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It's the nation's favourite antiques experts. | 0:00:02 | 0:00:04 | |
I don't know what to do! | 0:00:04 | 0:00:05 | |
With £200 each, a classic car, and a goal to scour Britain for antiques. | 0:00:05 | 0:00:11 | |
What an old diamond. | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! Charlie! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today we're motoring across North East England | 0:00:40 | 0:00:43 | |
with our delightful duo, | 0:00:43 | 0:00:44 | |
jolly David Harper and his Scottish pal, Anita Manning. | 0:00:44 | 0:00:49 | |
We're going north, Anita, we're going north! ANITA LAUGHS | 0:00:49 | 0:00:52 | |
-Isn't that the pleasure of this trip? -I know. -Isn't it? | 0:00:52 | 0:00:55 | |
Seeing all these different landscapes. | 0:00:55 | 0:00:57 | |
Buying a load of old iron as well whilst doing it. | 0:00:57 | 0:01:00 | |
-Look, an iron bridge! -An iron bridge! -Great! Don't you love it? | 0:01:00 | 0:01:04 | |
I could flog that dead easy. | 0:01:04 | 0:01:07 | |
He probably could as well, for dealer David's got a knack | 0:01:07 | 0:01:11 | |
of finding the golden dust in a bit of old rust. | 0:01:11 | 0:01:14 | |
It is fabulous. | 0:01:14 | 0:01:16 | |
And do you know what, Tony? I am desperate to buy it if it's cheap. | 0:01:16 | 0:01:21 | |
His partner in crime, auctioneer Anita, | 0:01:23 | 0:01:25 | |
has decades of antiquing under her belt, | 0:01:25 | 0:01:28 | |
though she's not one to blow her own trumpet. | 0:01:28 | 0:01:31 | |
SHE BLOWS BRASS INSTRUMENT | 0:01:31 | 0:01:34 | |
Hah! | 0:01:34 | 0:01:35 | |
Anita and David are still eating up the miles, though, | 0:01:37 | 0:01:40 | |
in this positively delectable 1965 Morris Minor convertible. | 0:01:40 | 0:01:44 | |
Our two expert treasure hunters started the trip with £200. | 0:01:45 | 0:01:49 | |
Anita now has £318.65 to spend. | 0:01:49 | 0:01:54 | |
David, meanwhile, has taken the lead with £385.86 for this leg. | 0:01:54 | 0:02:01 | |
David and Anita are travelling over 700 miles | 0:02:04 | 0:02:07 | |
from Ramsbottom, Lancashire, snaking their way up through Yorkshire, | 0:02:07 | 0:02:11 | |
all the way to bonny Scotland and the town of Paisley. | 0:02:11 | 0:02:14 | |
Our journey commences today in Chester-le-Street, County Durham, | 0:02:15 | 0:02:19 | |
ending up at an auction in Newcastle-upon-Tyne. | 0:02:19 | 0:02:22 | |
Anita is dropping David off at his first shop of the day. | 0:02:24 | 0:02:29 | |
Now she's tootling just 20 miles south | 0:02:29 | 0:02:32 | |
to the village of St Helen Auckland, | 0:02:32 | 0:02:34 | |
where she's catching up with her old pal, Yvonne. | 0:02:34 | 0:02:37 | |
-Yvonne! -Oh, Anita, lovely to see you. | 0:02:37 | 0:02:40 | |
Lovely to be back to this wonderful treasure chest. | 0:02:40 | 0:02:44 | |
They really are happy to be reunited. | 0:02:45 | 0:02:48 | |
Anita soon spots something she likes. | 0:02:48 | 0:02:51 | |
-Can I see your scent bottle? -You can indeed. -Is the top silver? | 0:02:51 | 0:02:55 | |
Yes, hallmarked. | 0:02:55 | 0:02:57 | |
-Right. I love these things. -I do. -I love them as well. | 0:02:58 | 0:03:02 | |
There's no damage on the cut crystal. | 0:03:02 | 0:03:05 | |
And we've got that nice quality polished base. | 0:03:05 | 0:03:08 | |
The only thing that I'm worried about in that, Yvonne, is... | 0:03:08 | 0:03:12 | |
-..the fact that we don't have the stopper. -I know, I know. | 0:03:13 | 0:03:17 | |
The missing stopper will reduce the value, | 0:03:17 | 0:03:19 | |
but I dare say Anita will use that to her advantage. | 0:03:19 | 0:03:22 | |
Ticket price is £60. | 0:03:22 | 0:03:25 | |
What's the very best you can do on that, Yvonne? | 0:03:25 | 0:03:28 | |
-To you, the very, very... -The very, very best. | 0:03:28 | 0:03:31 | |
And taking into consideration | 0:03:31 | 0:03:33 | |
that we've got that very important part missing. | 0:03:33 | 0:03:38 | |
Yeah. What about £45? | 0:03:38 | 0:03:39 | |
-What I'm looking at is round about the £30. -Mmm. If we said £35. -£35? | 0:03:40 | 0:03:45 | |
-Would that be...? Yeah. -Let's go for that. -Yeah. -That's great. -Excellent. | 0:03:45 | 0:03:49 | |
-Thank you very much. -Thank you, Anita. | 0:03:49 | 0:03:52 | |
Generous discount of nearly 50% off. | 0:03:52 | 0:03:56 | |
David, meanwhile, is starting his morning in Chester-le-Street, | 0:03:57 | 0:04:01 | |
where he's meeting dealer Colin. | 0:04:01 | 0:04:03 | |
It's just an Aladdin's cave. It's an adventure. | 0:04:03 | 0:04:07 | |
Soon enough, David's eye is drawn to a Mouseman cheeseboard. | 0:04:07 | 0:04:11 | |
It's very simple stuff, isn't it? | 0:04:14 | 0:04:16 | |
But aged oak and they store the oak outside the factory premises | 0:04:16 | 0:04:20 | |
-for 10 or 14 years, I believe, until it's just right to be cut. -Right. | 0:04:20 | 0:04:25 | |
And then they cut it and they use that tool - is it an adze? | 0:04:25 | 0:04:28 | |
You know, the che-che - that, almost like a medieval tool, | 0:04:28 | 0:04:32 | |
so the surfaces are never perfectly flat, are they? | 0:04:32 | 0:04:34 | |
And the old mouse there. | 0:04:34 | 0:04:36 | |
Each Mouseman piece has a mouse carved on it, | 0:04:36 | 0:04:39 | |
which slightly varies depending on which craftsman was doing the work. | 0:04:39 | 0:04:44 | |
The company was founded by Robert Thompson in the early 20th century | 0:04:44 | 0:04:48 | |
and is still running today. | 0:04:48 | 0:04:50 | |
OK, what about that baby there? | 0:04:50 | 0:04:51 | |
-Is that Mousey? -Yep, same again. | 0:04:51 | 0:04:55 | |
-Let's have a look. -There we go. | 0:04:55 | 0:04:57 | |
OK, so this is a different animal altogether, isn't it? | 0:04:57 | 0:04:59 | |
This is the cow stool. Tripod with that facetted leg, all hand-cut. | 0:04:59 | 0:05:05 | |
When you look closely at these things, people would criticise them | 0:05:05 | 0:05:08 | |
because they're just off-centre and a little bit rough in places. | 0:05:08 | 0:05:11 | |
-It's cos it's handmade, isn't it? -Yeah. | 0:05:11 | 0:05:13 | |
They are different, aren't they? | 0:05:14 | 0:05:16 | |
This one's got more of a domed back, a bit fatter. | 0:05:16 | 0:05:19 | |
The combined ticket price of the two items is £210. | 0:05:19 | 0:05:23 | |
-I'd stand a chance if that was £160 for the pair. -How much? -£160. | 0:05:23 | 0:05:29 | |
I cannot. | 0:05:30 | 0:05:31 | |
-Go on, try a bit harder. -I'll try a bit harder. | 0:05:33 | 0:05:36 | |
£170 and I'm done. | 0:05:36 | 0:05:38 | |
-Thank you very much. -Thank you. | 0:05:40 | 0:05:42 | |
Well, that's a very generous discount. | 0:05:42 | 0:05:45 | |
It works out at £110 for the stool and £60 for the cheeseboard. | 0:05:45 | 0:05:49 | |
Back with Anita and she's found something a little bit festive. | 0:05:49 | 0:05:53 | |
Another thing that I was looking at, which I thought was quite fun... | 0:05:53 | 0:05:57 | |
-Yes. -These old Christmas card printing blocks. -Yeah. | 0:05:57 | 0:06:00 | |
-I thought they were good. -They're really nice, aren't they? -Uh-huh. | 0:06:00 | 0:06:05 | |
-What I kind of like about them is, they're kind of soppy. -Yeah. | 0:06:05 | 0:06:09 | |
-You know, that kind of old-fashioned Merry Christmas type of thing. -Yeah. | 0:06:09 | 0:06:12 | |
And I think it's the type of thing | 0:06:12 | 0:06:15 | |
that people could have good fun with. | 0:06:15 | 0:06:17 | |
-Yeah. -You know, they could make their own vintage Christmas cards. | 0:06:17 | 0:06:20 | |
-Mmm-hmm. -Are these throwaway dead...dead cheap? | 0:06:20 | 0:06:24 | |
The printing blocks are priced at £22. | 0:06:25 | 0:06:28 | |
-I'll do them at £20 for the lot. -For the lot? | 0:06:28 | 0:06:33 | |
-Could you do them all for a tenner? -Oh, Anita! | 0:06:33 | 0:06:36 | |
-ANITA LAUGHS -That is so hard. | 0:06:36 | 0:06:40 | |
They're just daft things and I like them. | 0:06:40 | 0:06:42 | |
I tell you what I'll do, I'll do them for £15. | 0:06:42 | 0:06:44 | |
-You'll do them for £15? -Yeah. | 0:06:44 | 0:06:46 | |
-Let's go for it. -Yeah. | 0:06:46 | 0:06:47 | |
Another cracking buy, but there's still time for one more item. | 0:06:47 | 0:06:52 | |
Er, I think it's German. | 0:06:53 | 0:06:56 | |
It's a continental Art Nouveau porcelain mantle clock | 0:06:56 | 0:06:59 | |
with a ticket price of £48. | 0:06:59 | 0:07:02 | |
I don't like it. | 0:07:02 | 0:07:03 | |
Nor do I. | 0:07:03 | 0:07:04 | |
-Do you not? -I don't know why. | 0:07:04 | 0:07:06 | |
I do! | 0:07:06 | 0:07:07 | |
-I mean, how much do you not like it? -A lot! | 0:07:07 | 0:07:10 | |
A lot! | 0:07:10 | 0:07:11 | |
-CHUCKLING: -She's right. | 0:07:11 | 0:07:12 | |
No prizes in guessing where THIS conversation's going. | 0:07:12 | 0:07:15 | |
Why don't you give it a throwaway price, | 0:07:15 | 0:07:20 | |
-so that I can take this out of your life for ever. -Yeah, for ever. | 0:07:20 | 0:07:26 | |
It definitely won't be coming back? | 0:07:26 | 0:07:28 | |
It won't be coming back, it won't be coming back. | 0:07:28 | 0:07:30 | |
