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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-I don't know what to do. -HORN TOOTS | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
What a little diamond. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
But it's no mean feat. | 0:00:15 | 0:00:17 | |
Back in the game. Charlie! | 0:00:17 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
So, will it be the high road to glory, | 0:00:24 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
-Oh! -This is the Antiques Road Trip! | 0:00:28 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's the final leg of this week's adventure | 0:00:41 | 0:00:44 | |
for Natasha Raskin and Philip Serrell. | 0:00:44 | 0:00:46 | |
I don't know how to tell you this but I'm in love with you. | 0:00:48 | 0:00:50 | |
-Well, do you know what? -You don't seem too moved. -No. | 0:00:50 | 0:00:53 | |
You seem quite throwaway, casual about this. | 0:00:53 | 0:00:55 | |
Well, you know, it happens all the time. | 0:00:55 | 0:00:57 | |
You big fibber. | 0:00:57 | 0:00:59 | |
As we all know, antiques expert Philip is a Road Tripping veteran | 0:01:01 | 0:01:04 | |
who loves to lead the way. | 0:01:04 | 0:01:07 | |
-I am of course the captain of this ship. -Shortest way up. | 0:01:07 | 0:01:10 | |
-BOTH: -Longest way down. -No, no, no! -Oh, no! | 0:01:10 | 0:01:13 | |
Longest way up, shortest way down. | 0:01:13 | 0:01:16 | |
Lordy. Smiley auctioneer Natasha | 0:01:16 | 0:01:18 | |
is still learning all the Road Trip rules. | 0:01:18 | 0:01:21 | |
Away from the pots, away. Oh, they're so shiny. | 0:01:22 | 0:01:25 | |
Our pair have been cruising across the country | 0:01:29 | 0:01:32 | |
in this lovely 1957 Porsche Coupe | 0:01:32 | 0:01:35 | |
and their competitive spirit is alive and well. | 0:01:35 | 0:01:38 | |
Oh, I've got a sneaking suspicion that Serrell | 0:01:38 | 0:01:41 | |
might just sneak another Road Trip under his belt. | 0:01:41 | 0:01:45 | |
No, no, cos there's every likelihood with me that I will go | 0:01:45 | 0:01:48 | |
and do something stupid like buy a sheep. | 0:01:48 | 0:01:51 | |
BLEATING I say. | 0:01:51 | 0:01:53 | |
It's been a bumpy ride for Natasha. After starting this trip with £200, | 0:01:55 | 0:01:59 | |
a few losses along the way now has her total sitting at £165.64. | 0:01:59 | 0:02:06 | |
Philip's faring much better. After starting with the same £200 stake, | 0:02:09 | 0:02:14 | |
he's now in the lead with a fabulous £325.40 to spend on this last leg. | 0:02:14 | 0:02:20 | |
Cheer up. | 0:02:20 | 0:02:22 | |
I'm really, really sad cos we're just heading towards | 0:02:24 | 0:02:26 | |
-our last auction. Isn't that sad? -That is a bit sad, isn't it? | 0:02:26 | 0:02:30 | |
It's a bit weird as well because I've got used to it now. | 0:02:30 | 0:02:33 | |
Well, we'd better make this a good one then. | 0:02:33 | 0:02:36 | |
Our two experts started out in Narberth in Pembrokeshire. | 0:02:40 | 0:02:43 | |
From there, they've travelled several hundred miles, | 0:02:43 | 0:02:46 | |
covering Wales and southern England | 0:02:46 | 0:02:48 | |
and will end their trip today | 0:02:48 | 0:02:51 | |
in Salisbury, Wiltshire. | 0:02:51 | 0:02:52 | |
Before their final auction, | 0:02:54 | 0:02:55 | |
they're kicking off this last leg in Eversley, Hampshire. | 0:02:55 | 0:02:59 | |
SHE LAUGHS | 0:03:01 | 0:03:03 | |
-Are you OK there? -Yeah, good, thank you. -Come on. | 0:03:03 | 0:03:06 | |
First stop today is Eversley Barn Antiques. | 0:03:06 | 0:03:10 | |
-Hello. Hi there. Hello, you must be Hilary. -I am. | 0:03:10 | 0:03:13 | |
I'm Tasha, lovely to meet you. | 0:03:13 | 0:03:15 | |
-Hi, Philip. How are you? -Nice to meet you. | 0:03:15 | 0:03:17 | |
You have got a very tall barn full of stuff here. | 0:03:17 | 0:03:19 | |
-It is rather full. -It's beautifully appointed. Gosh! | 0:03:19 | 0:03:21 | |
Everyone's looking for something different so you have to have it all. | 0:03:21 | 0:03:24 | |
-We've all got different eyes. -We do. -Absolutely. | 0:03:24 | 0:03:27 | |
-Which way are you going to take yours? -I don't know. That way? | 0:03:27 | 0:03:30 | |
-Are you going to go upstairs or...? -I might just sneak outside. | 0:03:30 | 0:03:33 | |
Ah. OK, I'll stay in. | 0:03:33 | 0:03:34 | |
I'll leave you to it. You've obviously spotted something. | 0:03:34 | 0:03:37 | |
While Phil hijacks Hilary, Natasha heads upstairs. | 0:03:39 | 0:03:43 | |
Oh, this looks good up here. Yes! In the attic. A bit more my cup of tea. | 0:03:44 | 0:03:49 | |
Tile-top coffee tables, modern. Yes, I'm into this. | 0:03:49 | 0:03:53 | |
Oh, I actually thought I liked it up here cos it was modern | 0:03:53 | 0:03:57 | |
but I love this cellarette. | 0:03:57 | 0:03:58 | |
It's totally cool because in the very beginning of the 20th century, | 0:03:58 | 0:04:03 | |
when this would have been produced, I reckon, | 0:04:03 | 0:04:05 | |
this is taking the wine from the cellar | 0:04:05 | 0:04:07 | |
and then bringing it to the dining room | 0:04:07 | 0:04:09 | |
but keeping it cool in a cellarette. So a mini wine cellar. | 0:04:09 | 0:04:13 | |
This looks more like a plant pot holder or jardiniere to me. | 0:04:13 | 0:04:17 | |
Nice thing though. | 0:04:17 | 0:04:19 | |
It's not perfect. | 0:04:19 | 0:04:20 | |
It's a little bit worn, but it's got to be late-19th-century, | 0:04:20 | 0:04:23 | |
early-20th-century so we'd expect that. | 0:04:23 | 0:04:26 | |
This is £88 and as I'm saying that, I've actually just clocked the fact | 0:04:26 | 0:04:30 | |
it's got blinking woodworm in it! That is... | 0:04:30 | 0:04:34 | |
Oh! How did I not notice that? | 0:04:34 | 0:04:36 | |
So, woodworm aside, I only really want to spend | 0:04:36 | 0:04:39 | |
about £35 or £40 on it, which is a bit cheeky, I know, | 0:04:39 | 0:04:41 | |
but it's what I want to spend. I want to make a profit at the end. | 0:04:41 | 0:04:45 | |
As does Phil. Spotted anything yet? | 0:04:45 | 0:04:48 | |
-That little rocker's sweet, isn't it? -It is, isn't it? | 0:04:50 | 0:04:53 | |
Good condition, too. | 0:04:53 | 0:04:54 | |
-So this is what, 1950s, is it? -Yes, I think so. | 0:04:56 | 0:04:59 | |
And it's got this... little piggy and the bunny rabbit. | 0:04:59 | 0:05:04 | |
That's quite sweet, isn't it? You've got 30 on it. | 0:05:05 | 0:05:08 | |
What could you do that for, Hilary? | 0:05:08 | 0:05:10 | |
I'm selling that for a friend, so probably about 24. | 0:05:10 | 0:05:15 | |
-Would £20 buy it? -I knew you were going to say that. | 0:05:16 | 0:05:19 | |
Yes, £20. Yes. | 0:05:19 | 0:05:20 | |
Hilary, I think that's lovely. I'm going to buy that off you. | 0:05:20 | 0:05:23 | |
-Oh, lovely. -I'm going to buy that. -Thank you so much. -Thank you very much indeed. | 0:05:23 | 0:05:27 | |
