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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-I don't know what to do. -HORN TOOTS | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Back in the game! Charlie! | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:26 | |
-or the slow road to disaster? -Oh! | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's the final leg of the Road Trip for debonair David Harper | 0:00:37 | 0:00:41 | |
and the queen of the auction room Anita Manning. | 0:00:41 | 0:00:43 | |
I will miss you, Anita. It has been a really great adventure. | 0:00:45 | 0:00:49 | |
David has a bit of a soft spot for his travel companion, | 0:00:51 | 0:00:54 | |
but our bonnie auctioneer Anita Manning | 0:00:54 | 0:00:56 | |
has already set her sights on someone else. | 0:00:56 | 0:00:59 | |
-I quite fancy him. -Ha! | 0:00:59 | 0:01:02 | |
David Harper has his heart set firmly on winning the final auction, | 0:01:02 | 0:01:06 | |
but could he be about to fall for the wrong thing? | 0:01:06 | 0:01:09 | |
Oh, John, here I am looking at a pair of oriental vases. | 0:01:10 | 0:01:15 | |
I can sense myself getting into all sorts of trouble here. | 0:01:16 | 0:01:20 | |
Our lovestruck antiquers have been steadily eating up the miles north | 0:01:20 | 0:01:25 | |
in their sturdy little 1965 Morris Minor Convertible. | 0:01:25 | 0:01:29 | |
Our lovable duo started this trip with £200 each. | 0:01:31 | 0:01:35 | |
On this final stretch, David has £429.84 to spend. | 0:01:35 | 0:01:41 | |
Anita, however, has soared ahead, so she goes into this last leg | 0:01:42 | 0:01:46 | |
in the lead, with £565.25 for the trip ahead | 0:01:46 | 0:01:51 | |
and the competition's heating up! | 0:01:51 | 0:01:53 | |
-Well, I'm a wee bit ahead of you, David. -Oh, stop it. -A wee bit ahead. | 0:01:55 | 0:02:00 | |
A wee bit? | 0:02:00 | 0:02:01 | |
You're miles ahead, it's ridiculous, and should be actually illegal. | 0:02:01 | 0:02:05 | |
Quite right. Speaking of miles, David and Anita have been travelling | 0:02:05 | 0:02:09 | |
over 700 of them, all the way from Ramsbottom, Lancashire, | 0:02:09 | 0:02:13 | |
snaking their way up through Yorkshire to Bonnie Scotland, | 0:02:13 | 0:02:16 | |
ending up in Paisley. | 0:02:16 | 0:02:18 | |
Today's journey is commencing just outside the old weaving village | 0:02:18 | 0:02:23 | |
of Kilbarchan in Renfrewshire | 0:02:23 | 0:02:25 | |
and finishes at this week's final auction in Paisley. | 0:02:25 | 0:02:29 | |
David's first shop of this leg is Gardner's Antiques, | 0:02:29 | 0:02:32 | |
where he's meeting a dealer also called David. Stand by. | 0:02:32 | 0:02:36 | |
-Keep it nice and simple. Two Davids together, eh? -Nice to meet you. | 0:02:36 | 0:02:39 | |
And he's quick to spot something of interest. | 0:02:46 | 0:02:49 | |
And that's that big lump of glass screaming the 1960s. | 0:02:51 | 0:02:57 | |
So cool and so stylish, very organic in its twisty shape. | 0:02:57 | 0:03:02 | |
But look at the light fitting itself. | 0:03:02 | 0:03:04 | |
That is not a recent addition, that is original, | 0:03:04 | 0:03:06 | |
contemporary to the glass. | 0:03:06 | 0:03:09 | |
That flying fish mark is a Strathearn Glass mark. | 0:03:09 | 0:03:13 | |
Strathearn Glass was manufactured from 1965 to 1980. | 0:03:13 | 0:03:18 | |
It's bang on trend and I want it so badly it's unbelievable. | 0:03:18 | 0:03:24 | |
Its ticket price is £95, but will the other David be willing to do a deal? | 0:03:24 | 0:03:30 | |
So, David, do you love 20th-century design or not? | 0:03:31 | 0:03:35 | |
It's not really my thing, but I can appreciate that it is attractive. | 0:03:35 | 0:03:39 | |
Right. That's bringing the price down, then. | 0:03:39 | 0:03:42 | |
-No, not at all. -No! | 0:03:45 | 0:03:46 | |
-I didn't think so. -Not looking too hopeful on that discount. | 0:03:47 | 0:03:52 | |
-Maybe use some of that Harper charm. -I love it. -Yep. -I've got taste. | 0:03:52 | 0:03:57 | |
-You hate it... -Not quite what I had in mind. | 0:03:57 | 0:04:01 | |
-What's the best on that for me, trade? -That would be £80. -£80? | 0:04:01 | 0:04:05 | |
-So that's it, as we say, the death? -It is the death, yes. -OK. -£80. | 0:04:05 | 0:04:08 | |
Well, I think I've got to have it, David. Thank you very much. | 0:04:08 | 0:04:11 | |
David's spent big on his first item, | 0:04:11 | 0:04:14 | |
heading boldly towards the final auction. | 0:04:14 | 0:04:16 | |
Anita is ten miles south, in the town of Kilbirnie. | 0:04:21 | 0:04:25 | |
Anita has just over £565 burning a hole in her pocket. | 0:04:25 | 0:04:30 | |
Can she spend some of it in here? | 0:04:30 | 0:04:33 | |
MUSIC: My Heart Will Go On by Celine Dion | 0:04:33 | 0:04:36 | |
Tell me a bit about this. | 0:04:41 | 0:04:43 | |
It was made by this enthusiast, this chap, who has completely | 0:04:43 | 0:04:48 | |
built it himself with its working steam engine inside. | 0:04:48 | 0:04:52 | |
This boat has been painstakingly made but with a £250 ticket price, | 0:04:52 | 0:04:57 | |
will thrifty Anita think it's worth the financial risk? | 0:04:57 | 0:05:00 | |
-I do like it. I'm sorely tempted. -You can't lose money on that. | 0:05:00 | 0:05:04 | |
I know that I quite possibly could. It's a substantial buy. | 0:05:04 | 0:05:07 | |
-It's not a modest buy. -I know, I know. | 0:05:07 | 0:05:10 | |
You wanted to come in and spend 30. | 0:05:10 | 0:05:12 | |
Clearly Greta's dealt with Anita before. | 0:05:12 | 0:05:15 | |
However, the fact that it's been made by an amateur | 0:05:15 | 0:05:18 | |
could decrease its value at auction significantly. | 0:05:18 | 0:05:22 | |
What is the very bottom that you would take for it? | 0:05:22 | 0:05:24 | |
220. | 0:05:28 | 0:05:29 | |
-I thought you were going to say 150. -No, no, no, no, no. | 0:05:31 | 0:05:35 | |
-I can't be that much in loss. -Would you take the 200 for it? | 0:05:35 | 0:05:38 | |
-I will. -200, that's lovely. Thank you very much, Greta. | 0:05:38 | 0:05:41 | |
-You're very welcome. -That's a great boat. | 0:05:41 | 0:05:44 | |
Brave move, Anita. | 0:05:44 | 0:05:45 | |
She's risking her lead by spending a huge chunk of her cash | 0:05:45 | 0:05:49 | |
on a bit of a gamble item. | 0:05:49 | 0:05:50 | |
Perhaps time to get back to some familiar ground, Anita. Jewellery. | 0:05:50 | 0:05:55 | |
-I was looking at this little brooch here. -Isn't it sweet? -That's nice. | 0:05:55 | 0:05:59 | |
-It's just a pity there's not a name on it. -Is there no marker? | 0:05:59 | 0:06:03 | |
I don't see a sculptor's name on it. | 0:06:03 | 0:06:05 | |
I think this is quite a nice thing, Art Nouveau, and I love that period. | 0:06:05 | 0:06:10 | |
It's a piece of costume jewellery and I think it's very sweet. | 0:06:10 | 0:06:15 | |
Ticket price is £45. | 0:06:17 | 0:06:19 | |
Is 25...? | 0:06:21 | 0:06:22 | |
It's a bit low. I was thinking nearer 40. | 0:06:22 | 0:06:26 | |
-Well, if I could get even 32. -Could you go to 30 for it? | 0:06:26 | 0:06:29 | |
-OK, then. Yes. -Could we go to 30? -Yeah. | 0:06:29 | 0:06:32 | |
For £230, Anita has picked up two items in this shop | 0:06:33 | 0:06:38 | |
and is on her merry way. | 0:06:38 | 0:06:40 | |
FERRY HORN BLOWS | 0:06:41 | 0:06:43 | |
David is taking the 35-minute ferry ride across the Firth of Clyde | 0:06:43 | 0:06:48 | |
to the beautiful Isle of Bute. | 0:06:48 | 0:06:50 | |
He's here to visit Mount Stuart, | 0:06:53 | 0:06:55 | |
one of the most spectacular Gothic revival buildings in Britain. | 0:06:55 | 0:06:59 | |
David is meeting Head of Collections, Alice Martin... Lucky old Alice. | 0:07:03 | 0:07:08 | |
-Hello, Alice. -Hi, welcome to Mount Stuart. | 0:07:08 | 0:07:10 | |
..to learn more about this beautiful building and the incredible history | 0:07:10 | 0:07:14 | |
surrounding the family who created it. | 0:07:14 | 0:07:16 | |
Alice, this is some entrance hall, is it not? This is a house. | 0:07:16 | 0:07:20 | |
It is a house, yes. It climbs to about 89 feet. | 0:07:20 | 0:07:24 | |
Every house should have one. | 0:07:24 | 0:07:26 | |
It shows the stars in the northern hemisphere. | 0:07:26 | 0:07:29 | |
The house is the hereditary seat of the Crichton-Stuart family, | 0:07:32 | 0:07:35 | |
who share common ancestry with the Scottish monarchy. | 0:07:35 | 0:07:38 | |
So, how many generations, then, do the family go back here? | 0:07:40 | 0:07:44 | |
The family's involvement in the island goes right back to the 1300s. | 0:07:44 | 0:07:49 | |
The family were intertwined with the earliest of the Stuart's kings | 0:07:49 | 0:07:54 | |
so Walter, High Steward to the Scottish king, | 0:07:54 | 0:07:57 | |
married Robert the Bruce's daughter, Marjorie. | 0:07:57 | 0:08:00 | |
So, this family share common ancestry | 0:08:00 | 0:08:02 | |
with Bonnie Prince Charlie, Mary, Queen of Scots | 0:08:02 | 0:08:05 | |
and all of those great figures from Stuart royal history. | 0:08:05 | 0:08:08 | |
The house was originally built in the 1700s but burnt down in 1877. | 0:08:11 | 0:08:16 | |