-I'm going to give you a one-off price... -A one-off price? | 0:07:30 | 0:07:35 | |
..today, which is a tenner. | 0:07:35 | 0:07:39 | |
-Wonderful! -YVONNE LAUGHS | 0:07:39 | 0:07:42 | |
Boys, you're coming home with me! | 0:07:42 | 0:07:45 | |
Well, they're going to auction. | 0:07:45 | 0:07:48 | |
Put it there. | 0:07:48 | 0:07:49 | |
-I've got three items and I'm delighted with them all. -Excellent. | 0:07:49 | 0:07:52 | |
I'm not surprised. | 0:07:52 | 0:07:54 | |
Anita's bought three cracking pieces for just £60. | 0:07:54 | 0:07:57 | |
David, meanwhile, has spotted something a bit unusual. | 0:07:58 | 0:08:02 | |
What on earth is that? | 0:08:02 | 0:08:04 | |
-Can I dive in there? -You can. | 0:08:04 | 0:08:06 | |
-Is that a...? -There you are. | 0:08:06 | 0:08:08 | |
-It's a cigarette lighter. -It's a what?! | 0:08:08 | 0:08:10 | |
-It's a what? -A cigarette lighter. | 0:08:10 | 0:08:13 | |
Oh, I see. | 0:08:13 | 0:08:15 | |
Why on earth do you make a bike...? It's a novelty cigarette lighter. | 0:08:15 | 0:08:18 | |
-Yeah. -Replica of a... | 0:08:18 | 0:08:21 | |
It reminds me of my ten-speed racer when I was a young boy. | 0:08:21 | 0:08:24 | |
Not long ago. Ticket price for this fun little piece is £25. | 0:08:24 | 0:08:28 | |
You've got wheels that turn, brakes that work... That's ridiculous! | 0:08:28 | 0:08:33 | |
A chain that... I can't believe that's a funct... | 0:08:33 | 0:08:36 | |
You could get on that and ride off! THEY LAUGH | 0:08:36 | 0:08:40 | |
-Is it cheap? -Yeah, it's cheap. | 0:08:40 | 0:08:43 | |
-Well, I think £20, and that is cheap for that. -£20? | 0:08:43 | 0:08:48 | |
-Will you take £15? -Yeah. | 0:08:48 | 0:08:51 | |
Thank you very much. Marvellous! Purchase number three. | 0:08:51 | 0:08:54 | |
You're brilliant. | 0:08:54 | 0:08:55 | |
Marvellous indeed. | 0:08:55 | 0:08:56 | |
That's one shop down and three items in the bag for £185. | 0:08:56 | 0:09:01 | |
Anita is now travelling over 25 miles east | 0:09:03 | 0:09:06 | |
to the coastal town of Hartlepool. | 0:09:06 | 0:09:08 | |
In the 19th century, Hartlepool was an important ship-building port. | 0:09:08 | 0:09:13 | |
Sadly, this industry caused the town to be the target | 0:09:13 | 0:09:16 | |
of a horrific attack by the German navy | 0:09:16 | 0:09:19 | |
at the beginning of the First World War. | 0:09:19 | 0:09:22 | |
Anita is here to learn more | 0:09:22 | 0:09:23 | |
about this momentous day from curator Mark. | 0:09:23 | 0:09:26 | |
Do you know, it's so peaceful here today, | 0:09:26 | 0:09:30 | |
but I believe at the beginning of the First World War, | 0:09:30 | 0:09:33 | |
really a lot happened. | 0:09:33 | 0:09:36 | |
Yeah, if you were standing here 100 years ago, | 0:09:36 | 0:09:38 | |
all hell was breaking loose around you, | 0:09:38 | 0:09:41 | |
as shells from three German warships | 0:09:41 | 0:09:43 | |
bombarded the town of Hartlepool and West Hartlepool. | 0:09:43 | 0:09:46 | |
On 16th December, 1914, | 0:09:46 | 0:09:49 | |
the war, that was seemingly being fought hundreds of miles away, | 0:09:49 | 0:09:53 | |
came to the doorsteps of the working-class people of Hartlepool. | 0:09:53 | 0:09:57 | |
This shock attack was the first of its kind on British soil | 0:09:57 | 0:10:01 | |
and claimed the lives of 130 people. | 0:10:01 | 0:10:05 | |
Over 500 more were injured. Wow. | 0:10:05 | 0:10:09 | |
Local people had absolutely no idea. | 0:10:09 | 0:10:11 | |
They're sitting eating their breakfasts in the houses behind us, | 0:10:11 | 0:10:15 | |
going to school, getting ready to go to work | 0:10:15 | 0:10:18 | |
and then, suddenly, the shells start coming | 0:10:18 | 0:10:20 | |
and the sound of thunder out to sea. | 0:10:20 | 0:10:23 | |
Huge German 11-inch shells start falling on the town in huge numbers. | 0:10:23 | 0:10:27 | |
-Something like 1,500 shells in about 40 minutes. -Out there? | 0:10:27 | 0:10:32 | |
Yes, from just behind us here, out in the sea here, | 0:10:32 | 0:10:36 | |
coming in from the mist. | 0:10:36 | 0:10:38 | |
No public warnings of the attack came until it was too late. | 0:10:38 | 0:10:43 | |
The few Royal Navy ships from Hartlepool responded to the attack, | 0:10:43 | 0:10:47 | |
but were vastly outnumbered. | 0:10:47 | 0:10:49 | |
By the time more help arrived, the Germans had scooted. | 0:10:49 | 0:10:52 | |
Scarborough and Whitby were also hit | 0:10:52 | 0:10:55 | |
but Hartlepool suffered the most damage. | 0:10:55 | 0:10:58 | |
Inside Hartlepool Maritime Museum, Mark has some interesting artefacts, | 0:10:58 | 0:11:03 | |
including some shrapnel from the attack, to show Anita. | 0:11:03 | 0:11:05 | |
These are travelling at hundreds and hundreds of miles an hour - | 0:11:05 | 0:11:08 | |
in some cases, faster than the speed of sound. | 0:11:08 | 0:11:11 | |
So you can imagine, when the shells are exploding, there's no warning | 0:11:11 | 0:11:16 | |
and it just takes a building and turns it into matchsticks. | 0:11:16 | 0:11:20 | |
The devastation to the town was unimaginable, | 0:11:22 | 0:11:25 | |
as people's everyday lives were suddenly turned upside down | 0:11:25 | 0:11:28 | |
by the onslaught. | 0:11:28 | 0:11:30 | |
So, this is the bombardment clock from Collingwood Road, | 0:11:30 | 0:11:35 | |
where a family hear the shells... | 0:11:35 | 0:11:38 | |
The shells are coming down, so they run out into the street | 0:11:38 | 0:11:41 | |
and a shell hits the back of their house and completely demolishes it. | 0:11:41 | 0:11:45 | |
The family discovered the shrapnel-riddled alarm clock | 0:11:46 | 0:11:49 | |
in the rubble of the house. | 0:11:49 | 0:11:51 | |
It had stopped at the exact time the bombardment started. | 0:11:51 | 0:11:53 | |
But look closely. Where's the alarm clock made? | 0:11:53 | 0:11:56 | |
-"Made in Germany." Oh! -It's a German import. | 0:11:56 | 0:11:59 | |
It sounds like a day out of hell. | 0:12:03 | 0:12:06 | |
But tell me about the ordinary man, the ordinary woman, | 0:12:06 | 0:12:08 | |
the ordinary family on that terrible morning. | 0:12:08 | 0:12:11 | |
People thought that the Germans were invading | 0:12:11 | 0:12:14 | |
and went either to find out what was going on or went to try to get help. | 0:12:14 | 0:12:19 | |
A lot of the people who were killed and wounded | 0:12:19 | 0:12:22 | |
were injured by shells exploding, | 0:12:22 | 0:12:25 | |
hitting the streets and being outside. | 0:12:25 | 0:12:28 | |
People panicked | 0:12:28 | 0:12:29 | |
and collected their families and their worldly possessions | 0:12:29 | 0:12:32 | |
and tried to run off into the countryside. | 0:12:32 | 0:12:35 | |
These were the first German attacks of this magnitude to strike the UK | 0:12:35 | 0:12:39 | |
and, as such, resulted in the first civilian and military casualties | 0:12:39 | 0:12:44 | |
of the First World War on British soil. | 0:12:44 | 0:12:46 | |
Mark, you have painted me a terrifying picture | 0:12:46 | 0:12:51 | |
of what happened to Hartlepool on that fateful morning. | 0:12:51 | 0:12:56 | |
But what effect did it have on the people of Hartlepool? | 0:12:56 | 0:13:00 | |
Anger and fear to start with. | 0:13:00 | 0:13:03 | |
And then they turned their anger over | 0:13:03 | 0:13:07 | |
into wanting to do something about it. What do you do? | 0:13:07 | 0:13:11 | |
So, you join the army, you go to work in the munitions factories, | 0:13:11 | 0:13:15 | |
making shells in buildings like the one we're standing in now. | 0:13:15 | 0:13:19 | |
The events of that day changed the lives | 0:13:19 | 0:13:21 | |
of the people of Hartlepool forever. | 0:13:21 | 0:13:24 | |
Ultimately, though, the community rallied together. | 0:13:24 | 0:13:26 | |
22,000 people volunteered for the Armed Forces. | 0:13:26 | 0:13:30 | |
Even more impressive, they raised the modern equivalent | 0:13:30 | 0:13:33 | |
of over half a billion pounds for the war effort - | 0:13:33 | 0:13:36 | |
an incredible figure for such a small working-class community. | 0:13:36 | 0:13:40 | |
Over 800 buildings were damaged during the attack | 0:13:40 | 0:13:43 | |
and it took over a decade to restore Hartlepool to its former glory. | 0:13:43 | 0:13:47 | |
David is now heading south to Darlington, | 0:13:50 | 0:13:52 | |
a town said to be the birthplace | 0:13:52 | 0:13:54 | |
of the world's first public steam-powered railway. | 0:13:54 | 0:13:58 | |
He's hot to shop, with just over £200 to spend. | 0:13:59 | 0:14:03 | |
-Hello, Tony. -Hello. | 0:14:03 | 0:14:05 | |
-Good to see you. -And again. | 0:14:05 | 0:14:07 | |
Very good to see... I'm loving those glasses! | 0:14:07 | 0:14:09 | |
After a quick mooch downstairs, | 0:14:13 | 0:14:15 | |
Tony's got an item he thinks David will like the look of upstairs. | 0:14:15 | 0:14:19 | |
-Now then. It's a little bit industrial up here. -Oh. | 0:14:19 | 0:14:24 | |
-Um, be careful, it's fairly heavy. -Oh, yeah. | 0:14:24 | 0:14:27 | |
And watch those trousers as well. | 0:14:27 | 0:14:29 | |
Why, what's it going to do? Grab them? | 0:14:29 | 0:14:32 | |
It'll be fairly rusty. | 0:14:32 | 0:14:33 | |