So, that's the first lot bought on this final leg. | 0:05:27 | 0:05:31 | |
Hopefully Natasha is faring well back inside. | 0:05:31 | 0:05:34 | |
I love revolving bookcases and this looks like a really nice one. | 0:05:35 | 0:05:38 | |
I'm hoping that underneath this jug... | 0:05:38 | 0:05:40 | |
Yes, there is a really nice Edwardian inlaid cartouche, | 0:05:40 | 0:05:44 | |
a little bit of marquetry, which is always good | 0:05:44 | 0:05:46 | |
but what's really nice about it | 0:05:46 | 0:05:48 | |
is that you've got books all the way around | 0:05:48 | 0:05:50 | |
and it revolves, so let's check out... Oh. | 0:05:50 | 0:05:52 | |
It's a little bit stiff actually. It's not quite got that slick... No. | 0:05:52 | 0:05:57 | |
It's actually a bookcase that's a tale of two stories, really. | 0:05:57 | 0:06:01 | |
You've got the early 20th century up here, | 0:06:01 | 0:06:04 | |
with its lovely Edwardian motifs | 0:06:04 | 0:06:05 | |
and then you've got late 20th century down here, | 0:06:05 | 0:06:08 | |
with dodgy plastic casters that everyone is trying to forget. | 0:06:08 | 0:06:11 | |
So, let's have a look at the price | 0:06:11 | 0:06:14 | |
because that's probably reflected here. "Revolving bookcase", 55 quid. | 0:06:14 | 0:06:18 | |
So, it's not quite a revolving bookcase. | 0:06:18 | 0:06:20 | |
It's a book case that revolves, if you know what I mean? | 0:06:20 | 0:06:23 | |
Uh... I think so. Another possibility. | 0:06:23 | 0:06:27 | |
Downstairs, Phil's found a lovely set of boat steps, | 0:06:27 | 0:06:32 | |
ticket price £165. | 0:06:32 | 0:06:35 | |
I think they're fun things. There'll be one or two uses. | 0:06:35 | 0:06:38 | |
They're either the sort of thing that someone is going to hang | 0:06:38 | 0:06:41 | |
in a seaside cottage or they're the type of thing | 0:06:41 | 0:06:46 | |
that someone might have in a library or, for me, | 0:06:46 | 0:06:50 | |
they're the type of thing that you... | 0:06:50 | 0:06:54 | |
Actually... I'll just work this out. | 0:06:55 | 0:06:57 | |
Aren't those a cool set of shelves to hang up somewhere? | 0:07:00 | 0:07:03 | |
-Brilliant. Yeah, they would hang on a wall. -Yeah. | 0:07:03 | 0:07:06 | |
I think on a bad day... | 0:07:06 | 0:07:07 | |
..those are going to make £60 or £70. | 0:07:09 | 0:07:11 | |
On a good day, they might make 120, 130. That's what I think. | 0:07:11 | 0:07:16 | |
I'd like to try and buy them for somewhere between £80 and £90, | 0:07:16 | 0:07:19 | |
if I could. I really like those. | 0:07:19 | 0:07:23 | |
-How about 90? -Are you sure? -Smashing. Thanks very much. | 0:07:23 | 0:07:27 | |
A very generous £75 off the ticket price. | 0:07:27 | 0:07:32 | |
How's Natasha getting on? | 0:07:32 | 0:07:34 | |
These are really sweet. | 0:07:34 | 0:07:36 | |
These are a napkin rings and they are, I think, Bakelite, | 0:07:36 | 0:07:40 | |
which is an early plastic and kind of dates them | 0:07:40 | 0:07:43 | |
to probably the 1930s or '40s and they're novelty. | 0:07:43 | 0:07:47 | |
The dog lovers would like them. But they're quite sweet. | 0:07:47 | 0:07:50 | |
They're a tenner each. | 0:07:50 | 0:07:51 | |
They are marked with this code - EBA, and so is the bookcase, | 0:07:51 | 0:07:56 | |
so I don't know who the seller is but I reckon that's their initials | 0:07:56 | 0:07:59 | |
and if they want to get rid of both these things, maybe they could do it | 0:07:59 | 0:08:02 | |
in one fell sweep... One fell swoop! Ah! | 0:08:02 | 0:08:05 | |
It turns out the jardiniere is marked "EBA" too. | 0:08:06 | 0:08:09 | |
They're all owned by the same dealer. | 0:08:09 | 0:08:11 | |
With a collective ticket price of £163, | 0:08:11 | 0:08:14 | |
will Natasha try a cheeky offer for the three? | 0:08:14 | 0:08:17 | |
I bet she does. | 0:08:17 | 0:08:19 | |
All together 75, but that's my opening gambit, Hilary. | 0:08:19 | 0:08:23 | |
-We know how it works. -We do. | 0:08:23 | 0:08:25 | |
-Hit me with your... -I'd like 85. -85? | 0:08:25 | 0:08:28 | |
If that's possible because we do like to make a bit, a little bit. | 0:08:28 | 0:08:33 | |
-Can you do 85? -I definitely can | 0:08:33 | 0:08:35 | |
-because that's still a massive chunk off. -Brilliant. | 0:08:35 | 0:08:38 | |
-If you're cool with that, I'm cool with that. -Brilliant. | 0:08:38 | 0:08:41 | |
A great deal for three interesting items. Well done, Natasha. | 0:08:41 | 0:08:45 | |
Does anything else grab you, Phil? | 0:08:47 | 0:08:49 | |
This is just an interesting tray. | 0:08:51 | 0:08:54 | |
It's late 19th century. It's in mahogany. | 0:08:54 | 0:08:56 | |
But all this decoration, which is inlaid into the mahogany base, | 0:08:56 | 0:09:01 | |
is marquetry. | 0:09:01 | 0:09:02 | |
Now, there's two issues with this. | 0:09:02 | 0:09:05 | |
The first thing is condition cos we've got a bit of a crack there, | 0:09:05 | 0:09:10 | |
and the second thing is | 0:09:10 | 0:09:11 | |
it's completely and utterly out of fashion. | 0:09:11 | 0:09:15 | |
So, a tray like this in good order, 15 years ago, | 0:09:15 | 0:09:20 | |
would have been between £200 and £400. | 0:09:20 | 0:09:22 | |
This is now priced up at £55. | 0:09:22 | 0:09:26 | |
What's it going to make at auction? | 0:09:27 | 0:09:29 | |
Well, in my eyes, it's going to be making 30-40 quid | 0:09:29 | 0:09:32 | |
so I've got to try and buy it for around £20, £25. | 0:09:32 | 0:09:36 | |
Cor. Better get your bartering head on, old bean. | 0:09:36 | 0:09:40 | |
I'm hoping I can try and buy it off you for around the £20 mark. | 0:09:40 | 0:09:44 | |
-How does that...? -It's a bit low. -Come on, tell me. -A bit low. | 0:09:44 | 0:09:47 | |
-It's the condition really, isn't it? -Cos it's priced as damaged, but... | 0:09:49 | 0:09:52 | |
Can you do...25? | 0:09:53 | 0:09:56 | |
-Yeah, go on, you're an angel. -All right, brilliant. | 0:09:58 | 0:10:00 | |
-Thank you very much. -So, Phil's also bought three lots in the first shop. | 0:10:00 | 0:10:05 | |
Bold buying. | 0:10:05 | 0:10:07 | |
After that storming start, Natasha's decided to take a break | 0:10:10 | 0:10:13 | |
from shopping and has headed 20 minutes south to Aldershot. | 0:10:13 | 0:10:18 | |
She's come to the Military Museum to find out about the American cowboy | 0:10:18 | 0:10:22 | |
Samuel Franklin Cody, who became Britain's first aviator. | 0:10:22 | 0:10:27 | |
Great moustache. | 0:10:27 | 0:10:28 | |
She's meeting author of The Flying Cowboy, Peter Reese, | 0:10:28 | 0:10:31 | |
to find out more. | 0:10:31 | 0:10:33 | |
-And there's the man himself. -There he is. | 0:10:33 | 0:10:35 | |
He's looking pretty dapper, isn't he? Some style. My goodness! | 0:10:35 | 0:10:38 | |
Well, he looks like Buffalo Bill | 0:10:38 | 0:10:40 | |
because he modelled himself on Buffalo Bill. | 0:10:40 | 0:10:42 | |
