, women were rallied to help out in the fields | 0:35:41 | 0:35:44 | |
to build food supplies. Bless 'em! | 0:35:44 | 0:35:49 | |
Who were the land girls? | 0:35:49 | 0:35:51 | |
They were inspirational women, really, | 0:35:51 | 0:35:54 | |
again, out of the kitchens and back onto the land, | 0:35:54 | 0:35:57 | |
showing that they were just as capable as the men | 0:35:57 | 0:36:00 | |
of doing these jobs. | 0:36:00 | 0:36:02 | |
Many of the girls came from the city, and with no real training, | 0:36:02 | 0:36:05 | |
were flung straight in at the deep end - | 0:36:05 | 0:36:08 | |
ploughing fields, clearing ditches, milking cows, | 0:36:08 | 0:36:11 | |
all the things a man would have traditionally done. | 0:36:11 | 0:36:14 | |
-I imagine it might have been a bit of a shock to the system. -Yeah. | 0:36:14 | 0:36:17 | |
To get involved in very hard manual labour. | 0:36:17 | 0:36:22 | |
Yeah, I imagine it would have been. | 0:36:22 | 0:36:23 | |
You do see examples as well about a woman being killed by a horse, | 0:36:23 | 0:36:28 | |
cos she was thrown off the horse, | 0:36:28 | 0:36:30 | |
so, yes, it was very hard work at the time. | 0:36:30 | 0:36:33 | |
-And could be dangerous. -Yeah, it could be very dangerous. | 0:36:33 | 0:36:36 | |
At the end of the First World War, | 0:36:36 | 0:36:38 | |
women were encouraged to return to more ladylike occupations. | 0:36:38 | 0:36:43 | |
That doesn't seem awful fair, does it? | 0:36:43 | 0:36:46 | |
-They'd been given a taste of freedom. -Girls, you've done well. | 0:36:46 | 0:36:49 | |
Off you go back home to the kitchen! | 0:36:49 | 0:36:50 | |
Their contribution to the war effort went a long way | 0:36:50 | 0:36:54 | |
to help the women's suffrage movement. | 0:36:54 | 0:36:56 | |
By the time the Land Army was re-established | 0:36:56 | 0:36:59 | |
for the Second World War, | 0:36:59 | 0:37:01 | |
women had been afforded the right to vote for over a decade. | 0:37:01 | 0:37:04 | |
How many women worked on the land? How many land girls did we have? | 0:37:04 | 0:37:08 | |
In the Second World War, by the end of it, | 0:37:08 | 0:37:12 | |
there was about 80,000 of them. | 0:37:12 | 0:37:14 | |
Dorothy Taylor and Iris Newbold are two of these exceptional women. | 0:37:14 | 0:37:20 | |
They belonged to the East Riding Women's Land Army, | 0:37:20 | 0:37:23 | |
and now, aged 87 and 90, | 0:37:23 | 0:37:25 | |
are two of only three that are still alive today. | 0:37:25 | 0:37:29 | |
-What was your favourite job? -Haymaking. | 0:37:29 | 0:37:32 | |
I loved haymaking, the old way. | 0:37:32 | 0:37:35 | |
We used to load up the wagon, and then sit on top of the hay wagon | 0:37:35 | 0:37:40 | |
and roll home with the horse and wagon. | 0:37:40 | 0:37:42 | |
Wonderful days, I loved hay time. | 0:37:42 | 0:37:46 | |
And long, hot summers. | 0:37:46 | 0:37:48 | |
And mine was going on the milk round, | 0:37:48 | 0:37:51 | |
and you'd meet some of the lovely people on the way. | 0:37:51 | 0:37:56 | |
A lot of evacuated people were there, | 0:37:56 | 0:37:59 | |