It's an early 20th-century cast-iron hay grabber | 0:14:33 | 0:14:37 | |
and, more importantly for David, a good chunk of metal. | 0:14:37 | 0:14:41 | |
Oh, there's the mechanism. There's your gear thing, switch that. | 0:14:41 | 0:14:44 | |
-Yeah, that's it. -Oh, I see, I see. So, that goes onto the hay? -Yeah. | 0:14:44 | 0:14:50 | |
-It grabs it... -Grabs it. | 0:14:50 | 0:14:51 | |
-Locks in... -Locks in. | 0:14:51 | 0:14:53 | |
-And then lifts the hay bale. -That's right. | 0:14:53 | 0:14:56 | |
And that's your supports there, all for your chains | 0:14:56 | 0:15:00 | |
and the thing just goes up, away, and then down again... | 0:15:00 | 0:15:04 | |
I hope you followed that. | 0:15:05 | 0:15:07 | |
I mean, it is fabulous and do you know what, Tony? | 0:15:07 | 0:15:11 | |
-I am desperate to buy it if it's cheap. -I tell you what we'll do... | 0:15:11 | 0:15:16 | |
A tenner. £10. | 0:15:17 | 0:15:20 | |
10 quid. Thank you very much. That is not worth negotiating over. | 0:15:21 | 0:15:26 | |
That's a bargain and Anita Manning is going to be so jealous | 0:15:26 | 0:15:30 | |
because she loves all my bits of any old iron. | 0:15:30 | 0:15:34 | |
Mm, we'll see, David. | 0:15:34 | 0:15:36 | |
But with that, another day's shopping is in the bag. | 0:15:36 | 0:15:39 | |
So, night-night. | 0:15:39 | 0:15:41 | |
MUSIC: I Do Like To Be Beside The Seaside | 0:15:41 | 0:15:44 | |
A new day and time for a trip to the seaside. | 0:15:44 | 0:15:47 | |
Anita and David have travelled to the seaside town of Whitby. | 0:15:47 | 0:15:50 | |
I'm looking forward to shopping. | 0:15:51 | 0:15:53 | |
-Yeah, bye. -Bye. | 0:15:53 | 0:15:55 | |
And so she should be, as her first shop of the day is The Bazaar, | 0:15:55 | 0:16:00 | |
packed full of interesting artefacts to get excited over. | 0:16:00 | 0:16:04 | |
There to help her is dealer Frank. | 0:16:04 | 0:16:06 | |
I quite like that. | 0:16:06 | 0:16:08 | |
It's part of a tea set, Royal Crown Derby, | 0:16:08 | 0:16:12 | |
in that wonderful imari pattern. | 0:16:12 | 0:16:15 | |
There seem to be some flaws though. | 0:16:15 | 0:16:18 | |
The item is priced at £150. | 0:16:19 | 0:16:21 | |
So, what was you thinking of offering? | 0:16:22 | 0:16:25 | |
-I'd be looking for round about £50. -Pounds. | 0:16:25 | 0:16:29 | |
I tell you what. I could have a deal. | 0:16:31 | 0:16:33 | |
How about £70? Would that be any good? | 0:16:33 | 0:16:35 | |
-£70? -Yeah. -Could you come to maybe £60 on it? | 0:16:35 | 0:16:39 | |
-Yeah, I'll have a deal with you. £60. -At £60? -Yeah. | 0:16:39 | 0:16:42 | |
-That's wonderful. Thank you very much. -OK. | 0:16:42 | 0:16:44 | |
That's wonderful, thank you. | 0:16:44 | 0:16:46 | |
That's an amazing discount. | 0:16:46 | 0:16:47 | |
So, for £60, Anita is now the proud owner of a Derby part-tea set. | 0:16:47 | 0:16:54 | |
David has travelled inland to the village of Sleights | 0:16:56 | 0:16:58 | |
in the Esk Valley. | 0:16:58 | 0:17:00 | |
He's visiting Eskdale Antiques, where he's meeting owner Philip. | 0:17:00 | 0:17:05 | |
He's still got just over £190 left to spend | 0:17:05 | 0:17:08 | |
and a whole host of interesting objects to choose here. | 0:17:08 | 0:17:11 | |
Little papier-mache 19th-century snuffbox here. | 0:17:15 | 0:17:19 | |
Now, these things can be very ordinary, can't they, | 0:17:20 | 0:17:23 | |
and bought for a few pounds? | 0:17:23 | 0:17:25 | |
Sorry, who were you talking to, David? | 0:17:25 | 0:17:28 | |
But I love this because of the doggy on there. | 0:17:28 | 0:17:30 | |
What's all this about? What do you know about this one? | 0:17:30 | 0:17:32 | |
Ah, Philip, hello! | 0:17:32 | 0:17:33 | |
Nice little scene on the front - dog carrying its prey back, I think. | 0:17:33 | 0:17:37 | |
Yeah, rabbit there, "To be delivered immediately" to its master. | 0:17:37 | 0:17:42 | |
-I love snuffboxes. -Right. | 0:17:42 | 0:17:44 | |
It's priced at £45. | 0:17:44 | 0:17:47 | |
-I can do £25 on that. -£25. | 0:17:48 | 0:17:50 | |
Can we go £20? | 0:17:51 | 0:17:53 | |
-Yeah, we can do £20. -Shall we do it? | 0:17:54 | 0:17:56 | |
-That's fair, yeah. -Phil, thank you. | 0:17:56 | 0:17:58 | |
David spent £20 on a collectable 19th-century snuffbox. | 0:17:58 | 0:18:03 | |
Anita is on her way, 20 miles down the coast, | 0:18:05 | 0:18:08 | |
to another popular seaside resort, Scarborough. | 0:18:08 | 0:18:11 | |
She's got just under £200 to spend | 0:18:11 | 0:18:13 | |
at Scarborough Antiques and Collectors Centre. There she goes. | 0:18:13 | 0:18:16 | |
-Hi. I'm Anita. -Pleased to meet you. I'm Matt. | 0:18:16 | 0:18:20 | |
Lovely. Lovely to be here. | 0:18:20 | 0:18:22 | |
The shop is brimming with Anita's Achilles heel - jewellery. | 0:18:22 | 0:18:27 | |
Is this the bargain box? | 0:18:27 | 0:18:29 | |
Yeah, I suppose that's where we've put a lot of the reduced ones, yeah. | 0:18:29 | 0:18:32 | |
Yeah, like music to your ears, eh, Anita? | 0:18:32 | 0:18:35 | |
The brooches, silver and gold, | 0:18:35 | 0:18:38 | |
-aren't worn as much as they used to be, so... -Yeah. | 0:18:38 | 0:18:41 | |
-When they do come in, we'd rather not scrap them. -I know, I know. | 0:18:41 | 0:18:45 | |
-Nice wee lot, here, of four. -Yeah. | 0:18:45 | 0:18:49 | |
We've got the little blister pearl here and I like those. | 0:18:49 | 0:18:53 | |
We've got this, it's a blue... | 0:18:53 | 0:18:55 | |
-It's not a sapphire. I think it's just a blue gemstone here. -Right. | 0:18:55 | 0:19:00 | |
Little gold one with the flower... | 0:19:00 | 0:19:03 | |
..and this pearlised stone here. | 0:19:04 | 0:19:07 | |
-Four of them, all nine-carat gold, in the bargain-basement box. -Yeah. | 0:19:07 | 0:19:14 | |
The combined ticket price for the four brooches is £80. | 0:19:14 | 0:19:18 | |
I'd be looking to pay... | 0:19:19 | 0:19:21 | |
..£35-40 as a wee group, taking all four of them, | 0:19:22 | 0:19:27 | |
-so it's a kind of quick sale on four. -Right, I see. | 0:19:27 | 0:19:31 | |
-I could do them for £50, Anita. -£50? Could you take it to £40? | 0:19:31 | 0:19:36 | |
-Could you take it to £40? -I...I think I could do £45 for you. | 0:19:36 | 0:19:40 | |
You could do £45 on that? I think I'll go for that. That's lovely. | 0:19:40 | 0:19:44 | |
-Thank you very much. -Thank you very much, Matt, that's wonderful. | 0:19:44 | 0:19:47 | |
And with that, our experts are all shopped out. | 0:19:47 | 0:19:51 | |
David spent £215 on five items. | 0:19:55 | 0:19:58 | |
The 19th-century snuffbox... | 0:19:58 | 0:20:00 | |
A Mouseman cheeseboard and milking stool... | 0:20:00 | 0:20:04 | |
A vintage racing bike lighter... | 0:20:04 | 0:20:06 | |
And a 20th-century cast-iron hay grabber - as you do. | 0:20:06 | 0:20:10 | |
Anita has spent £165. | 0:20:10 | 0:20:13 | |
She bought some assorted printing blocks... | 0:20:13 | 0:20:15 | |
A cut-crystal scent bottle... | 0:20:15 | 0:20:17 | |
An Art Nouveau porcelain clock... | 0:20:17 | 0:20:20 | |
A late 19th-century Derby part-tea set... | 0:20:20 | 0:20:23 | |
And four gold brooches. | 0:20:23 | 0:20:25 | |
What do they think of each other's purchases? | 0:20:27 | 0:20:30 | |
The little bar brooches - they're not my cup of tea | 0:20:31 | 0:20:34 | |
but she knows these things inside out. | 0:20:34 | 0:20:37 | |
I love David's Mouseman items. | 0:20:37 | 0:20:40 | |
The little cheeseboard is a sweetie | 0:20:40 | 0:20:44 | |
and the stool - isn't that such a delight? | 0:20:44 | 0:20:48 | |
Our jubilant duo are heading over 70 miles north | 0:20:51 | 0:20:54 | |
to an auction in Newcastle. | 0:20:54 | 0:20:56 | |
-Good luck. -DAVID LAUGHS | 0:20:56 | 0:20:58 | |
There we go. | 0:20:58 | 0:21:00 | |
And you can leap out...now. | 0:21:00 | 0:21:03 | |
OK. Well done, David, well done. | 0:21:03 | 0:21:05 | |
Our auction today is taking place at Thomas Miller Auctioneers | 0:21:05 | 0:21:10 | |
and wielding the all-important gavel this morning is Guy Macklam. | 0:21:10 | 0:21:14 | |
The auction's about to commence. | 0:21:14 | 0:21:17 | |
Those two are unusually silent. | 0:21:17 | 0:21:20 | |
Could it be jitters? | 0:21:20 | 0:21:22 | |
-Are you nervous? -I am nervous. -Good, I like that. | 0:21:22 | 0:21:25 | |
-You like that? -Yeah. | 0:21:25 | 0:21:26 | |
First up, David's 19th-century snuffbox. | 0:21:27 | 0:21:30 | |
20 is bid for it. Any advance on 20? | 0:21:30 | 0:21:32 | |
-Come on. -30. 35. 40. 45. | 0:21:32 | 0:21:36 | |
Yes, good boy! | 0:21:36 | 0:21:37 | |
At £45. Down here, £50. | 0:21:37 | 0:21:40 | |
At £50. To the lady at £50. | 0:21:40 | 0:21:42 | |
Looking for some more here. At £50, all done. | 0:21:42 | 0:21:44 | |
-All finished at £50. -GAVEL BANGS | 0:21:44 | 0:21:47 | |
-That's good. That's good. -Good start. | 0:21:47 | 0:21:49 | |
-Are you happy? -No. Not yet. ANITA WHEEZES | 0:21:49 | 0:21:53 | |
You should be. 150% profit. It's a great start! | 0:21:53 | 0:21:58 | |
Next, it's Anita's numerical printing and greeting card blocks. | 0:21:59 | 0:22:04 | |
-Here we go. Keep your fingers crossed. -I will. | 0:22:04 | 0:22:06 | |