The Third Marquess, thought at the time to be | 0:08:19 | 0:08:22 | |
the richest man in Britain, rebuilt it in the 1880s. | 0:08:22 | 0:08:25 | |
Unsurprisingly, no expense was spared. | 0:08:25 | 0:08:28 | |
This house is actually a phoenix that arose out of the ashes | 0:08:34 | 0:08:39 | |
and is estimated to have cost around £89 million in today's money. | 0:08:39 | 0:08:43 | |
Well, you would if you could, wouldn't you? | 0:08:43 | 0:08:45 | |
You would if you could. | 0:08:45 | 0:08:46 | |
When it was rebuilt, the finest craftsmen of the time | 0:08:46 | 0:08:50 | |
were brought in to replicate architectural marvels | 0:08:50 | 0:08:53 | |
from around the world. | 0:08:53 | 0:08:55 | |
Our floor in the marble chapel is a direct influence | 0:08:55 | 0:08:59 | |
from the Sistine Chapel, for example. | 0:08:59 | 0:09:01 | |
These banisters that you see around the gallery, | 0:09:01 | 0:09:03 | |
they're all exact replicas of Charlemagne's Palace | 0:09:03 | 0:09:07 | |
in Aachen in Germany. | 0:09:07 | 0:09:08 | |
All of the marble that you see around here is Italian and Sicilian. | 0:09:08 | 0:09:12 | |
He actually built a railway to bring all of the marble | 0:09:12 | 0:09:16 | |
from the pier down below the house up to the house | 0:09:16 | 0:09:19 | |
and built a worker's village for all the people that it took. | 0:09:19 | 0:09:22 | |
-It sounds like a movie, doesn't it? -It is incredible. | 0:09:22 | 0:09:25 | |
-It's such a great script, that. -It is a script. | 0:09:25 | 0:09:27 | |
The house also comes equipped with some great historical characters. | 0:09:29 | 0:09:33 | |
The Third Earl of Bute, who lived here in the 18th century, | 0:09:33 | 0:09:36 | |
was the first Scottish Prime Minister of the United Kingdom. | 0:09:36 | 0:09:40 | |
He was also one of the founders of Kew Gardens | 0:09:40 | 0:09:42 | |
and his love of botany is believed to have stemmed | 0:09:42 | 0:09:46 | |
from the spectacular grounds here. | 0:09:46 | 0:09:48 | |
-OK, so this is our grand dining room. -Grand dining room, indeed. | 0:09:50 | 0:09:55 | |
My gosh. | 0:09:55 | 0:09:57 | |
Where did the money come from? | 0:09:57 | 0:09:59 | |
A lot of the money that built this house comes from Wales and coal. | 0:09:59 | 0:10:05 | |
The Second Marquess had inherited through his grandmother, | 0:10:05 | 0:10:08 | |
Charlotte Jane Windsor, huge tracts of land in Wales, | 0:10:08 | 0:10:12 | |
and he, being an entrepreneur, the Second Marquess, | 0:10:12 | 0:10:15 | |
actually developed Cardiff from quite a small fishing village | 0:10:15 | 0:10:19 | |
into one of the largest coal-exporting cities in the world | 0:10:19 | 0:10:24 | |
by building massive docks, which were known as the Bute Docks. | 0:10:24 | 0:10:28 | |
With unlimited resources, | 0:10:28 | 0:10:30 | |
the house was equipped with all mod cons, such as ceiling lights, | 0:10:30 | 0:10:34 | |
and claims to have the first indoor heated pool in the world. | 0:10:34 | 0:10:38 | |
It was the most modern house in Britain. | 0:10:38 | 0:10:41 | |
Gosh, Alice. | 0:10:41 | 0:10:43 | |
I suppose this is a snapshot of absolute modern living... | 0:10:43 | 0:10:47 | |
-Absolutely. -..for the very rich late-19th century family. | 0:10:47 | 0:10:50 | |
Yeah, yeah. I mean, if you had imagination and a lot of money, | 0:10:50 | 0:10:54 | |
you built one of these and, of course, being the first | 0:10:54 | 0:10:58 | |
that we know of in the world to be heated in a private home, | 0:10:58 | 0:11:01 | |
this is pretty unique. And it's just fascinating | 0:11:01 | 0:11:04 | |
cos this is obviously one of the parts of the house | 0:11:04 | 0:11:06 | |
that didn't get finished when the Third Marquess died in 1900. | 0:11:06 | 0:11:09 | |
-Sorry, the house was never finished? -It's still a work-in-progress. | 0:11:09 | 0:11:12 | |
Whilst the family no longer live in Mount Stuart, | 0:11:14 | 0:11:16 | |
they are still dedicated to preserving | 0:11:16 | 0:11:19 | |
the Crichton-Stuart family history and the building, | 0:11:19 | 0:11:22 | |
now managed by the Mount Stuart Trust. | 0:11:22 | 0:11:25 | |
Thanks to them, | 0:11:25 | 0:11:27 | |
and not unlike Gaudi's Sagrada Familia in Barcelona, | 0:11:27 | 0:11:32 | |
work on this incredible building still continues today | 0:11:32 | 0:11:35 | |
based on its original designs. | 0:11:35 | 0:11:37 | |
Across the water, | 0:11:42 | 0:11:43 | |
Anita is in the traditional Scottish holiday resort of Largs. | 0:11:43 | 0:11:47 | |
Anita's catching up with yet another old pal at Narducci Antiques. | 0:11:48 | 0:11:54 | |
In spite of spending big in her first shop, | 0:11:57 | 0:12:00 | |
she's still got just over £335 left to spend. | 0:12:00 | 0:12:05 | |
Stand by, everyone. | 0:12:05 | 0:12:06 | |
I quite like this desk piece here. | 0:12:08 | 0:12:10 | |
It's a wee desk accessory and I suppose you would put | 0:12:13 | 0:12:17 | |
your papers and envelopes and so on in there. | 0:12:17 | 0:12:19 | |
Letters and envelopes, uh-huh. | 0:12:19 | 0:12:20 | |
And this would be where you would put your inkwells and a little... | 0:12:20 | 0:12:26 | |
-For your nibs. -Nibs or stamps or whatever. | 0:12:26 | 0:12:30 | |
Probably... What would you say? Turn of the century? | 0:12:30 | 0:12:33 | |
-Turn of the last century, yes. -Edwardian. | 0:12:33 | 0:12:35 | |
And these wee chookie birdies. | 0:12:35 | 0:12:38 | |
They're sweet, aren't they? Lovely. | 0:12:38 | 0:12:41 | |
This piece is fresh in today, so no ticket price. | 0:12:42 | 0:12:46 | |
Chance of a bargain, perhaps? | 0:12:46 | 0:12:48 | |
I'd like to be paying probably about £20 for it. | 0:12:48 | 0:12:51 | |
-I was thinking more of around the 45 mark. -Could you come further down? | 0:12:51 | 0:12:56 | |
Could you come to 25? | 0:12:56 | 0:12:58 | |
-30, how does 30 sound? -30 is sounding better. | 0:12:58 | 0:13:01 | |
Do you know, Franco, we're getting there? | 0:13:01 | 0:13:04 | |
-I see you winning this one, do you know that? -Do you know? I do too. | 0:13:04 | 0:13:08 | |
28, Anita, how's that? | 0:13:08 | 0:13:10 | |
We're going to go for that. It's good at 28, but can I show you | 0:13:10 | 0:13:14 | |
-something else? Which is a wee bit mad... -OK. -..and you might | 0:13:14 | 0:13:17 | |
-just want to... -Give you it. -..get rid of it. | 0:13:17 | 0:13:21 | |
Another dealer who knows our wily Anita's ways. | 0:13:21 | 0:13:25 | |
So, that's one item down and another one still to play for. | 0:13:25 | 0:13:28 | |
Franco, I know this is a bit crazy but my eye was taken to this... | 0:13:30 | 0:13:35 | |
-For me, it's a little piece of sculpture. -Uh-huh. Yes, it is. | 0:13:35 | 0:13:38 | |
It's quite an unusual piece, a wee centrepiece for a table. | 0:13:38 | 0:13:41 | |
-Uh-huh, for your candles. -For your candles, yes. | 0:13:41 | 0:13:43 | |
When I looked at it, I thought, "Is it brand-new? | 0:13:43 | 0:13:45 | |
"Where does it come from? Is it just a piece of nothing, really?" | 0:13:45 | 0:13:50 | |
In the end, I didn't care because I liked it. | 0:13:50 | 0:13:53 | |
It reminds me of space travel and spaceships, | 0:13:53 | 0:13:57 | |
and surface of the moon, and Sputniks, | 0:13:57 | 0:13:59 | |
and all that sort of stuff. | 0:13:59 | 0:14:01 | |
This looks like a Christofle piece to me, | 0:14:01 | 0:14:05 | |
which could make it rather sought after. | 0:14:05 | 0:14:07 | |
For you, I'll do that for £25. | 0:14:07 | 0:14:10 | |
25?! Come on, Franco, you must know what you're selling here. | 0:14:10 | 0:14:13 | |
I would really like to be buying it for a tenner. | 0:14:13 | 0:14:19 | |
Try again. Try me again. Go on. | 0:14:19 | 0:14:23 | |
I'll throw a cuddle in. | 0:14:23 | 0:14:25 | |
-I'll throw a cuddle in if you say yes. -15? | 0:14:25 | 0:14:29 | |
-Let's go for both of them. -Thank you, thank you. | 0:14:31 | 0:14:36 | |
OK, thank you. Oh, Franco. | 0:14:36 | 0:14:39 | |
I say, Franco definitely deserves a kiss. | 0:14:39 | 0:14:41 | |
He's been incredibly generous there as Anita is about to find out. | 0:14:41 | 0:14:45 | |
It turns out that this is Christofle, | 0:14:45 | 0:14:48 | |
which is a good French make, | 0:14:48 | 0:14:50 | |
and Franco has just pointed that out to me. | 0:14:50 | 0:14:53 | |
He has also supplied me with the box for it | 0:14:53 | 0:14:57 | |
and, if I had known that beforehand... Franco... | 0:14:57 | 0:14:59 | |
You'd have paid me fortunes. You'd have paid me fortunes. | 0:14:59 | 0:15:02 | |
I would have paid you another £3. | 0:15:02 | 0:15:04 | |
Put it there, before you change your mind. | 0:15:04 | 0:15:07 | |
No, I'm not changing my mind. A deal's a deal. | 0:15:07 | 0:15:10 | |
That's unbelievably kind of you, Franco. | 0:15:10 | 0:15:13 | |
For £43, Anita walks away with a French centrepiece | 0:15:13 | 0:15:16 | |
and a fruitwood letter rack. | 0:15:16 | 0:15:19 | |
And that wraps up Day One. | 0:15:19 | 0:15:21 | |
Night-night. | 0:15:22 | 0:15:24 | |
It's the final day's shopping for our adventurous treasure hunters | 0:15:27 | 0:15:30 | |