and it was just friendly all the way. | 0:37:59 | 0:38:05 | |
Dorothy came from a mining community, and Iris was a city girl. | 0:38:05 | 0:38:09 | |
Neither had farmed before. | 0:38:09 | 0:38:12 | |
It must've been a very important time for you | 0:38:12 | 0:38:14 | |
when you look back on it. | 0:38:14 | 0:38:15 | |
Well, we were girls when we went in, and we were grown-up girls | 0:38:15 | 0:38:20 | |
-when we came out. -It made me a different person. | 0:38:20 | 0:38:23 | |
Three and a half years made a difference to you altogether. | 0:38:23 | 0:38:28 | |
More confident, yes. | 0:38:28 | 0:38:31 | |
In spite of the long hours and exhausting work, | 0:38:31 | 0:38:34 | |
the girls still found the energy for a bit of fun. | 0:38:34 | 0:38:38 | |
Tell me, when all the work was done, | 0:38:38 | 0:38:41 | |
-were you able to go out and play? -Yes, yes. | 0:38:41 | 0:38:46 | |
If you were near to a town - I was two and a half miles away - | 0:38:46 | 0:38:51 | |
so you had to walk into town after you'd finished work. | 0:38:51 | 0:38:56 | |
And if you were going to a dance or the cinema, | 0:38:56 | 0:38:59 | |
then you had to walk back again. | 0:38:59 | 0:39:01 | |
Girls, what did it feel like after the war, when the war was over? | 0:39:01 | 0:39:07 | |
You'd worked hard, you knew that you'd made your contribution | 0:39:07 | 0:39:12 | |
-to the war effort... -Flat. | 0:39:12 | 0:39:14 | |
-..and then you were sent back into the kitchen. -Yes, flat. | 0:39:14 | 0:39:19 | |
-Very flat. -Yes, it was. | 0:39:19 | 0:39:23 | |
I went into horticulture, so I could just find my feet, | 0:39:23 | 0:39:27 | |
and get over the shock of changing again to city life. | 0:39:27 | 0:39:32 | |
And I went into Marks & Spencer's! | 0:39:32 | 0:39:36 | |
THEY LAUGH | 0:39:36 | 0:39:37 | |
What a change that was! | 0:39:39 | 0:39:41 | |
Whilst these remarkable ladies | 0:39:41 | 0:39:43 | |
might not have been on the actual front line, | 0:39:43 | 0:39:45 | |
the jobs they carried out were vital in keeping Britain fed. | 0:39:45 | 0:39:48 | |
Their ability to take on work originally done by men | 0:39:48 | 0:39:52 | |
also played an important role | 0:39:52 | 0:39:54 | |
in developing women's future economic and political rights. | 0:39:54 | 0:39:57 | |
Now, what's David up to? | 0:40:00 | 0:40:01 | |
Also in York, he's popping into Red House Antiques, | 0:40:01 | 0:40:04 | |
where dealer Michael is on hand to help him spend his remaining £96. | 0:40:04 | 0:40:09 | |
Go, Dave. | 0:40:10 | 0:40:11 | |
What about that ginger jar there? Can I have a quick look at that? | 0:40:16 | 0:40:19 | |
Of course you can, yeah. | 0:40:19 | 0:40:21 | |
It's been adapted to a table lamp, | 0:40:21 | 0:40:25 | |
and the one downside to it | 0:40:25 | 0:40:28 | |
is, obviously, that it's been drilled. | 0:40:28 | 0:40:31 | |
-It's been drilled, has it? -HE WINCES | 0:40:31 | 0:40:33 | |
Ouch! Ouch! | 0:40:33 | 0:40:35 | |
-Gosh, it's a nice pot, isn't it? -It's without its lid, obviously. | 0:40:36 | 0:40:40 | |
Yeah, without its lid. | 0:40:40 | 0:40:42 | |