I'm bid £10. Madam, thank you. Any advance on £10? | 0:22:06 | 0:22:09 | |
Go down the King's Road, wouldn't buy you a block. | 0:22:09 | 0:22:11 | |
12 bid. 15. Oh, come along. 15 offered. | 0:22:11 | 0:22:15 | |
-Right in front of me. Selling at 15. -Oh. | 0:22:15 | 0:22:17 | |
It's yours, madam, at £15. All done. Are we quite sure? | 0:22:17 | 0:22:19 | |
Wouldn't buy you a block, I'm telling you. 15, right in front. | 0:22:19 | 0:22:22 | |
-Going at £15, all done. -GAVEL BANGS | 0:22:22 | 0:22:24 | |
Not a bad result. | 0:22:24 | 0:22:25 | |
Time for David's cast-iron hay grabber. | 0:22:27 | 0:22:31 | |
Anyway, let's hope the scrap dealers are here today. | 0:22:31 | 0:22:34 | |
£10 for it or are we going to pass? | 0:22:34 | 0:22:36 | |
-Oh, we've got it. 10 bid. -£10? -Come on! | 0:22:36 | 0:22:39 | |
At 10 at the back of the room, sir. Your money and it's away. | 0:22:39 | 0:22:42 | |
-All finished at 10. -Oh! -Back of the room, an offer at 10. | 0:22:42 | 0:22:45 | |
All finished at £10. Selling at £10. | 0:22:45 | 0:22:47 | |
-I can't believe it! -I can. -GAVEL BANGS | 0:22:47 | 0:22:50 | |
They've got no style. THEY LAUGH | 0:22:50 | 0:22:53 | |
So, a loss after auction costs and no sympathy from Anita. | 0:22:53 | 0:22:58 | |
-I loved you for buying that... -Thank you. -..piece of rubbish. | 0:22:58 | 0:23:01 | |
THEY LAUGH | 0:23:01 | 0:23:03 | |
Charming! Time, if you pardon the pun, | 0:23:04 | 0:23:07 | |
for Anita's Art Nouveau mantle clock. | 0:23:07 | 0:23:10 | |
10 is bid. Any advance on only 10? | 0:23:10 | 0:23:13 | |
12, 15, 17, 20. | 0:23:13 | 0:23:15 | |
-Come on! -Ooh... -20? No. | 0:23:15 | 0:23:16 | |
Right-hand side, at £20. | 0:23:16 | 0:23:18 | |
Are we finished? Think we are. Selling at 20. At 22. Not quite. | 0:23:18 | 0:23:21 | |
-Yes! -Oh! -At 25 on the right, standing at 25. You're out, madam. | 0:23:21 | 0:23:26 | |
-I've got 25. 27. -Yes! -Hello. -27 seated. All finished at 27. | 0:23:26 | 0:23:31 | |
-All done. Sell for £27. -GAVEL BANGS | 0:23:31 | 0:23:33 | |
Oh, well done. Well done. | 0:23:33 | 0:23:36 | |
Well done, indeed. | 0:23:36 | 0:23:37 | |
That's a decent profit. | 0:23:37 | 0:23:39 | |
Next up is the first of David's Mouseman pieces. | 0:23:39 | 0:23:44 | |
How will his cheeseboard fare this morning? | 0:23:44 | 0:23:46 | |
Is your heart beating? | 0:23:46 | 0:23:48 | |
10 bid. 15, 20, 25. At £25. Any advance on £25? | 0:23:48 | 0:23:55 | |
-30, 35, 40, 45... -Come on, come on. | 0:23:55 | 0:23:58 | |
£45 against you, sir. It's got to go. | 0:23:58 | 0:24:01 | |
50 bid. At £50. | 0:24:01 | 0:24:03 | |
Looking for another 5. At 50 at the back then. Selling at 50. | 0:24:03 | 0:24:06 | |
-55. -Yes, good, good, good. | 0:24:06 | 0:24:09 | |
55 at the back. 60. | 0:24:09 | 0:24:11 | |
And again, sir. At 65. | 0:24:11 | 0:24:14 | |
-At 65. -We're climbing now. -Hold on. | 0:24:14 | 0:24:16 | |
Hammer's up. At £65. | 0:24:16 | 0:24:18 | |
No! GAVEL BANGS | 0:24:18 | 0:24:20 | |
-Ooh! -Oh... -£65. | 0:24:20 | 0:24:23 | |
It's still a profit for David, but less than expected. | 0:24:23 | 0:24:27 | |
Next, Anita's cut-glass scent bottle with the silver embossed top. | 0:24:28 | 0:24:33 | |
20 is bid. Any advance at 20? | 0:24:33 | 0:24:35 | |
-25, 30, 35. -Oh. | 0:24:35 | 0:24:38 | |
40, 45, 50. | 0:24:38 | 0:24:40 | |
And again, sir. £50 to a lady at the back. | 0:24:40 | 0:24:44 | |
At £50. 55, 60. | 0:24:44 | 0:24:47 | |
At 60 in the distance then. | 0:24:47 | 0:24:48 | |
Going away at £60. Gents are out. | 0:24:48 | 0:24:51 | |
Selling here to a lady at £60, all done. | 0:24:51 | 0:24:53 | |
-GAVEL BANGS Nice one. -Yeah. | 0:24:53 | 0:24:55 | |
A great profit, despite the missing stopper. | 0:24:56 | 0:24:59 | |
David loves his vintage bicycle lighter, but will anyone else? | 0:25:01 | 0:25:05 | |
10 bid. Any advance on only 10? | 0:25:06 | 0:25:08 | |
At 10, 12, 15, 17. | 0:25:08 | 0:25:13 | |
At 17 for the lot then. Nearer me then, at 17. | 0:25:13 | 0:25:16 | |
-All finished at 17. You have it, sir. -No! | 0:25:16 | 0:25:19 | |
All finished at 17. 20 bid. Not quite. 22? 22. | 0:25:19 | 0:25:23 | |
At 22 to a gent then. Quite sure at 22? Going to sell it to you, sir. | 0:25:23 | 0:25:27 | |
-Hammer's up at £22. -Oh! | 0:25:27 | 0:25:29 | |
GAVEL BANGS Ooh... | 0:25:30 | 0:25:33 | |
I thought someone else was going to come in then. | 0:25:33 | 0:25:35 | |
Sadly not. But every little helps, as they say. | 0:25:35 | 0:25:39 | |
Will Anita's collection of four gold brooches do any better? | 0:25:40 | 0:25:44 | |
-50 start. Any advance on 50? -Oh, my gosh. | 0:25:44 | 0:25:48 | |
-60. 70, 80, 90. -Yes! -Seriously... -100. | 0:25:48 | 0:25:51 | |
-And 10. 120. 125. -Yes! | 0:25:51 | 0:25:55 | |
-130. -Yes! -At £130, lady at the back. -Amazing. | 0:25:55 | 0:25:59 | |
£130. All out over this side. | 0:25:59 | 0:26:01 | |
Looking for another £5. Selling at 130. You have it, madam. | 0:26:01 | 0:26:05 | |
-Selling away now, at £130. -GAVEL BANGS | 0:26:05 | 0:26:08 | |
-Yes! -£130. | 0:26:08 | 0:26:11 | |
That's a great profit for Anita and her beloved brooches. | 0:26:11 | 0:26:15 | |
She's nearly tripled her money. | 0:26:15 | 0:26:17 | |
-I'm pleased at that. -That's amazing. That is the best of the day so far. | 0:26:17 | 0:26:22 | |
Up next, it's David's Mouseman milking stool. | 0:26:22 | 0:26:26 | |
He spent a fair whack on this. | 0:26:26 | 0:26:28 | |
Let's hope it does better than the cheeseboard. | 0:26:28 | 0:26:31 | |
-You know I'm going to hold your hand, don't you? -Oh... | 0:26:31 | 0:26:34 | |
Hold my hand. | 0:26:34 | 0:26:36 | |
Start me at £100 to go. 100 bid. | 0:26:36 | 0:26:39 | |
-£100! -Come on. -Any advance at £100? At £100 for the lot. | 0:26:39 | 0:26:43 | |
120, 140. At £140. | 0:26:43 | 0:26:48 | |
-Come on! -Any advance for the stool? At £140. | 0:26:48 | 0:26:50 | |
Looking for 160. Take a half, 150 bid. | 0:26:50 | 0:26:53 | |
-Come on. -Accepted. 150 offered. -Come on! | 0:26:53 | 0:26:55 | |
-At £150. Another £10 anywhere else? -Go on! -At £150. | 0:26:55 | 0:26:59 | |
-160 bid. New buyer. -Oh, yes! | 0:26:59 | 0:27:01 | |
At £160. Yours in the middle of the room, sir, at £160. | 0:27:01 | 0:27:05 | |
Selling away then, in the middle of the room at £160. | 0:27:05 | 0:27:08 | |
GAVEL BANGS | 0:27:08 | 0:27:09 | |
-Well, that's all right. It's all right. -Got my heart beating. -I know! | 0:27:09 | 0:27:13 | |
Yours?! I'm surprised I'm still sat down. | 0:27:13 | 0:27:16 | |
I thought I'd be on the floor by now! | 0:27:16 | 0:27:18 | |
That profit has put David back in the game. | 0:27:18 | 0:27:22 | |
Maybe Anita does have the magic touch after all. | 0:27:22 | 0:27:25 | |
Anita's biggest buy, and perhaps biggest gamble, | 0:27:26 | 0:27:30 | |
was her slightly damaged tea set. | 0:27:30 | 0:27:32 | |
Listen, very best of luck with this one. | 0:27:33 | 0:27:36 | |
-10 bid. 15, 20, 25. At £25. -There's still a long way to go. | 0:27:36 | 0:27:41 | |
Come along. 25 offered. 30. 35. 40. | 0:27:41 | 0:27:45 | |
At £40. Are you bidding, sir? 45. | 0:27:45 | 0:27:48 | |
-Come on. -50. 55, 60, 65, 70. | 0:27:48 | 0:27:52 | |
-Gone, hasn't it? -Yeah. -80. No, it's £80, corner-right has it. | 0:27:52 | 0:27:57 | |
Any advance on £80 for the lot? | 0:27:57 | 0:27:59 | |
-Quite sure? -That's a lot of money for that. -It is a bit. | 0:27:59 | 0:28:03 | |
-Selling at £80. -GAVEL BANGS | 0:28:03 | 0:28:05 | |
-That's very good. -Ah. -That's a good, healthy profit. | 0:28:05 | 0:28:08 | |
-I'm happy enough with that. -Yeah. | 0:28:08 | 0:28:10 | |
And so she should be... | 0:28:10 | 0:28:12 | |
-Phew! -Massive profit, massive profit. | 0:28:12 | 0:28:15 | |
It was a bit nail-biting at times. | 0:28:15 | 0:28:17 | |
I think we need to lie down. | 0:28:17 | 0:28:19 | |
-Separately, of course! -Of course! -Go on, you go. | 0:28:19 | 0:28:22 | |
Well, if you can remain vertical for now, chaps, | 0:28:22 | 0:28:24 | |
the results are as follows... | 0:28:24 | 0:28:27 | |
David started this leg with £385.86. | 0:28:27 | 0:28:31 | |
Today, he's made a solid profit of £36.74, | 0:28:31 | 0:28:36 | |
meaning he carries forward £422.60. | 0:28:36 | 0:28:40 | |
Nice cheesy grin, David, thank you. | 0:28:40 | 0:28:44 | |
Anita, meanwhile, emerges victorious. | 0:28:44 | 0:28:46 | |
She started with £318.65. | 0:28:46 | 0:28:50 | |
After auction costs, she has made an incredible profit of £90.84. | 0:28:50 | 0:28:56 | |
So, although she's still trailing slightly behind David overall, | 0:28:56 | 0:28:59 | |
with £409.49, she has won the day. | 0:28:59 | 0:29:04 | |
That was exciting, David. Oh, thank you. | 0:29:05 | 0:29:08 | |
-You know what, you deserve that. -What a gentleman. -You deserve it. | 0:29:08 | 0:29:11 | |
You are my hero, Anita. Ready? | 0:29:11 | 0:29:13 | |
-Yeah. -Strap yourself in. | 0:29:13 | 0:29:15 | |
ENGINE PURRS | 0:29:15 | 0:29:16 | |
Get ready for another adventure, eh? | 0:29:16 | 0:29:19 | |
Yes, indeedy. | 0:29:19 | 0:29:21 | |
A new day dawns on the penultimate leg for our distinguished duo. | 0:29:26 | 0:29:30 | |