Ah, see, when I saw the surname Cody I thought of Buffalo Bill | 0:10:42 | 0:10:46 | |
because that was HIS surname, was it not? | 0:10:46 | 0:10:48 | |
It was, but Cody changed his name from Cowdery to Cody. | 0:10:48 | 0:10:52 | |
-Ah, to be more like Buffalo Bill? -To be more, yes. | 0:10:52 | 0:10:54 | |
His dates are a wee bit later than Buffalo Bill's, is that right? | 0:10:54 | 0:10:57 | |
They are. He's much younger than Buffalo Bill. | 0:10:57 | 0:10:59 | |
Wannabe cowboy Cody left home at a young age, | 0:10:59 | 0:11:03 | |
training horses and working the cattle trails across Texas. | 0:11:03 | 0:11:07 | |
But, by the 1880s, the Wild West was disappearing. | 0:11:07 | 0:11:11 | |
So, after Buffalo Bill started to tour Europe with a cowboy show, | 0:11:11 | 0:11:15 | |
Cody followed with one of his own. | 0:11:15 | 0:11:17 | |
Cody's act of the West is Cody himself. | 0:11:17 | 0:11:20 | |
-His horse, his lasso, his gun, his pistol. -A one-man show. | 0:11:20 | 0:11:25 | |
-One-man show. -Oh, wow. A one-man Wild West show. -Absolutely. | 0:11:25 | 0:11:30 | |
Cody's wild cowboy performances won him the love of the British public | 0:11:30 | 0:11:35 | |
and, out of the limelight, he was becoming fascinated with aviation. | 0:11:35 | 0:11:40 | |
A hobby of building big kites soon developed into something much more, | 0:11:40 | 0:11:44 | |
and while working with the British Army, | 0:11:44 | 0:11:47 | |
he designed the aeroplane that would see him fly for the first time. | 0:11:47 | 0:11:52 | |
In this period, we are behind the Americans. | 0:11:52 | 0:11:55 | |
The Wright brothers have flown at the end of 1903 | 0:11:55 | 0:11:58 | |
and the French are also getting into the air, so we are behind. | 0:11:58 | 0:12:01 | |
Oh, no. And as an American, he must have been itching to get in front. | 0:12:01 | 0:12:06 | |
-As Cody, he would. -Ah-ha! Not just an American but as Cody. | 0:12:06 | 0:12:10 | |
And on 16 October 1908, | 0:12:10 | 0:12:14 | |
Cody actually makes his first flight and his first flight is successful. | 0:12:14 | 0:12:20 | |
-It's 440 yards, 27 seconds. -Oh, wow. | 0:12:20 | 0:12:24 | |
Ends up with a crash and he gets cuts and bruises but he has flown. | 0:12:24 | 0:12:29 | |
After being crowned the first man to fly a powered flight in Britain, | 0:12:29 | 0:12:34 | |
Cody's aviation obsession grew. | 0:12:34 | 0:12:36 | |
The following year, he became a naturalised British citizen | 0:12:36 | 0:12:39 | |
so he could enter flying competitions, | 0:12:39 | 0:12:42 | |
often with cash prizes, to help fund his passion. | 0:12:42 | 0:12:45 | |
Before that, he was rejected because he was a foreigner. | 0:12:45 | 0:12:48 | |
-So, this cowboy is now a Brit? -He's a Brit. | 0:12:48 | 0:12:51 | |
And he signed his papers on the town clerk's shoulders | 0:12:51 | 0:12:56 | |
to the local band playing. | 0:12:56 | 0:12:58 | |
-You see, Cody did it very quietly and modestly. -Yeah, yeah. | 0:12:58 | 0:13:02 | |
In 1910, the final flying competition of the year | 0:13:05 | 0:13:07 | |
was the Michelin Trophy | 0:13:07 | 0:13:10 | |
for the longest distance round a closed circuit. | 0:13:10 | 0:13:14 | |
On 29 December, fellow aviation pioneer Thomas Sopwith, | 0:13:14 | 0:13:18 | |
flew a seemingly unbeatable 150 miles non-stop. | 0:13:18 | 0:13:23 | |
Two days left in the year, so he hasn't done it. He doesn't do it? | 0:13:23 | 0:13:28 | |
The odds are against him and the weather's bad. | 0:13:28 | 0:13:32 | |
But on New Year's Eve he's up very early in the morning. | 0:13:32 | 0:13:36 | |
He's striding his lawn in the frosty grass and he decides to have a go. | 0:13:36 | 0:13:41 | |
The first three hours, you can imagine, they're monotonous. | 0:13:41 | 0:13:46 | |
He's frozen but he continues in this solid progress for three hours. | 0:13:46 | 0:13:53 | |
-Pure adrenaline. -His intake pipes are freezing up | 0:13:53 | 0:13:56 | |
so he's getting an awful build-up of ice | 0:13:56 | 0:13:59 | |
but he staggers on, staggers on, staggers on, | 0:13:59 | 0:14:02 | |
and he doesn't give up until four hours 40 minutes | 0:14:02 | 0:14:06 | |
-and he has flown 185 miles. -Oh, my goodness. | 0:14:06 | 0:14:10 | |
-He's really gone the extra mile. -He has, he has. | 0:14:10 | 0:14:12 | |
-Oh, that's amazing! -So 35 miles more. | 0:14:12 | 0:14:15 | |
Cody continued to win more prizes | 0:14:16 | 0:14:19 | |
and by 1913 he was setting his sights on the aviation challenge of the era, | 0:14:19 | 0:14:24 | |
a non-stop flight across the Atlantic, | 0:14:24 | 0:14:27 | |
an extraordinary feat many thought impossible. | 0:14:27 | 0:14:31 | |
Sadly, Cody would never get the chance, | 0:14:31 | 0:14:33 | |
as on the morning of 7 August tragedy struck. | 0:14:33 | 0:14:37 | |
He's flying at Aldershot. | 0:14:37 | 0:14:39 | |
He's taking up a famous cricketer, WHB Evans, | 0:14:39 | 0:14:43 | |
and they're coming down to land and suddenly the wings just fold up | 0:14:43 | 0:14:49 | |
and the plane plummets to the ground. | 0:14:49 | 0:14:51 | |
The two of them are thrown out and Evans breaks every bone in his body. | 0:14:51 | 0:14:55 | |
Both are killed instantly. | 0:14:55 | 0:14:58 | |
And it ends as Cody would like it to end - cleanly and in the air. | 0:14:58 | 0:15:02 | |
Cody was buried with full honours at Aldershot military cemetery. | 0:15:02 | 0:15:08 | |
Around 100,000 people paid their respects | 0:15:08 | 0:15:12 | |
as the celebrated cowboy and amazing aviator was laid to rest. | 0:15:12 | 0:15:16 | |
And so the world bid farewell to one of its most colourful pioneers. | 0:15:16 | 0:15:22 | |
Phil, meanwhile, has headed half an hour north to Reading... | 0:15:24 | 0:15:28 | |
# Fanny... # | 0:15:28 | 0:15:30 | |
..hoping to uncover something special at his next shop. | 0:15:30 | 0:15:33 | |
He's meeting Will. | 0:15:33 | 0:15:35 | |
You must be Will. Phil, Will. Will, Phil. Phil, Will. | 0:15:35 | 0:15:38 | |
-Please to meet you. -How are you doing? -Not too bad. | 0:15:38 | 0:15:41 | |
-What did this use to be then? -It used to be a old meat depot. | 0:15:41 | 0:15:44 | |
-My dad used to be a butcher and my grandad. -Well, there we are. | 0:15:44 | 0:15:47 | |
Many people reckon I have it in me. | 0:15:47 | 0:15:49 | |
Well, you're built like a butcher, if you don't mind me saying. | 0:15:49 | 0:15:52 | |
Like a butcher? More like an athlete. | 0:15:52 | 0:15:54 | |
And it's not long before something else catches Phil's eye. | 0:15:54 | 0:15:58 | |
I love that. Originally it would have been one of a pair, wouldn't it? | 0:15:58 | 0:16:01 | |
-Yeah, off a gatepost, I'd imagine. -Yeah. | 0:16:01 | 0:16:04 | |
What's the ticket price on that one? | 0:16:04 | 0:16:06 | |