Ginger jars were originally used to transport caramelised ginger, | 0:40:42 | 0:40:47 | |
and for storage, and they became popular ornaments | 0:40:47 | 0:40:50 | |
when the ginger was eaten up. | 0:40:50 | 0:40:51 | |
So it's definitely Chinese. | 0:40:51 | 0:40:53 | |
These symbols here are Buddhist, aren't they? | 0:40:53 | 0:40:57 | |
But it's very good quality for a ginger jar. | 0:40:57 | 0:41:00 | |
Michael's ringing the owner to see | 0:41:00 | 0:41:02 | |
if there's any movement on the ticket price. | 0:41:02 | 0:41:05 | |
£55 is the very best. | 0:41:05 | 0:41:08 | |
Well, at £55, Michael, I've just got to say yes. | 0:41:08 | 0:41:10 | |
Thank you very much indeed, That is brilliant. | 0:41:10 | 0:41:13 | |
That great deal marks David's last purchase of the day. | 0:41:13 | 0:41:18 | |
Time for a well-earned kip, methinks. | 0:41:18 | 0:41:21 | |
Night-night! | 0:41:21 | 0:41:22 | |
Next morning, and they're up and at 'em | 0:41:25 | 0:41:27 | |
as they for the historic market town of Pickering. | 0:41:27 | 0:41:31 | |
Anita has £164.14 in her pocket. | 0:41:32 | 0:41:36 | |
So what treasures await you, Anita? | 0:41:36 | 0:41:39 | |
Owner Caroline is on hand. | 0:41:39 | 0:41:42 | |
I notice you had some Mauchline ware there. | 0:41:42 | 0:41:44 | |
-Could I have a wee look at it? -Yeah. | 0:41:44 | 0:41:48 | |
-These have just come in, have these ones. -Right, OK. | 0:41:48 | 0:41:51 | |
I'm very fond of Mauchline ware. | 0:41:51 | 0:41:54 | |
It was made in a little village in Ayrshire called Mauchline, | 0:41:54 | 0:41:58 | |
-which was associated with Robert Burns. -Oh, right, yes. | 0:41:58 | 0:42:01 | |
He lived in that area. | 0:42:01 | 0:42:02 | |
Anita's spotted a collection of Machline treen, | 0:42:04 | 0:42:07 | |
comprising a wool winder, | 0:42:07 | 0:42:10 | |
pocket watch holder, needle box and money box. | 0:42:10 | 0:42:13 | |
They have a collective ticket price of £62. | 0:42:13 | 0:42:16 | |
Considering the fact that we do have damage, | 0:42:18 | 0:42:21 | |
I would like to be paying in the region of around about £20 for them. | 0:42:21 | 0:42:25 | |
I couldn't go that low, no. | 0:42:25 | 0:42:28 | |
Could you come to 25? | 0:42:28 | 0:42:30 | |
-Go on, then. -Would you do 25? That's lovely. | 0:42:30 | 0:42:34 | |
Thank you very much, Caroline. | 0:42:34 | 0:42:36 | |
Swift business! | 0:42:36 | 0:42:38 | |
Oh, there's more! | 0:42:38 | 0:42:40 | |
This is like Italian glass. It's like Murano glass. | 0:42:42 | 0:42:46 | |
That's the word. I couldn't remember! | 0:42:46 | 0:42:49 | |
Yes, it's like Murano glass, | 0:42:49 | 0:42:50 | |
but there's nothing to indicate on the base. | 0:42:50 | 0:42:54 | |
Murano glass has been made on the Venetian island of Murano | 0:42:54 | 0:42:58 | |
for centuries, and is very collectable. | 0:42:58 | 0:43:01 | |
Whilst this particular vase may not be Murano, | 0:43:01 | 0:43:04 | |
it is Italian, with a price of £48. | 0:43:04 | 0:43:07 | |
Would you do 20 on that? | 0:43:07 | 0:43:09 | |
-Yeah. -Let's go for that one. -That one? -Yeah, £20, that's great. | 0:43:10 | 0:43:15 | |