and we're in Anita's hometown of Glasgow. | 0:15:30 | 0:15:32 | |
David is meeting Michael in the cosy Real Deal Antiques. | 0:15:32 | 0:15:37 | |
He's not hanging around, either. | 0:15:37 | 0:15:39 | |
A little tea caddy. | 0:15:39 | 0:15:40 | |
It's quite unusual to find these things | 0:15:40 | 0:15:43 | |
with their original little canisters in there. | 0:15:43 | 0:15:45 | |
This is a tea caddy dating to about 1820, | 0:15:45 | 0:15:48 | |
just after the Napoleonic wars. | 0:15:48 | 0:15:51 | |
-Tea used to cost a fortune, didn't it? -Really, yeah. | 0:15:51 | 0:15:53 | |
300 years ago, one teaspoon would equate to the average wage | 0:15:53 | 0:15:58 | |
of a servant girl, so that is pretty expensive stuff. | 0:15:58 | 0:16:03 | |
This one's 1820, Regency, mahogany, sarcophagus shape. | 0:16:03 | 0:16:07 | |
Ticket price £25. Looks rough to me. | 0:16:07 | 0:16:10 | |
But those things, 20 years ago, in mint condition was £300. | 0:16:10 | 0:16:15 | |
Yeah, I can remember that. | 0:16:15 | 0:16:17 | |
In worn-out condition like that, a restoration piece, was 100. | 0:16:17 | 0:16:21 | |
-Now, it is a tenner's worth, isn't it? What is it? -15. | 0:16:21 | 0:16:25 | |
Go on, then. Let's have that. It's a good start. | 0:16:25 | 0:16:28 | |
£15 for a Regency, 140-year-old, | 0:16:28 | 0:16:32 | |
thereabouts, tea caddy is absolutely ridiculous, | 0:16:32 | 0:16:35 | |
in the best possible way. | 0:16:35 | 0:16:38 | |
And if he can avoid knocking anything else over, | 0:16:38 | 0:16:40 | |
there's plenty more to see. | 0:16:40 | 0:16:42 | |
-What have we got here? -Some bowling trophies. | 0:16:42 | 0:16:46 | |
I know this stand is silver-plate. | 0:16:48 | 0:16:50 | |
-Let's have a look. So, engraved 1975. Now, William Prout... -Right. | 0:16:50 | 0:16:54 | |
..I think, was a trophy maker in Glasgow. | 0:16:54 | 0:16:59 | |
Ticket price is £35. | 0:16:59 | 0:17:02 | |
On a silver-plated stand. | 0:17:02 | 0:17:04 | |
Could it be reused as a trophy for someone else? | 0:17:04 | 0:17:07 | |
Well, it's nice to have a Glasgow | 0:17:07 | 0:17:09 | |
piece when you're in Glasgow, isn't it? | 0:17:09 | 0:17:10 | |
OK, well, it's silver but it's filled, | 0:17:10 | 0:17:13 | |
so it's very thin silver on a stand. | 0:17:13 | 0:17:15 | |
Is that 15? | 0:17:15 | 0:17:17 | |
Let me see it. | 0:17:17 | 0:17:19 | |
OK, we'll do that for 15. | 0:17:22 | 0:17:25 | |
Michael's obviously feeling generous | 0:17:25 | 0:17:27 | |
and that's another swift deal for the silver trophy. | 0:17:27 | 0:17:30 | |
Any more hidden treasure? | 0:17:31 | 0:17:34 | |
-Now that, I imagine, is a Henry Moore. -Is it? | 0:17:34 | 0:17:39 | |
Well, if that was a Henry Moore, you and I would be retired, I think. | 0:17:39 | 0:17:43 | |
Well, in my view, it's got nothing to do with Henry Moore. | 0:17:45 | 0:17:48 | |
Anyway, the ticket price is £22. | 0:17:48 | 0:17:50 | |
Is that a five-pound note? | 0:17:50 | 0:17:52 | |
That's a good tenner's worth. | 0:17:52 | 0:17:55 | |
Go on, I'll give you ten quid for a Henry Moore. | 0:17:55 | 0:17:57 | |
Marvellous. I'm done. That's brilliant. I've bought three things. | 0:17:59 | 0:18:02 | |
-Right, OK. -Thank you very much. | 0:18:02 | 0:18:03 | |
Let's get out before I smash something. | 0:18:03 | 0:18:05 | |
Quite right. That's a total of £40 for three lots. Good job. | 0:18:05 | 0:18:10 | |
Anita has crossed over to the south bank of the River Clyde | 0:18:12 | 0:18:16 | |
and the district of Govan. | 0:18:16 | 0:18:18 | |
She's visiting the eclectic Love Salvage, | 0:18:18 | 0:18:21 | |
with just under £300 in her pocket. | 0:18:21 | 0:18:24 | |
Go, Anita. Go, girl. | 0:18:24 | 0:18:27 | |
SHE LAUGHS | 0:18:27 | 0:18:29 | |
It's a laughing policeman. | 0:18:32 | 0:18:34 | |
-John! -Yes? -John, where did this come from? | 0:18:36 | 0:18:39 | |
You've got to tell me. | 0:18:39 | 0:18:40 | |
We got that a while back from another private dealer. | 0:18:40 | 0:18:44 | |
-It's papier-mache and some sort of fairground attraction. -Uh-huh. | 0:18:44 | 0:18:48 | |
I quite fancy him. | 0:18:48 | 0:18:49 | |
Yes, does she love him enough to fork out some serious cash? | 0:18:49 | 0:18:54 | |
Remember, you've already taken a Titanic-size risk on this leg, Anita. | 0:18:54 | 0:18:58 | |
-Is this guy for sale? -He is indeed. -Everything's for sale. | 0:18:58 | 0:19:02 | |
-Everything's for sale. -OK, darling? | 0:19:02 | 0:19:05 | |
-But for what price? -He should be OK there. | 0:19:05 | 0:19:07 | |
Anita is way in the lead, but one wrong buy could cost her dearly. | 0:19:07 | 0:19:12 | |
-Tell me what you might look for him. -He's priced about £60 just now. | 0:19:12 | 0:19:16 | |
-60. -Yeah. -It is just such great fun. | 0:19:16 | 0:19:21 | |
Would you take £40 for him? | 0:19:21 | 0:19:22 | |
-I could do him... 45 probably would be the best. -45? | 0:19:25 | 0:19:28 | |
I'd be sad to see him go, but he has been here a wee while. | 0:19:28 | 0:19:31 | |
-Well, I think maybe he's got a new home then at 45. -Fantastic. | 0:19:31 | 0:19:36 | |
Put it there, John. That's great, thank you. | 0:19:36 | 0:19:38 | |
-Thank you very much, Anita. -You're coming home with me. | 0:19:38 | 0:19:42 | |
-And he's still smiling! -He's still smiling. | 0:19:42 | 0:19:45 | |
And so is Anita. | 0:19:45 | 0:19:47 | |
Still in Scotland's largest city, David has one last shot to go, | 0:19:50 | 0:19:55 | |
and has just under £310 left to spend. | 0:19:55 | 0:19:57 | |
So, this is my last chance on this WHOLE trip to pull it back. | 0:19:58 | 0:20:05 | |
One more purchase and I can't go the safe route. | 0:20:05 | 0:20:09 | |
Can dealer John help him find that winning item? | 0:20:10 | 0:20:13 | |
Oh, John, here I am looking at a pair of Oriental vases. | 0:20:22 | 0:20:28 | |
I can sense myself getting into all sorts of trouble here. | 0:20:28 | 0:20:31 | |
Do you love them? | 0:20:31 | 0:20:33 | |
-Nope. -You don't? -No! -Seriously? Why? | 0:20:33 | 0:20:37 | |
-What is wrong with you? -The amount of damage. | 0:20:37 | 0:20:40 | |
That doesn't seem to be putting David off... | 0:20:40 | 0:20:43 | |
..neither does the ticket price of £220. | 0:20:44 | 0:20:47 | |
I can't help be drawn to them. | 0:20:47 | 0:20:50 | |
There you have a pair of monumental Japanese | 0:20:50 | 0:20:54 | |
late-19th century Meiji-period Satsuma vases. | 0:20:54 | 0:21:00 | |
A pair, John. What's wrong with you? | 0:21:00 | 0:21:03 | |
It's make or break. David needs to seriously think about this. | 0:21:03 | 0:21:08 | |
They're beautiful vases but severely damaged. | 0:21:08 | 0:21:11 | |
Can I buy them for sub £100? | 0:21:11 | 0:21:14 | |
-100 quid, cash. -That's not sub 100. | 0:21:14 | 0:21:17 | |
No. 100 quid, cash. | 0:21:17 | 0:21:19 | |
OK, I'm probably the only person in the world that is very happy | 0:21:20 | 0:21:25 | |
to buy a pair of smashed Satsuma vases. | 0:21:25 | 0:21:28 | |
I'm going to have to have them. I love them so much I don't care. | 0:21:28 | 0:21:31 | |
-£100. -Wish me all the luck. -I certainly do, yes. | 0:21:31 | 0:21:35 | |
He's got an incredible 50% off his final item | 0:21:36 | 0:21:40 | |
and with that, our shopping for this trip is complete. | 0:21:40 | 0:21:44 | |
Alongside his risky buy of some bashed vases, | 0:21:46 | 0:21:50 | |
David picked up a a Strathearn lamp | 0:21:50 | 0:21:53 | |
a circa-1820s tea caddy, a silver bowls trophy | 0:21:53 | 0:21:58 | |
and a modernist golf trophy, spending a total of £220. | 0:21:58 | 0:22:01 | |
Anita adds the policeman's head to her giant risk | 0:22:03 | 0:22:06 | |
of the model of the Titanic | 0:22:06 | 0:22:08 | |
and her potentially valuable Christofle centrepiece. | 0:22:08 | 0:22:12 | |
She also bought an Art Nouveau brooch and a letter rack. | 0:22:12 | 0:22:15 | |
Anita spent a total of £318. | 0:22:15 | 0:22:19 | |
What do they think of each other's final purchases? | 0:22:19 | 0:22:22 | |
Now, this is where it starts to get serious - the Titanic model. | 0:22:22 | 0:22:26 | |
It's got bigness. It's a big baby that could make her a bit, | 0:22:26 | 0:22:30 | |
but I'm hoping... Please! ..it's going to lose her a bit. | 0:22:30 | 0:22:34 | |
The vases! These are massive. They are immense. | 0:22:34 | 0:22:39 | |
The damage is going to make a difference. | 0:22:39 | 0:22:41 | |
He's taken a chance. He's been brave but well done, David. | 0:22:41 | 0:22:45 | |
The last auction is finally upon us | 0:22:48 | 0:22:49 | |
and our dazzling duo are just outside Glasgow in the town of Paisley. | 0:22:49 | 0:22:53 | |
The auction today is online and in the room, | 0:22:54 | 0:22:57 | |
and is taking place at Collins & Paterson Auctioneers. | 0:22:57 | 0:23:00 | |
Wielding the gavel this morning is Stephen Maxwell. | 0:23:00 | 0:23:04 | |
-You're up first. -I'm up first. | 0:23:04 | 0:23:06 | |
Calm yourself, David. First up, Anita's brooch. | 0:23:06 | 0:23:11 | |
Straight in at £12... | 0:23:11 | 0:23:12 | |