Oh, Anita, does it get any more beautiful than this? Seriously! | 0:29:32 | 0:29:37 | |
It becomes more and more beautiful the further north you go. | 0:29:37 | 0:29:41 | |
Listen, we are not in Scotland yet. This is Northumberland. | 0:29:41 | 0:29:45 | |
-It is glorious! -It's marvellous. | 0:29:45 | 0:29:47 | |
Today's journey commences in Powburn, in Northumberland. | 0:29:50 | 0:29:54 | |
And ends in Scotland, at an auction in the village of Kinbuck, | 0:29:54 | 0:29:58 | |
near Dunblane. | 0:29:58 | 0:29:59 | |
David and Anita are at Hedgeley Services this morning, | 0:30:02 | 0:30:05 | |
in Powburn, shopping at two neighbouring establishments. | 0:30:05 | 0:30:08 | |
If you need any help, David, give me a shout. | 0:30:08 | 0:30:11 | |
OK, put the kettle on. ANITA CHUCKLES | 0:30:11 | 0:30:14 | |
He is visiting Hedgeley Antiques Centre. | 0:30:14 | 0:30:17 | |
And David is such a fan of Oriental artefacts, | 0:30:17 | 0:30:20 | |
it doesn't take him long to find something right up his street. | 0:30:20 | 0:30:23 | |
It is a wooden writing slope. | 0:30:23 | 0:30:26 | |
South Chinese, Cantonese, probably during our Victorian period. | 0:30:26 | 0:30:30 | |
It folds down, no doubt. | 0:30:30 | 0:30:32 | |
Satinwood finish to the interior. | 0:30:32 | 0:30:35 | |
Black velvet, which is probably original. It's an absolute stonker. | 0:30:35 | 0:30:40 | |
And I need Jane. | 0:30:40 | 0:30:42 | |
Yeah, don't we all? Its ticket price is £95. | 0:30:42 | 0:30:45 | |
Is Jane prepared to do a deal? | 0:30:45 | 0:30:47 | |
Right, Jane. | 0:30:47 | 0:30:48 | |
I'm going to talk to you about this dreadful Chinese writing slope. | 0:30:48 | 0:30:53 | |
-Yeah... -I hate it! -Right. | 0:30:53 | 0:30:55 | |
-Yes. -What could it be? I would love to pay 30. | 0:30:55 | 0:30:59 | |
Um... | 0:30:59 | 0:31:01 | |
50? | 0:31:01 | 0:31:02 | |
40. SHE GASPS | 0:31:02 | 0:31:04 | |
Um... Hm... | 0:31:04 | 0:31:06 | |
Um... | 0:31:07 | 0:31:08 | |
Can we do somewhere in the middle, 45? | 0:31:08 | 0:31:11 | |
-I could not say no to that. -Excellent. | 0:31:11 | 0:31:14 | |
Cor, David was quick off the mark there! | 0:31:14 | 0:31:18 | |
Anita is in the Village Tea Room & Emporium next door | 0:31:18 | 0:31:21 | |
and has also found a couple of items she is keen on. | 0:31:21 | 0:31:24 | |
Dealer Beryl is on hand to assist. | 0:31:24 | 0:31:27 | |
-What I'm seeing here... -Yes? | 0:31:27 | 0:31:30 | |
..are the perfect accompaniments to the Antiques Road Trip. | 0:31:30 | 0:31:35 | |
I have my picnic set for when we stop by the side of a wee loch | 0:31:35 | 0:31:41 | |
and have a lovely picnic. | 0:31:41 | 0:31:43 | |
And we have a picnic gramophone | 0:31:43 | 0:31:47 | |
where we could have a dance. | 0:31:47 | 0:31:50 | |
I can see where this is going! | 0:31:50 | 0:31:52 | |
MUSIC: The Road To Dundee by Calum Kennedy | 0:31:54 | 0:31:57 | |
-My first boyfriend used to sing that to me. -Did he? -That's true. | 0:31:59 | 0:32:03 | |
-I hope he's not watching. -THEY LAUGH | 0:32:03 | 0:32:07 | |
-He'd see a big difference. -I know! | 0:32:07 | 0:32:09 | |
# To Dundee... # | 0:32:09 | 0:32:13 | |
That... | 0:32:15 | 0:32:16 | |
That was wonderful. But you are better looking than David Harper. | 0:32:16 | 0:32:21 | |
I think that is a compliment. | 0:32:22 | 0:32:24 | |
But is she actually going to buy anything? | 0:32:24 | 0:32:28 | |
The gramophone is £55 and the picnic set, 38. | 0:32:28 | 0:32:32 | |
The picnic set isn't of the finest quality. | 0:32:32 | 0:32:36 | |
We don't have the container for the champagne. | 0:32:36 | 0:32:39 | |
But it is quite nice and it has got a lovely period, | 0:32:39 | 0:32:42 | |
vintage look about it. | 0:32:42 | 0:32:44 | |
Wind-up gramophones are always great fun. | 0:32:44 | 0:32:49 | |
I'm going to have another look around, but I might just go for them. | 0:32:49 | 0:32:52 | |
Holiday time! | 0:32:52 | 0:32:53 | |
While Anita mulls it over, David has found another interesting object. | 0:32:54 | 0:33:00 | |
Pretty naff kind of early 20th century, | 0:33:02 | 0:33:05 | |
maybe 1930s, even '40s, ashtray. | 0:33:05 | 0:33:09 | |
But I'm interested in actually what's underneath the glass base. | 0:33:09 | 0:33:14 | |
And it is described as a glass and jade ashtray. | 0:33:14 | 0:33:18 | |
There is your Jade. | 0:33:18 | 0:33:20 | |
On the bottom. | 0:33:20 | 0:33:21 | |
Hardly detailed at all, but actually, that is a good sign | 0:33:21 | 0:33:24 | |
because with jade being a hard stone, | 0:33:24 | 0:33:27 | |
it is incredibly difficult to carve. | 0:33:27 | 0:33:29 | |
Green jade is the most common type of jadeite, but there | 0:33:29 | 0:33:33 | |
are various colours such as | 0:33:33 | 0:33:35 | |
lavender, red, yellow, black and white. | 0:33:35 | 0:33:37 | |
It is priced at £6.50. So another one to think about. | 0:33:37 | 0:33:42 | |
Now back with Anita. What's she up to now? Sight going? | 0:33:42 | 0:33:46 | |
I've come outside to have a closer look at this wee posy holder. | 0:33:46 | 0:33:51 | |
It was in a cabinet. | 0:33:52 | 0:33:54 | |
It would've had two glass tubes | 0:33:55 | 0:33:59 | |
coming out of these funnels here. | 0:33:59 | 0:34:02 | |
Now, it's priced at £10. | 0:34:02 | 0:34:05 | |
If I can find a hallmark, if it is silver, | 0:34:06 | 0:34:10 | |
at £10, it is a bargain! | 0:34:10 | 0:34:14 | |
The £10 ticket price suggests the item has been | 0:34:14 | 0:34:17 | |
valued as silver-plated. | 0:34:17 | 0:34:19 | |
A hallmark would mean it is silver and therefore more valuable. | 0:34:19 | 0:34:22 | |
Oh, yes. | 0:34:22 | 0:34:23 | |
People often miss it. | 0:34:23 | 0:34:25 | |
It is almost indiscernible. | 0:34:25 | 0:34:28 | |
But it is there. | 0:34:28 | 0:34:30 | |
This could be a real find. | 0:34:30 | 0:34:32 | |
Anita is also still interested in the picnic hamper | 0:34:32 | 0:34:35 | |
and the gramophone. But is Beryl The Peril willing to negotiate? | 0:34:35 | 0:34:39 | |
Now, if I am buying three things, | 0:34:39 | 0:34:42 | |
I was wondering if I could have a deal. | 0:34:42 | 0:34:44 | |
-Right. -On the three things. | 0:34:44 | 0:34:46 | |
Their combined ticket price is £103. | 0:34:46 | 0:34:50 | |
But what I'd like to pay for the ensemble... | 0:34:50 | 0:34:54 | |
is between £45 and £55. | 0:34:54 | 0:34:58 | |
For the ensemble. | 0:34:58 | 0:35:00 | |
Using a French word isn't going to make that offer any less cheeky, | 0:35:00 | 0:35:04 | |
Anita. Merci. | 0:35:04 | 0:35:05 | |
How about 60? | 0:35:05 | 0:35:07 | |
-60 for the three? -For the three pieces. | 0:35:07 | 0:35:11 | |
-Let's go for it. -I think you'll be all right. -I think I am fine. | 0:35:11 | 0:35:14 | |
And I love the items. | 0:35:14 | 0:35:16 | |
That is nearly a 50% discount, | 0:35:16 | 0:35:18 | |
working out at 30 for the gramophone, | 0:35:18 | 0:35:21 | |
20 for the picnic set and 10 for the silver flower holder. | 0:35:21 | 0:35:24 | |
Tres bien, Anita, cherie! | 0:35:24 | 0:35:27 | |
-Shall I include that Road To Dundee for you? -Oh, yes! | 0:35:27 | 0:35:33 | |
-Oh, yes. -You can play that at the auction. -We can play that. | 0:35:33 | 0:35:36 | |
-I can kid on he was one of my old boyfriends. -Yeah. | 0:35:36 | 0:35:39 | |
BERYL LAUGHS | 0:35:39 | 0:35:41 | |
MUSIC: The Road To Dundee by Calum Kennedy | 0:35:41 | 0:35:44 | |
David, meanwhile, unsuspecting of being dumped for Calum Kennedy, | 0:35:45 | 0:35:49 | |
is in shopping heaven. | 0:35:49 | 0:35:51 | |
One of my biggest weaknesses in life is cars. | 0:35:51 | 0:35:55 | |
Now this thing dates way back to the early days of the car. | 0:35:55 | 0:36:00 | |
It's a brass horn made for a vintage car, early 20th century - | 0:36:00 | 0:36:05 | |
I don't know, probably Edwardian. | 0:36:05 | 0:36:07 | |
Something like that. | 0:36:07 | 0:36:08 | |
With its, I think, original little rubber squeezer... | 0:36:08 | 0:36:12 | |
It feels really dry. And brittle. | 0:36:12 | 0:36:15 | |
There is quite a bit of damage on the rubber, | 0:36:15 | 0:36:18 | |
but David seems undeterred. | 0:36:18 | 0:36:20 | |
Perhaps because it is priced at just £10. | 0:36:20 | 0:36:22 | |
Now then. | 0:36:22 | 0:36:24 | |
-We have...an ashtray with a bit of old jade. -Right. | 0:36:24 | 0:36:29 | |
And a bit of old iron/brass. THEY LAUGH | 0:36:29 | 0:36:33 | |
-OK. -Once part of a vintage car. I want them both very desperately. | 0:36:33 | 0:36:37 | |
That's right, David, keep your cards close to your chest(!) | 0:36:37 | 0:36:40 | |
The combined ticket price of the two items is £16.50. | 0:36:40 | 0:36:44 | |
-Well, what about rounding it to 15? -I am absolutely delighted. | 0:36:44 | 0:36:48 | |
-Excellent. -Thank you. THEY LAUGH | 0:36:48 | 0:36:51 | |
Three things on my account very quickly! | 0:36:51 | 0:36:54 | |
Very quickly indeed. | 0:36:54 | 0:36:56 | |
That's £6.50 for the ashtray and £8.50 for the car horn. | 0:36:56 | 0:37:00 | |
Along with the Chinese writing slope, | 0:37:00 | 0:37:03 | |
that brings David's spend here to £60. | 0:37:03 | 0:37:05 | |