That's lovely. | 0:43:15 | 0:43:16 | |
Anita has now spent a total of £45 in this shop. | 0:43:17 | 0:43:21 | |
David, meanwhile, has travelled east | 0:43:23 | 0:43:24 | |
to the picturesque village of Thornton Le Dale. | 0:43:24 | 0:43:28 | |
He's got one last shop to spend his remaining £41 in, | 0:43:29 | 0:43:33 | |
and 's meeting manager and dealer Jan. | 0:43:33 | 0:43:36 | |
Hi, Jan! | 0:43:36 | 0:43:37 | |
What about... | 0:43:37 | 0:43:39 | |
-This is a different, quirky item. -Is it a watering can? -No, it's not. | 0:43:39 | 0:43:44 | |
What is it? | 0:43:44 | 0:43:45 | |
It's from a railway, and they used it for flares in emergencies. | 0:43:45 | 0:43:52 | |
These lamps would light the way in heavy fog or signal failure. | 0:43:52 | 0:43:56 | |
This one has a ticket price of £30. | 0:43:56 | 0:43:58 | |
And it's not the only piece of railway interest. | 0:43:58 | 0:44:02 | |
-OK, so this is a gear lever of some description... -Right. | 0:44:02 | 0:44:09 | |
..which comes from sort of the tender, engine box. | 0:44:09 | 0:44:13 | |
-Actually, is it very heavy? -It is very heavy, yes. | 0:44:13 | 0:44:16 | |
-It's made of cast iron. -Let's have a look at it. Oh, gosh, yeah! | 0:44:16 | 0:44:19 | |
And when you say a tender box, it actually would be on the train? | 0:44:19 | 0:44:24 | |
-On the train itself. -I love that, absolutely love that. | 0:44:24 | 0:44:28 | |
Its price is £35, but can Jan do a deal | 0:44:28 | 0:44:32 | |
on the lever and the flare lamp? | 0:44:32 | 0:44:34 | |
What's your offer, David? | 0:44:34 | 0:44:37 | |
-Do you want all my money? -I want all your money. -You've got it, baby. -OK. | 0:44:37 | 0:44:41 | |
-Thank you very much. -Thank you. | 0:44:41 | 0:44:43 | |
Technically, he's still got 46p, | 0:44:43 | 0:44:45 | |
but that discount means David is now the proud owner | 0:44:45 | 0:44:49 | |
of two pieces of railway interest. | 0:44:49 | 0:44:52 | |
Anita is travelling nearly 30 miles to Thirsk. | 0:44:53 | 0:44:56 | |
She's visiting Three Tuns Antiques and Curios | 0:44:57 | 0:45:01 | |
with just under £120 left to spend. | 0:45:01 | 0:45:03 | |
Ah, something shiny has caught her eye. | 0:45:03 | 0:45:07 | |
Surprise, surprise(!) | 0:45:07 | 0:45:09 | |
-Could I take this outside to have a wee look at it? -Yes. | 0:45:09 | 0:45:13 | |
You're not going to do a runner, are you? | 0:45:13 | 0:45:15 | |
I hope not! | 0:45:15 | 0:45:17 | |
Judging by the glint in Anita's eye, she's up to something, though. | 0:45:17 | 0:45:20 | |
Don't go back, Anita. | 0:45:20 | 0:45:21 | |
I wanted to see this in the light. | 0:45:21 | 0:45:24 | |
It's a lidded vessel | 0:45:24 | 0:45:26 | |
which would have been used to hold the host during Mass. | 0:45:26 | 0:45:32 | |
Now, it has a price of £10 on it, | 0:45:32 | 0:45:38 | |
but what I thought when I handled it was, "Is this silver? | 0:45:38 | 0:45:43 | |
Its official name is a ciborium | 0:45:43 | 0:45:46 | |
and it also has markings, which are Continental and complicated. | 0:45:46 | 0:45:51 | |
This might be the Holy Grail! | 0:45:51 | 0:45:53 | |