-Oh, good, I was going to get excited at that. -I know. | 0:23:12 | 0:23:15 | |
..18, at 20 now is your bid, sir. At £20 has it. | 0:23:15 | 0:23:19 | |
I need a wee bit more. | 0:23:19 | 0:23:21 | |
At £20. Gone to number 289. | 0:23:21 | 0:23:25 | |
A disappointing start there for Anita and that was her safe item. | 0:23:25 | 0:23:29 | |
I feel fantastic. Absolutely... I'm ecstatic! | 0:23:29 | 0:23:33 | |
-Sorry, did I say that out loud? -Not very sporting, David. | 0:23:33 | 0:23:37 | |
Will he be quite so smug after HIS first lot, the silver bowls trophy? | 0:23:37 | 0:23:42 | |
At 15, in at 15. 15, I have here. | 0:23:42 | 0:23:44 | |
Are you bidding? Oh, £18. 20. | 0:23:44 | 0:23:47 | |
-And 2, 22. -Come on, come on. | 0:23:47 | 0:23:50 | |
We'll sell it, then, at £22... Gone there... | 0:23:50 | 0:23:53 | |
That's £7 on-paper profit. | 0:23:54 | 0:23:57 | |
Not a bad start for David, | 0:23:57 | 0:23:59 | |
though he's going to need to do better than that to catch his rival. | 0:23:59 | 0:24:02 | |
I'm getting there, Anita. I'm catching you. I'm catching you up. | 0:24:02 | 0:24:05 | |
Can his tea caddy shrink Anita's lead even more? | 0:24:07 | 0:24:10 | |
-How do you feel about that? -Very confident. | 0:24:11 | 0:24:13 | |
It should double its money. | 0:24:13 | 0:24:16 | |
Any tea drinkers in today? Come on, now. £30, surely. | 0:24:16 | 0:24:19 | |
-At 20 then. -Ugh. | 0:24:19 | 0:24:21 | |
At £20. Thank you, madam. £20 we have. Do I have 22? | 0:24:21 | 0:24:24 | |
22 at the back. 25? | 0:24:24 | 0:24:27 | |
-Got you now, sir. -Go on! -Still at 25. | 0:24:27 | 0:24:30 | |
-We'll sell it, then, at £25. -A bit more! | 0:24:30 | 0:24:32 | |
-Gone there. It's 309. -It's not double bubble, so I'm not happy. | 0:24:32 | 0:24:37 | |
Still, not a bad profit though, David. | 0:24:37 | 0:24:39 | |
Next, it's Anita's letter rack. | 0:24:40 | 0:24:42 | |
Thank you, sir. 25, I have straight in. | 0:24:44 | 0:24:46 | |
-28, £30... -30. -You're in. | 0:24:46 | 0:24:49 | |
..35, 38? The bid's now at the back. It's with the gent now at £38. | 0:24:49 | 0:24:54 | |
Gone there, 216. £38. | 0:24:54 | 0:24:56 | |
That's all right. Are you pleased with that? | 0:24:56 | 0:24:58 | |
-I'm happy. -You've made back the loss. -I'm delirious. -Are you? | 0:24:58 | 0:25:01 | |
-I'm delirious. -It doesn't take much, does it? | 0:25:01 | 0:25:04 | |
Apparently not. Another nice little profit. | 0:25:04 | 0:25:07 | |
Next up, it's David's Strathearn lamp that he fell in love with | 0:25:07 | 0:25:11 | |
-and rated so highly. -Good Scottish glass lamp, this. | 0:25:11 | 0:25:15 | |
Start there at 20, surely? 20. | 0:25:15 | 0:25:17 | |
Thank you, sir. £20, we have. 20 bid. | 0:25:17 | 0:25:19 | |
Do we have...? 22 at the back. 25? | 0:25:19 | 0:25:22 | |
No, you're out, madam. With the gent at 25. | 0:25:22 | 0:25:24 | |
Do we have 28? It's with the gent there and we're selling... | 0:25:24 | 0:25:27 | |
-This is going to be horrible. No. -Gone, 338. £25 there. | 0:25:27 | 0:25:31 | |
That's terrible. I knew it. I knew it. | 0:25:31 | 0:25:33 | |
But I loved it. What can you do? What can you do? | 0:25:33 | 0:25:35 | |
Well, bad luck, David. It's a big loss. | 0:25:35 | 0:25:38 | |
Just not what he needed in this all-important last auction. | 0:25:38 | 0:25:42 | |
-I'd buy it again. -Would you? | 0:25:42 | 0:25:44 | |
HE SOBS | 0:25:44 | 0:25:46 | |
I bet you wouldn't. | 0:25:46 | 0:25:47 | |
Probably not. Next up, it's Anita's accidental great find, | 0:25:50 | 0:25:54 | |
a Christofle centrepiece. | 0:25:54 | 0:25:57 | |
She got this for a steal but will it live up to its potential? | 0:25:57 | 0:26:01 | |
I love it. It's modernist, it's French, it's, "Ooh, la, la." | 0:26:01 | 0:26:05 | |
It's got everything going for it. | 0:26:05 | 0:26:07 | |
-I'm starting on... OK, I'm actually straight in at £20... -Unbelievable. | 0:26:07 | 0:26:12 | |
..on the candle holder. At 22, the gentleman. 25? | 0:26:12 | 0:26:15 | |
28. 30 and 2. | 0:26:15 | 0:26:17 | |
Now it's your bid, sir. It's in the room and 32 has it. | 0:26:17 | 0:26:19 | |
35, new bidder. | 0:26:19 | 0:26:21 | |
-38, 40... -It's away! -Well, I never. That's taken off! | 0:26:21 | 0:26:25 | |
..50, 5, 60, 5, 70, 5, | 0:26:25 | 0:26:29 | |
80, 5, 90, 5, £100? | 0:26:29 | 0:26:34 | |
-110, 120, 130... -Crikey, and it's still going! | 0:26:34 | 0:26:39 | |
..170, 180, 190, 200, | 0:26:39 | 0:26:43 | |
210, 220, 230? | 0:26:43 | 0:26:46 | |
240, 250? 260, 270... | 0:26:46 | 0:26:51 | |
-I thought it would sell for a fiver. -280! -..290? | 0:26:51 | 0:26:55 | |
You're out. The bid's with the gentleman in grey. | 0:26:55 | 0:26:57 | |
We're selling to the room, fair warning to you, at £290. | 0:26:57 | 0:27:00 | |
-Gone. It's yours, sir. 290 there. -Yes! | 0:27:00 | 0:27:03 | |
That's my Titanic then, isn't it? Never mind that thing. | 0:27:03 | 0:27:06 | |
That is unbelievable! | 0:27:06 | 0:27:08 | |
Unbelievable. It really was an incredible buy. | 0:27:09 | 0:27:14 | |
That amazing profit has now pushed Anita even further into the lead. | 0:27:14 | 0:27:17 | |
-Well, I must say that I'm quite happy about that. -Happy? | 0:27:19 | 0:27:22 | |
-You should be doing the blinking cancan. -The Highland fling? | 0:27:22 | 0:27:26 | |
Do that if you like. | 0:27:26 | 0:27:27 | |
Well, David, you've really got your work cut out now. | 0:27:28 | 0:27:32 | |
It's your modernist golf trophy up next. | 0:27:32 | 0:27:36 | |
£10 for the trophy. £10 surely for the trophy? | 0:27:36 | 0:27:39 | |
-£5... -For goodness' sake! | 0:27:39 | 0:27:41 | |
Any advance on £5? 8, the lady now! £10. | 0:27:42 | 0:27:46 | |
-The lady of taste. -Thank you, madam. | 0:27:46 | 0:27:48 | |
Are you back in at £12, no? | 0:27:48 | 0:27:50 | |
Yes, £12. | 0:27:50 | 0:27:52 | |
15. Still with the gentleman. | 0:27:52 | 0:27:54 | |
We're selling at £15. Gone there! | 0:27:54 | 0:27:57 | |
-Ugh! Disaster zone. -You've made a profit. | 0:27:57 | 0:28:01 | |
A fiver. I need a lot more than that to catch you. | 0:28:01 | 0:28:05 | |
Anita's laughing policeman's head was an unusual pick. | 0:28:05 | 0:28:09 | |
Let's see how he does this morning. | 0:28:09 | 0:28:11 | |
Yes, a papier-mache fairground head of a laughing policeman, no less. | 0:28:11 | 0:28:15 | |
I never thought I'd say those words in an auction room. | 0:28:15 | 0:28:18 | |
Interesting lot. What can we say about it? Where would you start? | 0:28:18 | 0:28:21 | |
I have no idea. How about £20? | 0:28:21 | 0:28:24 | |
Yes, thank you, sir. Straight in at 20. | 0:28:24 | 0:28:26 | |
£20, we have. Do we have 22? | 0:28:26 | 0:28:28 | |
22, 25, 28, 30, | 0:28:28 | 0:28:33 | |
32, 35. For the same gent at 35. | 0:28:33 | 0:28:36 | |
Any advance? We're selling then at £35. | 0:28:36 | 0:28:39 | |
-Gone. Amazingly. -Oh! -140 at £35. | 0:28:39 | 0:28:44 | |
It was love at first sight for Anita, | 0:28:44 | 0:28:46 | |
but clearly not to the people of Paisley. | 0:28:46 | 0:28:49 | |
But her last item was the big gamble. | 0:28:49 | 0:28:51 | |
Time for Anita's Titanic model. | 0:28:53 | 0:28:55 | |
Will it sink or will it soar? | 0:28:56 | 0:28:59 | |
A lovely item, this. | 0:28:59 | 0:29:01 | |
I'm hoping it will sail away to somewhere nice shortly. | 0:29:01 | 0:29:03 | |
Hopefully profit. | 0:29:03 | 0:29:05 | |
£100. Thank you, sir. Gentleman has the bid at £100. 110 bid. | 0:29:05 | 0:29:10 | |
120, 130, 140, 150... | 0:29:10 | 0:29:14 | |
-The room's going quiet now. -..160, 170. The bid's here at 180. | 0:29:14 | 0:29:17 | |
Are you bidding, sir, in white? 190, 200? | 0:29:17 | 0:29:20 | |
You're out. The bid's still in black. It's to my left | 0:29:20 | 0:29:23 | |
with the gentleman. Selling at £200. | 0:29:23 | 0:29:25 | |
-Gone. Number 67. -Well! | 0:29:25 | 0:29:27 | |
£200 for the Titanic. | 0:29:27 | 0:29:29 | |
Wiped its face. Now, Anita must be massively relieved with that result. | 0:29:29 | 0:29:33 | |
Next, it's the final lot of the competition and it all rests | 0:29:33 | 0:29:36 | |
on David's beloved Meiji vases. | 0:29:36 | 0:29:39 | |
David might be behind but could this all be about to change? | 0:29:39 | 0:29:41 | |
-Start me at £100. -Oh, go on. -£100 surely for the pair. | 0:29:41 | 0:29:46 | |
Large vases, £100. | 0:29:46 | 0:29:47 | |
Go on! Ahem. Sorry, did I say that out loud? | 0:29:47 | 0:29:50 | |
I'll start, then. On commission I have £50 here | 0:29:52 | 0:29:54 | |
to start the lot at 50. Just a starting point. 50 is with me. | 0:29:54 | 0:29:58 | |
Do we have 5? 55 bid. £60? | 0:29:58 | 0:30:00 | |
-65, 70... -Come on, come on... -..75, 80? | 0:30:00 | 0:30:03 | |
You're out. Still with me at 80. It's on commission at 80. | 0:30:03 | 0:30:06 | |
Do we have 85? Still with me at 80. We'll sell them, then, at £80. | 0:30:06 | 0:30:09 | |
You won't. Don't sell them, don't sell them. | 0:30:09 | 0:30:11 | |
-Gone to number 30. -Oh, no! | 0:30:11 | 0:30:13 | |
-Unbelievable. -Aw. | 0:30:15 | 0:30:18 | |
Crikey, someone's got those for a bargain. Bad luck, David. | 0:30:19 | 0:30:23 | |