Well, I think the problem with that is it's been here so long | 0:16:06 | 0:16:08 | |
that we had a bit of sort-out this weekend and it suddenly appeared. | 0:16:08 | 0:16:12 | |
-Suddenly appeared. Oh, I like this. -So, I think we can... | 0:16:12 | 0:16:15 | |
If you make me a sensible price... | 0:16:15 | 0:16:17 | |
-OK. -And I mean sensible. -The trouble with it is | 0:16:17 | 0:16:22 | |
that a pair would be really, really saleable, wouldn't they? But one... | 0:16:22 | 0:16:26 | |
But I still think it's quite fun. Would a £20 note buy it? | 0:16:26 | 0:16:30 | |
Well... | 0:16:32 | 0:16:34 | |
-If it gets rid of it, I suppose, yeah. Go on, £20. -Oh, go on, then. | 0:16:36 | 0:16:41 | |
So, that's a hefty lot bought. Now, how about a pig's trough? | 0:16:43 | 0:16:48 | |
-This is cast-iron, isn't it? -Yep. | 0:16:48 | 0:16:50 | |
Pre-war. That's got to be the 1920s, I would imagine. | 0:16:52 | 0:16:56 | |
Cos after a while they made them galvanised, didn't they? | 0:16:56 | 0:17:00 | |
-Galvanised came in after the war. -How much is that, Will? | 0:17:00 | 0:17:03 | |
Well, we did have 75 on it. | 0:17:03 | 0:17:04 | |
But what were you thinking? | 0:17:06 | 0:17:08 | |
It's going to make 30 - 50 quid at auction, isn't it? | 0:17:09 | 0:17:12 | |
It might make a little bit more. | 0:17:12 | 0:17:14 | |
I'd have preferred the 50 to 80, really. | 0:17:15 | 0:17:17 | |
I've got to give you somewhere between 20 and 25 quid. | 0:17:19 | 0:17:23 | |
No, I'd have to have a little bit more than that. | 0:17:23 | 0:17:25 | |
30 quid's my best. | 0:17:25 | 0:17:28 | |
-Dear, oh, dear. -You got your hand out quick earlier. | 0:17:28 | 0:17:30 | |
HE SIGHS | 0:17:30 | 0:17:32 | |
-That's a round 50, isn't it, really? -Yeah. So, I owe you £50 for the two | 0:17:32 | 0:17:35 | |
and I'm going to put the two as one lot in the auction. | 0:17:35 | 0:17:39 | |
A great bit of bargaining secures another lot. | 0:17:40 | 0:17:42 | |
And so the sun sets on a busy day for our road trippers | 0:17:44 | 0:17:49 | |
and all I can say is, nighty-night. | 0:17:49 | 0:17:51 | |
The next morning, our dynamic duo are back on the road. | 0:17:55 | 0:17:59 | |
Well, Phil, our last day of shopping. | 0:17:59 | 0:18:02 | |
Do you know, I do think that I've reduced you to my level. | 0:18:02 | 0:18:05 | |
-What does that mean? -With some of the crud that I've bought. | 0:18:05 | 0:18:08 | |
Oh, stop it. You don't know me very well. I've always bought crud. | 0:18:08 | 0:18:11 | |
Do you remember where we started off? Woodworm and rust. | 0:18:11 | 0:18:14 | |
I'm not really allowed to tell you what I've bought, Phil, | 0:18:14 | 0:18:16 | |
-but I've bought something with woodworm. -Really? | 0:18:16 | 0:18:19 | |
-That's my girl. -Just to take us back to the beginning. | 0:18:19 | 0:18:21 | |
-You see, the Serrell influence is there. -Not always for the good. | 0:18:21 | 0:18:24 | |
So far, Natasha has three lots - the wooden jardiniere, | 0:18:27 | 0:18:31 | |
a revolving bookcase and the Scottie dog napkin rings, | 0:18:31 | 0:18:35 | |
leaving her £80.64 to spend today. | 0:18:35 | 0:18:39 | |
Phil, meanwhile, has bagged himself four lots - | 0:18:40 | 0:18:43 | |
a children's rocking chair, | 0:18:43 | 0:18:45 | |
the boat steps, | 0:18:45 | 0:18:47 | |
a mahogany tray | 0:18:47 | 0:18:48 | |
and the pig trough and garden ball, | 0:18:48 | 0:18:51 | |
which means he still has £140.40 to play with. | 0:18:51 | 0:18:56 | |
First stop of the day | 0:18:58 | 0:19:00 | |
is the small seaside town of Bognor Regis, | 0:19:00 | 0:19:03 | |
where Natasha's hunt for more antiques begins. Go, girl! | 0:19:03 | 0:19:07 | |
-Hello. Good morning. -Hi. Good morning. | 0:19:08 | 0:19:09 | |
-Hello. Hi, I'm Tasha. -I'm Stephan. -Stephan. | 0:19:09 | 0:19:13 | |
With owner Stephan's 35 years of antiques expertise, | 0:19:13 | 0:19:17 | |
he's sure to be harbouring some hidden gems. | 0:19:17 | 0:19:20 | |
-How cute is your Wemyss pig at the front? -Right. | 0:19:24 | 0:19:27 | |
-I don't think it is Wemyss though. -Oh, really? | 0:19:27 | 0:19:30 | |
-I think it's another make. -OK, so in the style of? -In the style of. | 0:19:30 | 0:19:32 | |
That would be quite nice. Can we have a look? | 0:19:32 | 0:19:34 | |
Wemyss Ware is probably the most collectable | 0:19:34 | 0:19:37 | |
and sought after Scottish pottery. | 0:19:37 | 0:19:39 | |
Ah, a cane. | 0:19:39 | 0:19:41 | |
Let's have a look. Hook the pig. Hook out the pig. | 0:19:42 | 0:19:46 | |
This piggy, however, is a piece of Plichta pottery, | 0:19:46 | 0:19:50 | |
which, though generally inferior in quality to Wemyss, is still popular. | 0:19:50 | 0:19:54 | |
It's super cute. Look at him face on. | 0:19:55 | 0:19:57 | |
He's got a bit of a wonky face, doesn't he? | 0:19:57 | 0:19:59 | |
He doesn't have quite the fine execution of Wemyss, does he? | 0:19:59 | 0:20:02 | |
-No, he doesn't. -But he does have the look. It's hand-painted, is it not? | 0:20:02 | 0:20:06 | |
It is hand-painted and no damage. | 0:20:06 | 0:20:08 | |
Oh, Stephan, I think there is a wee bit of damage. | 0:20:08 | 0:20:11 | |
-I think there's a wee bit of a curly tail option. -Oh, there is. | 0:20:11 | 0:20:14 | |
-And I'm the one wearing glasses. -I'm just keeping my eyes peeled. | 0:20:14 | 0:20:19 | |
So, she's really sweet because the little holes in her snout | 0:20:19 | 0:20:23 | |
are mimicked all the way across her body, her ears, all over the place. | 0:20:23 | 0:20:27 | |
-Maybe it's for hatpins! -Yes, hatpins. -Oh, cos it's quite big. | 0:20:27 | 0:20:30 | |
Maybe it is for hatpins. | 0:20:30 | 0:20:32 | |
I love this! The more I hold it and learn about it, the more I love it. | 0:20:32 | 0:20:35 | |
Now, I've touched it, which means apparently I've got to buy it, | 0:20:35 | 0:20:38 | |
-but... -We were asking £15, but you pointed out the damage on the tail, | 0:20:38 | 0:20:43 | |
-so now it's a crisp £10 note. -A £10 note? | 0:20:43 | 0:20:47 | |
What do you reckon? | 0:20:48 | 0:20:49 | |
I think I can deal with this little piggy for a tenner. | 0:20:49 | 0:20:51 | |
-Shall we go for it? -I think you ought to. | 0:20:51 | 0:20:53 | |
Oh, Stephan, that was quick! I wasn't expecting that. | 0:20:53 | 0:20:56 | |
I'm glad I spotted her. I'm chuffed. | 0:20:56 | 0:20:59 | |
Here's hoping this little piggy makes a profit at auction. | 0:20:59 | 0:21:02 | |
Philip, meanwhile, is easing into the day, taking a trip to Portsmouth, | 0:21:07 | 0:21:11 | |
home to one of the most famous warships in the world - HMS Victory. | 0:21:11 | 0:21:16 | |
Best known for her role in Britain's greatest naval success, | 0:21:16 | 0:21:20 | |
the Battle of Trafalgar, Victory was the flagship of Admiral Nelson | 0:21:20 | 0:21:25 | |