Now, that really would be something, wouldn't it? | 0:45:53 | 0:45:56 | |
-So, £10 on that. -Yes. | 0:45:56 | 0:45:58 | |
OK. That's great. | 0:45:58 | 0:46:00 | |
With that possibly silver vessel, both our experts are bought up. | 0:46:01 | 0:46:06 | |
Anita spent just £83 on her five lots, | 0:46:09 | 0:46:13 | |
purchasing two sets of condiments, a 1950s brooch, | 0:46:13 | 0:46:18 | |
a collection of Mauchline treen boxes, a 1960s Italian glass vase | 0:46:18 | 0:46:24 | |
and a white metal cyborium with gilt interior. | 0:46:24 | 0:46:28 | |
David spent a total of £166 on his five lots | 0:46:28 | 0:46:32 | |
and picked up a train lever and flare lamp... | 0:46:32 | 0:46:35 | |
..the police fingerprinting table... | 0:46:37 | 0:46:40 | |
his 1940s letterbox... | 0:46:40 | 0:46:42 | |
the Chinese ginger jar... | 0:46:42 | 0:46:45 | |
and the 1920s drop-end sofa. | 0:46:45 | 0:46:47 | |
So, what do they think of each other's items? | 0:46:48 | 0:46:51 | |
I mean, the condiment sets, oh, my gosh, | 0:46:51 | 0:46:55 | |
they are diabolical beyond belief! | 0:46:55 | 0:46:58 | |
They have no age whatsoever | 0:46:58 | 0:47:00 | |
and need to be chucked in the nearest bin possible. | 0:47:00 | 0:47:04 | |
What he's done with the flare lamp and that other bit of old iron | 0:47:04 | 0:47:09 | |
is he has bought definitely the weird! | 0:47:09 | 0:47:12 | |
Anita and David are travelling south again to an auction | 0:47:13 | 0:47:16 | |
in the historic spa town of Harrogate. | 0:47:16 | 0:47:19 | |
Wahey! Here we are. | 0:47:19 | 0:47:21 | |
Second auction, David. Let the battle commence! | 0:47:22 | 0:47:26 | |
Oh, my kind of woman. Come on! | 0:47:26 | 0:47:28 | |
Today's auction is being held at Harrogate Auction Centre | 0:47:30 | 0:47:34 | |
and the auctioneer is George Allen. | 0:47:34 | 0:47:36 | |
Let's get comfy, David. | 0:47:37 | 0:47:40 | |
Almost thrones, Anita, thrones. | 0:47:40 | 0:47:43 | |
And speaking of regal, it's Anita's king and queen condiments | 0:47:43 | 0:47:48 | |
-and cuddling pigs first. -Well, good luck. -Thank you, darling. | 0:47:48 | 0:47:52 | |
Can we see five anywhere on that one? £2? | 0:47:52 | 0:47:55 | |
The flags are up now. | 0:47:55 | 0:47:57 | |
-They all want them! -Four bid, six bid, eight bid. | 0:47:57 | 0:48:02 | |
Ten, is that, number nine? It is ten bid. 12 bid. | 0:48:02 | 0:48:05 | |
14, lovely attractive lady on the front. 14 bid. | 0:48:05 | 0:48:10 | |
14 bid, is that 16, number nine? | 0:48:10 | 0:48:14 | |
14 the bid. 14 bid. | 0:48:14 | 0:48:16 | |
15 bid! 16 bid. | 0:48:16 | 0:48:20 | |
You're out, sir. 16 bid, any advance on 16? Any more? | 0:48:20 | 0:48:26 | |
18, she's back in. | 0:48:26 | 0:48:28 | |
20. 22. 22 bid, any more? | 0:48:28 | 0:48:34 | |
All done? Don't miss out on these. 22 bid. | 0:48:34 | 0:48:37 | |
The room's on fire! | 0:48:37 | 0:48:40 | |
-Are you all done at £22? -Ahhh! | 0:48:40 | 0:48:43 | |
Not a king's ransom, but still a profit. | 0:48:44 | 0:48:48 | |
That was pressured, wasn't it? | 0:48:48 | 0:48:52 | |