I don't care what you say, | 0:30:23 | 0:30:25 | |
you have absolutely thrashed me within an inch of my life, | 0:30:25 | 0:30:28 | |
so I think we should go and... | 0:30:28 | 0:30:30 | |
-Cup of tea, cake, regroup and do the figures. -Uh-huh. | 0:30:30 | 0:30:33 | |
So, at the end of five incredible auctions, the results are as follows. | 0:30:35 | 0:30:39 | |
David started this leg with £429.84. After auction costs are deducted, | 0:30:39 | 0:30:45 | |
he made a loss of £83.06, meaning he ends this competition | 0:30:45 | 0:30:49 | |
with a respectable £346.78. | 0:30:49 | 0:30:54 | |
Anita started out with £565.25. | 0:30:55 | 0:31:00 | |
She's had another great auction today, making, after costs, | 0:31:00 | 0:31:03 | |
a profit of £160.06. | 0:31:03 | 0:31:08 | |
This means she's not just today's winner but also | 0:31:08 | 0:31:11 | |
the victor of this Road Trip, | 0:31:11 | 0:31:13 | |
with a spectacular final figure of £725.31. | 0:31:13 | 0:31:18 | |
Well done, Anita, and all profits go to Children in Need. | 0:31:18 | 0:31:23 | |
So, you know what? That's one each. | 0:31:23 | 0:31:25 | |
Several years ago, you and I hit the road and I beat you, | 0:31:25 | 0:31:29 | |
so I'm going to give you two or three years off | 0:31:29 | 0:31:32 | |
and I'm going to re-challenge you. | 0:31:32 | 0:31:35 | |
Be it on your own head! | 0:31:35 | 0:31:37 | |
As one road trip ends... | 0:31:37 | 0:31:40 | |
Another begins, and this time we're | 0:31:40 | 0:31:43 | |
coasting along with a freshly minted twosome, | 0:31:43 | 0:31:46 | |
Philip Serrell and Natasha Raskin. | 0:31:46 | 0:31:48 | |
When I found out I was working with you, Phil, I was a bit nervous. | 0:31:50 | 0:31:54 | |
What, really? | 0:31:54 | 0:31:55 | |
Yes, because your reputation goes before you. | 0:31:55 | 0:31:58 | |
Ha! It does indeed! | 0:31:58 | 0:32:00 | |
Philip Serrell is an august auctioneer based in Worcester, | 0:32:00 | 0:32:05 | |
who brings his many years of experience to the game. | 0:32:05 | 0:32:08 | |
-How old are you? -28. -Great. | 0:32:08 | 0:32:09 | |
-SHE LAUGHS -How old are you? | 0:32:09 | 0:32:11 | |
Shut up. | 0:32:11 | 0:32:13 | |
Not to mention his sunny disposition. | 0:32:13 | 0:32:16 | |
Glaswegian Natasha Raskin is a relative newcomer to the Trip. | 0:32:16 | 0:32:20 | |
But this bright young auctioneer, specialising in contemporary | 0:32:20 | 0:32:24 | |
art, has already proved herself a very canny competitor. | 0:32:24 | 0:32:28 | |
Our duo are driving a delightful 1957 Porsche 356 coupe. | 0:32:29 | 0:32:34 | |
Delish! | 0:32:34 | 0:32:36 | |
Both of our experts begin this journey with £200 in their pockets. | 0:32:36 | 0:32:40 | |
On this epic road trip, | 0:32:43 | 0:32:44 | |
Philip and Natasha will journey from Narberth in Pembrokeshire, Wales, | 0:32:44 | 0:32:49 | |
covering several hundred miles to end | 0:32:49 | 0:32:52 | |
up in Salisbury, Wiltshire, England. | 0:32:52 | 0:32:54 | |
On this leg, they are winding through the Welsh countryside, | 0:32:54 | 0:32:56 | |
heading for auction in Cross Hands, in Carmarthenshire. | 0:32:56 | 0:33:01 | |
Right, Phil! Let's get this Road Trip a-going! | 0:33:01 | 0:33:04 | |
-Hi, you must be Peter. -Good morning, Phil. | 0:33:04 | 0:33:06 | |
-Welcome to the Malthouse. -Good to see you. | 0:33:06 | 0:33:08 | |
You've got some stuff in here, haven't you! | 0:33:08 | 0:33:10 | |
We are crammed with it, yes. | 0:33:10 | 0:33:12 | |
Certainly is. Full to bursting. | 0:33:12 | 0:33:14 | |
Oh, look out, he's on to something. | 0:33:18 | 0:33:20 | |
What on earth is that off? It's a measuring stick. | 0:33:20 | 0:33:24 | |
It's got on here, look - Bentley & Taylor, London. | 0:33:24 | 0:33:27 | |
So it's got to be quite a well-made thing. | 0:33:27 | 0:33:30 | |
Customs & Excise. | 0:33:30 | 0:33:32 | |
So this is actually... | 0:33:33 | 0:33:35 | |
It's got a brass cap down here. | 0:33:35 | 0:33:38 | |
This measuring stick, marked as being used by | 0:33:39 | 0:33:42 | |
Customs & Excise, is priced at £20. | 0:33:42 | 0:33:46 | |
Do you know what...? | 0:33:46 | 0:33:48 | |
I haven't got a clue what that is. | 0:33:48 | 0:33:50 | |
But I think that's quite fun. | 0:33:50 | 0:33:52 | |
So he's got the mystery measure in his sights and he's browsing on. | 0:33:52 | 0:33:56 | |
Hmm. | 0:33:58 | 0:34:00 | |
I don't think so, do you, Phil? | 0:34:00 | 0:34:02 | |
No, best not, but here is something more promising. | 0:34:03 | 0:34:06 | |
See, that's quite fun. | 0:34:07 | 0:34:09 | |
You know, this is a little miniature cricket bat. | 0:34:09 | 0:34:12 | |
Signed by the Australia cricket team 1956. | 0:34:12 | 0:34:16 | |
I mean, actually it's not signed | 0:34:16 | 0:34:18 | |
because these are all facsimile signatures. It's a transfer print. | 0:34:18 | 0:34:21 | |
That's a bit of fun, isn't it, you know? | 0:34:21 | 0:34:23 | |
15 quid. I've got a couple of cheapies I might be in for here. | 0:34:23 | 0:34:26 | |
Yeah, he has also spotted a ship's light, | 0:34:28 | 0:34:31 | |
probably dating from the early 20th century, | 0:34:31 | 0:34:33 | |
which is marked up at a hefty £95. | 0:34:33 | 0:34:36 | |
I think time for a sit down, Phil, don't you? | 0:34:36 | 0:34:39 | |
Your ship's light, has that been in long? | 0:34:39 | 0:34:41 | |
No. It came in two, three weeks ago. | 0:34:41 | 0:34:45 | |
What can you do on prices for me? What about the light? | 0:34:45 | 0:34:48 | |
The ship's light... | 0:34:48 | 0:34:50 | |
95 on... | 0:34:50 | 0:34:52 | |
I can treat you today and do it for 45. | 0:34:53 | 0:34:55 | |
-OK, would you mind getting the light for me? -No, I'll do that for you. | 0:34:57 | 0:35:01 | |
I see no ships only hardships. | 0:35:01 | 0:35:05 | |
Let's hope it's not hardships for Phil. | 0:35:05 | 0:35:07 | |
What deal can they strike for all three items? | 0:35:07 | 0:35:10 | |
-I'm going to put these two in at a tenner each. -OK. | 0:35:10 | 0:35:13 | |
-Ten, ten, 30. That's 50 quid. -Yes. -That all right? | 0:35:13 | 0:35:17 | |
-Yes, that seems reasonable to me. -You are a gentleman, sir. | 0:35:17 | 0:35:20 | |
Thank you very much indeed. Thank you. Let me get some money out. | 0:35:20 | 0:35:23 | |
You better had. That's quite a deal. | 0:35:24 | 0:35:26 | |
All three items for a nice, clean £50. | 0:35:26 | 0:35:29 | |
Meanwhile, Natasha has driven on to the Pembrokeshire town | 0:35:33 | 0:35:37 | |
of Newport, where she is strolling off into the | 0:35:37 | 0:35:40 | |
Carningli Centre, a fine place to hunt for a special buy. | 0:35:40 | 0:35:43 | |
And she's soon spotted something that really fires up her interest. | 0:35:48 | 0:35:52 | |
-These are just so lovely. -They've got to be Arts & Crafts. | 0:35:52 | 0:35:56 | |
It's a pair of early 20th-century firedogs, | 0:35:56 | 0:35:59 | |
used in a hearth to support firewood. | 0:35:59 | 0:36:01 | |
Sort of hand beaten. And then this lovely, typical Arts & Crafts motif. | 0:36:01 | 0:36:05 | |
And then a bit of a sunset or something in the top. | 0:36:05 | 0:36:08 | |
They are just lovely. | 0:36:08 | 0:36:09 | |
They are really, really nice. And they are only £30. | 0:36:09 | 0:36:13 | |
I'm getting the impression you quite like them. | 0:36:13 | 0:36:16 | |
I think I would like to have a punt at these. | 0:36:16 | 0:36:18 | |
Because they are really, really lovely. | 0:36:18 | 0:36:20 | |
Yes, time to talk to Anne then. | 0:36:20 | 0:36:22 | |
I suppose it's not really in my interest to say this, Anne, | 0:36:22 | 0:36:25 | |
but they are quite reasonably priced. I mean, £30 is the price. | 0:36:25 | 0:36:30 | |
Is there any movement on that? | 0:36:30 | 0:36:32 | |
-I could do them for 25. -25. | 0:36:32 | 0:36:34 | |
Do you know what, Anne, I really think for the pair, 25 quid... | 0:36:34 | 0:36:37 | |
It's such a great deal. Can I please shake your hand on that? | 0:36:37 | 0:36:41 | |
-Lovely. -I'm really, really grateful. | 0:36:41 | 0:36:43 | |
Deal done very decisively. And her first buy is in hand. | 0:36:43 | 0:36:47 | |
Now, Phil has travelled on to the village of Rhydowen. | 0:36:49 | 0:36:53 | |
He's strolling into Alltyrodyn Antiques, | 0:36:54 | 0:36:57 | |
where dealer Chris is on hand to help. | 0:36:57 | 0:36:59 | |
Oh, that's nice. | 0:37:01 | 0:37:02 | |
This is fun, isn't it? | 0:37:04 | 0:37:05 | |
BELL RINGS | 0:37:05 | 0:37:07 | |
I quite like that. | 0:37:07 | 0:37:08 | |
An old wooden till with working key and bell. | 0:37:08 | 0:37:14 | |
It probably dates from the early 20th century. And is priced at £60. | 0:37:14 | 0:37:19 | |
And there is another surprising item as well. | 0:37:19 | 0:37:21 | |
This is interesting, isn't it, Chris? | 0:37:21 | 0:37:23 | |
Because to the outside world, | 0:37:23 | 0:37:24 | |
-that looks like a small chest of four drawers. -Yeah. | 0:37:24 | 0:37:28 | |
-But you and I know that ain't a chest of four drawers. -We do. | 0:37:28 | 0:37:31 | |
It is, in fact, a commode. | 0:37:31 | 0:37:33 | |