While he's on a roll, David's headed to Berwick-upon-Tweed, | 0:37:05 | 0:37:10 | |
where Berwick Antiques Centre awaits. | 0:37:10 | 0:37:13 | |
-Steve, David Harper. -Pleased to meet you. | 0:37:14 | 0:37:16 | |
Great to meet you. What a day, what a place. | 0:37:16 | 0:37:18 | |
There's plenty to rummage through... | 0:37:19 | 0:37:22 | |
Ha! What's he found? | 0:37:22 | 0:37:23 | |
See, I absolutely love that. | 0:37:23 | 0:37:26 | |
Have you any idea what you think this could be? | 0:37:27 | 0:37:31 | |
So it's bronze. | 0:37:32 | 0:37:33 | |
Fantastically detailed. It is obviously Oriental. | 0:37:34 | 0:37:38 | |
It's made mainly for a female, even though it is very heavy. | 0:37:38 | 0:37:41 | |
And it is, you may be surprised to hear... | 0:37:41 | 0:37:44 | |
..a mirror. | 0:37:45 | 0:37:47 | |
That's it. | 0:37:47 | 0:37:48 | |
The bronze would be highly polished, and that is your reflective mirror. | 0:37:48 | 0:37:53 | |
Mirrors today form part of our everyday lives, | 0:37:54 | 0:37:57 | |
but historically, they were rare and expensive commodities. | 0:37:57 | 0:38:01 | |
And the bronze mirror is not the only thing to catch David's eye. | 0:38:01 | 0:38:05 | |
So what have we got there? We have got a mahogany Georgian-style chair. | 0:38:05 | 0:38:09 | |
I love the tapestry seat. | 0:38:09 | 0:38:11 | |
That is not period, I don't think, but it has got age. | 0:38:11 | 0:38:15 | |
But is it actually a Georgian chair? | 0:38:15 | 0:38:18 | |
The biggest telltale, really, for a period chair | 0:38:18 | 0:38:20 | |
are the internal blocks. | 0:38:20 | 0:38:22 | |
So, we have the hand-cut, rounded blocks that keep the chair together. | 0:38:22 | 0:38:29 | |
So I can tell you, categorically, | 0:38:29 | 0:38:31 | |
that this chair is a period George III chair | 0:38:31 | 0:38:35 | |
made in about 1770 from solid mahogany. | 0:38:35 | 0:38:41 | |
What is it worth? | 0:38:41 | 0:38:42 | |
£24. | 0:38:45 | 0:38:47 | |
£24... | 0:38:49 | 0:38:51 | |
for a period Georgian mahogany chair | 0:38:51 | 0:38:55 | |
is absolutely bonkers. | 0:38:55 | 0:38:57 | |
Beyond belief. | 0:38:57 | 0:38:58 | |
I have got to buy that chair. | 0:38:58 | 0:39:01 | |
That would be dealer Stephen's cue. | 0:39:01 | 0:39:04 | |
I mean, to be honest with you, | 0:39:04 | 0:39:06 | |
I priced it because I wasn't sure about it. | 0:39:06 | 0:39:09 | |
If you think it is the genuine article, I think it is | 0:39:09 | 0:39:12 | |
probably worth more than £25, but I'll do it for 20. | 0:39:12 | 0:39:14 | |
Well, and I obviously get a massive cup of coffee. | 0:39:14 | 0:39:18 | |
-You can have a mug. -Do I get a bit of cake as well? | 0:39:18 | 0:39:21 | |
-A slice of cake. -Perfect. Done deal. | 0:39:21 | 0:39:23 | |
Thank you very much, Steve, you are a delight. | 0:39:23 | 0:39:25 | |
Pushing your luck a bit there, David. | 0:39:26 | 0:39:28 | |
And there's still one more item to discuss. | 0:39:28 | 0:39:32 | |
Well, this actually came out of The Hermitage at Hexham, which, | 0:39:33 | 0:39:37 | |
this is two old ladies that had lived in this house | 0:39:37 | 0:39:40 | |
for about 100 years. | 0:39:40 | 0:39:41 | |
It was a family house. | 0:39:41 | 0:39:43 | |
So that is its provenance. | 0:39:43 | 0:39:44 | |
It probably is from that sort of an era, so... | 0:39:44 | 0:39:46 | |
I think it has got a great history, | 0:39:46 | 0:39:49 | |
and I totally believe it. | 0:39:49 | 0:39:51 | |
It makes me feel confident that I could describe it | 0:39:51 | 0:39:54 | |
as early 20th century. | 0:39:54 | 0:39:56 | |
Its ticket price is £140. Much more than David would like to pay. | 0:39:56 | 0:40:01 | |
I would want that to owe me... | 0:40:01 | 0:40:04 | |
£40 or £50. | 0:40:04 | 0:40:06 | |
To stand a chance of it taking off. | 0:40:06 | 0:40:09 | |
£70 and I can do a deal. | 0:40:11 | 0:40:13 | |
Let's see if it polishes up all right. | 0:40:13 | 0:40:16 | |
And if it does, I'll have it for 60, how is that? | 0:40:16 | 0:40:20 | |
-OK. -Whoa! | 0:40:20 | 0:40:22 | |
Time for a bit of spit and polish. | 0:40:22 | 0:40:24 | |
Are you ready to see yourself... | 0:40:24 | 0:40:26 | |
-No, thanks. -..reflected | 0:40:26 | 0:40:29 | |
in a Japanese bronze geisha girl's mirror? | 0:40:29 | 0:40:33 | |
-Are you ready for it? -I'm ready. | 0:40:33 | 0:40:35 | |
You are going to look stunning! | 0:40:35 | 0:40:37 | |
-That would be a first. -THEY LAUGH | 0:40:37 | 0:40:40 | |
TINKLING | 0:40:40 | 0:40:42 | |
Absolutely gorgeous! | 0:40:42 | 0:40:44 | |
-It wasn't a mirror before. -I think you've got a bargain. | 0:40:44 | 0:40:47 | |
Now it is a mirror. | 0:40:47 | 0:40:48 | |
-Well done. -£60. Thank you very much. | 0:40:49 | 0:40:51 | |
David's spent a total of £80 on two items in this centre | 0:40:51 | 0:40:55 | |
and got his free cake and coffee. | 0:40:55 | 0:40:58 | |
Not a bad way to make a living. | 0:40:58 | 0:41:01 | |
And that marks the end of a day's rip-roaring adventure | 0:41:01 | 0:41:04 | |
from our daring duo. | 0:41:04 | 0:41:06 | |
Nighty-night. | 0:41:06 | 0:41:08 | |
Back together and on the road again. | 0:41:11 | 0:41:13 | |
David and Anita have crossed the border and are headed for Duns. | 0:41:14 | 0:41:19 | |
OK, a little antiques centre, both of us together. | 0:41:21 | 0:41:24 | |
David and Anita are sharing the shop floor this morning. | 0:41:25 | 0:41:28 | |
And straight away, David has bumped into dealer John... | 0:41:28 | 0:41:32 | |
who might have something to go with his Chinese writing box. | 0:41:32 | 0:41:36 | |
-Right, David, just come through. -Right, OK. -I think... | 0:41:36 | 0:41:39 | |
-This is the one I was thinking of. -OK, let's have a look. | 0:41:39 | 0:41:42 | |
-That's a nice little one. -OK. | 0:41:42 | 0:41:44 | |
-So, we have a little probably early 20th century... -The old charmer! | 0:41:44 | 0:41:48 | |
SHE WHEEZES | 0:41:48 | 0:41:51 | |
He doesn't just chat up the birds, he chats up the guys as well. | 0:41:51 | 0:41:54 | |
Listen, honestly, take no notice of her, John. | 0:41:54 | 0:41:57 | |
-How are you doing, darling? -Not so bad. | 0:41:57 | 0:41:59 | |
Well, I was doing all right until you said something. | 0:41:59 | 0:42:02 | |
Anyway, back to the inkwell. Its ticket price is £8. | 0:42:02 | 0:42:07 | |
How much is it to me? Is it a pound or two? | 0:42:08 | 0:42:10 | |
Well, normally, we don't really do much of a discount below ten, | 0:42:10 | 0:42:13 | |
but we could do four with that... | 0:42:13 | 0:42:16 | |
He is a right charmer. | 0:42:16 | 0:42:18 | |
-Three to you. -It's getting better! It's getting better! | 0:42:20 | 0:42:23 | |
-I'll just pause a bit longer. -Shouldn't buy something for £3. | 0:42:23 | 0:42:27 | |
-Two then. -Oh! -£2! £2. | 0:42:27 | 0:42:30 | |
Do you know what? I can't say no to that. Thank you very much. | 0:42:30 | 0:42:33 | |
So another item in the old bag for David, | 0:42:33 | 0:42:36 | |
leaving John free to give his full attention to Anita. | 0:42:36 | 0:42:40 | |
-There's a wee snuffbox in here. -Oh, yeah, that is lovely, that. | 0:42:41 | 0:42:45 | |
-Which I liked. -Yes, it is nice. | 0:42:45 | 0:42:47 | |
It's like a hardwood, almost a rosewood. | 0:42:47 | 0:42:50 | |
But what I like about it is the little horseshoes | 0:42:50 | 0:42:52 | |
-and the little whip there. -Yeah, the little crop. | 0:42:52 | 0:42:54 | |
-I think that is quite nice. -Yeah, it is. -Is there a very, very, | 0:42:54 | 0:42:58 | |
very good deal that you could do me | 0:42:58 | 0:43:00 | |
-on that little snuffbox? -I'm sure I could do something. | 0:43:00 | 0:43:03 | |
-I am used to these Glaswegian persuasive powers. -Oh, right! | 0:43:03 | 0:43:05 | |
-My wife is from Glasgow. -Oh, right! | 0:43:05 | 0:43:08 | |
Wise man. Its ticket price is £45. | 0:43:08 | 0:43:11 | |
I am looking for it in the region of kind of 18...£18. | 0:43:11 | 0:43:18 | |
Oooh, 18. I don't know if I could do 18... | 0:43:18 | 0:43:23 | |
I was thinking 28. | 0:43:23 | 0:43:25 | |
Could you come to 20? | 0:43:25 | 0:43:28 | |
-I think we could, yes. -Could you do that? | 0:43:28 | 0:43:31 | |
-Yes, to give you help. -That's lovely. -That's lovely, thank you. | 0:43:31 | 0:43:34 | |
-Thank you very much. -There we go. -I like that. It's a nice, wee thing. | 0:43:34 | 0:43:37 | |
-Yes. -Nice, wee thing. All we need is a snuff-taking horseman. | 0:43:37 | 0:43:42 | |
It might happen, Anita. | 0:43:42 | 0:43:44 | |
So for just £20, John has come through again | 0:43:44 | 0:43:47 | |
with a cracking discount. | 0:43:47 | 0:43:49 | |
And that is Anita's fourth item done and dusted. | 0:43:49 | 0:43:52 | |
David has travelled 30 miles north to Dunbar, | 0:43:56 | 0:43:59 | |
a seaside town on the southeast coast of Scotland. | 0:43:59 | 0:44:02 | |
Dunbar is the birthplace of one of the founding fathers | 0:44:02 | 0:44:06 | |
of the environmental movement - | 0:44:06 | 0:44:08 | |
world-renowned conservationist John Muir. | 0:44:08 | 0:44:11 | |
In his autobiography, he describes with great affection | 0:44:11 | 0:44:14 | |