and was the vessel where he drew his last breath. | 0:21:25 | 0:21:29 | |
Philip's meeting curator Andrew Baines to find out more. | 0:21:29 | 0:21:33 | |
-This room that we're in now, this is Nelson's? -This is Nelson's. | 0:21:33 | 0:21:36 | |
This is a great cabin, which is divided into four sections. | 0:21:36 | 0:21:39 | |
His steerage, his anteroom, if you like, the dining place, | 0:21:39 | 0:21:43 | |
the day cabin, where we are now, and then his bed place. | 0:21:43 | 0:21:46 | |
-You can just feel history coming out of the walls, can't you? -Yeah. | 0:21:46 | 0:21:50 | |
-Nelson pacing back and forth. -Oh, just unbelievable. | 0:21:50 | 0:21:53 | |
In her 34 years of service, Victory fought in five naval battles | 0:21:54 | 0:21:59 | |
but it was the 1805 defeat of the French and Spanish | 0:21:59 | 0:22:03 | |
at the Battle of Trafalgar she became most famous for. | 0:22:03 | 0:22:07 | |
You've got the palatial surroundings that we just left | 0:22:07 | 0:22:11 | |
for the one person, | 0:22:11 | 0:22:14 | |
and the other 820 are spread throughout this ship... | 0:22:14 | 0:22:17 | |
and this is the cooking range? | 0:22:17 | 0:22:19 | |
For everyone onboard, whether it's Nelson, an admiral, | 0:22:19 | 0:22:22 | |
or the lowest of the ratings onboard, the boy seamen. | 0:22:22 | 0:22:26 | |
All the cooking is done here. | 0:22:26 | 0:22:27 | |
But that just strikes me as being a fairly strange mix, really | 0:22:27 | 0:22:31 | |
cos we've got a timber wooden ship and a fire in the middle of it. | 0:22:31 | 0:22:36 | |
Yeah. Well, men need a hot meal, so if you look, the stove sits on tiles | 0:22:36 | 0:22:42 | |
and we're very careful. | 0:22:42 | 0:22:44 | |
This is the only place you're allowed fire onboard the ship, | 0:22:44 | 0:22:48 | |
but actually on the morning of the battle, this had been dismantled | 0:22:48 | 0:22:52 | |
so there's no hot meal and the guys fight the Battle of Trafalgar | 0:22:52 | 0:22:56 | |
-on a lunch meal of raw pork and wine. -Oh, great. | 0:22:56 | 0:23:02 | |
Food is incredibly important as a part of morale | 0:23:03 | 0:23:06 | |
so everybody onboard gets exactly the same ration. | 0:23:06 | 0:23:10 | |
Nelson's advantage is, as a man of some means, | 0:23:11 | 0:23:14 | |
he is able to supplement that ration, | 0:23:14 | 0:23:17 | |
so he will bring onboard his own pantry of stores, if you like. | 0:23:17 | 0:23:21 | |
However, the men here can do just the same. | 0:23:21 | 0:23:24 | |
You eat and live as part of a mess, as four, six or eight men. | 0:23:24 | 0:23:27 | |
You'll pay into a kitty | 0:23:27 | 0:23:29 | |
and that kitty will be used to buy things like mustard and spices, | 0:23:29 | 0:23:33 | |
and indeed live animals you might choose to bring onboard | 0:23:33 | 0:23:36 | |
that are YOUR animal | 0:23:36 | 0:23:38 | |
that you will then slaughter and eat as you go through. | 0:23:38 | 0:23:41 | |
To keep up with the hard physical work onboard, | 0:23:41 | 0:23:44 | |
each crew member consumed around 5,000 calories a day, | 0:23:44 | 0:23:49 | |
a good portion of which came from alcohol. | 0:23:49 | 0:23:52 | |
These chaps are getting about half a pint of rum | 0:23:52 | 0:23:59 | |
per man per day, when we're on rum, | 0:23:59 | 0:24:02 | |
and the proof of their rum is about double what we call strong now. | 0:24:02 | 0:24:08 | |
So it's firewater. | 0:24:08 | 0:24:10 | |
On the 21 October 1805, Nelson led the British fleet | 0:24:10 | 0:24:16 | |
into battle against the French and Spanish. | 0:24:16 | 0:24:19 | |
It was 27 vessels versus 33. | 0:24:19 | 0:24:23 | |
Some 1,700 British men were killed or wounded | 0:24:23 | 0:24:27 | |
including the great Nelson himself, who was shot on the quarterdeck. | 0:24:27 | 0:24:31 | |
Below deck, the ship's surgeon, Mr Beatty, | 0:24:31 | 0:24:34 | |
knew Nelson wouldn't survive. | 0:24:34 | 0:24:37 | |
Captain Hardy came to bid his Admiral farewell. | 0:24:37 | 0:24:40 | |
He knows he's going to die. | 0:24:40 | 0:24:42 | |
He could really, although he's surrounded by people, be very alone. | 0:24:42 | 0:24:46 | |
He craves human touch and that's why he says, "Kiss me, Hardy." | 0:24:46 | 0:24:51 | |
And Hardy bends and kisses him on the forehead, | 0:24:51 | 0:24:54 | |
stands up, then actually goes down, | 0:24:54 | 0:24:56 | |
bends and kisses him on the cheek this time | 0:24:56 | 0:24:58 | |
before apparently, overcome with emotion, he leaves the scene. | 0:24:58 | 0:25:02 | |
Not long afterwards, Nelson died. | 0:25:02 | 0:25:05 | |
With Nelson's death... He must have been a national hero before, | 0:25:07 | 0:25:13 | |
and afterwards he must have almost achieved superstar status. | 0:25:13 | 0:25:17 | |
The funeral is huge. | 0:25:17 | 0:25:20 | |
It's the biggest state funeral ever to take place up until that time | 0:25:20 | 0:25:24 | |
and the funeral procession is so long that it leaves Whitehall | 0:25:24 | 0:25:29 | |
and Nelson's body arrives at St Paul's Cathedral | 0:25:29 | 0:25:33 | |
before the rest of the procession has finished leaving Whitehall. | 0:25:33 | 0:25:36 | |
It's that big. | 0:25:36 | 0:25:37 | |
In 1922, HMS Victory was placed into dry dock. | 0:25:39 | 0:25:43 | |
Millions have since flocked to visit | 0:25:43 | 0:25:45 | |
the oldest commissioned warship in the world | 0:25:45 | 0:25:48 | |
and remember one of Britain's greatest heroes, | 0:25:48 | 0:25:52 | |
Admiral Nelson. | 0:25:52 | 0:25:53 | |
Our pair have reunited to make their way to Birdham, | 0:25:55 | 0:25:59 | |
where they'll share their final shopping experience of this Road Trip | 0:25:59 | 0:26:02 | |
at Whitestone Farm Antiques. | 0:26:02 | 0:26:04 | |
-Here we are. This is off the beaten track. -It is indeedy-doody. | 0:26:04 | 0:26:09 | |
-OK, let's do it. Our last items. -This is sad, isn't it? -Ugh, what? | 0:26:09 | 0:26:15 | |
Here we go. I'm ready for it, Phil, are you? | 0:26:17 | 0:26:19 | |
-Well, my eyes are watering, but, yeah, let's go. -Come on. | 0:26:19 | 0:26:23 | |
-Our final foray. -Come on, darling, after you. | 0:26:23 | 0:26:26 | |
-Hello, you must be Jo. -I am Jo. -I'm Tasha. Lovely to meet you. | 0:26:26 | 0:26:29 | |
-Hi, Tasha. -Jo, we met before. How are you? -Philip! Great to see you. -Yeah, you too. -Oh, no, a reunion. | 0:26:29 | 0:26:33 | |
-Does that mean he's going to get a better deal than I am? -Just old friends, old friends. | 0:26:33 | 0:26:37 | |
-Never. You're much prettier. -That's not hard, is it? To be fair. | 0:26:37 | 0:26:40 | |
-Are you going to take that? -I can't argue with him, really. | 0:26:40 | 0:26:42 | |
Packed to the rafters with goodies. | 0:26:44 | 0:26:46 | |
So, what's going to tickle Natasha's fancy in here then? | 0:26:46 | 0:26:50 | |
Let's have a look. | 0:26:50 | 0:26:51 | |