Handy. It's mahogany and probably dates from the late Georgian period. | 0:37:33 | 0:37:38 | |
Ticket price is £35. | 0:37:38 | 0:37:41 | |
Its inner fittings have been removed, perhaps thankfully. Ha! | 0:37:41 | 0:37:45 | |
It could make a handy little firewood store. | 0:37:45 | 0:37:47 | |
Or be made into firewood. | 0:37:47 | 0:37:50 | |
That is just wonderful quality mahogany, isn't it? | 0:37:50 | 0:37:52 | |
It's lovely, yeah. | 0:37:52 | 0:37:53 | |
And that is just the finest woodworm you see. Can you see that? | 0:37:55 | 0:38:00 | |
-Yeah, I wouldn't bang that too hard. -No. | 0:38:00 | 0:38:02 | |
He likes the till and the commode. So I feel a haggle coming on. | 0:38:02 | 0:38:07 | |
Come into my office, please. | 0:38:07 | 0:38:09 | |
Have a seat, please. | 0:38:09 | 0:38:11 | |
First, the till. | 0:38:12 | 0:38:13 | |
Go on, how much is it? | 0:38:13 | 0:38:15 | |
-40 quid. -Behave! | 0:38:15 | 0:38:18 | |
-I'll give you 40 quid for it... -Yeah? | 0:38:19 | 0:38:22 | |
But you've got to throw in the commode. | 0:38:22 | 0:38:26 | |
-No! -I'll give you 40 quid the two. | 0:38:26 | 0:38:29 | |
-45. -No, honestly, 40 is the end for me. It is the end. -Go on, then. | 0:38:29 | 0:38:34 | |
-Are you sure? -Yeah. -You are an angel. Thank you very much indeed. | 0:38:34 | 0:38:37 | |
Let me get some money out. | 0:38:37 | 0:38:39 | |
Thanks to a very generous deal from Chris, | 0:38:39 | 0:38:41 | |
he's got another two items for £40. | 0:38:41 | 0:38:44 | |
The Silver Fox. | 0:38:44 | 0:38:45 | |
With that, a jam-packed first day draws to a close. | 0:38:47 | 0:38:51 | |
Night-night, Road Trippers. | 0:38:51 | 0:38:53 | |
Nothing will keep our energetic pair off the trail for long. | 0:38:56 | 0:39:00 | |
This morning they are in Trecastle. | 0:39:01 | 0:39:04 | |
Right, OK. | 0:39:04 | 0:39:06 | |
Which way? Oh, thank you so much. | 0:39:06 | 0:39:08 | |
They are clearly getting on well. | 0:39:10 | 0:39:11 | |
We'll see how long that lasts when there's bargains to be fought over. | 0:39:11 | 0:39:16 | |
They are heading into Trecastle Antiques Centre | 0:39:16 | 0:39:18 | |
and meeting dealers Margaret and Louise. | 0:39:18 | 0:39:21 | |
-Are they for sale or...? -They are for sale. | 0:39:26 | 0:39:29 | |
Quite a collection of ladies' fans there. | 0:39:29 | 0:39:33 | |
-How much are these each? -They are £15 each, Phil. | 0:39:33 | 0:39:37 | |
-That's beautiful, look. -I know. -I know. | 0:39:37 | 0:39:41 | |
Sounds keen. Looks like he's picked up his favourite from the bunch. | 0:39:41 | 0:39:45 | |
Something to keep in mind, no doubt. | 0:39:45 | 0:39:48 | |
-Yes, I will take care of them for you. -Thank you very much. | 0:39:48 | 0:39:51 | |
Now keep browsing. | 0:39:51 | 0:39:52 | |
What's he got now? | 0:39:57 | 0:39:59 | |
Margaret, what's the national sport of Wales? | 0:40:00 | 0:40:03 | |
Rugby. | 0:40:03 | 0:40:04 | |
When in Wales... | 0:40:04 | 0:40:05 | |
It's a collection of 1970s Welsh rugby programmes. | 0:40:05 | 0:40:08 | |
-I was at that game. -Were you? -Yeah. | 0:40:11 | 0:40:14 | |
-There is no ticket price on them. -So what could Margaret do? | 0:40:14 | 0:40:17 | |
How much for the lot? | 0:40:17 | 0:40:18 | |
20 quid. | 0:40:19 | 0:40:21 | |
That's the bargain of the day. | 0:40:22 | 0:40:24 | |
It might be, but Phil is looking for an even better deal on these | 0:40:24 | 0:40:28 | |
and the ladies' fans. | 0:40:28 | 0:40:29 | |
In my eyes... | 0:40:29 | 0:40:30 | |
I honestly think those have got to be 30 and those have got to be five. | 0:40:32 | 0:40:35 | |
That's what I really think, if I had the two. What do you reckon? | 0:40:35 | 0:40:38 | |
-Go on. We've had such fun. -You are an angel, thank you very much. | 0:40:38 | 0:40:41 | |
Thank you, my love. | 0:40:41 | 0:40:43 | |
Good on you, Margaret. | 0:40:43 | 0:40:45 | |
That will keep Phil happy for a while at least. | 0:40:45 | 0:40:47 | |
Meanwhile Natasha is around here somewhere. | 0:40:49 | 0:40:52 | |
Oh, careful! | 0:40:52 | 0:40:53 | |
I don't know, this kind of section is quite good, actually, | 0:40:56 | 0:40:58 | |
because there is quite a lot going on. | 0:40:58 | 0:41:00 | |
There are really nice hand sickles down here as well. | 0:41:00 | 0:41:03 | |
A sickle is a hand-held tool for cutting a grain crops or grasses. | 0:41:03 | 0:41:07 | |
This set of three have a ticket price of £17. | 0:41:07 | 0:41:10 | |
And what's really nice is that Phil was telling me | 0:41:10 | 0:41:13 | |
in the car this morning that one of his items is riddled with woodworm. | 0:41:13 | 0:41:16 | |
And so is this one. | 0:41:16 | 0:41:18 | |
It says it has been treated but these too have woodworm. | 0:41:18 | 0:41:20 | |
Lovely. | 0:41:20 | 0:41:21 | |
So I don't know if maybe I just want to make Phil feel a little bit | 0:41:21 | 0:41:24 | |
more at home. | 0:41:24 | 0:41:25 | |
I'm not sure you're quite in the cut-throat spirit of this | 0:41:25 | 0:41:28 | |
competition yet, Natasha. | 0:41:28 | 0:41:30 | |
But the sickle's a definite possibility. | 0:41:30 | 0:41:32 | |
And on the rural theme... | 0:41:32 | 0:41:34 | |
I don't know why, but I really like this lawnmower. | 0:41:34 | 0:41:37 | |
And it does say on the label there that it is in working order. | 0:41:37 | 0:41:40 | |
I don't know if anyone would use it. | 0:41:40 | 0:41:42 | |
But for decorative purposes, it's great. | 0:41:42 | 0:41:44 | |
Yeah, have it in your lounge(!) | 0:41:44 | 0:41:46 | |
Why not? It dates from the late 20th century and the ticket price is £33. | 0:41:46 | 0:41:50 | |
Oh, something else now. | 0:41:50 | 0:41:52 | |
OK, this is a beautiful fireplace. That's really lovely. | 0:41:52 | 0:41:55 | |
Very nice indeed. Cast metal fireplace. | 0:41:55 | 0:41:58 | |
It's a late Victorian cast-iron fire surround, | 0:41:58 | 0:42:01 | |
complete with its original tiles. | 0:42:01 | 0:42:03 | |
It's £85. | 0:42:07 | 0:42:09 | |
It's £85. | 0:42:09 | 0:42:11 | |
In fact, the combined ticket price on the sickles, lawnmower | 0:42:12 | 0:42:16 | |
and fireplace is £135. | 0:42:16 | 0:42:18 | |
It's a little bit industrial, isn't it? | 0:42:21 | 0:42:24 | |
But I like it. No, I like it. | 0:42:24 | 0:42:25 | |
Time to speak to dealer Louise, then. | 0:42:25 | 0:42:28 | |
-If I make you an offer for the lot? -Right. | 0:42:28 | 0:42:31 | |
I'm going to make you an offer of 100 quid, | 0:42:31 | 0:42:33 | |
-and if you think I've lost the plot, just tell me. -OK. -100. | 0:42:33 | 0:42:37 | |
Nice round number. Think of that. £100 in your hand. Today. Cash. | 0:42:37 | 0:42:40 | |
-Since it's you, we could probably squeeze to 100. -Do you reckon? | 0:42:40 | 0:42:43 | |
-We could probably do that. -You are acting on someone else's behalf, | 0:42:43 | 0:42:46 | |
-so I don't want to get you in trouble. -No, I think that would be OK. | 0:42:46 | 0:42:49 | |
Crikey, that sudden flurry of impulse buying means Natasha | 0:42:49 | 0:42:53 | |
has another three lots. | 0:42:53 | 0:42:55 | |
Philip meanwhile is back in the car. | 0:42:56 | 0:42:59 | |
Having already bought all his items, | 0:42:59 | 0:43:01 | |
he is driving into the lovely Brecon Beacons National Park. | 0:43:01 | 0:43:05 | |
Near the village of Abercraf is Dan-yr-Ogof - | 0:43:05 | 0:43:09 | |
the National Showcaves Centre for Wales. | 0:43:09 | 0:43:12 | |
An extraordinary wonder of the natural world that was discovered by | 0:43:16 | 0:43:20 | |
two very courageous local farmers, the Morgan brothers, in 1912. | 0:43:20 | 0:43:24 | |
He is meeting the curator of the centre, Ashford Price. | 0:43:26 | 0:43:31 | |
-Hello, Phil. -Ashford, how are you? | 0:43:31 | 0:43:33 | |
Welcome to Dan-yr-Ogof caves. | 0:43:33 | 0:43:35 | |
The cave system the Morgan brothers found here is now known to | 0:43:35 | 0:43:39 | |
extend at least 11 miles into the Earth. | 0:43:39 | 0:43:43 | |
And it's so vast that the outer limits are not yet known. | 0:43:43 | 0:43:46 | |
When they first found the caves, the brothers were looking for the | 0:43:46 | 0:43:50 | |
source of a river that flowed from the mountain, termed a resurgence. | 0:43:50 | 0:43:54 | |
In June of 1912, they actually went into the resurgence. | 0:43:55 | 0:43:59 | |
Literally by going in there. | 0:43:59 | 0:44:01 | |
They only went in there about a couple of hundred yards. | 0:44:01 | 0:44:04 | |
Just with candles. And one of them | 0:44:04 | 0:44:06 | |
found a little passageway leading off from the main river. Followed it. | 0:44:06 | 0:44:10 | |
And lo and behold, he didn't find the source of the river, | 0:44:10 | 0:44:13 | |
but he found some of the best caves probably in Europe. | 0:44:13 | 0:44:16 | |
With a little bit of trepidation, is it time to retrace some steps? | 0:44:16 | 0:44:19 | |
Yeah, I think so. | 0:44:19 | 0:44:21 | |
If it's any consolation, I've never lost a tourist yet. | 0:44:21 | 0:44:24 | |
You are in good hands then, Phil. | 0:44:24 | 0:44:26 | |
The Morgan brothers had no experience at all of caving | 0:44:28 | 0:44:32 | |