From two! I thought they were going to sell for two. | 0:48:52 | 0:48:54 | |
So did I, my wee heart was beating! | 0:48:54 | 0:48:58 | |
Next up are David's train lever and flare lamp. | 0:49:00 | 0:49:04 | |
-50. 40. -Go on. -30. 20. | 0:49:04 | 0:49:07 | |
This is for the two items. Five bid, five the bid. Any advance on five? | 0:49:07 | 0:49:12 | |
Ten bid, here we go. 15 bid. | 0:49:12 | 0:49:16 | |
20, 25, 30, 35 bid, 40 bid. | 0:49:16 | 0:49:22 | |
£40 the bid, 45, 50. £50 bid. Any more? | 0:49:22 | 0:49:27 | |
55 bid, 60 bid. 65 bid. | 0:49:27 | 0:49:32 | |
65, 70 bid. | 0:49:32 | 0:49:34 | |
Any advance? 75 bid. | 0:49:34 | 0:49:37 | |
75. 80 bid. 85 bid. Any more? | 0:49:37 | 0:49:43 | |
-When is it going to stop? -Go on! Never! -90 bid. 95 bid. | 0:49:43 | 0:49:48 | |
95, round it up, make it to double figures. 100 bid. | 0:49:48 | 0:49:54 | |
-That's more like it, yeah. -All done at £100? | 0:49:54 | 0:49:59 | |
-Ohhhh! -Brilliant! -Thank you, Anita. | 0:49:59 | 0:50:03 | |
An incredible result - from such a slow start, | 0:50:03 | 0:50:07 | |
David's more than doubled his money. | 0:50:07 | 0:50:10 | |
It's so exciting! | 0:50:10 | 0:50:12 | |
-I was digging my nails into your hand. -I noticed! | 0:50:12 | 0:50:16 | |
Now it's Anita's 1950s brooch. | 0:50:16 | 0:50:20 | |
Four bid, £4 bid. £6, £8 bid. | 0:50:20 | 0:50:24 | |
Eight the bid. And ten. Ten bid, 12 bid, 14. | 0:50:24 | 0:50:29 | |
-And you're off! -14 bid. Any advance on 14? | 0:50:29 | 0:50:33 | |
Come on, buy it for your lady. 14 bid, any more? Another one? | 0:50:33 | 0:50:38 | |
14, 15, he's back in. 15, 16. | 0:50:38 | 0:50:41 | |
16 bid, any more? All done at £16? | 0:50:41 | 0:50:47 | |
-You're going to miss out on this one. -Go on! | 0:50:47 | 0:50:50 | |
All done at 16... | 0:50:50 | 0:50:52 | |
-Yes! -Well done, well done. | 0:50:52 | 0:50:55 | |
She's very excited! | 0:50:55 | 0:50:57 | |
And so she should be! | 0:50:57 | 0:50:58 | |
She got it at a great price. Still, it's a small profit for Anita. | 0:50:58 | 0:51:04 | |
Now it's David's most expensive item - his Chinese ginger jar. | 0:51:04 | 0:51:09 | |
I am 50 bid, straight in at 50. 60 on the telephone. £60 bid. | 0:51:09 | 0:51:15 | |
70 on the book, £70 bid. | 0:51:15 | 0:51:19 | |
80 bid. 90 with me. 95 bid. | 0:51:19 | 0:51:22 | |
-100 bid on the book. -Come on! | 0:51:22 | 0:51:25 | |
Any advance on 100? I'm into triple figures. Any more? | 0:51:25 | 0:51:28 | |
All done at £100... | 0:51:28 | 0:51:32 | |
-Ohhhhh, that's a good one! -Well done, darling. -It's all right. | 0:51:32 | 0:51:36 | |
-Listen, let me give you a wee kiss. -Thank you. -That is great. | 0:51:36 | 0:51:39 | |
Wow! That's another great profit for David. | 0:51:39 | 0:51:42 | |
He went big with his buys and, so far, it seems to be paying off. | 0:51:42 | 0:51:47 | |
David's in the lead | 0:51:47 | 0:51:49 | |
so Anita needs a big profit on her Mauchline treen | 0:51:49 | 0:51:52 | |
-to stay in the game. -Ten bid. | 0:51:52 | 0:51:54 | |
£10 bid, any advance on 10? | 0:51:54 | 0:51:57 | |