OK, so, ghouls to the front. They're not hand-painted, right? They're transferred on. | 0:26:51 | 0:26:55 | |
-No, it's transfer, but... -Is the colour done by hand? -..hand-painted over the top. | 0:26:55 | 0:26:59 | |
OK, so hand-finished I guess we can say. | 0:26:59 | 0:27:01 | |
So, I'm not so up on Carlton Ware | 0:27:01 | 0:27:03 | |
but that looks like a post-1930s mark, doesn't it? It's quite crisp. | 0:27:03 | 0:27:07 | |
This is very 1930s but of course it could be as late as 1950. | 0:27:07 | 0:27:11 | |
Oh, look! "A Dorset Litany. From ghoulies & ghosties..." | 0:27:11 | 0:27:15 | |
Ah! "..and long leggetty beasties | 0:27:15 | 0:27:19 | |
"and things that go bump in the night - Good Lord deliver us." | 0:27:19 | 0:27:23 | |
-That's got a real nice Scottish feel to it. -It does. | 0:27:23 | 0:27:27 | |
Ghoulies and ghosties. Oh, my goodness. | 0:27:27 | 0:27:29 | |
I've met a few of those up north, believe me. | 0:27:29 | 0:27:31 | |
It's marked up at £50, which scares me a little bit. | 0:27:31 | 0:27:34 | |
Not as much as the ghoulies and ghosties, which are terrifying. | 0:27:34 | 0:27:38 | |
-Do you want a tempting price though? -A tempting price? Oh, I don't know. | 0:27:38 | 0:27:42 | |
How tempting? | 0:27:42 | 0:27:43 | |
-30? -30. That's quite a chunk off. that is a very generous offer, Jo. | 0:27:43 | 0:27:48 | |
Phil is just eavesdropping. He's so bad! | 0:27:49 | 0:27:52 | |
What if I made you a cheeky offer, and it is really cheeky | 0:27:52 | 0:27:55 | |
but it's my last chance to be cheeky, of £20? | 0:27:55 | 0:27:59 | |
-£20. -What would you do? | 0:27:59 | 0:28:01 | |
-25 and it's yours. -25 and it's mine? | 0:28:03 | 0:28:05 | |
I'm going to put it down carefully and say, "Jo, thank you so much." | 0:28:05 | 0:28:09 | |
Because at £25 it does have a real chance, doesn't it? | 0:28:09 | 0:28:12 | |
I think it's got a real good chance. | 0:28:12 | 0:28:14 | |
Well, it won't be long before we find out. Now, has Phil found anything? | 0:28:14 | 0:28:19 | |
That could be quite interesting, couldn't it? Actually... | 0:28:21 | 0:28:25 | |
No, it couldn't be. As tables go, that's not what you're looking for. | 0:28:27 | 0:28:33 | |
No, indeed. | 0:28:33 | 0:28:35 | |
Those leather chairs look a bit more stable though. | 0:28:35 | 0:28:37 | |
When you're looking at a chair, you just need to make sure | 0:28:38 | 0:28:41 | |
that there's no breaks. People lean back on chairs, | 0:28:41 | 0:28:44 | |
particularly people of my size lean back on chairs, | 0:28:44 | 0:28:48 | |
and if you lean back on a chair, it breaks there. | 0:28:48 | 0:28:52 | |
So, whenever you look at a chair, you want to make sure | 0:28:52 | 0:28:54 | |
that there's no breaks just there | 0:28:54 | 0:28:56 | |
cos that is just not a good thing. | 0:28:56 | 0:28:59 | |
I quite like these. | 0:28:59 | 0:29:00 | |
The pair have a ticket price of £110 but generous Jo has indicated | 0:29:01 | 0:29:07 | |
he'd be willing to drop to 60. Wow. | 0:29:07 | 0:29:10 | |
I know that you've said these at 60. 60, that is too much for me. | 0:29:10 | 0:29:15 | |
Can you come down any more at all? | 0:29:15 | 0:29:17 | |
Cos I want to try and buy something off you | 0:29:18 | 0:29:21 | |
and I really, really like these. | 0:29:21 | 0:29:22 | |
I've also got another question to ask you. | 0:29:23 | 0:29:26 | |
If I buy them, have you got any polish? | 0:29:26 | 0:29:27 | |
Cos I just want to try and... | 0:29:27 | 0:29:30 | |
-As long as you don't want me to do them. -No, I'll do it! | 0:29:30 | 0:29:32 | |
I'll do it. But at auction I see these... | 0:29:32 | 0:29:34 | |
What do you think these would make at auction honestly? | 0:29:34 | 0:29:37 | |
-40-60. -OK. | 0:29:37 | 0:29:39 | |
Easily 40-60. | 0:29:39 | 0:29:42 | |
Can you do them for 40 and a bit of polish and I'll shake your hand? | 0:29:42 | 0:29:47 | |
How about 50 and a bit of polish? I'll even help you if you like. | 0:29:47 | 0:29:51 | |
No, no, I'll do it on my own. 45 and I'll do it myself. | 0:29:51 | 0:29:54 | |
-Go on, then. -You're a gentleman, Jo. Thank you very much indeed. | 0:29:54 | 0:29:58 | |
Another lot bought and Phil's putting in a bit of elbow grease | 0:30:00 | 0:30:04 | |
to prepare them for the auction. | 0:30:04 | 0:30:05 | |
The thing is, you've got to remember that leather | 0:30:07 | 0:30:12 | |
is a bit like me really, it needs feeding. | 0:30:12 | 0:30:15 | |
Thanks for the insight, Phil. | 0:30:15 | 0:30:18 | |
With that last buy, it means our Road Trippers are all bought up. | 0:30:18 | 0:30:23 | |
Natasha spent £120 on five lots. | 0:30:23 | 0:30:26 | |
The wooden cellarette, | 0:30:26 | 0:30:28 | |
a revolving bookcase, | 0:30:28 | 0:30:30 | |
the Scottie dog napkin rings, | 0:30:30 | 0:30:33 | |
a piggy hatpin holder | 0:30:33 | 0:30:35 | |
and the ghoulish Carlton mug. | 0:30:35 | 0:30:37 | |
Phil spent £230 buying the children's rocking chair, | 0:30:39 | 0:30:43 | |
the boat steps, | 0:30:43 | 0:30:45 | |
a mahogany tray, | 0:30:45 | 0:30:46 | |
the pig trough and garden ball, | 0:30:46 | 0:30:49 | |
and the pair of newly buffed up leather chairs. | 0:30:49 | 0:30:52 | |
What do they make of each other's lots? | 0:30:55 | 0:30:59 | |
I'm going to bow to Tasha's knowledge | 0:30:59 | 0:31:01 | |
with that Carlton Ware mug. | 0:31:01 | 0:31:03 | |
I think it's a cool thing but at £25, it might be a problem. | 0:31:03 | 0:31:07 | |
But if it's rare, it should just see it through. | 0:31:07 | 0:31:10 | |
On the very last leg, Phil had to buy something salvage, | 0:31:10 | 0:31:14 | |
he had to do it, and he's come away | 0:31:14 | 0:31:15 | |
with a huge spherical gate finial and a pig's trough. | 0:31:15 | 0:31:19 | |
My pig item is a little ceramic dainty thing, his is a pig's trough. | 0:31:19 | 0:31:23 | |
It just explains the difference between Phil and I | 0:31:23 | 0:31:26 | |
and why opposites attract. | 0:31:26 | 0:31:28 | |
After starting this leg in Eversley, | 0:31:29 | 0:31:32 | |
they're now hurtling towards | 0:31:32 | 0:31:34 | |
their final destination, Salisbury. | 0:31:34 | 0:31:37 | |
You are a such a fake grump! | 0:31:37 | 0:31:40 | |
You're the fakest grump I've ever met in my entire life. | 0:31:40 | 0:31:44 | |
No, I like being miserable. | 0:31:44 | 0:31:45 | |
And you're just like, "Oh, I'm Philip Serrell. I'm so grumpy. | 0:31:45 | 0:31:49 | |
"I'm in Malvern. Come and sell your Worcester with me | 0:31:49 | 0:31:52 | |
"because I'm a grumpy man." No, you're not. | 0:31:52 | 0:31:55 | |
-You are the nicest guy of all time. -Oh, get out of here. | 0:31:55 | 0:31:58 | |
Let's swiftly move on. | 0:31:58 | 0:31:59 | |
I think, "infectious, bubbly Natasha". | 0:32:00 | 0:32:03 | |