and ventured in with minimal equipment. | 0:44:32 | 0:44:35 | |
They came in the cave as complete novices, | 0:44:35 | 0:44:38 | |
not knowing what they were going to see | 0:44:38 | 0:44:40 | |
and certainly had no idea how long they would be underground. | 0:44:40 | 0:44:44 | |
So they came in with their ordinary suits. | 0:44:44 | 0:44:47 | |
They had a handkerchief tucked in. They had a their gold watch chain. | 0:44:47 | 0:44:50 | |
And also, which is amazing today, all they had with them | 0:44:50 | 0:44:55 | |
was literally a candle. Can you imagine? | 0:44:55 | 0:44:58 | |
Would you like to walk round this place on your own basically | 0:44:58 | 0:45:02 | |
just with a candle? They were exceptionally brave. | 0:45:02 | 0:45:05 | |
Cos if anything had happened to them on that first day, | 0:45:05 | 0:45:09 | |
nobody would have guessed as to where they were. | 0:45:09 | 0:45:12 | |
And certainly they would have just died in the cave. | 0:45:12 | 0:45:15 | |
It would have been a pretty grim ending. | 0:45:15 | 0:45:17 | |
What they were doing to try and get out, which is | 0:45:17 | 0:45:20 | |
-equally as important as coming in... -Too right! | 0:45:20 | 0:45:22 | |
They would put a little arrow marks on what was then the sandy floor. | 0:45:22 | 0:45:26 | |
This was their only way actually of coming in and out of the cave. | 0:45:26 | 0:45:31 | |
On the second day, though, they got a little bit wiser | 0:45:31 | 0:45:34 | |
and they brought in some balls of string that they used on the farm. | 0:45:34 | 0:45:39 | |
And they tied it to where they actually entered the cave | 0:45:39 | 0:45:41 | |
and they ran out the string behind them as they went further | 0:45:41 | 0:45:44 | |
and further into the mountain. | 0:45:44 | 0:45:46 | |
I would have been absolutely terrified as to what was | 0:45:46 | 0:45:49 | |
-round the next bend. -Well, I think they were also frightened | 0:45:49 | 0:45:52 | |
because as they went farther into the cave, one of them | 0:45:52 | 0:45:56 | |
actually took in, according to his diaries, his old ex-army revolver. | 0:45:56 | 0:46:01 | |
Despite their complete lack of experience and equipment, | 0:46:03 | 0:46:06 | |
the brave Morgan brothers managed to explore an extensive area. | 0:46:06 | 0:46:11 | |
They even used a small boat called a coracle | 0:46:11 | 0:46:14 | |
to cross the underground lakes. | 0:46:14 | 0:46:16 | |
Well, Phil, what do you think of that then? | 0:46:18 | 0:46:21 | |
This whole chamber is known as the Coracle Chamber. | 0:46:21 | 0:46:25 | |
It's about 40 foot high. Imagine finding that in 1912. | 0:46:25 | 0:46:32 | |
The Morgan brothers were responsible for discovering this | 0:46:32 | 0:46:35 | |
wonderful underground landscape, and their descendants, | 0:46:35 | 0:46:39 | |
of whom Ashford is one, still run the complex today. | 0:46:39 | 0:46:42 | |
Over the decades, other cavers have made greater | 0:46:42 | 0:46:45 | |
and greater advances through the stunning rock formations that have | 0:46:45 | 0:46:50 | |
been hewn over millennia by water passing over the limestone rock. | 0:46:50 | 0:46:53 | |
Experienced cavers are still discovering new | 0:46:59 | 0:47:01 | |
areas of the cave system. | 0:47:01 | 0:47:03 | |
Even with modern technology, | 0:47:03 | 0:47:05 | |
exploring underground can be dangerous | 0:47:05 | 0:47:07 | |
as rising water levels can cut explorers off, | 0:47:07 | 0:47:10 | |
temporarily depriving them of an escape route. | 0:47:10 | 0:47:13 | |
Cavers have been overdue. We've had a few cave rescues. | 0:47:14 | 0:47:18 | |
What do you mean by overdue? | 0:47:18 | 0:47:19 | |
They've had to spend a few nights in here. | 0:47:19 | 0:47:22 | |
That's a sobering thought. | 0:47:23 | 0:47:25 | |
In 1953, members of the South Wales Caving Club finally | 0:47:25 | 0:47:29 | |
discovered the area many consider to be the jewel of the Dan-yr-Ogof, | 0:47:29 | 0:47:34 | |
known as Cathedral Cave. | 0:47:34 | 0:47:37 | |
I don't think you see that in many places probably in the world. | 0:47:37 | 0:47:41 | |
Both the waterfalls there are about 40 foot high. | 0:47:41 | 0:47:44 | |
They lead onto vast cave systems left and right there. | 0:47:45 | 0:47:49 | |
You can imagine, Phil, | 0:47:49 | 0:47:51 | |
the vast amount of water required to make a cave passageway like this. | 0:47:51 | 0:47:55 | |
Obviously, a lot of this water came from all the various ice ages, | 0:47:55 | 0:47:59 | |
when, obviously, the planet was frozen. | 0:47:59 | 0:48:02 | |
It then thawed and, obviously, you had vast amounts of rainwater | 0:48:02 | 0:48:05 | |
coming through this area. | 0:48:05 | 0:48:08 | |
It is truly magnificent. | 0:48:08 | 0:48:10 | |
It doesn't matter how often I see it, I'm still impressed by this. | 0:48:10 | 0:48:14 | |
Thanks to the courageous efforts of the Morgan brothers, | 0:48:14 | 0:48:18 | |
the caves here can now be enjoyed by visitors who don't even have | 0:48:18 | 0:48:21 | |
to bring their own candle. | 0:48:21 | 0:48:23 | |
It is quite a magical place. | 0:48:23 | 0:48:26 | |
I'm feeling like Indiana Jones in here, you know? | 0:48:26 | 0:48:29 | |
-Where is that bit of string? -We'll find it now. Come on. | 0:48:29 | 0:48:33 | |
Natasha has travelled on to Brecon, | 0:48:35 | 0:48:39 | |
to shop in Brecon Antiques Centre. | 0:48:39 | 0:48:43 | |
It's mostly glass, and it looks like one piece in particular | 0:48:49 | 0:48:53 | |
has grabbed her attention. | 0:48:53 | 0:48:55 | |
Look at that. | 0:48:55 | 0:48:57 | |
Is that not the most hideous thing that you have ever seen? | 0:48:57 | 0:49:03 | |
Well, it's not my style, but I'm sure someone would like it. | 0:49:03 | 0:49:06 | |
I think that I have to buy it. | 0:49:06 | 0:49:10 | |
Mm. Sensible reasoning. | 0:49:10 | 0:49:13 | |
It's marked up at £39, | 0:49:13 | 0:49:15 | |
but there's a 40% sale, making it £23.40. | 0:49:15 | 0:49:19 | |
Time for chat with Linton. | 0:49:20 | 0:49:22 | |
-This has to be the best thing I've ever seen. -The magic slipper. | 0:49:22 | 0:49:26 | |
Linton is selling it on behalf of another dealer. | 0:49:26 | 0:49:30 | |
What do you think is the bare minimum? | 0:49:30 | 0:49:32 | |
18 to 20. But I think you might squeeze 18 out of him. | 0:49:32 | 0:49:36 | |
It has to be 18 quid for a Laguna glass boot vase. | 0:49:36 | 0:49:39 | |
It's the best thing I've ever seen. It's beautiful! | 0:49:39 | 0:49:43 | |
-OK, thank you so much. You are my prince. -With pleasure. | 0:49:43 | 0:49:46 | |
And with that fairytale ending, they are all bought up. | 0:49:46 | 0:49:49 | |
Natasha bought the Arts & Crafts firedogs, | 0:49:51 | 0:49:55 | |
the three wooden hand sickles, | 0:49:55 | 0:49:58 | |
the mechanical lawnmower, | 0:49:58 | 0:50:00 | |
the cast-iron fireplace, | 0:50:00 | 0:50:03 | |
and the much-loved glass lady's boot. | 0:50:03 | 0:50:06 | |
She spent £143 exactly. | 0:50:06 | 0:50:09 | |
While Philip bought the Customs & Excise measuring stick, | 0:50:09 | 0:50:13 | |
the memento cricket bat, | 0:50:13 | 0:50:15 | |
the ship's light, | 0:50:15 | 0:50:17 | |
the till, | 0:50:17 | 0:50:19 | |
the commode, | 0:50:19 | 0:50:21 | |
the rugby programmes, | 0:50:21 | 0:50:23 | |
and the ladies' fans. | 0:50:23 | 0:50:24 | |
That little lot cost him £105. | 0:50:24 | 0:50:28 | |
So what do they think of each other's offerings? | 0:50:29 | 0:50:33 | |
I think Phil has done brilliantly. I think he is an absolute star. | 0:50:33 | 0:50:36 | |
I think my favourite item has to be the commode, | 0:50:36 | 0:50:38 | |
purely because we are in it together with our woodworm, | 0:50:38 | 0:50:40 | |
and I think it's going to be the battle of the woodworm. | 0:50:40 | 0:50:43 | |
I like to think that, you know, my influence has worn off on her, | 0:50:43 | 0:50:46 | |
because with those three sickles, we've got | 0:50:46 | 0:50:50 | |
all the true Serrell traits of rust and woodworm. | 0:50:50 | 0:50:54 | |
And I expect them to go in a similar fashion to my commode. | 0:50:54 | 0:50:59 | |
In a skip somewhere. | 0:50:59 | 0:51:01 | |
On this leg, they've travelled from Narberth, Pembrokeshire, | 0:51:04 | 0:51:07 | |
to auction here in Cross Hands, Carmarthenshire. | 0:51:07 | 0:51:10 | |
They are just arriving at Welsh Country Auctions, today's saleroom. | 0:51:10 | 0:51:14 | |
-Well, here we are. Are you ready? -I'm ready. Are you ready? | 0:51:14 | 0:51:18 | |
Shall we go in arm and arm to our first auction? | 0:51:18 | 0:51:20 | |
That way, that way. | 0:51:20 | 0:51:21 | |
-This way. -That way. Come on. | 0:51:21 | 0:51:24 | |
This bodes well. | 0:51:24 | 0:51:26 | |
Holding the gavel today is auctioneer Andrew Williams. | 0:51:26 | 0:51:29 | |
Right, let's get on with it then. The auction is about to begin. | 0:51:29 | 0:51:33 | |
First up, it's Philip's souvenir cricket bat, which he's placed | 0:51:34 | 0:51:38 | |
in a job lot with his collection of 1970s Welsh rugby programmes. | 0:51:38 | 0:51:43 | |
Five. Five pounds. At five. | 0:51:43 | 0:51:46 | |