Any more? All done? 15? | 0:51:57 | 0:52:01 | |
-One piece is worth more than that. 20 bid. £20 the bid. -Go on! | 0:52:01 | 0:52:04 | |
£20 bid. 25 bid. The lady in blue is back in at 25. | 0:52:04 | 0:52:09 | |
30 bid. | 0:52:09 | 0:52:11 | |
£30 the bid, I'll take 2.50 if it will help anybody. | 0:52:11 | 0:52:15 | |
£30 the bid, any more? All done? | 0:52:15 | 0:52:19 | |
32.50 bid, are you all done at 32.50? | 0:52:19 | 0:52:25 | |
Another profit for Anita - what a brilliant crowd here today! | 0:52:25 | 0:52:29 | |
I love his 50ps! It makes all the difference. | 0:52:29 | 0:52:32 | |
-He gets every single penny! -He doesn't half, he doesn't half. | 0:52:32 | 0:52:35 | |
Well, every penny counts. | 0:52:35 | 0:52:38 | |
Let's see if Anita's next item can bring in a few more. | 0:52:38 | 0:52:41 | |
-It may not be Murano, but it still is an Italian vase. -Ten to start me. | 0:52:41 | 0:52:47 | |
Ten bid. Any advance? 15. 20. | 0:52:47 | 0:52:50 | |
-It's all over, it's all over! -25. 35 bid. | 0:52:50 | 0:52:55 | |
40 bid. 45. 50 bid. | 0:52:55 | 0:52:58 | |
-Any advance? 55 bid. 60. -Are you bidding? | 0:52:58 | 0:53:03 | |
-I'm just getting excited! -Any advance? 65 bid. 65. £70 the bid. | 0:53:03 | 0:53:10 | |
75 bid. 80 bid. 85 bid. | 0:53:10 | 0:53:13 | |
85 the bid, any advance on 85? | 0:53:13 | 0:53:19 | |
An exciting lot, there. 90 bid. | 0:53:19 | 0:53:21 | |
-Ohhhh! -£90. 95 bid. £100 bid. | 0:53:21 | 0:53:26 | |
We've hit the magic mark. 100 bid. | 0:53:26 | 0:53:31 | |
-105 bid. -Yes! -105 the bid. Any more? | 0:53:31 | 0:53:37 | |
All done? | 0:53:37 | 0:53:39 | |
110. 110, the lady is back in at 110. | 0:53:39 | 0:53:43 | |
All done at 110? | 0:53:43 | 0:53:47 | |
-Ohhhh! -Number nine. | 0:53:47 | 0:53:49 | |
Oh, what an auctioneer! | 0:53:52 | 0:53:54 | |
That's an incredible profit for Anita. | 0:53:55 | 0:53:59 | |
She's quadrupled her money, putting her firmly back in the game. | 0:53:59 | 0:54:03 | |
Now, let's see if David's 1940s letterbox gets the same reception. | 0:54:03 | 0:54:08 | |
40. 50. £50 bid. Any advance on 50? | 0:54:09 | 0:54:15 | |
60. 70. £70 bid. 80. 90. | 0:54:15 | 0:54:20 | |
100 with me. £100 bid. | 0:54:20 | 0:54:22 | |
Come on! Cling on to me. | 0:54:22 | 0:54:26 | |
-Good luck! -130 bid. | 0:54:26 | 0:54:30 | |
130 bid. Any advance on 130? I'm out. | 0:54:30 | 0:54:34 | |
In the room at the very back there at £130 the bid. | 0:54:34 | 0:54:38 | |
It's there to go at 130... | 0:54:38 | 0:54:42 | |
-Yes! -Get in there! | 0:54:42 | 0:54:45 | |
Well done, George. | 0:54:45 | 0:54:47 | |
Well done, David! Another massive profit. Quite the auction today! | 0:54:47 | 0:54:53 | |
David got his 1920s sofa for a steal, but will it fare today? | 0:54:54 | 0:55:00 | |
Ten anywhere? | 0:55:00 | 0:55:02 | |
Ten bid. £10 bid, 20 bid. 30 bid. | 0:55:02 | 0:55:06 | |
40 bid. £40, 50 bid. 60 bid. | 0:55:06 | 0:55:10 | |
-You're in profit. -Come on! -60, we're getting there. | 0:55:10 | 0:55:13 | |
£60 the bid, 70 bid. 70 bid. Lovely piece. | 0:55:13 | 0:55:17 | |
80 bid. £80 the bid. | 0:55:17 | 0:55:19 | |