-That's what I'm going to miss. -I'm not infectious. That sounds awful! | 0:32:03 | 0:32:06 | |
-I sound contagious! -You are because you've actually made me smile. | 0:32:06 | 0:32:10 | |
On that bombshell, it's auction time. | 0:32:11 | 0:32:15 | |
The final sale is taking place at Netherhampton Salerooms. | 0:32:17 | 0:32:20 | |
Presiding over today's events is Richard Petty. | 0:32:21 | 0:32:25 | |
What does he make of our experts' lots? | 0:32:25 | 0:32:27 | |
Revolving bookcase. | 0:32:27 | 0:32:28 | |
It's an interesting 1970s upgrade with the casters on the bottom, | 0:32:28 | 0:32:33 | |
which may put some people off. | 0:32:33 | 0:32:35 | |
£80-£100 perhaps, but it needs a bit of work. | 0:32:35 | 0:32:37 | |
I would buy the pig trough because I think it's an interesting piece. | 0:32:37 | 0:32:41 | |
It would look absolutely fabulous in my garden for the plants. | 0:32:41 | 0:32:44 | |
Sadly, I have no pigs. | 0:32:44 | 0:32:46 | |
Some good buys on both sides then. Right, on with the auction. | 0:32:46 | 0:32:52 | |
-Ah, Philip. -Here we go then. -Here we go. | 0:32:52 | 0:32:55 | |
Here we go indeed. First up - Phil's mahogany tray. | 0:32:56 | 0:33:00 | |
I'll start the bidding at £10. At £10, £10, £10, £10... | 0:33:01 | 0:33:05 | |
£12, 15, 18, £20 | 0:33:05 | 0:33:08 | |
22, 25 from me. 25 my bid. | 0:33:08 | 0:33:11 | |
28. I've got 30. | 0:33:11 | 0:33:13 | |
32, 35, 38, £40 from me. | 0:33:13 | 0:33:17 | |
45 and I'm out. 45, 45, 45... | 0:33:17 | 0:33:19 | |
-45! -You were bang on. -..In the room then at 45. | 0:33:19 | 0:33:21 | |
Anybody else? Being sold this time at £45. | 0:33:21 | 0:33:25 | |
-GAVEL BANGS -Oh! Phil, that's excellent! | 0:33:25 | 0:33:27 | |
First lot and he's pulled in a profit. Well done, Philip. | 0:33:29 | 0:33:32 | |
-That is a good start. -Yeah. | 0:33:33 | 0:33:36 | |
Can Natasha's ghoulish mug keep up the profits? | 0:33:37 | 0:33:40 | |
At £12 I've got. 15, 18, 20, 22, | 0:33:42 | 0:33:46 | |
-25. I'm out. 28... -Oh, yay! -..£30. | 0:33:46 | 0:33:49 | |
£30. 32? 32. 35? | 0:33:49 | 0:33:53 | |
-35. -Oh. -Another for you? 38. -Oh, keen crowd! | 0:33:53 | 0:33:57 | |
£40, 42, 42. | 0:33:57 | 0:34:00 | |
45. Gentleman's bid then at 45. | 0:34:00 | 0:34:02 | |
48. On my left at 48. Anyone else want to join in? | 0:34:02 | 0:34:07 | |
At 48. Being sold this time then at £48. | 0:34:07 | 0:34:11 | |
GAVEL BANGS By Jove! | 0:34:11 | 0:34:13 | |
That's some profit on the mug. Nicely done, Natasha. | 0:34:13 | 0:34:16 | |
But will her Bakelite Scottie dog napkin holders prove as popular? | 0:34:18 | 0:34:23 | |
Maybe they'll fly and do really well. | 0:34:24 | 0:34:26 | |
-Who's got 10? Thank you, £10 I've got. -10! -£10, £10, £10, £10... | 0:34:26 | 0:34:30 | |
-Who else wants it? £12. -I want them. I want them. | 0:34:30 | 0:34:33 | |
-15, 18... -Yay! -..£20. At £20. Gentleman's bid at £20. | 0:34:33 | 0:34:38 | |
-Oh, I want them. -£20, £20, 20. Anyone else want them at 20? | 0:34:38 | 0:34:40 | |
Shout if we don't see you. Being sold this time then at £20. | 0:34:40 | 0:34:44 | |
-GAVEL BANGS -Relax! Ooh! Yes! | 0:34:44 | 0:34:46 | |
The Scottie doggies have done our Scottish lass proud. | 0:34:46 | 0:34:50 | |
That's good. That's good, that's good, that's good. Double the money. | 0:34:52 | 0:34:56 | |
-Yeah. -Right, Phil, the battle is well and truly on. | 0:34:56 | 0:34:59 | |
Up next is your set of boat steps. | 0:34:59 | 0:35:01 | |
I've got three lots of instructions. | 0:35:03 | 0:35:04 | |
I'm going to start the bidding at... | 0:35:04 | 0:35:06 | |
-£40. -Ooh. -£40 I've got. £40, £40, £40, £40... | 0:35:06 | 0:35:11 | |
45. I've got 50. 55. I've got 60. | 0:35:11 | 0:35:15 | |
Another one for you? 65. I've got 70. | 0:35:15 | 0:35:17 | |
-70... -You know, that's a result, as far as I'm concerned. | 0:35:17 | 0:35:20 | |
Oh, keep going. Someone's got to come in. Got to. | 0:35:20 | 0:35:23 | |
Last chance. Being sold this time then at £70. | 0:35:23 | 0:35:26 | |
-GAVEL BANGS -Oh, Phil, that was close! | 0:35:26 | 0:35:29 | |
Ah, a bit of a loss there. | 0:35:29 | 0:35:32 | |
Someone in Salisbury got a great deal. | 0:35:32 | 0:35:35 | |
Natasha's still in pole position at this auction. | 0:35:36 | 0:35:38 | |
Can she edge further ahead with the piggy hatpin holder? | 0:35:38 | 0:35:42 | |
-£10 I have. £10, £10, £12... -That's because of the... | 0:35:42 | 0:35:45 | |
-..15, 18... -Oh! Get in! -..20, 22, 25, 28. | 0:35:45 | 0:35:49 | |
-I'm out. -Oh, don't be out. | 0:35:49 | 0:35:51 | |
-£30. 32... -I'm in trouble here. -..35, 38? | 0:35:51 | 0:35:55 | |
-I'm in trouble. -£40, 42... -I really am in trouble here. | 0:35:55 | 0:35:59 | |
..45, 48, £50. | 0:35:59 | 0:36:02 | |
£50. Lady's bid then at £50. Anyone else at 50? Your last chance. | 0:36:02 | 0:36:06 | |
-Being sold this time then at £50. -GAVEL BANGS | 0:36:06 | 0:36:10 | |
-Yes, madam! -# There may be trouble ahead. # | 0:36:10 | 0:36:13 | |
You could well be right, Phil. | 0:36:14 | 0:36:16 | |
A fantastic return on that little piggy. | 0:36:16 | 0:36:19 | |
The bookcase is up next. | 0:36:21 | 0:36:23 | |
-It's nice. -I like it because... -And the people round here | 0:36:23 | 0:36:26 | |
are forward planning. Bonfire Night is not that far away. | 0:36:26 | 0:36:29 | |
-Unbelievable. -100? 70 or 80? 50 if we have to. It's here to be sold. | 0:36:32 | 0:36:36 | |
-Who's got 50? Thank you. -Yes! -£50 I have. £50, £50, £50... | 0:36:36 | 0:36:39 | |
-I just cannot believe that. -..£50, £50, £50, £50... | 0:36:39 | 0:36:42 | |
Join in when you're ready but be very, very quick. 55. | 0:36:42 | 0:36:44 | |
-55? -That chap thought he said 15. | 0:36:44 | 0:36:47 | |
..£70, 75, £80, 85, 85... | 0:36:47 | 0:36:53 | |
-Are you OK? -..85. Don't think tomorrow. Tomorrow will be too late. | 0:36:53 | 0:36:58 | |
85. 85. Anybody else? Being sold this time then at £85. | 0:36:58 | 0:37:03 | |
GAVEL BANGS | 0:37:03 | 0:37:05 | |
Fantastic! Now that's a profit! | 0:37:05 | 0:37:09 | |
That is a top job, isn't it? | 0:37:09 | 0:37:10 | |
I'm so glad that someone else saw what I saw in it, Phil. | 0:37:10 | 0:37:13 | |
Someone else had the vision that you just simply lack. | 0:37:13 | 0:37:16 | |
Yeah. I'm going to go get all the books out and start again, I think. | 0:37:16 | 0:37:19 | |
Well done, you. Well done, you. | 0:37:19 | 0:37:21 | |
Right, Phil, if you've any chance of winning this leg, | 0:37:21 | 0:37:25 | |
you need to make a profit with your pig trough and garden ball. | 0:37:25 | 0:37:29 | |
Would it have been useful if you'd had two gate finials, do you reckon? | 0:37:29 | 0:37:32 | |
I would never have bought them. They'd be a couple hundred pounds. | 0:37:32 | 0:37:35 | |
-Too logical. -What do you want with one finial? | 0:37:35 | 0:37:37 | |