his childhood pursuits, here, in the 1840s. | 0:44:14 | 0:44:17 | |
It is not hard to see how this spectacular coastline | 0:44:17 | 0:44:20 | |
and beautiful countryside inspired his passion in nature. | 0:44:20 | 0:44:24 | |
To find out more about this remarkable man, | 0:44:24 | 0:44:27 | |
David is taking a stroll along a stretch of land | 0:44:27 | 0:44:29 | |
named in his honour with Jo Moulin, | 0:44:29 | 0:44:32 | |
museum officer of John Muir's Birthplace. | 0:44:32 | 0:44:35 | |
-David, welcome to Dunbar. -Well, thank you very much. | 0:44:36 | 0:44:40 | |
My gosh, what a view! | 0:44:40 | 0:44:42 | |
This is perfect for exploring John Muir's playgrounds. | 0:44:42 | 0:44:45 | |
He spent the first ten years of his life in Dunbar. | 0:44:45 | 0:44:48 | |
You can see, can't you, that this | 0:44:48 | 0:44:50 | |
environment would also stimulate an amazing imagination? | 0:44:50 | 0:44:53 | |
Oh, the imagination, but also his passion for the nature | 0:44:53 | 0:44:57 | |
and wildlife around him. | 0:44:57 | 0:44:59 | |
Him and his boyhood friends | 0:44:59 | 0:45:01 | |
would talk about the birds' nests that they could find. | 0:45:01 | 0:45:04 | |
And they would have competitions to see who knew the most birds, | 0:45:04 | 0:45:07 | |
who knew the most nests... | 0:45:07 | 0:45:09 | |
Another major influence in John Muir's life | 0:45:09 | 0:45:12 | |
was his grandfather, who not only taught him about nature | 0:45:12 | 0:45:16 | |
but also helped to educate him. | 0:45:16 | 0:45:18 | |
His grandfather taught him his letters and numbers | 0:45:18 | 0:45:21 | |
from walks on the high street, and they would go down the street | 0:45:21 | 0:45:24 | |
looking at the shop signs and the numbers on the clock tower | 0:45:24 | 0:45:27 | |
at the townhouse. And that is how he learned his first numbers | 0:45:27 | 0:45:30 | |
and letters, before he went off to school at the age of three. | 0:45:30 | 0:45:33 | |
John's education, however, ended abruptly, aged ten, | 0:45:33 | 0:45:38 | |
when his father decided to move to Wisconsin, in America, | 0:45:38 | 0:45:43 | |
where he was forced to work on the family farm. | 0:45:43 | 0:45:46 | |
John was set to the plough. His life was hard work and labour. | 0:45:46 | 0:45:50 | |
But he still had this passion to learn. | 0:45:50 | 0:45:53 | |
But Father was a devout, religious man, and Father | 0:45:53 | 0:45:55 | |
believed the only book you should have in the house was the Bible. | 0:45:55 | 0:45:58 | |
Self-educated, John eventually gained a place at university, | 0:45:58 | 0:46:02 | |
where his gift for inventions resulted in him procuring employment | 0:46:02 | 0:46:07 | |
in factories. | 0:46:07 | 0:46:08 | |
While he was working in one of those factories, | 0:46:08 | 0:46:10 | |
he had an accident that was to change the course of his life. | 0:46:10 | 0:46:14 | |
He was... | 0:46:14 | 0:46:17 | |
He was using a file to tension a belt and it slipped | 0:46:17 | 0:46:19 | |
and pierced his eye. | 0:46:19 | 0:46:21 | |
Blinded for several weeks, this accident made him | 0:46:22 | 0:46:24 | |
re-evaluate his life. | 0:46:24 | 0:46:26 | |
He decided to devote his time | 0:46:26 | 0:46:28 | |
to exploring nature rather than the man-made creations | 0:46:28 | 0:46:31 | |
he had been focusing on. | 0:46:31 | 0:46:33 | |
He set off on 1,000-mile walk from Indiana to the Gulf of Mexico, | 0:46:34 | 0:46:38 | |
by the wildest, leafiest route that he could find. | 0:46:38 | 0:46:42 | |
After this epic journey, | 0:46:42 | 0:46:44 | |
he travelled to the West Coast, where he fell in love with | 0:46:44 | 0:46:47 | |
the Sierra Nevada and Yosemite and became devoted to protecting it. | 0:46:47 | 0:46:52 | |
His ability to see how everything in the universe is hitched together. | 0:46:52 | 0:46:57 | |
He could see that if you clear felled forest on a steep slope, | 0:46:57 | 0:47:01 | |
you would then have problems with soil stability. | 0:47:01 | 0:47:04 | |
You'd get erosion, which would have an impact on water quality | 0:47:04 | 0:47:07 | |
further downstream, which would have a knock-on effect elsewhere. | 0:47:07 | 0:47:10 | |
-Somebody way ahead of his time. -Oh, definitely. | 0:47:10 | 0:47:13 | |
John became famous in the States through his writing. | 0:47:13 | 0:47:17 | |
In 1890, he wrote two articles, published in Century Magazine, | 0:47:17 | 0:47:22 | |
pushing for National Park status for Yosemite. | 0:47:22 | 0:47:25 | |
And that same year, it was granted. | 0:47:25 | 0:47:28 | |
He realised very early on that what was crucially important was to make other people, | 0:47:28 | 0:47:33 | |
or help other people, | 0:47:33 | 0:47:34 | |
become as passionate about wild places as he was. | 0:47:34 | 0:47:38 | |
In 1892, he founded the Sierra Club, | 0:47:38 | 0:47:41 | |
the world's largest grassroot environmental organisation, | 0:47:41 | 0:47:45 | |
of which he was president for life. | 0:47:45 | 0:47:47 | |
His passion was so contagious that in 1903, | 0:47:47 | 0:47:50 | |
fellow nature lover President Roosevelt wrote to him, | 0:47:50 | 0:47:53 | |
requesting a camping trip in Yosemite. | 0:47:53 | 0:47:56 | |
John and the president set out on a camping trip with no other support. | 0:47:56 | 0:48:01 | |
No security, no media, none of the things you would expect today | 0:48:01 | 0:48:05 | |
of a presidential visit. | 0:48:05 | 0:48:07 | |
And they went off. | 0:48:07 | 0:48:08 | |
John took him into the backcountry of Yosemite | 0:48:08 | 0:48:11 | |
to experience it first-hand. | 0:48:11 | 0:48:13 | |
As a result of that camping trip, | 0:48:13 | 0:48:16 | |
there was a bill passed that put in place the protection | 0:48:16 | 0:48:19 | |
that was needed for Yosemite National Park. | 0:48:19 | 0:48:22 | |
-Quite a seal of approval there. -Oh, definitely. | 0:48:22 | 0:48:25 | |
Whilst Yellowstone was in fact the first national park, the bill | 0:48:25 | 0:48:30 | |
Roosevelt went on to pass afforded Yosemite even greater protection. | 0:48:30 | 0:48:34 | |
National parks now exist all over the world, with 15 in the UK. | 0:48:34 | 0:48:39 | |
Hard to believe that from such humble but beautiful origins, | 0:48:40 | 0:48:44 | |
came perhaps the greatest pioneering conservationist of modern times. | 0:48:44 | 0:48:48 | |
Anita has made her way to the beautiful riverside town | 0:48:51 | 0:48:54 | |
of Jedburgh, | 0:48:54 | 0:48:55 | |
where Mary Queen of Scots resided in 1566. | 0:48:55 | 0:48:59 | |
She has got just under £330 left to spend | 0:48:59 | 0:49:04 | |
and is meeting dealer Mary in Bygone Days Antiques. | 0:49:04 | 0:49:08 | |
The sun is shining, so why are you eyeing up some snowshoes, old girl? | 0:49:08 | 0:49:13 | |
I can't stop looking at these snowshoes. | 0:49:13 | 0:49:16 | |
THEY LAUGH | 0:49:16 | 0:49:19 | |
Because they are so quirky. They are so quirky. | 0:49:19 | 0:49:23 | |
-A wee bit of damage on them. -Yes, on the toe. | 0:49:23 | 0:49:27 | |
An old attached ticket says, "Snowshoe Club, Montreal, 1889." | 0:49:27 | 0:49:33 | |
It's certainly a change from Anita's normal choice of jewellery. | 0:49:33 | 0:49:36 | |
Oh, careful! Oh. | 0:49:38 | 0:49:40 | |
It is beginning to be tempting. They're a wee bit quirky. | 0:49:42 | 0:49:46 | |
That's why I'm drawn to them. And who knows the price of them? | 0:49:46 | 0:49:51 | |
Mary, probably. Ticket price is £100. | 0:49:51 | 0:49:54 | |
-Could I make you a daft offer? -Oh, you can try me. | 0:49:54 | 0:49:58 | |
Could these be bought for £25? | 0:49:58 | 0:50:00 | |
Is Mary going to throw her out of the shop? | 0:50:02 | 0:50:05 | |
OK then, yeah. | 0:50:05 | 0:50:06 | |
-Are you going to go for it? -I will, yes. -Thank you very much. | 0:50:06 | 0:50:10 | |
Yeah, crikey! Mary is obviously feeling generous. | 0:50:10 | 0:50:13 | |
For just a quarter of their original price, | 0:50:16 | 0:50:18 | |
Anita is now the proud owner of a pair of Victorian snowshoes. | 0:50:18 | 0:50:22 | |
This now joins her gramophone with record, vintage picnic set, | 0:50:22 | 0:50:26 | |
silver flower holder and treen snuffbox. | 0:50:26 | 0:50:29 | |
She spent just £105. | 0:50:29 | 0:50:33 | |
David has erred on the frugal side, | 0:50:33 | 0:50:35 | |
spending just £142. | 0:50:35 | 0:50:38 | |
For this, he has bought a 19th-century lacquer writing slope | 0:50:38 | 0:50:41 | |
with inkwell now... | 0:50:41 | 0:50:43 | |
A jade 20th-century ashtray... | 0:50:43 | 0:50:46 | |
A motorcar horn... | 0:50:46 | 0:50:47 | |
A George III mahogany chair... | 0:50:47 | 0:50:49 | |
And a Japanese bronze mirror. | 0:50:49 | 0:50:50 | |
Oh, I say, fantastic! | 0:50:50 | 0:50:53 | |
If you say so, David. | 0:50:53 | 0:50:55 | |
It is the end of another shopping spree. But what are their thoughts? | 0:50:55 | 0:51:00 | |
The highest profit, I think, | 0:51:00 | 0:51:02 | |
is probably going to come from the old silver epergne. | 0:51:02 | 0:51:05 | |
Very late 19th century. | 0:51:05 | 0:51:07 | |
It is missing its glass bits, but for a tenner, | 0:51:07 | 0:51:09 | |