-90. Magic figure, £90 the bid, any more? -Come on, get another hundred. | 0:55:19 | 0:55:24 | |
-100. -Yes! -100. | 0:55:24 | 0:55:26 | |
110. 110, it's selling itself. 110 the bid. | 0:55:26 | 0:55:31 | |
Any more? All done at £110? | 0:55:31 | 0:55:38 | |
David... | 0:55:38 | 0:55:39 | |
..that's 200% profit. | 0:55:40 | 0:55:44 | |
200? It's more than that. It's about four million. | 0:55:44 | 0:55:47 | |
We're both rubbish at maths! | 0:55:47 | 0:55:50 | |
Apparently so. It's actually just over 2,000% profit. | 0:55:50 | 0:55:56 | |
Next, It's Anita's incredible find - her cyborium. | 0:55:56 | 0:55:59 | |
Anita still believes it's silver | 0:55:59 | 0:56:02 | |
but has been unable to identify its marks | 0:56:02 | 0:56:05 | |
-so it's being sold as white metal. -£20 bid. 20 bid. | 0:56:05 | 0:56:09 | |
£20 bid. It's not where we start, it's where we finish. 30 bid. | 0:56:09 | 0:56:13 | |
£30 the bid. 35. 40 bid. | 0:56:13 | 0:56:16 | |
45. 45. 50 bid. | 0:56:16 | 0:56:21 | |
50 bid, any advance on 50? | 0:56:21 | 0:56:24 | |
55. 55, you won't get another one. | 0:56:24 | 0:56:27 | |
-55, 60 bid. 65 bid. -Come on! | 0:56:27 | 0:56:32 | |
Any advance on 65? It's worth a lot more. | 0:56:32 | 0:56:36 | |
65. 70 bid. 75 bid. | 0:56:36 | 0:56:41 | |
Any more? All done? Finished at £75. | 0:56:41 | 0:56:47 | |
A stroke of luck or divine intervention? | 0:56:48 | 0:56:51 | |
Either way, that's a fantastic profit. | 0:56:51 | 0:56:54 | |
Time for David's final and most unusual item, | 0:56:54 | 0:56:57 | |
his police fingerprinting table. | 0:56:57 | 0:56:59 | |
Can we see 20? Ten bid. | 0:57:00 | 0:57:03 | |
£10 bid, any advance on ten? You'll never get another one. | 0:57:03 | 0:57:07 | |
-You'd never WANT another one! -£20 the bid. Any advance on 20? | 0:57:07 | 0:57:12 | |
-Any more? 30. £30. -Come on! Come on! | 0:57:12 | 0:57:18 | |
The bid is at the back of the room. | 0:57:18 | 0:57:20 | |
£30, any more? All done? | 0:57:20 | 0:57:24 | |
Finished at £30, only bid? | 0:57:24 | 0:57:28 | |
That's all right! | 0:57:28 | 0:57:30 | |
-Well done, that's all right. -It's still profit. -That's all right. | 0:57:30 | 0:57:33 | |
It's still profit. | 0:57:33 | 0:57:34 | |
It's small, but it's still a profit. | 0:57:34 | 0:57:37 | |
What an incredible auction with no losses! | 0:57:37 | 0:57:40 | |
Now, that makes a change, doesn't it? | 0:57:40 | 0:57:43 | |
Anita started this leg with £192.14. | 0:57:43 | 0:57:48 | |
After auction costs, she made a profit of £126.51, | 0:57:48 | 0:57:54 | |
leaving her with £318.65 to spend next time. | 0:57:54 | 0:57:59 | |
David, however, emerges victorious this week. | 0:57:59 | 0:58:03 | |
He started off with £166.46. | 0:58:03 | 0:58:07 | |
After auction costs, he's made a whopping profit of £219.40 | 0:58:07 | 0:58:13 | |
so takes forward £385.86 to the following leg. | 0:58:13 | 0:58:18 | |
-Go on, you. -You're such a sweetie! -In you go! | 0:58:19 | 0:58:23 | |
-Right, are you in? -Yep. | 0:58:25 | 0:58:27 | |
What an amazing day it's been! So, cheerio, chaps! | 0:58:27 | 0:58:32 |