-Eight. Ten. 12. 13. -Yes! | 0:51:46 | 0:51:49 | |
The programmes are signed. | 0:51:49 | 0:51:51 | |
18. At £18. 20 in the back. | 0:51:51 | 0:51:53 | |
Two. 25. | 0:51:53 | 0:51:54 | |
At 25. | 0:51:54 | 0:51:56 | |
Any more? At £25. | 0:51:57 | 0:51:59 | |
On my right at £25. | 0:51:59 | 0:52:01 | |
BANGS GAVEL | 0:52:01 | 0:52:02 | |
Philip Serrell. | 0:52:02 | 0:52:04 | |
A decent profit for Philip. | 0:52:05 | 0:52:07 | |
-Well done. That's great. -It's a profit, isn't it? | 0:52:07 | 0:52:11 | |
That's our very first profit. | 0:52:11 | 0:52:12 | |
You have started this auction with a bang. | 0:52:12 | 0:52:15 | |
Natasha now with her Arts & Crafts firedogs. | 0:52:16 | 0:52:20 | |
Ten I'm bid. At ten pounds. | 0:52:20 | 0:52:22 | |
At ten for the pair. | 0:52:22 | 0:52:24 | |
At ten. Ten pounds. 15. | 0:52:24 | 0:52:26 | |
20. At 20. | 0:52:26 | 0:52:28 | |
Five. 30. | 0:52:28 | 0:52:30 | |
Five. | 0:52:30 | 0:52:31 | |
At 35 for the pair. I thought these would have made more. | 0:52:31 | 0:52:35 | |
-At £35. -No! | 0:52:35 | 0:52:36 | |
-BANGS GAVEL -35. | 0:52:36 | 0:52:38 | |
-LAUGHING: -They could have done better. | 0:52:38 | 0:52:40 | |
We just seem to be nerdling away at ten-pound notes here, don't we? | 0:52:40 | 0:52:44 | |
That strong start has Natasha now neck and neck with Phil. | 0:52:44 | 0:52:48 | |
Next, it's Philip's vintage till, | 0:52:48 | 0:52:50 | |
selling in a job lot with his Customs & Excise measuring stick. | 0:52:50 | 0:52:55 | |
-Rostrum bid to start. At 20. -He's got 20. -Five. -Yes! | 0:52:55 | 0:52:58 | |
30. | 0:52:58 | 0:53:00 | |
Two. 35. | 0:53:00 | 0:53:02 | |
At £35. Let's have another ding. | 0:53:02 | 0:53:04 | |
38. 40 in the back. | 0:53:04 | 0:53:06 | |
At 40. Two. 45. | 0:53:06 | 0:53:09 | |
50. At 50. | 0:53:09 | 0:53:11 | |
Is it going to be another tenner? | 0:53:11 | 0:53:13 | |
-BANGS GAVEL -50. | 0:53:13 | 0:53:14 | |
THEY LAUGH | 0:53:14 | 0:53:16 | |
It's £10 profits all round today. | 0:53:16 | 0:53:18 | |
I saw a lady over there, and she'd only got one glass left boot on. | 0:53:19 | 0:53:24 | |
-So you never know. If it's the right size... -I'm glad she came. | 0:53:24 | 0:53:27 | |
Mind you... | 0:53:27 | 0:53:28 | |
There was a pumpkin and some wild mice out the back as well. | 0:53:28 | 0:53:32 | |
-Bibbidi-bobbidi-boo. -Pardon? | 0:53:32 | 0:53:34 | |
SHE LAUGHS | 0:53:34 | 0:53:36 | |
You might have guessed. It's Natasha's glass boot now. | 0:53:36 | 0:53:39 | |
20 I'm bid. Rostrum bid to start. | 0:53:39 | 0:53:41 | |
-At £20. £20 bid. -At 20. No, he doesn't. | 0:53:41 | 0:53:44 | |
-The glass boot at 20. -He actually has that? | 0:53:44 | 0:53:47 | |
25. | 0:53:47 | 0:53:48 | |
30. At 30. | 0:53:48 | 0:53:50 | |
At 30. | 0:53:50 | 0:53:52 | |
-And five now? £30. -I've made 12 quid thus far. | 0:53:52 | 0:53:55 | |
At 30. | 0:53:55 | 0:53:57 | |
-BANGS GAVEL -30. | 0:53:57 | 0:53:59 | |
Someone does take to it. A surprise success for Natasha. | 0:53:59 | 0:54:04 | |
That was unbelievable. How did he...? | 0:54:04 | 0:54:06 | |
This is the best auction house in the land. | 0:54:06 | 0:54:09 | |
Now let's see if Phil's ship's light can illuminate proceedings. | 0:54:09 | 0:54:13 | |
-£20. -That is sexy. £20 bid. | 0:54:13 | 0:54:16 | |
25. 30. | 0:54:16 | 0:54:18 | |
Five. 40. | 0:54:18 | 0:54:20 | |
Five. 50. | 0:54:20 | 0:54:22 | |
We're off to the races. | 0:54:22 | 0:54:24 | |
60. | 0:54:24 | 0:54:25 | |
Five. At £65. | 0:54:25 | 0:54:27 | |
-Hell yeah! -65. | 0:54:27 | 0:54:29 | |
-Last call then at £65. -Off the rocks anyway. | 0:54:29 | 0:54:32 | |
BANGS GAVEL | 0:54:32 | 0:54:35 | |
You are a legend. | 0:54:35 | 0:54:37 | |
Ha! Some might say. | 0:54:37 | 0:54:39 | |
And with that, Phil has now taken the lead. | 0:54:39 | 0:54:41 | |
So it's Natasha's mechanical mower next. | 0:54:42 | 0:54:45 | |
20, one of you? | 0:54:45 | 0:54:47 | |
Oh, go on! Why not? | 0:54:47 | 0:54:49 | |
Won't get a better cut than with a nice old push mower. | 0:54:49 | 0:54:51 | |
-At £2. -Two? -It's got to be sold. -Why are they laughing? | 0:54:51 | 0:54:55 | |
At two. Five. At £5. At five. That was a lucky escape. | 0:54:55 | 0:54:58 | |
-This is terrible. They are laughing. -Eight. | 0:54:58 | 0:55:00 | |
Yes, it's not usually a good sign. | 0:55:00 | 0:55:02 | |
At ten pounds. At ten. Save on your electric as well. | 0:55:02 | 0:55:05 | |
-Oh, no. -Ten pounds here. -Oh, no. -At the end of the row then. | 0:55:05 | 0:55:08 | |
BANGS GAVEL | 0:55:08 | 0:55:10 | |
Oh, Phil! Oh... | 0:55:10 | 0:55:12 | |
The saleroom doesn't take to it. Bad luck. | 0:55:13 | 0:55:16 | |
Will Philip's ladies' fans fare any better? | 0:55:17 | 0:55:21 | |
Ten I'm bid. At ten. £10. | 0:55:21 | 0:55:23 | |
15 for the fans. 20. | 0:55:23 | 0:55:25 | |
Five. 30. | 0:55:25 | 0:55:27 | |
Five. 40. | 0:55:27 | 0:55:29 | |
Five. 50. | 0:55:29 | 0:55:30 | |
-And 60. -Oh! | 0:55:31 | 0:55:33 | |
-I'm very surprised. -70. | 0:55:33 | 0:55:35 | |
80. There's quite a few of them in there. | 0:55:35 | 0:55:37 | |
-We're back at £80. -Yes. -Once, twice. | 0:55:37 | 0:55:41 | |
All done at £80. | 0:55:41 | 0:55:43 | |
-How good is that?! -That's a real result, isn't it? | 0:55:43 | 0:55:46 | |
SHE LAUGHS | 0:55:46 | 0:55:48 | |
Go and get one quick and fan me. | 0:55:48 | 0:55:50 | |
Blow me down! Philip is now a real contender. | 0:55:50 | 0:55:53 | |
It's Natasha's big chance to shine with her cast-iron fire surround. | 0:55:54 | 0:56:00 | |
-Pretty surround. At 20. -Oh, no. | 0:56:00 | 0:56:01 | |
At five anywhere now? | 0:56:01 | 0:56:03 | |
-Oh, no. -Going to sell it then. At £20. | 0:56:03 | 0:56:05 | |
25. Here comes the rush. 30. | 0:56:05 | 0:56:07 | |
35. | 0:56:07 | 0:56:09 | |
At 35. Lost you in the back now. | 0:56:09 | 0:56:11 | |
SHE GROANS | 0:56:11 | 0:56:12 | |
Bids behind me. At £35. | 0:56:12 | 0:56:14 | |
BANGS GAVEL | 0:56:14 | 0:56:15 | |
-Oh, that's soul destroying. -I think you were unlucky with that. -Oh. | 0:56:15 | 0:56:20 | |
So sweet. An unlucky loss. | 0:56:20 | 0:56:22 | |
-You live, you learn. -Yeah. -I'm in Wales. | 0:56:22 | 0:56:24 | |
I'm learning how the Welsh do it now. | 0:56:24 | 0:56:26 | |
So what will the Welsh saleroom make of Philip's | 0:56:26 | 0:56:29 | |
woodwormed commode? Holy Moses. | 0:56:29 | 0:56:31 | |
Wherever you would like to start. A reasonable offer? | 0:56:31 | 0:56:34 | |
Reasonable offer of... | 0:56:34 | 0:56:36 | |
20 I'm bid. At 20. | 0:56:36 | 0:56:37 | |
Quick, before they change their mind. | 0:56:37 | 0:56:40 | |
A little Georgian commode. At 20. Five. At 25. | 0:56:40 | 0:56:43 | |
Don't tell him to put the hammer down, it's going up. | 0:56:43 | 0:56:46 | |
No, no. They might change their mind. | 0:56:46 | 0:56:48 | |
At £25. All done? No more? | 0:56:48 | 0:56:50 | |
Last call at 25. | 0:56:50 | 0:56:51 | |
BANGS GAVEL | 0:56:51 | 0:56:53 | |
You are schooling me today. | 0:56:53 | 0:56:55 | |
You are schooling me today. | 0:56:55 | 0:56:58 | |
25 quid for that. | 0:56:58 | 0:56:59 | |
Ha! A very respectable outcome for Philip. | 0:56:59 | 0:57:02 | |
How do you feel? | 0:57:02 | 0:57:04 | |
Uh, I feel lucky. | 0:57:04 | 0:57:06 | |
And so you should, Philip. | 0:57:06 | 0:57:09 | |
One final lot now - Natasha's hand sickles. | 0:57:09 | 0:57:12 | |
Perhaps there is a woodworm collector in the crowd. | 0:57:12 | 0:57:15 | |
-Ten pounds for the three. -Yes, come on! | 0:57:15 | 0:57:18 | |
Someone go ten. | 0:57:18 | 0:57:20 | |
Ten I'm bid. 12. | 0:57:20 | 0:57:22 | |
15. | 0:57:22 | 0:57:23 | |
18. At £18. | 0:57:23 | 0:57:25 | |
At 18 right down the centre. | 0:57:25 | 0:57:27 | |
-It's better than I thought. -21 now? | 0:57:27 | 0:57:29 | |
-At £18 for all three. No more? -BANGS GAVEL | 0:57:29 | 0:57:33 | |
-Yes. -That's really good. | 0:57:33 | 0:57:35 | |
Very respectable. | 0:57:35 | 0:57:37 | |
I'm quite happy with that. I'm really pleased for you. | 0:57:37 | 0:57:39 | |
And I've really enjoyed our morning in Wales. | 0:57:39 | 0:57:41 | |
-It's been good fun, hasn't it? -Yeah. Yeah. | 0:57:41 | 0:57:43 | |
Aw, aren't you two sweet? | 0:57:43 | 0:57:46 | |
So it's time to tot up the totals. | 0:57:46 | 0:57:48 | |
They both began this leg with £200. | 0:57:48 | 0:57:51 | |
Rather bad luck meant Natasha lost £38.04 | 0:57:51 | 0:57:55 | |
after auction costs are deducted, | 0:57:55 | 0:57:58 | |
which means she has £161.96 to carry forward. | 0:57:58 | 0:58:02 | |
While Philip played a stormer, | 0:58:04 | 0:58:06 | |
making a profit of £75.90 after costs. | 0:58:06 | 0:58:10 | |
So he has £275.90 for the next leg. | 0:58:10 | 0:58:14 | |
-Thank you very much. -Well... -Very well done, Phil. | 0:58:16 | 0:58:19 | |
-Well, a bit of luck, but I tell you what, loser drives. -Loser drives! | 0:58:19 | 0:58:23 | |
-I was going to say the winner drives away. -No, the loser drives. | 0:58:23 | 0:58:26 | |
Loser drives. I'm up for it if you are. | 0:58:26 | 0:58:28 | |
And so, until next time, bon voyage! | 0:58:28 | 0:58:31 |