-Who's ever going to buy one finial? -I don't know. -Except me. | 0:37:37 | 0:37:40 | |
Is there a guy with half a house or...? | 0:37:40 | 0:37:43 | |
So, with the instructions I've been given, | 0:37:43 | 0:37:45 | |
I need to start the bidding at £35. | 0:37:45 | 0:37:47 | |
35 I've got. 35, 35, 40. | 0:37:47 | 0:37:49 | |
45, 50, 55, 60, 65 with me. | 0:37:49 | 0:37:55 | |
65. The bid's with me at 65. How's the phone looking, Gem? | 0:37:55 | 0:37:59 | |
-65. -I think he's got the speaking clock. I think he's gone out. | 0:37:59 | 0:38:02 | |
-Oh, they're out. They're out. -65. Is he back in yet? | 0:38:02 | 0:38:06 | |
-He's gone out. -Oh, no, he's gone out to the shops! | 0:38:06 | 0:38:09 | |
He shakes his head. At £65. | 0:38:09 | 0:38:11 | |
-70. -New bidder! -75, 80. Now I'm out. | 0:38:11 | 0:38:15 | |
80 in the seats then. £80. 80, your last chance. | 0:38:15 | 0:38:18 | |
Anybody else? Being sold this time then at £80. | 0:38:18 | 0:38:22 | |
-GAVEL BANGS -Phil! | 0:38:22 | 0:38:25 | |
-That was good, that. -That is so good. £80. | 0:38:25 | 0:38:28 | |
Phil's random garden lot has put him back in the game. Great stuff! | 0:38:28 | 0:38:33 | |
-This is getting exciting. -It is, isn't it? | 0:38:33 | 0:38:35 | |
Edge of your seat stuff here. | 0:38:37 | 0:38:39 | |
Can Phil bag another profit with his pair of buffed up leather chairs? | 0:38:39 | 0:38:43 | |
Who's got £20 then? Here to be sold. Who's got 20? | 0:38:45 | 0:38:48 | |
How many? 10? Thank you. £10 I have. £10, £10, £12, 15, | 0:38:48 | 0:38:52 | |
-18, £20, 22, 25... -It's all go, it's all go. 25. | 0:38:52 | 0:38:56 | |
-..28, £30. £30 I have then. -Phil, it's getting there. | 0:38:56 | 0:39:00 | |
-32, 35, 38, £40... -Slowly but surely. -It's like pulling teeth. | 0:39:00 | 0:39:05 | |
42? 42? What a shame. 42. Anybody else got 42? | 0:39:05 | 0:39:08 | |
-One more. -Last chance on this lot. Being sold at 42... | 0:39:08 | 0:39:11 | |
-One more. Help this man break even. -GAVEL BANGS | 0:39:11 | 0:39:13 | |
-Yours, sir. -I'm so disappointed with that | 0:39:13 | 0:39:16 | |
after all that effort I put in polishing the wretched things. | 0:39:16 | 0:39:19 | |
Aw, hard luck. But it's only a little loss so your elbow grease | 0:39:19 | 0:39:23 | |
wasn't an entire waste of time. | 0:39:23 | 0:39:25 | |
And now for Natasha's final lot. | 0:39:27 | 0:39:30 | |
The romance of a cellarette is going to set this saleroom on fire. | 0:39:31 | 0:39:36 | |
At £30 I've got. £30, £30, £30, £30... | 0:39:36 | 0:39:39 | |
32, 35, 38, £40. | 0:39:39 | 0:39:43 | |
-£40, £40... -Come on. No, no, no! -Anybody else want in at £40? | 0:39:43 | 0:39:47 | |
-Last chance 40... -I need one more. | 0:39:47 | 0:39:49 | |
-No, I don't. Drop the hammer. -No, no, no, no. | 0:39:49 | 0:39:51 | |
-£40! -Aw, no! -Drop the hammer. -GAVEL BANGS | 0:39:51 | 0:39:55 | |
A small loss there, but Natasha's still in the lead. | 0:39:55 | 0:39:58 | |
There doesn't seem any justice really | 0:39:58 | 0:40:00 | |
that that was probably worth a bit more than that, wasn't it? | 0:40:00 | 0:40:03 | |
It was worth more but I have to take the rough with the smooth | 0:40:03 | 0:40:05 | |
-cos so many things today have made money that I did not expect to make money. -Yeah. | 0:40:05 | 0:40:09 | |
Yeah. Talking of making money, to win this auction, | 0:40:09 | 0:40:12 | |
Phil will need a romping result on the rocking chair. | 0:40:12 | 0:40:16 | |
Tenner for you, sir, thank you. £10 I have... | 0:40:16 | 0:40:18 | |
-It's started. -15, 18, 20, 22, | 0:40:18 | 0:40:21 | |
25, 28, 28, 28. | 0:40:21 | 0:40:25 | |
I have £30. | 0:40:25 | 0:40:27 | |
£30. First bid has it at £30. £30. Last chance... | 0:40:27 | 0:40:31 | |
32. 32. Anybody else at 32? Your last chance on this lot. | 0:40:31 | 0:40:35 | |
£32. Anyone else? Being sold then at £32... | 0:40:35 | 0:40:40 | |
GAVEL BANGS | 0:40:40 | 0:40:42 | |
-Aaah! -Aaah! -THEY LAUGH | 0:40:42 | 0:40:44 | |
So, there we have it. This week-long Road Trip ends on a profit. | 0:40:45 | 0:40:50 | |
Marvellous. | 0:40:50 | 0:40:51 | |
What a brilliant week we've had, haven't we? | 0:40:51 | 0:40:54 | |
It's been so good. It's been so good. | 0:40:54 | 0:40:56 | |
-Shall we go outside and have a little cry? -Yeah, who's driving? | 0:40:56 | 0:40:59 | |
-The winner. -Oh, really? -The winner drives us off. Come on, Philip. | 0:40:59 | 0:41:04 | |
Well, we'd better find out who that winner is then. | 0:41:04 | 0:41:07 | |
Natasha began with £165.64 and after paying auction costs | 0:41:08 | 0:41:14 | |
she's made a pretty profit of £79.26, making her today's winner, | 0:41:14 | 0:41:20 | |
with a final total of £244.90. | 0:41:20 | 0:41:25 | |
Phil started with £325.40. After paying auction costs, | 0:41:27 | 0:41:33 | |
he suffered a little loss of £9.42. | 0:41:33 | 0:41:37 | |
This means he may have lost this leg, but he's won the trip | 0:41:37 | 0:41:41 | |
with a fabulous final tally of £315.98. | 0:41:41 | 0:41:46 | |
Well done, old bean. | 0:41:46 | 0:41:47 | |
All profits go to Children in Need. | 0:41:47 | 0:41:50 | |
-Oh, Phil, well done! -Well, yeah, but you won the evening. | 0:41:50 | 0:41:54 | |
It doesn't matter. The winner overall drives away. | 0:41:54 | 0:41:57 | |
-Oh, come on, then. -I've just got to sit here and cry | 0:41:57 | 0:41:59 | |
-in the passenger seat. -SHE LAUGHS | 0:41:59 | 0:42:01 | |
No tears, no tears. It's too good. It's too good! | 0:42:01 | 0:42:05 | |
# Thank you for being a friend | 0:42:05 | 0:42:09 | |
# Travelled down a road and back again... # | 0:42:10 | 0:42:13 | |
What a week it's been for a perfect new partnership. | 0:42:14 | 0:42:18 | |
-There have been highs... -That's a bit exciting. | 0:42:18 | 0:42:21 | |
You and I can be Tom Cruise and Kelly McGillis. | 0:42:21 | 0:42:25 | |
..and lows. | 0:42:25 | 0:42:26 | |
I find your constant smiling, cheerfulness | 0:42:26 | 0:42:30 | |
and happiness absolutely wears me out. | 0:42:30 | 0:42:33 | |
Oh, Phil! | 0:42:35 | 0:42:37 | |
Oh, that's really horrific. | 0:42:37 | 0:42:38 | |
There's been a little bit of love... | 0:42:38 | 0:42:41 | |
I cannot think of a better way to spend a day | 0:42:41 | 0:42:44 | |
than driving in a gorgeous Porsche with a handsome man like you. | 0:42:44 | 0:42:47 | |
Oh, what a girl! What a girl! | 0:42:47 | 0:42:49 | |
..and a whole lot of laughter. | 0:42:49 | 0:42:51 | |
Next time on Antiques Road Trip, | 0:43:01 | 0:43:03 | |
it's fun and games when old favourites... | 0:43:03 | 0:43:05 | |
-You're a lot older than me. -..Mark Stacey... | 0:43:05 | 0:43:08 | |
-I hope I haven't shot myself. -..and Thomas Plant... | 0:43:08 | 0:43:10 | |
-This looks like a female bottom. -..hit the road. | 0:43:10 | 0:43:14 | |
THEY LAUGH | 0:43:14 | 0:43:15 |