she is going to make some money. | 0:51:09 | 0:51:12 | |
Ashtrays are not popular. | 0:51:12 | 0:51:15 | |
Smoking is not PC. | 0:51:15 | 0:51:17 | |
So, that type of item isn't great in this market. | 0:51:17 | 0:51:22 | |
But the addition of the - | 0:51:22 | 0:51:24 | |
some people call it jade - that might attract people to it. | 0:51:24 | 0:51:28 | |
It is that all-important auction day. | 0:51:28 | 0:51:31 | |
And this morning, we are in the village of Kinbuck, | 0:51:31 | 0:51:34 | |
just four miles north | 0:51:34 | 0:51:35 | |
of the Scottish cathedral town of Dunblane. | 0:51:35 | 0:51:38 | |
But sadly, due to a family emergency, | 0:51:38 | 0:51:41 | |
David will be missing today's auction. | 0:51:41 | 0:51:43 | |
David isn't with us today. | 0:51:43 | 0:51:45 | |
But I will be rooting for his items, cheering them on, | 0:51:45 | 0:51:49 | |
but not too much cos I want to win. | 0:51:49 | 0:51:52 | |
Yes! | 0:51:52 | 0:51:53 | |
Today's auction is taking place at Robertsons Auctioneers, | 0:51:53 | 0:51:56 | |
and our auctioneer today is Struan Robertson. | 0:51:56 | 0:52:00 | |
Let the auction commence! | 0:52:00 | 0:52:02 | |
First up, it is Anita's gramophone with record. | 0:52:02 | 0:52:06 | |
Now, this is a really nice piece here. | 0:52:06 | 0:52:08 | |
You've even got the record there, | 0:52:08 | 0:52:10 | |
you can go straight out into the grass and have a wee listen. OK? | 0:52:10 | 0:52:13 | |
And if you really want, OK, take Jamie with it. | 0:52:13 | 0:52:15 | |
And Jamie can serenade you as you are sitting, having your picnic, | 0:52:15 | 0:52:19 | |
listening to your music, OK? | 0:52:19 | 0:52:20 | |
-£30. 30 bid. -(He started at 30, that's good.) | 0:52:20 | 0:52:25 | |
34. 36. 38. 40. | 0:52:25 | 0:52:28 | |
-45. 50. -(Yes!) | 0:52:28 | 0:52:30 | |
Advance on 50? 55. 60. | 0:52:30 | 0:52:33 | |
Advance on 60? Advance on £60? | 0:52:33 | 0:52:35 | |
All out on 60, then. | 0:52:35 | 0:52:37 | |
That is good, £60. I'm happy with that. | 0:52:37 | 0:52:42 | |
That's the sweet, sweet sound of a profit. Bravo, Anita. | 0:52:42 | 0:52:45 | |
Next, it is David's 20th-century brass car horn. | 0:52:47 | 0:52:51 | |
£15. £10, not dropping. Come on, £10. | 0:52:51 | 0:52:54 | |
10, we've started. He is in profit already. | 0:52:54 | 0:52:57 | |
Advance on 10? 12. 14. 16. | 0:52:57 | 0:53:00 | |
18. Advance on 18? Still cheap, guys. | 0:53:00 | 0:53:03 | |
Advance on 18? | 0:53:03 | 0:53:04 | |
All out on 18, then. | 0:53:04 | 0:53:05 | |
£18, that is not bad. | 0:53:05 | 0:53:10 | |
I am sure David would be pleased. | 0:53:10 | 0:53:12 | |
Not sure he will be. But he has doubled his money there. | 0:53:12 | 0:53:15 | |
Will Anita's vintage picnic set fair any better, though? | 0:53:15 | 0:53:19 | |
Now, if you bought the picnic gramophone earlier, OK, | 0:53:19 | 0:53:21 | |
what a lovely wee accompaniment. | 0:53:21 | 0:53:23 | |
OK? And again, you'll have Jamie with you. | 0:53:23 | 0:53:26 | |
He'll sing along and he'll actually feed you grapes as well, OK? | 0:53:26 | 0:53:28 | |
So you have got all that there, OK? | 0:53:28 | 0:53:32 | |
25 then. £25. £25. | 0:53:32 | 0:53:34 | |
-25 bid. -26. 28. 30. | 0:53:34 | 0:53:36 | |
32. £32. Advance on 32? | 0:53:36 | 0:53:39 | |
34. 36. | 0:53:39 | 0:53:41 | |
£36. Advance on 36? Still cheap. 38. | 0:53:41 | 0:53:44 | |
£38. 40. Advance on 40? Next is 5. | 0:53:44 | 0:53:47 | |
Advance on 45? 50. Advance on 50? | 0:53:47 | 0:53:50 | |
Advance on £50? Advance on 50? | 0:53:50 | 0:53:53 | |
Keep that open there, Jamie. Keep enticing her. Advance on 50? | 0:53:53 | 0:53:56 | |
Advance on £50? Jamie is worth it. All out on 50 then. | 0:53:56 | 0:54:00 | |
£50, that is not bad. | 0:54:00 | 0:54:02 | |
It is no picnic making profits at auction. | 0:54:03 | 0:54:06 | |
That is another good buy for Anita, though. | 0:54:06 | 0:54:09 | |
Now for something with significantly more age - | 0:54:09 | 0:54:12 | |
David's George III mahogany chair. | 0:54:12 | 0:54:14 | |
And I'll start the bidding off at 30. Advance on 30? | 0:54:14 | 0:54:17 | |
-In at 30. -Advance on 30? Advance on £30? | 0:54:17 | 0:54:20 | |
All out on 30 then. Last chance at 30... | 0:54:20 | 0:54:24 | |
Maiden bid at £30. That is not too bad at all. | 0:54:24 | 0:54:28 | |
Quite right. | 0:54:28 | 0:54:29 | |
Who says brown furniture is not that popular at the moment? | 0:54:29 | 0:54:31 | |
Cos that is actually quite a decent profit. | 0:54:31 | 0:54:34 | |
Next up is Anita's silver flower holder. | 0:54:35 | 0:54:38 | |
That's my best item and I am really interested | 0:54:39 | 0:54:42 | |
to see how far it will go. | 0:54:42 | 0:54:43 | |
I am hoping for great things on this little one. | 0:54:43 | 0:54:47 | |
And I'll start the bidding off at 80. Advance on 80. | 0:54:47 | 0:54:50 | |
-Yes! -85. 90. 95. | 0:54:50 | 0:54:52 | |
One. 110 with you. | 0:54:52 | 0:54:55 | |
Advance on 110? Advance on £110? | 0:54:55 | 0:54:58 | |
All out on 110, then. | 0:54:58 | 0:54:59 | |
-Last chance on 110. -110! 120! -120. | 0:54:59 | 0:55:02 | |
Advance on 120? 130. | 0:55:02 | 0:55:04 | |
Advance on 130? Advance on £130? | 0:55:04 | 0:55:07 | |
-140. -140. | 0:55:07 | 0:55:09 | |
Advance on 140? Advance on £140? | 0:55:09 | 0:55:12 | |
All out at 140, then. | 0:55:12 | 0:55:13 | |
140! What a result! | 0:55:13 | 0:55:16 | |
Yes! That's an amazing profit and a great find. Well done, Anita. | 0:55:16 | 0:55:20 | |
Lesson there - look for the hallmarks. | 0:55:20 | 0:55:24 | |
They can be underneath a piece of embossed work. | 0:55:24 | 0:55:28 | |
Will David's jade based ashtray do as well? | 0:55:28 | 0:55:32 | |
He paid very little for it. | 0:55:32 | 0:55:34 | |
It is going to do well. | 0:55:34 | 0:55:35 | |
10, I'm not dropping. Come on, guys. It has got to be worth that. | 0:55:35 | 0:55:38 | |
-10 bid. An advance on 10? -10, it's started. | 0:55:38 | 0:55:40 | |
Come on, guys, bid. | 0:55:40 | 0:55:41 | |
-Advance on 10? 12. £12. 14. 14. -It's climbing. | 0:55:41 | 0:55:46 | |
Advance on 14? Advance on £14? All out on 14, then. | 0:55:46 | 0:55:49 | |
Another small profit there. David needs a big win to catch up. | 0:55:49 | 0:55:53 | |
Next, it is Anita's treen snuffbox. | 0:55:55 | 0:55:57 | |
-25 starts it then. 25 bid. -25! 25. | 0:55:58 | 0:56:02 | |
30. 32. £32. | 0:56:02 | 0:56:04 | |
-34. -We are in profit. -Advance on 34? | 0:56:04 | 0:56:07 | |
Advance on £34? All out on 34, then. | 0:56:07 | 0:56:11 | |
I am happy enough with that. £34. | 0:56:11 | 0:56:14 | |
If you're happy, then I'm happy too, Anita. | 0:56:14 | 0:56:17 | |
I am soaring ahead at the moment. | 0:56:17 | 0:56:20 | |
But David has his two best items to go. | 0:56:20 | 0:56:25 | |
Speaking of which, it is David's writing box with the inkwell. | 0:56:25 | 0:56:29 | |
-50 bid. -50 bid! 50. -Advance on £50? | 0:56:29 | 0:56:32 | |
55. 60. | 0:56:32 | 0:56:34 | |
65. 70. £70. Advance on 70? | 0:56:34 | 0:56:38 | |
Advance on £70? All out on 70, then. | 0:56:38 | 0:56:41 | |
Not a bad profit. | 0:56:41 | 0:56:42 | |
Not bad indeed. David will be sad to be missing the excitement. | 0:56:42 | 0:56:47 | |
Time for Anita's snowshoes. | 0:56:47 | 0:56:50 | |
I'll start the bidding off then at £20. | 0:56:50 | 0:56:52 | |
Advance on 20? 22. 24. 26. | 0:56:52 | 0:56:54 | |
-There is a wee bit of interest in there. -30. | 0:56:54 | 0:56:57 | |
£30. 32. 34. | 0:56:57 | 0:57:00 | |
£34. An advance on 34? | 0:57:00 | 0:57:02 | |
Advance on £34? Still cheap, guys. | 0:57:02 | 0:57:04 | |
Nice gear at £34. | 0:57:04 | 0:57:06 | |
All out on 34, then. | 0:57:06 | 0:57:08 | |
That is good enough, I am happy with that. | 0:57:08 | 0:57:11 | |
Anita's having a great day today. | 0:57:11 | 0:57:14 | |
David's biggest spend and most quirky item - | 0:57:14 | 0:57:17 | |
his Japanese bronze mirror - is up next. Stand by. | 0:57:17 | 0:57:19 | |
This could be a flyer. | 0:57:19 | 0:57:21 | |
£40. | 0:57:21 | 0:57:23 | |
£30, then. Come on. £30, guys. 30 bid. Advance on 30? | 0:57:23 | 0:57:26 | |
32. 34. 36. 38. 40. | 0:57:26 | 0:57:31 | |
45. Advance on 45? 50. | 0:57:31 | 0:57:35 | |
-Yes. Come on. -Advance on 50? Advance on £50? | 0:57:35 | 0:57:38 | |
Advance on 50? All out on 50, then? | 0:57:38 | 0:57:41 | |
Oh, £50. Didn't quite make it. | 0:57:41 | 0:57:45 | |
In fact, you could call it a sad reflection. | 0:57:45 | 0:57:48 | |
He'd be disappointed with that. | 0:57:48 | 0:57:50 | |
Better luck next time. Onwards and upwards. | 0:57:50 | 0:57:53 | |
David started today with £422.60. | 0:57:55 | 0:57:59 | |
He has made a small profit of £7.24 after auction costs. | 0:57:59 | 0:58:04 | |
He takes forward £429.84. | 0:58:04 | 0:58:09 | |
Anita, however, has had a great auction today. | 0:58:09 | 0:58:12 | |
She started with £409.49 and after costs, | 0:58:12 | 0:58:16 | |
she made a profit of £155.76, meaning she takes | 0:58:16 | 0:58:21 | |
the lead from David with £565.25 to spend on their final adventure. | 0:58:21 | 0:58:28 | |
Safe home, Anita. And hurry back, David! | 0:58:29 | 0:58:32 |